#both are a form of erasure
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Sources for Somerton's Plagiarism from Hbomberguy's Video (as much as I could get)
I went back through Harry's video, focused entirely on the sources James Somerton pulled from in the hopes of creating as much of a comprehensive list as I could--though my Google-Fu is not very strong. I did however find something I thought was forever lost and that made me very happy--specifically the magazine Midlands Zone containing the column by Steven Spinks that Harry poignantly used as an illustration of gay erasure... while Somerton uses it to sound like HE is waxing remorseful about the very subject.
This is not a complete list, I'm sure. For one thing, I was only able to attempt to pull sources that Harry himself mentioned in the video. Surely there's so very much more out there. I expect there to be a great deal more internet archeology to unearth just how much writing and culture Somerton has stolen like he's the British Museum of Natural History but for gay people.
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Harry's list of mentioned youtubers:
Alexander Avila - https://www.youtube.com/@alexander_avila Matt Baume - https://www.youtube.com/@MattBaume Khadija Mbowe - https://www.youtube.com/@KhadijaMbowe Lady Emily - https://www.youtube.com/@LadyEmilyPresents Shanspeare - https://www.youtube.com/@Shanspeare RickiHirsch - https://www.youtube.com/@RickiHirsch VerilyBitchie - https://www.youtube.com/@verilybitchie
Harry created a convenient playlist of videos by these and other people he wants to bring to everyone's attention.
Please give them your support.
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Midlands Zone Magazine - Column by Steven Spinks
After a great deal of searching, I found an archive of the "Midlands Zone" magazine, where you can read through past issues dating all the way back to February 2014. I have also found the issue from which Somerton took Spinks' poignant discussion of gay erasure: Overall archive Specific Issue - Pages 16-17
It will not allow you to download it, but you can read it exactly as it appeared in print form.
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My best effort to find the exact book or article Somerton lifted from to be able to get attention to the original writers
Tinker Bells and Evil Queens By Sean Griffin
The Celluloid Closet By Vito Russo Wikipedia article about the book Wikipedia article about the documentary My weak google-fu could not find where you can access the book or documentary. Check your local municipal or university library for book or documentary, or if you know a good source for one or both, please reblog with it added
Camp and the Gay Sensibility By Jack Babuscio
The Groundbreaking Queerness of Disney's Mulan By Jes Tom Personal site with links to social media accounts
Why Rebel Without a Cause was a milestone for gay rights By Peter Howell
Why "The Craft" is still the best Halloween coming out movie By Andrew Park
Opinion: From facehuggers to phallic tails, is 'Alien' one of the queerest films ever? By Dani Leever
Women and Queerness in Horror: Jennifer's Body By Zoe Fortier
[Pride 2019] We Have Such Sights to Show You: Hellraiser and the Spectrum of Queerness By Alejandra Gonzalez
Revealing the Hellbound Heart of Clive Barker's 'Hellraiser' By Colin Arason
Queering James Cameron's Aliens (1986) By Bart Bishop
Demeter and Persephone in space: transformation, femininity, and myth in the 'Alien' films By David Greven
Fears of a millennial masculinity: Scream's queer killers By David Greven (Scholarly site, unable to access original work, offers a way to request a full copy of the text in PDF)
Queer Subtext in Stephen King's It - Part 1: 'Reddie' Character Analysis By Rachel Brands Rachel is the very unfortunate lady who found out she was being stolen from because she supported Somerton through Patreon and saw one of his videos early with her writing--lacking any form of citation or credit
How 'It: Chapter Two' Leaves Richie Tozier Behind By Joelle Monique
When Horror Becomes Strength: Queer Armor in Stephen King's 'IT' By Alex London
Why Queer People Love Witchcraft By Amanda Kohr
'The Favourite' Queers The Past And The Present By Giorgi Plys-Garzotto
(Wuko) Crush (Mako x Wu) By MoonFlower on YouTube
5 Terrible Movies With Awesome Hidden Meanings By J.F. Sargent
The Radicalization of Sexuality: The Queer Casae of Jeffrey Dahmer By Ian Barnard
Netflix's 'Dahmer' backlash highlights ethical issues in the platform's obsession with true crime By Shivani Dubey
The Possible Disturbing Dissonance Between Hajime Isayama's Beliefs and Attack on Titan's Themes Original Article by "Seldom Musings" (Author has made all posts not related to Attack On Titan private and has retired from the blog)
Everyone Loves Attack on Titan. So Why Does Everyone Hate Attack on Titan? By Gita Jackson
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The following people are otherwise named in the video. There are no direct citations of articles or books by them in said video. I am unable to guarantee that I have identified the correct individual.
Darren Elliott-Smith Michaela Barton David Church Claire Sisco King Amanda Howell Jessica Roy
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Telos announced and cancelled a film likely based on this book: The Final Girl Support Group - By Grady Hendrix
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I refrained from including certain sources.
First off only focusing on Somerton's work.
Secondly not including anything that might be visible enough to not require amplifying their voice (I cannot speak for all of those I have found links to, but journalism is frequently a thankless job).
Thirdly any source that is of a nature that is antithetical to the very existence of the queer community, such as the right-leaning source that didn't make it into Somerton's video, but Harry was able to identify as a source he had considered using.
If you feel I have missed a mentioned source--or you know of a source from material that was not covered in Harry's video--please do not hesitate to reblog with added details.
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Please share this information far and wide, and please add to it if you find more material that can be positively identified and linked to the creator/writer.
#hbomberguy#james somerton#Plagiarism#Queer#LGBT#LGBTQIA#youtube#Solidarity#gay erasure#Make them un-erased
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Danny was pissed. He was chilling in the Speedforce, waiting on his dad—the Flash—to show up when he felt something shift around him. He exited the speedforce to find that the timeline had changed again, and he had been written out of the timeline. He technically was a time anomaly now, and didn’t exist. So he talked to Clockwork, a ghost he’d gotten to know extremely well after Danny’s creation.
Danny was a clone of the Flash and Green Lantern(Hal Jordan) as part of an experiment that Lex Luthor had taken prior to cloning Superboy. Lex had wanted to know if the power ring was able to transmit anything genetically (it couldn’t. It was a wearable weapon, not a genetic thing.) but Danny had inherited Flash’s superspeed, so he wasn’t a complete loss. Danny wasn’t sure if he looked more like either man, considering they both wore masks. He had brown hair and green eyes. Beyond that, he tanned well, was tall for his age, and packed on muscle far easier than the Flash did. He hadn’t ever seen either man out of the costume.
After a talk with Clockwork, he decided he was just going to force his way back into his Dad’s life. Both of them, if possible. He arrived years before his creation by mistake, right near the start of the Justice League. By his estimates, the team had only been formed for a year before he’d arrived. It was strange; he both didn’t exist and was from the future. He guessed that it was around nine years before his birth, and since he was technically six months old, he was 9 years in the past. Thinking about this was going to give him a headache.
The Justice League was severely mistrustful of each other. They didn’t go out of their way for teamups, didn’t have weekly meetings, and almost pretended if the other members didn’t exist. The most recluse of them was Batman, of course. If any hero set foot in Gotham, they were booted out before they even got to downtown. Danny highly suspected Batman had the entire city on camera. The situation was weirding him out more than before. What had happened to the team?! He was used to everyone being one big family, and even the sidekicks having their own teams… speaking of sidekicks, why was Robin so small?! Wait a minute, that wasn’t the third Robin that he was used to, that was the first Robin! Baby Nightwing!
Thankfully for him, he still had his costume on this entire time as he zipped around the country, spying on the younger members of the Justice League. It was surreal watching everyone try to capture him, but he wasn’t going to be caught that easily!
Eventually his presence forced the Justice League into another teamup. Batman laid the trap out, and Flash lured him into it. The plan was so beautiful that he didn’t even realize it was a trap until he was caught in it. Green Lantern took off Danny’s mask, and for the first time, he looked at his fathers without a mask. They didn’t make the connection to him right away. It wasn’t until Wonder Woman’s lasso made its way around his wrist that the truth finally came out.
“Who are you?” Wonder Woman asked.
“Oof , hard question—ow ow oww—I’m being honest!” He struggled against the lasso as it started to burn him. “My designation was Dn-y, I go by Danny, though. I’m a clone.”
“Of who?” Batman demanded.
“Flash and Green Lantern.” The lasso was glowing brightly, indicating that he was telling the truth.
“How did you escape?” Flash asked.
He didn’t answer right away. He was trying to think about how to phrase the whole time traveling—timeline erasure thing when the lasso started to burn him again. “Ow ow! Sorry, I’m thinking! Ow! Turn down the settings on that thing, holy shit—okay, okay.” He winced, his words coming out in one breath as he quickly talked, “What do you know about time travel?”
Diana’s eyebrows were rising. “How are you able to resist the lasso for so long?”
“I’m not really resisting it.” He answered, noting the obvious deflect of his last question, “I just-oww—okay! My mind moves too fast for me to put into words sometimes and it makes me stop to think about it, but like, I’m not good at controlling the speed in which I speak all the time—owww make this thing stop burning me! I’m speaking honestly!”
Diana revoked the lasso, and he rubbed his wrist where his costume was starting to singe. He was still trapped in an anti-speedster prison, so it wasn’t exactly like he was going anywhere anyway.
“Why were you asking about time travel?” Batman asked.
“Based on the crickets chirping I heard earlier, that leads me to believe you guys haven’t had any experience in it yet.” He leaned against the wall of the prison, wincing as it shocked him with electricity. “Seriously? How paranoid are you, Batman?” He rubbed his shoulder. “Honestly, I don’t know what I was expecting with you people, but I feel so attacked right now.”
“So we have experience with it in the future?” Superman piped up.
“Yeah?” His tone of voice equated to a ‘duh’ tone. “Why would I ask what you knew if I wasn’t from the future?”
“How far in the future are you from?” Green Lantern asked.
“Nine years, maybe close to ten? Timelines are weird. I’m technically six months old, but at the same time I’m sixteen. Cloning is odd, but I was like, the first clone ever, so I don’t really have a basis for this sort of thing, if you catch my drift.” He shrugged. He seemed like he talked a lot more than the heroes did, but he didn’t know if that was because he was a chatterbox, or because they weren’t comfortable in each other’s presence. Either way, the silence was odd to him.
“How did you end up here?” Batman asked.
“Honestly? I don’t fully know. Don’t give me that look, Diana! I’m telling the truth.” He added quickly as Diana fingered her lasso again. “All I know is one minute, I’m chilling in the Speedforce, and the next, the timeline is changed and I’m nine years too early for my birth. You’d think the timeline would at least have the decency to spit me out in my own year, but nooo, it wanted to—“
“What’s the Speedforce?” Superman interrupted.
He tilted his head at Superman’s question, then turned to the Flash. “How long have you had your powers?”
Flash shifted uncomfortably. “Two years.”
“Oh boy.” Danny’s green eyes widened. “You don’t know anything about them, do you?”
“I do know things!” Flash deflected, “My suit doesn’t catch on fire anymore! I can run up to Mach 2! I can get from either end of the country in thirty minutes!”
He groaned loudly. “Oh no. Oh no.” He chewed on his thumb, trying to recall everything he’d learned about his powers from his Flash. While he hadn’t learned his or Green Lantern’s identity yet, he knew almost everything about their hero personas and a lot of personal information. They were just worried of the Cadmus connection and didn’t want their identity to fall into the wrong hands if they still could see inside of Danny’s head.
“What’s wrong?” Diana asked.
“Okay.” He ran his hands through his brown hair, making it spike up. “Hypothetically—“ he cut himself off as Batman glared at him. “Okay, totally real, but uh, Flash, let’s just say that I’m faster than you right now. A lot faster.”
“How much?” Flash took a step forward, obviously curious.
“From what we can tell, I’ve topped out at Mach nine.” He responded with a dry laugh, “But your speed was still a lot faster than mine. You’d never tell me what it was. I’m still growing though, and I’m getting faster. I’m able to beat my precious time by almost double each time we test. But my situation was complicated, and things were happening, and it was a mess.”
“Like what?” Superman asked.
“World war three. I think?” He rubbed the back of his neck, a gesture that he had picked up from Green Lantern, “Things got complicated. That’s why I was going to wait for…” his eyebrows scrunched together as the last piece of the puzzle clicked into place. “It was you!” He turned to Flash. “You!” He jabbed a finger at the speedster. “You set this up! You set ME up!”
The heroes took fighting stances, but Superman took a step forward, blocking them from Danny. “What are you talking about?”
“Okay okay.” He was trying to calm down his anger, but he had been told by Green Lantern in the past that he had inherited the man’s anger issues. “Let me start at the beginning. This is going to be a long story, you might want to take a seat.”
Nobody moved, but everyone was tense.
“Or not. Okay. So my creation starts with Lex Luthor.” He noticed Superman stiffen. “He used me as his trial, if you will. Once he got a successful attempt at cloning—me—he moved onto his real target. Cloning Superman.” Danny’s green eyes hovered onto Superman’s blue ones. “He was successful.”
“What happened?” Superman’s voice was unnaturally quiet.
“Well, at first, Conner wasn’t showing that he had all the powers of Superman. So Lex tossed him aside and tried again. The second attempt was more successful than the first. But cloning Kryptonian dna was hard, I guess.” He shrugged. “The second clone lacked basic emotions. Empathy, remorse… it made him the perfect little weapon for Lex. But eventually, the clone’s anger and Lex’s greed got to a point of no return. Lex was elected President of the United States and uh…you can probably see where this is going, right? While the fighting hadn’t like…’officially’ started,” He used his fingers to create air quotes around the word ‘officially’, “Things were getting tense. See, we couldn’t take the clone down because Lex had wrote out the Kryptonite deficiency out of his weakness. And the clone had all the strength of Superman and none of his remorse…”
Superman looked pale. “I see.”
“So Flash and I came up with a plan.” He turned back to his father, “We were going to travel into the next dimension for help. From what we could tell, that dimension was full of god-like beings, and one of them actually helped me out earlier! But for a lot of them, they ask for a price for their help. But anyway, Flash and I were going to take our case to the King and plead for help. I was waiting for Flash when the timeline reset and I found out that not only did I not exist, but I was nine years too early.”
“What are you going to do now?” Green Lantern asked.
“Dunno,” His voice dropped as the reality hit him. He wasn’t going home—his home didn’t exist anymore.
#dp x dc au#dp x dc writing prompt#dp x dc#dp x dc fanfic#dp x dc prompt#dp dc crossover#danny phantom crossover#dp x dc crossover#danny phantom#dp crossover#dpxdc prompts#dpxdc#dcxdp#Danny is a clone#green lantern#the flash#time travel#speed force
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The report titled Unseen Battle claimed that “within the worldwide rights movement of the transgender community, it is seen that the visibility and the representation of transgender male community is comparatively lower to the transgender female community. Sri Lanka is not immune to this phenomenon. It is seen that the transgender male community shows reluctance in identifying themselves as ‘transgender male’. This also reflects on their participation in the common platforms created for the LGBTIQ+ community in Sri Lanka. This has immensely contributed in creating a void of the transgender male community within the LGBTIQ+ movement in Sri Lanka.” Instead of taking this claim for granted, it is worth critically looking at it to demystify several widely held beliefs concerning transgender men and their involvement with the transgender movement. When this assertion is being considered at face value, it seems accurate to conclude that transgender men experience a lack of visibility and their representation may be less common in comparison to that of transgender women. But the report overlooks the fact that meaningful involvement is not synonymous with omnipresent visibility or representation. Taking into account the Sri Lankan context, transgender males have contributed significantly to the LGBTIQ+ rights movement and that contribution is something that should not be trivialised. Transgender men have given their blood, sweat and tears to build the transgender rights movement in this country. This can be substantiated by both forgotten and unforgotten individuals who were involved in initiating the transgender movement. For example, the organising of transgender individuals goes back to 2002/3 and it was transgender men who first formed an informal group in Kandy, which eventually evolved into some of the current transgender rights organisations that we find today. This group of transgender men took the first step to negotiate with the country’s state medical establishment to set up transgender clinics at a time when the mere term transgender was simply alien and unheard of. One of this network’s most prominent founding members was Thenu Ranketh; along with S. Silva and a few others, they went on to establish the first ever transgender rights organisation in the country, Venasa Transgender Network. These transgender male activists also played an instrumental role in bringing the Gender Recognition Certificate into effect in 2016. It is a pity that many research reports written on the transgender community that claim to be giving a voice to an underrepresented community deliberately turn a blind eye to the history that is worth bringing to the fore.
It is evident in this kind of report that the history of the transgender rights movement and the contribution of transgender men to it has not been sufficiently documented but rather has been erased. Unfortunately, it shows that the narratives of the transgender rights movement and the contribution of transgender males to it have largely been erased and distorted at the hands of those at Colombo-based NGOs that work for LGBTIQ+ rights. They continue to hold the power to control the narratives of the transgender community. The Unseen Battle report forgets to explain why, despite the transgender male community forming autonomous groups as early as 2002/3 – long before some other groups started organising – its visibility and representation remain relatively low unlike some other groups within the LGBTIQ+ community. Therefore how fair is it to say that the transgender male community shows reluctance to identify themselves as transgender male without referring to circumstances that make their visibility and representation marginalised in the context of LGBTIQ+ rights activism? The situation analysis did not probe into what might have been the causes of marginalisation faced by transgender men or circumstances that keep them on the periphery. In talking about the low representation and marginalisation faced by transgender men, one cannot and should not ignore the factors that caused that marginalisation in the first place.
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I need you to stop telling me "well trans women face xyz thing trans men do too, just less commonly, so transandrophobia isn't as severe as transmisogyny" without also investigating whether trans men face zyx thing trans women do too, just less commonly as well. Yes, we both experience erasure to different extents, AND we experience hypervisibility to different extents. Trans women are the primary targets by media, AND there are documentaries and books and many fearmongering articles about young girls mutilating themselves and all these detrans women who regret "ruining" their bodies. Trans men's existence is more commonly erased AND trans women's voices are erased while claiming they are included. It is almost like we have overlapping experiences but that our oppression still takes different forms that are not necessarily more or less harmful than one another.
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Why is it that whenever I bring up my experiences with transandrophobia someone always feels the need to turn it into bashing trans women???
Like this ain’t even about them???
I love my trans sisters and the hate y’all get for existing isn’t fair. But I’m not talking about transfem issues, mostly because I don’t have any business talking about what it’s like to be transfem. I’m talking about my experience with being a trans man.
Trans women are often the victims of violence and abuse because they’re seen as “other”, but trans men are often just erased in discussions about trans issues, even though trans men are actually more likely to experience childhood sexual abuse, adult sexual abuse, and intimate partner violence, and are just as frequently the victims of hate violence.
Both erasure and direct hate are forms of oppression. They can coexist and often overlap.
Trans men belong in your discussions about trans oppression.
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*The continuation of answer choice number 3, due to character limit, "No, people can enjoy and create whatever they want; it's not their job to protect or shied strangers from things that might be inappropriate to them as long as these people tag their content with proper warnings. Minors should be mindful of what they consume online, but if creators tag their content with all the needed warnings and minors still choose to consume those works, then that is not the creators' fault. As for asexuality representation, you can advocate for more representation for asexual people by encouraging people to create things about asexuality representation if they want, not by guilt tripping anyone into stopping creating NSFW fan art or fanfics. Fandoms is about fun, freedom and being able create any form of art people want to create, however they want, it's not about censoring things or guilt tripping anyone into creating something for moralities/representations."
This poll was submitted to us and we simply posted it so people could vote and discuss their opinions on the matter. If you’d like for us to ask the internet a question for you, feel free to drop the poll of your choice in our inbox and we’ll post them anonymously (for more info, please check our pinned post).
#poll#polls#fandom discourse#fandom#fandoms#fandom police#fanfic#fanfiction#fanart#fan art#writer#writeblr#writers#artist#artists#writing#incognito polls#poll time#random polls#fun polls#yes or no#tumblr polls#tumblr poll#yes or no poll#yes or no polls
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This is maybe a stupid question but do you think there's any ties between like orientalist trends in western countries that glorify dharmic religions and Hindutva? Like I've heard 'Hinduism is the oldest religion on Earth' and 'Hinduism/Buddhism are just so much more enlightened than savage Abrahamic religions' and 'how could there be war and oppression in India? Hindus don't believe in violence' from white liberals and it certainly seems *convenient* for Hindutva propaganda, at least.
Not stupid at all! Historically, orientalism precedes modern Hindutva. The notion of a unified Hinduism is actually constructed in the echo of oriental constructions of India, with Savarkar clearly modelling One Nation, One Race, One Language on westphalian nationhood. He will often draw on Max Mueller type of indology orientalists in his writing in constructing the Hindu claim to a golden past and thus an ethnostate.
In terms of modern connections you can see the use and abuse of orientalism in South Asian postcolonial studies depts in the west that end up peddling Hindutva ideology –
The geographer Sanjoy Chakravorty recently promised that, in his new book, he would “show how the social categories of religion and caste as they are perceived in modern-day India were developed during the British colonial rule…” The air of originality amused me. This notion has been in vogue in South Asian postcolonial studies for at least two decades. The highest expression of the genre, Nicholas Dirks’s Castes of Mind, was published in 2001. I take no issue with claiming originality for warmed-over ideas: following the neoliberal mantra of “publish or perish,” we academics do it all the time. But reading Chakravorty’s essay, I was shocked at the longevity of this particular idea, that caste as we know it is an artefact of British colonialism. For any historian of pre-colonial India, the idea is absurd. Therefore, its persistence has less to do with empirical merit, than with the peculiar dynamics of the global South Asian academy.
[...] No wonder that Hindutvadis in both countries are now quoting their works to claim that caste was never a Hindu phenomenon. As Dalits are lynched across India and upper-caste South Asian-Americans lobby to erase the history of their lower-caste compatriots from US textbooks, to traffic in this self-serving theory is unconscionable.
You can see writer sociologists beloved of western academia like Ashish Nandy argue for the "inherent difference of indian civilization makes secularism impossible" and posit that the caste ridden gandhian hinduism is the answer as though the congress wasn't full of hindutva-lites and that the capture of dalit radicalism by electoralism and grift is actually a form of redistribution. Sorry if thats not necessarily relevant I like to hate on him.
Then most importantly is the deployment of "Islamic Colonization" that Hindu India must be rescued from, which is merely cover for the rebrahmanization of the country. This periodization and perspective of Indian history is obviously riven up in British colonial orientalism, see Romila Thapar's work on precolonial India. Good piece on what the former means if you've not engaged with it, fundamentally it posits an eternal Hindu innocence.
#sorry for not posting new articles tbh but these have received airtime before on this blog bc theyre good!#asks#hindutva
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For Liefer to pull up a Camus quote like this is quite laughable because of how the dynamics mirror each other. In the modern day, we have a status quo where Palestinians continue to be imprisoned and murdered and raped and segregated, denied basic medical care for years on end, all on their own land — while Jewish Israelis (to make distinction from Palestinians with Israeli citizenship, as many liberal zionists love to point out) suffer no consequences for anything, even if they play a direct role in the continued erasure and genocide of Palestinians. So if given a choice between suffering no consequences while benefiting from the status quo (that will not change unless the oppressed take it upon themselves to change their circumstance) and suffering consequences in the form of direct personal loss (with the strategy of forcing things to change by ennacting the same type of violence that the occupied experience on a daily basis onto the occupiers), of course someone who stands to lose nothing from the continuation of the status quo would rather the status quo continue if he has something to lose otherwise. Camus, when he said this quote, was not being righteous or overly sensitive. If anything, it shows how little he understood at the time of saying this quote. Because he didn't understand that an Algerian will suffer in both scenarios even if he (Camus) is safe, and for him to say something like this when people lived generations worth of violence for his and his family's (social) benefit is annoying and just plain offensive. Who is he, as a Frenchman born in occupied Algeria, to say what is worth justice when he only stands to lose anything in one scenario but not the other? He did not experience life as an Algerian native in French occupation. He might have observed it, growing up poor, yes, but he never LIVED it. Liefer might have observed the horror of settler colonialism, but that's nothing like experiencing it firsthand. To be the object of hatred to people who have higher status and more rights than you. It's just not his place as a person with nothing to lose if the status quo continues to comment on anything like this. What's the underlying meaning of this quote? "I'd rather others continue to suffer than myself experiencing suffering once."
I'm not saying Liefer doesn't have a right to mourn whoever. Im not even saying he has a duty to accept the consequences he experiences. But to say something so heartless as "I prefer the safety of my own rather than justice" within the larger, nearly century worth of context, is just insensitive and really belies his true opinions of the liberation of Palestine if he's so comfortable saying this outloud with moral authority in the middle of what is an outright bloodbath of Palestinians across Palestine. It's the timing of saying something like this because to say it now of all times when the entire world ignores or even encourages the violence in Gaza but mourns the death of Israelis? An Algerian born Frenchman and Israeli are going to be mourned on an international scale... but Palestinian and Algerian natives? Their deaths are regarded as facts of life by the rest of the world.
This makes it seem like I hate Camus, but I honestly don't, but I think the way Leifer is holding this quote up at face value and as the height of reason really is annoying. People like to mention Camus' "if" in this case as proof that he's actually saying "this is not real justice so therefore I do not have to accept it," but who is he to say what is or is not justice? The point I'm getting at is the people who benefit from occupation, in this case, Camus and Liefer have no right to determine what is or is not justice, despite their personal beliefs. The occupier has no right to tell the occupied what they should do to get freed. That alone is an arrogance in assertion that is so offending — the assertion that the occupier knows how to free the occupied in what *he* considers justice and the occupied just need to do whatever the occupier tells them to do. Because whether they both like it or not, they still benefit from and are part of the occupying force, and therefore have no real reason to fight the occupation at their own expense — the occupation is a violence that they are alright with inflicting if it means they cannot lose anything or anyone.
Also the idea that liefer indirectly compares himself to Camus is a little funny to me.
#this makes it seem like i really hate camus but i dont i think hes an alright writer#but to remove his works from his own sociopolitical context is annoying and a false evaluation of the meaning of his world#*his work#camus is somewhat orientalist in his works. he has some interesting ideas but it doesnt change the fact that a frenchman is of a different#class that other algerians#even if camus was poor growing up - even the richest of algerians suffered occupation in a way camus never did#im almost certain liefer was born affluent and is still affluent#so there is no class solidarity between liefer and a working class palestinian#like how there was between camus and working class algerians#so he cant even compare himself to camus
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The Jackalope Guide [spoilers for both novels]
I skimmed through the first manga, second novel, side S/W and my memories so hopefully I've not forgotten anything important [text version under cut]
Jackalopes of MILGRAM:
Novel 1
Female/described as having a "woman's voice"
Uses atashi/アタシ pronoun (pretty bog standard feminine pronoun)
Goes by "Jacka"
Requests Es call her a jackalope and not a rabbit [note: there is a Jp equivalent of the phrase "flying pig" 亀毛兎角 kimoutokaku "turtles with fur, rabbits with horns" referring to something impossible, this phrase may be linked to jackalopes]
Newer at her job (compared to other Jackalopes in the series)
Works from a branch office of MILGRAM HQ (reports back to her boss remotely via big TV)
Sadist who enjoys human bloodshed (at one point even giving a stressed out Nervous a box cutter to self harm with, just like the kind she used to use, so Sumi could see who )
Likes organising MILGRAMs with "aesthetic" (IE all of Sumi's prisoners being involved in her death)
In order to prevent information being spoiled too early uses powers to stop the prisoners breathing until they stop trying to talk
Accidentally allows Twoside to give away information too early, spoiling her own MILGRAM
Her and her MILGRAM considered failures (punishable by purging)
Her 'vessel' is chained up by another jackalope (probably youtube jackalope) at the end of the novel then purged but the person was able to escape (because she was in the Branch Office)
Current location/situation unknown (but said to be alive)
Novel 2
Male/described as having a "young man's voice"
Uses jibun/自分 pronoun (slightly unusual as a main pronoun feels kind of soldier-like)
Also goes by "Jacka"
Has run many successful MILGRAMs in the past (allowed to take risks like Torch being the Es of Novel 2)
Works at MILGRAM HQ
Takes smoke breaks after trials
Talks to boss during smoke breaks
Boss is probably Youtube Jackalope
Hates bloodshed and doesn't care about the aesthetics or drama of a MILGRAM
When Tatsumi tried to kill Torch, Jacka retaliates by using his powers to take control of Tatsumi's body and make him strangle himself
He stops when Tatsumi passes out/Torch says he doesn't want Tatsumi to die, but if not for Torch, Jacka would've killed him
Hates his job/boss
Relieved to hear that Jacka1 escaped purging
Despite working at milgram for many years, did not know there was a branch office
At the end of the novel he defects from MILGRAM, forming a collaboration with Torch and showing/taking him through the secret exit
Asks Torch how he'd feel if someone he loved was judged guilty by MILGRAM (possibly implied to be something that happened to him?)
Youtube
Male/"Speaks arrogantly"
Uses Ore-sama/オレ様 (comically self important)
Internal monologue in Side W/S uses watashi/私 (significantly less arrogant)
Only goes by Jackalope
Insulted if you call him a rabbit
Appears at the end of the first novel to punish Jacka/judge Sumi
Appears during second novel's post-trial smoke breaks (human form in milgram HQ)
Was the one to approve Torch being a guard even though he didn't think it was a good idea
Hates smoking and asks Jacka2 to not do it
Highly values the aesthetic/elegance of a MILGRAM
Wants a "pure" milgram with the fewest possible distractions in the judgement of sin
Used the same kind of memory erasure on Es that Jacka1 used on everyone
Believes Es needs to trust him for MILGRAM to work
Probably responsible for Es' barrier (the 'hypnosis' lines up with other jackalope's mind/body controlling)
Views end of 2nd novel as the worst event in milgram history
Cooks the food for the prisoners (sheds lots of fur)
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Half-Foots and Ainu Culture in Dungeon Meshi
It sometimes feels like I might be grasping at straws with this, but I do feel like it's not completely unfounded. Please note, I am a white woman living in the USA, I am by no means an expert on Japanese culture in general, much less a marginalized subculture. I have simply made limited attempts to educate myself out of genuine interest born from exposure to media about Ainu characters and culture. I am always hoping to learn more.
I think it's fairly obvious that many parallels can be drawn between Ryoko Kui's Half-Foot race, and more than one ethnicity or subculture in real life. Romani, Irish, and Jewish stereotypes come to mind immediately.
But I think there's another one that may be explored less in the text, and much harder to catch by a western reader, but nonetheless could be intended by Kui, or perhaps was at one point. That of the Ainu people of Hokkaido, Japan.
There's not a lot of translated information about the Ainu online, so please bear with my limited knowledge. In short, the Ainu are the indigenous people of Northern Japan. For generations, their way of life has been taken from them and they were forced to assimilate to the wider Japanese culture. There are not many who still fully practice the cultural heritage in this day, but there are movements to bring the Ainu culture back.
In Delicious in Dungeon, there are two instances that reference the Ainu, both relating to Chilchuck. This could, of course, be a coincidence, especially if there are more references that I missed. It may be flimsy, but it still feels significant that this is the case, and that Half-Foots are or were meant to be an allusion to the Ainu.
This is the first instance. A significant panel in the context of the story. To my knowledge, this is the only specifically Ainu dish that's referenced in the text. On it's own, its just an interesting factoid, and the same dark humor that's being used for all the other character deaths in this fight against Thistle.
This is the second instance. From the supplemental material rather than the main story, Chilchuck is discussing what Half-Foots are called across the languages. The one that caught my eye here is the one in the top corner. Korpokkur.
The Korpokkur are a race of small people in Ainu folklore, their name meaning "those who live under the butterbur leaves".
Again, in a vacuum, this could just be a Japanese person using a Japanese word [Edit: Correction; An Ainu word] in her manga. But I think it's interesting that the two instances of Ainu culture being referenced have to do with Chilchuck and Half-Foots as a whole. It could warrant a deeper read-through looking for other references, perhaps by someone more educated than myself.
I think this could have some interesting implications in the wider worldbuilding. Perhaps the Half-Foots have faced similar cultural erasure and assimilation attempts, which is why a lot of their customs and clothing are just "Tallman but smaller", and why other races regularly mistake them for the children of tallmen, despite having pretty noticeable differences in how they look other than just their height(their disproportionately large ears, for example).
This idea might be a tad more indulgent, but I also like the idea that Half-Foot children don't receive a permanent name until they are toddlers. At one point, in Ainu culture(this may not be practiced today, I could not find information on that), the Ainu would give their children "vulgar" placeholder names until they started forming personalities, as a ward against evil spirits. Perhaps the same is done for Half-Foot children, and their two part names are selected when they are a little older.
Again, these are just the observations of an outsider looking in, please feel free to correct any mistakes I may have made! And if I'm completely off-base or have said something offensive, I apologize and will delete or amend the post as necessary.
#delicious in dungeon#dungeon meshi#chilchuck#chilchuck tims#half foots#dungeon meshi half foots#dungeon meshi spoilers#dunmeshi#ainu#ainu culture
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one of the things i'm most disappointed in HoO with is how the series sets up a really beautiful continuity to the first series but now extending from a primary focus on disability to a wider focus on intersectionality (which in itself is a REALLY fascinating place to discuss particularly Percy's character and the overlap between his experiences as a disabled student and how many readers interpret his experiences as him experiencing racial bigotry in part due to his racial ambiguity and how those experiences have overlap and what does that look like for specifically a disabled student of color, etc etc) - like, there is so much set-up for so many things: we have the introduction of a bunch of new major characters, the majority of whom are explicitly not white. We have set-up for queer intersectionality topics (Nico, Jason's bi-coding, Piper being mspec as well eventually). We have set-up for gender intersectionality (all of the girls and the intersection of their disabilities and gender and for everyone other than Annabeth also the intersectionality of gender and race). We even have other forms of disability than just the primary focus of ADHD/dyslexia coming to the table with stuff like Frank having dyspraxia coding, Frank and Hazel both having childhood terminal illness survivor coding, Hazel having seizure coding, Leo having autism coding and Nico's autism coding making a comeback, Percy's book 1 PTSD even gets some references in Son of Neptune, Leo and Nico's depression get big spotlights, also Nico's general grappling with becoming weaker and new physical disability. Heck you could even dive into Jason grappling with gifted kid syndrome and how that plays into his experience with ADHD/dyslexia versus someone like Percy whose same learning disabilities present differently. There's so much set up right at the beginning of the series to dive into...!
...and then Rick does literally nothing with any of that. and it sucks. and then in TOA he does even less with it and just drops nearly all of the disability stuff in general which sucks even MORE. Also it's all made even worse by dropping or magicing-away the existing disability coding because Rick changed his mind about it (Frank's dyspraxia and Hazel's fainting episodes going away, etc etc)
Like, TKC emphasized the themes about how the Kane Siblings grapple with colorism a lot! MCGA talks about queer topics and disability and how those intersect with homelessness! The entire first series has SUCH in-depth metaphors about disability! But HoO and TOA just totally drop the ball about it and don't even try! The most TOA ever gives is the world's blandest directly-spoken-to-the-audience one sentence blurb and pretends that qualifies as representation and that they've fulfilled their quota. TSATS is even worse about the disability erasure and speaking directly to the screen and calling that representation, not to mention how little the TV show erased the majority of references to disability from TLT alongside Percy's PTSD and made Sally an autism speaks mom while they were at it. And while I haven't read it yet I hear CoTG is equally not great about how it handles Percy's disabilities (or Annabeth's).
HoO could have given us so much but it didn't and i will never forgive it for that 😔 also the fandom could stand to talk more about intersectionality cause it's a really interesting topic and there's so much opportunity to explore it in the Riordanverse that does not get nearly enough discussion.
#pjo#riordanverse#hoo#heroes of olympus#rr crit#disability#I WANNA TALK ABOUT PJO INTERSECTIONALITYYYYYY#pretty pretty please can we have a discussion about Percy's adhd and racial ambiguity and how that relates to intersectionality#long post //#sorry disability in the series just seems to be the ramble topic of the day#i went on ANOTHER rant on discord this afternoon about this too#if i ever dont talk about disability in pjo presume i have lost the ability to type and/or speak
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Intro to Anti-transmasculinity (ATM)
(also ft. an about me section)
Defining ATM:
Anti-transmasculinity refers to the systematic oppression of transmasculinity. “Transmasculinity” refers to the concept of people seen as female having a masculine or manly gender or gender expression*. Other terms used for this are transandrophobia, transmisandry, and transmascphobia.
In 1963, feminist Betty Freidan described misogyny as “the problem with no name,” illustrating how at the time, women’s language to understand, describe and communicate their oppression was underdeveloped. Anti-transmasculinity has been, similarly, a problem with no name; transmasculine people have not had the language or framework to understand, describe, and communicate our oppression. Transmasculinity suffers from erasure, often called “invisibility”. This does not protect transmasculine people from violence; it silences us to prevent us from speaking out against, or realizing, the violence done to us. It alienates us from our history, our brothers, siblings and sisters, and ourselves, by preventing transmasculinity from being seen, heard, discussed, or considered. For more posts of mine and others that help expand on the theory of anti-transmasculinity, see my #theory tag.
*This is not my definition of transmasculinity as an identity. This definition is for the form of transness targeted by transphobia, which is based around the idea of "female/woman trying to be male/a men." My definition of transmasculinity as an identity is any form of masculinity or manhood that is trans* in nature, regardless of presentation or assigned sex. I make this distinction because a GNC man assigned male could see his manhood as trans, but be targeted by transphobia based around the idea of a man trying to be a woman.
Who can be affected by ATM?:
Anyone can suffer from anti-transmasculinity, regardless of gender, sex or sexuality. Anti-transmasculine violence targets perceived transmasculinity, which means anyone perceived as transmasculine can be victimized. That is not the extent of how people are affected, though; people who perceive themselves to be transmasculine, consciously or unconsciously, or who have traits associated with transmasculinity can also be affected by witnessing anti-transmasculinity.
(TW: transphobic murder)
People who are associated with transmasculinity (such as partners, friends, and family of transmasculine people) can also be affected, not just through emotional pain but targeted for physical violence. As an example, Italian cis woman Maria Paola Gaglione was murdered by her brother to "teach her a lesson" after she got engaged to a trans man.
Who can be anti-transmasculine?:
Anyone can be anti-transmasculine, regardless of gender, sex, or sexuality. It is a systemic way of thinking that is spread throughout society and culture, and reproduces itself constantly in people's thoughts and actions.
Who benefits from anti-transmasculinity?:
In the grand scheme of things, everyone suffers from the restrictive nature of transphobia. However, in general, only cisgender, gender-conforming people systematically benefit from anti-transmasculinity. Other trans* people do not; trans* people do not systematically benefit from each other’s oppression.
* *trans is a way of writing “trans” that emphasizes it as a broad umbrella term inclusive of everyone who trangresses gender and sex norms
Is ATM caused by “misandry”?
In transunity theory, “misandry” is used to refer to the way that gender roles around manhood/masculinity are weaponized to harm marginalized people, (in this case) specifically trans* people; trans* people are viewed as having the worst traits of both masculinity and femininity, as well as the inherent negativity associated with androgyny. In this sense, anti-transmasculinity does involve misandry, as do anti-transfeminity* and exorsexism**. However, all of these also involve misogyny and misandrogyny***. Which one of these is more dominant varies between types of transphobia, as well as the individuals doing the violence and the ones experiencing it.
To quote this article, "Misandry [...] can never reliably be prevented from collapsing into transphobia."
*i use anti-transfemininity (ATF) as a companion to anti-transmasculinity, as an alternative to “transmisogyny.” This is because, as I explain, my philosophy on transphobia is that all transphobias are inherently misogynistic and all trans* people experience the intersection of misogyny. Additionally, transunity theory frames transphobia as being the intersection of many forms of gendered bigotry, so using the “anti-” terms lets me talk about these transphobias without having to specify it by only one kind (like -misogyny or -androphobia)
** exorsexism refers to oppression of people who violate the gender or sex binaries; it includes intersexism, but also oppression against non-binary people.
*** misandrogyny is the hatred of/bigotry against androgyny, a companion to misogyny and misandry. “androgyny” here refers to anything outside the exclusive male/female binary; examples of misandrogyny are violence done when someone cannot tell someone’s gender/sex, and the idea of nonbinary and genderqueer language as immature, annoying, and pointless, while binary language is considered mature, normal, and useful.
Evidence of ATM:
I have the tags #examples of transandrophobia and #experiences with transandrophobia; the first is posts showing transandrophobia in action, and the second is people describing the transandrophobia they have experienced or witnessed.
I also keep the Archive of Violence Against Trans*masculine People, which keeps a record of events of anti-transmasculine violence. This includes murder, rape, abuse, physical assault, harassment, and the suicides of transmasculine people. Also on this archive is a list of academic research & writing related to anti-transmasculinity; the studies provide more objective evidence of the systemic oppression transmasculine people face, and analyses which can help with understanding how anti-transmasculinity works.
You can also look at @transandrophobia-archive which collects examples of anti-transmasculine Tumblr posts.
Info on Me:
I’m genderqueer, transsexual, and a transvestite; I am a man and a woman and neither (all of which affect each other), and identify with both transmasc, transfem, and transother. I’m also aromantic + greysexual. My sexuality is everything everywhere all at once.
Originally this blog was just made for me to process and deal with my own internalized anti-transmasculinity, but then people liked what I wrote and now its a place where I talk about queer issues & related things I find important.
I’m multiply disabled (both physically and mentally) and I struggle with answering asks; if I don’t answer you for a while feel free to just send your ask again, I will not mind. Also feel free to ask me to explain anything in plain language if you have difficulty understanding something. I don’t mind educating people or helping people find resources, as long as you are respectful and are in good faith and all that.
I am going into philosophy and sociology with a focus on religion, and run @transtheology where I collect posts on trans-affirming spirituality and religion. If you have any questions or want advice related to transness and spirituality/religion (or madness & spirituality/religion) I’d love to help you the best I can.
If you would like to support me, here’s my kofi
Further Resources:
""Transandrophobia" Primer" by nothorses
"As a transfem, what's your insight on the way transmascs are treated when talking about their experiences?" by cipheramnesia
"This is just your regular free-of-charge reminder that when people argue that transandrophobia does not exist, or that its not important enough to talk about, they are explicitly saying they don't care about sexual assault victims or victims of suicide (among other things)" by nothorses
"Transandrophobia Posts Masterpost- 2022" by transgentlemanluke
Pinned post with links to discussions about transandrophobia, baeddelism, and other issues by nothorses
"What is transandophobia actually?" by transmasc-pirate, with additions by doberbutts and psychoticallytrans
"Transandrophobic Fundamentals and the Intersections of Trans Masc Marginalization" by none-gender-left-man
"Hello, I apologise if you've already received questions like this, but can you explain why you would say that transmisandry/androphobia is distinct from misogyny?" by transfaguette
"I Am A Transwoman. I Am In The Closet. I Am Not Coming Out." by Jennifer Coates
This conversation between doberbutts and folly-of-alexandria
Transandrophobia Explained carrd, by myself
Transmisogyny is not the intersection of transphobia and misogyny by luckyladylily
This post on misogyny, misandry, and transandrophobia by thorne1345
"tumblr can make fun of Blizzard’s Oppression Calculator all they want, that’s exactly how people act with discourse poisoned queer discussions" by cardentist
Invisible Men: FTMs and Homelessness in Toronto by the FTM Safer Shelter Project Research Team
On Hating Men (And Becoming One) by Noah Zazanis
There is a hidden epidemic of violence against transmasculine people by Orion Rodriguez
“Irl we just kiss”: ‘transmasc vs transfem’ discourse & reactionary ‘boys vs girls’ politics in trans spaces by S.L Void
Making Sense Out of the Murders of Trans Men by Mitch Kellaway
Collateral Damage: mathematical odds & the sum of survival. by S.L Void
Op-ed: Trans Men Experience Far More Violence Than Most People Assume by Loree Cook-Daniels
How the Criminalization of Testosterone Attacks Gender Variant People by Adryan Corcione
A Tale of a Trans Man in Pakistan by Ikra Javed
Not transmasc invisibility, but erasure: intricacies of transmasc invisibility, and the fallacies of strictly gendered transphobia by S.L Void
Girlboy Boygirl Blues: antitransmasculinity as a denial of individual history & more by S.L Void
The r/transandrophobia subreddit
#m.#finally a new pinned post#transandrophobia#transmisandry#anti transmasculinity#transunity#experiences with transandrophobia#examples of transandrophobia#theory#transmasc history#transmasc art#transmasc media
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It will never not be frustrating to me that amputees appear in fiction ALL. THE. TIME. and yet they're almost never acknowledged as such. The Cyberpunk genre is especially guilty of this: amputees and prosthetics becoming a normalised part of life are a defining part of the genre/aesthetic and yet no one even consults with any amputees about how we get represented there. Most writers in those genres don't even consider that giving your characters cybernetic arms and legs means they're an amputee.
CW: Ableism, dehumanisation
This makes it REALLY uncomfortable to engage with stories in the genre because another common aspect of cyberpunk is the idea of losing yourself and becoming something distinctly not-human anymore because you have too many cybernetic augmentations/implants. Shadowrun even has mechanics for this, which state if you get too many prosthetics, which is what cybernetics are 9 times out of 10, your character becomes a monster. These mechanics and discussions surrounding "how many robot bits make you not human anymore" are really, really uncomfortable when you remember this isn't something that's unique to a far-off future setting. Those people you're discussing the humanity of already exist. They're called amputees. If you reframe the question as "how many amputations can you have before you stop being a person" I hope you can see why an amputee like myself is not going to feel safe around you or in your fandoms.
And it's a shame, because I REALLY want to like Cyberpunk. I really, honestly do. I love the aesthetics, I love the idea of big corporations being the villains and the anti-capitalism at the heart of the genre, and I love the idea of prosthetics being not only destigmatised, but desirable. When written from a disability-inclusive lense, it honestly has the potential to be an incredibly uplifting and empowering genre. but as the genre stands right now, it's actively hostile to the very folks who are usually the stars of its stories: amputees, all because people just refuse to acknowledge us.
Cyberpunk isn't the only genre guilty of this, it's common all throughout sci-fi as a whole, but Cyberpunk is the only one where it starts becoming a serious issue due to its rampant dehumanisation of a real group of people. In other sci-fi settings, it's just kind of annoying and while it can be a form of erasure, it's not usually harmful, just...frustrating. Fantasy does it on occasion too, think pirates with a hook and a peg leg, but nowhere near as much.
If you, as an author or creator, use any of these words to describe a character or their tech in a sci-fi setting:
cybernetics/cybernetic enhancements
bionics
robot limbs
cyborgs
augmentations
You are probably writing an amputee. Please, at the very least, acknowledge it, and be mindful that those are real people who actually exist, not just a fantasy group you can speculate about.
edit:
I originally posted this article on my old Tumblr account and lot of people commented/reblogged to tell me that originally in cyberpunk, the "less human the more robot bits you have" only applied to people who opted for their limbs to be replaced by cybernetics, because it was seen as "renting out your body to corporations for money" but people who had to get cybernetics out of necessity weren't impacted. The thing is though, I really don't think that makes it better, for a few reasons. For one, where do you draw the line at "opting" to get a cybernetic prosthetic? This isn't a black and white thing, even in real life. Most amputations are done out of necessity, but there are situations where it's not the only option, just the best one. Talking from personal experience, I lost both my legs below the knee as a baby, that was a pretty clear cut case, I had a blood infection and gangrene and they had to act fast. But the infection caused lasting side effects and impacted my physical body's development and growth. By the time I got to my early 20's it was causing a lot of pain in my right leg, in my knee specifically, and when I got a bone infection in the end of that stump, I chose to have the whole thing amputated up to the knee. They only needed to take a few inches off the end of my stump, but I asked them to go higher, because of the ongoing issues in that knee, issues that would have been made worse by the shortening of the leg. I choose to remove the whole thing, knowing the joint was degrading and I probably would have lost it later in life anyway. Even if it was salvageable, it would mean much more surgery, and I've had enough of those. A boy I played wheelchair basketball with was born with a partially formed leg, it was half the size of his other leg and he wasn't able to use it al all, it was just dead weight, so he opted to get it amputated too for convenience and so he could use a prosthetic on that side. I worked with a girl who's hand didn't form properly in the womb, resulting in a normal palm, but tiny "finger nubs" (her words) with no bones inside. They weren't actively harming her usually, but she opted to get them and the top of her palm amputated after an incident at work where we were tying balloons and one of her nubs got stuck in the knot. She decided to get them amputated because it meant accidents like that would be less likely, and she could use a prosthetic more comfortably. All 3 of these are considered "optional" amputations, so would people like us be penalised in your setting? does it make sense that the technology in your setting can tell the difference, or that corporations would care about the how and why? Even stepping away from medical grey areas, if your character opts for a cybernetic arm because the corporations will financially reward her, and she's struggling to put food on the table without that help, is that really optional?
Don't get me wrong, I do think that idea could work but it would take a lot of work to do well, and most works I've seen don't do the work. Even if they did though, it doesn't change the fact that most modern uses of this trope don't mention that bit or actively ignore it. It doesn't matter in most cyberpunk works I've seen if the amputation was optional or out of necessity, they still are more prone to being seen as "less human" and in most of the sci-fi writing communities I've been part of, the authors are genuinely shocked when I ask them to remember "people with cybernetics are real people already, they're not some far-off-distant future fantasy group, they're just called amputees". Like it didn't even cross their minds. These are the people creating the works in this genre. Even if it wasn't the original intention of the genre, it's still an issue in the modern version of it. Edit 2: Elaborated a little more on why I don't think the "only people who choose it" argument works in the edit. Also, please stop telling me that old cyberpunk doesn't have this issue, I literally address that in the post lol.
#Writing Disability with Cy Cyborg#id in alt text#disability#disabled#disabilities#disabled community#disability representation#cyberpunk#scifi#disability in media#writing disability#writing#writer#amputee#amputees in media#writblr#writerblr#authors of tumblr#cybernetics#cyborgs#science fiction#sci fi#science fantasy
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I've been reading Cripping Intersex by Celeste Orr and one concept that I think is absolutely crucial and one of the best resources I've found for understanding my own experiences as an intersex person is the term Compulsory Dyadism.
Dr. Orr coins the term: "I propose the expression 'compulsory dyadism' to describe the instituted cultural mandate that people cannot violate the sex dyad, have intersex traits, or 'house the spectre of intersex' (Sparrow 2013, 29). Said spectre must be, according to the mandate, exorcised. However, trying to definitively cast out the spectre via curative violence always fails. The spectre always returns: a new intersex baby is born; one learns that they have intersex traits in adulthood; and/or medical procedures cannot cast out the spectre fully, as evidenced by life-long medical interventions, routines, or patienthood status. And the effects of compulsory dyadism haunt in the form of disabilities, scars, memories, trauma, and medical regimens (e.g., HRT routines). Compulsory dyadism, therefore, is not simply an event or a set of instituted policies but is an ongoing exorcising process and structure of pathologization, curative violence, erasure, trauma, and oppression." (Orr 19-20).
They continue on in their book to explore compulsory dyadism as it shows up in medical interventions, racializing intersex + sports sex testing, and eugenic and prenatal interventions on intersex fetuses. This term makes so much sense to me and puts words to an experience I've been struggling to comprehend--how can it be that so many endosex* people express such revulsion and fear of intersex bodies and traits, yet at the same time don't even know that intersex people exist? Why is it that people understand when I refer to my body in the terms used by freak shows, call myself a hermaphrodite, remember bearded ladies and laugh at interphobic jokes--yet do not even know that intersex people are as common as redheads? Understanding the term compulsory dyadism elucidates this for me. Endosex people might not comprehend what intersex actually is or know anything about our advocacy, but they do grow up in a cultural environment that indoctrinates them into false ideas about the sex binary and cultivates a fear of anything that lies outside of it.
From birth, compulsory dyadism affects every one of us, whether you're intersex or not. Intersex people carry the heaviest burden and often the most visible wounds that compulsory dyadism inflicts, as shown through often the very literal scars of violent, "curative" surgery, but the whole process of sex assignment at birth is a manifestation of compulsory dyadism. Ideas entrenched in the medical system that assign gender to the hormones testosterone and estrogen although neither of those hormones have anything to do with gender, a society that starts selling hair removal products to girls at puberty, and the historical legacy of things like sexual inversion theory are all manifestations of compulsory dyadism. For intersex people, facing compulsory dyadism often means that we are subjected to curative violence, institutionalized medical malpractice that sometimes includes aspects of ritualized sexual abuse, and means that we are left "haunted by, for instance, traumatic memories, acquires body-mind disabilities, an ability that was taken, or a 'paradoxical nostalgia....for all the futures that were lost' (Fisher 2013,45)." (Orr 26).
Compulsory dyadism works in tandem with concepts like compulsory able-bodiedness and compulsory heterosexuality to create mindsets and systems that tie together ideas to suggest that the only "normal" body is a cisgender one that meets capitalist standards of function, is capable of heterosexual sex and reproduction, and has chromosomes, hormones, genitalia, reproductive system, and sex traits that all line up. Part of compulsory dyadism is convincing the public that this is the only way for a body to function, erasing intersex people both by excluding us from public perception and by actively utilizing curative violence as a way to actively erasure intersex traits from our body. Compulsory dyadism works by getting both the endosex and intersex public to buy into the idea that intersex doesn't exist, and if it does exist then it needs to be treated as a freakshow, either exploiting us to put us on display as an aberration or by delegating us to the medical freakshow of experimentation and violence.
Until we all start to fully understand the many, many ways that compulsory dyadism is showing up in our lives, I don't think we're going to be able to achieve true intersex liberation. And in fact, I think many causes are tied into intersex liberation and affected by compulsory dyadism in ways that endosex people don't understand. Take the intense revulsion that some trans people express about the thought of medical transition, for example. Although transitioning does not make people intersex and never will, and the only way to be intersex is to have an intersex variation, I think that compulsory dyadism affects a lot more of that rhetoric than is expressed. The disgust I see some people talking about when they think about medical transition causing them to live in a body that has XX chromosomes, a vagina, but also more hair, a larger clitoris--I think a lot of this rhetoric is born in compulsory dyadism that teaches us to view anything that steps outside the sex dyad with intense fear and violence. I'm thinking about transphobic legislation blocking medical transition and how there's intersex exceptions in almost every one of those bills, and how having an understanding of compulsory dyadism would actually help us understand the ways in which our struggles overlap and choose to build meaningful solidarity, instead of just sitting together by default.
I have so much more to say about this topic, and will probably continue to write about it for a while, but I want to end by just saying: I think this is going to be one of the most important concepts for intersex advocacy going into the next decade. With all due respect and much love to intersex activists both current and present,I think that it's time for a new strategy, not one where we medicalize ourselves and distance ourselves from queer liberation, not one where we sort of just end up as an add on to LGBTQ community by default, not even one where we use a human rights framework, nonprofits, and try to negotiate with the government. I agree with so much of what Dr. Orr says in Cripping Intersex and I think the intersex and/as/is/with disability framework, along with these foundational ideas for understanding our own oppression with the language of compulsory dyadism and curative violence, are providing us with the tools to start laying a foundation for a truly liberatory mode of intersex community building and liberation.
*Endosex means not intersex
Endosex people, please feel free to reblog!
#personal#actuallyintersex#intersex#curative violence#compulsory dyadism#intersexism#interphobia#medical abuse tw#h slur#igm tw#disability studies#actually disabled
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Paul and (or) Pat! How did you guys get together? Or when did you realize you were in love with each other?
Oh man, you’re about to get a huge lore dump. Strap in, you got me monologuing.
Pat is interesting because he didn’t feel any romantic/sexual attraction to paul at first. He just thought he was a really nice guy and appreciated his gestures and thought of him as a really close friend. Then he opened up about being (what he thought at the time) was Aroace. Previously he tried dating people without really getting to know them and decided “welp, this isn’t working. Guess I feel nothing.”
Then he spent time in the army with Paul, like we’re talking months of talking every day. Then, he realised he was demisexual (meaning you feel no sexual attraction until you form an extremely close bond with someone).
(Btw I just want to say this is partially based on my own experience as someone on the ace spectrum, I have bounced between sexualities in my time and I do not want people to think this is aroace erasure. This is just one specific example of an ace experience and it does not apply broadly.)
Patryck originally told Paul he identified as aroace, and at the time, Paul had already realised he had feelings for Pat. However, upon being told he was aroace and explaining how he didn’t feel anything, he decided to keep it to himself, as to not upset his friend.
I haven’t had an exact timestamp on WHEN Paul developed feelings, but Paul basically just felt a huge sense of comfort around Pat. He didn’t feel judged for his actions or his behavior and he realised he wanted Pat just in his life in general. It didn’t matter which form, whether it be friends or partners, he just wanted Pat in his life, which made him gain the courage to go for it.
Btw Pat does tell Paul his feelings and then they kiss and it’s very epic the end
Then eventually tord gets into the army business and recruits both of them. Btw Paul and Pat in my version are only 3-5 years older than tord. He hires them based on their experiences and skill set but he didn’t want any relationship drama. He gave em separate rooms to sleep in so incase something bad happened like they broke up, they wouldn’t have to find a new space.
Tords outlook on their relationship is very interesting because in my headcanon he’s gay and demisexual so I do want to get into that at some point
#eddsworld#artists on tumblr#drawing#eddsworld red army#tord fanart#paul and patryck#paul eddsworld#eddsworld paul#paul ew#ew patryck#eddsworld patryck#eddsworld tord#red army#ew red leader#tord eddsworld#ew tord#tord#paultryck#answered asks#my art#my art style#my artwork#asks#send asks
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women in motorsport: a semi-curated mini academic reading list (with links!)
These articles broadly cover the position of women within motorsport and interrogate the misogyny of that ecosystem. I found quite a few more, some of which go in depth about the hypermasculine norms responsible for the exclusion of women from that space. If you want those titles, let me know, but otherwise I think these comprise a solid foundation to academic thought on the subject.
John M. Sloop, "Riding in Cars Between Men," Communication and Critical/Cultural Studies 2, no. 3 (September 2005).
Discusses several incidents in the racing career of Deborah Renshaw, including an 2002 incident in which a unified group of her competitors, all male, successfully conspired to disqualify her car from competing. Makes some really interesting points about "first women" in male-dominated environments and the simultaneous erasure/amplification of gender difference when discussing women in motorsports.
Elizabeth Lick, Rashid Bakirov, and Tauheed Ahmad Ramjaun, "Female motorsport fan engagement on social media-based brand communities," Journal of Digital & Social Media Marketing 12, no. 1 (2024)
Written for an audience of social media professionals within F1 looking to expand their reach to female fans - but an enlightening read for anyone involved with online motorsports fandom. Concludes in part that women are less likely to actively engage with official F1 social media (leaving comments and the like) because of how men react to women in those spaces, and proposes a few adjustments teams could make to make women more likely to interact with posts.
Ehren Helmut Pflugfelder, "Something Less than a Driver: Toward an Understanding of Gendered Bodies in Motorsport," Journal of Sport and Social Issues 33, no. 4 (2009).
A big jargony, but worthwhile if you can parse the language - goes into depth about the woman driver as a "cyborg identity" (in the vein of Donna Haraway's Cyborg Manifesto): something both mechanical and human, and thus embodying more complex gender dynamics.
Honorata Jakubowska, "The Awkward Gender Politics of Formula 1 as a Promotional Space: The Issue of 'Grid Girls,'" in The History and Politics of Motor Racing (2023)
Revolves around the decision to drop the longtime tradition of "grid girls" at races in 2018, though reflects generally about the role of women in the homosocial world of F1. Argues that the symbol of the sexualized grid girl--present to celebrate race winners and bolster marketing efforts--contributed to the spectacle of F1 and underscored its claim as the most glamorous, luxurious, and elite form of motorsport.
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