#books you should read because I said so

[batcavescolony]

Katniss is such an unreliable narrator. She says "Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me" girl you deliver strawberries to the Mayor, you hunt and trade for the district, when you fell at Prim being chosen someone caught you, when you went to Prim people parted for you, when you volunteered EVERYONE stopped. Idk how to tell you but I think you're a pillar of the community.

[greenerteacups]

What do you think of jkr as a writer? I for one has always felt like she didn’t treat her female characters well. It felt strange, being critical of her when she was god queen of the earth, and also being 10

I think most of the problems in her books can be chalked up to genre hopping. Books 1-3 are perfectly good and serviceable children's books — great children's books, even! They have compelling, relatable characters and juicy mystery plots. They have problems, sure, but for the first three books someone's ever written — especially someone with little or no background in creative writing — they're really fucking good. So: there's her flowers.

The last four books pivot sharply into much more emotionally complicated and sociopolitically loaded territory, because they're describing a war. And it's hard to write children's books about war. I would venture you can't really do it, at least without dramatically misrepresenting what war is! And so Rowling makes the executive decision somewhere during the writing of Book 4 that she's not going to flinch away from that, she's going to go for dramatic realism, and she kills Cedric Diggory to let us know. People had died in Harry Potter before, of course — Quirrell gets sent to the fucking shadow realm, for example. But children haven't. (It also gives parents who are reading these books with their children a warning shot: shit is about to get significantly more real, think twice before you buy the next one of these for your 10-year-old.) After that, Rowling starts leaning much more into dramatic realism, and the fast-paced mystery-novel plotting of the first few books is replaced by a slow, simmering political conflict that unfurls over the course of about a million words.

The problem — besides the fact that she's picking one of the hardest things to write about, like, in all of literature, war is really insanely complicated and emotionally intense and hard to portray well — is that she's now trying to use characters, plot points, and technologies she developed for a children's series to enact a sprawling war drama among teenagers and adults. So Hermione, who was a reasonably precocious snobby eleven-year-old, becomes this sort of encyclopedic all-knowing savant of the wizarding world, who somehow remains functional and mostly even-headed despite her identity being the chief target of a prolifically murderous terrorist group. Draco Malfoy, a schoolyard bully whose primary tools included 1. namecalling and 2. telling teacher, JOINS said terrorist group (and admittedly does react reasonably, i.e., has a total crashout and takes to sobbing in a girls' bathroom whenever he gets a free minute). Dumbledore, who starts out as "whimsical friendly winky-wink trustworthy grandfather type", ends up being Magical Winston Churchill in a violent game of spycraft and espionage, eventually revealing he's only been keeping Harry at all these seven years because he wants to KILL him! And like, maybe really good technical writing could smooth out these transitions and make the first-order dramatic choices seem more natural, but Rowling is like, a Fine Writer, technically speaking. meaning she's reasonably consistent in characterization, her plotting is well-paced and believable, she has a clear authorial voice, and her prose is readable. personally, that's not enough to get me to buy into some of the changes that happen in the later books, and because she stuffs these things so full with new elements every installment, a lot of stuff ends up getting glossed over.

And like, I still love the books. I think they're wonderful, and they taught me how to read. but i can say that and also say that Rowling probably did herself a disservice by trying to write four giant war novels as sequels to her first three mystery children's books.

[xxplastic-cubexx]

reading Krakoa era out of order bc reading lists online make it confusing and my local library only has so many books

just as god intended right on my friend you're doing everything right and don't let anyone tell you otherwise

[weaselishmcdiesel]

.

[springcatalyst]

shogun (book) does the 'characters speaking in multiple languages' thing the best ive ever seen its so fuckign. the 'defaults' are typically either portugese or japanese and so those are written normally, with the exception that the japanese we hear from blackthornes perspective is either unintelligible (not direct quotes) or short words and phrases that he picks up (things like wakarimasuka and kinjuru are written just like that, and we the english reader learn what they mean as blackthorne does, so dont need translations evey time). japanese when heard from a japanese character's perspective is written in normal english, because its still the default, its their first, usually only, language. but it gets funky when youre speaking, say, latin, which they do sometimes. because blackthorne knows it fluently, but its not his first language (though neither is portugese) and its not the one he uses the most. so its written recognizably to us, an english-speaking reader, but in a way that makes it clear it is NOT portugese (default). so its written in this kind of old-englishy very elaborate style, with thees and thous and -ith at the ends of verbs and even just a different grammatical structure than normal english. "who giveth the sign? with importance it should be given quickly." <- not a sentence that comes naturally to english but it is A: recognizable as of the meaning and B: clearly Different. it signals theyre speaking latin even when the whole book is written in English and i think its NEAT

[crystalkitty1220]

Man I wonder where the leader of the fear realm could've gone, it's alMOST LIKE NEVIN HAS AN

[puffyducks]

[fitzrove]

[shaking and biting] but what does it MEAN. what does it SAY what is the THEME

[sp4ceboo]

rant but im a bit scared im going to get attacked

[raininyourblackeyes]

My cousin, a published writer, a well-known poet in my country and a literature professor, for whom I've always been no.1 support ever since her first attempts at writing in high school, told me that I must stop writing as a hobby because that's her thing and since I'm writing fantasy mostly my writing could never have any important artistic value anyways.

[silverselfshippingchaos]

I've been trying to get all the restaurants in y.akuza 7 and it's so fucking cute how j.oongi always lights up whenever he gets the chance to talk around korean food. it's really adorable seeing him get all happy about sharing his culture

[swaghaver69]

i feel a heavy pressure like someone is sitting on my chest making it so i can’t breathe whenever i think about how every single structure in society and social conditioning makes it so that women have no choice but to inevitably end up with a male and it is pushed so hard as the only possible viable option and it feels choking and inescapable (personal rambling vent in tags)

[unnonexistence]

just started reading book 3 in this series and page 1 is taking no prisoners hgdshdslk

[cabeswaterdrowned]

remembering on my circa 2017 booklr I used to tell people to read Gemma Doyle by describing it as trc but with an all girls boarding school / all girl group in a historical setting… I was trying to do the lord’s work she deserved tumblr fame

[things-methinks]

Talking to [leftist/socialist/progressive/whatever] white people as a brown girl is always an experience

[camcorderrevival]

zen and the art of motorcycle maintenance, robert m. pirsig, 1974