#black panther inspired fashion

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What is Velvet Panther Insurance Sanepo In Us

What is Velvet Panther Insurance Sanepo In Us What is Velvet Panther Insurance Sanepo In Us Welcome to our blog post series on Velvet Panther Insurance Sanepo in the US! In this post, we will introduce you to this company and its services, highlighting the benefits of choosing Velvet Panther Insurance for your insurance needs. We will also take an in-depth look at the coverage options offered by…

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MICHAELA COEL promoting “Black Panther: Wakanda Forever” on “The Tonight Show with Jimmy Fallon” on October 24th 2022 wearing BURBERRY

When I saw the Burberry show, I wasn't sure how the looks would translate for celebrities to wear. The looks felt too busy for a red carpet. Michaela was the first I've seen wearing the collection. I thought the choice to wear at a talk show was a good one.

I can't say I'm a huge fan. The patterns are a bit overwhelming. However, I really liked most of the look. I thought the train and long sleeves body suit looked really cool. My issue was more the little one piece covering her mid area. I don't think it looks very flattering across her chest or near her lower stomach. It felt very messy and almost old, with how the lace was styled. It just wasn't my favorite look.

[attyrocious]

I drew for @hamstercheese7's piece in the @opmetgalazine and now im gonna ramble

ham wanted each Rev army member to have high fashion artsy protest outfits inspired by different issues surrounding the OP world. My job was to figure it out while keeping the character silhouettes of each to keep them instantly recognizable despite the censorship portrayed in the article. and bc i wanted to keep the censorship i naturally couldnt show the actual fits so anyway: morley's was inspired by leather bdsm fetish gear x actual prison gear with all the cuffs and chains, pointiness and leather. "Prison themes could be a little inspired by both genderqueer fashion and the black panthers" as ham said except i took that literally. i mean impel down does have a gay club in its walls

betty's is inspired by Hunger Pains and of course the iconic Lady Gaga meat dress. meant to satirize the unfair distribution of food resources in favor of the wealthy who just uses it as a fashion statement yada yada im not a worder. the deliberate choice of lack of color for this spread robbed this one the most but blame the government. favorite detail is the rib cage hook closure pattern

iva's was the last i did and on hindsight the easiest. ham mentioned wanting a fishmen rights statement piece and ofc iva's entire fishnet getup was an easy translation. favorite detail i had to bend over backward to show is the harpoon heel

other ideas for characters i couldnt fit: - Dragon in channel-esque thom browne design for over militarization - karasu 'plight of the poor' statement piece i was imagining smth like Cruella (2021) garbage truck dress - sabo/koala in caricatured french noble fits pre-revolution

[alasarys]

Recommended books for the drivers from BookPeople, Austin, Texas (insta)

Daniel Ricciardo: Friday Night Lights – "... every Friday night from September to December, when the Permian High School Panthers play football, this West Texas town becomes a place where dreams can come true."

Lando Norris: Assassin's Apprentice – "Fitz ... must give up his old ways and embrace a new life of weaponry, scribing, courtly manners; and how to kill a man secretly, as he trains to become a royal assassin."

Alex Albon: My Brilliant Friend – "... a rich, intense and generous-hearted story about two friends ... a touching meditation on the nature of friendship."

Logan Sargeant: Once Upon a Time in Hollywood – "hilarious, delicious, and brutal"

Yuki Tsunoda: A Cook's Tour – "the unpredictable adventures of America's boldest and bravest chef."

Carlos Sainz: Great American Golf Stories – "some of the best classic writings, both fact and realistic fiction, that reflect the rich history, tradition, agony, and ecstasy of one of our most enduring and endearing pastimes."

Oscar Piastri: Iona Iverson's Rules for Commuting – "It turns out that talking to strangers can teach you about the world around you--and even more about yourself."

Lance Stroll: Infinite Jest – "Set in an addicts' halfway house and a tennis academy, and featuring the most endearingly screwed-up family to come along in recent fiction, Infinite Jest explores essential questions about what entertainment is and why it has come to so dominate our lives; about how our desire for entertainment affects our need to connect with other people; and about what the pleasures we choose say about who we are."

Charles Leclerc: Every Good Boy Does Fine – "[Denk] reminds us that we must never stop asking questions about music and its purposes: consolation, an armor against disillusionment, pure pleasure, a diversion, a refuge, and a vehicle for empathy."

Lewis Hamilton: The Boy with a Bird in his Chest – "A heartbreaking yet hopeful novel about the things that make us unique and lovable,��The Boy with a Bird in His Chest grapples with the fear, depression, and feelings of isolation that come with believing that we will never be loved, let alone accepted, for who we truly are, and learning to live fully and openly regardless."

Max Verstappen: Atomic Habits – "Atomic Habits will reshape the way you think about progress and success, and give you the tools and strategies you need to transform your habits--whether you are a team looking to win a championship ..."

Zhou Guanyu: A Visible Man – "When Edward Enninful became the first Black editor-in-chief of British Vogue, few in the world of fashion wanted to confront how it failed to represent the world we live in. But Edward, a champion of inclusion throughout his life, rapidly changed that."

Pierre Gasly: Misery – "He's a bestselling novelist who has finally met his biggest fan. Her name is Annie Wilkes and she is more than a rabid reader – she is Paul's nurse, tending his shattered body after an automobile accident. But she is also his captor, keeping him prisoner in her isolated house."

Valtteri Bottas: Foundryside – "To have a chance at surviving ... Sancia will have to marshal unlikely allies ... and undergo her own transformation ..."

Fernando Alonso: The House of the Spirits – "an enthralling saga that spans decades and lives, twining the personal and the political into an epic novel of love, magic, and fate."

Kevin Magnussen: The Daily Dad – "366 Meditations on Parenting, Love, and Raising Great Kids"

Sergio Perez: Bad Feminist – "an inspiring call-to-arms of all the ways we still need to do better"

Building on the excellent work by @vegasgrandprix and @kritischetheologie

[sbrown82]

THE FULL HISTORY OF THE MICK JAGGER & MARSHA HUNT (A.K.A. “BROWN SUGAR”) RELATIONSHIP!!! (PART 1)

First, some background on the model, singer, actress, novelist, playwright, activist, icon, 60s goddess, and the woman who inspired one of The Rolling Stones’ greatest hits, “Brown Sugar”, Marsha Hunt. She is often described as London’s own Josephine Baker and is celebrating her 77th birthday today!:

Marsha A. Hunt was born on April 15, 1946 in Philadelphia, Pennsylvania and is the youngest of 3 children. Her mother, Inez “Ikey” Hunt, worked in an airplane factory during World War II, and her father, Blair Hunt Jr. graduated from Harvard and became one of America's first Black psychiatrists.

Marsha was raised in a middle-class neighborhood mostly by her mother, aunt, and grandmother who had roots in the deep south (Mississippi delta) and who she’s described as an “extremely aggressive and ass-kicking independent woman.” Her father committed suicide when Marsha was 9 years old (but she never found out how or why).

After moving out west to California with her family, she graduated high school at the top of her class and later attended UC, Berkeley in the mid-’60s where she wanted to study psychological anthropology.

While at Berkeley, she became friends with a slew of interesting people like activist Mario Savio and Huey P. Newton, who later became one of the founders of the Black Panther Party.

[TOP LEFT: Marsha’s mother Inez Hunt; TOP RIGHT: Marsha’s father, Blair Hunt Jr.; BOTTOM LEFT: Marsha at her home in Philly with her father & siblings, Pamala & Dennis; BOTTOM RIGHT: Marsha’s high school graduation photo in 1964.]

Even though she thrived academically and was very involved in student activities, she became bored with college life and wanted to experience life outside of the country and pursue her real passion – music. In early 1966, she sold her car and some books, and trailed off to London with only $1.83 in her pocket.

Around that time, London was THE city to be in, and was even dubbed “Swinging London” for being the epicenter of art, culture, fashion and of course music, especially due to the popularity of famous acts like The Beatles and The Rolling Stones.

When Marsha first arrived, she slept on the floors of mutual friends, took odd jobs (including one as an au pair), and even appeared as an extra in Michelangelo Antonioni's box office hit film, “Blow-Up,” which also featured the British rock band, The Yardbirds.

SHOCKINGLY, in that same year she actually saw The Rolling Stones in concert for the first time during their UK tour at the Royal Albert Hall in London because she wanted to see Ike & Tina who were the supporting act on the bill. Girls were going crazy over the Stones, but of course, she was more impressed by Tina’s show-stopping performance! (Purrrrr 💅🏿)

[LEFT: Marsha in 1966; RIGHT: The Rolling Stones performing at the Royal Albert Hall in London with Marsha in attendance.]

After roaming the city, making new friends, and trying to find steady work, Marsha ended up auditioning for a blues band fronted by British blues musician, Alexis Korner, who was looking for backup singers. Coincidentally, he was the exact same guy who gave The Rolling Stones their start back in 1962. Later on, she was offered another backing gig for Long John Baldry’s band, Bluesology. John is also a longtime friend of The Beatles and The Rolling Stones.

Though she loved music and worked really hard at it, Marsha always claimed that she was never a good singer. People in England just assumed she was because they thought all Black Americans had talent.

She then lived with English blues singer, John Mayall, who actually wrote a few songs about her including, “Marsha’s Mood” and another song coincidentally called “Brown Sugar”. Around this time, she became good friends with the founding members of Fleetwood Mac, famed British artist Kaffe Fassett, and keyboard player for Bluesology, Reg Dwight (a.k.a Elton John).

[LEFT: 19 year old Marsha sporting a wig in London; RIGHT: Marsha with a young Elton John].

Around the time Marsha broke things off with John, he was also putting a new band together, which included a young guitarist named Mick Taylor, who showed up at the audition without a guitar. He later became another good friend of Marsha’s.

In late 1966, Marsha met musician Mike Ratledge from the British rock band, Soft Machine. At the time, she was having trouble getting a visa extension to stay in England, so the two got married on her 21st birthday. She later claimed it was a marriage in name only as they were not romantically involved and “never held hands and never kissed".

[LEFT: Guitarist Mick Taylor & John Mayall in the mid-60s; RIGHT: Marsha’s “husband” Mike Ratledge of Soft Machine.]

That same year, Marsha’s hair started to fall out from using chemical relaxers, and after wearing wigs for a while, she finally cut it all off and vowed to never straighten it again. Hence, why she started sporting her iconic afro hairstyle which made her quite a showstopper in London.

In 1968, she found luck when she was cast in a buzzy new rock musical with an ensemble cast called “Hair.” The musical became an instant hit in London’s famed West End. And even though her character “Dionne” only had two lines, she suddenly became the face (or the hair) of “Hair”. The show was a huge success, and also became quite a sensation and a social landmark because it highlighted controversial subjects like drugs, casual sex, profanity, nudity, and anti-war rhetoric. While there, she met another close friend, actor Tim Curry.

[BOTTOM: A poster of the hit musical “Hair” that debuted in the Shaftesbury Theatre in the West End, 1968.]

Her life completely changed overnight and she instantly became a PHENOMENON, attracting wide media attention. In fact, after the musical’s opening night, the editor of British Vogue sent her a huge bouquet of flowers and wanted her to pose for a photo session, which ended up being a 4-page spread with a written profile. Marsha was also the first Black woman to appear on the cover of Queen magazine as well.

[LEFT: Marsha pictured as the first Black woman on the cover of Queen magazine; RIGHT: Marsha photographed for British Vogue in 1969.]

She immediately became a sex symbol, celebrity, and the face of the “Black is Beautiful” movement, which was already taking over America in the mid-60s. This helped her snag lots of modeling gigs and everyone wanted to photograph her. (I mean, sis was booked & busy!!!)

[BOTTOM: More of Marsha’s most iconic shots. *The melanin was melanating, 4C afro was on deck, eyelashes poppin’, lips bussin’...she was a *bad bitch*!!!]

In March 1969, she signed a contract with Track Records, the same independent label that also repped the British rock band, The Who and Jimi Hendrix, as she later said, “There was one luxury that London celebrity afforded me: the freedom to be myself without a single apology for my gap, my freaked-out hair, my brown skin, my slave-class ancestors or my radical views.” 

Around this time, she also had a short-lived love affair with Marc Bolan, the singer and founder of the English rock band, T-Rex (even though he was much shorter than her 😂.)

She scored a few minor hits during her underrated music career with singles like a cover of T-Rex’s “Desdemona” and her debut single, a cover of “Walk on Gilded Splinters”. 

[BOTTOM: Marsha performing the T-Rex cover “Desdemona” live.]

The record soon went to the charts, and that spring, she was asked to perform on various shows, including a popular British TV program called, “Top of the Pops”. During her live performance on the show, the tight bolero suede top she wore nearly came undone and partially exposed her breasts, a wardrobe malfunction that gave her the reputation of a “bad girl.”

NOW…Here’s the part y’all have been waiting for. Get your popcorn. Y’all got it? Ready? Good!!! 🍿

After her performance aired, Marsha soon received a phone call out of the blue from Jo Bergman, the then secretary for The Rolling Stones on behalf of the band’s frontman Mick Jagger who was actually watching the show live, asking her to pose semi–nude for a publicity photoshoot to promote the band’s new single, “Honky Tonk Women”. She said, “The picture was going to be of a girl dressed like a sleaze bag standing in a bar with the Stones and they wanted me to be the girl.”

[BOTTOM: Marsha performing "Walk on Gilded Splinters” on ‘Top of the Pops’ in May 1969. This was also the exact moment Mick Jagger first laid eyes on her!]

Marsha, who was not a Stones fan, was already established and didn’t really need the extra exposure. She later declined because she had her reputation to think about and said she “didn't want to look like [she'd] just been had by all The Rolling Stones.” She also claimed, “The last thing [Black women] needed was for me to denigrate us by dressing up like a whore” among a band of white men.

ENTER MICK JAGGER:

When she tried to get in touch with Mick to say, “thank you, but no thank you”, he later returned her call in an attempt to change her mind and even suggested he come over as he was very intrigued that a girl would turn him down.

Mick then showed up at her apartment around midnight as she claims, “He was framed by the doorway as he stood grinning with a dark coat ... He drew one hand out of his pocket and pointed it at me like a pistol. His silly 'Bang' was precisely the icebreaker we needed to get over my ungracious hesitation before I invited him in, not sure how to salute a notorious rogue who rings me just before midnight and suggests he pop round on a pretext of loneliness.”

They talked for HOURS, well until the sun came up about any and everything from music to social issues and politics, and according to her, Mick “made me squeal whenever he used Melanigian slang (aka Black vernacular/AAVE).” 🙄🤦🏾‍♀️

Marsha didn’t really find Mick physically attractive at first, stating, “He wasn't beautiful or even striking” however, he was boyish, open, direct, yet seemed quite awkward and shy. She found it a relief that he was nothing like other musicians she’d known or the image the media had portrayed him. He was incredibly charming, intelligent, funny, radical, and straddled the racial line, much like she did. She also quickly noticed that he had a penchant for Black women, as he claimed “They [Black women] just do something to me”.

The two of them had a lot in common and just clicked right off the bat. And things eventually turned hot as they ended up having sex. From there, they embarked on a passionate, but very private, deep romance and year-long affair, at a time when interracial relationships weren’t widely accepted yet.

Marsha didn’t expect to hear from him again, as he had a wide selection of women to choose from, but surprisingly, Mick wanted to see her and talk all the time, mostly because she was great to look at and he could count on her. Marsha said, “He knew that I adored him and that he could depend on me…he realized I respected him as I respected myself.”

Mick’s friend and interior designer Christopher Gibbs once said often when he dined with Mick, women who had slept with him would come up to the table and “he’d have absolutely no idea who they were.”

[LEFT: Mick photographed at the ​​Shaftesbury Theatre in London to see the new musical “Hair” for the first time; RIGHT: Marsha performing in the show.]

1969 was a very rough year for Mick. He was having trouble with his band The Rolling Stones (which he was practically running by himself) because the founder and guitarist, Brian Jones, was becoming increasingly unreliable and spiraling out of control due to his deep drug addiction and legal troubles that led to him having difficulty getting a US work visa to go on an upcoming tour. Mick’s personal life was also a mess because his long-term girlfriend at the time, pop singer Marianne Faithfull, was also a very serious (and sloppy) drug addict, who often embarrassed him and became more dependent and difficult to be around. Things had gotten so bad between them, their relationship grew to be strictly platonic by this time.

Mick and Marianne were quite destructive together and often found themselves in legal troubles due to drugs. Marianne was also quite messy as she previously slept with Mick’s bandmates Brian Jones, Keith Richards, and even left her husband, John Dunbar, for Mick who was dating Black soul singer and former Ikette, Pat “P.P.” Arnold, when they first met.

P.P. also later claimed in her autobiography “Soul Survivor” that the three of them would often engage in drug-fueled threesomes much to Mick’s delight. 

[BELOW: Soul singer & former Ikette, P.P. Arnold, who dated Mick from 1966-1967.]

While in London, Mick was still messing with P.P. who later became pregnant with his baby in 1967, but they both agreed to have an abortion, partly due to his growing relationship with Marianne.

[BELOW: Mick arriving at a courthouse with his then girlfriend, singer Marianne Faithfull in 1969.]

Marsha on the other hand, was stone-cold sober and didn’t do any drugs (NOT ONE), which was like a breath of fresh air for Mick, though he dabbled with hashish, LSD, and marijuana among other drugs himself. But unlike those around him, he was able to control his habit.

Even though their relationship quickly turned sexual, they were really, really close friends. Mick often retreated to her home to relax, he told her all his secrets, his troubles – he just trusted her. He was completely enamored of Marsha, who many describe as warm, intelligent, sensitive, funny, and very easy to talk to. He liked that she didn’t go gooey-eyed and weak-kneed in his presence like most (white) women/female fans did. Instead she had a crisply forthright manner and was almost quite “butch”. The Rolling Stones then manager was even quoted as saying that Mick was “obsessed” with Marsha as she was very exotic, and he even gave her the nickname “Miss Fuzzy” due to her afro hairstyle.

Ironically, Marsha enjoyed their well-kept relationship and is one of the only people who often calls him Michael instead of Mick, to distinguish him from his Rolling Stones rockstar persona.

Since Marsha was a fellow recording artist, they were able to be seen together in public without any arousing suspicion—in any case, London still had almost no paparazzi. They would often go to the same parties or events, even with Mick’s girlfriend there, and no one questioned it.

Mick would often pop into some of Marsha’s studio sessions with her band White Trash, and everyone around would be in awe of him.

Later, after officially firing Brian Jones from the band, Mick and the rest of the Stones were in desperate need of a new guitarist. Marsha promptly suggested her good friend, Mick Taylor (Yes, Stones fans – thank Marsha Hunt for that one!), as a replacement for Brian just days before he was mysteriously found dead (he sadly drowned in a swimming pool at his home) on July 3, 1969.

Additionally, when Mick sought a replacement for Jo Bergman, the secretary who handled all The Rolling Stones affairs, Marsha also suggested her friend and tour manager, Peter Rudge - (The same guy responsible for getting the Stones all those huge tours in massive stadiums. Again, thank Marsha!)

Two days after Brian’s death, the Stones played a free concert before a crowd of over 250,000 people in Hyde Park, London, which was previously planned to debut their new guitarist, but turned into a memorial/funeral for Brian. Mick invited both Marianne (who looked a hot ass mess and was in withdrawal from heroin at the time), and Marsha (who showed up looking sexy af with her titties bustin’ out of her buckskin suit) to the concert, and rudely and distastefully opened the show with a song called, “I’m Yours and I’m Hers.”

[BELOW: Mick & Marsha at The Rolling Stones tribute concert to Brian Jones in Hyde Park, London on July 5, 1969.]

Marianne who sat on the other end of the stage with her 4-year old son Nicholas and the other Stones wives/girlfriends, actually saw Marsha that day as she was placed right above the stage in the scaffold VIP section at the request of Mick so that he could look at her while he performed. She later said, “I saw her [Marsha] you know. And she was stunning…If I’d been Mick in that situation, I might have done exactly the same thing.”

Mick arrived at the concert with Marianne that afternoon, but left with Marsha and spent the night at her place where they made love.

A day after the concert, Mick kissed Marsha goodbye, and flew with Marianne to Australia to shoot a biographical film they were both cast in called “Ned Kelly,” based on the infamous bushranger. However, Marianne who was reeling from the recent death of Brian Jones and a horrible miscarriage just a few months earlier, overdosed on 150 Tuinal barbiturates while traveling with Mick, and fell into a coma in their hotel room.

[LEFT & RIGHT: Mick & Marianne arriving in Australia to film “Ned Kelly.” Marianne slipped into a coma just hours later from an attempted suicide.]

At the last minute, Mick was forced to film the movie without her, but phoned and wrote to Marsha, who was extremely frantic and worried about his mental health and emotional well-being, almost everyday. She was scared that he didn’t have the stamina to deal with yet another crisis. He sent Marsha over 10 handwritten letters (some even written on the same headed stationery paper of Chevron Hotel where his girlfriend just tried to kill herself) about his deep feelings for her, his experience filming on set, being in the Australian outback, his new interests, the historic day of the moon landing of 1969, future career plans, his regret at missing her performance at the famous Isle of Wight Festival, and other aspects of pop culture (including “John & Yoko boring everybody…”). The letters also reference the recent death of his former bandmate Brian Jones, Mick’s increasingly difficult relationship with Marianne, and another letter even had the full original lyrics for The Rolling Stones song “Monkey Man”, which was later rewritten.

Mick’s letters also went on to mention the foul Australian winter weather and an unpleasant virus that swept through the film unit, a fire that destroyed most of the film’s costumes, along with various other accidents – including a prop gun that backfired in his right hand. He was just having a real shitty time. So, he found solace writing to Marsha.

His letters to Marsha showed how pensive and romantic he was. He said things like,“I feel with you something so unsung there is no need to sing it...” and “If I sailed with you around the world, all my sails would be unfurled.” He also thanked her for being “so nice to an evil old man like me”. And in another steamy note, Mick promises Marsha: "I will kiss you softly. And bite your mouth too."

[RIGHT & LEFT: Mick’s private letters sent to Marsha while filming “Ned Kelly” in Australia during the late summer of 1969.]

Mick also celebrated his 26th birthday while filming in Australia and Marsha sent him a huge package of books (which he loves) and albums, including her friend John Mayall’s record “Brown Sugar.” Along with his gifts was a note stating how she missed him desperately.

While still trying to rehabilitate his hand from the prop accident, Mick toyed with a new guitar he had and started work on a song he had in his head, which was partly inspired by Marsha and that he initially titled “Black Pussy.” He decided that name was a little too direct and changed it instead to “Brown Sugar” with the lyrics:

[Verse 1]

Gold coast slave ship bound for cotton fields  Sold in the market down in New Orleans  Scarred old slaver knows he's doing alright  Hear him whip the women just around midnight 

[Chorus] 

Brown sugar, how come you taste so good?  Uh huh Brown sugar, just like a young girl should

[BOTTOM: Recording of “Brown Sugar” by The Rolling Stones later released on their Sticky Fingers album in 1971.]

Mick later confirmed in a 1995 Rolling Stone magazine interview that the song is a double-entendre: “brown sugar” being the street name for unrefined heroin and of course also meaning his seemingly equal addiction to having sex with Black women. The song was a huge commercial success and ended up becoming a huge #1 hit around the world, making it one of the Rolling Stones’ best-selling records to date.

[TOP: A movie poster of “Ned Kelly” which was released in June 1970; BOTTOM: Mick with his guitar composing “Brown Sugar” during filming.]

While Mick was still filming overseas, Marsha was booked to perform at the iconic 3-day outdoor concert, the Isle of Wight Festival on August 30th, 1969. At the time, it was the biggest open-air concert in music history and she was the only woman billed to perform. She was there alongside acts like The Who, Joe Cocker, and even Bob Dylan who hadn’t been onstage in three years.

Mick told her in a letter that he was so proud of her and promised her that he was “there in my head and in my heart.” Keith Richards, Charlie Watts and his wife Shirley, and Jo Bergman were also in the audience watching Marsha perform.

Marsha also made headline news as she wore custom-made leather shorts to which the press ran with and by the next fashion season, short shorts were featured in every fashion magazine. She was the first person to popularize “hot pants”.

[BELOW: Marsha performing with her band White Trash at the Isle of Wight Festival in 1969 with members of The Rolling Stones looking on in the audience.]

After Mick came back from Australia, Marsha was offered a part in a film called “Welcome to the Club” which is a comedy about three Black USO performers sent to Hiroshima in the 1940s to entertain the troops on an all-white base. The film was being directed by Walter Shenson, who had produced The Beatles' films “A Hard Day's Night” and “Help” and shot it entirely in Copenhagen, Denmark.

She was also asked to fly back to London to shoot another cover for American Vogue which was shot by photographer Patrick Litchfield. (They‘d never had a Black woman on the cover before.)

Mick began touring in America again, his first since 1966, and with the number of girls he had access to, she knew he was keeping himself busy on and off stage.

[LEFT: Mick on stage at Madison Square Garden during the Stones’ 1969 tour; RIGHT: Marsha filming “Welcome to the Club”.]

He even started a short-lived relationship with yet another Black singer and Ikette Claudia Lennear, as well sparking up a fling with Devon Wilson, a notorious rock & roll groupie and the girlfriend of Jimi Hendrix who famously wrote the song “Dolly Dagger” about their affair.

[LEFT: Mick arriving at Madison Square Garden in November 1969 with Devon Wilson; RIGHT: Mick backstage at the same event with singer Claudia Lennear.]

But on December 6, 1969 - everything changed dramatically when an 18-year old concertgoer was stabbed and killed during the Stones’ free concert at the Altamont Speedway in California by the Hell’s Angels Motorcycle Club, who was the band’s security. Members of the Hell’s Angels blamed Mick for the incident and subsequent to the concert, put a hit out on him and threatened to murder him. This marked the third major tragedy to happen since Mick and Marsha met each other.

[BELOW: A scared Mick looks on as 18-year old Meredith Hunter is stabbed to death by the Hell’s Angels in front of the stage while the Stones performed at Altamont Speedway.]

Marsha stayed with Mick after the chaos at Altamont, which the media dubbed “The Death of the ‘60s”. By this time, he had officially split up with Marianne and moved Marsha into his house on Cheyne Walk where she helped him to transition and readjust his life. It was then their relationship intensified!

This is around the time she got a chance to know some of Mick’s friends who lived on the same road, including Keith Richards and his girlfriend, actress Anita Pallenberg, who just had a son, but was hooked on heroin. She thought they were both nice, but they’d visit or show up unannounced to their home all the time. Their hard drug-taking also scared Marsha, so she kept her distance and didn’t voice her opinion. 

She also met Mick’s parents, Eva and Joe Jagger, along with his little brother Chris who was a bit of a hippie and had just returned from India with his American girlfriend. They both had no work, no money, and nowhere to stay, so Marsha kindly gave them a job, one included painting her new apartment.

That Christmas, Marsha got Mick a puppy and Mick, for the first time, told her that he loved her.

Marsha was in a good place. Opportunities were coming to her fast, she had a new apartment, and she was in love with Mick. She had newfound stability and independence. 

In January 1970, they were having dinner at the celebrity hotspot restaurant Mr. Chow’s when Mick said that she’d be a good mother and that they should have a baby together. Prior to this Marsha thought she was just another girl he fancied, as he was a notorious womanizer. But the talk of having a baby made her feel special to him. Her feelings for him were so deep that she also claimed, “I would have died for him.”

She knew Marianne miscarried around the same time Keith Richards’ son Marlon was born. Mick also missed family life with Marianne’s son Nicholas, so wanted to give having a baby a second try.

This fool literally made Marsha take out her birth control and IUD coil, they proceeded to have sex like rabbits, and when she found out she was 3 weeks pregnant, she told Mick who was ecstatic.

Marsha literally said to him, “Listen, if you’re not ready and you changed your mind about this, it’s okay.” She was totally ready to get an abortion. But he assured her that it was what he wanted and he was happy.

They had their first argument when it came time to naming their baby. Mick wanted a boy who he could send to the prestigious Eton School (the all-boys school where Prince William & Prince Harry attended), and he proposed that they call the baby ‘Midnight Dream’. Marsha wasn’t having it and even said, “Imagine sticking your head out of a window to call your child home and yelling, 'Midnight. Midnight! Time for tea.’”

She'd known that he and the band were leaving England for tax reasons and moving to France in the coming year. The Stones were also gearing up for their upcoming European tour.

Even though she loved Mick, he was young and she claimed she was “all for Mick doing his own thing”. They were supposed to be the sophisticated embodiment of an alternative social ideal — parent-hood shared between loving friends living separate lives.

This was around the time of the sexual revolution and people were exploring different types of relationships. Marsha didn’t find gratification in being “Mr. So and So’s” wife, plus Mick wasn’t the marriage type either. He was the type of guy to get up at 2pm to start his day - so marriage was sort of off the table. Though, unbeknownst to Marsha, Mick has thought of proposing, she claimed their relationship “thrived off her being supportive” and she loved to see him “run free”. And since she grew up in a matriarchy, the ideal of a man and woman living together seemed nice but unnecessary. They agreed that Mick would be a good absent father while he made his music and toured with The Rolling Stones, and Marsha could still have her own life and career. It was all very modern!

Marsha also feared that her association with Mick would crowd out her own identity. She didn’t like the limelight because it was a discomfort. She also never wanted to be known as Mick Jagger's girlfriend (can you blame her? So many of his girlfriends tried to commit suicide). Like him, she wanted her own independence.

By June 1969, Marsha told her band and the press that she was pregnant, but did not give up the name of her baby’s father. However, one little clever ass reporter actually found out it was Mick Jagger and threatened to print it. She thought of suing but asked the Stones PR team to link him to another girl. She managed to get through her pregnancy without a media frenzy or being linked to Mick even though they had stepped out together many times, and he was ready to have it reported. 

While Mick was away touring in Europe, his phone calls got less frequent. The tour was a bit crazy, and although Mick invited her to go to Paris, he knew she'd refuse – she didn’t want to get caught up. But he told her he was lonely and had met someone in Paris that he was taking to Italy. Her name was Bianca. She was Nicaraguan and spoke little English. Mick didn't mention her again, but after the tour, Marsha knew that she had moved to his house in England. 

His publicist sent her an invite to the premiere of his corny movie, “Ned Kelly,” but he didn’t show up. He also invited his parents to the event and it was there she realized that the bastard didn’t tell them that he had a baby on the way. Mick hardly lavished praise on his parents and even once told the press, “I owe them nothing. They are my parents, that is that…but there are no dues to be made by me to them!”

By her third trimester, having a baby became her whole reality and his passing fancy. He started to forget that the baby was HIS idea. 

Despite Marsha carrying his child, practically all references to her and the baby were quickly airbrushed out of his life. Chris O'Dell, Mick’s PA in the early ‘70s was even quoted as saying, “I never remember him talking about their child. In fact, I wasn’t aware of a baby being around at all. It was almost like [his first child] didn’t exist.”

Marsha was put in a difficult position because it was too late to go back and sometimes he’d phone her like nothing ever happened. She claimed his mood would change so quickly, he was like Dr. Jekyll and Mr. Hyde. She also said, “I've discovered that he can burn hot and suddenly cool to below zero.”

She started to worry that he didn’t care anymore, so, she tried to squeeze in any and every piece of work she possibly could to hold her up during and after her pregnancy (tv shows, photoshoots, etc.). She also volunteered at a local mental-care center in the autistic unit caring for a 12 year old boy to keep from feeling useless.

[BELOW: A heavily pregnant Marsha performing in late 1970.]

At the same time, Mick also did a lot of peculiar interviews, either stating he wasn’t interested in having children or flat out dissing Marsha. During a 1970 interview with London’s Daily Mail newspaper he even said, “For me, life has always got to be on the move and exciting. I love kids, I really do…but it’s not something I’m thinking about.” He of course failed to mention that Marsha was expecting their first child.

[BELOW: Mick during an interview referencing Marsha & his unborn child in 1970.]

Once it was time for her to give birth, a hard-up Marsha was ashamed and reluctant to ask him for any contribution because he never once offered. Mick ultimately gave her a measly £200 to get by, which came with a note saying “I know I haven’t done right by you” and he also “loaned” her a ring he always wore.

She had initially planned a natural home delivery to keep the press at bay and because it was the “it” thing to do at the time, but was told by her OB-GYN that her baby was in danger and that she had to go to the hospital the next day. 

On November 3rd, she dragged her own luggage and hailed a taxi to the hospital only to be told there weren’t enough beds. Panicked and scared, she went back home quite sure she was going to die from an unassisted childbirth.

When she went back to the hospital the next day for an induced labor, she checked in with her married name “Ratledge” to protect herself (and Mick). On November 4, 1970 after hours of labor, she gave birth to a girl she named Karis and phoned Mick first and then her mother. That day was the first time Mick actually told his now girlfriend, Bianca, that Marsha and his baby existed.

While waiting in the maternity ward, the nurses also forgot to feed Marsha who was so hungry. But being on The National Health, she didn’t complain.  

When she checked out of the hospital, Mick sent a bouquet of red roses,  a miniature muse figurine for the baby, a silver spoon, and some cheap Indian earrings for Marsha. He ���dropped by” two days later to see his baby but was in a hurry to be somewhere else.

10 days later, he paid another rushed visit, but she eventually took him to the side because she wasn’t in the mood to entertain his detachment.  And she was kinda like, “Hey! What’s up with you? Why don’t you call or come around more often for the baby” trying to get some genuine reaction out of him instead of keeping her at bay with the polite chitchat bullshit, in which he snapped and yelled at her, “I never loved you” and told her that she was “mad to think that he had”. Of course Marsha, hormonal, stitches still in, burning and all, did not expect for him to stab back and immediately started to cry, which only made him more angry. The piece of shit even had the audacity to threaten to take her newborn baby away from her if he chose. She stopped and in a stern voice said, “Try it! I’d blow your brains out!!”

In that moment, the loyalty she had for him was gone. She had no choice but to push forward and tried to find as much work as she could to support herself and her baby.

[BELOW: Marsha & Mick after the birth of their first child Karis Hunt in late 1970.]

READ ‘PART 2’ HERE!!! ☕️☕️☕️

[niuniente]

Saw your little thing about ask you anything, and I'm sure you've been asked this before but I haven't seen it... HOWEVER, what pieces of media do you think have inspired you the most to make your ocs and the comics that go with them?

A though question. I don't think I have anyone as a direct inspiration as "I want to draw like this artist" or "I want to create stories like this author". I'm certain that the majority of my inspiration is subconscious or runs around certain favorite tropes or themes, like punk and cyperbunk, as well as lots of music, too.

If I narrow this down to media which has really inspired me when I have encountered it the first time, then the inspiration list will be the following:

Comics by Petri Hiltunen. Some of his works have been translated to English, like Anabasis. I can't remember anymore what happened in the comic Asfaltitasanko (An Asphalt Field) but I remember that it really hit me the right way when I was 13.

Sláine series by Simon Bisley. It's still running and I read every new book. This is actually a feminist barbarian comic, which is a great combination and you will see echoes of that in Alrick.

Hob Gandling's story in The Sandman series. Oh I wish I could experience again the time when I read the story for the first time. I was mind opening for a 13 year old.

Vintage manga from 70's and 80's, as well as anime from 90's and early 2000 (like Slayers Next below). Expressions were very prominent back then and I do generously use that whenever possible. I was SUPER happy when I started watching Jujutsu Kaisen and it had those really big expressions!

I think that from anime, I should perhaps mention Bleach, because Grimm is inspired by Bleach series Grimmjow. Who is, by the way, also a cat (a panther).

Alrick, the whole premise of Death-Head Organization and the generous use of black, solid masses gets all its inspiration from a manga Sun-Ken Rock. Especially from the protagonist Ken Kitano, who is the best positive masculine example in any media I have ever encountered. Also, Algoth looks is inspired by Ken's right hand man, Benito Armani:

For the animals and animal parts of the characters in DHD, I LOVE kemonomimi! For other series, inspiration comes from game series Bloody Roar and from a comic series Blacksad. Rena is inspired by Bloody Roar's Mitsuko the Wild Boar.

We simply can't forget fashion! Metal, punk, cyberpunk, kinksters, and other dark dressed underground people. I'm asked at times why everyone seems to dress up the same and my answer is that since the comic is black and white, with black outfits I get to add some contrast to it. Alexander McQueen is awesome!

Other mentions to practice keeping mind open, which allows stories to be formed without judgment or thinking that I have no base for this: - Jeffrey Burton Russell's books about the Devil and religious history - Conspiracy theories (as what kinds of things people believe in and how they find evidence for it to support their views, including opposing conspiracy theories like Moon landing was fake VS Moon landing did happen but we haven't gone back because of aliens on the Moon) - Quantum physics

I'm certain you can pick up more things which have inspired me from my stories and drawings. But, if we speak ONLY about Death-Head's Deal, then underground fashion, Sun-Ken Rock, 80's and 90's vintage manga&anime, and Blacksad are the ones.

[myobsessionsspace]

Danai - Fashion Queen

Black Panther star Danai Gurira was seen at the film’s European premiere wearing a black figure-hugging gown featuring a phoenix crafted with 3 000 Swarovski crystals and 2 000 sequins. A further 380 hand-cut mother-of-pearl ornaments elevated her dress to couture artistry. Each opalescent shell was hand-carved, lacquered, drilled with a fine hole, and sewn into place individually to overlap like feathers. Vogue

[After wearing his gowns to the premiere] the atelier was quickly inundated with calls. Vogue

Jean-Louis Sabaji SS18

[liyawritesss]

Do you think you could do a riri x reader at prom or some type of fancy event

ᴛʜᴇᴍ & ᴅʀᴇꜱꜱɪɴɢ ᴜᴘ ꜰᴏʀ ɪᴍᴘᴏʀᴛᴀɴᴛ ᴇᴠᴇɴᴛꜱ

Characters: MCU!Riri Williams, MCU!Shuri Udaku, MCU!T’Challa Udaku x Black!Fem!Reader

Type: Headcanons

Synopsis: How would these Black Panther Characters be when it comes to dressing up for an important event?

Warnings: mild cursing but other than that, general fluff and Riri not being a dress girl at all 

A/N: Since everyone’s going feral for Letitia’s appearance at the Met, I figured I’d use this ask to write how certain characters would be when it comes to dressing up fancy. Hope that’s okay! Also I linked pinterest boards to inspire pics for each characters outfits, just click their name and you'll be redirected to the boards!

Tags: @6-noir @playhousedistee @shuririsdefenseattorney @shuriszn @zayswriting @wrendermedone @writingintheshadowsforever @mbakuetshurisprincess @verachii @slytherin-34 @the_lesbian-fangirl @itsmaniiiiiiiii @strangefishflapturtle @cuddl3s4shur1 @shuriislut @dejaonline @babyboiboyega @badass-dora-milaje @inmyheadimobsessed @aaliyg @cafehyunji @chunkybabygorl @rosielovesfamily @lulu-network @killmongerskeepermain @riri-red-car

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Riri Williams

Riri hates dresses. There are no if’s, and’s or but’s about it. She doesn’t like how they fit, she doesn’t like how they flow, how constricting they are to her movements, she hates hates hates dresses with a burning passion.

That being said, when they’re on you, she finds them more than pleasant. The way the fabric hugs your body, how it flows down your legs, and the colors that look so gorgeous against your skin. And if it’s something off the shoulder? A deep V-cut? Backless? Oh it’s demon time.

Expect her to not keep her hands off you when you’re both together. Even if it’s just holding your hand, Riri feels she’s gotta be close to you when you’re looking this good, because let someone try and swoop in to talk to you…she’ll treat they ass with no remorse lmaoo

As stated previously, Riri doesn’t like dresses in the slightest, so she will be more than willing to throw on a simple pantsuit or a fancy jumpsuit for a lowkey event. She doesn’t really like big events anyway, but being one of the fresh faces for tech and innovation, she gets invited to a lot of shit, and is nagged by not only her mother but Shuri of all people that to keep appearances up, it’s best that she go to at least one of them.

Riri asked Shuri why is it so important for her to do so, because….why? And Shuri’s response: people need to know who they’re rooting for, as well as who their enemy is. Which, Riri could kind of understand, she thought. So she begrudgingly took Shuri’s word for it; she was a princess after all, so she knew good and well about going to events she didn’t want to go to for publicity reasons.

So Riri ends up gathering a small but fashionable catalog of suits. Basic greys, blacks and navy blues cuz ain’t nobody got time to be doin’ too much when you don’t wanna be there in the first place. But she also has this forest green suit with a cream turtleneck she only brings out for high profile events in the winter because she knows you go batshit over it, bc forest green looks so fucking good against her skintone.

Shuri Udaku

Shuri is kind of indifferent to it. She grew up not really having to go to a lot of events because she used her lab as an excuse. She’s never liked the camera and never saw a reason for her to go to these upscale events, even if it was something where the entire family needed to be present.

When the inevitable happens as she has to become more of a public figure to represent her country, she has a team of people who advise her on what to where. Though they’re not just any people - majority of them are people from her childhood whom she grew up with, alongside a seamstress who previously worked on all her family member’s elegant attires for high scale events.

I feel like at first she tries to replicate the simplicity of her father and brother’s outfits paired with the elegant and extravagant-ness of her mothers, but over time she starts to figure out her style and what she prefers to be seen in. Silvers and golds are prominent in nearly every outfit. She prefers pantsuits but dresses are still fair game, especially if it’s an at-home events where the fabric used for it is breathable and light, compared to having to wear thicker layers outside of the country.

Shuri likes to match outfits with you, showing that the two of you are a combined package. It can be something as simple as matching jewelry sets, or your dress matching her tie, or going all out with matching color schemes and designs within the clothing pieces. It shows people the dedication she has to you in showing the world that you two are the better halves of each other.

She likes it when you wear backless dresses or two pieces because of how elegant they look on you. There’s an air of amorousness and delicacy that has her looking at you with the most lovestruck eyes anyone has ever seen. And best believe at any event her eyes are only ever on you and your immaculate beauty.

T'Challa Udaku

Now T actually likes dressing up, which I think a lot of people are perplexed by, because one would think that when it came to political events, the style of your attire would be the last thing on your mind.

But I think he especially likes to play around with different fabric garments that can be easily added and detached to a simple suit, or having subtle designs embedded into his suit jackets that, when looked at closely, would wow the viewer with the pattern and layering and attention to detail that was taken when creating it.

I like to think he also plays around with jewelry a lot too. He’s a fan of silver link chains and has a couple that are solely designated for important events to pair with certain suits. He also has a wide range of oddly and very specific watches that he wears to certain events depending on what it is and the theme. He keeps good maintenance of them, cuz lowkey he’s keeping track of time and doesn’t wanna be somewhere longer than what he has to be

Like his sister, T’Challa loves matching with you. I think he’d prefer it to be through colors and jewelry precisely, because we all know this man will drop several bags on you real quick to ice you out. Therefore, your jewelry selection is just as expansive as his is, and everytime he gets a new bracelet or necklace or ring, you find a bag of two more of whatever piece of jewelry he’s acquired on your dresser too.

He has a very specific style of dress he absolutely goes feral for you in…backless with long sleeves, cinched from the waist to the hips and then flows out at the knees. Please wear royal purple or sage green, he won’t be able to keep his hands off you.

If you enjoyed, please leave a like, comment, and reblog for others to see! And don’t be shy to send in a request!

[samueldelany]

For Ytasha Womack, the Afrofuture Is Now

The writer and filmmaker discusses the blend of theoretical cosmology and Black culture in Chicago’s newest planetarium show.

Ytasha Womack, a screenwriter on “Niyah and the Multiverse,” currently playing at the Adler Planetarium in Chicago, is the author of numerous works including “Black Panther: A Cultural Exploration."

By Katrina Miller, New York Times, March 16, 2024.

On Feb. 17, the Adler Planetarium in Chicago unveiled a new sky show called “Niyah and the Multiverse,” a blend of theoretical cosmology, Black culture and imagination. And as with many things Afrofuturistic, Ytasha Womack’s fingerprints are all over it.

Ms. Womack, who writes both about the genre and from within it, has curated Afrofuturism events across the country — including Carnegie Hall’s citywide festival — and her work is currently featured in the Smithsonian’s National Museum of African American History and Culture. Afrofuturism is perhaps most popularly on display in the “Black Panther” films, which immerse viewers in an alternate reality of diverse, technologically advanced African tribes untouched by the forces of colonialism. (In 2023, Ms. Womack published “Black Panther: A Cultural Exploration,” Marvel’s reference book examining the films’ influences.)

But examples of the genre include the science fiction writer Octavia Butler, the Star Trek character Nyota Uhura and the cyborgian songs of Janelle Monáe. Some even envision the immortality of Henrietta Lacks, a Black woman whose cells were taken without consent for what became revolutionary breakthroughs in medicine, as an Afrofuturist parable.

Ms. Womack was one of the scriptwriters for “Niyah and the Multiverse.” She spoke with The New York Times about what Afrofuturism means to her, the process of weaving the genre’s themes with core concepts in physics and how the show aims to inspire. This conversation has been condensed and edited for clarity.

How do you define Afrofuturism?

Afrofuturism is a way of thinking about the future, with alternate realities based on perspectives of the African diaspora. It integrates imagination, liberation, technology and mysticism.

Imagination is important because it is liberating. People have used imagination to transform their circumstances, to move from one reality to another. They’ve used it as a way to escape. When you are in challenging environments, you’re not socialized to imagine. And so to claim your imagination — to embrace it — can be a way of elevating your consciousness.

What makes Afrofuturism different from other futuristic takes is that it has a nonlinear perspective of time. So the future, past and present can very much be one. And that’s a concept expressed in quantum physics, when you think about these other kinds of realities.

Those alternate realities could be philosophical cosmologies, or they could be scientifically explained worlds. How we explain them runs the gamut, depending on what your basis for knowledge is.

Which Afrofuturist works have influenced you?

I think about Parliament-Funkadelic, a popular music collective of the 1970s. As a kid, their album covers were in my basement. A lot of artists during that era — Herbie Hancock, Miles Davis, Earth, Wind & Fire, Labelle — had these very epic, Afrofuturistic album covers, but Parliament-Funkadelic sticks out. There’s one depicting Star Child, the alter ego of George Clinton, the lead musical artist, emerging from a spaceship. That sort of space-tastic imagery was abounding for me as a kid.

“The Wiz,” a reimagining of “The Wizard of Oz,” was on all the time in my house growing up. It had this fabulosity to it — a heightened dream world that reflected 1970s New York. You had the Twin Towers in Emerald City, the empty lots Dorothy walked through with all the trash, the Wicked Witch running a fashion sweatshop, representing the garment district. The film took an urban landscape and made it fabulous, tying in this theme of Dorothy coming into her own through her journey.

Those are images that had a very strong impact on me. As I matured, I got into house music and dance, and began to see relationships between rhythm, movement, space and time. It’s not always something I can give language to, but it’s certainly become a basis for how I talk about metaphysics, in a physical kind of way.

What inspired your team to create “Niyah and the Multiverse”?

We wanted to tell a story about a young girl named Niyah, who wants to be a scientist and who is figuring out who she is — not just on Earth, but also in the universe.

Niyah looks for insight from her grandparents, who explain some of the symbolism of the African artwork in her home. She thinks about concepts she has learned from her science teacher. And she even meets her future self, who is a theoretical astrophysicist. Together, the two explore some of the more popular multiverse theories that scientists are looking at today.

Which theories are those?

Niyah learns about the many-worlds theory, which is this idea that all of your choices evolve into different universes. The choices you make create new paths, essentially creating multiple existences of yourself.

She learns about bubble theory, which says that after our Big Bang, more universes sort of bubbled off, each with their own laws of physics. Niyah also explores the idea of shadow matter, in which particles get reassembled as similar entities in mirror universes.

So there’s this parallel between Niyah learning about the multiverse and also exploring her own identity through her ancestral heritage.

Right. Because both of these are paths of meaning, different ways of understanding who we are. Afrofuturists tend to think in a way that is accepting of a lot of different realities anyway, so it was a pretty seamless experience to weave the physics and other aspects of the genre together. There’s already this intergenerational, or interdimensional, element to the conversation and the art that comes out of it.

The show is presented in the planetarium dome, which has a 360-degree screen, so it’s very immersive. Stepping into the space and watching the show feels like an interdimensional experience of its own.

The first audience to see it had a very emotional response. Some people were crying. There were Black women in the audience saying they always wanted to see this kind of imagery, that they had wanted to be scientists at one point in time. Others were deeply touched by the vibrancy of the show, of how it was able to bring these multiverse theories to life.

It’s impressive that these physics concepts, which can be difficult for people to understand or relate to, are made so accessible with examples that are not only imaginative but very rooted in Black culture.

Right. And it wasn’t difficult for us to do that, because as Afrofuturists, we operate in that space. It’s just about mirroring a way of being that we have always been immersed in.

I think “Niyah and the Multiverse” expresses that we all have different relationships to space and time. We are all looking to understand who we are, where we come from and where we can go in this broader space-time trajectory.

And maybe for some, the show normalizes the idea that there are kids who are Black who dream and are curious about the world. That curiosity can take them in the direction of becoming an artist, or becoming a scientist.

What challenges did you face in tackling the multiverse?

In trying to write some elements of the story, we had to push our own imagination to come up with what a universe might look like if you’re not using the laws of physics that exist in this one. Like, what does it mean to have your particles reassembled into something else? Sometimes we’d come up with ideas for different worlds, and our science consultants would say that already exists.

For me, this shows the beauty of bridging art and science. Artists can give visuals and narratives to ideas that scientists come up with. Or it could happen the other way around: Artists imagine something, and scientists think about what might be needed to support a universe that looks that way.

Image

[zents-girl]

Shuri's Fashion Part 1

Compiling all of Shuri's outfits because I love her character and all the work Ruth Carter (Costume Designer for Black Panther and Black Panther Wakanda Forever) put into them.

"With Shuri, we wanted to show designs that feel young and vibrant. I really wanted her to have vibrancy and freshness, and pop colors." -Carter

“You meet her and she’s not interested in being in anything traditional. So we didn’t give her any beads, any kente cloth, nothing like that. All of her materials have a vibe of being eco-friendly and forward-thinking.” -Carter

The very first outfit we see Shuri in:

Cropped top and mini skirt. Something we'll see is a pattern for her.

"And then you have Shuri who is wearing an Adinkra symbol. This Adinkra symbol means purpose, and she certainly has a purpose in Wakanda." -Carter

Specifically it is the Wawa Aba symbol meaning "seed of the Wawa tree" This seed is known for its hardness. So Wawa Aba also symbolizes hardness, strength, toughness, endurance, durability, and so on.

The second outfit is the Traditional grab worn at Warrior Falls

The corset is inspired by the Dinka tribe, with clay beads and a long spear at the back. The combination was so uncomfortable for Letitia Wright to wear, it lead to the "This corset is really uncomfortable..." line.

The jaw piece is made of Shark teeth

Next is her white lab dress. She's finally back in something she created for herself. And of course, if it ain't a cropped top with a mini skirt. It's a mini-dress. 🤣 “I decided that the overlay would a type of material that is protective, cool and fun. I felt like it should look like it was made from recyclable fabric or recyclable materials. The first dress we see Shuri wear is a white dress with a mesh overlay. Overlays look like they are protecting the fabric that’s underneath, or they create a story of their own, so most of her costumes have these protective layers."

“I was faced with the challenge of the ‘lab coat’ and I felt like it was so cliché,” said Carter. “Any time someone says, ‘We’re in the lab,’ people go, ‘Well, get the lab coat!’” Instead, Carter fashioned this strapless dress and gave it a mesh overlay that subtly suggests a lab coat and also feels like something that Shuri would have invented herself.

But Carter says the shape of her clothing still holds meaning. "Her first dress is a white dress and we created the front of it to be this cylindrical round shape — and I was trying to connect shapes within Wakanda so you see them repeat. It's the language of Wakanda."

“It was a big challenge for me to come up with a wearable lab outfit that would fit the character of Shuri. She’s the young designer genius of the Wakandan Design Group and she’s very forward-thinking, so I don’t see her wearing a standard lab coat." -Carter

Next up, her lab outfit during the Korean car chase scene

Another ding for cropped tops and mini skirts

Next the "Broken White Boy" scene. Another mini-dress with an overlay.

For the next few scenes, Shuri is wearing an orange jumpsuit with stitching meant to resemble a panther face.

Shuri on the way to the Jabari tribe and sneaking into her lab wearing Basotho blankets 

And finally we get to Shuri's battle outfit

It will never not be funny to me that Shuri had to stop to put on makeup before she entered the battlefield. And she didn't just stop at the warrior dots. She had to add eye shadow, lipstick, and put her braids in an updo. An absolute Queen.

Final scene before end credits and another ding for mini-skirts

And her final outfit where she's given a more 'mature' look. Unfortunately we don't get a very good look at the full ensemble.

All in all, Shuri's fashion seems to favor, short dresses and skirts; Mesh and see through overlays for lab protection; Clothing she makes for her self out of recyclable materials; and a preference for white and orange colors. And of course, a majority of her footwear favors SNEAKers. 🤣

And that was just BP1 😩 The next few posts might need to get broken into more parts.

[xblackreader]

Modern AU! Black Panther

Rival Companies Romance! Fic

Wakanda Apparel Vs Talokan Sports

Okoye is a retired semi famous gymnast/athlete, who after retiring from sports, went on to create her own fashion, athletic line created by women of color. She is definitely well off with her successful business.

Her main designer is another athlete/designer Shuri. They grew up together (Okoye kinda helped raise her) and now Shuri is trying to help Okoye Modernize her brand by adding technology to the brand (fitbits, training apps, health monitors) and it’s going is great.

Rival? company of Talokan who was in the technological health business approaches them and instead of telling them to back off from their business, they propose that they merge their businesses.

they’re two multi million dollar businesses owned by people of color, they needed to stick together!

Shuri is somewhat on board, but Okoye flat out refuses. She took one look at the CEO! Namor and said he’s a shifty MAN and she doesn’t trust him.

They talk to a main shareholder, Queen Ramonda (Shuri’s mother) and Ramonda agrees that she’s skeptical to make a deal with this man who was talking down to them.

Unbeknownst to her Namor and Shuri will later meet and talk about the merge and how to convince Okoye.

Attuma is a retired soccer player and Talokan’s best spokesman (who is also related to the CEO) who goes with Namora to scout out Wakanda Apparel and their new kick boxing gym.

When he sees Okoye leading a all women’s training program, he scoffs at her (no way someone this small and lean can do any damage)

She kicks his ass for doubting her power but instead of the usual reaction she gets from men, egotistical and brutish, he tells her he wants a date with her in that moment.

Literally he’s on the ground with a maybe fractured bleeding nose and he asks her out in front of everyone.

She said absolutely not but if she thought she was getting rid of him that easily, she’s got another thing Comin.

Hell visit her office with flowers and lunch and gifts (how does he keep getting up here? Why does Aneka keep letting him up here?) and he’s unashamed to admit he’s smitten with a straight face. He’s hers.

When Shuri catches wind of too much affections for her, she is 100% on board helping Attuma win her cousins heart is her main priority… besides figuring out Namor.

Meanwhile their lead fitness scientist, Riri Williams had no idea she has latched herself to a secret admirer Namora.

Maybe Riri has a crush on Shuri 👀 and maybe shuri likes both Namor and Riri and can’t choose! 💗 maybe she don’t have to!!!! 👀👀

They have never spoken beyond pleasantries but Riri is so cute and awkward and funny and Namora is soooo gay.

Namora is so gay ha ha

Maybe everyone gets together 👀 maybe there’s something spicy 🌶️

Maybe I’ll get inspired and actually right this is a full fic or maybe with someone will pick it up as a prompt 👀👀👀💗

Should I add some other characters from the Movies? What do you all think?

[fancyschmancyopinions]

LETITIA WRIGHT at the Prada SS23 show at Milan Fashion Week on September 24th 2022 wearing PRADA

There's just something about this that I don't like. I think the top and skirt are beautifully constructed, but it doesn't feel like a good choice for this show. It felt to bright and didn't really vibe with what other attendees wore.

[zadora-garbarnia]

🌿 Authentic natural cowhide/sheepskin with a wild nature-inspired design! 🐆🖤 Leopard Printed Soft Leather, Jaguar and Panther Black and Brown Hair on Hide Leather for crafting. Real Animal Print Lambskin and Leopard textured sheep hides, perfect for standout projects – shoes, bags, jackets, and accessories. Inspired by the majesty of leopards and the elegance of panthers, this leather combines durability with exotic style. Embrace timeless quality! ✨ #wildstyle #naturalmaterial #leopardprint #leather #luxurydesign #handcrafted #shoes #jackets #fashion

www.zadora-garbarnia.pl

[beherelongtime]

WIP of Black Panther on #Wakandagala

Okay so, i might need some time to think (or help if anyone feel like to!)

My idea was to show the confidence and power of the blackpanther, wearing the PANTHER SUIT for the gala, with bare minimum of fabric to appear like she's also wearing a Gala suit

The theme for her appearence is Constellations & Signs. So kinda changing the design of her panther suit to add those star maps

To me the fabrics are not enough to hint a gala suit yet, and i'd need more galaxy vibes to be happening on the design, so that it surely fits the theme.

It'd be helpful for me to take time searching inspirations and reference pictures of themes and fashions.

Other than those i like how this looks! Lighting and values feels realistic and fitting to the BG(that BG looking really awesome, props to whoever made that!)

[90363462]

free t**y is giving unethical slutting out behavior.

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1d ago

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You know the dick sucking line up is longgggg, maybe we should fill out the application for him so he don’t miss his chance. 😂😂😂

heck let’s fill out a whole bunch of paperwork for the dickriding class of 2024.

Like calling for that midget freedom is giving “I want to do to him what Monica Lewinsky did to Bill Clinton in 1998 even though he’s a proven violent and abusive sociopath(as in I want to give him oral which is what Monica Lewinsky is known for and will always be known for. Speaking of Lewinsky stop making her an inspirational person, what’s so inspiring about a woman who tried and failed to break up a happy marriage let alone a marriage where the husband and wife are the president of the United States and the First Lady like be real. She is not a real hero and she is not the woman any girl should inspire to be )

So if you want to give that sociopath head, Wait in line, take a number.

When people from radical revolutionaries to social activists demand freedom for those who have been wrongly imprisoned it’s for those who deserves it like wrongly convicted people who were screwed over by the justice system , people who were held too long for lesser crimes like possession of marijuana(a.k.a. Mary Jane, a.k.a. chronic a.k.a. weed, a.k.a. cannabis) and political prisoners like those detained in Russia or the black panthers (as in the ultra Black and revolutionary political group, not literal black panthers or the movie Black Panther #Wakandaforever)

When people want people like Tory free despite being proven guilty, it’s giving I don’t care about the victims trauma or feelings or in this case I just wanna have good old fashioned prison sex with him.

the way the line to suck that imp off is gonna be so long, let me help them bastards fulfill their delulu dreams of prison relationship through prison sex after slutting out for their abuser

And yes this is real btw

Stop making fetch happen, it’s not gonna happen

[stnexus]

NEXUS* or MERCURY*

black, she/her, twenty-one, 5’1, university student

satosugu enthusiast! jason todd enthusiast!

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this account is mainly for black!fem!readers, and i may occasionally write black!gn!reader. all my reader inserts are black. sometimes with the use of descriptors (ie. brown skin, braids, silk press…etc.) if you find that to be a problem; don’t interact.

do not steal or republish my work. do not translate and republish my work. all written work is mine, unless stated otherwise. i do not own the characters i write for — all proper credits go to their creators. if you see anyone who has plagiarized my work, please message me. i will keep your information anonymous.

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⋆ ⋆ ⋆ fav movies + shows: the nightmare before christmas, coraline, the bear, jujutsu kaisen, itsv + atsv, black panther + bpwf, they cloned tyrone