#birds in order btw are

[five-crows-in-a-trenchcoat]

You should really come to Australia to see the birds bc we’ve got some real bangers such as:

• eyebrows

• *camera snap noise* yep. That’s going in my cringe compilation and on my 10 cent coin

• chuckles mcgee

• bin chicken

• pride flag crackhead

• actual homewrecker

• bird we lost a war to

• clown so clown-like you can be called after it and it means you are a clown

• shin tsukimi

[avesdraws]

the patient needs birdification to live

[aria-greenhoodie]

HEY DO YOU GUYS EVER THINK ABOUT HOW ABIGALE BLACKWING, A VERY INDEPENDENT INVENTRESS, SUDDENLY WENT AND MARRIED A RICH MAN (implied to be a Northwest) AFTER THE COLLAPSE OF THE ANTI-CIPHER SOCIETY? DO YOU EVER THINK MAYBE THAT MARRIAGE WAS OUT OF A DESPERATE NEED FOR SAFTEY FROM BEING INSTITUTIONALIZED? DO YOU EVER THINK MAYBE ABIGALE FEELS SHE TRADED AN ASYLUM FOR FREEDOM OVER HER LIFE? HOW SHE’S STILL TRAPPED IN A CAGE BUT IN A DIFFERENT WAY? DO YOU EVER THINK ABOUT THAT!? BECAUSE I DO!

Anyway uhhhh Click for Quality.

[kai-rio]

realised people might want this, so here!!

a beckory playlist me and my friend @justjanee made, with almost 900 songs (aiming for 1000)! mix of angst and fluff :)

[gurokatt]

There are two main horror movies so far with creatures/monsters based on senses.

Cannot look and cannot speak [Bird Box and A Quiet Place]

We need a monster movie where you cannot hear them

[cowardlybean]

here’s your downright diabolical multifandom post. I’m so sorry if this randomly comes across your tag scroll

[bonebabbles]

Ok. Fun scooby-doo jokes are over. Time for a graphic birthing scene as Star Flower enters premature labor after being starved for days and running to get away from a bunch of stinky, dirty rogues.

The writers will see a woman character and ask, "Is anyone going to describe the pain and viscera in intense, obsessive detail?" and not even wait

*Shrek voice* she doesn't even get the birthing stick

(under a cut because eurgh)

It's gotta be super dramatic, to really tease the audience with the idea that Clear Sky might lose a third pregnant wife for his pain.

Star Flower has been put through such INTENSE torment to make Clear Sky feel bad and rally the cats to come together to help him out that it's taken me out of it completely.

Gray Wing also realizes he's been thinking about Star Flower too much, while she's bleeding out and giving birth several weeks early after escaping Slash's Torment Nexus, so he takes a moment to rotate his brother around in his head for a bit.

"He'd been so panicked about Star Flower that he hadn't thought about his brother," who is apparently going to get set upon by a band of Slash's angry rogues all alone in this fantasy daydream Gray Wing has conjured up in his head.

Like, apparently Clear Sky is going to leave the meeting with Slash, get told about the secret plan to rescue Star Flower which was happening concurrently (already happened; we saw this), then jump up and run from what everyone's told him, bolt towards a camp he doesn't know the location of, and a patrol of Slash's warriors are going to find him?

ok.

Anyway then all the women come together to midwife for Star Flower.

And then Clear Sky and Star Flower cuddle around the new kits and act all cute. The "pure love" in Clear Sky's eyes is focused on, everyone recommends he takes extra good care of his premature kits, etc. He's So Totally Changed Now, through the magic of wife and babies.

All I'm thinking about is how he kills one of these children later, by refusing to allow Acorn Fur to complete her training and throwing a tantrum about how "SkyClan doesn't ask for help unless we have no choice!" when she tells him she can't treat his son's fox-inflicted mauling alone.

One more patented brother moment between Clear Sky and Gray Wing

I'm just gonna be honest, man... I hear from a LOT of people that this tugs at their heartstrings, so maybe I just don't "get it." But this WHOLE series long, Gray Wing has pissed himself over how Clear Sky can't have possibly "changed that much" from when they were children, won't accept that he's a child-beating and woman-slaughtering tyrant, IMMEDIATELY jumps to his defense at every turn even when it's ridiculous, and here's the payoff.

Hugging and sniffing his Dear Brother and having a flashback to them being babies at their mother's breast, secure in the knowledge he was right all along.

That every time he downplayed abuse, shoved people towards a situation where they'd be in danger, or prevented others from recognizing Clear Sky as the threat he was, he was correct that Clear Sky, in contrast to the EEEVIL rogues, was a good boy. Nothing about Clear's behavior has actually changed besides having MORE children to endanger.

This is chapter SIX of the LAST BOOK and we already saw Clear Sky using abuse tactics earlier to try and manipulate Thunder into doing what he wants.

So, I can't sympathize with the "heartwarming" reaction. "Ohh it's so sweet that the dear brothers are having flashbacks to when they were 6" I cannot relate. Idk how you can watch AMVs of this without wanting to set them both on fire. Thunder should get a restraining order.

[dotted-clouds]

more Silver Diamond art because holy shit I can't get over the manga at all

[vin-lord-of-squid]

I’ve seen a lot of people saying that they don’t want Marina to be a villain in Side Order, and I felt like giving my own two cents on this.

Let’s put something straight right now: 99% of people who say that they don’t want Marina to be a villain would probably actually be fine with her being the villain. What you *actually* don’t want is for:

a. Marina to be a damsel in distress (whether that means kidnapped or mind-controlled),

b. Marina to have a stupid reason for being evil (ie. being upset about losing the Final Fest or something),

or c. Marina to just flip on a dime and start being a mustache-twirling villain out of nowhere.

I actually like the idea of Marina being a villain, if it’s done well. I like the idea of Marina feeling that the world is imperfect, and burrowing deeper into her own delusions (maybe through some sort of outside influence) and going too far by creating the Side Order world. But something that I DEFINITELY don’t want to happen is Marina betraying Pearl in any way shape or form. It’s made very clear through Marina’s Shojo manga about and love letter to Pearl that she thinks Pearl is perfect. Maybe that’s Marina’s goal: To make everything as perfect and beautiful as Pearl and what she has with her (hence the ink and environmental colors being very similar to Pearl’s ink colors.) But through some sort of virus, or other villain, Marina doesn’t realize the harm her actions are causing others, especially Pearl. Maybe that’s what happens at the climax: Pearl finally gets through to Marina about how much she loves her and the world, regardless of whether or not it’s perfect. She tells Marina that it’s all gonna be okay, as long as she’s with her.

In short, I don’t mind Marina being the villain if it’s done well, and neither do most of you probably.

[balladofmoony]

a little collage for dstg lily of @mayescapade because honestly lily evans and the phoenix are all i think about these days.

[agerefandom]

Oh caregiver Sebastian moodboard please????

D--- did you know-- did you know I love demon true forms- did you know I love the idea of a caregiver Sebastian who's more creature than human but still protects you (◡‿◡ *)

(everyone probably already knew that but anyways here's my moodboard you know that Sebastian would go absolutely domestic for a little kitten regressor)

[tomfrogisblue]

Nah coz the most important thing for EVERYONE should be finding out who the cursed team is

Coz if they lose, EVERYONE DOES!

Who cares if your team "won" if every egg you love dies coz their caregivers were on the cursed team

Like this should be priority one

[sigskk]

do you think we can add a 4th to the sigskk polycule chat ..

[silvr-skreen]

progress on my shrine it still looks like shit bc i have to cut the other images down and like. assemble stuff. i literally JUST put it up today. but i have a custome keychain i ordered and a cute selfship YCH of my S/I narine and Hydros

[creature-wizard]

BTW, the belief that you have to leave where you are and go somewhere in order to connect with nature is part of the problem. You can literally connect with nature anywhere; yes, even in an urban environment. You have birds, bugs, plants, weather, seasons, etc. A lot of people need to stop thinking of nature as something out there and start recognizing that it's something that's already right here.

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show: