#best part of the first S3 arc if you ask me

[idkmybffjaden]

Quick update on why I threatened to blog my GXS3 re-watch and then never followed through:

Y'all, I'm so torn over whether to recap the episodes I watch in the [very easy] parody manner or if I want to deep-dive into all my over-analysis about an unpopular spin-off show about children's card games.

Needless to say, I still haven't made up my mind so have some EFFing ducks because apparently ducks are our noble steeds in the acid trip fever dream that is GX.

[lukolabrainrot]

Long ask anon with an even longer ask (I truly don’t know how to make long story short, but I can do the reverse), sorry. I am dividing this in two parts in case you decide to post this, so it would not be such an essay.

Part 1. Intro

Something has been eating up at me for a while but I only recently gathered the courage to do anything more than lurking. I actually am quite new to this, mostly because I was not allowing myself to even get into this in the first place. I am a very chill person when it comes to celebrities, I truly couldn’t care less about their lives, don’t even follow them on SM (L and N included) (not that I use SM all that much to begin with), I don’t know why but it always seems strange for me to be invested in strangers’ lives. I am not big of a fan girl either, especially media wise, I am much more interested in books and have no patience for tv shows most of the time. All of this to say, this is unusual behavior for me, watching all of the interviews with repetitive questions (those poor actors having to repeat themselves over and over again), paying attention to actors (beyond just knowing their names).

Polin is one of the rare ships that captured my interest, so I was very excited to learn about s3 being them, and when the wait for even the slightest info seem to be dragging on endlessly those interviews served as a great entertainment. Until they were not, until I started noticing things I wished not to. What started as “oh, they are so cute, and charming, and their friendship is so endearing!” very quickly turned into “babes, WHAT THE F*CK DID I JUST SAW/HEARD?” At one point I was honestly thinking “did I miss something? Are they together? What is going on?” So I checked, out of curiosity nothing more, but found nothing OFFICIAL suggesting that (as in N nor L never claimed anything). So I moved on, watched the show, other interviews (my brows still rising at some points), and then post Part 2 premiere I saw the picture on IG.

Everyone on internet seemed to be screaming about Ls’ GF, and being absolutely vile to him, which I found so disgusting I immediately checked out of the situation and turned my attention back on fiction again. It would be insincere of me not to admit to a certain disappoint on such a development, but that was as far as it would go. Though I can also truthfully say that that girl was not giving me the best impression based on the picture, something just seemed off. I only saw one at that point, where it appeared as if they were holding hands, why did it seem off? Because L looked displeased, almost angry, his eyes averted from cameras, while she was boldly looking right on them smiling as if she was walking her red carpet. As I said that was that, just continued watching the show, reading Polin fanfiction, hung out on a Polin reddit account and some Polin Tumblr blogs. And then I stumbled upon your blog (it was already past papgate 2.0), and now I’m on this bloody ship, and can not seem to force myself overboard, because those two are so soulmate coded (and yes, I realize how cheesy that sounds).

What has been bugging me, is that most, if not all, in this fandom seem to be of the opinion that L is the primary reason why N/L are yet to develop into lovers phase of this friends to lovers arc. From outright blaming him to passive aggressively calling him a dummy for not going after N. And I comprehend that most of it comes from the presence of a certain adjacent. But putting aside the OBVIOUS, LOGICAL point that we, non of us, are privy to their real lives, and bts truth, I still don’t see where that point of view comes from. I know that everyone says L is most like his character, so perhaps part of it is projection of that, but for me it always seems that L is actually a Penelope of this situation. To me, he himself gives it away.

Same Anon... same!

I have never thought L was the hang up in this situation. I think N has been burned in love, is pretty closed off with this stuff, and a TOTAL workaholic. L DEFINITELY fell first (no one can convince me otherwise). L also seems to kind of be a hopeless romantic and public lover boy, which I don't think N is use to. But I feel like that is why they kind of balance each other out ❤️️

[quirkle2]

i'm sad so im gonna talk about dimple in the anime world domination arc and how he makes me a little ill

besides the divine tree arc, bc that's obviously where he rly shines, i think the wd arc is where we see the most Genuine Dimple. we see him just earnestly helping out any way he can during this whole thing, doing his absolute best to keep mob alive and anybody the kid cares about to boot. and Yeah, he has a motive to help the kid bc he's trying to earn his trust to manipulate him, but he Knows mob trusts him already (see mogami arc). he doesn't have to keep this up. i dont think dimple even has any of that on his mind at the time.

there's a couple lines in this arc from dimple that feel like they come straight from his soul and i never stop thinking about them. i'll talk about The Scene in a minute but

when they meet up with reigen and the others in the hideout, dimple does not have to say "let him rest, i'll fill you in," but he does. when mob is unconscious and vulnerable dimple does not have to protect him, but he does. when mob is fighting minegishi dimple does not have to stay—hell, when mogami shows up, somebody that dimple seems very afraid of, he does not have to stay, but he does. and when mob goes up that tower to confront serizawa and toichiro, dimple accompanies him, not rly bc reigen asks him to, but bc he seemed like he was planning on it from the start with that little "i know i know" that sounds so halfheartedly bothered

he doesn't have to do really Anything that he does in wd arc, and yet he's there and helping, and while you can argue that a lot of it might've been done just to keep mob alive and dimple in his favor, i think the majority of it was instinctual and real

mogami arc seemed like a turning point for dimple and mob's relationship, bc mob truly and completely put his life and wellbeing into dimple's hands and dimple's hands alone. dimple cracks some joke abt his uglier intentions and mob simply stares and says "i'm sure it'll be fine," and dimple visibly does not know how to react to this. like reigen says later: this is the first time somebody has put so much trust in him. dimple has No Idea what to do w this, and the sheer kindness of it makes him hesitate to take advantage of the kid

the fact that dimple is able to possess mob at all during wd arc goes against what we've been told before about espers and their mental barriers, which (and i believe this is touched on in the manga w more explanation but i haven't read it) shows just how much trust mob has in dimple. his mental barriers are already off 24/7 for the guy. dimple could probably possess him whenever the fuck he wanted

Something changed in dimple's mind between mogami arc and wd arc, and that's further proven by a line of his in s3. it's been a while since i've watched this part so correct me if i'm wrong but i think dimple says smth about forgetting that his original goal had been to become god. that he lost sight of that somewhere along the way, and just stopped thinking about it. even during divine tree arc, toward the end, he says smth about "has being around the unmotived shigeo caused me to lose sight of my goals and ambitions?" at some point dimple just completely dropped that goal and started being a genuine friend w no ulterior motives. started embracing that trust he's been given, and not letting it go to waste

yes, dimple half-lied to calm him down after the fire, but he tells reigen that he has reason to believe what he said was true. and when reigen comments that mob would hate him if he Knew he lied, dimple's reaction is Genuine Remorse. that face is not one of "damn my evil schemes r falling apart. aw drat" or "ohmy god i'm going to be exorcised" that is the face of a guy who feels real and honest regret and guilt over even the Thought of his friend hating him. that is a guy who shrinks into himself at the idea of mob not calling him a friend anymore

and so.when mob runs to his parents' room and That Scene happens, dimple's first and genuine response is to scream at mob to look away, shigeo! look away! protecting the kid, protecting his innocence, bc no kid should have to look at something so horrible, and dimple Cares about this kid. he doesn't know when he started caring, but he cares now, and in a dire situation like this, dimple's knee-jerk reaction is to comfort and protect this boy, not take advantage of him. do u understand how important this scene is to me.

this rly has nothing to do w the story itself but i am an English Dub Enjoyer and dimple's va is Outstanding, especially when he voices that look away, shigeo! look away! it sounds so panicked, so desperate—there's rly nothing in the rest of the show that sounds quite like it bc it's so horribly despairing and pleading. he just wants shigeo to look away, to not stare at his family's burning faces. it's a devastatingly raw command that burns just like the walls do. that line and its delivery is so haunting to me

[cangelgifs]

I've seen a lot of assertions about season three Cordy being characterized purely for the sake of making her into a love interest, with her training to fight and her completely siding with Angel/not wanting to hear Wesley's justifications of his actions being the two points brought up most frequently. And I always knew why the latter bothered me – the fact Angel was in fact the wronged party, how this was the exact same side of Cordelia that was the team's fiercest opposition to letting Angel off the hook in season two, etc. The first one, though, bugged me because it struck me as incorrect in a way that I couldn't explain. And I think I finally figured it out – people objected to that on the "Saint Cordy, Buffy-lite" whatever grounds. But no one ever once objects to Wesley becoming increasingly competent in physical confrontations. Cordelia used her car as a weapon. She staked a vampire while he was lying on the ground being trampled over on Buffy. She bit not one but two vampires. There is far more narrative support for Cordy becoming more physically capable than there is for Wes, who we never saw training.

THANK YOU. 

IA with this so much. Rant incoming.

Literally people are always clowning on Willow/Xander/The Scoobies for not properly learning how to fight or starting to train in all the years they patrolled with Buffy, despite constantly putting themselves in danger. Like, yeah, Willow has magic as her main defense/offense but it’s not always enough and she does have to fall back on hand-to-hand and no one bats an eye when she also picks up a stake and dusts a vamp. And this is the same with any other non-supernatural character throughout both series. Of course they’d join the good fight. Except it’s somehow out of character for Cordy and Cordy only?

When Cordy does the smart thing, after constantly being a damsel and in peril, and asks to learn how to defend herself, she’s suddenly ‘trying to be Buffy’ and it’s impossible and it’s a huge point of contention that she’d *GASP* ever want to become more proficient at fighting?

Also ALSO Cordy is one of the characters who has been damseled the most/in the worst ways. Is it really so inconceivable that she’d finally reach the point where she had enough and wanted to get to kick butt and take names and protect herself? After her life and what she went through + her job literally being someone who helps fight against evil…I’d be hard pressed to think of someone who *wouldn’t* decide to learn to fight in her shoes.

More over, let’s not forget that Cordy already (even way before beginning her fight training in S3):

Was patrolling/fighting alongside the scoobies over the summer after s2 when Buffy was in L.A.

Staked a vamp in Graduation Day part 2 AND was a willing soldier in Buffy’s army against the mayor (she could have run away like Anya, but did she? Nope. She FOUGHT. As early as then. Way before Cangel became a twinkle on the horizon.)

And yeah, in ATS S1 she is still more than happy to run from danger than to it, but after her epiphany in 1x22 (“There’s so much pain. We have to help them.”) we see her start going with Angel, Wes, and Gunn to battle the baddies in her visions in the beginning of S2. Which I think makes perfect sense with her character arc.

Throughout S2 we see her: go with Angel and Wes to confront the demon in the gym in 2x01, fighting with the men in 2x03, 2x14, and is there in 2x17 freakin’ dual wielding crossbows against Harmony, etc

Plus there’s also the not so little fact that Angel literally abandoned her to deal with the visions she only gets because they are meant for him during s2. Is it any wonder she’d conclude that, hey, maybe she can’t rely on other people to save the helpless in her visions - that she wants to be able to save them, too, to the best of her ability? On top of all that, in S2, she was impregnated by a demon spawn for a second time and enslaved then tortured with hot pokers in Pylea. Like, I’m sorry, but why, again, would she not wish to learn to protect herself/others better? Esp when their mission has become one of her core values (if not her biggest) ??? Her wanting to learn to fight tracks character wise for her journey

Like you said there is def a scummy layer of sexism to the complaints that Cordy shouldn’t be good at fighting whereas Wesley is lauded for becoming a badass. Esp since we know Cordelia has always had more natural athletic ability than him. Cheerleading is no joke and I honestly do think learning fight choreo isn’t that different from learning dance/cheer choreo. And we saw in The Witch that Cordy can pick up cheer choreo after only seeing it once. (Plus we have Spike equating fighting to dancing, but I digress) And obviously her and Angel trained a lot more than we solely saw on screen. Granted, her fighting skill does advance quite quickly after she becomes part demon but this makes sense in world to me - like, this is the same show where vampires and demons all have those (to quote Dawn Summers) "fancy martial arts skills they inevitably seem to pick up". Ironically, it’s usually the same people cutting her up for being a ‘buffy-lite-OOC-fighter’ who will then dunk on her for ~being a damsel and ~needing to be saved by Angel so much. Make it make sense. Re: Cordy taking Angel's side against Wesley. 100% agree there as well. Also people forget that Cordy loved that baby too. She was Connor's aunt/"the closest thing he had to a mother". Like, maybe she was mad at Wesley herself, for her own reasons as well as Angel's. Maybe she wasn't ready to forgive Wesley for not reaching out to her or talk to her before kidnapping her nephew and getting him abducted to a hell dimension and (to their knowledge at that time) most likely killed. As has been established, when betrayed, Cordy isn't always quick to forgive (as seen with Angel in S2 and even Xander all the way back in BTVS S3, etc). Again, this doesn't feel OOC for her to me.

Phew. That got long winded. Thank you for coming to my Ted Talk, anon. 😛 --whatisyourchildhoodtrauma

[mdhwrites]

Was Boscha Mistreated In S3?

TL:DR Boscha is actually one of the best written parts of S3, mostly because she actually has some efficiency to how she was written. This does not mean the writing succeeds in its goals because the misguided priorities and management of S3 of TOH is why this isn't some sort of praise. It is the ALMOST success in three specials that I think are objectively a complete failure of writing.

@hinobodyishere wanted a follow up to their previous ask about Boscha and I at first dismissed and deleted it, partially due to misinterpretation. That since we did get Boscha in S3, how was she handled? Was she given respect in regards to the trauma foisted upon her?

Well... Yeah actually. For the most part she is. They genuinely tried to give her a sympathetic character arc and their fumbling of it didn't have to do with disrespect, it had to do with one of the DUMBEST decisions of all of S3 I think. Not one that breaks themes just... Why would you do this? I have NO explanation for why the choice while I can at least tell you a concept for why other things were done.

But let's start with the good and that's that in a season that has some of the absolute least efficient storytelling I have EVER seen, especially in terms of wrapping shit up, Boscha keeps her biggest strength as a character and that is weirdly subtlety and in turn efficiency. Anyone who loves Boscha can probably back me up on this that so many of her weird quirks as a character come from small choices. I've talked in the past about how Amity is the ONLY person she never is mean or cruel to, even once Amity abandons her and that shows how subservient she was to Amity, not the other way around like most people portray it. This also coincides with her response to Luz coming to die. "Wow, you're a really good friend." And that implies she genuinely does understand friendship and loyalty and from what we can tell, she may be mean to even those around her but she is ALWAYS loyal and faithful to those she cares about. She knows what being a good friend is.

I bring this up not just to praise Boscha but also to lead into her trauma. We are explicitly shown her losing essentially her last two friends. Any trace of what her past was is GONE because of the Collector (your reminder that the Collector is a fucking monster btw). She is the last of her friend group. The last one still carrying the torch for what she thought reality was before Amity kicked her to the curb out of nowhere. Skara presumably did the same to be a part of the Entrails. Her reality is already fracturing and it was her own failure this time to protect them that led them to die. She is all that exists of the Banshees anymore. This is reinforced by how Miki manipulates her. She threatens Boscha with being in danger. With being vulnerable, something she's not used to because she always saw herself as Queen Bee and either sharing a throne with Amity or by herself. She is desperately holding onto what little she has left.

Willow's scene next is... Up and down to put it mildly. It is mostly to dogpile on the already heavy and EXTREMELY forced shit they're doing with Willow. A reminder: No one is asking fuck all of Willow this episode, few EVER have, and yet 'Dependable Willow' comes out of fucking nowhere. So while Boscha talking about the weight of responsibility is actually good for her, it is in line with the rest of Boscha's feeling that she's pressured to keep walls up against the world, it's not really anything new and it has little to do with her current trauma. At best, it helps explain why she's leading Hexside because she's the one who actually will take responsibility.

Then we get to the scene I mostly LOVE. Yes, I am a Lumischa shipper but I don't like it for the unrequited love angle. Like I said before, Boscha has lost EVERYTHING. She has lost way more than any of our 'trauma' victims amongst the Hexside crew. Even Hunter was never alone like she has been for MONTHS after having to watch TWO of her friends die instead of just one like Hunter did. The closest he ever got was the time between Hollow Mind and Labyrinth Runners which was like what? A week? It is genuinely incredible how shitty Boscha's life has been the entire time since the Collector showed up. Miki isn't even really a friend. She feeds into Boscha's fears and paranoia. She is actively trying to pull out the most damaged and worst parts of Boscha, essentially using her PTSD against her, for again, MONTHS.

So here is her chance to get SOMETHING back. To reverse the original sin that shattered her world. Finally, the Blight mentality that she must have at least gotten some of from Amity that she's lived her life with can come back. Amity can come back. That's why she's desperate and pleading with her. Then-

"Boscha, you're hurting me!"

I... There is something about the delivery of that line that makes my skin crawl in a way I can't 100% justify. It's not even out of character. It's her last chance after all so she'll go pretty far to keep Amity there. It's just... Not many characters physically hurt each other and Boscha doing it here comes across, especially after the faux confession, like a needy ex getting ready to assault their old lover. For an episode that is essentially trying to redeem Boscha, I don't think it's a good choice. She's been villainous enough already, you didn't need to go that extra step but that may just be me.

But, writing wise, this scene is correct. It is her darkest hour. The moment that forces her to self reflect and choose a path. Is she a Banshee, or is she a slave? Does she stand proud like she always has but now for the right reasons or does she cower in villainy?

And we don't get a proper climax. Then again, neither did the episode.

We're going on a tangent but bear with me because it sets up what I think needed to happen. See, Boscha showing up and promising to kick Kikimora's ass off screen is... Bad. It's not a climax, it's instead tepid and weak, complete with, in the SECOND TO LAST EPISODE, "Don't think we're square" or whatever the fuck Willow says to Boscha. Why? Why are you STILL kicking narrative cans down the lane instead of actually giving any fucking resolutions? It's so indicative of the entire problem of S3 just having no fucking clue, nor interest, in wrapping anything up or giving any sort of real satisfaction to narrative plot points IT CREATES.

Worse yet is tying this around Kikimora of all people! I actually don't hate her as a character but like Boscha, the minute Belos is dead, her utility is over. Her dramatic weight has been gone for over half a season because ever since Falls and Follies, she's been a gag character. Yet, she's canonically beaten our main characters as many times as Belos has and unlike Belos, the main cast has never beaten her themselves, especially in a fair fight if you want to count Hunter's fight against her while she's drugged as a win against her. This is a character who is going to get the same reaction Luz gave: "You again? REALLY!?" because like... Why? Of all the characters to bring back, why bring back Kikimora as a final antagonist? I actually do have explanations for that, it's part of why S3 could never have been good even with a longer version of itself, but different blog.

No, it is the fact that despite bringing her back, despite giving her another objective win against our heroes... She isn't beat. We actually don't even know if Hexside succeeds in beating her. In this adventure show, the villain could have just peaced the fuck out and kept doing whatever she wanted instead of getting her ass beat and giving us a real action scene, something that is sorely lacking in For the Future. It makes no sense narratively, by genre convention, or thematically. And don't claim they ran out of time because that means they kept Kikimora through however many drafts it takes to make an episode and somehow decided to never write in how to actually give a climax to this episode that isn't just Camila and Luz talking about a subject that ANY villain could inspire by kicking Luz's ass.

So. What should have been here?

My suggestion is a roughly three minute trick, maybe less. I'm not asking for a lot of time, you can probably get it from not bothering to show Belos during the main portion of the episode and let him showing up at the Collector's Castle be his whole appearance because the foreshadowing of Caleb leads to literally nothing. In this fight scene though, we'll get our redemption.

Luz is lost and they're still struggling against Kikimora. Suddenly, Kikimora gasps and fires past them. Her shot shows scattered stone and smoke... And Belos walks through it. He smirks at Kiki and asks, "Ah, I see you're still as impulsive as ever." Kiki fires again as Belos gets past Hunter who is seperating the others from Belos. They all see a stone pillar rise at the last second and explode. Amity sees Belos wink at her while hidden by the smoke and looks across the way. Emira winks back at her.

Belos waves a hand and from the Earth, an abomination of rock, dirt and plant begins to rise. He speaks again but we don't look at Belos, we see Emira with Barkus next to her down a potion, her eyes glow with oracle magic and she speaks through that, channeling Belos more purely than she could otherwise. Kikimora screams at him that he's dead and starts to pummel the abomination when a screech sounds from above. Viney drops a potion from Puddles and it crashes into Kikimora's cockpit. From it, tentacles comes out, trying to grab Kikimora but instead knocking her out of it. She falls. The ground zooms close. She shuts her single eye to brace for impact.

It doesn't come.

She opens her eye. She is met by three.

Boscha keeps her face close and her voice low as she says, "You tried to silence me. You tried to take the last thing a Banshee has to her. The thing that anyone who knew our team, knew my friends, would be familiar with. The only thing that'd confuse them is that it's not a nerd in my hand but a little snake. I for one welcome the change." Boscha's face is lit up and you can see fire dancing in her eyes as she says, "Now, like a Banshee, let me hear you SCREAM!"

And Kikimora's scream scatters the birds as a pillar of flame erupts. We don't see the body, to keep it ambiguous and for pacing. Instead, Viney shows up to give a bit of healing and tell them they can go, we've got this. Then everyone leaves and joins back up with Luz to be kidnapped by the Collector.

In this version, we get a real climax and an actual send off to Hexside. Besides Skara, who could be shown coordinating things for a moment, we get a send off of all the named characters we know. I didn't mention Matt but his construction magic is there. So is illusions. So is a lot of types of magic working together, you know, like the show says is better, to pull this off. True unity between more characters than we get in the FINALE. And then a final moment for Boscha to make it clear she's still her but she knows who deserves her rage now rather than using it simply to stay on top.

It is A resolution to the core plot of the episode. You know, that thing that never happened, instead we got the SECOND resolution of Luz's character arc and that was it. Even if people might have still called it filler, it would at least have served as not just a cameo for Hexside but a curtain call for it that also highlights the changes to the kids there that Luz introduced. It would have SOME sort of point besides being there for Willow/Huntlow fans and a very forced "I want to be understood" that only makes sense from a meta perspective and makes Luz look like an over demanding bitch in canon.

But we didn't get anything like that. Why? ...I don't fucking know. I use a lot of words to try to explain shit but I've got nothing for you. The best I can is that it's because the writers felt obligated to include Hexside but no one actually cared about it or its characters and I just don't know why you would write that way, not when you had so much else to wrap up.

But for wrapping up this blog: Boscha continues to be one of the most weirdly nuanced characters of all of TOH and I kind of have to assume at this point it was entirely on accident. If attention would have ruined her, I would rather they disrespect her and let her stand tall as the time the broken clock was right. See you next tale.

======+++++======

This is your reminder that at chapter 28, Boscha hijacked my over 300k word behemoth, with over 100 chapters, and essentially became the main character of a story that was supposed to be Lumischa. I LOVE writing this bitch and have thought way too much about her.

I have a public Discord for any and all who want to join!

I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past. I have an Ao3 for my fanfiction projects as well if that catches your fancy instead. If you want to hang out with me, I stream from time to time and love to chat with chat.

A Twitter you can follow too

And a Kofi if you like what I do and want to help out with the fact that disability doesn’t pay much.

[moistvonlipwig]

BtVS for the favorite things ask game?

ok!!!

my favorite female character: Cordelia of course.....though if we're counting her more as an AtS character then it'd be poor beleaguered Anya, who has too much sense by far for the rest of the Scoobies to handle.

my favorite male character: Spoike my horrible little man who is faking his accent and cheats at kitten poker <3 he sucks sooo bad (affectionate) (also objectively true since he is a vampire)

my favorite book/season/etc: This one's tricky -- I think S5 probably takes it in the end, although I think the overall arc of S2 is very impressive and the highs are higher. But I prefer big sister Buffy to only child Buffy and the later seasons cast line-up to the early seasons cast line-up, and S2 has a lot of bad episodes, whereas S5's worst episodes are just kind of whatever. S3 is also very strong overall, but it doesn't emotionally grab me the way S2 and S5 do.

my favorite episode (if its a tv show): This one's even trickier! I think "Becoming" (especially its second part) is definitely in the running for its amazing character work for Buffy and the whole cast. "Lovers Walk" gets points for the sheer amount of fun it packs into its runtime. "Who Are You?" is another contender, largely due to SMG's absolute tour-de-force performance as Faith. "Restless" would be a contender if it weren't for the horrifically racist treatment of the First Slayer that infects the entire episode, which knocks it soundly off its otherwise well-earned pedestal. "The Gift" is very, very good as well. (I'm not as big on "The Body" as everyone else -- it's good, I just don't think it's one of the show's top episodes.) And I think "Dead Things" is probably the most challenging episode the show ever put forth, which I appreciate deeply. (I enjoy the songs in OMWF a lot, but as an episode I don't think it's super cohesive, so while it's up there for me, I don't think I can say it's the show's best.)

my favorite cast member: I honestly don't really tend to get super invested in actors, so, idk? I guess I'd say that, while she's nowhere near the show's strongest actor -- in fact I would argue she's one of those actors who is extremely good at playing one specific part and basically can't play anything else -- I nonetheless have a lot of respect for Eliza Dushku as a person, what with how she's spoken up about the sexual abuse, harassment, and mistreatment she's faced within the industry, and how she threw her full support behind the people speaking up about Joss Whedon despite having a positive experience with him herself.

my favorite ship: Most of my favorite Buffyverse ships are AtS ships, but my favorite BtVS ship is ultimately probably Buffy/Spike, despite, um, everything -- I think they have a lot of really fun interactions and I buy their friendship in early S6 and S7, and I appreciate that the show made some attempt (YMMV how successful it was) to deconstruct and problematize the enemies-to-lovers trope. That said, my ideal endgame for them is that they end up as friends, not lovers. And the way some people talk about that ship on here is......well. It's something innit. In terms of other ships I like: despite what I'm about to say about Giles below, I do like his interactions with Anya a lot and I feel like there were some romantic implications in "Grave" that weirdly never got picked up again in S7. I think a Giles/Anya romance would be a lot better than S7 trying to resurrect the shuffling corpse of Xander/Anya. ...Although, I'm also a "Willow should've killed Giles in Grave" truther, so, I'll also propose a Willow/Anya romance, because they had good chemistry in "Selfless" and it'd be funny.

a character I’d die defending: It used to be Dawn and Cordelia, but honestly the fandom has cooled off a lot when it comes to hating those characters, so, uh, I definitely still defend them ardently when needed, but they don't need it as much these days as they used to. Buffy still gets some very weird things said about her which I think she should be defended from, although I also think there's pockets of fandom that act like she has never done a single thing wrong in her life ever, which is a point of view I also don't subscribe to. Faith I think is in a weird position where she has done some legitimately awful things, which some of her more hardcore fans gloss over, but some people are strangely hellbent on making up things she didn't do to get mad at her for, which I can't abide. People are also deeply weird about Joyce, as you know, but, like, I'm not a Joyce Fan or anything, I don't even think she's a particularly amazing mother, I just think people seem entirely incapable of seeing things from her point of view and weirdly insistent that her relationship with Buffy was worse than it was. So, IDK. Most of the women, I guess. Except Willow. Sorry Willow, I'm sure some people are weird about you too, but the narrative is too nicies to you already.

a character I just can’t sympathize with: Yeah, it's Giles. He's the character who has gone down the most in my estimation over time, particularly as I've gotten older. S1 Giles is arguably sympathetic, with his fate somewhat paralleled to Buffy's, but as the show goes on, the character and worldbuilding develop to a point where it becomes pretty irrefutable that this is a guy who profits off of Buffy's suffering and could stop doing that at any time, who abandons her when she needs him most, and who then has the gall to act like he should have any say in the decisions she makes about her life afterwards. Additionally, the way he seems totally indifferent to Xander's home life and clear desire for a non-abusive father figure/masculine role model, and even more egregiously (given that it is literally his job to 'watch' her) the way he seems totally indifferent to Faith's lack of a home or family or any kind of support, is profoundly foul to me, and yet another thing that's made worse by the retcon that Giles is well-off and gets paid to do this. (The Faith stuff is even worse when you remember that Giles, too, has accidentally killed people, yet he makes no effort to try to reach out to her. Angel's attempt to reach out may have been bad, but at least it was an attempt.) I've read a lot of meta on here about how Giles was deeply affected by Jenny's death and how that made him feel like he had somehow doomed her by loving her, or even when Jenny isn't brought into it a lot of people will say that Giles thinks he is an awful person who makes people's lives worse and that's why he holds himself at such a distance, and like, that's a fine interpretation, but I don't actually see any evidence that that's true? To me that's in the realm of "Xander hates vampires because of Jesse" -- it's something that could psychologically make sense for a real person, and you could write about in a fanfic and have it be quite interesting, but I struggle to see any real basis for that idea in canon. And of course I should add that I think Giles should probably suck, for the show to work; if he's a good father figure the story doesn't really happen. But he sucks in such deeply baffling and unsympathetic ways to me that I just really don't like him anymore at this point, aside from the occasional Buffy-Giles emotional beat or snarky one-liner that makes me smile.

a character I grew to love: This one definitely goes to Buffy -- I think pre-Dawn Buffy is a well-done but ultimately fairly typical Campbell-style comic hero, whose character is largely elevated by SMG's iconic performance and by BtVS's strategy of using monster-of-the-week episodes to mirror Buffy's internal journey. I like her fine in the early seasons, but it's only really in S5 that she starts to grab my emotional attention, and it's in S6 that I truly love her -- S6 is a mess, but I think Buffy's arc in that season is utterly compelling and beautiful, and it gives me so much more affection and appreciation for her character. As for S7...well, let's just not speak of that, shall we.

my anti otp: With apologies as always to my Bangel followers & mutuals, I find Buffy/Angel to be not entirely uninteresting to think about (especially in S2, which is when I think the writers had the strongest sense of what they wanted to say with that relationship), but they are profoundly tedious to watch. Melodrama that is played straight is rarely appealing to me, and I can't for the life of me imagine them in an actual adult relationship -- what would they talk about? As Buffy herself admits, they were never actually friends, and so many of their conversations on the show just revolve around how they shouldn't and/or can't be together but they want to anyway. I also think, as the shows go on, they develop different values and their lives go in such different directions that I don't think they would work as a couple in the future, either. Both of them are better off, IMO, moving on and living separate lives.

[princessamericachavez]

I think a lot about every time 911 shows us Eddie understanding a little more about Buck in real time... 

(after cut because this got long but bare with me)

Like, the first season should be the most obvious, with the earthquake eps and the next one showing Eddie’s surprise/reaction to Buck’s immediate unconditional support when it comes to Christopher. You can literally see something click for him in Stuck, first when Buck clears Chris spending the day with them with Bobby, then when he introduces Carla to them. 

But then you have new and interesting glimpses at moments when Eddie found another piece of Buck’s puzzle. In Kids Today, for example, we see that Eddie’s approach to Buck’s “sulking” is rather closed off, almost cold, and it’s one of the very first time we hear him mention his father’s toxic masculinity preachings... but when Hen points out that Buck doesn’t have much outside of work, you can literally SEE the second it clicks in for Eddie. Not that Buck doesn’t have anyone, but that he doesn’t know he does. That he doesn’t understand. Which is why he brings Christopher over. Not to teach a lesson, but to show him he’s wrong and he has people who love him regardless.

While the whole lawsuit arc was probably illuminating, for me the real highlight when it comes to Eddie understanding Buck a little bit better is in the famous kitchen scene. Before they get all flirty with the sexual tension... we see Buck ask if maybe Eddie is still angry at him, if maybe Eddie wanted to fight/hurt him, and while Eddie pokes fun of Buck making this about himself, I think it’s a very big moment when he realizes how deep the self-loathing runs, that Buck cannot just accept the fact that he was forgiven, that he still things that Eddie wanted to/would under any circumstances hurt him. So he makes a point to say “I wouldn’t do that”, matter of factly (even if he later has to sidestep it with a joke because this is pre-therapy Eddie after all). 

Which of course later leads to The One That Got Away and Buck’s traumas shining through his relationship with Red and you can see how adamant Eddie is that no, Buck is not being left behind and no he isn’t losing the 118 family, and he’s annoyed when the others aren’t as quick to reassure him. But this is all part of Eddie-understanding-Buck-arc in s3 (remember the post-embolism thing i mentioned above). Which, of course, later becomes a punch in What’s Next? when Abby is back and Eddie sees real time one of the people who’ve filled Buck with abandonment and scars. Buck who, at this point, fyi, Eddie has already chosen as the person he trusts most to look after his son in case he dies.

Anyway, s4 is short but there’s treasures like What’s Your Grievance and Buck Begins, in which Eddie very clearly sees the roots of Buck’s pain and is already quick to validate his feelings and offer him a shoulder and space to vent. This Eddie is far more prepared than his counterpart at the beginning of s3 to see and understand Buck and offer his support openly. Which is what leads to the shooting and, more importantly, Buck once again acting like he’s expendable. And, because Eddie’s had this whole journey so far, he’s at a place where he can see better than the other characters that Buck doesn’t think himself invincible, he thinks himself disposable. But you can see the confusion in his face when Buck says it the first time, the moment —again— when he processes this new and painful information about his best friend. And he, once again, takes action with words of affirmation to show Buck that, again, he’s wrong. 

Now, by s5 Buck and Eddie know each other pretty well so there’s fewer surprises on Eddie’s side (s5, after all, it’s Buck’s turn to go through the journey of truly seeing Eddie’s scars and pain and being there for him) but I think about Home And Away, and how Eddie needs to do a double-take after he jokes that Chimney will not forgive Buck. Because it’s a joke, it’s meant to be, but the hurt in Buck’s eyes is so clear —because, again, he thinks himself easily discarded as soon as he screws up once— that he looks genuinely shocked that he has to clarify the joke in the first place. S5 keeps telling us Eddie already sees Buck, in little things like recognizing how Buck wants to fix things and how he might struggle with lack of control when he can’t help. 

Then s6 doubles down on the idea that Eddie already knows Buck so deeply, “it’s clearly bothering you”, knowing the happiness convention call was hard on him and teaming up with Chim to cheer Buck and Hen, picking up on his changes in habits and the fact that he might be hiding something, not joining the schedule to check on him after the lightning, being the one who offers the right space for Buck to open up... and then there’s the cemetery scene and there’s another DING moment when a new piece falls and Eddie realizes that Buck has changed, how could he not, and he’s now trying to catch up with whatever is wrong or new. And even then, he knows Buck enough to reassure him that he doesn’t need to pretend for anyone else’s sake. 

Anyway, I don’t know where I’m going with this, except for the fact that I love the journey these two have gone through and how we’ve gotten to see on screen (rather than just assume or be told) the moments that have slowly morphed Eddie’s perception of Buck from the cocky kid from day 1 to the rather hurt and vulnerable and open hearted man he truly is. 

[lostsyren]

Heyy☺️ First off, love your analysis and how you always pay attention to details. I wanted to ask I know a lot of people believe that sofia will join the pogues, but I actually think the opposite could happen. We got to learn a little more about her and she’s such a sweetheart, kind, empathetic and so good at helping rafe feel valued and understood—very emotionally intelligent. (A little too good to be true for him if you ask me—even though I really like them together🥰)

But there was a glimpse of a different side to her when wronged (she’s a force to be reckoned with) When she makes the deal I don’t believe it was with malicious intent but a way she feels justly punishes him. I also felt a subtle foreshadowing. First, when her dad says she’s a good girl after she declines to help him and her face has a doubtful expression (like she wants to be good but knows she might not always make the best decisions—what she regrets that she learned the hard way in s3)

And later with Hollis when she tells sofia “you think the kooks are going to give you anything, get what you can while you can” and explains how she grew up in house close by to hers. Idk I feel why mention that unless it’s meant to parallel sofia’s arc. The pogue born and raised girl turned kook. From sweet angel to self serving and greedy. But I don’t see her joining the kooks just living with more wealth. And could work so perfectly as a contrast to sarah’s arc of kook princess turned pogue living on the cut. Or maybe I’m looking too deeply🤔

I just love sofia and wish we could get more of her💞

Hi lovely!!🫶💕 Thank you for the sweet words!! I appreciate it sm <3

Your ideas are so well thought out and crafted!! Your mind!!!>>>

I agree with you, even though I’d love to see her join the pogues, it will be unsustainable. There’s already sm relationships and dynamics in the pogue group, adding Sofia will mean she’ll just get less development in my opinion.

I wholeheartedly agree. She has a very strong sense of justice and integrity. We see her guilt in the last scene of Rafe and Sofia where she regrets the deal with Hollis after Rafe verbalises his commitment because that meant what she did to Rafe was unjust.

So I think that darker side of Sofia we see will come out in part 2 when she confronts Hollis and maybe when she confronts Rafe about what he said behind her back, since she acts from a place of defence rather than attack (defending her and Rafe’s relationship and defending her dignity that Rafe sullied).

YESSS someone else thinking about that “good girl” scene. It definitely means something, either she is not as good as her father thinks she is, or she has suffered through something which makes Rafe’s betrayal hit harder.

Oh my gosh yesss!! I think Hollis was presenting another path to Sofia, so it’ll be interesting to see if she stick to that more deceptive approach. But I think she’ll try and make amends but Rafe’s anger will push her to maybe aligning herself more with Hollis?? I don’t know, I truly don’t know where they’ll take her character.

But I definitely agree with you, I can’t see her aligning herself with Topper, Kelce and Ruthie.

I think she’s such an interesting character though– we haven’t seen a “good guy” not be with the pogues/ help the pogues. She’s the first decent character who is stuck in a limbo, where she is with the “bad guys” despite what her morals are telling her– very much season 1 Sarah vibes. So it’ll be very intriguing to see how she’ll handle this moral dilemma.

Thank you for this ask lovely!! Your ideas have made me think about sm new possibilities for Sofia’s character!! Love love love!! You’re definitely not looking into things too deeply– everything you said makes sm sense!!

💫💕🫶

[raayllum]

I love how we are basically opposites on the whole theory thing :

You predict plot points by making jokes that end up coming true

meanwhile me and my overdramatic mind obssesses over dark scenarios that would never fit into 9 episodes and then I'm surprised when they don't happen XD

Listen as long as you're enjoying what you're doing, I say have all the fun you want in fanon and taking insp from canon! That's the best part sometimes! <3

Although I have some things that started out as jokes that ended up being canon (my absolute favourite of which being this joke I made about Ezran in 2x04 that was then an actual thing in the s2 novelization) the weirdest thing for me has been like... the ultra specific thing / things I thought would be more metaphorical that ended up being more literal

AKA a list in no particular order

Me assuming since Through the Moon came out that Callum would inevitably play into Aaravos's hands and that the struggle to not do so would be his main conflict in arc 2 (which looking back, the possession plot line seems so thematically obvious I am genuinely a little sheepish I didn't see it coming)

The game motif being my favourite motif and then s4 fucking Delivered it was beautiful

Viren's atonement arc because of his eye symbolism

That the rune cube placement could be trusted to foreshadow things, specifically the Ocean rune in finding the prison and in foreshadowing Callum's dark magic use

Me going "Hey wouldn't it be Fucked Up if whatever comes out of the cocoon is like a child version of Aaravos?" (hi Sir Sparklepuff my beloved)

For that matter: that Aaravos would ask one of the mage fam to kill Sir Sparklepuff for a deep magic spell, and that they'd refuse to do so

Callum's interplay with freedom being too tethered to Rayla that I banked on her eventually being taken hostage and Callum doing morally ambiguous shit to save her like 3+ years in advance

Seeing Callum's S4 design for the first time and noting that the circlets around his wrists invoke chain symbolism but thinking "Nah him and Rayla being in chains like tarot cards will just be metaphoric right". Haha, no!

Ezran as the embodiment of Justice / the series' Witness (hell yeah thank you 4x03 & TOX for making Justice his highest value)

Predicting Rayla's entire arc 2 arc thus far re: her paranoid and restless nature being what puts them on the path to finding Viren and her wanting a rematch, the coins, and her self worth issues, written March 2020 (months before TTM came out)

Callum and Viren as each other's primary foils (begun before this but started being highlighted further from Nov 2019 onwards with specifically thinking that S4, as opposed to s3, would crank it up to an 11)

Rayla and Callum's whole ass light-dark motif that I thought would be a fun consistency in the background rather than a whole ass arc defining Thing

Characterization wise but Ezran as an Enneagram Nine The Peacemaker personality wise (once again thank u 4x03)

Back in Aug 2021 I noticed that bloodbending had thematic similarities to dark magic (in terms of framing, notions of control & agency) but again, didn't think it'd amount to literal likewise puppeteering (Aaravos is/was even imprisoned like Hama too!)

Seeing parallels between dark magic and thematic/metaphorical cannibalism / positing Aaravos as a cannibal in a fic I wrote in 2019 but never ever thinking it'd be more than metaphorical bc kids show, am I right? (when I tell you I screamed)

Like 3 weeks post s3 I came up with Political Trio Theory in which Ezran and Rayla are at odds about something and Callum is caught in the middle, as he agrees more with Rayla but feels like he should side more with Ezran, which an Ezran / trio centric conflict along those lines seems to be what we're going to get personally with Runaan / the coins in future seasons

Which, not only is it mostly to keep my English major-y brain sharp and my enclosure enriched (parallels are my perpetual hamster wheel), but it's also like... obviously predicting from theme/motifs isn't perfect, but it does mean you have all the right pieces. Then it just comes from running through the options to assemble what the puzzle might look like, & also thinking through the constraints of structure and run time (ergo I wasn't surprised when Callum didn't figure out the mirror himself in early S4 cause I just didn't think the show would have time for that kind of slow build).

Like following S2 I never really thought Callum's journey with dark magic was precisely over, firstly because I saw him absolutely as someone who would do dark magic / things he morally is against again if put in the exact circumstances he was in S5 (hence the CHET predictions post up above), but also because as our primary mage character and with dark magic being the core ethical dilemma for mage characters in the show, it just didn't make sense to assume that it'd be entirely resolved with a neat little bow 2/6 (since at the time we thought it'd be 6 seasons) in. Like - what? So that's something from an analytical standpoint of characterization, theme, and structure, for example, and TDP gives us a decent amount of time to get used to all those things especially in the first three seasons and then we can kind of build our predictions neatly from there.

So what usually happens is that I'll have a passing thought / gut reaction, think "huh maybe it's something," and then actually think about it for like 2 days to 2 weeks and realize that it loops back in with a lot of other stray thoughts and that there's something Substantial there. It never stops being wild

Anyway this was definitely way too long a response so TLDR; I'm always pleasantly surprised / excited whenever I predict anything correctly and also adore when the show throws me a curve ball (hi Terry <3), and the fun of theorizing (and sometimes throwing spaghetti at the wall) for me comes down to the themes and parallels and fun (fanon if nothing else) possibilities I can find. I love writing meta, speculative or purely analytical, even if/when they're often time consuming. My instincts haven't steered me too 'wrong' with TDP thus far, and I don't think they ever will!

[lukolabrainrot]

Part 2. Explanation

In one of the interviews (don’t remember exactly, Vogue one perhaps) they are asked who is most likely to fall in love at first sight and they both point at L, and something similar is stated multiple times throughout the WT in various ways. Now N on the other hand always supports the friends to lovers being the best romantic trope and I think it’s not only because it is her character’s story arc. The way she is talking about a deep connection developing in the course of the friendship being the best way to go about it, implies that she is not someone who jumps into relationships easily. The way they are talking about their first meeting makes me think that it was indeed a love at first sight for L, and attraction at first sight for N. How he talks about this immediate feeling of warmth, the way he describes her dancing that first time, I think he was slowly on his way down. While her first reaction to him was “how tall he is?”(indirect quote), her facial expression makes me think it was not just his hight that captured her attention. Do you see the difference? For him it was a feeling, for her an appearance. And he is not a touchy fella, even with his BRT family cast as close and friendly as they are, usually it is not him who initiates contact, but not with N (who on the contrary is very touchy) even from the earlier moments of filming. “I don’t really do selfies but if you want one we’ll do that,” “l’m not really a hugger. Oh, you want a hug N, as many as you wish.”

Now as I said LOGICALLY, REALISTICALLY we cannot even truly speculate about events or conventions taken/ not taken, had/not had. For all we know they might have never even admitted to anything, to themselves or each other (doubtful but still). And their relationship are entirely platonic (that would make me question so many things about life but who knows). But from the audience point of view I would say biggest shift definitely happened during s3 filming. I want to make it clear that by no means do I wish to imply any kind of infidelity, quite the opposite I am one of those who believe that until WT their relationship never slipped into romance, beyond perhaps certain tension which I think is sipping into what we see on screens (cough* tongue slip *cough). By which point serious relationship were already over, though I truly think they started to unravel sooner, that it was not pretty, and that L was the driving force of it. Why? There was a little movement in adjacent’s SM life which sparked my memories, S posting “my world” giving of vibes of obvious overcompensation? Well during the filming drought of s3, when all Polin fans were feeding of crumbs, someone reposted J’s post of appreciation to L with those words and additional “don’t get to see him a lot this days” (or something of a kind). Undertone is kind of similar, no? And the way she completely wiped him out of her life? Does not really say parting ways amiably to me😬

Yet again we DO NOT KNOW why hbs happened, how 🐜 got in the picture or where their relationship ever stood. But I will only say this, in my eyes it was the public who gave her the label, and as a result importance, not L, not really. All of her little games only make me believe in this more. She was never given permission to imply anything serious from him, a hotel room, a T-shirt, a hand, easily plausible to not be related to him, but posting his face without his consent? Entirely different story. Now as to her traveling with him, again we don’t know the circumstances behind the scene, was she there as a part of a friends group, her and his sister seemed chummy perhaps in some moments it was on hers behalf, or as an easy travel companion, or perhaps they are insanely in love and we are just fools. We DON’T REALLY KNOW anything, we see only what they allow us to see.

And you know what I saw? L was 😍 from the start of WT, his body language pretty much consistent throughout the entire WT. N on the other hand while always affectionate wasn’t as open or obvious until the second half of WT, especially with her 😍, in some of the last interviews she literally has “check out from reality” moments from looking at him. I see their silence as being sooo loud, especially on L part. They themselves stated that denying or commenting is pretty much pointless when it comes to public’s opinion, N said reading certain things online she would have a moment of “this is hurtful, they don’t even know me. THEY DON’T EVEN KNOW ME!!!” WE DON’T EVEN KNOW THEM, and they know that we don’t even know them, and they are right people will always think what people wish to think. (I for one am glad that more and more famous people feel confident enough to stop bending backwards for fans satisfaction. Public’s entitlement to peoples’ privacy is truly outrageous.) And what I see is that the only people whose point of view in this situation should matter are the two people whom we wish happiness. N and L. Look at what they allow us to see and don’t give attention to background dancers that are trying to distract us with flashy costumes from their inability to be in rhythm. To me some watermarks they paint seem like a beginning of a beautiful painting, but we’ll see what comes of it only when they would wish us to. (Not even going to comment on N supposed adjacent, those who believe that side hug is an epitome of romance, and perceive some barely reliable SM based sleuthing as hard core evidence, to each its own)

Again, apologies for dumping this on you. Truly adorable your blog.

Thank you for the kind words Anon, and glad you are here! ❤️️

[canonically47]

Share the Disventure Camp thoughts Geo. Also, now that you've seen both seasons, what are your All Stars predictions?

oliver was one of the best parts of the season and i loved him so much ohhh the skrunkle

aiden & james were my favorite characters i think! <333 i really liked their development i love gay people i screamed at their first real kiss

it took a while for me to get used to every character because of their mics and acting. some of the acting was not believable at all and was the reason i dislikes some characters for a bit (cough rosa maria cough) before eventually warming up to them. it’s clear they improved a lot and found better actors for season 1. i’m curious how the S2 actors will be in S3.

maggy was genuinely annoying and not just because of her voice. sorry :(

lake was amazing!! i loved her arc!

connor was a good guy and i liked him, but i wouldn’t have brought him back for all-stars and i definitely wouldn’t have paired him with riya. that 21 year age gap is not looking good.

I LOVED HUNTESSALLY SO MUCH OH MY GOD THEY ARE EVERYTHING TO ME POLY REPRESENTATION IN MEDIA IS THE BEST STOP I WILL CRY OMGMGMGMGGM why are they fighting in the S3 opening. someone save me. huntessally stay strong. STAY STRONG!!!!!

WHY IS YUL YELLOW 💀 also i hated his ass “a latina stealing why doesn’t that surprise me” NAH MF YOU CANNOT BE REDEEMED I’M SORRY MAN YOU’RE ON YOUR OWN 💀

anyone wanna talk about how weird some challenges were? no? like making people kiss other people just for a challenge? i know it’s fiction but? what if someone is uncomfortable with it? yk? my aro ass couldn’t watch most of those scenes like ik it was to make some ships kiss and probably appeal to the fans but nah. you lost me brah. and outing aiden (while not specifically saying his name but yk) like. wow. this is. not fun! weird episodes

karol fuck you

riya, thin ice, i like you for your assholery but leaving aiden hanging left ME hanging as a fan of both. sadge

ally should’ve been a scene kid that’s all i came here to say

fuck you yul hope ur the first boot of S3

why was nina there. /vvvneg

now for predictions/wishes:

YUL FIRST BOOT WOOHOO 💯💯💯 /hj

if i don’t get gabellie & tessally alliance i will actually cry myself to sleep for those entire ten months the show will be airing i mean it guys i’m so fucking serious /j

alec and fiore need to make up or i will actually go bonkers and die

yul first boot

trevek do gay shit & krystal breaks them apart every time because they’re so cringe every time they flirt or something not in the high school couple way but just sooo fucking bad at flirting that it is physically damaging to everyone around them

nina dies in a fire YAY!!! WOOHOO!!! PARTY!!! (seriously she was the most annoying gimmick of the season hope she just disappears and its not brought up ever)

maybe. if connor is there. and he gives advice. he can give alec and fiore advice. right. right guys. I MISS MY FATHER-DAUGHTER DUO OKAY WAAAAAAA

jake will be a fucking idiot and hate aiden for NO reason because he is a fucking idiot. love him tho but i was hoping he wouldn’t be as insecure in s3 like girl get a therapist cmon

if i don’t get james-tom friendship.......

miriam early boot 😞 sorry queen 😞 i got this feeling 😞 inside my bones 😞

ashley early boot (pleasepleaseplease WHO ASKED FOR HER TO BE HERE i wanted nick or kai back so bad omfg)

this is more based on a fanart i saw but fiore should totally terrorize aiden and aiden just hates her ass

i want the teams to form then switch a bit so that there’s both s1 and s2 contestants on both teams bc wdym the teams are s1 and s2. thats the worst decision yet and the season hasnt even started

[pirateswhore]

someone. someone send me an ask. one that I can abuse and write a 10k word analysis of. ➡️➡️ thoughts on ruby's relationship (platonic, romantic, whatever) with other characters? E.g. Do you think Dorothy was a good choice for her romantically? What do you think of her relationship with Whale? Are there any characters you wished she had a dynamic with?

oh !! this !!

personally, I was never a fan of Dorothy n Ruby. it felt rushed and unfulfilled. one single episode of flashbacks was just not enough for me to care ab them. I would have loved to see the relationship be expanded upon, and maybe if it was a longer slow burn, it could've been good (the concept is there). but with how it was in the show, I simply do not like the execution of it.

I have vague remembrance of whale n ruby, so once again not enough for me to form a coherent opinion on them.

NOW, for the relationships I do like (no order) -

1 - Snow. I loved their interactions, the way snow was always supportive of both Ruby's wolf n human forms, and never treated her with fear or apprehension.

2 - Emma. I loved their friendship in s1 and I really wish they kept Ruby around as a friend for Emma (so she had someone other than her mother or step-grandma 💀).

3 - Belle. breathes in. I will NEVER shut up ab red beauty. it should've been canon, it should've been end game. the concept of Ruby being the beast to Belle's beauty could've been BEAUTIFULLY executed. Ruby's story was about accepting both her wolf and human parts, and Belle's story was about seeing the best in people and accepting the good and bad in them.

4 - killian. I see them as clicking, and I imagine the two would've formed a bond while killian was staying at Granny's in s3. both of them faced prejudice against who they were (werewolf, pirate) and both knew better than to judge others.

ultimately, I think, as with a lot of character arcs outside the main cast, Ruby's was rushed and unpolished towards the end. the first 2 seasons felt like they were setting something up for her (especially season 2) but then she just disappeared for a season n a half, and only got 1 episode to finish her story off. would've loved to see her be Snow's friend in Storybrooke as well. continue working at Granny's or maybe as dispatch at the sheriff's station?

tldr - Belle for a romantic pairing, Snow, Emma n Killian for platonic.

[blackgumball]

whats ur thoughts on toh? out of pure curiosity

aaaaaaalright so. the short of it is that s1 was mid, s2 was pretty great imo, and s3 SUCKED.

the long of it is that when i found out Dana Terrace was making a cartoon, I was excited. I admired her work on GF (which changed my life when I first saw it), and was looking forward to the Owl House.

when I started watching it, I figured it just wasn't my style. I had graduated high school found that i wasn't really into the 'school' element of stories anymore (which I remember hearing that Dana herself not being too interested in as well, but execs forced the crews hand). I also just don't care about witches very much. Luz didn't move me in any particular direction, nor did Eda. The animation was cute at points. I would say the best ting about the first season was the fight scenes, specifically the ones between Eda and Lilith. other than that the show was just fine.

season two. I loved season two. I thought it got a million times better. they introduced Hunter, who was probably my favourite character in the show, the stakes got higher, as did the quality of the storylines and arcs. I don't know! the show just became so exciting to watch. I had to drag myself through the first season but I was locked in on season 2 and very excited whenever new episodes were coming out.

so natch this is when disney decides to cut their legs out from under them.

look a huge part of me feels horrible for the cast and crew of the owl house. they had a decently popular narrative show that was being talked about WEEKLY and that still wasn't enough to save them from the axe.

so unfortunately I was watching rise of the teenage mutant ninja turtles at around the same time I was watching the owl house. these shows were both canceled before they really got to end their narratives, and were given a shorter season/tv movie to wrap things up. I might've been 100x more forgiving to the owl house if rottmnt didn't EXCEL. granted, they're very different kinds of show, but rise really used what it had and made a heartfelt ending that insinuated the continuing adventures of the turtles. It really fucking worked (i love rise, everybody go watch rise)

so owl house gets three forty minute episodes to end its story, and the crew promised that just because they were short on time doesn't mean the show would be any worse. and I believed them.

the problem was, everything they chose to focus on in these episodes felt like the wrong choice.

so, context. the villain of the show since season one has been Emperor Belos. he's this big, creepy looking fascist dictator who wants everybody to be learning ONE kind of magic. he gives people special tattoos on the inside of their forearms to make sure they can't use more than one (which draws some uncomfortable parrallels to the holocaust considering we learn that belos wants to commit genocide against the witches)

so that's our villain but at the end of season two a new villain is introduced. a little creepy jester God Baby (heretofore known as GodBaby.) GodBaby wants to play. GodBaby destroys belos in one fell swoop and literally kills all the tension of the season two finally with a twitch of his finger, then GodBaby enslaves the planet as his playthings. Luz and her friends escape to the human world, but find they can't return.

When they DO return to the human world, they literally just explain to GodBaby that you have to ASK if people want to play with you and GodBaby immediately stops being the villain. The villain is now, again, Belos, who has been crawling around as a rather pathetic piles of deer shaped goo. There's your narrative context.

I found this was a huge waste of tension. they destroyed their villain, taking away all his credibility, his power, everything that makes him threatening to introduce this NEW guy, the new guy is convinced to the good side in a four minute conversation, all so you can bring this entirely non-threatening guy back for five seconds. this might have been alright if it didn't take place over the course of two and a half episodes. it wasnt DRAMATIC nor was it SATISFYING.

so that's the villains, now for the protagonists. Willow and Gus, our two side characters of colour, are underfocused on (as they have been throughout the entire show). Hunter, my favourite character, has basically the entire first episode dedicated to his suffering. i guess im biased cause I love that kid, but forty minutes of him getting infected with UncleGoop, slowly becoming paranoid and losing his mind, and then turning into some kinda (POORLY DESIGNED) deer beast, and then trying to KILL HIMSELF and THEN his first friend and beloved pet bird sacrificing itself to save his life..... hoooooooooooo. it was farrrrr too fucking much in my opinion. my man just wanted to cosplay. but i guess that's more of a personal thing.

Luz is in her depression era. she's upset because she thinks that everything is her fault, completely understandable. was i moved by it at all? noooooo.

amityyyyy. exists to be a good girlfriend. and that's OKAY. i'd probably like her way more if they hadn't turned the cunt beam down. she used to be a real bitch and that's when she was at her most interesting TO ME. IMO.

the most egregious thing to me is episode 2. that episode focused HEAVILY on side characters and stories I have no interest in when the stakes were supposed to be at their highest. they give boscha (fucking boscha?) a redemption arc when I was moe worried about hunter killing his uncle and luz freeing all the puppeteered slaves. and why are you INTRODUCING STORYLINES WHEN YOU HAVE LESS THAN SIXTY MINUTES OF SHOW LEFT???? it was very veryyy fucking frustrating.

last episode. i barely rememeber it. luz has he depression healed by the power of becoming a kaiju. hunter can now use magic because he ate his magic bird to survive. i was yawning.

when i talk shit about the owl house its because I was so fucking let down by its conclusion. I understand that the team had less to work with, but so did the crew on Rise, and they made an excellent conclusion to their series. because 2/3 seasons in that show were mid (TO ME!!! IN MYYYY OPINION!!!) i don't value it as much as I value shows like gravity falls or infinity train or rottmnt. if you or anybody reading this liked it, that's okay! live your truth. i did Not fuck with it though.

[khainovo]

comprehensive list of CFV ocs? And their Worst Vs Best possible future in G???

LONG ANSWER AHEAD

First of all!! Thank you for this ask HELP I've been meaning to rant about this silly guy.

Currently, I only have Rei as a CFV oc! He's my first ever oc for the fandom actually. Though I've been in the CFV for quite some time now, I've never had the thought to make an oc until now. So, here's a rundown of Rei's personality + his backstory:

Rei's personality is bubbly and playful, but the kid's his age didn't really like it, so growing up Rei tried to contain himself and his energetic side so that he could have friends. Rei discovers Vanguard at a fair where he finds a card on the ground and was instantly charmed by the card art, when the owner of the card asked for it, Rei couldn't help but explode in curiousity and ask him questions about the game. Later on, he frequented his local card shop and started his own Pale Moon deck. (Pale Moon because I think it fits well with Rei kinda having to hide his real self and on the stage everything comes out and he's happy).

(S1) Over time, he polished his skills and had a group of other players at the shop to compete in Regionals. However, they lost at the final battle to Nationals. A talent agent from Tatsunagi Corporation had kept his eye on Rei's personality, gameplay, and his "All-Eyes-On-Me!" Persona during the games and was offered a job as a Vanguard idol. He takes it of course, and he starts his idol journey there.

(S3) As his fame rises, he reaches highschool and enters Miyaji Academy, where he finally gets to meet Aichi. He's known of Aichi because of his job as an idol and because of his rise to fame for Asia Circuit and Nationals. In Miyaji and with his whole career, he finally feels free enough to express his true self and his bubbly personality shines through. He's made friends with Aichi and the gang, particularly playing tricks on Aichi because its fun to see his expression (in a gremlin way). Aichi thinks its fun, the whole gang thinks its fun. Kourin and Misaki thinks Rei is being over the top, but it makes their day.

During the whole Link Joker mess, he's one of the few to not get Reversed. He really hated Kai for a while though, because he knows how much Kai means to Aichi etc. etc.

(S4) In Legion Mate I wanted him to be like Ren and Leon, people who were supposed to be Quatre Knights, but he says no of course, and doesn't really help Kai much until the end because he's still salty about the shit he pulled in the Link Joker arc (When he found out Gaillard punched Kai he was laughing about it and Aichi was like, nervous laughter "Rei that's not very funny." but Rei is like "LMAO NO that was so good I wish I was there." Kai agrees to both of their sentiments.

OKAY SO

His worst future in G, I'll keep this short because my god this post is going to be long, is losing contact with his friends, or his Idol career ending because he really enjoys it.

His best future (i'll call this canon for my heart's sake) is that his Idol career flourishes and works for the Dark States part of FIVA and promotes Vanguard through streams and stuff in a reads notes influencer style tm

[a-bucket-full-of-feels]

A retrospective look on Hibike! Euphonium S1&2 and what it means to me

"Because I like the Euphonium."

Amidst Hibike S3 airing in 2024, I decided to binge re-watch the first 2 seasons because it had been a long while since then. I've first watched season 1 some time after it aired (maybe in 2016?), and followed season 2 during its original run in 2016. Back then, I had just started university and fresh out of junior college. I played in a music ensemble in junior college and took part in an inter-school music competition (actually it wasn't so much of a competition but there was judging involved), so when I watched both seasons, it filled me with a fresh sense of nostalgia for those days that passed not too long ago. And now, as a 27 year old watching this series and living vicariously through the characters once again, while the experience is pretty much similar, my perspective towards this story feels somewhat different.

Throughout the series, it explores the question of "why do I play music?" through the lens of different characters. And though the motivation for each character is different - for example, Midori plays the contrabass simply because she loves music, Reina plays the trumpet to become special, and Mizore plays the oboe to be connected with her best friend Nozomi - it ultimately boils down to this: because they love their instrument. And because they love their instrument, it ultimately motivates them to continue playing in the band and reaching for the top despite the journey not being easy.

As an outsider looking into a music club, it can seem absurd how these kids can spend hours several times in a week devoted to gruelling practice sessions, all for the performance for 2 pieces lasting less than 15 minutes in total. And for most of these kids, the time spent in club activities won't have a direct impact in their future, in for example, preparing for college/university admission exams, unless they're going to music school. But having lived through that same experience myself, at that moment when you're preparing for that performance, you're just so emotionally invested in it, and what I absolutely love about Hibike is that it makes that passion feel so palpable.

At the same time, what makes Hibike especially compelling for me is how real it feels. Nobody is a true antagonist in the series, and everybody has their own motivations and backstory that you can empathise with, which makes the disappointments all the more heartwrenching. In particular, one story arc I didn't expect to hit me this hard during my re-watch was the Reina vs Kaori solo audition. Although Reina was more deserving of the solo based on merit and skill, I could feel Kaori's determination and even desperation to get the solo, being a third year student and being denied a chance to play solos in her junior years even though she was better because the band prioritised seniority over skill. And when she finally heard Reina's audition in front of everyone, the realisation hits her, and when Taki asks her if she would play the solo, she responds calmly "I won't, I can't". And at that moment, the anguish of it all just hit me. Perhaps having lived through my schooling/undergraduate days, the feeling of wanting to achieve certain goals or go through experiences but falling short of the chance to do so, knowing that you'll never get to do that again because you're only a student once... At that moment, I really felt for Kaori more than ever.

Ultimately, Hibike is an extremely poignant series for me because it so beautifully captures that fleeting moment of how it's like to be so invested an after-school activity, purely because you like it. When I went to university, like Kumiko, I was ambivalent about joining back the same music band that I once did in junior college, and wanted to try out another club that seemed more meaningful and looked better on my resume. I did both eventually, but the only club I stuck through till my final year was the music one, simply due to one reason - because I like my instrument. And now as a working adult, as I look back on my schooling days, the best moments of my life were definitely not sitting in class with my head spinning in increasingly difficult accounting lessons, but instead spending my days practicing and performing music with the band.

And it's that same sense of nostalgia and wistfulness that I felt as I re-watched Hibike - experiencing the characters go through their high school days preparing for the band competition, knowing at the back of their mind that these are the last few years they can do something they're passionate about, before becoming an adult with a boring job and caught up with real responsibilities. As I think about Asuka's farewell with Kumiko, and the third years realising that after the competition, it is truly the end of their concert band days, it hurts not only because of my emotional attachment to these characters, but the feeling of closing a chapter of your life in school is bittersweet.

To wrap this all up, when I first watched Hibike, I didn't expect myself to be so invested in it. I watched it because it was about high school band which was sort of relatable to my experience, and also the few Kumiko/Reina scenes I saw seemed very cute. But right now, Hibike is one of my all-time favourite anime series - its story is told with so much love and attention to detail by KyoAni, and this has truly made it a special series for me.

[moistvonlipwig]

13. Top 5 female characters I wish had better development/writing

For @peachycloudcats. I will do #11 later today or tomorrow. :3

Additionally, I've decided to try my best to avoid repeats of previous female characters I've already used for this ask game, to keep things fresh. Without further ado:

1: Winifred "Fred" Burkle from Angel is one of those characters who I do like but I don't love and the biggest reason for that is that I don't think the writers had any clue what to do with her. It's to Amy Acker's credit that I find her endearing despite falling into some very particular Whedon-y tropes I tend to dislike. But it's telling that when Joss saw Amy Acker play Lady Macbeth and realized she was a much stronger actor than he'd thought, his first thought was not, "Gosh, I better give Fred a meatier storyline!" but rather, "Gosh, I better kill off Fred and give Amy Acker an entirely new character to play!" I think the character was at her best in early S3 and late S4, but a lot of the stuff in between fell kind of flat for me, and she literally does not have an arc in S5 besides Dying Tragically So Men Can Be Sad About It. Unfortunate. :/

2: Emperor Philippa Georgiou from Star Trek Discovery, meanwhile, is a character I should like on paper but who in practice often did not work for me. I think the concept of the character was brilliant -- I remember watching the first episode set in Disco's mirror universe and hearing a character refer to 'the Emperor' without mentioning their name and thinking, "Oh, shit, it's gonna be Georgiou, that's gonna be so awesome" -- and I think for the duration of Disco's mirror universe arc she works very well as a character. And I liked the idea of Michael taking her back to the prime universe, I thought there was a lot of potential there. Unfortunately I just don't think the writing was up to snuff. Part of the issue was, I think, a tonal mismatch: Georgiou was cartoonishly evil to a frankly absurd degree that seemed completely out of step with the rest of the show. They also kept giving her cheesy dialogue and unfunny jokes and they seemed reluctant to actually develop her until her send-off episode because they wanted their Comic Relief Evil Character. It's really too bad because Michelle Yeoh is an amazing actress and she was clearly having a blast playing the character, and again, I think the concept of the character is awesome. But I think maybe Disco was just the wrong show to execute that concept.

3: Melissa McCall from Teen Wolf really shined in the early seasons, but as the show went on she increasingly felt less like a loving mother to Scott who had her own problems going on and more like a mouthpiece for the idea that it was Scott's job to put his life and psychological wellbeing on the line in order to save everyone. Also, the fact that she ended up dating Chris Argent, who shoved a gun in her teenage son's face and never apologized, was so bad and was yet another weakening of her characterization.

4: There are so many Arrowverse women I could put here, but the character in that universe who most needed better development & writing is probably Kelly Olsen from Supergirl, who often feels less like a character and more like a vague sketch of a character you saw in a dream once but can't really remember that well. Azie Tesfai did a very good job making the character lovable despite being given absolute scraps to work with, and there are a lot of theoretically interesting things about Kelly, but too often she was reduced to Alex's supportive girlfriend who never caused any problems and never had any difficult or inconvenient emotions. Supergirl's only black female superhero deserved better than that.

5: Heather Davis from Crazy Ex-Girlfriend is yet another character the writers clearly had no idea what to do with after a certain point. I think her arc was fine until she graduated and then, like Heather herself, the writers were like ??? what does she do now??? and never came up with a satisfying answer. Given how much she loved being a student, I would think it would make sense for her to go into academia or something, but instead they had her...become a manager of a sports bar, marry Hector (which, uh, no offense to him but why???), and volunteer to be Darryl's surrogate on a whim. (Which, given how interested Crazy Ex-Girlfriend usually was in engaging in feminist discourses, it is actually so baffling to me that the show never even attempted to interrogate the ethics & implications of surrogacy from a feminist perspective, especially given the racial dynamics involved. Like, hello???) Vella Lovell was so fun in the role and I really wish they'd come up with an actually coherent arc for her after her graduation. Oh well. :|