#best part is it was right after the epilogue so i got some really epic dialog right before this

[jesterwaves]

this might be my favorite clip of mine from this game ever

[ladykailitha]

Icarus Part 25

Damn. I actually hate seeing that number up there. Because that means it's done. Eight months, twenty-five chapters, 52895 words, and one hell of a ride.

I'll start posting the sequel on Tuesday, and will post Sundays, Tuesdays, and Thursdays until it's done. I hope to get it done before October's end. But that's not looking likely at the moment.

But once it's done, I will post the epilogue. This was actually written first and was a way for me to flesh out the band members. Then I just wanted to dive right in to writing the full story. A link to the original idea here.

Part 1 Part 2 Part 3 Part 4 Part 5 Part 6 Part 7 Part 8 Part 9 Part 10 Part 11 Part 12 Part 13 Part 14 Part 15 Part 16 Part 17 Part 18 Part 19 Part 20 Part 21 Part 22 Part 23 Part 24

~

The rest of the American tour while it had its ups and downs was pretty much was uneventful. When Steve got back to Cali, he got some actual therapy from someone Gareth’s therapist, Dr. Sam Owens recommended to him. To not only deal with the abandonment issues left by his parents and Nancy but to help deal with the sudden onslaught of fame.

It was going well.

It was the therapist that had strongly recommended going on the vacation with his two best friends. That really helped put his life in perspective.

They were out celebrating Gareth’s one year of being sober and everyone had been invited. Jeff, Brian, and Eddie, of course. Even Vickie made it out. Dustin, Will, Mike, Max, Lucas, Ellie, Hopper, Robin, all the members of The Fallen, sans persona. Gareth had really become friends with all of them, yes even Steve. Gareth and Shane became really close. It was nice to see.

“Cheers!” Jeff said holding up their glasses of sparkling apple cider that they had all brought to share.

“Cheers!” the rest of them cried, clinking their glasses together.

They had rented out a nice surf and turf restaurant for the occasion and everyone was catching up. The owner was a friend of Jonathan’s, Argyle Rivera. He had gotten his start with a pizza food truck and it just exploded.

“So what did you and Mike decide to do?” Steve asked when there was a lull in the conversation. “I know you two weren’t sure the last time I was in Hawkins.”

Mike and Will shared a bashful look before Mike said, “I wrote a children’s book and Will illustrated it. We sent it out to a couple of different publishers so we’re just waiting to hear back.”

“That’s amazing!” Dustin cried. “You guys are going to be awesome.”

“Yeah,” Will said brightly. “I finally convinced Jonathan into going in to photography at the local community collage and he’s doing really well.”

“Nancy is going to school, too,” Mike said quietly, knowing how most of the group felt about his sister.

Eddie raised his eyebrows. “Yeah? What is the once great Nancy Wheeler going to be studying?”

Mike perked up a little that someone had taken a interest in what he said. “She’s actually going into journalism. Especially to be a war corespondent. After everything rightfully fell apart after the incident with The Fallen and Corroded Coffin, she took a hard look at her life and decided she hated the person she had become. So she’s been in therapy and has gotten into her dream school of Emerson.”

“That’s good,” Steve said quietly. Robin gave his a hand gentle squeeze and he returned it with a grateful smile.

“What are doing next, Ellie?” Brian asked. “Designing more epic costumes for the rich and famous? I saw that dress you designed for Lupita Nyong’o for the premier of her new movie. That was a gorgeous shade of purple.”

Ellie’s face dimpled in the force of her wide, happy smile. “Something like that. I’m just glad the dress turned out so well. I’ll be heading back to New York, to stay this time. I got a job at a fashion house that I’m really excited for.”

“What about you and Dusty?” Lucas asked, tilting his head. “I thought things were going great.”

Both Dustin and Ellie share a blushing smile.

“We’re still together,” Dustin replied. “I’ll be in Boston and she’ll be in New York. We’ll going to try and make it work.”

Max nodded. “Long distance can suck, but if the other person is worth it you can make it work.” She nudged Lucas’s shoulder and he grinned back.

“So you didn’t get traded to Lakers like you wanted?” Gareth asked Lucas.

He shook his head. “Maybe next year. But in the mean time, Max has a couple interviews at Tony Hawk’s video game company as a mo-cap performer for the female characters in his games.”

Everyone oohed and ahhed and congratulated her.

“I don’t have the job yet,” she muttered, but happily soaked up the attention anyway.

Dustin turned to Steve and Robin. “When are you two going to do something with your lives?”

Eddie winced and Steve and Robin didn’t even have to glance at each other to be suddenly on the same wavelength of doom.

If this was an anime you would have have seen the dark waves behind their heads.

“We make good money doing what we do,” Robin said darkly. “Yeah, it’s a bit jack of all trades, but it’s fun. We’re never stuck doing the same thing. We get travel all over the world. We get to meet famous people and all the perks of fame with the drawbacks of having our privacy invaded on the regular.”

“Jack of all trades, but master of none,” Dustin said to be pedantic. “Don’t you guys want to do something specific, like a teacher or a doctor?”

Robin snorted. “No.”

Chrissy hand covered hers, and Robin gave her a squeeze back. She was fine, just annoyed.

“Yeah,” Steve said. “And I don’t why being a jack of all trades is bad thing. Focusing on one thing is great for the people who can do it, but I love the different jobs. Roadie one tour, PA another, then EMT the next. It’s great.”

Dustin frowned, stabbing his plate with his fork.

“My therapist says people are like plants,” Gareth said, “some people are trees and they grow up slowly. Some are bamboo and in the right environment shoot up super fast. But some people are like periwinkle and grow out sideways. Robin and Steve are like that. It’s still growth, just not the growth you want them to have.”

“I guess,” he huffed. He looked up at Steve. “Are you happy doing what you do?”

Steve and Eddie shared a glance. “Yes, for all its faults, I am very happy.”

He nodded and they went back to celebrating Gareth’s year of sobriety. But under the cover of the loud celebration and raucous laughter, Vickie and Simon chatted quietly to themselves.

~

Steve and Eddie lay on the bed in Eddie’s mansion curled up together after sex.

“What’s wrong?” Eddie asked Steve when he had curled up under his chin and held on tight.

“We were out celebrating,” he murmured, “and I couldn’t even tell them we were in a relationship.”

“Most of the people there already knew, babe,” Eddie murmured. But when Steve didn’t say anything it clicked. “You wanted to tell the kids. Especially after the bomb Mike dropped about Nancy moving on.”

Steve nodded.

Eddie scooted down the bed to look Steve in the eye. “Whatever you do or don’t tell them is entirely up to you I don’t care either way.”

“You don’t care that we’ll never get to go on dates or be seen holding hands or kissing?” Steve asked seriously.

Eddie shook his head. “Do you want to know why?”

“I guess,” Steve said with a half shrug.

“Because when I first got into the music business,” Eddie murmured, “I slept with anyone who would give a passing fancy.”

Steve looked up at him in confusion. “But I thought you already had a crush on me then?”

“I did,” Eddie confirmed. “But here’s the thing, sweetheart, do you know who’s partners get torn apart the most in celebrity relationships?”

Steve shook his head.

“Those with non-famous partners,” Eddie said. “If your partner is anything other than a C or B list celebrity when you’re an A-list, you get called out for ‘slumming it’ and their partners get called all sorts of nasty names, but especially ‘gold digger’. Which is the last thing I wanted for you.”

“Is that why you were okay with being with after you found out I was secretly famous?”

Eddie rose up and tackled Steve into the pillows. “You listen close, Steve Harrington. That was absolutely not why. I didn’t even show up with the flowers intending on confessing anything other than knowing your secret. It was like I suddenly saw all the facets of the diamond I’d been admiring for years and realizing any reason I had to not put myself forward were stupid.”

Steve blinked up at him in awe. “Oh.”

“Yeah, baby, ‘oh’,” Eddie huffed. “Continuing to protect you from the shame and humiliation of the slings and arrows of the media is my mission in life, okay? And if you ever decide to come out, either as bisexual as Steve or as Steve as Abbadon, I will be there for you. One hundred percent.”

Steve’s eyes welled up and he nodded. “Okay.” His lips quivered. “I love you so much. I just want you to be happy.”

Eddie kissed him fiercely. “I know you do and you make me very happy. The Fallen, Abbadon, being closeted? All that? That’s just a part of you that I love.” He bounced onto the bed. “In fact...”

He grabbed his phone and started going through it. “Eureka!” He turned the phone around to a paint of a night, shielding a maiden from the sun and a large crowd of people. This is us, babe. I am the knight and you are my maiden. I won’t get tired, or upset that you need protecting.”

Steve blushed. He sat up and pulled up his knees to his chest. “When we first started coming up with names for us, we didn’t originally all have the same letter.”

Eddie raised his eyebrows. “Wait, really?”

Steve shook his head. “Spence was just Death. Shane was always Astraeus. Simon was struggling with finding a name that fit.”

“And did you have your name picked out?” Eddie asked gently, knowing where this was going.

He pursed his lips and nodded. “I didn’t think we’d make it this far. I really thought we would have crashed and burned by now.” He closed his eyes and hung his head. “Part of the myth with Icarus and the wax wings that people forget was that he was flying all over the place. That if he flied straight and true like his father suggested, he would have survived. But he flew too close to the seas as well as the sun.”

Steve sighed and then looked over at Eddie. “And that’s what I thought I was doing with the band. Flying too low with the fact that we were preps wanting to break into the metal scene and then flying too high with the personas and masks. I was going to not only wreck my life but the lives of people I cared about.”

He let out a low shuddering breath. “That maybe I should have listened to my father. To go to college, to get a degree in business, to fly straight.”

“So what changed your mind?” Eddie asked. “Other than Shane wanting everyone to have all the same letter as a middle finger to everyone trying to guess your identities, I guess.”

Steve let out a watery chuckle. “Shane reminded me of the beginning of Icarus’s story. That he had grown up in the labyrinth, never seeing the sky. How could his father had not seen that of course Icarus was going to play the second they were out? That, yes they were fleeing for their lives, but this was the first time his son had seen the sun, felt the breeze on his face and touched the waves on the sea.”

“But if Daedalus had played with Icarus instead of yelling at him, his father would have been able to keep him from getting too close to the things that would have harmed him,” Steve finished. “That he would have been there to catch his son when he began to fall.”

“So what was the lesson?” Eddie prompted.

“I wasn’t Icarus,” Steve said. “I was always free, I might have fallen from grace according to my parents, but that like God in the Christian story, they were cruel and cast me out because what they wanted for me wasn’t what I wanted.”

Eddie smiled. “So you became Abbadon instead. The one that fell but God still relied on to destroy the wicked. The opposite of Steve Harrington. The boy that rose up like a phoenix from the ashes to be better than his parents dreamed.”

Steve nodded. “Yeah. Icarus was the first to fall mythos wise, but Abbadon was the one people fear coming back.”

Eddie pulled him close. “Well, you’re my angel, now. Fallen or not, I’m not giving you up for anything.”

Steve kissed him softly. “I’m putting a lot of trust you, Munson. Don’t fuck this up.”

Eddie laughed and kissed him fiercely. Then he proceeded to show Steve all the ways loved him.

Steve knew he might always have doubts and fears, but now he had the support system he always needed.

It was more than past time to fly and in Eddie’s arms there was no limit to how high he could go now.

And he wouldn’t want it any other way.

~

Tag List: CLOSED

1- @mira-jadeamethyst @rozzieroos @itsall-taken @redfreckledwolf @zerokrox-blog

2- @gregre369 ​@a-little-unsteddie @chaosgremlinmunson @messrs-weasley @val-from-lawrence

3- @goodolefashionedloverboi @carlyv @wonderland-girl143-blog @irregular-child @blondie1006

4- @yikes-a-bee @bookworm0690 @anne-bennett-cosplayer @awkwardgravity1 @littlewildflowerkitten

5- @genderless-spoon @y4r3luv @dragonmama76 @ellietheasexylibrarian @thedragonsaunt

6- @disrespectedgoatman @eyehartart @dawners @thespaceantwhowrites @tinyplanet95

7- @iamthehybrid @croatoan-like-its-hot @papergrenade @cryptid-system @counting-dollars-counting-stars

8- @ravenfrog @w1ll0wtr33 @child-of-cthulhu @kultiras @dreamercec

9- @machete-inventory-manager @useless-nb-bisexual @stripey82 @dotdot-wierdlife @kal-ology

10- @sadisticaltarts @urkadop @chameleonhair @clockworkballerina @garden-of-gay

[anunvalidcritic]

Justice League: Snyder Cut

(DISCLAIMER: MY OPINION IS MY OWN AND CAN BE DEEMED INVALID TO THOSE WHO DON’T CARE FOR IT.)

Oh, the time has come my friends! Now, I originally did a review on Batman V.S. Superman and I didn’t care for it, so I deleted it. But before I start, I would like y’all to read this statement made by @verified-villain-fxcker - You can click HERE to read it. As I stated in my repost, I couldn’t have said it better. May Autumn Snyder continue to rest in peace. Let’s get started!

It’s been so long since I’ve made a post I can’t even remember how I do this LOL.

CLARK is outta there to say the least...

WONDER WOMAN and LOIS look flabbergasted, as they should... BRUCE as well.

Talk about a shock-wave scream 

All jokes aside, the hate that LEX has towards SUPERMAN is just to much energy to be giving to another person..

THESE BITCHIES ARE READY

why are they letting a minority approach the fucking the cube?!?!

*insert travel montage scene here*

                      Part 1 - “Don’t count on it, Batman.”

BRUCE knows damn well he’s talking to AQUAMAN. Let’s move this shit along lol

“Oh Gotham? How’s that shit hole?” - AQUAMAN

Ik these bitchies aren’t singing rofl

I’d sniff anything wore by Jason Momoa too.

“Maybe a man who broods in a cave isn’t cut out to be a recruiter.” - ALFRED

TALK YO SHIT ALFRED!!!!

AMY ADAMS can literally take my heart, step on it, throw it in a river and I still wouldn’t be mad. 

Here comes the lovely WONDER WOMAN!

broooo her hands were moving like Donnie Yen in Ip Man!

Fucked that entire ceiling up

Ofc the one who tried to touch it would make the stupid statement. 

STEPPENWOLF is really wildin’ out

Don’t look back! I hate it when they look back!!

These are some strong as women!

                             PART 2 - “The Age of Heroes”

“It’s toxic, that’s good.” - STEPPENWOLF

I can only imagine that this is how toxic people think. 

this dude really just threw that lil demon fella like it was nothin’ lmao

You know you're working at a job for too long when you say this is the first time in a while that they're going home early smdh

Now that shit was pretty lit....

SILAS thinkin’ shit I better check on my son. 

“You know a lot about monsters, don’t you? Especially how to make them.” - CYBORG

If that isn’t teen angst, then I don’t know wtf is lmao

Seeing Gal in this tomb makes me want to re-watch Wonder Woman 1 all over again!

DARKSEID ol’ trifflin’ ass

plopped him down like he was dirty laundry

God bless Willem Dafoe, this man is a fuckin’ legend!

“This world is divided. They’re a primitive species. Unevolved and at war with one another. Too separate to be one.” - STEPPENWOLF

DeSaad kinda looks like Doctor Doom in the Fantasic Four reboot lmao

GREEN LATERNS!!!!!!!!!!!! OH SHIT!!!!!!!!

we really need a Green Lantern Corps moving...

ZEUS + ARES = A Dynamic Duo When They Aren’t Being Dicks To Each Other

You know I feel bad for man because all they did was bury that shit in the ground rofl

                  Part 3 - “Beloved Mother, Beloved Son”

BARRY + IRIS = Love at First Sight 

The burger can’t be that good like damn. 

Bro the detail on his fucking shoes and the glass!!

ROFL PLEASE TELL ME HE TOOK THE HOTDOG FOR HIS DOG!?!? 

damn did the car really need to explode...

lol BARRY must really need the job lol

... I would’ve just played dead after he threw me against that rock...

Man of Steel probably has one of the best soundtracks not just for a superhero movie but just in general

Americans love their football!

I have this love-hate relationship with CYBORG being in the JL and not with the TITANS you know since he’s a kid, but he’s a college student in this one. 

Thank God DIANA spoke with VICTOR instead of BRUCE because I honestly don’t think he would’ve gotten him on board.

Everyone can literally zigzag zoom across this planet at undeniable speed except for BATMAN lol

Come on, VIC, help the lady out.

You know honestly, BARRY has a pretty cool pad for someone who's trying to get by paying for a Criminal Justice Degree. 

“A very attractive Jewish boy. Who drinks milk, I don’t drink milk.” - BARRY

“Fuck the World.” - CYBORG

dang Ik DIANA has every right to grieve over STEVE, but damn that man has her whipped!

“You’re looking at the hottest thing on Earth. The exact same thing I said to my prom date. She dumped me anyway.” - RYAN CHOI

Why does MERA have an accent in this but not in AQUAMAN?? (ik the answer)

DAAAYYUUUMMMN MERA TURNED INTO A WHOLE BLOOD BENDER!

                               PART 4 - “Change Machine”

CYBORG just glided over silently

STEPPENWOLF + WONDER WOMAN = EPIC FIGHT SCENE

Seeing BARRY move like that to stop the debris and to ping DIANA’S sword really is amazing..

But he should not be screaming like that LOL

How do you not remember the planet that’s habitants almost killed you?? Because if that was me, I wouldn’t have forgotten that shit at all!

 Would've held a big ass grudge until I could go back. 

“I know we’re all thinking the same thing right now. Who’s gonna say it? I’m not gonna say it.” - BARRY

WOOOAAHHH J’ONN JONES?! (forgot about that)

 “There are six, not five. There is no us without him.” - BRUCE

Damn, no faith at all 

                         PART 5 - “ALL The King’s Horses”

ICONIC DIALOGUE

BARRY - “Wonder Woman. What do you think, man? You think she’d go for a younger guy?”

VICTOR - “She’s 5,000 years old, Barry. Every guy is a younger guy.”

I would’ve kept swippin’ that ID like a cashier at Wal-Mart swippin’ a debit card.

They're movin’ a little too slow for me. Ik they’ve never been on the ship before, but I would’ve been zoomin’ through that entire ship just to hurry and get the job done. 

NOT THE PREGNANCY TEST

Damn, they couldn’t have at least picked up the photo??

The foreshadowing was spectacular! It will always amaze me. 

I’m sure Allstate will cover that person’s car...

Just when LOIS was about to move on. 

CLARK grabbed DIANA like miss me with that Rafiki shit.

I would’ve come back to my senses too after looking at Amy Adams. 

AQUAMAN + THE FLASH = A CONUNDRUM

DR. SILAS takin’ one for the team

                              PART 6 - “Something Darker”

As crazy as radiation is, it’s quite an amazing spectacle.

I wish this Justice League movie could’ve held off until we got some other heroes such as the Green Lanterns, Hawkgirl, and many others. 

Our generation was truly blessed to have an incredible actor as SUPERMAN, and we are not putting him to use!

JONATHAN sounds like President Biden lol

Alright, team?! Break!

AQUAMAN is totally enjoying this fight. He rode that Parademon like a surfboard.

AQUAMAN + CYBORG + FLASH = *THE BOYS ARE BACK IN TOWN*

I swear every scene that WONDER WOMAN enters into does not fail to include the “Ancient Lamentation Music”. 

VICTOR hurry up and say “one” god damnnit!!

SUPERMAN COLD!!!!

Somebody needs to put this fight on WorldStar

BARRY = HE’S A RUNNA HE’S A TRACK STAHHHHARRR!!!

THAT WAS FUCKING IMMACULATE

The Unity  = The Three Bitchies

I bet DARKSEID will remember that shit now

                        EPILOGUE - “A Father Twice Over”

VICTOR = A Final Requiem

LOL VULKO and MERA look stressed tf out!

“Uh, I have too much to live for. And more important things to do.” - LEX

A cocky motherfucker LMAO

Alright, we’re back in this type of dream sequence. 

“Who have you ever loved?” - MERA

Uh, bitch his parents, Robin tf?!

Thank you, JOKER, for stating the facts for Ms. Fish-stick

 Oh shit, they let LOIS die, goddamn it!

HARLEY’S DEAD TOO?!?!?!

BRUCE LOOK SICK AF!!!

Well, the dream is over once again...

I just don’t see how people can live with all those fuckin’ windows. 

“Oh, and some have called me The Martian Manhunter.” - J’ONN

Alright...

________

Yes, the movie was long but what needed to be expressed was. As we already the Snyder Cut wasn’t supposed to be seen because a father simply wanted to grieve the death of his child. I’ll once again reiterate what @verified-villain-fxcker you don't have to like the film but at least give it the benefit of the doubt from its predecessor. For me, I did enjoy watching his version, but let’s be honest what he who shall not be named did was just fucked up. 

[a-small-batch-of-dragons]

Soft Epilogue

Prompt: Hear ye, hear ye, I humbly request from the fanfic goddess, a merlin fanfic of epic fluff proportions!! Lol I love your writing, can I request an Ace!Merlin and Ace!Arthur platonic love life bond?

Thanks for the request, babe! it seems fitting that on my birthday I get to upload a fic about ace qprs

Read on Ao3

Pairings: merthur qpr, implied morgwen 

Warnings: none my dudes

Word Count: 1807

In the end, there’s no big celebrations.

Oh, Camelot has a feast to end all feasts, but that’s not the point.

 There’s no big rushing into each other at the end of a hard-won fight, Arthur looking all stupidly heroic with his hair all sweaty or Merlin rippling with otherworldly power that makes men want to fall to their knees.

 There’s no kiss after years and years of pining finally being deforested—get it?

 “Shut up, Merlin.”

 “What, that was a good one!”

 “Merlin!”

 —alright fine, there’s no big kiss, there’s no music that swells romantically in the background—

 “Though not for lack of trying on your part, I’m sure.”

 “Will you shut up, you prat, and let me talk?”

 “It’s a wonder you ever stop talking.”

 —okay, look.

 It’s simple.

 It’s the end of a fight. Everyone’s exhausted. There are heavy pants and the scrape of steel on steel from the trodden corners of the battlefield, as soldier after soldier, knight after knight, falls to the ground in a heap. Some get back up. Some don’t.

 Arthur’s fingers fumble on the pommel of his sword. Huh. He needs to redo the grip on the left side. It’s fraying. His fingers are too clumsy. They won’t hold the damn thing properly. The chain mail keeps snagging where it’s come loose. He really needs to fix the grip.

 The sword sings quietly as it slides home, back into the sheath, away, away. His breath leaves him in a rush and he looks up, looking around, counting.

 Leon stands, already directing the survivors to start taking care of those they lost. He catches his king’s eye and nods. Once. Arthur nods back.

 Gwaine pushes his hair out of his eyes and makes a joke. It’s what he does best. As the desperate chuckles start up again, Arthur’s mouth quirks up in a smile. Gwaine catches it.

 Elyan strips the last of the shrapnel from someone’s wound and hauls them to their feet, a man of the people until his last. Arthur watches, paralyzed by the weight of the crown on his shoulders, as Elyan helps in ways he can’t.

 Percival stands. Shadows Arthur as they start to move through the field. The weight is a little easier to bear now, as his breath starts to sink back into his chest.

 Lancelot turns, smiles. Says ‘it’s good to see you,’ as if they’re just mates, running into each other after a long hard day. As if he’s about to buy Arthur a drink at the tavern and talk about the harvest, the new work from the blacksmith siblings, how much he misses looking up at the moon. Arthur just claps him on the shoulder.

 Everyone’s here. Except—

 “Arthur?”

 So there’s no dramatic turn, no big flourish. Time doesn’t slow to a standstill as they rush into each other’s arms. The bards would be so bored, there’s no dramatic confessions, no infamous realizations, no murmured apologies through the hurried meeting of lips. What would they have to sing about?

 Well, perhaps they could sing about this.

 Arthur turns, sees Merlin standing there. He smiles. Merlin smiles back. There’s a little cut on Merlin’s shoulder. Barely enough to graze through the tunic, but enough to draw blood. Arthur frowns, stalks forward, gently tips Merlin’s head to the side so he can have a look.

 “I’m fine, you prat.”

 “You’ve managed to injure yourself.”

 “Wasn’t me!”

 “Given how clumsy you are, I’d be surprised.”

 Arthur presses gently over the cut. It’s nothing more than a scratch, should close by the end of the day. And yet Merlin just rolls his eyes and lays his hand over it. A moment of golden light later and it’s like nothing ever happened.

 “There. Happy now?”

 “Mm.”

 Merlin sighs and moves his head back. Arthur doesn’t. For a moment, their foreheads rest together.

  Thank the heavens you didn’t die, I would’ve dragged you back here myself.

  Just so you could kill me?

  Obviously.

 That’s all. Don’t look so disappointed, there needn’t be more.

 Oh, alright.

 The ride back to Camelot is slow. There’s work to be done along the way, after all. There are people to tend to, knights to bury and mourn, families to tell. There are knights that return to Camelot only for their hands to shake too much, their eyes to go too glassy. These knights leave with the highest honors Arthur can give them, thanked sincerely for their service and the knowledge that the people will forever be in their debt.

 There are preparations to be made, hugs to give. Gwen throws herself into Elyan’s arms, Lancelot’s arms, Merlin’s arms, Arthur’s arms. Gaius isn’t far behind. Each of them breathes in the scent of the other. Home.

 “So you missed me?”

 “Of course I missed you!”

 “I’ve got your favorite waiting, Merlin.”

 “Thanks, Gaius.”

 “Oi! Why don’t I get a hug?”

 “Oh, fine, come here.”

 Arthur looks up to the top of the steps to see Morgana. No longer is she the intimidating figure cut from Camelot’s noble cloth, dressed up like Uther’s legacy, no. Just a simple dress, one of Gwen’s, her hair down around her shoulders in limp curls. If Arthur were someone else, he’d say she’d never looked better.

 “Don’t tell her that.”

 “I don’t need to, she knows.”

 “Merlin!”

 “What? She’s your sister.”

 She smiles, a little dimmer, a little warier, as she descends the steps and holds out her arms. Arthur doesn’t hesitate.

 His sister is here, finally recovered from her long fight with the magic Morgause wove through that horrid bracelet. Morgana hugs him back, tighter than they can imagine.

 “I’m glad to see you,” Arthur mumbles into her shoulder.

 “I’m happy you’re back.”

 Merlin joins them a moment later and Morgana pulls him in too, laughing at Arthur’s affronted face when Merlin squawks and his elbow digs unceremoniously into his ribs.

 “It hurt, you idiot.”

 “She pulled me!”

 “If you weighed more than a beanpole maybe that would help.”

 “My weight is just fine, thank you very much.”

 The feast is glorious. Food and wine flow freely out of the castle into the city below. The people dance, sing, yell, live. The city comes alive with the sound of its people. And that’s the end of the story.

 They won.

 They’re safe.

 They’re with the people they love.

 “You can’t just leave it there, Merlin.”

 “What happened to wanting to keep your privacy?”

 “Just—get on with it.”

 “Fine, you prat.”

 It’s not entirely over. There are still nights where Merlin wakes up and his fingers tingle so much it feels like they’re about to fall off. Nights where he swears he hears a low rumbling voice in the back of his mind, feels giant hands on strings grafted to his arms. Nights where he still feels like Destiny’s puppet, strung along without a second thought.

 There are still nights where Arthur can’t stop hearing the singing of steel and the weight of a sword in his hands. Nights when he can’t stop seeing Uther’s face, hearing his voice, seeing Morgana dead and twisted, broken on the ground. Nights when the flames rise high as knights—his knights—slaughter innocent people as part of a meaningless war.

 There are still nights when they think they can hear each other screaming.

 But Arthur is always there to roll over and wrap his arms tighter around Merlin. He’s here, he’s right here, and he’s warm, and nothing, nothing can take something away from Arthur once he’s decided it’s his. Merlin jolts awake to a cold nose pressed in the crook of his neck, sleepy declarations of ‘mine, my Merlin, go away, leave my Merlin alone, he’s mine, you can’t have him.’ Or it will be to tender words, gentle hands shaking him away, whispered promises of ‘you’re here, it’s alright, I’ll keep you safe, you did it.’

 And Merlin is always there when Arthur clenches the pillow so hard he looks like he’s going to break his fingers, there to gentle them away and pull him close, tuck his head under his chin and say ‘it’s over now, it’s safe now, they’re all safe, they’re all safe.’ Arthur wakes up to rough tunics, slim fingers woven through his own, the warmth of someone else who won’t ever leave. Or just the weight of an arm or leg thrown across his middle. It’s just enough to wake him up and realize that there is someone who, even in sleep, wants to hold him close.

 In the morning, Merlin will wake before Arthur does. The morning will ruffle along the edge of the curtains and he’ll shiver, hiding a little further under the covers. Arthur will hold him closer, unwilling to give up his heat source just yet. Some days, Merlin will let him, falling back asleep with his fingers carding through Arthur’s hair.

 But on most days, he carefully separates himself and tucks Arthur back up, pulling on his clothes and moving to get their breakfast set up. His fingers will brush a vase and a bouquet of flowers will bloom, one of the side effects of training with Morgana. He’ll smile and pick one out to give to Gwen.

 Arthur will wake slowly, first reaching out to feel where Merlin’s gone, then sitting up to spot him at the window, or the table, or right next to him, comb in hand. He’ll grumble, saying Merlin gets up too quickly, only for Merlin to laugh and pull him up to eat.

 The sun will rise through the curtains as they eat, get dressed, and leave to go about their days. The door will close softly behind them, waiting to open again once the day is over.

 There’s no furious declarations of love, no gritting of teeth as they fight to make the world change. Just slow, steady, constant. A touch of a hand here, a brush here. A knowing look or a quick jab. Nothing rough, just soft.

 They deserve a soft epilogue.

 “Hmm. Should’ve known you’d get all sappy.”

 “You like me sappy.”

 “I think I should go see Gaius, my teeth are starting to hurt.”

 “You love it.”

 “…maybe.”

 “Did Arthur Pendragon just admit I was right?”

 “Shut up.”

 “He did! He definitely did!”

 “Shut up, Merlin.”

 Morgana just rolls her eyes and wraps her arms around Gwen to watch the two of them bicker.

 “He’s right, though,” Gwen murmurs after a moment, leaning back to look up at her, “they do deserve a soft epilogue.”

 Morgana smiles. “I think we all do.”

 She’s right and she should say it.

[sometimesrosy]

I'm looking forward to seeing how they deal with mal and alina's, relationship in the second season. for me I really enjoyed them in the third book but not as much in the second (mostly due to us not seeing what mal was thinking and feeling so I think it will definitely be interesting to see that on screen). what are your thoughts?

YES. Bardugo really didn’t SHOW mal and alina. Frankly, imo, in the whole trilogy.

So I’ve been writing and reading romance almost exclusively for the last two years... make that five or six years, because before that, I was writing and reading fanfiction, and that is essentially romance, and what I saw in The Grisha Trilogy is the set up for an epic romance. The plot was based around this romance of two children, best friend who grew up together, Alina’s unrequited pining, then Mal’s longing for her as soon as she left, a love triangle with the Darkling, then a love triangle with Nikolai, Mal as an alpha male who never sleeps with another woman after realizing he’s in love with Alina, that whole ‘meet me in the meadow’ thing, and then the final thing which I’m not going to mention because it’s too much of a spoiler but which is SO MUCH a meant-to-be true love thing. 

But there was very little romance written in the narrative. 

Most of it was about how they CAN’T be together. And yeah, that’s kind of an essential part of any romance-- what keeps them apart-- but it lacked the moments that drew them back together. There were few interludes that explored what their connection WAS. And I mean, that doesn’t make sense because they ran away together. They were sharing a BED. Sure they weren’t. EVER. alone. But we should have gotten confidences and connection and emotion. And we just didn’t.

For a series ABOUT Malina, honestly when you come down to it, since being together or NOT being together was such an essential part of every book, and it was always bracketed by an intro about the girl and boy and ended with the resolution which required Mal and Alina, (and had an epilogue about Malina) I feel like it should have shown more of their relationship and interactions and intimacy. Maybe it was because it was all Alina’s internal monologue, which kept Mal out. IDK. 

It was like it was TELLING us it was a romance, without ever (or rarely) SHOWING us the romance.

I think we won’t have that problem in the show. They’ve already shown to be more interested in showing the connection between Malina, and seem to know how to do romantic tension. Also, a lot of it is about the *looks* they give each other, which Bardugo never really showed. It’s subtext. Which Bardugo left out. You can keep the romance subtle and just read into actions and visual shots and parallels and such. But in the books, most of the romance was displayed with JEALOUSY. Well. I think she didn’t know how to write romance, that’s why jealousy was the only aspect we really got on a regular basis.

I mean, Mal’s jealousy was understandable, but it’s the only thing that was explored as romance. She was ALSO jealous, so it was used for both of them, and they both wrote letters regularly and when they got no response they both went, *shrug* ‘I guess I didn’t mean anything to them.’ But this was the person each was closest to in the world. WHY would they come to that conclusion? Makes no sense. I mean, the boy got a giant tattoo, and the emotional and romantic resonance of THAT was ignored. He was devoting his life to her. He would sacrifice his life for HER. And while the actions were there... there was little direct discussion of it. Men kept asking Alina to marry them and Mal acted like he had no claim on Aline, which he DID. They ran away together. It was romantic. And Alina was just like *shrug* I guess I should think about marrying some other guy not my soulmate, even though he’s RIGHT there and just risked his life for me AGAIN. And never talked to him about it? And I frankly did not understand that. 

Maybe she’d never been in love and didn’t understand what it felt like? But I think she wasn’t that young when she wrote it. Maybe she just didn’t know how to write romance? MAYBE she didn’t VALUE romance and so never bothered with it. Frankly I think that’s it, because she went to Yale, and let me tell you about academia’s disdain for genre-- ESPECIALLY romance-- as a non literary form of narrative. Or perhaps there was a bit of the disdain which kept her from understanding what it means to write a romance or learning how to. That might also explain the kind of confessional writing style. Because even though this IS fantasy, and academia has disdain for SFF (not as much as romance) lit fic focuses on character over action or plot, which that internal monologue fits better. I went to college only five years before Bardugo, so essentially the same era, and it took me YEARS to get rid of that naval gazing internal monologue.

So what do I think of Malina in the books? I think it did not live up to the promise of the narrative. And I think the show will probably be able to make good on that promise, because romance is good tv, so they won’t shy away from it. The scaffolding of a great Malina story is there, but the details that make it rich and compelling are missing. 

So my opinion of book Malina is not that it’s toxic like some people believe. It’s not. It’s probably IMMATURE. But that’s not really wrong for a couple of twenty year olds, both of whom are immature. I think the writing didn’t go far enough. It wimped out on the romance, and whether that was deliberate or unintentional, it’s a flaw in the story of the great epic romance that it was honestly narratively designed to be. 

I’m looking forward to what they can do with it in coming show, though.

[popculturebuffet]

Top 20 Animated Episodes of 2020 Part 2 (#10-#1)

And we’re back.. The first part is HERE, which includes the first 10 and my thoughts on this past year in animation, so we can cut the long intro and get right into it. This is the best episodes this year had to offer in animation, and it’s , without meaning to, at least a third bojack horseman. On with the show. 

10. I Am My Monster (Steven Universe Future)  “We all had Steven when we needed him, but the only person who's never had Steven is Steven. He's always been there for us, so... how can we be there for him now?“ Oddly “The Future”, a finale I did really truly enjoy.. is not on this list. Really good episode, it’s just Future was easily one of Steven Univereses best season, tightining up the pacing without loosing what made the series feel special and really digging into some of more unhealthy aspects of steven’s life. And while the future is good and certanily the needed epilogue.. this episode is the climax, the cumilation of EVERYTHING Steven had done and gone though and something fans sadly saw coming and just had to simply watch, unable to help as Steven slowly lost himself. Previously on this list we saw him hit rock bottom and it only got worse: He went to home world, attacked white diamond due to his pent up trauma and once again ingored attempts to help him, this time from the diamonds and spinle, angrily refusing to listen to his own words she she sang Change at him.  This only got worse in the briliant and sadly edged out of the list “Everything’s Fine’ A really damn painful episode where steven tries to assert he’s okay and act normal.. only he cant and he destroys everything around him, and even repeats pearl’s text trick from a single pale rose with a pained voice message to connie saying to help steven. But the pressure of the LONG overdue intervension and the fact it came too late.. means steven confsses his recent sins.. and instead of taking them for twhat they are, spur of the moment acts caused by a toxic influence and a fuckload of ptsd and unreseovled issues with white that while certanly not okay are symptoms of a larger issues takes it to mean “Im a fraud”.. and thus he horriingly corurpts.  So here we are as Greg, Connie and the main gems all gap ein horor as Steven has corrputed himself, reduced to a monster whose not even malcious just.. sad.. so full of self loathing he can’t function and at risk of STAYING like that. And the relization hits hard.. and hits everyone who joins in hard. The auxilery crystal gems soon join but attempts from both groups to stop Steven do nothing. The diamonds arrive.. and not only are saddneed by what htey’ve doned but equally powerfless to stop him.  Everyone breaks down, blaming themselves for not seeing this sooner and for speding YEARS piling their issue on the kids, everyone ready to give up as they loose the person they care about most.. except one. Connie proves to be the hero of the episode, rallying the others with the above, pointing out Steven would happily help them if he could.. and that’s the problem. He’s spent his whole life fixing other peoples problems and focusing on that.. but never had someone to be HIS Steven. Fighting him’s not going to work.. he needs to know he’s loved... in the end the final battle of the series is not some struggle of life and death.. but of love. What wins the day isn’t a fight, though our heroes various powers do come in hand to restrain steven.. but it’s all of them, one by one telling them they love him in easily the most tearjerking moment of the series, cumilating in connie softly playing a kiss on his nose... and it’s this that FIANLLY frees steven from his self made prison.. finally realizing h’es not alone and that no matter who or what he becomes.. his family loves and forgives him. While we REALLY needed the next episode to wrap things up after this swell of emtitions. this was the climax the series desrved: after spending 6 seasons trying to help everyone ELSE and fix their issues he never should’ve had to.. it’s eveyrone else who gladly pitches in to fix steven’s own issues, to help HIM when he’s at his lowest point like they’ve been, and make it so he can FINALLY heal and finally find himself once and for all. IT’s one of the finest episodes of the series and easily the best of future. 

9. The Perfect House (Close Enough)  “I’m this close to connecting garfield, TO JESUS”  This one’s just really funny, charming and creative. Simple as that.. I could move on but eh i’m a wordy bastard. Once again we’re focused on Emily, this time as we find out an endearing hobby of hers: She likes visiting open houses and fantasizing about affording a better place she likely never will afford, one with trash can nooks, a kitchen and a living room that are fully seperate, and indivudal bins for tea and sugar... and when it’s pointed out she dosen’t drink tea it’s only because she has nowhere to put it.  But after Josh and Candace get them thrown out, if adorably so, Emily is forced to face reality... i.e. Alex, in one of the series finest gags, in his underwear with conspiracy boards trying to connect garifled to jesus and having a jug of his urine around for some reason. Did I mention I love this weirdo because I do. Brigette is painting in the ktichen.. using her body as the canvas, though in a bikini because the show wasn’t streaming only yet. You’ll have to wait a season for possible boobs. Naturally this just stresses her out so she goes to visit more houses while Josh vows to buy a family bike, a large circular bike for the whole family, as an activity because of course he does and of COURSE he also has a recurring issue of being mocked by some random kid about not having one. 

So she escapes and meets dave and caitlin, a husband whose family life is miserable and a child star who got emanicapted and they quickly form a psuedo family to look at open houses.. only to, as if to remind you what show your watching, instead end up in a tgif sitcom... and trapped in a styigian void, with only Emily desperate to get out. Also she’s been missing three days and Josh has some thoughts on that and goes after her.  Naturally given she’s crashing in on her fake sitcom family, this oly has him seen as a plot element, and Emily’s attempt at cursing and everything she can , while hilarious fail.. but the climax is what makes the episode and what inches it slighlty above quack pack.. which itself was fucking awesome. Instead of FIGHTING the format... Emily is forced to play into it, and realizes a cheesy moment of emtional honesty is what’s needed. She apologizes to her fake family, saying their nice but she has to face the world and to josh and much like Donald, seroiusly this episode was made years ago and there’s no way in hell frank knew about it, she just needed an escape but it’s more healthy: instead of wishing for a life she never had Emily just wants a break from the life she does for five minutes. She’s happy where she is, with her loving husband, wonderful daughter, impulsive but still carring best friend.. and well okay maybe not Alex, there’s somethihng really wrong with him, but as much as I love the guy I admit he’s not for everyone. I’m also a borderline feral man covered in hair who wants people to know i’m smart. I get him. 

IT’s this that sets her free.. and we get another amazing gag as Dave’s family shows up and Dave chooses the fantasy.. though instead of this being thorughly pogiant it’s just “classic dave”. COmplete with title sequence. And of course it ends on a family bike with Emily getting those tins from Josh. Their relationship.. is REALLY what makes both this show and this episode in paticular work. Here while Emily screws up, it STARTS innocently enough, simply faking being a family and spirals into tgif because while this show isn’t, possibly, in the regular show cinematic universe, it’s defintely in the same multiverse. She just wants some peace of mind from a chaotic life, but dosen’t resent her husband or anything.. he just frustrates her sometimes which is fair. But he’s never portrayed as an abusive asshat which you think would be a low bar to clear but.. you’d be suprised. Point is it’s a wonderfully weird and somehow still unique despite being one of three tgif parodies this year. Seriously that shit is a goldmine. It’s how Dashieel Driscoll got half a season out of full house and a good chunk of a very special epsiode as a whole out of it. Though a certain incident helped. 

Point is good show, jolly good show... and ew’ll be right back with the rest afte the cut

8. Agony of a Witch/Old Bodies, Young Souls (The Owl House) “You always thought you were better than me! That I could never Beat you at anything! “  “I AM Better than you!” “Then WHY WERE YOU SO EASY TO CURSE?!”  The Owl House was a show I took WAY too long to catch up on after missing the second half of season 2.. minus Enchanting Grom Fright which I caught first run and we’ll get to that story shortly. Point is my procastnation did me dirty here as this show , which was already fantastic just got better and better, cumulating in this epic, heartdestroying, soul punching, beautifully animated finale that takes everything the show has built up thus far, blows it up in some places and uses it to beautifully end in others, leaving us with a new road for the future.  So yeah naturally it’s been a long ride as one of Owl House’s strength.. is that no episode is filler. No really, each one has a purpose great or small in the larger narrative, and every major arc has been expertly paced and crafted, bringing us to this point. The only major arc or plot thread left out is Amity, and that’s honestly for the better. Make NO mistake, she’s a great character.. but like fellow great Donald Duck, she was left out because the episode had a LOT of emotional stuff going on, a lot of plot to fit in, and a lot to do and it’s simply better for her character and for the moment’s she’s bound to have in response to well.. everything happening here, to let it breathe next season rather than try to shove it into an already stuffed two episodes.  But this episode is one long string of payoffs, and payoffs creating more setups: So all season Eda, our loveable witch, has been grappling with a curse that turns her into an owl beast, one that’s been getting worse as far back as the mid season finale Escape from the Palisman. She’s been needing more and more elixer to combat it, a harrowing parallel to some real world diseases: Sometimes your meds can only DO so much to combat something actively killing you.. thankfully this time.. not speaking from personal experince.  And Luz finds out soon into the episode as Eda makes a cloak of witches wool, which can deflect powerful spells, to protect herself.. only to black out and go owl just as she’s saying she’s fine. Like most parents would Eda hid just how bad things have gotten and it’s gone from needing just one bottle of elixer to needing their entire suply, and even that barely worked. Despite her mentor’s assurances, Luz is now PAINFULLY aware her mentor is on borrowoed time... not helped by the fact the coven attacked earlier that morning and she finds out by finding hooty playing tea party with them, meaning Eda is outgunned, outmanned and while Lilith failed, again.. the emperor can now easily find her himself and send whoever he wnats and however many people he wants to fetch her.. and Eda can’t use too much of her magic or else.  So while Eda and King, touched by how much Luz has changed them, decide to throw a suprise party with King making a big cake to jump out of and Eda using witches wool she intended for herself to make her a cape. Meanwhile as you’d expect Luz.. is plotting a dangerous and life threatning mission: with a field trip to the Emperor’s Coven that day, one she was going to sit out because you know they hate her second mom for dogmatic and vile reasons the episode fleshes out, she finds out they have an artifact called the healing hat that can seemingly heal anything.  So she does what Luz does and comes up with an impulsive plan to heist the thing.. but for once her impuslivness isn’t played for laughs. Her mother figure is slowly sucumbing to a fate worse than death, for once instead of just acting rashly because Luz.. she’s doing so because she KNOWS, that she has no other choice. Nothing else in sight and she’s smart enough to know that if Eda had a cure she’d of told Luz about it. Even if it was dangerous or required a sacrifice or something Eda would’ve just left that part out.  But the trip serves a few other purposes besides getting Luz where she needs to be for the plot that makes it work: it elaborates on just what the emperor’s coven is like and WHY Emperor Belos gets away with everything: He claims to speak for the titan,  the giant dead monster whose body makes up the boiling isles and who, as Luz has discovered, is the source of the magic there. So when he bloodily, I mean it’ sa kid show so they dont’ say so but given how violent this one is i’m asssuming bloody, took power, he claimed they were doing magic wrong, killed any hertiics and set up the rigid coven system. It explains just WHY the boiling isles limits themselves, gives the whole thing a creepy dogmatic religion vibe.. something that i’m REALLY suprised disney let them get away with as they had to fight for gays in the series.. but at the same time shouldn’t be because hunchback of notre dame exists and Soul , released the same year, was a big gamble against the bible belt. So their not afriad of religious groups.. but they ARE afraid of homophobic groups.. which have a lot of overlap. 

Point is it’s a good storytelling device.. and cathartic given i’ve been playing Fire Emblem: Three Houses as I finally bought it with some christmas money. Good game, probably will talk about it in the future, not the point here. 

The point is that the visit gives us some worldbuilding that helps show just how much of a threat the coven is and why their so intent on capturing Eda. We also finally meet belos, god emperor and man tired of Lillith’s shit and giving her till twilight to get Eda.. or presumibly die. I mean he dosen’t say it but he sure is implying it as loud as he can.  That’s when things go pear shaped for Luz who finds the hat.. and LIlith who has found her barganing chip to lure Eda to her, which works as well as you’d expect and leads to the best figh tin the series thus far and one of , if not it’s best scene; A duel between edith and lilith. And while they fought back in Covention this time  it’s not a petty squabble between siblings masquerading as one trying to capture the other.. it’s  fight NEITHER can afford to loose. Eda can’t loose her protege and Lilith will loose everything, dying at best being cast out of the coven at worst, if she fails not to mention loosing what she feels is her only chance at saving her sister.  But it’s also VERY clear Lilith is groosly outmatched, and while no slouch herself Eda’s constant bragging about being “the most powerful witch on the boiling isles”.. is entirely backed up. Lilith barely is able to hold herself and only gets ahead by using a child as a shiled, going even lower than her sister. However the stress of this, the build of having been the older sister of someone who constantly outshined her then turned entirely against her, finally causes lilith to snap.. and reveal the curse is her fault. Cissy Jones delivery here.. is jsut perfect, showing a mixture of rage and pain, showing that she’s spent YEARS hiding this, years resenting her sister for constnatly being better desptie working harder and doing the right thigns. Even when she’s trying to HELP Eda, genuinely trying to undo her mistake as we find out and as we’ve seen genuinely sees the emperor as the wise and benevlolent god he portrays himself as.. she can’t let it go. SHe can’t see past her own bitterness to see her sister is right and if she could just let this go and work on Eda’s terms instead of forcing Eda into her world, then maybe it wouldn’t of gotten this bad. Maybe she could’ve told her. 

Eda takes it about as well as you’d expect, and Lilith.. uses this to threaten luz’s life and force eda to use up her magic to save her, leading to the series most heartbreaking moment and Wendy Mallick’s best acting so far as she bids her appretnince a tearful farewell. Luz RIGHTFULLY and angrily lashes out at lilith calling her a monster while Lilith takes Eda and urges luz to go home... and after a tearful ending with king realizing something’s deeply wrong.

So thus next episode after a history lesson from king and some suprisinging caution as he KNOWS what Luz is up against.. Luz still decides she dosne’t care. Eda’s sacrificed herself, to Luz it’s her fault she’s in this which while KINDA accurate missues some fine points such as her sister’s stubborness or the fact had lilith not shown up she could’ve taken the hat. And the fact LIlith saying the hat was junk was pretty unreliable. What i’m saying is maybe the child shoudln’t blame herself for being kidnapped while genuinely tring to reach the same goal. 

But Lilith soon learns to her horror her sister was right. While Belos restores Eda’ss sentience even fully owled.. he has no intrest in helping her, eveyr intrest in publicly petrifying her, and not even the slightest hint of remorse at betraying lilith this deeply. After all her faith in the man.. Belos spat in her face and told her to like it.  Meanwhile Luz goes on the warpath, and we see just how far she’s come.. and WHY Belos is probably so restrictive with magic and put it on such a tight leash: we see that with her natural power and just a handful of spells, the four she’s pciked up over the season, she easily curbstomps the conformotrium staff, gets to Eda fairly easily.. and fines sshe can’t free her and eda wants the door destroyed so whatever Belos wants with it, he can’t have it. Luz heads home, ready to destroy the door.. onlyt of ind two things. her magic dosen’t work there.. and Lilith followed her and grabbed king. After a breif fight and Luz angrily and rightously confroting the asshole, wish she was in Eda’s place.. Lilith admits luz’s right and gives her backstory: That her insecurity was so great that on the day before a duel with Eda to determine who got into the emperoror’s coven, she curfsed her own sister, with no idea it’d last this long or get this bad. And with no idea Eda had lost intrest in it and WILLINGLY gave her sister teh spot.. It’s very clear despite her masssive flaws that will need to be adressed.. lilith never stopped caring about her sister, and it took all this to make her realize that trying to fix the mistake on HER terms without including her sister.. instead has almost cost her it.  So Luz and King relucntnatly take her help, though the other two are quickly capatured when theyt ry to get to hte exceution platform and thrown in the cage with Eda.. which dosne’t help the coven’s reputation as gus and willow try to make a case for Eda. Meanwhile we get the SECOND best fight of the series as Luz challenges Bellows.. and it’s UTTERLY chillling and while he’s had scenes before this it’s here we get the true scope of who he is ..and that like eda the god complex is something he can back up. Whlie Luz proves just how strong she’s gotten by keeping up with him it’s barely, and it’s clear from the moment go, and one of the series best shots, with Belos creeply materlizing behind her before announcing “sure, i’ll play” that this is a game. She’s no challenge to him and he simply wants to see waht she can do and is mildly impressed if a tad annoyed at her actually damaging his mask. But with Eda, King and Lilith’s lives in the ballance the only way Luz can save htem.. is to give him waht he wants. 

Thing is, just like Lilith, just like everyone has, good an dbad all season.... Belos undereesitmated luz.. who left fire runes on the door, willnig to sacrifice ever seeing her mom again if it meant keeping him away from her. While he has no invasion planned whatever it is CANNOT be good. Luz saves them, and Eda flies them off with Belos saying the titan dismissed them. Also that Belos has a big penis.. super huge, size of a tractor that one. Yeah that’s the ticket. 

But we get  a happyish ending as LIlith does what she should’ve done a long time ago and apologizes, and Eda starts to fogive her, brought on by King earlier standing up to her as whle he’s not happy with her either, he realizes from her story she’s not a bad person.. just a very messed up one who couldn’t own up to her mistakes. One who belivied in the wrong person to fix her problem and finally takes repsonsiblity and part of the curse into her. So with the sequel hook of Eda having lost her internal magic power but still being able to use glyph’s like luz, we also find out the Emperor has the door and a mysterious masked minon,.. who i’m fairly certain isn’t amity only because it’s too obvious. This is simply how you end a season: It’s engaging, heartbreaking, well animated and pays off EVEYRHTING so far while setting up the season to come. It’s going to be a LONG wait till next time, mid-this year.. but I can wait. The high from this one’s going to last a while. 

7. Good Damage (Bojack Horseman)  “ That means that all the damage I got isn't good damage. It's just damage. I have gotten nothing out of it and all those years I was miserable was for nothing. I could have been happy this whole time and written books about girl detectives and been cheerful and popular and had good parents, is that what you're saying? What was it all for?! “

Bojack Horseman is one of the best shows of the last decade, and an important one to me. it was the first one I watched when we switched to all streaming. I really related to Bojack and his struggles with depresion and self loathing.. which backfired given he’s a much worse person than me and while I could relate, I also compared myself too much to a character who in retrospect is both far worse  and has FAR MORE issues than I do and diffrent ones at that outside of the depression and self hatred.  The point i’m framing is that the series and I have a complicated relationship and that coupled with how bad 2020 was meant it took until a few days ago to finally finish it, almost a year later. But I cannot deny how good the show is: it has faults, a bit of reptititon in some character arcs, casting a white woman as a Vietnamize-American woman (something both Ralph Paul Waskerberg and Alison Brie have apologized for to their credit), and .. I can’t think of a last one. They never brought Ralph back? Yeah let’s go with that one what the fuck there. So I felt I owed the show one last round and it payed off as the final stretch, while easily the hardest to get through due to covering the collapse of Bojack’s life, is easily one of it’s best. 

But before the fall, we get Good Damage, which instead of focusing on BoJack focuses on Diane, said asian woman voiced by a white lady, neurotic writer and Bojack’s best friend, who has moved to Chicago to be with her boyfriend guy, a chill, charasmatic and likeable buffalo cameraman. Things are going better than they ever have: she’s in a supportive relationship and thanks to her antidipresenants, while still her loveably neurotic self, is now not obessing over shit as much and is solving her problems with applomb. Even the weight gain from her meds, which she dreaded in the previous half of the season.. has insteead only made her look healthier and happier, and more beautiful than ever. 

The only problem is she can’t write her long promised Memoir, which Princess Carlolyn, her former boss, agent and loveable pink cat and single mother, has promised to a lot of celebrities. She TRIES, she puts lots of work into it, keeps trying to sit there but nothing comes out. And what makes the episode truly great is how this is presented. Bojack is no stranger to beautiful, visually diverse episodes, Stupid Peace of Shit being a notable example and one similar to this one but uniquely great in it’s own way, but this one is easly the bes,t using a squiggly crude style to show just how chaotic and uncomfortable diane is and how stuck she is. She’s TRYING, but she just can’t make her life’s story into anything GOOD, she can’t get the words out which as someone whose had reams of projects I never startd, even to this day and who has genuine trouble writing fiction.... I related to this like all hell. But even people who have never had an intrest in writng can just get the feeling thanks to the wonderful writing and animation, from cameos by the rest of the cast to Diane’s father showing up as a goblin to the word boxes showing what she’s writtne it’s just a treat.  But what centers this amazing visual represtnation is Diane’s internal struggles as an encounter with a rude sales person leads her off on a tangent..and to Ivy Tran, a teen detective whose upbeat, optimstic, and in a great bit outlines who she is in jsut the right amount, and solves mysteries in a food court. It’s a genuinely good idea, one I honestly think could support it’s own series... seriously get on that Ralph-Bob. Get on that. Point is it’s good.. but Diane’s so hung up on what she SHOULD be making, she can’t see what’s right in front of her, despite guy saying the passages are good.  Things come to a head when Diane makes a huge mistake and goes off her meds.. which from experince never ends well: for the entire episode she’s been under the impression she can’t write because of them.. only to be proven HORRIFYINGLY wrong. It’s a  VERY necessary aseop: that your medication will always be with you and that going off it suddenly, or blaming it for writers block not only isn’t true but is DANGEROUS. Diane spirals, cries and her writing gets dark and full of self hate. It’s then Guy proves just how fucking majestic he is: he figures out what’s going on after she tells him, and helps her get to bed so she can rest, puke whatever she needs and they’ll talk about things after she takes her meds again and gets her head on straight, when she’s in a good place to do so. As someone with mental illness.. ti’s nice to see a character who not only supports someone fully, but knows how to handle it. Instead of a shitty third act breakup like many shows would do guy stands by her.  He does however step SLIGHTLY over the line, if iwth good intentions and reason and send Princess Carolyn the Ivy Tran pages, because as he puts it he made an executive decision.. and when Diane is a bit annoyed by that as it does sound a tad douchey, he rightly points out she was in a really bad hole of a place, stuck in a loop doign something that even before going off her meds was clearly hurting her and going nowhere, and needed SOMETHING to snap her out of it, and did so not to hurt her or because he thought he knkew better or , like her ex husband, because he was oblvious to her needs; he did it because it was the hard but necessary thing to get her to seee she had something special and that she dosen’t have to constnatly tear herself up by diving into past traumas because of some internal obligation. 

Naturally Diane dosen’t take it despite Princess Carolyn not only being impressed but PREFERRING the ivy pages, as she was genuinely unaware Diane had something so happy and charming in her. While Diane is worried about it when the two end up meeting in person, we soon find out why: If all the damage she went through wasn’t “good” damage, things she could writ eabout and use later.. what was it for? Could she of just been happy this whole time? Did she waste her life. And in a rare moment betwen the two PC helps Diane walk it back, explaning that she can do what she always wanted: write something that makes someone like her feel not alone. That she dosen’t HAVE to make her life story into something complicated, just make what makes her and other people happy. Something PC’s daughter could enjoy one day. So Diane finally accepts that maybe there’s something else for her.. and then we get a segue into the next episode with bojack having a panic attack and pasing out but that episode, good as it was didn’t make it so moving on.  We also check in with Penny, the daughter of an old friend of bojacks who he nearly slept with and is stil haunted both by the decision and a drunken later visit to apologize... which isn’t helped remotely when max and page, two reporters inovlved in teh subplot that tears bojack’s life apart, start hounding her. While they have good intentions, exposing Bojack’s connection to Sarah Lynn’s death, the two’s methods still come off as creepy, following a, at this point , 21 year old girl whose been through ENOUGH home. While the two aren’t terrible people their actions.. are.. while getting hte story ismprotant is it truly worth genuinely harming this person. And penny wonders if she SHOULD air her story.. she ends up not.. but only because her mother, while lettiner he decide, poitns out it may not be worth all the pressure and possible trauma it digs up,especially since Bojack is getting what he deserved anyway. IT’s a decent subplot tha tties up a loose end but really makes our journalist characters feel like assholes for again, basically stalking and harassing a young woman who didn’t want to rehash the worst moment of her life. Otherwise top notch stuff. 

6. Heart (Parts 1 and 2) (She Ra and the Princesses of Power) “Don't you get it? I love you! I always have! So please, just this once... STAY! Stay. “

Now we get to the gays winning.. and to one of the best series finale in recent memory. And given the other two titanic shows ending, one of which we’ll get to’s ending in a moment, last year, it’s a huge compliment. Heart is how you end a space opera... with big wonderful speeches, great payoff, a huge climax.. and a beautiful cathartic kiss paying off the relationship at the heart of the series that ends up saving the universe.  So let’s just go ahead and crack open that pinata: The kiss.. was easily one of the best moments of animation this year and, at a time when the quarantine was starting, misery was spreading, and things looked pretty damn bad, having a major animated show, one of the biggest of the last few years, climax with an emotional moment between two women, one the series had been setting up since day 1... it was a huge step foward for gay representation in children’s animation, and warmed my big bi heart. And it’s not just good because of that: the fact it’s a giant pile of representation is wonderous, but it’s because it’s also well baked into the show. This is the conclusion of both their character arcs: Catra finally realizes Adora will not abandon her and her leaving the Horde was not choosing them over her.. it was simply doing the right thing. So instead of running or trying to escape she’s grown enough to fight for what she wants and fight for a future with Adora.  Adora meanwhile finally overcomes her martyer complex, her determination, especially after Angela’s death, to make sure no one else is gone and she’s the only one that suffers and looses. To make sure there’s nothing else. It’s Catra’s confesssion that FINALLY gets it through her thick skull that she dosen’t have to be alone or bear anything alone.. she’ll always have someone with her to do that.. and even before Catra.. she’s always had friends for that. She dosen’t have to be alone. So the two embrace and it’s fucking beautiful..and gives adora the full power of the doomsday device they went to shutdown in the first place, restoring the planet.. and allowing her to destroy horde prime’s fucking soul. I just want to reiterate that because it understandably got lost in the shuffle of the gays winning, but our heroine fucking tears out the main villian’s soul.. and it is SO damn satisfying given what a truly repulsive , irredemible, asshat Prime was. So the two finally get a future together, a chance to build and to stop letting the past define them. It’s wide open.  But while that alone would probably net it on this list but it’s damn good otherwise, an epic final struggle between our heroes and the horde for the fate of not just their planet but ALL of htem as Prime prepares to finally wipe everything else out in egomanical genocide. There are just.. tons of awesome moments in this one: Bow and Glimmer’s suprising but welcome love confession, Seahawk annoying mermista into fighting her chip, the people of etheria fighting back.. and the reason they do is easily the second best moment of the episode. With the chips down, not literally, and things looking bleak Bow hyjacks Prime’s egoamnacial hologram.. and broadcasts for everyone to fight, to fight back, and to END THIS. After spending most of the series as the one trying to keep his friends together, the glue of everyone.. it’s bow’s heart, courage, and voice, the one that lead his friends through some rough times and severed as reason when they needed it most wether they listned or not.. that frees the world and with Entrapta turns the tide at long last. It’s just a hell of a moment.  And the only other moment equaling it is Hordak freeing himself and deciding he is his own man, he made himself tha tway for better and worst and kills prime, at least before adora finsihes the job with the badass “I am HORDAK and I DEFY your will. “ It’s just a wonderful, epic finale that pays off most of the shows major arcs, gives our heroes a MUCH deserved happy ending after spending their lives at war, and let it be said one last time, gave gay representation in children’s cartoon one hell of a win.

5. Nice While it Lasted (Bojack Horseman) 

“ No, I need to tell you... thank you... and... it's going to be okay... and... I'm sorry... and... thank you... “

Back to back finales here and honestly both are REALLY close in quality, both satisfyingly paying off their series. But both take equal and opposite routes: Heart is an epic finale in scope size and impact... while Nice While it Lasted is a very stripped down character piece: there are other characters in the background but after the intro the only voiced characters in each segment are Bojack and one of the main cast, each one both showing how much said relationship has evolved since the show began, and giving Bojack time to reflect on his possible future. I say possible because one of Nice While it Lasted’s best aspects it that there’s no real concrete ending for Bojack. Ther’es still closure: after his life emploded and he nearly died, more on that in a bit, Bojack ended up in prison, offically for breaking and entering but unoffically for all the shitty things he did with him glumly accepting it. So one year later he’s out thanks to Princess Carolyn for her wedding, sober again thanks to prison and even started his own acting class at the prison he’s geninley invested in, inteding to continue it once he gets out. But otherwise.. his future’s in flux. HE’s sober for now, but he’s painfully aware that could change again, his friends while, with one excpetion, still having a place for him in their lives, have moved on, and his career is on the upswing again despite being a pariah a year ago because as I mentioned earlier and as PC brilliantly puts it

So he could become a better man, get his career back, make amends for what he did and stay sober.. or backslide and fall down into the same traps he always has. It plays into an aseop the series has always preached: There are no real endings, life just goes on. Even for the rest of the cast hteir lives aren’t over.. their just in a good place.. maybe bojack will, maybe he won’t. Tha’ts up to the indvidual viewer and I like that. While ambgious endings can be frustrating and I get while some preferred the more concrete if still somewhat ambgious ending of a view from halfway down, I feel this fits the series better: Bojack, like the end of every season is moving on to something new, but this time we don’t know what, and that’s okay. IT’s time for us to move on.  Well okay not from this entry as each vingette deserves some praise: Our first has Mr. Peanutbutter pick up Bojack from prison, and even get him a new suit.. and then another one offscreen because predictably for his life BOjack got meatball all over it. He also calms our hero down when he wants to go back to jail, letting him know it’s okay and he’ll be there for him.. unless his friend Erica shows up but what are the odds... 1:1. But what’s nice about it is while Bojack still makes jabs, it’s clear he’s gone from truly hating and resenting PB for being the betterversion of him.. to truly seeing the guy as one of his best friends, his jabs having gone from hurtful and bitter to wry and warranted. I mean they were warranted a lot back then too he’s just a lot softer about them. 

At the wedding Todd and Bojack finally reach some form of understanding after years of awkwardness, the two having reconclied but not being really remotely close or in each other’s lives hardly anymore after Todd’s understandable blow up at Bojack in “It’s You”. Here Todd has Bojack rush him to the beach to cary him on his shoulders.. to watch fireworks because he could tell he was overhwelmed, the two having found a rhtym again, with, like with mr peanutbutter, Bojacks jabs being a lot friendler and Todd having a respect for his own needs while actually being present for bojack instead of ignorant of how bad things were like he was at the start. He even helps BOjack see even if he DOES replase.. he can get right back on the horse, couldn’t resist that one sue me, and as the hokey pokey says turn himself around. 

After, in one of the best payoffs of the series, finally trying Hondedew and finding it’s not so bad, Bojack dances with PC, admittingh e half hoped he’d have to help her go thorugh with it before the two run through the scenario, and PC expresses some honest fears with bojack helping her showing how the two hav egone from a horribly stiffing relationship.. to two close friends who are probably stuck with one another for life. Sunk costs and all that. And if bojack does want to act again she knwos some people. But for now PC finally really has everything she ever wanted:: A daughter, and a loving husband in judah. 

Finally we have the most painful of the group because of course the Bojack finale wouldn’t be all sugar and would have to punch us in the gut. Bojack finds Diane again who hasn’t talked to him.. because he called her the night of his near death/sucidide and due to putting the blame on her due to being high out of his mind, made her feel like it was his fault during the 7 hours she could reach no one and thought he was dead. Diane is hurt, feeling betrayed that bojack promsied he’d be fine then possibly left her with the pain of his death on her concious forever. Thankfully she’s doing fine, as she’s now married guy and Ivy Tran is a huge success and probably a series now.. but it’s abudnantly clear her friendship with Bojack is over.. but even this bittersweet, and necessary, seperation, as Diane has moved past LA and Bojack needs to stop relying on her and stand on his own two hooves, still warms the heart as she thanks him and lets him know i’tll be okay, and endugles him in telling her one last story, a rathe rfunny one about prison movie night bfore the series ends on the melancholy and apporriate song mr blue as the two gaze out and they see each other and we see them for the last time. 

4 The Wasteland (Infinity Train) 

“I'm as good as dead, and if my last act is to bring you with me, sliver, I can't imagine a better way to go!” “Well, I can! “

So from a bittersweet ending to holy shit that’s depressing, we have our only entry from Infnity Train on the list. That’s not to say the series did bad this year. Season 2 was easily the series finest hour, taking the framework from season 1 and crafting a gripping story of a teenage mirror person who just wanted to live without assholes trying to kill her for what she fundementally IS, and be recognized as a person, with the help of a magical deer and a more optimstic teen grappling with his peer pressure issues.  The series was still undoubtly silly with a parasite voiced by Bill Corbett, wonderfully so, and again a magical deer named Alan Dracula, long may he reign, it simply deconstructed the nature of the train and thus opened up the floodgates. By giving us a denzin who, after years of being someone’s reflection in both senses of the word, just wanted to live and how that clashed with the train and the racist assholes she met alnong the way, from the ones who wouldnt’ stop trying to kill her.. to humans who considered her as nothing more than a plaything at best and something to get rid of at worst. While Season 3 was not bad, if a bit way too strcuturally messy and trying to do too much at once, Season 2 still handled the same issues but in a much tighter frame storywise.  And that’s why only one episode made it: Most of the episodes, espicially the later ones, are pieces of a large whole, with the show being heavily seralized. Which while a great approach intended for streaming, also means it was hard to find a chapter that worked that well on it’s own, steven universe future had similar issues. But I did and the wasteland is easily the darkest, harshest and most intresting episode out of the batch.  The episode opens at MT’s darkest hour: The apex told the mirror police where she is, Jesse is gone, and MT is now running for her life from the sadstic assshole and his spinless partner who want her dead just for existing.. gee can’t imagine why a bunch of assholes refusing ot acknolwedge other peoples opinons, rights or even existance was a big topic last year.. or this year. 

So while Mace, the main mirror cop, manages to handcuff her MT manages to throw him under the train. THe result is her trying to escape the train by wondering i’ts vast desert, forced to drag Mace along as he taunts her, bleeding out slowly from you know being bisected by a train. It’s a really moody peace as Mace mock’s mt’s dreams of escape and justify’s his own selling out, while MT pokes holes in that: he was so desperate to not nonexist.. he’s willing to kill others who just want the same. IT’s a damn hard watch but fuck if i’ts not compelling. 

And the climax is what makes it. MT finds out she can’t leave the bounds of the wasteland, as it only projects so far and after escaping the ghoms ends up back on the train, with Mace, not long fo rthis world trying to kill her.. so we get a 13-14 year old GRINDING HER HORRIFYING ABUSER UNDER A TRAIN WHEEL. Just jesus.. I mean I kind of get HBO Max’s point that MAYBE this is a bit much for kids. I mean i’ve seen other really dark stuff but holy fuck a man died.. and we see his blood splatter. But it’s this horrible, harsh moment that makes the episode.. as is MT”s reaction.. not one of triumph.. but of exaustion and horror at what she’s done, before steadying herself to prove him wrong. A hard one to write about but damn it was good. 

3. Enchanting Grom Fright (The Owl House)  “Dear Luz, will you go to Grom with me- Amity”  Now we THANKFULLY get to something lighter: the gays winning.. again. Coming out during pride month, phrasing, and only a month after the she ra finale we got this delightful episode. As I said earlier I watched this one first run: while I was super behind, I couldn’t resisit to the point I watched it before that week’s amphibia. I was that curious what was going to happen.  See as i’ve given out about quite a lot.. and I mean a LOT, Disney dosen’t have the best track record with gay representation: they don’t do horrible sterotypes or anything.. but they also don’t do much of anything for the most part. Alex Hirsch has outright spoke about how much he had to fight just to get Blubbs and Durland firmly together in the finale, and how the symbols for the love god were widdled down to just male and female. And around the time this episode came Disney was coming out of a REALLY bad batch of pr stunt gay representation: They made a big deal about the first gay x in an x having gay characters in avengers endgame, star wars: Deep Hurting and onward.. but these were cameos AT BEST, with the endgame one being so minor I genuinely didn’t realize the character was talking about dating a man and only found out afterwords. Sure Ducktales had gay dads, which is awesome and always will be.. but none of the major cast was allowed to be openly gay. I mean we know webby and lena are gay but hell if disney would allow that.  But miracoulsy.. shockingly and wonderfully.. Disney DID mange to finally just say fuck it and let some big gay rep in, something so obvious it can’t be ignored and that actually features the main character and one of the most major supporting characters. And what do you know, the good press and pats on the back outweighed the bad. It’s almost if giving up homophobic markets in exchange for doing the right thing.. is a GOOD thing while also being profable. Who’d a thunk. Point is via sheer perstiance, Owl House creator Dana Terrance got to not only make her lead bi, which Terrance herself is, but have her love intrest be a girl. And I find it genuinely wonderful that gay, bi, pan and what have you children can watch this and say “tha’ts me and this is okay”.  But even minus Owl House saying gay rights.. the episode is just REALLY good and part of it is who it focuses on. Amity easily has the most character devleopment out of the cast going from someone who walls herself off from everyone, revels in her superiority.. to slowly opening up to heroine Luz, realizing Luz is not a bad person and that Amity herself dosen’t have to be, and right before this starting the road to patching things up with her former best friend willow. Allt hrough this said friendship had been prettty, prettyy, prettyyy gay. And that’s wonderful obviously, but part of why I watched this was while I HOPED they’d get to be couple.. I wasn’t convinced since see a fucking bove. But I was happy to realize that oh my god I was wrong, the gays won all along. 

So with Amity a better person she’s naturally syampthetic when sh’es put front and center at hexside’s prom equvilent which while having a dance, gromprosals and a disco ball tha’ts also a sentient being, becuase boiling isles, it also has the queen or king forced to fight a horrifying monster that manfiests as your greatest fear. And, as we find out towards the end.. Amity’s is being rejected by Luz, having her love letter, which she fails to deliver due to running into luz.. and co (which is my faviroite gag of the episode and the adorable smiles gus and willow give in response are what make it). And . it makes sense. When you stop and think about it.. Luz is the best thing in her life. She got her to change as a person, genuinely cares about and adores her, just wants to be her friend and thinks the world of her. Given her siblings, while trying to be better, are two disaster bisexuals who just stopped a lifetime of untietonally harsh bullying and her parents are controlling asshats who made her abandon her best friend at a young age and she sees LILITH as a mother figure, just let that sink in given a few entires back.. yeah.. no wonder sh’es utterly terrified of rejection. Poor baby. 

Of course WE know Luz wouldn’t. Luz may be many things, including oblvioius to thte freaking obvoius as this story line has revealed, but shes not cruel and even if she said no, which I higlhly doubt she would, she woudln’t be a dick about it. But being surrounded by cruel assholes for some time has made Amity a bit paranoid so Luz volunteers to sub in to both genuinely help her friend.. and to prove to eda she can do this. Eda is also chaperoning. and looks neat in a suit, while King and Gus get a wonderful b plot of mcing the dance with the egotisticl king having issues with stage fright. I will get more into that when I review the episode proper, come back in a month for that.  But yeah while Luz does well when the time comes, and while sadly not wearing her otter suit does wear a wonderful tuxedo with a tutu.. she has her own repressed issues to adress as Grom takes the form of her mother, as Luz has been nursing guilt over not telling her the truth about what’s going on. Luz runs, and Amity ends up facing her fear to save her crush and the two get a wonderfully romantic, and desturctive dance together as they face hteir fear, untie as one and kill that motherfucker... well okay i’m not sure grom can die but it’s gone for now.  The dance sequence.. is easily one of the best scene’s all year, beauituflly animated and painstakingly planned out, with wonderful music.. it’s just awesome and what takes the episode ove rthe top, with the two perfeclty in synch as they take grom out in less than a minute. Also king become prom king and queen, he is best of both as Luz’s own personal issues put a damper on things. Also someone’s been writing her mom. 

Overall just a perfect episoe and a perfectly gay episode of one of the best shows going right now. Speaking of a perfect episode of one of the best shows going right now, tha’ts also on disney. 

2. Escape From the Impossibin! (Ducktales)  ”We have to keep them safe” “But not like this!”  So from some emotinal torment mixed with some lovely shipping, we get a whole buttload of emotional anguish but with a robotic scrooge and the time loop room and the time loop room and the time loop room, and time l...

As I said in part 1, Season 3 is easily Ducktales best so far, having far better pacing, character ballance and bolder and more intresting stories than ever before. While the first two seasons are still excellent, this one has taken everything great and honed it and no episode shows off just how great this season is than this one.  This one takes place in the fallout of “Let’s Get Dangerous!”, with the family dealing with finding out FOWL”s not only still alive, but is run by Bradford, head of scrooge’s board of directors former shush agent as we’d find out later, and asshole, who knows all their secrets. And given Scrooge is mildly paranoid on a good day and Beakly is extremley paranoid on her best day, it’s done a number on both as they’ve split the family minus launchpad, who just had a whole episode so fair enough, up: Scrooge has taken Della and Louie, wiht their see all the angels schtick, to test out his new security, while Beakly and Donald are securing the house while Beakly has webby throughly test the boys.  Neither side goes well. The bin ends up locking our heroes out due to Scrooge’s password being changed, and forcing them to work past it. Louie rises to the challenge, as does della.. but as they beat a robot versoin of scrooge, because of course the final test would be a robot version of scrooge, Scrooge is instead of triumphant at not being dead, incredibly depressed and furious. Because when told he’s scrooge mcduck he tellingly replies “AND WHAT IF THAT’S NTO ENOUGH’. For once.. Scrooge is SCARED, up against someone who knows his every move and is one step ahead, iti’s how it’s always been, no matter what he’ll do, he’ll always loose and Bradford will always win. I REALLY need to watch spies are forever, point is he’s scared and Bradford PROVING the point by revealing he was behind it and taking over the robot dosen’t help. Our heroes win though in a damn impressive action sequence, but as it turns out.. it was just a distraction.. but we’llg et back to that.  The other plot though is whyt his is so high. While the first plot is a fun romp with deep eomtional consequences.. the second plot is decidly far darker.. it still has some good bits as webby terorizes the boys and easily one of the best in the season when she horrifying imitates dewey, but its’ only when she does finally attack she realizes she’s taken it way toof ar. She’s terrorized her brothers, caused huey to break his leg and then turn her away when she tries to help.. all she’s done is turn them AGAINST each other and they can’t win this way.  Beakly strongly disagrees and clealry lost in her own paranoia and fear, prepares to attack huey.. and thus Webby steps in... leading to one fo the most heartbreaking and tense fights in the series as grandmother and grandaughter fight one on one but both are outmatched.. but Huey and Dewey, despite everything, refuse not to help their sister and help pull webby up, with Webby panickidly realizing something’s VERY wrong and her granny usually isn’t like this when sparring... and is also chasing them. This leads to the roof, in a rainstorm no less, and Webby relcutnatnly ready to fight even though she clearly knows she both can’t win.. and dosen’t want to anymore. Despite her wilingless to scrap, fight and train.. Webby dosen’t WANT to hurt her granny she just wants to help her. Thankfully, the boys attempt to stop this, while failing horribly, catches donald’s attention as he catches them, ntocies what’s going on and furiously refuses to let this go on. While Beakly tries to ignore it and fight..s he instead slips and despite everything, the rest of the group rescue her, with Webby impressing on her grandmother that they aren’t fowl. They wont’ win acting like them and tearing each other apart.. they need to be the family they are.  But if all that wasn’t enough turns out.. yeah, Bradford’s thing was a distraction and with the rest of the group distracted with Beakly, that meant his plan went off without a hitch: all the missing mysteries have been taken by FOWL, in a masterstorke that ties both plots together and brings what seemed like isolated adventures on their own in a tagnetally related plot into the fore. Everything so far has built up to this.. and despite the loss.. the family, having been through a dark night of the soul, is ready to fight back. They want the rest of the mysteries? Their going to have to fight clan mcduck in their elment. And it’s been glorious so far. A tense, well paced, hard hitting episode, this one’s a winner. and almost got #1.. ALMOST. But as much as I tried to not go with the obvious chocie, the one with tons of press and praise and that’s graced tons of best of lists... I had to go with what was honestly the best. So...

1. The View from Halfway Down (BoJack Horseman)  “Oh BoJack, there is no other side. This is it. “  This episode was my main reason for catching up with the series and finishing it off once and for all. Awash with praise and hype I was curious about this one.. and my curiosity paid off. This is easily one of if not hte best episodes Bojack put out in it’s storied run: it’s creative, impossible to look away from and devistating: in short it’s the show in a nutshell.. and it’s a hell of a view. 

Previously as mentioned before Bojack’s life blew up and he lost just about everything, from his friends, though as the finale bared out only one of them stayed away for good and for good reason, his only family in hollyhock, his house, even horsin around. He had nothing left.. so high on drugs and in his old house he passed out at the end of last episode.. and we wake up here with a recurring dream as Bojack has a dinner party at his mother’s house, another wonderful performance from Wendy Mallick. Everyone there is someone Bojack knew who died: his former best friend he betrayed Herb, Sarah Lynn his former child co start turned washed up 30 something he let die, Courdory, a co star who died trying to get off david caradine style, Crackerjacke, the uncle he never knew who die din the war and his parents, distant mother Beatrice as mentioned and his father, who is in the body of his hero secretariat who comited suiccide in this unvierse due to getting banned from racing, as that’s the kind of weird shit dreams do. Also Zack Braff, who has no real conncetion to bojack but still died during that time Mr Peanutbutters house sunk into the earth and his ex wife Jesscia bIel formed a death cult.  The group play a game of best and worst, lay into each ohter and have some really intresting conversations with Bojack confident of when it’ll end: before the show their always mentioing. But this time, it’s diffrent.. Bojack is there for it so we get a trippy and horrifyimng stage show as Bojack watches the various people one by one vo into a black door, allt he while bojack coughts up sludge and is persued by it, unaware where he was before this. Sarah Lynn gives one last song, a reprise of a song from previous in the series, Courdroy does a ribbon dance and zack braff gets on roller skates. And bojack has a frank conversation with his dad, with his dad/secretariat revealing he DID care but was just so filled with loathing he coudlnt’ admit it to his son and thus was an abusive ass.. and then reveals to bojack he’s not waking up and bojack horryfigngly see shimself, drowning ina pool. And while he frantically, heartbreakingly tries to flee... he can’t. There’s no exit for him. As herb tells him, this isn’t the afterlife, this is his brain making sense of his last moments, and ther’es no way of knowing if he’ll get rescued, no way to do anything but watch.. watch as his father secretairat shows suicide in all it’s horror by letting it know he wouldn’t of done it if he knew “the view fro halfway down”, a horrifingly haunting poem that sells just how bad it was. As beatrice and crackerjack also go we’re down to herb who introduces bojack... before going in himself, claming there is no other side. Bojack tries not to go genle and runs, and in a horrfying sequence is surronded by the ooze as he tries his damndest to escape.. but in the end he can’t. As herb said.. he can’t do anything about this. So speaking to his min’ds version of diane he accepts he probbaly won’t be coming back and we hear a monitor as we fade out. While we know it’s not the end now... there’s no way of telling then. 

The View from Halfway Down is a haunting, beatuflly animated, masterwork, taking 6 seasons worth of communinity and regret and shoving it in bojack’s face in an intresting way, while bringing back characters we thought we’d never see again for one last go round. It was patcually nice to hear LIn Manuel Miranda and Wendy Mallick again,, and Kristan Schaal is always great. The show ALWAYS had a horrifying habit of having it’s penutlimate episode be an utter gutpunch that broke you, with the finale picking up the peices and offering some hope.. and this was no exception. They literally saved the best for last, and it was worth the wait. The view from halfway down may be gahstly,.. but the view of this episode is hauntingly beautiful. 

So that was the list, and it was.. a lot taking 2-3 days to finish all together over both parts. But it was worth it and hopefully we can get back to some regular stuff later today. For now, thank you for reading, and hopefully i’ll see you somewhere in the sunset. 

[quillandink333]

Scarlet Carnations ~ Part V

BotW Link X Zelda ~ Detective AU

Rating: T

Word Count: 1.9k

WARNINGS: death, murder, loss, trauma, blood and gore, terrorism, organized crime, self-harm

Summary: Inspector Zelda Hyrule, assisted by the faithful Constable Link Fyori, is infamous for cracking the most confounding of cases in a town dominated by crime. Her latest assignment is to solve the murder of her own godmother, Impa Sheikah, the late CEO of Sheikah Tech. Incorporated, while staying under the radar of the dreaded Yiga organization.

Part I • Part II • Part III • Part IV • Part V • Part VI • Part VII • Epilogue • Masterlist

“‘Justice is Dead’: Inspector Hyrule Loses her Badge for Lying in Sheikah Murder Trial”

This headline, alongside a photograph capturing the catastrophe that had been Link’s trial, was what had made the front page of the Times not long after it had all transpired. And it wasn’t the only one of its kind. Far from it. It seemed every publishing firm in town had released an article covering my epic blunder in court.

My name wasn’t unfamiliar to the masses either. As the daughter of the last pre-Yiga mayor to stand in office, anyone who read the paper regularly knew who I was. Until now, I’d been known all across town as the prodigy detective dedicated to keeping the streets free of crime, but now, all those people would look upon my face and see nothing but a filthy, lowlife perjurer.

I could live with my name being ground into the dirt by the media. What made me truly bitter beyond words was that the few individuals whom I’d once trusted and looked up to would now think the same of me.

I’d tried reaching out to Prosecutor Sigatur countless times in the hopes that she could in some way continue the investigation in my stead, but every time I called, she would never pick up. She probably saw this case as closed now anyway. I had managed to get a hold of Auntie Purah, but all she’d been willing to say to me was that she needed time to think before hanging up. As for Paya, I couldn’t even bring myself to try to contact her.

It wasn’t something I took pride in. Clearly the best thing for me to do would be to apologize to them all for my actions, most of all to Paya after all the needless grief I’d caused her. But I simply couldn’t do it. Just the idea of it felt wrong. No words that I could possibly say to them would be of any use in bettering the circumstances. I couldn’t bring Auntie Impa back. I couldn’t undo what I’d done. I couldn’t do anything. There wasn’t a single thing I was good for other than making a mockery of myself and disappointing those who’d once dared to put their faith in me. Nothing at all.

And now, to put a cherry atop the sundae of darkness and misery that my life had come to, the one person who mattered most to me, the one I’d dedicated myself to protecting, was gone, forever. Just when we’d finally found each other again. There was still so much I’d wanted to ask him, and even more that I’d wanted to say, but...

What I wouldn’t have given just to be by his side at that moment. What we did didn’t matter. Even if he and I were simply in the same room together, I’d feel more at ease. But who was I to wish for such things? I was the one who had failed him. I should’ve just testified that I’d been the one behind everything. I should’ve been the one on death row right then. Not him.

I thought recalling a happier time would perhaps help to restore me to my rational self, before it was too late, but in the end, it only proved to pour more salt in the wound.

“Alright, I’ll see you around.” Both Paya’s and my own ears perked up at the familiar, jovial voice down the hallway. “Great time catching up with you!” No sooner than we’d heard those words did Link come striding out of one of the classrooms on the left.

“Uhh...!” I turned toward Paya, who was suddenly as red as a raspberry. “I j-just remembered I had something to ask one of my teachers about!”

Just then, Link’s eyes landed on the two of us. Paya gave him a wave and a sheepish smile, both worth no more than half a second.

“You two have fun!”

Then she started to turn on her heel.

My outstretched arm just barely missed the strap of her school bag. “No, wait!”

“Bye!”

I gave a disgruntled snarl as she made her hasty retreat. She was far enough now that if I tried calling out to her, I’d only be drawing attention to myself.

“Everything alright, Zelda?”

“Link!” The boy in question was right there, just a foot’s distance or so behind me. “Oh, yes. Quite. Paya’s just...”

“She seemed busy.”

“Yes, yes,” I grumbled. Busy putting me on the spot, more like. As always. “Who was that you were talking to just now?”

“Oh, you must mean Sidon!” he exclaimed. “He and I knew each other in elementary school. He just transferred here last week, or so I’m told. What a small world we live in!”

He spoke animatedly, gesturing with his whole body as he told me tales of the mischief he and his childhood friends used to get up to. Though he himself had only been enrolled here since the start of that year, it seemed he already knew everyone on campus. Even the members of faculty were fond of him.

“So I heard you got in touch with my father again the other day,” he said as we rounded the corner of the building’s exterior on the way to our usual lunch spot.

“Oh, yes, I did!” He took a seat next to me on the concrete bench in front of the greenhouse.

“How’d that go?” he asked, then tore a massive bite out of his sandwich.

I winced in a mixture of worry and amazement. “Well, he didn’t really have much to contribute to my case, but I appreciate his hearing me out all the same.”

“Ah’m thure you ‘o.” He swallowed his mouthful of food before continuing, to my relief. “But he doesn’t take time out of his busy schedule to talk to just anyone, you know.”

“Oh, certainly. If it weren’t for Urbosa, I’m sure he wouldn’t even give me the time of day.”

Then a teasing grin lit up his face. “Aren’t you forgetting about someone?”

“Oh! Of course. My apologies,” I bowed, swivelling in his direction. “You’ve been a great help as well, Link. Thank you.”

A faint crease formed between his brows. “Come on now, I was only joking.” He gave my shoulder a light shove, nearly making me drop my lunch tray. “You should try being less prim and proper all the time. No one’s counting on you for anything, are they?”

“No, I suppose not.” No one amongst the living, anyway. Besides, he already had me eating lunch outside the cafeteria. How much more improper did he expect me to be? “I think it’s just the way I’ve been brought up.”

He gave a slow nod. “That’s understandable.” No doubt he could imagine how strict the CEO of Sheikah Tech. could be with her daughters sometimes. “Still, if you want my advice, try lightening up now and then. Trust me, you’ll be loads happier that way.”

My heart swelled at his kind words. If it were anyone else, I probably would have dismissed them as just another naïve optimist. “You think so?”

He shook his head, correcting me with, “I know so.”

I’d bumped his knee with my own when I’d turned to face him a short while earlier. It was then that I finally took notice of our sustained bodily contact, which in turn made me notice how little distance there really was between where he and I were now sitting.

He must’ve realized this as well. While I was still in a flustered rut about what to do, he caught me off guard and scooted even closer, until our thighs were just a hair’s breadth away from touching. I, of course, was a gawking, red-faced mess at this point, but he didn’t seem to mind. He simply kept looking at me with that disarmingly sweet smile of his.

Never in my life had I met someone more determined to keep smiling in spite of all the world’s cruelties than he was. It wasn’t ignorance; his father was none other than the district’s chief detective. He was simply, genuinely, fearless.

“Hey, so...” His mannerism had shifted out of nowhere from confident to slightly less confident. “Will you be coming back here for the horticulture club meet this afternoon? I just remembered you mentioning that the other day, and if you are going, it’d give me a reason to go.”

A rush of giddiness took hold of me, causing my heart to thrum wildly within my ribcage. “Really?”

“Oh, wait. Did I just—” He laughed into his palm, then groaned. “Did I say, ‘a reason,’ just now?” I nodded, perplexed. “I meant, ‘more reason.’ That’s what I meant to say, obviously, because I was already thinking about going before you mentioned it.”

He seemed to be telling that more to himself than to me. I did my best to reciprocate his forced chuckle. “Alright.”

“Yep...”

The bell rang in the distance, signalling five minutes until the start of class.

“Oh, dear. I’d better be off.” In a rush, I stood up and gathered my things. “My next class is on the other side of campus. Bye for now, Link!”

“Wait, Zelda!” I halted. “So...are you going?”

I couldn’t help the smile that spread across my lips. “That’s what I had planned for today, yes.”

“Oh, spiffing!” His crow’s feet appeared adorably at the corners of his eyes, making my own smile grow. “I’ll see you then!”

By the time the memory had reached the end of its reel, there was a knife situated in the trembling grasp of my hand. Though the cuts were already a great deal in number, I’d barely even felt them until now. Now they stung like venom. In truth, it was most likely a result of the tears that had begun to fall upon the marred surface of my inner forearm. With this realization, my silent tears were only magnified into sobs of insurmountable extremity. The blade in my grip clattered mercilessly onto the desk. I was never going to see him again, was I?

As the salt of my tears mixed together with the little puddles of red that had formed, I caught myself staring blankly at the ball key sitting on the far end of my desk: the one Link had found at the scene of my godmother’s killing and had kept secret until the day before his conviction, when he’d entrusted it to me. Its dim, tangerine glow was just another painful reminder of how hopeless this situation really was.

Of course, being the spectacular mess of a person that I had become, I’d made the oh-so-wise decision to cut myself at the place where I carried out my chemistry experiments. With grandiosity, I oafishly spilled an entire beaker’s worth of fluid just as I’d finished wiping away the blood.

But just as I was about to go and fetch the mop, something happened that I never could’ve expected.

In the darkness of my apartment, the area on my desk where there had once been blood was glowing a strikingly brilliant blue.

I picked up the beaker that I’d knocked over. It bore the handwritten label, “5-Amino-2,3-dihydrophthalazine-1,4-dione.” Scanning the desk’s surface, something else caught my eye—something that could potentially be the “key” that I’d been searching for since the moment I’d discovered my dear godmother’s dead body.

The orange glow of the ball key, which had just so happened to find itself square in the middle of the splash zone, was being obscured by spots of blue light.

[st-just]

Semi-coherent thoughts on The Way of Kings

So clearly Sanderson improved significantly as an author between series, or possibly I just clicked with this aesthetic more, but either way I liked this book a lot more than Mistborn. (Though I still don’t think any single book really needs to be 1300 pages). More in the back-half than in the front, admittedly, but even the table-setting was interesting. The final climax to the War plotline was really well done, if a bit Hollywood (but then, I suppose that’s not really something you can sit down to a multi-thousand page heroic epic fantasy series and complain about). Though honestly by the end I was nearly as invested in Shallan’s plotline - the final reveal with the parshmen was really well done, though gonna try real hard not to think too deeply about the subtext there. But still, the entire climax just made me grin like a fool, and the epilogue was a legitimate surprise, in a good way.

But, like, so the Parshendi are clearly, self-evidently in the right as far as the war goes, right? Like, there were plenty of humanizing hints through the book and I’m really hoping that they weren’t just a red herring for the leadup to the big reveal. And, semi-related, but I feel like I have to say – ‘docile, perfect slaves who will just sit until they’re killed by the elements without instruction, distinguished from real humans primarily by their bizarre skin, turn out to be the remnants of some ancient evil who, under the right circumstances, will rise up in revolt and slaughter the masters who foolishly let down their guard.’ C’mon man. Really?

Anyway, given the impression I’d gotten of Sanderson – both from people online talking about him and from reading Mistborn, I am really pleasantly surprised how, well, magical the magic felt (well, less so in Szeth’s POV, but even there to an extent). Kaladin’s gradual (via other people repeatedly pointing it out to him) was especially great. Though on that count I probably like soulcasting rather more than binding or whatever it’s called, entirely because of all the weird associated mysticism, and also because it seems to be very nearly FMA-alchemy.

Of the three main POVs, I’ll admit Dalinor’s was the least interesting to me by some margin (and I honestly can’t even remember how to spell his son’s name. But, like, the jock prince even less so). Still, the ending where he launches a coup d’etat and forces the king to declare him Shogun after credibly threatening his death was great. Although, yes, if I was the king I would probably be a bit paranoid in the situation where I have no land or power of my own, my bodyguards are entirely loyal to my uncle – one of the great landed magnates, suffering from messianic delusions/visions, not even hiding his relationship with my mother the queen dowager, just forced me to sign a deeply unpopular order granting him control of other nobles’ armed retainers – and will do absolutely nothing if he beats me half to death to make a point. Seems, uh, less than ideal.

I’ve been repeatedly told that Kaladin is basically the book’s main character, and that me getting more invested in his arc than the others is basically things going as intended. So, well, that pretty much worked. Though I’ll say right not that I do not remember a single name of any of his bridge-buddies. They’re fine as quirky supporting cast, granted, but that’s about it. Syl’s great though, easily in the running for best non-POV character (the spren generally are a really interesting bit of worldbuilding). I’m sure it’s just because I read Mistborn so recently (and, honestly, because both their names start with K), but he remained me of Kelseir to a certain extent. The same arc of ‘embittered cynic learns that not every privileged noble of the horrifying oppressive system he suffers under is evil, merely the vast majority’, anyway. That and the fact that he also seems to have a cult now, though I guess he got his by accident.

Shallan’s arc really grew on me once we got back to it in part three – and I’d always liked it to begin with. Partially because intrigue and conspiracies are generally more interesting than action scenes and this had one without the other, and partially because Jasnah is the other candidate for best supporting character (sorry, I’m obligated to love the insufferably too-smart-for-her-own-good atheist historian, its in my contract). Though I am looking forward to Shallan’s next conversation with her brothers “Bad news, I do not have a soulcaster. Good news, I’m now an apprentice wizard. No, I will not be coming home.”

I am more than a bit confused about the exact timeline of all this mythic prehistory, though I’m sure that’s at least partially intentional. Still, very curious if God’s death (or, well, I suppose Ahura Mazda’s, given the whole dualism thing) is the cause, result, or unrelated to all but one of his immortal hero-saints deciding to say ‘fuck this’ when it was time to go back to being tortured/fight in hell for another few (decades? Centuries? Millennia?).

Also unclear on what sort of timeframe all this is supposed to have happened in. Hundreds of years ago? Thousands? Tens of thousands? It seems like it went ‘mythical dawn kingdoms’ ---> ‘global theocracy’ ---> ‘current setup’, which doesn’t seem like much change. But, like, it’s a thousand page high fantasy book, political situations persisting for thousands of years wouldn’t exactly be surprising.

But yeah, anyway, good book. Will need to grab the sequel sometime soon. Though I should really take a break with some nonfiction first.

[scottymcgeesterwrites]

Final Fantasy III Review

Year: 1990

Original Platform: Famicom

Also Available on: Nintendo DS, iOS (DS port), Android (iOS port), Ouya (Android port), Steam (Android port), PSP (iOS port)

Wii/3DS/Wii U Virtual Consoles and Nintendo Classic Edition releases are only in Japan.

Version I Played: DS

Synopsis:

Four orphans (originally only named by the player, DS remake gives them names) fall into a crevice after a sudden earthquake. There, a mysterious crystal warns them about the oncoming darkness that will engulf the world. The four orphans must band together to restore the balance between light and dark.  

Gameplay:

ARE YOU READY TO GET YOUR ASS BEAT?

YOUR BALLS ROCKED?

I’m warning you – this is the most difficult Final Fantasy game to date.

There are no ethers - only elixirs, which you should definitely reserve for the hardest battles. Also, phoenix downs cannot be found in stores - only in treasure chests and as dropped or stolen items from enemies.

The gameplay returns to that of the original Final Fantasy –  turn-based combat and the Job System, only this time the Job System is greatly expanded. Vikings and Geomancers and Bards and Dragoons and the list goes on. Summons are introduced to the series via the Evoker job, which later gets upgraded to Summoner. The expanded Job System allowed for greater customization of your four characters than in the original Final Fantasy.

This game is notable for the Onion Knight. In the beginning of the original Famicom game, the default job is Onion Knight. If you continue playing as an Onion Knight, your stats remain relatively low. However, if you dare to play the entire game as an Onion Knight and reach level 99 – the Onion Knight suddenly turns into the most powerful job in the game.

The DS remake does things a little differently. Instead of the Onion Knight, you start out as a Freelancer – a new job that has a little bit of everything. However, the longer you use the Freelancer job, the weaker you become. This is a good incentive to have players naturally explore other jobs.

The unfortunate feature of the DS remake though is that the Onion Knight is ONLY available after performing sidequests via wireless with friends. This is impossible to do now since the wireless features for the original Nintendo DS (and also the Wii) have been discontinued. HOWEVER. Playing the DS remake through Steam allows you to unlock the Onion Knight by completing at least 25% of your bestiary. You will then receive a message via the Mognet to start the sidequest.

Final Fantasy III is notorious for its high difficulty. The trick mostly lies in constantly switching between jobs and finding the right balance for the right moment. However, changing jobs requires you to level up that job. This means grinding – lots and lots of grinding. Insane amounts of grinding. This is Final Fantasy: Grind City.

In retrospect, Final Fantasy II was hard as well, yes, but more in a stupid way. Leveling up there was annoying but people could find tricks around it like finding weaker enemies and purposely hitting yourself and healing yourself to raise your HP or defense stats.

Final Fantasy III is difficult but it hurt so good. This game turned me into a masochist. There's two types of video game rage - the good and the bad kind. The bad kind is usually because the game's mechanics are irritating or virtually unplayable. The good kind is cursing out loud but then saying, "I'LL GET YOU NEXT TIME!" and actually being pumped about trying again because you see it as a challenge.    

The game has an explosively difficult finale. The finale takes place in the Crystal Tower, which is surrounded by Ancient’s Maze. You have to walk through the maze, then through the tower, then fight multiple bosses through other events which I won’t spoil here. The entire ordeal can pretty well take up an entire hour. At least (in the DS version, I don’t know about Famicom) you can save before entering the Crystal Tower. But if you ever need to venture out into the world map again to get something you forgot, you have to go through the Ancient’s Maze. Once you enter the Crystal Tower, you cannot save the game. It’s one long shot to the final of final bosses. In the Crystal Tower, you get to walk around seemingly endless and maze-like floors such as this:

 YAY.

Seriously though - I still enjoyed the challenge and thought it was epic. If you're going to hit me hard, you might as well go all out. Nothing in this game is held back. Also, the expanded job system allowed you to try out so many different things.

I tried for the longest time to play Final Fantasy III on an emulator but for some bizarre reason, I couldn't save, not even on save states. When I have the time, I definitely want to go back to that, try a different ROM or something, and experience the original. But I played enough of the original to know how hard it is. I died right away when I ventured outside the first town.

The DS remake mostly retains the difficulty of the original, which I admired, unlike the watered down PSP Anniversary Editions of Final Fantasy and Final Fantasy II.

Graphics:

The original Famicom game definitely has a lot more going on than the first two Final Fantasy games. Battles are still 90% black space but the rest of the game is 8-bit Heaven. 

The DS remake is AMAZING. I would argue that Final Fantasy III DS is really the first great Final Fantasy remake. They got a chibi thing going on and it works here. It’s cute without being obnoxiously cute.

The FMV sequence for the DS is staggeringly beautiful.

I also kind of laugh at this one part where Luneth and Ingus are arguing and it’s the equivalent to a stock photo of two people arguing.

I only wish they added an ending FMV. That would have been the cherry on top for the remake. 

Story:

Final Fantasy III is kind of like crossing the original Final Fantasy with Final Fantasy II. The story is wider in scope and more epic. The fictional world is much more interesting. The score has a wider repertoire. You fly many different airships. It also begins what I like to call the "Crystal Trilogy." Final Fantasy III, IV and V, as you'll read later, are quite similar in their general plot, which utilizes crystals as important plot devices.

There’s more to the story than people give credit for. You venture into the world and run into secondary characters who have their own stories, such as Cid, Desh, Princess Sara (reference to the original Final Fantasy), Prince Allus, Priestess Aria, and even four imposters of the four heroes of light. You save towns with a variety of problems, from a village cursed by a genie to finding a missing precious stone for the dwarves. Then you discover the truth behind the world you live in. . .

The DS version elaborates on the story by giving the four orphans names: Luneth, Arc, Refia, and Ingus. This sharpens the story by connecting more dots. The DS story starts with Luneth and Arc as childhood friends. They later meet Refia, a runaway who was tired of her guardian's blacksmith trade, and Ingus, a knight of Sasune who protects Princess Sara. I was disappointed by one rather misleading thing in the DS remake. The opening FMV sequence seemed to imply that Priestess Aria plays a wider role in the story – she doesn’t. That disappointed me.

As I’ve said already, the DS version is a wonderful remake of the original. I very highly recommend it. It enhances everything about the original and more. The remake's heroes hardly get any recognition in other Final Fantasy media and that’s a shame.

Music:

As Final Fantasy games keep getting bigger, so does the score. Uematsu shone here. He did some unique things for a Japanese composer at the time. An example is the illusion of having chords in the track Crystal Cave.

Final Fantasy III’s soundtrack is twice as long as Final Fantasy II’s. I’d say that out of the entire Famicom/NES era, this game probably has the best soundtrack. The battle theme has a sexy bass with more drums added to it. Eternal Wind, the world map theme, is definitely the greatest map theme in an RPG. Period. It truly gives the feel of wandering around a fantasy world.

The DS version reinvigorates the entire score. I loved every second of it.

The way Uematsu composed the final of the epilogue is reminiscent of how John Williams does his finales in the credits for Star Wars or Indiana Jones films. In this case, he references the Final Fantasy Main Theme at the end of the credits.

The result is a wholesome feel to the game. Final Fantasy III has a fantastic score that is perfect for closing the 8-bit era of Final Fantasy.

Notable Theme:

I'm split between Eternal Wind and Priestess Aria's Theme. Fortunately, the DS opening cinematic includes both. It has a great orchestrated rendition of the classic themes.

Verdict:      

The hardest out of all the Final Fantasy games (so far). At the same time, there’s so much to enjoy – but it’s not for everyone. Because of the difficulty, I would save this game for last. There’s something about this game that actually gives me a true “final fantasy” feel. The final stretch is so kick-your-nuts-hard that nothing else in the series can compare to it.

If you go for the DS version, however, that can be a tad bit easier. Just a tad. A smidge. Nothing more. It’s one remake that I highly recommend. They did a good facelift on both the game itself and the story. The DS version was adapted into Android and then ported into Steam, so you can get it there. 

Direct Sequel?

No.

[fmdminaharchive]

❧ you’re like spring.

date(s): february-march 2021 mentions of: daisuke (briefly for happening reasons), jiah (extensively for gay reasons) word count: 1,712 (475 words composition, 748 words songwriting without the lyrics) warnings: none details: partial composition and full lyric verification for ‘the spring’. minah makes music again, it’s more of the same yet different. she’s also grossly in love, though she’s well aware there has been a time she wasn’t. also little extra bits of the whole Process because i can and they’re cute

“how about another spring song?” the creative director suggests and minah is quick to agree.

sure, she has some thoughts on that statement. the expected release date they gave her is late may, pushing near the end of spring but she can’t say she’s surprised. sure, these songs usually do best around early to mid april, when spring is fresh and the temperatures are slowly creeping up together with the bloom of flowers but she wagers that either bc doesn’t give her solo comeback enough priority over whatever else is planned earlier in the year or they’re aiming to recreate the same effect ‘hopefully sky’ had. 

it’s kind of ironic, minah thinks, the implied image of a late bloomer bc throws in her lap. 

she doesn’t mind it, it kind of suits her in ways.

➽───────────────❥

being informed that she will be working with the same producer she worked on for ‘hopefully sky’ and ‘being there’ only further confirms minah’s suspicions, they’re fully intending to let her stick to her niche. it’s not a bad thing persé, she likes her music, she likes the producer, the whole process will undoubtedly be a delight. but paired with the fact she had been purposely left out of writing for her debut album last fall, minah can’t help but feel bc doesn’t yet trust her quite enough. not enough to write on something important as an album, not enough to write on something she hasn’t done before.

which just means she has to prove herself.

when minah shows up for their first studio session, she shows up prepared, reaching for the acoustic guitar kept in one of the corners of the room

one eyebrow of the producer quirks up. “were you asked to compose it yourself? i thought i was, that’s why i prepared some things-”

minah just shakes her head, smiling serenely. “i wasn’t. but i have something i want to let you hear regardless.”

the guitar parts aren’t all that much, no bells or whistles. but minah likes to think that’s their charm. her instrumentals never are too flashy, not taking the foreground but instead serving as a gentle, guiding hand. the strums and chords are meant to be a base, to frame and support her voice rather than to be the main attraction.

the simple melody reminds her a lot of her busking days back in busan. sure, for the most parts she played and sang popular songs, ones that would be recognized by passersby and hopefully bring a smile to her face. but when things were slower, wen there weren’t as many people around, minah could spend stretches and stretches of time playing around with chords, improvising their structure as she went, their gentle hum to fill the silence until people came by again. it was a comforting sound, a comforting feeling.

of course, this time it’s not mere improvising, not tangent of chords that escape her memory the moment they fade out into the air around them but it still feels that way as she plays the song for the producer, a light-hearted, warm feeling teaching from her fingertips to her chest. 

when she finishes the song, minah puts the guitar beside her again, looking expectantly at the producer. “it’s not a full song-” she starts, sentence trailing off, searching for some sign of approval or dismissal, whatever comes first, whatever will tell her if she was right to go out on a limb.

“it’s not.” the producer agrees with a nod. “but it could be.” another beat of silence. “it will be when i turn it into one.”

the excited squeal that escapes minah is one of victory.

➽───────────────❥

“you know, i already wrote lyrics to go with it too.” minah brings up a little while later, by now both of them with a cup of coffee in their hands, having spent the last hour or so properly writing down the guitar part she had played earlier and fiddling with ideas how to expand on it.

“well why didn’t you say so earlier, go ahead, i’m listening.” 

so minah quickly pulls out the piece of paper the lyrics are written down on. they’re her words, she has sung them a few times but she doesn’t feel confident enough in her memory to do it entirely by heart just yet. 

she picks the guitar up again from where she had left it, leaning against the side of the table, placing her fingers against the fingerboard and strumming the strings, playing the same chords she had played before but this time accompanied by her voice. 

i think spring is coming again almost sick of the cherry blossoms once again, i face a lonely season as the wind blows

in terms of sound, the song sounds as warm and comforting as it’s spiritual predecessors ‘hopefully sky’ and ‘being there’ had, the sweet, family-girl charm minah had initially wrapped the general public around her finger with. lyrically, however, the tone is a bit more somber, lonely and longing for the happiness her surroundings seem to have found. it puts it smack in the middle of both her self-written songs from last summer and the tone of her first album and her portal collab with daisuke from last winter. a pretty clever way to bring together the two sides of her sound she has released so far if she says so herself.

that flower is so pretty, it makes me lonely that couple is smiling so brightly making me so sad why is it so beautiful? why am i jealous? everything’s spring spring spring but me

of course, the lyrics are hardly relevant for minah in the moment. she is entering her second spring together with jiah, their relationship having started roughly a year ago, when spring was creeping up on them much like it is now. 

but feelings didn’t need to be lived to write about them right, to be able to convey them all the same. minah’s entire ‘epilogue’ had been drenched in the sorrow of heartbreak while she was on cloud nine. much the same applied to this song, there is none of the longing for a spring romance, not when she has all of that right in the palm of her hands already, not when she gets to wake up stroking the messy strands of hair out of jiah’s face and kiss the tip of her nose.

you’re spring, spring spring spring you, where did you go? you’re spring, spring spring spring the spring wind is blowing

minah gets it, she really does, why spring is generally seen as a romantic season, the slow bloom of the world stirring awake after the winter. cherry blossoms showers during walks in the parks, couples huddled together due to the last remnants of cold wind. spring is romantic in it’s very existence. it’s soft, it’s comforting, a gentle welcome after the slumber of winter. 

and because of that, jiah is spring too. the pink hues of her flushed cheeks and the radiance of her smile, the tingling sparks of heat left across minah’s skin. she’s warm without ever being overwhelming, like the slowly rising temperatures giving the flowers time to adjust and bloom.

i’m dreaming of a fun love will my sweet love ever come? after another lonely day the wind blows

it hasn’t always been like that though, minah has been familiar enough with the bittersweetness of cherry blossoms. she’s a notorious workaholic after all. for as long as she can remember, she’s always been busy with something, be it her career or her family. it had left ample time for epic romances when she had been far too all over the place to open up her heart and whatever sparks did fly quickly fizzled solely due to the fact minah didn’t have the capacity to nurse a budding romance among everything.

so it isn’t like she doesn’t understand, it wasn’t like she has never kicked the ground scoffing watching the loved-up couples in springtime. minah knows the feeling all too well. so she knows how cathartic songs like this can be. sometimes you just need to be bitter for a bit before carrying on with life.

when the warm spring wind brushes my cheeks will spring come into my frozen heart as well? is it love?

minah has found her own love in the spring, only just a year ago, after watching the seasons slip by so often without much romance of her own. 

so minah hopes. she hopes that anyone who will relate to the song hearing it now will find their own spring love eventually. maybe not this season but possibly next, or the one after that.

even if not for many more springs, with every passing year, they’ll be one spring closer to that, and isn’t that enough reason to keep waiting? 

➽───────────────❥

a few weeks pass after that, minah doesn’t really keep track of the time where is so much she’s doing anyway but sooner or later, she finds the same producer waiting for her after she leaves vocal practice for lipstick’s upcoming comeback. 

“c’mon, i need to steal you away for a second, there is something i want you to listen to.” he explains briefly and minah is quick to follow the familiar path to one of bc’s in-house recording studios. 

of course, she knows this is about her solo comeback. she however doesn’t know if her draft got the bc stamp of approval. she might just as well be faced with an entirely different song.

as she takes a seat in one of the office chairs, the producer pulling up a file on his computer gracefully named ‘the spring’ minah feels pretty sure of her case though.

“i finished your song.” he simply says before pressing play.

it’s her song indeed, both of those parts are true. it’s hers, the familiar guitar strums in the background and a demo of her lyrics on top of it. it’s also a song, a full song this time, the blanks that were still missing from her rough draft filled in. 

minah really likes it.

when the song comes to an end, she turns to the producer and smiles. “i like the accordion.” she laughs. “it’s a nice touch.”

[magic5ball]

Nature Trail to Hell: Epilogue

Epilogue (Or should I say, EPIC-LOGUE!)

If you can believe it, camp actually got better after that. Heck, I’d ever go as far as to say it was half- decent! Now that I’d been through my crazy adventure, most of the stuff I dreaded before didn’t bug me so much (except singing in front of the mess hall. Those moments will haunt me forever.) Now, the days were filled with canoeing, fishing, and roasting marshmallows around the campfire. For the other campers, at least. Hobag put us right to work making amends for all the damage we’d done, shoveling snow and putting cabins back together log by log. We got to build a campfire, at least, but this one was made from all the evidence of Bob-Sardoth’s horrible reign. 

Why she let us do the funner stuff after everything we did was anybody’s guess. Maybe Bob-Sardoth had scrambled her brain a bit. 

           Still, that didn’t mean there were a few surprises left in store. For one, singing the chaunt of Bob-Sardoth, even if only partway through, did some odd things to my body. My teeth were sharp triangles, and where my bog toes used to be, I now had the sharp sickle claw of a deinonychus. Yeah, my parents would probably be freaked out, but it was nothing puberty couldn’t explain. 

But my favorite had to be when one day, I was picking up oars on the lakeshore, when who did I see paddling through the water but my old pal Bokrug!

“Dude! Where you been?!” I screamed, the waterfowl making his way to the shore.

Turned out, he’d retired from the whole LARP geese gig and had his bones transferred over to the lake. He’d also had a talk with Hoebag, suggesting  that, maybe, just maybe, we didn’t have to spend half an hour singing in front of that stupid mess hall! And you ever happen to come across Camp Sham today, you can probably find him still there, dabbing for algae in the lake. Also, tell him I said hi. Its’ been awhile.

As for the sponge dinosaurs, I have no idea where they ran off to. Maybe they froze to death, though I’ve heard some of the campers never behaved quite right after returning home. Started roaming in heards and eating five times their weight in lettuce every day. 

And Hilda…

           Since our talk with Hobag, Shatner and I had kinda been avoiding her, even after our big heart-to-heart. Didn’t help we were in charge of cleaning up the mess made by Bob-Sardoth’s reign, so the more akward parts of our relationship were always fresh in the mind.

That being said, I did see her exactly one more time before the summer ended. It was the last day of camp and that dreaded blooper reel was playing on the projector, which had amazingly survived the gulag days. Not too keen on seeing my folks and spawn of Satan little brother laugh their butt off at my expense, I’d slunk off to that hard, concrete, chlorine scented cell that was the camp bathroom. There, wondering what creepy crawlies might be going about the unclean ground, I heard a voice in the neighboring stall.

“Hey, Wonky Watt.”

It was a good five seconds before I made my reply.

“Hi, Hilda.”

“Now, I-I know I’ve said this before, but I’m sorry. And goodbye.”

My heart clenched. Yeah, Hilda had done some dumb crap, but hadn’t we all, during that crazy summer?

“Goodbye, too, I guess. Where are you going, now that this dumb camp is over, anyway?”

“Well, I’m no longer chained to Bob-Sardoth, and I have no idea what I’m supposed to do without him always being on my case. Can’t go to school, being a space fart and all that.”

“Lucky. School sucks.”

“And maybe one day you’ll see how amazing it is you get an education at all. As for me, I gotta figure myself out. Probably someplace far away from here.”

“New Jersey?”

“I was thinking Jupiter.”

“How are you gonna get there?”

“I’ll walk.”

I shrugged. Made about as much sense as anything else that summer.

“And what about you? What’s your big plan?”

“Video games.”

“Knew it.”

For a spell we sat there in silence, not quite sure what to say. She broke the ice.

“How’s Shatner?”

“Still angry I left him for the tigers.”

“Figures.”

Now, the Shatster and I became friends again eventually, but for the time being, he wasn’t too keen on talking to me.

“Well, I guess this is it. Have a good rest of your summer.” She said.

“Have a good summer.” I replied.

And that was that.

Well, not quite. Before she left, I snuck back to my parent’s car, where my reward for good behavior, the one, the only, the Nintendo DS lay waiting. Returning to the bathroom, I split that thing right down the middle!

Well, Hilda did. My arms were too weak.

“Here. I know things are weird now, but maybe we’ll get over this when we’re old. And when that happens, we can play together!”

Hilda just stared at the gift I’d given her. Probably shocked I gave her the lower half of the DS, which as any kid knows is the best part.

Then she started laughing, and kept laughing until I figured her lungs might jump out her throat.

You ever heard a sentient fart laugh? Like a big bang of electric joy on a Ferris wheel. Something that feels like forever, but is gone in an instant. 

Kinda like the summer, really.

“See you too, Watterson!”

One puff of smelly, smelly smoke later, Hilda was gone.

It was weird. Barely knew the girl, yet something clenched in my heart on seeing her go. Something that made me stay in the bathroom for hours, staring up at moths beating their heads against the flickering light above, until a counselor barged in looking for me.

           I guess it’s’ time I told you a little truth about Hilda: that’s not her actual name. I forgot it awhile back; Hilda is just what I remember it sounding like. Yet every now and then, I’ll be sitting in my room, or riding my bike, and I’ll wonder what she’s up to, going to Jupiter and all that.

Barely even noticed when Mom pulled me to the car. I just stared out the back window as camp shrunk into a little dot on the horizon. Funny thing is, only as that wretched gulag sank out of sight over the horizon did it strike me I’d probably never see the place again. That all my crazy adventures over the summer would be forever be buried at there, never to return. Or would they? Because maybe camp wasn’t just singing outside the mess hall, or arts and crafts, or mosquito bites. Maybe it was the memories you made going through Hell with other people your age, memories that lasted long after the Salisbury Steak was chained back to its frozen tomb in the basement. Maybe people spent too much time chasing the DS at the end of the rainbow and forgot the friends right in front of them until it was too late.

Woulda made me right sappy, until I realized that there was a valuable lesson about friendship. 

The exact kind of thing Hoebag woulda wanted me to learn.

I got real red in the face right then and there, let me tell ya!

That stupid bi-!

                                                     THE END!

(To all of you who’ve read this far, thank you. Nature Trail to Hell has been a passion project I’ve worked on on and off since 2017, and while this might not be the last draft, knowing people stuck with this to the end makes me really happy. That being said, this is not the last we’ve heard of Watterson Tostig and Friends, or even this story. Expect some more stuff coming in the future!)

[p-and-p-admin]

Interview given to The Severus Snape and Hermione Granger Shipping Fan Group.  (sharing here Admin approved)

https://www.facebook.com/groups/199718373383293/

Hello Ciule and welcome to Behind the Quill, thank-you for sitting down with us for a chat.

SS/HG readers might be familiar with your stories “Awkward” and “Headmaster’s Wife”. 

Okay, let’s jump right in. What's the story behind your pen name? Well, I sort of took one of my real names, swirled the letters around in the air with my imaginary wand, and I ended up with this. Can’t begin to imagine where I got the idea from... ;-) Later on, I realized that Ciule is actually a name in Romania. I had no idea, but there are people out there carrying this name for real. I guess I’m #sorrynotsorry?   Which Harry Potter character do you identify with the most? To be quite frank: No one, really. This is more about the characters I like, than truly identifying with them. I can relate to parts of some of them, but not the whole package. Primarily, I write about Hermione, Voldemort and Severus, and the one common thread between those three is the search for knowledge. That’s a trait I can identify with, but I’m neither an evil bastard, a grumpy protector nor a fretting, intelligent activist. I am, however, a swot. If you had asked who I’d want to be, the answer is clear. I want to be Albus Dumbledore. Though I can’t agree with the things he did, I feel absolutely certain that he’s the one who has the most fun during the books. I want to have that twinkling fun in face of absolute chaos.   Do you have a favourite genre to read (not in fic, just in general)? Fantasy! Definitely fantasy. While growing up, I read ‘everything’ in every genre, and in my twenties, I decided I’d spend my time reading what I loved the most. So, fantasy it is. Do you have a favourite "classic" novel? You landed me in an existential crisis right there. I mean, there’s so many to choose from! ‘Wuthering Heights’, I think. It hurts so good. Or maybe ‘Rebecca’, at least, I loved that when I was younger. Or the fairly obscure ‘Lorna Doone.’ When I was a kid, I wanted to be a film director, shooting Lorna Doone into an epic film. Oh well, there might be a theme in this selection of books which reflects in my writing… At what age did you start writing? The creative process has gone on since forever. I’ve told myself thousands of stories in my head, but rarely written anything down. At the age of ten, I had a co-writing project with one of my friends. We created this secret room in her basement, and painstakingly wrote a ‘novel’. It was fun, though the writing ended as it became too cold down in the basement during winter. How did you get into writing fanfiction? In 2009, I became completely obsessed with a TV-show in the last episode. I was watching the entire series, casually enjoying the murder mystery, and in the last episode, the villain said: “I can do the math,” and I was literally gone. That obsession sparked writing my first fanfic stories. Those stories are still on FFnet, but they aren’t any good. *shrugs* What's the best theme you've ever come across in a fic? Is it a theme represented in your own works? Compromise. The world isn’t a perfect place, and will never be. You can, however, make it more to your liking. It may not be perfect, but if you play the cards you are dealt, you might improve something. In Robert Jordan’s “the Wheel of Time”-series, one of the characters goes through a test in a parallel universe of sorts, and she thinks: “The world was not what she wanted, not anywhere near it.” I loved that: trying your best to make things as you want them to be in the face of dangers and difficulties.   And then there’s time travel! I love messing with time, and there are so many great Time-travelling fics. Plus, I have to say I have a certain love for the villains...   What fandoms are you involved in other than Harry Potter? Currently, I’m not writing for any other fandoms. I read Star Wars, GoT, POTO and LOTR, and in the past I read Smallville. Though it’s more of a type of ship for me, because I only read Reylo, SanSan, Erik/ Christine, Lex/Lana and ….drum roll… the extremely small and quite oddball ship of Eowyn/ Grìma Wormtongue. If you’ve never tried the last one, go search for the fantastic stories by auri_mynonys. If you could make one change to canon, what would it be? Do you have a favourite piece of fanon? One change: duh, that’s easy, isn’t it? Severus lives. Or, maybe Dumbledore acting more rational, not keeping so many secrets. Maybe telling McGonagall that Severus is on the Order’s side… (Interviewer is laughing - ”NOT so easy”) I do write Voldemort wins AUs, but I wouldn’t want canon Voldemort to win. I prefer him to be more sane than in canon. My absolute favourite piece of fanon has to be the Black library. I thought it was canon, but it’s not. This is a thing that really, really should exist in canon! Do you listen to music when you write or do you prefer quiet? I’m very much inspired by music, and sometimes I listen as I write, but not always. Some fics are heavily inspired by music, such as ‘Absence’ and the last epilogue to ‘The Manipulation of Time and Matter’. What are your favourite fanfictions of all time? Definitely ‘Two Steps from Hell,’ by the amazing Ssserpensssotia, but that’s a Volmione. This was such a wild ride, I felt like I was on the edge of my seat, holding my breath the entire time. Those twists and turns were so unpredictable and … Well, I’m in awe. The SS/HG fandom is so massive, there’s a plethora of great stories out there. The unfinished ‘Self-Slain Gods on Strange Altars’ is a wonderful story by scumblackentropy, and I love Slytherpoufs stories, especially the wip ‘Ghosts’, but also ‘Angels to Fly’. And then there’s the one that got away - it means, I can’t find it. In this story, Severus watches the thestrals, befriending one of them, I think, but they’re unpredictable and maybe even dangerous. He’s heartbroken, and knows how it all will go down, having bitterly accepted his role. It made me cry. And then there’s the works by Aurette, and lena1987, Subversa, Kittenshift… Are you a plotter or a pantser? How does that affect your writing process? I need (strike that: want) to draft the entire story before I post, to have some idea on how it goes. That makes it easier to write, but if it’s a long story, I’m happy as long as I know the general direction. This year, I finished a story that was on an unintended hiatus for two years, and I think part of my problem on getting back into writing it up was a too vague idea for the ending.   What is your writing genre of choice? Uh. I don’t know? Basically, you could argue that I’m a porn writer, or at least it’s fuelled by sexual tension and angst. So, romance or drama, bordering on erotica might be correct. To be frank, I haven’t really thought about categories after I started posting on AO3. Which of your stories are you most proud of? Why? Hard to say. I might go with “the Manipulation of Time and Matter,” because I think it’s the best plot I’ve created. Besides, I managed to write Hermione having a relationship with both Severus and Voldemort in the same fic. My favourite “clean” SSHG would be the short story ‘Grimmauld’. Did it unfold as you imagined it or did you find the unexpected cropped up as you wrote? What did you learn from writing it? In Grimmauld, the house became a character. That was unexpected, and not something I had planned from the beginning. So the lesson would be “don’t start posting until you know what’s going to happen.” Or else, this story might have turned out very much different. I had to throw in a little made-up lore on how you set blood wards on a house too to make it sentient. That proved to be a quite chilling piece of magic.   How personal is the story to you, and do you think that made it harder or easier to write? I love old houses. Exploring abandoned houses, going inside to see what remains of furniture, tapestries and everything is so exciting. (It can also be dangerous, but that’s another matter). Such houses makes me feel .. nostalgic, plus I get those nice little shivers down your spine that is a little like a horror story. So, I wanted to use Grimmauld as a setting to explore that in a fic, to really dig into the aching loneliness of a lost house. The story came very quickly to me, so I guess that helped me.   What books or authors have influenced you? How do you think that shows in your writing? Big question there. Hmm, I think … it’s hard to say. I’m a reader, really, and I couldn’t easily pick apart any influences. Though I have to say that one of the things I enjoyed when reading ‘Two Steps From Hell’ was the attention to magic. I think it’s important to include spells, rituals and the use of magic in my fics, because that’s what sets it apart from a Muggle AU, for example. That’s an important part of the world-building.   Do people in your everyday life know you write fanfiction? My significant other knows. I didn’t tell him, but he found out for himself, probably by spying on me. When he told me, I almost couldn’t stop laughing, because he… erm, he said he had thought about reenacting a scene in my PWP ‘Twenty Points to Gryffindor’, where Severus shouts the title as he… well… you get the gist. If he had done that, I’d have had a heart attack. I would literally be dead. Instead, I laughed non stop for an hour.   How true for you is the notion of "writing for yourself"? Haha, so true. You spend all those hours in front of your laptop - and if I wasn't motivated by doing it for myself, I can’t even see how I’d force myself through all those hours. It’s fun, though. I do this because I love it.   How important is it for you to interact with your audience? How do you engage with them? Just at the point of publishing? Through social media? Very important. I'm on the publishing sites (visible interaction is why I prefer AO3 instead of FFnet) and on Facebook, mainly. I love feedback (as all authors do), and when people form theories or make comments, I get an insight into my own writing. I know how it’s going to pan out, but the audience doesn’t, and how they perceive things might be different from how I think it is. At times, it influences how I go forward, mostly because I need to add things, to explain what’s going on. What is the best advice you've received about writing? Don’t post until you know the ending, and remember: the devil on your left shoulder will be at war with the angel on the right side. Listen to the angel telling you to wait a little longer, and not to the devil chanting: ‘Post, post, post!’ In the end, of course, you’ll give in to the devil, regretting it until you’re done. What do you do when you hit writer's block? Read. Read a lot. And read some more. Has anything in real life trickled down into your writing? Certainly. I’m a foodie. For example, everything that Voldemort eats is stuff I love. His food habits are primarily mine, and I love cooking.   Do you have any stories in the works? Can you give us a teaser? It’s a short piece, maybe three or four chapters, with the title ‘Transference’. The point of departure from canon is during their time in the tent at DH. Hermione wakes up in a bed, in a room she doesn’t recognize, having no idea where she is, but she spots a large, moving picture on the drawer:  Feeling panic rising, she stared hard at the moving and smiling pictures, and her heart leapt into her throat, pulse hammering as she recognized herself in the largest picture. A slightly older Hermione, in a white wedding dress, kissing and laughing at someone who simply had to be a much younger Severus Snape. It had to be him: Long black hair, hooked nose, sallow skin - but then he looked so young, carefree and happy - expressions she had never seen on her dour Professor's face. Beside the picture, there were numerous cards, greetings and well-wishings for their wedding - the date an impossible 21 August 1982, and amongst the cards, the largest one stood out, the black ink showing an elegant handwriting: “Dear Hermione and Severus! Best wishes for your wedding, Lord Voldemort.” Any words of encouragement to other writers? Read and write, in that order. Don’t worry about trolls, because when you contribute something that you created, it makes you so much more than people spending their time just raining on anyone’s parade. You brought something new to the world, they’re just reacting to things. If someone accuses you of a self-insert, go ahead and lecture them on the intentional fallacy. I promise, you won’t regret looking it up. ;-)   And please, mind the normal physical limits when you’re writing smut. Unless you give the male a stamina potion or put him under the Imperius, it’s unlikely that his refractory period allows him to come five times in one hour. Realistic smut is so much more sexy, lol. Thanks again for speaking with us Ciule.

[alchemyist]

Book Series: RENEGADES TRILOGY by Marissa Meyer (2019)

Heroes against villains, like how it always should be.

I think the action scenes for this trilogy are very well-written— so if you are craving some teen action-packed series, I think this one does great to satisfy you! Plus, I love secret identities, superheroes and supervillains, etc. If these aspects attract you, say no more.

We were all villains in the beginning.

We were all heroes in the end.

In terms of plot:

In this dystopia, I really enjoyed the idea of superheroes and supervillains, especially when the main character is a villain (or supposed to be. Keep reading). The first book of the trilogy, Renegades, got me going because of the two main character’s secret identities, and their growing love toward each other despite the sides they are on, and their difference in beliefs. Sworn archenemies in their alter egos, they fall in love in their civilian forms, and the entire setup made me think about Miraculous Ladybug! <Spoiler!> reviews about the rest of the books below.

The intensity of each battle scene was epic enough, but the storyline was built up rather slowly. In the second book, Archenemies, we focus on developments and the edge of the discovery of each of the main character’s secrets. The final playout was extremely intense, I couldn’t put the book down. I was extremely disappointed–don’t get me wrong, it’s not about the book!– about how Nova, on the side of the villains, lost— AGAIN. I was so into the book and Nova herself and her origin that it made me rooting for villains, hoping they thrive and receive the justice they fought for– Marissa Meyer actually made me feel for the bad guys.

Then again, this sets off the third and final instalment, Supernova. Before reading the book, I have the feeling that it may be too much of a rush to the story. This seems like an impossible premise the author is trying to explore, and I’d like it if it spreads into few more books! I believe heroes and villains and their fight of dominance is very difficult to place, and is not at all easy to land a final, satisfying conclusion where both sides are happy.

This final book unhinged me before I got to the last part of the book. I was eager to read each page, and the story was pretty climatic as events unfold and secrets are unveiled– but that’s the thing, it is rushed, and I feel like the secrets were revealed in a very undramatic way… possibly too uneventful for the entire trilogy because the story has, after all, been revolving around their secrets. I am quite disappointed by the reveal of their secrets, but otherwise overall, the third book, Supernova, the very title of this post itself, is by far the book I enjoy most in the trilogy.

As mentioned previously, I was curious to see where Marissa Meyer will take this book, but unfortunately, it sort of let me down when Nova eventually decided to kill one of her own, stopping the very family she has. I mean, she isn’t at all cut out to be a villain in the beginning, but is that all really necessary? I feel like it is her undoing, the beginning of how she is going to grow and live as a character, yet no emphasis was given. Do heroes always win? It was rather unnerving to see Captain Chromium being invincible at all costs, and rather upset when in the end, the anarchists were the villains, always were and always will be. I’d have thought there will be some values, given how they have been oppressed by the Renegades who, in fact, are all the people claiming great power.

That’s how all books should end, right? With villains at the losing side, and heroes who always surpass everyone and are the role models of society? This particularly got on my nerve when Danna, a character from the book, was threatening the Rejects and the runaway villains with sheer power of the oppressive force of heroism. I felt like this could’ve been done better, because if it’s about finding a way for all prodigies to live together, I think she could have just said in a nicer way that they should lay low first, instead of simply stating, the heroes will always win, and will take you down any day. And at that point, I thought I would be so disappointed with the ending. I especially felt the message was kind of forced and delivered the hard way, making the books kind of turn into something I would drop...

Wrong. The author once again has me surprised. Sure, I was growing disappointed toward the end because I felt like the heroes will always win (excuse me, but I do find circumstances where the bad guys thrive) no matter what. And, hey, isn’t the book trying to imply the system with Renegades in rule is kind of messed up? And to which the world is better off without heroes at all? The most disappointing part was, however, when Max was the one who saves the day– I know this kid is really powerful and all, but I was kind of hoping Nova discovers a hidden ability of some sort, something to do with the connection with her late father and all those star stuff (the cover, anyone?!). [Still disappointed how Nova FALLS to the good side like she always belong there, though. Shouldn’t this series be about how the lines of heroes and villains aren’t always clear? The notion should just be eradicated, instead of ending with “we are all heroes”.]

But really, overall, I was impressed with how the epilogue managed to turn and my entire view of the trilogy. I foolishly believed Marissa Meyer was not going to address the definite balance of the world, where when there are heroes, there will always be villains. When Captain Chromium has declared after the battle that “There were never villains to begin with”, I thought, how wrong! If that’s what the author is trying to convey, selling out that people can simply be good in the end after everything they’ve been through, that’s unrealistic and false hope. Nevertheless, fantastic Marissa Meyer got this all covered in a simple epilogue. She made my blood chill at the ending –Magpie is Evie, and the two long lost sisters will never know?!– and I was flipping the last page for the next chapter only to know it’s finished. The author handled the story perfectly as how I’d hoped: that in the end, there will always be evil lurking, and the best purity can never be achieved. After all, don’t we live in a world of Yin and Yang?

Characters:

Marissa Meyer’s diverse cast of characters are so amazing, and should be well accredited for! Like my childhood favorite author, Rick Riordan of Percy Jackson and many more, she made characters of different races, skin color, sickness, and various pairings with cannon homosexuality.

Each character also has their own significance, and she made us hate certain characters, which means good writing. The characters are diverse yet have a strong personality to themselves, making them unique. Girls know how to kick ass!

Overall, the entire cast is so lovable I really appreciate the diversity. Marissa Meyer should be celebrated for this.

[mattbrothersscriptwriter]

My Top 20 Films of 2019 - Part Two

I don’t think I’ve had a year where my top ten jostled and shifted as much as this one did - these really are the best of the best and my personal favourites of 2019.

10. Toy Story 4

I think we can all agree that Toy Story 3 was a pretty much perfect conclusion to a perfect trilogy right? About as close as is likely to get, I’m sure. I shared the same trepidation when part four was announced, especially after some underwhelming sequels like Finding Dory and Cars 3 (though I do have a lot of time for Monsters University and Incredibles 2). So maybe it’s because the odds were so stacked against this being good but I thought it was wonderful. A truly existential nightmare of an epilogue that does away with Andy (and mostly kids altogether) to focus on the dreams and desires of the toys themselves - separate from their ‘duties’ as playthings to biological Gods. What is their purpose in life without an owner? Can they be their own person and carve their own path? In the case of breakout new character Forky (Tony Hale), what IS life? Big big questions for a cash grab kids films huh?

The animation is somehow yet another huge leap forward (that opening rainstorm!), Bo Peep’s return is excellently pitched and the series tradition of being unnervingly horrifying is back as well thanks to those creepy ventriloquist dolls! Keanu Reeves continues his ‘Keanuassaince‘ as the hilarious Duke Caboom and this time, hopefully, the ending at least feels finite. This series means so much to me: I think the first movie is possibly the tightest, most perfect script ever written, the third is one of my favourites of the decade and growing up with the franchise (I was 9 when the first came out, 13 for part two, 24 for part three and now 32 for this one), these characters are like old friends so of course it was great to see them again. All this film had to do was be good enough to justify its existence and while there are certainly those out there that don’t believe this one managed it, I think the fact that it went as far as it did showed that Pixar are still capable of pushing boundaries and exploring infinity and beyond when they really put their minds to it.

9. The Nightingale

Hoo boy. Already controversial with talk of mass walkouts (I witnessed a few when this screened at Sundance London), it’s not hard to see why but easy to understand. Jennifer Kent (The Babadook) is a truly fearless filmmaker following up her acclaimed suburban horror movie come grief allegory with a period revenge tale set in the Tasmanian wilderness during British colonial rule in the early 1800s. It’s rare to see the British depicted with the monstrous brutality for which they were known in the distant colonies and this unflinching drama sorely needed an Australian voice behind the camera to do it justice.

The film is front loaded with some genuinely upsetting, nasty scenes of cruel violence but its uncensored brutality and the almost casual nature of its depiction is entirely the point - this was normalised behaviour over there and by treating it so matter of factly, it doesn’t slip into gratuitous ‘movie violence’. It is what it is. And what it is is hard to watch. If anything, as Kent has often stated, it’s still toned down from the actual atrocities that occurred so it’s a delicate balance that I think Kent more than understands. Quoting from an excellent Vanity Fair interview she did about how she directs, Kent said “I think audiences have become very anaesthetised to violence on screen and it’s something I find disturbing... People say ‘these scenes are so shocking and disturbing’. Of course they are. We need to feel that. When we become so removed from violence on screen, this is a very irresponsible thing. So I wanted to put us right within the frame with that person experiencing the loss of everything they hold dear”. 

Aisling Franciosi is next level here as a woman who has her whole life torn from her, leaving her as nothing but a raging husk out for vengeance. It would be so easy to fall into odd couple tropes once she teams up with reluctant native tracker Billy (an equally impressive newcomer, Baykali Ganambarr) but the film continues to stay true to the harsh racism of the era, unafraid to depict our heroine - our point of sympathy - as horrendously racist towards her own ally. Their partnership is not easily solidified but that makes it all the stronger when they star to trust each other. Sam Claflin is also career best here, weaponizing his usual charm into dangerous menace and even after cementing himself as the year’s most evil villain, he can still draw out the humanity in such a broken and corrupt man.

Gorgeously shot in the Academy ratio, the forest landscape here is oppressive and claustrophobic. Kent also steps back into her horror roots with some mesmerising, skin crawling dream scenes that amplify the woozy nightmarish tone and overbearing sense of dread. Once seen, never forgotten, this is not going to be everyone’s cup of tea (and that’s fine) but when cinema can affect you on such a visceral level and be this powerful, reflective and honest about our own past, it’s hard to ignore. Stunning.

8. The Irishman

Aka Martin Scorsese’s magnum opus, I did manage to see this one in a cinema before the Netflix drop and absolutely loved it. I’ve watched 85 minute long movies that felt longer than this - Marty’s mastery of pace, energy and knowing when to let things play out in agonising detail is second to none. This epic tale of  the life of Frank Sheeran (Robert De Niro) really is the cinematic equivalent of having your cake and eating it too, allowing Scorsese to run through a greatest hits victory lap of mobster set pieces, alpha male arguments, a decades spanning life story and one (last?) truly great Joe Pesci performance before simply letting the story... continue... to a natural, depressing and tragic ending, reflecting the emptiness of a life built on violence and crime.

For a film this long, it’s impressive how much the smallest details make the biggest impacts. A stammering phone call from a man emotionally incapable of offering any sort of condolence. The cold refusal of forgiveness from a once loving daughter. A simple mirroring of a bowl of cereal or a door left slightly ajar. These are the parts of life that haunt us all and it’s what we notice the most in a deliberately lengthy biopic that shows how much these things matter when everything else is said and done. The violence explodes in sudden, sharp bursts, often capping off unbearably tense sequences filled with the everyday (a car ride, a conversation about fish, ice cream...) and this contrast between the whizz bang of classic Scorsese and the contemplative nature of Silence era Scorsese is what makes this film feel like such an accomplishment. De Niro is FINALLY back but it’s the memorably against type role for Pesci and an invigorated Al Pacino who steals this one, along with a roll call of fantastic cameos, with perhaps the most screentime given to the wonderfully petty Stephen Graham as Tony Pro, not to mention Anna Paquin’s near silent performance which says more than possibly anyone else. 

Yes, the CG de-aging is misguided at best, distracting at worst (I never really knew how old anyone was meant to be at any given time... which is kinda a problem) but like how you get used to it really quickly when it’s used well, here I kinda got past it being bad in an equally fast amount of time and just went with it. Would it have been a different beast had they cast younger actors to play them in the past? Undoubtedly. But if this gives us over three hours of Hollywood’s finest giving it their all for the last real time together, then that’s a compromise I can live with.

7. The Last Black Man in San Francisco

Wow. I was in love with this film from the moving first trailer but then the film itself surpassed all expectations. This is a true indie film success story, with lead actor Jimmie Fails developing the idea with director Joe Talbot for years before Kickstarting a proof of concept and eventually getting into Sundance with short film American Paradise, which led to the backing of this debut feature through Plan B and A24. The deeply personal and poetic drama follows a fictionalised version of Jimmie, trying to buy back an old Victorian town house he claims was built by his grandfather, in an act of rebellion against the increasingly gentrified San Francisco that both he and director Talbot call home.

The film is many things - a story of male friendship, of solidarity within our community, of how our cities can change right from underneath us - it moves to the beat of it’s own drum, with painterly cinematography full of gorgeous autumnal colours and my favourite score of the year from Emile Mosseri. The performances, mostly by newcomers or locals outside of brilliant turns from Jonathan Majors, Danny Glover and Thora Birch, are wonderful and the whole thing is such a beautiful love letter to the city that it makes you ache for a strong sense of place in your own home, even if your relationship with it is fractured or strained. As Jimmie says, “you’re not allowed to hate it unless you love it”.

For me, last year’s Blindspotting (my favourite film of the year) tackled gentrification within California more succinctly but this much more lyrical piece of work ebbs and flows through a number of themes like identity, family, memory and time. It’s a big film living inside a small, personal one and it is not to be overlooked.

6. Little Women

I had neither read the book nor seen any prior adaptation of Louisa May Alcott’s 1868 novel so to me, this is by default the definitive telling of this story. If from what I hear, the non linear structure is Greta Gerwig’s addition, then it’s a total slam dunk. It works so well in breaking up the narrative and by jumping from past to present, her screenplay highlights certain moments and decisions with a palpable sense of irony, emotional weight or knowing wink. Getting to see a statement made with sincere conviction and then paid off within seconds, can be both a joy and a surefire recipe for tears. Whether it’s the devastating contrast between scenes centred around Beth’s illness or the juxtaposition of character’s attitudes to one another, it’s a massive triumph. Watching Amy angrily tell Laurie how she’s been in love with him all her life and then cutting back to her childishly making a plaster cast of her foot for him (’to remind him how small her feet are’) is so funny. 

Gerwig and her impeccable cast bring an electric energy to the period setting, capturing the big, messy realities of family life with a mix of overwhelming cross-chatter and the smallest of intimate gestures. It’s a testament to the film that every sister feels fully serviced and represented, from Beth’s quiet strength to Amy’s unforgivable sibling rivalry. Chris Cooper’s turn as a stoic man suffering almost imperceptible grief is a personal heartbreaking favourite. 

The book’s (I’m assuming) most sweeping romantic statements are wonderfully delivered, full of urgent passion and relatable heartache, from Marmie’s (Laura Dern) “I’m angry nearly every day of my life” moment to Jo’s (Saoirse Ronan) painful defiance of feminine attributes not being enough to cure her loneliness. The sheer amount of heart and warmth in this is just remarkable and I can easily see it being a film I return to again and again.

5. Booksmart

2019 has been a banner year for female directors, making their exclusion from some of the early awards conversations all the more damning. From this list alone, we have Lulu Wang, Jennifer Kent and Greta Gerwig. Not to mention Lorene Scafaria (Hustlers), Melina Matsoukas (Queen & Slim), Jocelyn DeBoer & Dawn Luebbe (Greener Grass), Sophie Hyde (Animals) and Rose Glass (Saint Maud - watch out for THIS one in 2020, it’s brilliant). Perhaps the most natural transition from in front of to behind the camera has been made by Olivia Wilde, who has created a borderline perfect teen comedy that can make you laugh till you cry, cry till you laugh and everything in-between.

Subverting the (usually male focused) ‘one last party before college’ tropes that fuel the likes of Superbad and it’s many inferior imitators, Booksmart follows two overachievers who, rather than go on a coming of age journey to get some booze or get laid, simply want to indulge in an insane night of teenage freedom after realising that all of the ‘cool kids’ who they assumed were dropouts, also managed to get a place in all of the big universities. It’s a subtly clever remix of an old favourite from the get go but the committed performances from Kaitlyn Dever and Beanie Feldstein put you firmly in their shoes for the whole ride. 

It’s a genuine blast, with big laughs and a bigger heart, portraying a supportive female friendship that doesn’t rely on hokey contrivances to tear them apart, meaning that when certain repressed feelings do come to the surface, the fallout is heartbreaking. As I stated in a twitter rave after first seeing it back in May, every single character, no matter how much they might appear to be simply representing a stock role or genre trope, gets their moment to be humanised. This is an impeccably cast ensemble of young unknowns who constantly surprise and the script is a marvel - a watertight structure without a beat out of place, callbacks and payoffs to throwaway gags circle back to be hugely important and most of all, the approach taken to sexuality and representation feels so natural. I really think it is destined to be looked back on and represent 2019 the way Heathers does ‘88, Clueless ‘95 or Easy A 2010. A new high benchmark for crowd pleasing, indie comedy - teen or otherwise.

4. Ad Astra

Brad Pitt is one of my favourite actors and one who, despite still being a huge A-lister even after 30 years in the game, never seems to get enough credit for the choices he makes, the movies he stars in and also the range of stories he helps produce through his company, Plan B. 2019 was something of a comeback year for Pitt as an actor with the insanely measured and controlled lead performance seen here in Ad Astra and the more charismatic and chaotic supporting role in Once Upon a Time... in Hollywood.

I love space movies, especially those that are more about broken people blasting themselves into the unknown to search for answers within themselves... which manages to sum up a lot of recent output in this weirdly specific sub-genre. First Man was a devastating look at grief characterised by a man who would rather go to a desolate rock than have to confront what he lost, all while being packaged as a heroic biopic with a stunning score. Gravity and The Martian both find their protagonists forced to rely on their own cunning and ingenuity to survive and Interstellar looked at the lengths we go to for those we love left behind. Smaller, arty character studies like High Life or Moon are also astounding. All of this is to say that Ad Astra takes these concepts and runs with them, challenging Pitt to cross the solar system to talk some sense into his long thought dead father (Tommy Lee Jones). But within all the ‘sad dad’ stuff, there’s another film in here just daring you to try and second guess it - one that kicks things off with a terrifying free fall from space, gives us a Mad Max style buggy chase on the moon and sidesteps into horror for one particular set-piece involving a rabid baboon in zero G! It manages to feel so completely nuts, so episodic in structure, that I understand why a lot of people were turned off - feeling that the overall film was too scattershot to land the drama or too pondering to have any fun with. I get the criticisms but for me, both elements worked in tandem, propelling Pitt on this (assumed) one way journey at a crazy pace whilst sitting back and languishing in the ‘bigger themes’ more associated with a Malik or Kubrick film. Something that Pitt can sell me on in his sleep by this point.

I loved the visuals from cinematographer Hoyte van Hoytema (Interstellar), loved the imagination and flair of the script from director James Gray and Ethan Gross and loved the score by Max Richter (with Lorne Balfe and Nils Frahm) but most of all, loved Pitt, proving that sometimes a lot less, is a lot more. The sting of hearing the one thing he surely knew (but hoped he wouldn’t) be destined to hear from his absent father, acted almost entirely in his eyes during a third act confrontation, summed up the movie’s brilliance for me - so much so that I can forgive some of the more outlandish ‘Mr Hyde’ moments of this thing’s alter ego... like, say, riding a piece of damaged hull like a surfboard through a meteor debris field! 

3. Avengers: Endgame

It’s no secret that I think Marvel, the MCU in particular, have been going from strength to strength in recent years, slowly but surely taking bigger risks with filmmakers (the bonkers Taika Waititi, the indie darlings of Ryan Coogler, Cate Shortland and Chloe Zhao) whilst also carefully crafting an entertaining, interconnected universe of characters and stories. But what is the point of building up any movie ‘universe’ if you’re not going to pay it off and Endgame is perhaps the strongest conclusion to eleven years of movie sequels that fans could have possibly hoped for.

Going into this thing, the hype was off the charts (and for good reason, with it now being the highest grossing film of all time) but I remember souring on the first entry of this two-parter, Infinity War, during the time between initial release and Endgame’s premiere. That film had a game-changing climax, killing off half the heroes (and indeed the universe’s population) and letting the credits role on the villain having achieved his ultimate goal. It was daring, especially for a mammoth summer blockbuster but obviously, we all knew the deaths would never be permanent, especially with so many already-announced sequels for now ‘dusted’ characters. However, it wasn’t just the feeling that everything would inevitably be alright in the end. For me, the characters themselves felt hugely under-serviced, with arguably the franchise’s main goody two shoes Captain America being little more than a beardy bloke who showed up to fight a little bit. Basically what I’m getting at is that I felt Endgame, perhaps emboldened by the giant runtime, managed to not only address these character slights but ALSO managed to deliver the most action packed, comic booky, ‘bashing your toys together’ final fight as well.

It’s a film of three parts, each pretty much broken up into one hour sections. There’s the genuinely new and interesting initial section following our heroes dealing with the fact that they lost... and it stuck. Thor angrily kills Thanos within the first fifteen minutes but it’s a meaningless action by this point - empty revenge. Cutting to five years later, we get to see how defeat has affected them, for better or worse, trying to come to terms with grief and acceptance. Cap tries to help the everyman, Black Widow is out leading an intergalactic mop up squad and Thor is wallowing in a depressive black hole. It’s a shocking and vibrantly compelling deconstruction of the whole superhero thing and it gives the actors some real meat to chew on, especially Robert Downy Jr here who goes from being utterly broken to fighting within himself to do the right thing despite now having a daughter he doesn’t want to lose too. Part two is the trip down memory lane, fan service-y time heist which is possibly the most fun section of any of these movies, paying tribute to the franchise’s past whilst teetering on a knife’s edge trying to pull off a genuine ‘mission impossible’. And then it explodes into the extended finale which pays everyone off, demonstrates some brilliantly imaginative action and sticks the landing better than it had any right to. In a year which saw the ending of a handful of massive geek properties, from Game of Thrones to Star Wars, it’s a miracle even one of them got it right at all. That Endgame managed to get it SO right is an extraordinary accomplishment and if anything, I think Marvel may have shot themselves in the foot as it’s hard to imagine anything they can give us in the future having the intense emotional weight and momentum of this huge finale.

2. Knives Out

Rian Johnson has been having a ball leaping into genre sandpits and stirring shit up, from his teen spin on noir in Brick to his quirky con man caper with The Brothers Bloom, his time travel thriller Looper and even his approach to the Star Wars mythos in The Last Jedi. Turning his attention to the relatively dead ‘whodunnit’ genre, Knives Out is a perfect example of how to celebrate everything that excites you about a genre whilst weaponizing it’s tropes against your audience’s baggage and preconceptions.

An impeccable cast have the time of their lives here, revelling in playing self obsessed narcissists who scramble to punt the blame around when the family’s patriarch, a successful crime novelist (Christopher Plummer), winds up dead. Of course there’s something fishy going on so Daniel Craig’s brilliantly dry southern detective Benoit Blanc is called in to investigate.There are plenty of standouts here, from Don Johnson’s ignorant alpha wannabe Richard to Michael Shannon’s ferocious eldest son Walt to Chris Evan’s sweater wearing jock Ransom, full of unchecked, white privilege swagger. But the surprise was the wholly sympathetic, meek, vomit prone Marta, played brilliantly by Ana de Armas, cast against her usual type of sultry bombshell (Knock Knock, Blade Runner 2049), to spearhead the biggest shake up of the genre conventions. To go into more detail would begin to tread into spoiler territory but by flipping the audience’s engagement with the detective, we’re suddenly on the receiving end of the scrutiny and the tension derived from this switcheroo is genius and opens up the second act of the story immensely.

The whole thing is so lovingly crafted and the script is one of the tightest I’ve seen in years. The amount of setup and payoff here is staggering and never not hugely satisfying, especially as it heads into it’s final stretch. It really gives you some hope that you could have such a dense, plotty, character driven idea for a story and that it could survive the transition from page to screen intact and for the finished product to work as well as it does. I really hope Johnson returns to tell another Benoit Blanc mystery and judging by the roaring box office success (currently over $200 million worldwide for a non IP original), I certainly believe he will.

1. Eighth Grade

My film of the year is another example of the power of cinema to put us in other people’s shoes and to discover the traits, fears, joys and insecurities that we all share irregardless. It may shock you to learn this but I have never been a 13 year old teenage girl trying to get by in the modern world of social media peer pressure and ‘influencer’ culture whilst crippled with personal anxiety. My school days almost literally could not have looked more different than this (less Instagram, more POGs) and yet, this is a film about struggling with oneself, with loneliness, with wanting more but not knowing how to get it without changing yourself and the careless way we treat those with our best interests at heart in our selfish attempt to impress peers and fit in. That is understandable. That is universal. And as I’m sure I’ve said a bunch of times in this list, movies that present the most specific worldview whilst tapping into universal themes are the ones that inevitably resonate the most.

Youtuber and comedian Bo Burnham has crafted an impeccable debut feature, somehow portraying a generation of teens at least a couple of generations below his own, with such laser focused insight and intimate detail. It’s no accident that this film has often been called a sort of social-horror, with cringe levels off the charts and recognisable trappings of anxiety and depression in every frame. The film’s style services this feeling at every turn, from it’s long takes and nauseous handheld camerawork to the sensory overload in it’s score (take a bow Anna Meredith) and the naturalistic performances from all involved. Burnham struck gold when he found Elsie Fisher, delivering the most painful and effortlessly real portrayal of a tweenager in crisis as Kayla. The way she glances around skittishly, the way she is completely lost in her phone, the way she talks, even the way she breathes all feeds into the illusion - the film is oftentimes less a studio style teen comedy and more a fly on the wall documentary. 

This is a film that could have coasted on being a distant, social media based cousin to more standard fare like Sex Drive or Superbad or even Easy A but it goes much deeper, unafraid to let you lower your guard and suddenly hit you with the most terrifying scene of casually attempted sexual aggression or let you watch this pure, kindhearted girl falter and question herself in ways she shouldn’t even have to worry about. And at it’s core, there is another beautiful father/daughter relationship, with Josh Hamilton stuck on the outside looking in, desperate to help Kayla with every fibre of his being but knowing there are certain things she has to figure out for herself. It absolutely had me and their scene around a backyard campfire is one of the year’s most touching.

This is a truly remarkable film that I think everyone should seek out but I’m especially excited for all the actual teenage girls who will get to watch this and feel seen. This isn’t about the popular kid, it isn’t about the dork who hangs out with his or her own band of misfits. This is about the true loner, that person trying everything to get noticed and still ending up invisible, that person trying to connect through the most disconnected means there is - the internet - and everything that comes with it. Learning that the version of yourself you ‘portray’ on a Youtube channel may act like they have all the answers but if you’re kidding yourself then how do you grow? 

When I saw this in the cinema, I watched a mother take her seat with her two daughters, aged probably at around nine and twelve. Possibly a touch young for this, I thought, and I admit I cringed a bit on their behalf during some very adult trailers but in the end, I’m glad their mum decided they were mature enough to see this because a) they had a total blast and b) life simply IS R rated for the most part, especially during our school years, and those girls being able to see someone like Kayla have her story told on the big screen felt like a huge win. I honestly can’t wait to see what Burnham or Fisher decide to do next. 2019 has absolutely been their year... and it’s been a hell of a year.

[burritodetodo]

Burrito’s Guide To Survive Coronavirus Quarantine

We got to keep social distance (1 or 2 meters each other) or stay home during coronavirus outbreak so I thought I can share with y’all some things I’m gonna watch or do doing quarantine (this is a very long post, REBLOGS ARE VERY MUCH APPRECIATED!).

BUT FIRST SOME RULES:

Wash your hands: do it for 20 seconds or a while, but ALWAYS do it. It prevents the virus from spreading. If you don’t have sanitizer, water and soap! The cheapest and best ally against the disease.

Buy everything you need: if you can, try to buy stuff so you can stay some days at home. If the place is crowded, go back home and come later when it’s more empty. Same as medicine.

You can go for a walk: stay at home all day can be overwhelming for your mental health, but unless the goverment puts a curfew or gets strict about it you can go walk outside for a while always respecting the 1 or 2 meters from other people and without making contact (chatting) with other people. This ain’t my rule, a CDC professional says. DON’T go visit your friends or to crowded places such as bars, restaurants, shoppings, etc. If you want to buy something, ask for delivery or take away.

If you have coronavirus sympthoms (high fever, diarrhea, cough, feeling tired, breath difficulties) DON’T GO TO THE HOSPITAL YET, CALL TO YOUR PUBLIC HEALTH ORGANISATION OR WHATEVER YOU GOT AND THEY’LL TREAT YOU.

(credits to whoever made this meme)

SO YOUR LIFE IS ON QUARANTINE

Let’s say your boss or your school told you can stay at home. Okay then, you gotta prepare for some days inside *Isolation by John Lennon plays in the distance*. The first thing you think is you have to prepare a batch of series and movies to watch in order to kill some time. I’m gonna recommend you some you can find on VOD or cable, if you don’t have it don’t worry because I got you covered!

Infinity Train: a yet two seasons saga about people who got to face their problems aboard an endless train. The protagonists are joined by creatures who have different nature and help them, or not, to acknowledge their issues and leave the train. It’s on CN, it will continue on HBO Max.

The Owl House: a teen girl who daydream a lot was going to be sent to a down-to-earth camp but then she crosses a portal to the Boiling Isles, a magical world where she is taken care by a powerful Owl witch/saleswoman and her adorable demon. Lots of fantasy, some action scenes and many many puns. It’s on Disney Channel, it’ll be on Disney+ in some weeks.

Primal: Genndy Tartakovsky delighted us with the alliance of a caveman and a dinosaur, two rivals in a wild world who ally after facing a devastating event. It IS brutal and beatiful, has no dialogue and keeps you watching closely. Five final episodes are set to premiere this year. It’s on Adult Swim, maybe on HBO Max.

Tuca and Bertie: for the critics, one of 2019 best shows. For Netflix, a show that had to be cut off because the studio unionized. Two friends in their late 20s face changes in their lives: from living with a boyfriend and plan a life to look a way to stay sober and get a job. Deals with trauma, ptsd, anxiety and more harsh moments very well. In fact, the creator is a vital part of Bojack Horseman! It’s on Netflix.

Aggretsuko: red pandas are cute eh? But what about a antopomorphic red panda who releases her anger and frustrations by singing at a karaoke? This awesome comedy by Sanrio & Netflix is one of anime’s big hits lately. Like T&B, has a good handle of adult problems but not going too deep just to not break the comedy. You can watch it on Netflix.

Regular Show: yeah-uuuuhhhh! Eight seasons, a movie, five Halloween specials and some others. The adventures of a racoon and a blue jay with their co-workers/friends that relies on psychadellia and 80s and 90s nostalgia. It begins good, gets better, then lowers the quality (they were producing the movie at the same time tho, give some credit) and with and after the movie ends awesome. It’s on CN web, dunno if on Hulu (US only) and proably on HBO Max.

Evangelion: it’s a classic at this point, but addictive to me because I end rewatching the series or the final movie many times. A post apocalyptic future where the world has to deal with strange creatures known as the Angels and a boy with lots of traumas has to get on a mecha to save the humankind. All the characters have traumas and issues, the interaction between them or the action makes it worth. The End of Evangelion is a movie that ends the unfinished series. Warning: at some point it becomes very twisted and there are scenes which are too much violent. Viewer disclosure etc. It’s on Netflix worldwide.

Steven Universe & SU Future: this is the tale of the gem boy who ends a galactical tyranny and brings democracy to the universe. A acclaimed show that broke through many topics like gender, identity, ptsd, relationships and many more. Besides it’s got the best scores of the Milky Way and beyond thanks to the talent of Rebecca Sugar, Aivi Tran and Surasshu. And the actors and acrtresses! I don’t forget the movie, a musical that is an introduction to the epilogue: Shippuden Future. The show is available on CN and will be on HBO Max. Worldwide? No news.

Adventure Time: something that began as an innocent boy and a magical dog having adventures in a post apocalyptic world turns into the journey of Finn Metens from childhood to almost adulthood. There is a lot of fantasy and comedy you enjoy, but there are dark moments and serious ones through S6 that find a balance with early seasons form S7 to the finale. It also has great music, memorable moments and colaborations. And guess what? There is going to be a special set to premiere on HBO Max in some weeks! You got plenty of time to catch up or rewatch before that on CN or only (!!) S5 on Netflix.

Final Space: a dude tries to save the universe with their friends, where we can find his love interest, a cat-man and his kitten son, a intersexual alien, an AI then robot that is the best of them, two particular siblings and an annoying bot that prevents insanity that makes you insane. Crazy adventures in space, lots of situations, sadness, an evil smol bean who is a space emperor, a dude who looks for revenge, space deities that can destroy the universe. Is this a lot or info? It is not, because there is more and you can watch it on TBS, Adult Swim and Netflix (the world except US).

Rick and Morty: the most powerful, smartest human in the universe has adventures with his grandson. It’s awesome, but has a very toxic fanbase. Anyway, you can enjoy it on Adult Swim or Netflix (which is up to date!) and the rest of S4 is set someday.

Bojack Horseman: a Hollywood satire about human relationships, fame, traumas with a pour of comedy. Alongside the previous series, the best adult animation of the decade. Sadly cut by Netflix because the studio unionized (see T&B), said by both the creator and Aaron Paul. You can watch the six amazing seasons on that platform.

I’m not an animated movies guy, but here are three I really like and you can watch:

Porco Rosso: a handsome Italian combat aviator turned magically to a pig has a face off with an American pilot hired by pirates to get rid of him before WWII in Fascist Italy. It’s entertaining and, like every Ghibli movie, nice to watch. It’s on Netflix and will be on HBO Max for US.

Lego Batman Movie: Batman is depressed and has to get over it. It’s wacky and has lots of comedy. Plus Will Arnett is top 3 Batman. On Netflix (Latinamerica).

Spiderverse: Oscar winner movie about your friendly neighbour Peter Parker Miles Morales. Miles sees Spiderman die and feels bad after being transfered to a private school. Then a radioactive spider from a Fisk compound bites Miles and he’s Spiderman... among other dimensions’ Spiderpeople: Gwen, Peni, Peter Parker, Noir and Peter Porker. It’s visually amazing. On US it’s on Netflix (I guess), on Latinamerica on HBO.

Some interesting live actions I watched lately

Atlanta: Donald Glover is Earn, a dude who struggles to find a job for her baby girld and sees an opportunity when his cousin, Paper Boi, has a hit and uses him to make his cos famous. Sometimes a comedy, sometimes a social satire with touches of drama. And all protagonists are now big shots, like Zazie Beetz, Brian Tyree Henry or Lakeith Stanfield. There are two seasons and two seasons set for 2021 (2022 possible beacuse of coronavirus). It’s on FX, Hulu (US) and Netflix (world)

Avenue 5: this is brand new. On 2060 space cruises are a thing, and one cruise (the Avenue 5) has an accident that leaves the crew and passangers stranded for years. The captain (Hugh Laurie) has to solve this shit with a bunch of incompetent crew, bosses like Judd (Josh Gad), except one female engeneer who is very smart. Lots of crazy things happen in this series from the creator behind Veep. It’s on HBO (it’s free in the US!).

Peaky Blinders: it has some years but damn it’s epic. A gang from Birmingham makes their way to the top during the late 1910s after the Great War and extends through the 1920s. S5 is right in the ascension of fascism in Britain. ALL THE CAST acts spectacular, names like Cillian Murphy, Tom Hardy, Anna Taylor-Joy and a long etc. But my fave is Paul Anderson, that ultra violent junkie Arthur Shelby is splendid, then is Tommy and aunt Pol, the baddest badass woman in Britain. Blinders is going to have seven seasons, there are two left. You can watch it on BBC or Netflix.

Sex Education: speaking of Britain, excellent teen comedy. Horny, doubtful teenagers going through those hard years. Stories of sex (duh!), abuse situations, abortion, there are gay relationships either, Gillian Anderson! It’s on Netflix, go go go!

Watchmen: despite not having Alan Moore on board, Damien Lindeloff did a tremendous job with the comic. Way better and less misleading than Zack Snyder’s 2009 film, Watchmen is again at the gates of the world’s end (like today) and handles the problem of racism and white supremacy quite well. Just 9 episodes, but worth to watch. On HBO.

CAOS: Sabrina the Teenage Witch is over. Warner and Netflix made a revival of the Archie Comics character and brought her to XXI Century. But gorier, hornier, dark and magical than the nice 90s sitcom. Sabrina Spellman goes from a doubtful teen who has to decide if she has to be a witch or a powerless woman to rule Hell. How she does it? Find out on Netflix! Note: S1 and 2 take some episodes to start properly. Don’t get bored too easy.

There are A LOT MORE to recommend and I make a list: Harley Quinn (DC Universe), OK KO (Hulu -US only-), House MD, Young Justice (DC Universe/Netflix), Ken Burns’ documentaries (Netflix), Titans (DCU), Over The Garden Wall (CN), Seis Manos (Netflix), Thundercats Roar (CN), Easy (Netflix), GLOW (Netflix), Star Trek Discovery (CBS, Netflix) and Picard (CBS, Amazon Prime), etc.

- You named cool shows, but I’m not from the United States or I don’t have a subscription to (insert VOD here) because I can’t afford it

- Glad you asked, I have the answer here

Introducing Stremio. It’s an open source platform where you can watch shows, movies or even live TV on Windows, Linux, Apple or Android. You create an account, install some addons and start looking for what you want to watch.

Stremio is based on torrents, you should install addons from many known torrent sites. So maybe you find an old show, but there aren’t many seeds to watch. And it could be frustraiting, so make sure there are people sharing so you can watch it.

You can download Stremio here and check the FAQs which is very clear.

NOTE: Stremio is note quite “clean” way to watch, but if you do please support the shows you watch by posting, commenting about them, making memes, thanking the creators and crew for their work, buying merchandise if you can. They put a lot to make the shows we love, let’s give ‘em back that love and effort.

You’re tired of the same music, the same movies or need to leave something to make company? There is Vaughn Live, a streaming page where are lots of channels with movies and series on strem (not VOD). For example, there is a channel that streams Adventure Time, other Regular Show, other Sci-Fi shows, another with DBZ and so on. Take in count that if the channel has +70 viewers, the free access is cut and if you want to watch it you have to pay.

En Vaughn también hay canales en español, como Simpsonmanía, Dragon Ball, Futurama, dibujos viejos y muchísimo más. Anyway, go to https://vaughn.live/ and enjoy yourselves!

Y hablando de canales en español, pueden ir a SeriesLan donde está el mayor reservorio conocido de series animadas de entre 1960 a 2010 en español latino. Pueden encontrar tesoros desde Don Gato, los Halcones Galácticos o Street Sharks a Flapjack y Mechas XLR. Otra alternativa para que pasen el rato.

Some interesting facts:

Epic Games releases a free game per week in their store. This week will be two games. You can check in https://www.epicgames.com

Steam has good prices on games and some free ones. There even is the latest Football Manager for free until March 25th. Check on https://store.steampowered.com/

If you’re interested,

I got this playlist I made on Spotify

with songs I liked in more than one year. More than 1200 songs.

And that’s pretty much it! You got resources for a lot of days, 14 initially since that’s the quarantine time in my country. Remember: obey the indications of the Health authorities, this is no time to play the “fuck the goverment” game. We will overcome this pandemy together, helping and caring for each other. That’s why I did this guide, to keep your minds busy in these tough times! Wash your hands, keep social distance, stay at home, go outside if necessary and have some patience please. This has been a PSA.

Stay strong!

Burrito

[popculturebuffet]

The Life and Times of Scrooge McDuck: The Last of the Clan McDuck!  Review “It Was Worth THE Dime”

This is one of my faviorite comic book stories of all time. Given i’m a massive comics nerd, for both books and strips, that is the highest praise I can give this wonderful, epic, beautifully drawn and deeply emotoinal story. I first discovered it in the local library that had the second volume, and found the rest online at a now long dead fan site. And while it took me longer than I care to admit to really dig into Duck Comics, and even now i’ve only scratched the surface, I can say without a doubt this story is the reason I’m so deeply attached to Scrooge as a character, and that I was excited as  I was for Ducktales 2017. This comic showed me just what Scrooge McDuck should be at his core as a character, and showed me what a wonderful character that is. So with all that glowing praise as you can guess i’ve been wanting to cover this for years, and even considered though back when I was more primarily a comic book reviewer last year. Any time i’ve reviewed stuff before now, i’ve considered it, and with Scrooge’s Sisters Hortense and Matilda presumably and definitely debuting on Ducktales soon, and it’s about damn time, the timing could not be better or clearer to dig into this utter triumph.  But before we can take a look at the story itself we naturally have to take a look at the man behind it: Writer and Artist Don Rosa. Don Rosa is easily one of the best Duck Comics writer out there, seen by many as only second to his own faviorite duck comics writer and God of Ducks, Carl Barks. For those 1 of you who do not know, Barks was the man who created pretty much everything in the duck universe comics wise and a bit in animation too: He created Daisy, Scrooge, Gladstone, Magica, The Beagle Boys, The Junior Woodchucks, Gyro, Little Bulb, Glomgold, Rockerduck, and the list goes on. While he didn’t make EVERY duck, he made so many that it’d be impossible to imagine either version of Ducktales being possible without him.  So of course Rosa was a fan and while he took up the family buisness, he was also an artist and duck comics fanboy on the side. So when, even if it meant a paycut, the opportunity to actually write and draw them came up, he lept at it and thus became one of their publishers go to guys, even if said publisher published the stories overseas where the Duck Comics are far more popular and still going to this day, and ironically where most duck comics printed nowadays get their stories from. Rosa was known for his meticous historical research and gorgeous art that he took his time drawing to get just perfect and showed on the page. The man has easily some of hte best and most detailed duck art around and I still haven’t found a duck artist that can match him.. and if you have or found one close i’d genuinely love to see that. He is a genuinely talented, spirited guy who was sadly mistreated by disney and that, coupled with tragically failing eyesight, eventually ended his career. He’s still around and I genuinely hope to meet him some day as he still does conventions.  The man is not without fault: I don’t get his hatred of superhero comics, as while I get them overshadowing funnybooks and that around the time of his career they were in decline, but it’s just as unfair to write off Superhero comics as mindless.  garbage as it is for people to write off the Duck Comics as “only for kids” and I genuinely wish he’d see that and see how the medium has evolved so much since then. I also grumble a bit as his refusal to allow anything besides barks into his bubble, and having to be forced to include fethry on the family tree, but that’s more personal preference. I like using as much material as you got. IT’s why i’ve wanted to, and hopefully will eventually get around to, write a sonic fanfic using bits of all the various universes that for legal, ken penders being an absolute waste of a human being, and sega being stupid reasons can’t be used anymore. I like taking everything in a franchise and putting it in a blender and it’s why I love the reboot. But there’s nothing wrong with taking things as is, not stepping on toes canon wise, but still being awesome. We’re just diffrent people and that’s okay.  And a lot of his fanboy showing actually lead to REALLY good things: Goldie O’Gilt was a one off character, and while used ocasoinally overseas, didn’t really pick up as a character again until a combination of Ducktales 87 and Rosa’s work with her, as he always loved the character, and fleshing her out lead to her being used more, and gaining a sizeable fandom. He also gained the Cablleros an even bigger fandom by giving them two stories of their own, and fleshing them out a bit more.  And this very comic is the peak of that, taking EVERY mention of scrooge’s past from various backstories to set up adventures, every tiny scrap, and to his credit going to both Barks Himself and various other Barks Experts Rosa was friends with to check his work, especially difficult given he likey had to find these stories in issue or pullt hem from disney archives, and complied it into one long epic that not only uses all this info effortlessly, but spins a compelling story that gives us a clear vision of what Scrooge should be, how he became the man he is, and how he lost himself only to find himself again with the help of three precocious boys and a cynical 30 something duck. So taint all bad is what i’m saying.  As for how this got started, thankfully rosa himself provided the origin story for this project in the back of the volume of his works that contained the first 7 chapters of life and times, as well as detailed notes for every chapter. At the time Rosa was working for Egmont, the big european publisher who handles Disney’s much larger european comics market, hence why most of his stories appeared years earlier in Europe before debuting here. The american publisher at the time , and an old friend of his, called Rosa with an idea: A 12 issue Maxi-Series focusing on Scrooge’s history, since at the time they were all the rage.. and really even today mini series are still a viable market and many indie titles just have several minis instead of an ongoing. So it wasn’t a bad idea, Rosa just simply offered a tweak: He’d tell his publisher at Egmont about the idea, and let her get a crack team of writers and artists to do this proper, and thus Disney could publish it for free once it was done and for no extra cost. Rosa gave his publisher a fax detaling both the idea and the fact that it needed to be done right, given to the best person possible, and done with the greatest care. She agreed.. and naturally handed it to him, as he admits he hoped. She made the right call, a legend was born and here we are.  One last bit before the read more and before I get to the first story itself at last: Since barks wrote a lot of side stories that fit into the canon, I COULD slot them in between chapters, but have instead chosen to review the original 12 part story as was, and do the various side stories and two epilogues, the utterly fantastic “Dream of a Life Time”, easiliy one of my faviorite comics ever, and the also really great “Letter From Home”, which will likely on some level be the basis for the upcoming at the time of this review “Battle for Castle McDuck!”, after completing the story. In other words i’m probably going to be at this for years. so join me under the read more won’t you as I begin the journey of a thousand miles with a single step as we look at the humble start of a legend. 

We begin, after a fun short teaser with present Day scrooge saying his past is no one’s buisness only to get hit with an oh yeah?,  with a scrap book title for the issue, something I want to bring up since while I got that’s what it was what I never got, and  must’ve glanced over when I first read rosa’s notes when I got this copy, was that it isn’t SCROOGE’S scrap book, but his sister Matilda’s who dutifully and happily catologued her brother’s adventures. It’s a really sweet moment.. and something that will hit VERY hard when we reach Chapter 11. If you haven’t read this story or heard of it.. .that’s this story’s equilvent of “Last Crash of the Sunchaser” and clearly Frank and Matt drew from that story a bit for it, but we can get more into the parallels when we get there. A smaller but fun note is that Rosa had specific coin drawing templates, for different indentions and what not he used, and used them for the coins in these intro bits. Yes he admitted he has a problem and yes that’s damn impressive anyway. 

It’s Scrooge’s 10th birthday, and his father Fergus has taken him up to see the family land, Dismal Downs to tell him of the mighty Clan McDuck and show him the ancestral lands, graveyards and Castle. He admits to having taken this long because the Clan McDuck currently lives in Glasgow so it’s kind of a long trip just to show your son “Hey look at the decay and rot that’s our ancestral homeland”. The Clan is on hard times, as a bad shipping deal, the backbone of a rather good barks story and I wont’ be interjecting for every barks reference as it’d get rather tiring though for what it’s worth Rosa provided tons of detailed footnotes in the back of each Fantagraphics collection, so good on him. Speaking of which though they do include 10 pages of Mc Duck family history that was supposed to open this story.. until Rosa’s editor wisely pointed out the story isn’t about them but scrooge and having read his roug draft, yeah.. there’s a good gag here and there, as well as “Dirty” Dingus McDuck, scrooge’s Grandpa and the reason Dewey is cursed with that middle name. Why anyone thought Dingus was a good name is beyond me, nor why Donald thought that was a good middle name back in 2009 is again, beyond me. Good on Don though for getting that past the censors.  But yeah with no money they can’t buy the land back and they were scared off it years ago by a mystical ghost dog, the hound of the whiskervilles. There is treasure in the castle, Sir Quackly’s gold, but he accidently sealed himself into a wall while sealing his treasure in there. Their interrupted by the town assholes, the Whiskervilles who have been grazing sheep on the land and are naturally behind the hound, using the sound of it to scare off Fergus once they realize he’s a McDuck. Because apparently you can keep a Scooby Doo style hoax up for Centuries if you don’t have meddling kids around. Who knew.  Back in Glasgow, we meet the rest of Scrooge’s family: His Uncle Jake, his sisters Matilda and Hortense, and his mother Downy. Jake hasn’t really been mentioned at all in Ducktales and I know next to nothing about him, which given I share a name with the guy you’d THINK I would. I mean I know a decent amount about this Jake. 

But nothing about who the hell Jake McDuck is or why he lives with his brother and his family. Here, you guys watch the dancing Jake, i’m going to probably do that for hours after this review is done, i’m going to go sort this out.  Okay one google and finding the Scrooge Mcduck wiki page on him, Jake shows up here likely because he was referenced in the story “A Christmas For Shacktown” and apparently borrowed from Scrooge and never paid it back. Otherwise.. there’s not a lot about him and unlike the rest of Scrooge’s family he really dosen’t do much that I can remember. Except like 2017 Scrooge, he apparently has become extremely long lived, as Scrooge and Donald STILL think he’s alive in the 1950′s.. and likely is STILL alive in some form in the Don Rosa stories, given his take place after Barks and thus in the 40′s and 50′s where Barks stories were set. Hence why unlike the Reboot, Scrooge isn’t inexpecilbly over 210. But Jake McDuck sure as heck is. Maybe this highlander is a highlander.. you know the movie and tv show type. Maybe someone cut off his head. That’s what i’m going with.

This does bring me to another point about this story: While Barks gave all of scrooge’s family their names, it’s where Rosa got them after all, it’s Rosa who really made them into characters. Fergus as a loving father ashamed his family legacy has fallen and wanting his son to do better than him, Downy as an equally loving wife and mother, Matilda as his sweet and caring sister and later her brother’s moral center, and Hortense.. well here she’s just a babbling baby but her character will become clear and glorious as we go. She is adorable here though and we do get some great bits with her.  Getting back to the plot now i’ve made my points, Jake is riled up wanting to understandably kick the Whiskerville’s asses with Scrooge, who even as a sweet innocent ten year old still has the family temper already, agreeing.. but Downy gently shoots them out pointing that two middle aged-ish men and a 10-year old just aren’t enough to fight an army of them and while she doesn’t mention it the fight would just tire them out for work and accomplish nothing as while it is the McDuck’s land the combination of the hound and the lack of money to move back means it’s pointless. She also mentions their younger brother Pothole, who went to America. This will be important later. 

Scrooge storms off and Fergus laments, in a scene that’s more painful the more I think about it, how his clan has fallen, with he and his brother lamenting their chances at glory are long gone.. but Fergus has hope his son can do better, and for his son’s birthday makes him a shoeshine kit in the hopes of inspiring him to greatness. This scene still resonates since many of us are poor, struggling and not doing so good money wise. I’m sure many parents have doubts and regrets about not being able to do more for their kid.

 Not only that but the story carefully avoids the trap of Fergus accidently being abusive by you know, pinning his family’s future on one 10 year old. While yes he is asking a lot of Scrooge, to restore their family name.. it’s very clear he mostly just wants his son to do better than him. Even if Scrooge was just slightly more successful, Fergus would likely be happy with that. He’s not using the legacy as a “This what you must be” like say the Gems in steven universe did for Steven with Rose’s Legacy, the kind where it sort of suffocates you till youc an make it your own. He’s just saying “this is what you can be” He believes his child can be great and simply once him to reach his full potetial and is simply giving him a means to hopefully do so, a simple home made shoe shine kit. While Jake scoffs, the narration notes the idea isn’t worth a dime.. it’s worth THE dime. The dime that would set Scrooge’s destiny in motion. 

The next morning, Fergus goes to check up on his son and his new buisness but Scroogey’s having no luck and about ready to just quit, the poor child. Also Matilda is dragging her baby sister around like a doll and it’s entirely precious as it is funny. 

But as for those Dorty Boots, Matilda wonders why her dad dosen’t just tell Scrooge that Burt the Ditch Digger is coming. Fergus tells her to quite and then explains his plan: he’s sending Burt to scrooge, with an American dime Fergus and Matilda found, to teach his son a lesson: By giving him a hard days work, he’ll teach him what hard work truly means.. and by having Burt “cheat” him with the American dime, it’ll give him the motivation to keep going and to nto be as wide eyed and trusting. It’s a well meaning if harsh lesson, and the kind you’d expect from 1900′s parenting and fits the origin well: Scrooge still earned his first money square, as he still did work.. but his getting cheated being a lesson dosen’t diminish what it taught scrooge, and helps flesh out what I talked about above, Fergus knowing his son has great potential he just needs inspiration to reach it. And instead of just telling him that he does a con job but it’s the 1900′s. This orign, and Fergus’ part in it would be entirely untouched in Ducktales 2017, the first scrooge based adaptation since this comic came out, and I bless them for it. Frank even said this comic was used as a bible by the writers and while theirs clear deviations, and we’ll get to that, they were mainly done for good reason, and it’s very clear that while scrooge’s history is very VERY diffrent in the reboot, the core of his past is still there. 

So the plan is on and young scrooge spends half an hour killing himself to get Burt’s shoes clean before getting his dime.. and realizing he’s been had, makes this proud decleration that will be the bedrock of his entire life and character. 

Scrooge being naturally stubborn as you can see takes his cheats a leson: There will always be hard honest work, and he will be there to do it and he’ll be tougher and sharper than anyone trying to cheat him out of his pay. Fergus’ plan has the intended effect, and Scrooge having learned a hard lesson now has the drive and determination we know him for. As for why it gives it to him.. I had to think on it a bit but it makes sense: For some a setback like this would make them quit.. for Scrooge it’s just proof he CAN find customers, he CAN do this job, or any at his hardest and instead takes this as a lesson to be prepared ot out think and outfight anyone who dares cheat him again, and to not earn his money by being the kind of guy who cheats a kid out of an honest days pay, but as a good honest duck like his father and his father before him. =He will make his money square so he can be the kind of person this seeming stranger SHOULD have been. Granted we’ll see Scrooge doesn’t end up as the best person at times but .. we’ll get there.  So with the fire inside turned from a spark into the flame Scrooge soon got to work, and by the next panel we see he’s eventually worked his stand up from a small box given to him by his dad, to a three seater shoeshining bench, who he wipes all at once by stretching one of his mother’s girldes over a light pole, a detail I didn’t get the first time around but now love. Naturally being a good kind boy much like his Nephews, Scrooge always gave his proud father a portion of his earnings, if with a full receipt for tax purposes. Because he’s still scrooge after all. His dad wonders he did too good a job while Hortense glxbit’s in agreement. 

As the years go on, a now tween Scrooge is eventually able to save up for a horse cart, and starts selling Fire Wood up in the city. He eventually realizes Peat, an earthy subtance found in bogs I only know about because I had to look it up for this review, is more profitable and with some snappy marketing moves into selling Peat for the rich instead, also showing the young lad already has a grasp of how to sell to obnoxious rich people. 

But while his business is booming, our young hero can’t resist visiting his family’s ancestral home and longing for it, hoping one day to have it for himself and in a nice show of how despite his temper and tenacity forged over the last few years he’s still at hear the kind, sweet optimistic lad he was just a few pages ago, he decides to tidy up the Clan’s Cemetary while he’s here. 

Unfortunately as proof that Donald and Della’s terrible luck comes from both sides of the family the Whiskervilles are sub-glomgold levels of human beings.. or Dogfaces in this case, and are digging up the McDuck Clan’s graves to hunt for treasure. Scrooge tries to simply do the smart thing and flee, but the asshole brigade catch sight of him and mistkaing him for a peat burgalar chase after him.. and spend WAY too much time and energy chasing a teenage boy over some fucking bog grass you clearly aren’t selling yourselves. I mean spare a thought for how dumb this is: They could easily sell of of that peat to put up a fence or chop down some trees to get the material if their really that concerned about someone getting in the bog. Then again this isn the 1800 and 1900′s where the child death toll was simply “Yes”, so they likely thought whose gonna notice one more dead child on our property?

Scrooge heads toward the castle and is gestured in by a friendly mystery duck who gladly shows him around and can tell he’s a McDuck just by look, showing the castle is still in glorious condition as the whiskervilles are too spooked to go in, hence why they didn’t chase Scrooge inside. I’d say being afraid of ghosts but not murdering a child is weird but these are the same guys who thought murdering a child was plan A. We’re not dealing with a brain trust is what i’m saying.  So the mystery duck shows Scroogey around, showing off some colorful stories about his ancestors recycled from that scrapped prologue I mentioned. THe mystery man, who brushes off Scrooge thinking he’s a McDuck asks Scrooge what he’s doing to restore the family glory and while Scrooge points out he’s already working on it, Mystery Duck points out he’s still missing something: He has the drive and the dream, but peat and shoeshining, while getting him good money for his family, aren’t the thing you can build a fortune or a future off of. He then points out where Scrooge’s dime comes from: America.. and that gives the boy the idea to head to the states. As for what he could possibly DO there to start, the mystery guy mentions his uncle pothole. So Scrooge has the dream, the drive.. and now a plan: Go to america, work for his uncle on the riverboats, and work his way up from there till he finds his fortune and restores his family name.  But while his future is settled, the present is still an issue and Scrooge wants to teach the child murder club a lesson and thus borrows, though MM wisely points out it’s all his property a horse and some armor, and stuffs the armor with peat. As for what his plan is.. welllll

That.. is fucking awesome. And far from the last fucking awesome moment in this thing. It also shows off even as not quite a teen yet, Scrooge is still a badass already, and while he doesn’t have his trademark strength or fighting skills quite yet, his ingenuity is already there.. and that will always trump both. The Whiskervilles run away and into some quicksand and Scrooge vows to return one day as laird and reclaim his family land. But that’s a story for a few chapters down the line. As for who the mystery duck is, he’s naturally Sir Quackely himself, or rather his ghost, who was simply guiding Scrooge and didn’t give him the treasure as simply handing him the money wouldnn’t restore their family’s good name or continue their bloodline now would it? 

For now Scrooge returns to work for a bit before finding his way to America: A cattleboat to New Orleans looking for a Cabin Boy. And so Scrooge bids farewell to his family. His Dad, feeling bad he can’t even give his boy shilling, gives him the family pocketwatch with jake pitching in with the family gold dentures. While Scrooge naturally refuses to sell the watch, he does plan to sell the teeth as soon as possible for good reason. We then get some sweet goodbyes with him, his sisters (With hortense uttering her first words to everyone’s astonishment) and loving mother as he wonders just what awaits him in America. 

And there he stands on the bow of a ship, heading for a new land, in New Orleans he can be a new man. And we’ll see just what kind of man he becomes as this series continues. For now this is the end of a chapter but the beginning of a lifetime. 

Final Thoughts on Last of the Clan McDuck:

This story is excellent. While there are even better chapters to come, this one is still one of the most memorable and most joyous, showing just how Scrooge became what he is, where some of his values come from, others will be instilled along the way , and beginning to flesh out his family. We see Scrooge’s love of wealth comes from starting from the bottom, growing up with a family that barely had anything and badly needed everything, but was loving and instilled fine morals in him. We also see a Scrooge far removed from the bitter old man he is in present day, an optimistic naïve young lad who only wants best for his family. It’s a nice stark contrast to who he’ll become, good and bad, and a nice way to both compare him to Huey Dewey and Louie and break your heart as his own hardens before briefly turning black later on.  The art, as is standard for this series and Rosa, is breathtaking, and the story isn’t lacking in good jokes, their just downplayed so the story itself can take center stage. There’s nothing really more to say: it’s an excellent start to an even more excellent tale and stands proud among an already stellar story as one of it’s finest outings. 

NEXT RAINBOW: Scrooge goes down to the mighty Missipi to work on the riverboats and meets one of his signature Rogue’s for the first time in their first form, as well as Gyro’s dad.. or grandpa.. or possibly both I don’t know his family tree. Point is, tune in next time for some riverboat hyjinks.  Until then if you’d like to comission an episode of any animated show, especially ducktales and the various other duck related disney shows, or another Duck Comics story you really like from Rosa, Barks or whoever you want really, I take commissions for 5 dollars a review, with 5 dollars off your full order when you put in for more than one episode or issue. You can also follow me on patreon.com/popculturebuffet and for just two bucks a month get access to polls (which i’ll start once we have at least three patreons), and my exclusive discord server. And if you liked this review be sure to reblog it to show off. My self promotion done until next time: There’s always another rainbow.