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christophermraerdon · 2 years ago

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How to Create a Content Creation Plan for Your Business

Congratulations on taking the first step to creating a content creation plan for your business! A content creation plan is essential for any business that wants to succeed online. By creating a plan, you can ensure that your content is well-organized and targeted to your audience. Here are three steps to create a successful content creation plan:

The first step in creating a content creation plan is to define your goals. What do you want to achieve with your content? Do you want to generate leads, drive traffic to your website, or build brand awareness? Once you know what you want to achieve, you can begin planning how best to accomplish those goals.

The second step in creating a content creation plan is researching your target audience. Who are they? What are their needs and interests? What kind of information do they need from you? Knowing who your target audience is will help you determine what type of content will resonate with them most.

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Defining your content creation goals

Content creation can be a daunting task. Defining your goals is the first step in developing a content creation plan. The keyword “content creation plan” is important because it helps keep you focused on your goals. Here are three tips to help you define your contentcreation goals:

1. Keep it simple: When defining your content goals, don’t try to accomplish too many things at once. Stick to one or two objectives that you want to achieve with your content.

2. Be specific: Vague goals will only lead to frustration down the road. Be as specific as possible when setting your sights for what you want to achieve with your content strategy.

3.: Set achievable milestones:Part of being specific about your content goals is also setting achievable milestones along the way. This will help you track progress and adjust course if necessary

Building your content creation strategy

When it comes to creating content, there are a few things you need to take into account in order to make sure your strategy is effective. First, you need to have a clear understanding of what your goals are and who your target audience is. Once you know this, you can start creating content that is both relevant and interesting to them. It’s also important to keep in mind how often you will be publishing new content, as well as what format it will take (e.g., blog posts, infographics, videos, etc.).

Creating great content isn’t easy, but if you have a solid plan in place it can make the process a whole lot simpler. So don’t underestimate the importance of taking the time to develop a strong content creation strategy before getting started!

Outlining your content calendar

Assuming you want a blog titled “Outlining your content calendar”:

When it comes to developing a content creation plan, the first step is always to outline your goals. What do you hope to achieve with your content? Once you know what you want to accomplish, you can start mapping out how you’ll get there.

But before we get into the nitty-gritty of planning, let’s take a step back and understand why having a clear understanding of your goals is so important. By outlining your goals beforehand, you’re more likely to create content that is in line with those objectives—content that actually helps move the needle and meets your end goal. If you don’t have a clear goal in mind from the outset, it will be easy to lose sight of what you’re trying to achieve and create content for content’s sake. So take the time to sit down and really think about what success looks like for your brand before moving on to planning out specific pieces of content.

Now that we’ve talked about the importance of setting goals, let’s dive into how to start mapping out your content calendar. The best way to do this is by using an editorial calendar template

Generating ideas for new content

Creating content can be a daunting task, especially if you feel like you’ve already covered all the topics you’re interested in. But don’t worry – there are plenty of ways to come up with new ideas for your blog or website.

One way to generate new ideas is by using a content creation plan. This is basically a list of potential topics that you can write about, which can help to brainstorm new ideas and keep your writing fresh. To create a content creation plan, start by thinking about the topics you usually write about and then branch out from there. For example, if you typically write about business advice, try coming up with ideas for specific niche markets or businesses.

Another way to come up with new content ideas is to look at what’s popular in your industry and find a way to put your own spin on it. You can also try reaching out to other experts in your field and asking them for their opinion on hot topics. By keeping up with trends and talking to others in your industry, you should be able to generate plenty of new ideas for fresh content that will resonate with your audience.

Creating and publishing your content

If you want to get started with content creation, the first step is to create a content creation plan. This will help you map out what kind of content you want to create, how often you’ll create it, and who will be responsible for creating it.

Once you have a plan in place, it’s time to start creating your content. If you’re not sure where to start, there are plenty of resources available online to help you get started. Once you have some ideas, it’s time to start writing or filming your content.

Finally, once your content is created, it’s time to publish it. You can do this yourself if you have a website or blog, or you can submit it to someone else for publication. Either way, make sure that yourcontent is high-quality and well-written so that people will actually want to read or watch it.

Promoting and distributing your content

When it comes to promoting and distributing your content, the most important thing is to have a content creation plan. This will help you determine what kind of content you need to create, how often you need to create it, and where you need to distribute it. Without a plan, it’s all too easy to get overwhelmed and give up on your content altogether.

The first step in creating a content creation plan is figuring out what kind of content you want to create. Do you want to write blog posts? Create videos? Record podcasts? Once you know the type of content you want to create, you can start thinking about how often you want to release new pieces. If you’re aiming for weekly releases, for example, then make sure that’s reflected in your plan.

From there, it’s time to start thinking about distribution. Where do you want yourcontentto be seen? Who is your target audience? There are endless possibilities here, so take some time to really think about where yourcontentwill have the biggest impact. Once you have all of this figured out,you can start creatingand releasing new pieces of content according touyourplan.

Conclusion

If you’re like most businesses, you understand the importance of creating content, but developing a content creation plan can be daunting. But don’t worry – we’ve got you covered! Here are four steps to creating a content creation plan for your business:

1. Define your goals – What do you want to achieve with your content? More website visitors? More social media followers? Increased brand awareness? Once you know what you want to achieve, you can develop strategies to make it happen.

2. Identify your audience – Who is your target market? What are their interests and needs? When you know who you’re talking to, it’s much easier to create relevant, engaging content that resonates with them.

3. Create a editorial calendar – This will help keep track of all your content ideas, deadlines, and published pieces in one place. Plus, it’ll make sure that nothing falls through the cracks!

4. Set budget and resources – How much money and time do you have to devote to content creation? Make sure that your budget realistically reflects the scope of your project.

By following these simple steps,you’ll be on your way to developing a strongcontent creation planfor your business!

The post How to Create a Content Creation Plan for Your Business appeared first on SwiftCreator.com.

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#computer scientist #experimental roboticist #university of denver #assistant professor #computer sci

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barbarewjohnson · 2 years ago

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How to Create a Content Creation Plan for Your Business

Defining your content creation goals

1. Keep it simple: When defining your content goals, don’t try to accomplish too many things at once. Stick to one or two objectives that you want to achieve with your content.

2. Be specific: Vague goals will only lead to frustration down the road. Be as specific as possible when setting your sights for what you want to achieve with your content strategy.

3.: Set achievable milestones:Part of being specific about your content goals is also setting achievable milestones along the way. This will help you track progress and adjust course if necessary

Building your content creation strategy

Outlining your content calendar

Assuming you want a blog titled “Outlining your content calendar”:

Now that we’ve talked about the importance of setting goals, let’s dive into how to start mapping out your content calendar. The best way to do this is by using an editorial calendar template

Generating ideas for new content

Creating and publishing your content

Promoting and distributing your content

Conclusion

3. Create a editorial calendar – This will help keep track of all your content ideas, deadlines, and published pieces in one place. Plus, it’ll make sure that nothing falls through the cracks!

4. Set budget and resources – How much money and time do you have to devote to content creation? Make sure that your budget realistically reflects the scope of your project.

By following these simple steps,you’ll be on your way to developing a strongcontent creation planfor your business!

The post How to Create a Content Creation Plan for Your Business appeared first on SwiftCreator.com.

https://ifttt.com/images/no_image_card.png https://swiftcreator.com/content-creation/how-to-create-a-content-creation-plan-for-your-business/

https://ifttt.com/images/no_image_card.png https://swiftcreator.weebly.com/swift-creator/how-to-create-a-content-creation-plan-for-your-business

#experience supplying #administrative support #complex schedules #budgeting #multiple projects #Excel

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columboscreens · 3 years ago

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On the topic of Columbo, do you think his whole demeanor really was an act, or was he just Like That? Or somewhere more in the middle? Was he off in his own little world thinking bout crimes, was he just a lovely puppy dog with the authority to arrest you? Or a master manipulator?

por qué no los dos?

as i've said before, everyone has their own interpretation of the character and that adds to the enduring enjoyment of the show. patrick mcgoohan was at one end of the spectrum--he liked to think that columbo's warmth and kindness were completely an act, that under the surface he's naught but cold and calculating.

now me personally, i see no reason why a man can't be warm and calculating.

i've written about it elsewhere, but i think you can sort of develop a feel for "the truth" when you watch more of the show. note well that i've watched a sickening amount of this show.

columbo is shown in all sorts of situations throughout--with the murderer, alone, speaking to colleagues, tertiary characters, random strangers, his wife, even his dog. he's also shown in all sorts of moods--hungry, tired, sick, confused, lost, frustrated, etc.

and although he modulates his tone depending on how he's feeling and who he's talking to (e.g. he's sometimes annoyed/brusque with his colleagues, his "act" is always completely dropped when on the phone with his wife), and not everything he says adds up (keep in mind 70s tv movies were never intended to be scrutinized to this degree), it turns out on average his true demeanor is...nice. shocker.

columbo is first and foremost a man of impeccable logic. therefore it follows that the reasoning behind his facade is just as logical:

if it means arresting a guilty party, columbo will play up whatever needs to be played up, say whatever needs to be said, do whatever it takes in order to get someone to let their guard down or give him what he wants, and will not stop until his objective is completed. his means to the end vary based on who it is he's manipulating and what he needs. and that's really all there is to it.

besides the obvious advantages of being underestimated and lulling suspects into a false sense of security, people in general are more forthcoming with information when you're plain nice. they're more willing to put up with you being annoying and overly inquisitive when you're nice. you build a rapport faster when you're nice. to columbo, being nice comes naturally. ergo, to make your job easier, just be Really Nice! you can bare your fangs later.

so he doesn't "fake" any of this, he merely leans into it. part of his real personality is that he IS kind, chivalrous, respectful, and so on. his extreme manipulation is seen almost exclusively within the realm of playing the "arrest the murderer" game.

outside of that, he is a normal, observable measure of nice and polite to everyone around him, even those who offer him nothing--homeless people, service staff/clerks, random children, random strangers, his dog, etc.

tl;dr like all of columbo's other personality traits, he isn't "faking" them when he manipulates--they're there, and he knows it. he's simply leveraging them to get what he needs. and what he needs is that killer's ass in jail, stat.

#sweet little man is also highly manipulative lil bitch more at 11 #but he is nice fr fr #sorry anon i dropped another fat fuck essay #columbo #longpost #ask #text

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imaginefan · 3 years ago

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Commitment Issues *Part 4*

Lorenzo St. John X FReader Malachai Parker X F!Reader

Word Count: 1560

Requested: Anon

Request: Part 4 of commitment issues. I don't think I asked for another one. It was about reader being with enzo but they broke up cause he couldn't do it anymore then kai comes in the picture something about a spirit etc.

*Part 3*

"You know stealing is bad right?" Kai asked as he got comfortable in the passenger seat of the car that you had him acquire. "My car was back at my apartment." You mumbled as you pulled out of the gas station and continued on the road that Kai had pointed out, "That doesn't make it better, how did you know that I wouldn't just kill that guy?" He asked. "I didn't," you answered honestly, not really thinking about what he was saying. "You trust me too much." He smiled as he leaned over, poking at her cheek "why is that?" "Because you pretend that you don't want a friend or family but you do, that's why you're so angry at Bonnie, why you want her dead. She ruined everything for you." You explained and he leaned back away from you. "Your projecting." He mumbled. "I'm actually not angry at either one of them anymore." You answered, "where are we going?" "We need to get to Portland, I can drive you know." He said. "Yeah, you can drive when I get tired." You informed him as you pulled over to the side of the road to set up the sat nav.

"We have to go find her!" Enzo was the one to speak first after Damon explained everything that he had heard on the phone. "We don't know where they are," Bonnie said. "I can try a locator spell but Kai will likely put up a barrier spell." "Can you try?" Elena asked and Bonnie nodded, she stood ready to leave. "Do we know what they were looking for?" "Looking for?" Enzo asked, "how do you know that they were looking for something." "She left after the training with me and Stefan, she was frustrated because nothing seemed to be working, she suggested talking to Kai about what he knows," Damon explained. "Knows?" Enzo asked. "Are you serious? Have you been paying attention at all?" Stefan asked. "The fox spirit..." "Why would she go to him instead of us?" Enzo asked. "She did come to us, you just had your claws so far in the little witch to realize that she needed our help," Damon answered as he turned to get a drink "so go with your little witch and see if you can find our tricky little fox."

"They're probably looking for you by now," Kai said as he looked over at you. "Do you expect me to believe that you haven't already made that impossible?" You asked as you glanced at him quickly. "Alright you got me, there's a barrier spell up but knowing BonBon she'll figure something out," Kai answered and you nodded. "You should pull over and we can change over, you've been driving for hours." "Mm." You hummed as you looked over to see if there was somewhere to pull over, there was a small parking lot that you could pull into to swap over. Once you were happy Kai started on the journey again and you leaned your head back, your eyelids fluttering as you fought against sleep. "I'm not going to hurt you, you can go to sleep." He muttered. "She wouldn't let me hurt you even if I wanted to." "She hasn't been able to do anything for the past couple of weeks." You mumbled but he could tell that he was losing you to sleep. "You underestimate how strong you are in comparison," Kai said softly as he turned down the radio and stayed quiet after that.

The Mystic Falls gang had been running around like a bunch of headless chickens trying to find some kind of clue to where you were but you really didn't want to be found. "We aren't going to find her," Elena said as she sat down next to Damon. "She is a rather tricky fox," Damon mumbled. "What if he hurts her?" Elena asked. "If he wanted to hurt her, she would have been dead when she answered the phone to me, I don't know why he's helping her but it can't be good." Damon frowned as downed the last of his drink. "We'll find her."

You followed Kai through the forest "you seem to know this place well." You explained. "I grew up in a house at the edge of the forest I spent a lot of time here," Kai answered as he gestured in the direction that you assumed his house was in, "Are you going to tell me how you know about all of this?" You asked. "Well, you know how much I hate my family, well they seem to forget that I still saw what they did, I heard what they said even if they refused to acknowledge me when I was a kid there was a family that came to us, they knew that we were a coven, they had a little girl with her, they kept talking about how they wanted her to be normal but I could feel the power coming off of her in waves," Kai explained. "The girl was you, that's how I knew that you had the power, your parents had it sealed when you were little, to most witches it would feel like you were normal but to syphoners like me who look for even the smallest amount of magical energy I could feel that she was still with you," Kai explained. "So why are we out here, shouldn't we be going to your family?" You asked. "They're not here anymore, but even if they were they wouldn't tell me anything, so it's lucky that I know everything that I need to," Kai said as he walked towards the clearing, he gestured for you to go first but he seemed to linger at the edge. "Are you okay?" You asked. "Mmm." He hummed as he looked around as if he was waiting for something. "No, it's fine... Do you feel anything?" "No I do- Wait..." You stopped as you looked around "what is that?" "Follow the feeling." Kai encouraged you. "My coven was very good at hiding things, they were the ones that split the body and the spirit of the fox, they hid the body here somewhere." He explained. "How did you know that it's out here?" You asked. "You know my family did this so they would have kept it somewhere that they could keep an eye on, they never wanted me near it either." He explained. "My father was paranoid that meant that it had to be close to the house, somewhere that he could get to." "So what now?" You asked. "Find her." He shrugged, leaning against the tree. "I have time, I'll wait."

"They're in Portland," Bonnie said as she walked into the room where Elena and Damon were literally watching the phone. "Where he grew up?" Elena asked. "We'll never get there in time." "We have to try," Damon said as he grabbed his car keys and Elena followed him out. "We'll come with you." Bonnie stepped forward. "It's probably better that you guys stay here, we don't know what he's done to her and the last time that he was here he wanted you dead."Damon dismissed her before grabbing Elena and heading off.

When they finally got to you, they could feel the power coming out of the forest in waves. "What is that?" Elena asked. "Your friend." They both looked to the side and saw that Kai was leaning against a tree. "She's been talking to the fox for hours now, you guys are the only ones who aren't here to kill her." "What are you talking about?" Damon asked, Kai pointed behind him and it was then that they realized that there was blood on his hands. "Who's blood is that?" Elena asked. "As I said loads of people have come here to kill her, she's strong, dangerous to most creatures out there," Kai answered. "Kai!" They all heard you yelling and given that they were all vampires, they appeared in front of you with seconds of the name leaving your name.

Kai wasn't there when you opened your eyes and as much as you found him annoying the whole day, you didn't like the idea that something could have happened to him, there was blood everywhere "Kai!" You called out hoping that he would answer.

"Are you okay?" Kai asked, he was standing on the edge of the clearing again, you sighed in relief when you heard his voice. "(Y/N)!" Elena called as she ran into the centre of the clearing looking at you. "Are you okay?" She asked. "I'm fine." You answered. "We should go home, you can explain everything there," Elena suggested. "Fine but Kai knows more about all of this than I do, he has to come with us if you want a full explanation." You said as you looked at him. "Yeah no." Damon denied and you rolled your eyes. "Well I'm going back with him, you can come and find us." You muttered as you stood up and walked towards him, Kai looked at you surprised. "We still need to talk about something on the way back, something you never told me." "We do?" He asked. "Let's go." You gestured for him to follow you, Kai shrugged before following after you leaving your friends confused and slightly worried.

Requests and general question!

#the vampire diaries #the vampire diaries imagine #the vampire diaries one shot #lorenzo st john #lorenzo st John imagine #lorenzo st John oneshot #kai parker #kai parker imagines #kai parker one shot #imagine #oneshot #one shot #reader insert

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tsunderecookies · 4 years ago

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omg omg omg can u do horny hcs for dabi and shigaraki 😳😳

Horny Hc - 2

Pairing: Dabi x Reader, Shigaraki x Reader

Warnings: choking, being railed into the next dimension, spitting

A/N: Awwwww thank you for being my first requester nony <3 Here ya go, I hope you enjoy it bb! i’m so sorry that it took so fucking long but i just started working and it’s very hectic so I’m always either too unmotivated or too tired to write. But ig what matters is that I got it out lol. Dabi’s is a lot shorter than I’d like it to be but ima add on as time passes i think.

Imma be honest here this man has a bomb ass sex playlist fr fr.

Like jesus christ.

And I feel like even arranged the songs in a way so that as sex escalates so do the vibes the music gives off.

I don’t know why but i feel like Dabi has a tell tale sign when he wants to fuck. Like he walks into a room and he gives you that little smirk and kinda rests his head on his hand and lightly touching his thumb over his lower lip while looking you directly in your eyes and you just know.

He has dick piercings. Done. You can’t convince me otherwise.

Can also see him as the type to start kissing your neck randomly as you’re telling him about something and just giving little responses like mhm while you’re talking. He loves doing it because he loves seeing how flustered it makes you and he loves the sound of you struggling to speak even though he’s barely touching you.

With a sigh you close your eyes and lean your head back against the sofa as you tell Dabi about your day, hands tangled in his hair while his lips move against your neck.

“ And work was a fucking drag as always. I just can’t wait for us to get out of here and - “ Within seconds your whole train of thought was lost as you felt dabi kiss against an especially sensitive spot. “ Mhm? “ You can feel the vibration from his chest as he hummed out his response, lips parting before he gently grazed his teeth against it. You let out a shallow breath and desperately try to swallow back the moan threatening to slip out from between your lips. He softly starts sucking while nipping in between as he moves lower towards your chest. His lips part from your skin while his hand slips underneath your shirt inching upwards slowly.

“ And what baby?” The amusement is clear in his voice as he speaks, his eyes slipping down to your lips and back up again as his hand stills right below your chest.

A small groan escapes your throat as your hand slips up his neck to the back of his head and grabbing a fist full of hair.

“Oh fuck you.“ You push his head forward towards yours and your lips smash together, hungry and needy. You can practically feel the smirk on his face as he softly pushes you back so you can lay down before shifting so he was in between your legs, your complaints about work already long forgotten.

Dabi is also very open minded when it comes to sex. Like if you were to ask him if you could do some things to him through the backdoor he’d definitely try it at least once before deciding whether he properly likes it or not. You might have to buy him a few drinks beforehand though lmao.

I also feel like he is quite experienced in bed. I can definitely say with confidence that he most likely has had his fair share of one night stands in the past and he isn’t afraid to putt what he learned to good use.

Definitely both a masochist and a sadist.

Like he loves inflicting pain on you by like biting down on your lip to the point where it starts bleeding or maybe even knifeplay. But he also really loves the feeling of your nails raking down his back hard enough to draw blood. To him it hurts so fucking good.

“ Oh my god yes Dabi. Fuck. “ You shamelessly moan out, clenched hands fisting the sheets as your boyfriend pounds into you. An especially hard thrust has your hands flying upwards towards his back, fingernails digging into his skin and dragging downwards with no restraint.

A sharp hiss leave his lips only to be followed by a low growl before his hips start pounding into you at an even harder and faster pace.

“ That’s right, you better fucking hold on princess.“

I feel like he’s the teasing type during aftercare. Like he’ll comment on how loud you were being with a giant smirk on his face or he’d imitate your moans now and then.

Omg also I can definitely see Dabi knowing exactly what each type of noise from you means. How your ,moans sound when you’re close or when you want it harder etc.

I mean when he pounds his baby so hard they can’t speak he needs other forms of communication lol.

I'm gonna be honest here, I don't think that he's really experienced in the bedroom department.

Of course he's no stranger to the world of sex but most of the things he knows he definitely picked up either from overheard conversations at the bar or from the internet.

He never really minded not being sexually active, hell he barely even jerked off and probably wouldn't have if it weren't necessary. I feel like he most probably saw it as a chore.

But now that you're around his sex drive has doubled tenfold. Like in the beginning you had to beg to get him to do anything but now barely a day goes by where he doesn't indulge in your body.

That being said, don't underestimate his abilities in bed because this man is a fast learner.

He explores every inch of your body like unknown land, claiming you for himself.

He develops this need to make you cum every single time you're intimate. It's like a mission to him, and we all know how much he hates when things don't work out his way.

Speaking of things going his way, Tomura loves dominating you in bed. He loves being in charge and controlling where the night goes.

This being said, he loves taking you in missionary. He loves the way it gives him full access to your chest and neck and how he gets to stare into your pretty little eyes while he uses you as his cocksleeve.

Now and then when he's too tired he'll switch things up by letting you ride him. He loves gripping onto your hips while he thrusts up into them basically topping from the bottom, your chest on open display for him.

Even though he loves domming you he's too scared to try out any hard kinks in the beginning. The idea of choking you terrified him. What if something went wrong and he accidentally hurts you with his quirk? What if he kills you?

As your relationship progresses though, he becomes more confident with things like this. He finds comfort in the fact that you trust him enough to allow him to touch you like this, even thought you very well know what his quirk could do to your body and this becomes a very intimate thing for you.

Tomura is also possessive as fuck. If he sees a guy staring at you for even a second too long he's ready to throw hands. He will literately not hesitate to murder for you. And he has.

His friends have of course picked up on this and love to annoy him. Especially Dabi. He openly flirts and hits on you in front of Tomura to get a reaction out of him and no does he get one. It's as if he has a death wish.

It always results in him roughly fragile you away from the scarred man straight to your bedroom to remind you and everyone else what you belong to.

A choked cry leaves your throat as your boyfriend roughly bottoms out inside of you. He hardly even gives you time to adjust before starting his back breaking pace.

"A-ahh Tomura. Too much." Your voice comes out as a whine while you claw at your boyfriends back. He lifts his head from where he'd previously been sucking a hickey into your skin to give you a sickly grin.

"Oh yeah? But that scorched son of a bitch flirting with you wasn't?"

Shigaraki is a big fan of quickies. He especially loves them right before he has a big mission or meeting to attend. It gives him the opportunity to fuck out all the nerves and frustration beforehand.

Speaking of frustration. He definitely takes it out on you. When a mission goes wrong or fails? He fucks you. His team doesn't take him seriously? He fucks you.

Captain of head during videogames club.

I'm sorry to say this but I doubt that this man will give you lovey dovey aftercare.

Let's be honest, you take care of him on a daily basis, reminding him to eat and drink water and take a break when needed. And to moisturize. He barely knows how to care for himself, whats to say about you.

After sex you'd have to convince him to take a shower to get cleaned up and even more so to come to bed with you afterwards rather than play videogames or just passing out immediately afterwards.

The most love you can expect from him afterwards is some cuddles if he does agree to come to bed or he'd have you straddling him while gaming so you can still get your sought after attention. He'd press a kiss to your forehead now and then.

It may not be a lot to anyone else but you know that this is his own special way to let you know he cares for you and loves you.

#bnha #mha dabi #bnha dabi #dabi smut #shigaraki smut #mha #mha headcanons #boku no hero academia shigaraki #bnha fanfiction #headcanon #bnha smut #mha smut #dabi headcanons #shigaraki headcanons

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scripttorture · 4 years ago

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You likely don't follow Dream Smp but there was just a reveal that one person (Character A) is torturing another (Character B, former villain, now in prison) for info on necromancy while the warden of the prison gave CA the equipment to do it and is ignoring CB's screams for help. And half the fandom is trying to justify it with "oh, CB deserves it for threatening to kill a child, killing (1/2)

another child (who he then revived, not justifying /that/ though) and manipulating/abusing the latter." Not only that, but so many people are telling off anyone who pointing out how messed up it is (and don't worry, the story itself so far is showing that it's messed up and won't work) with "it's just fiction, get over it." Like I am legit concerned over how many people are claiming it's cathartic and the character deserves it for their actions. Rant over I guess (2/2) (Dream smp anon) And I forgot to add that this character was /already/ being tortured; he has been in complete solitary confinement for upwards of 2 months and is being starved) and was actively self-harming and destroying items in his cell in a bid to get the warden to come replace them (looking for social interactions, even if it was negative) and people STILL thought that wasn't "enough of a punishment"

I have no idea what this show? Comic? Piece of media is but I’m happy to give my opinion on the general situation and use of violence in fiction*.

But I’m not here to take sides in fandom wars and the aim of this blog is not to tell people they can’t write about violence or abuse. It’s to make people think about how it’s used in stories and hopefully create something that’s more realistic and respectful to real survivors.

At the end of the day the reason I’m interested in fiction is because it effects our perception of real survivors. When so much of our popular media is unrealistic in ways that demean survivors that has an effect. I want to remind people that while the violent acts we write about are fiction, similar acts are happening to real people today.

Torture survivors are real. They’re human and they deserve respect.

Here’s the thing Anon, the people you’re mad at are real too. And the characters that sparked this are not.

There’s nothing wrong with having a strong emotional respond to fiction. There’s nothing wrong with getting frustrated with how pigheaded or outright bigoted fandom can be. But it is worth questioning whether responding to this kind of thing is worth it.

Arguments over fictional characters can become extremely heated and result in real world harm. And so long as you’re engaging with stuff in a purely fictional context… well I think the chances of being dismissed, belittled etc are significantly higher. (Note however that being dismissed and belittled still happens when you’re dealing with torture in the real world.)

This is not fair. That does not change other people’s responses or the cultural climate.

I will be blunt; if you are writing and reading in English the majority of fans you deal with will be Western and white. I have personally found this intersection very likely to treat violence as something purely fictional. I have found them unlikely to consider torture as a reality unless they are prompted to.

And from my side of things that prompting is often like dropping an anvil on someone’s foot during the conversation.

Believe me I get it. It is infuriating to see real, deadly torture techniques interpreted as harmless. It is hurtful seeing torture victims blamed for their own suffering. This happens on the news as often as it does in fandom so the fact these feelings are being set off by something fictional doesn’t make a lot of difference. Because these arguments are used in the real world against real people.

Seeing torture apologia touted as this weeks hot take is something you are allowed to be mad about. I’d be a hypocrite if I said otherwise.

But educating other people is hard work and you are talking about a piece of media aimed at children. You are probably talking to children. If you’re a teenager yourself it might be hard to hear it put like that.

It’s still true.

If you really want to have these conversations in your fandom then you need to centre the reality. Underestimating or dismissing the damage solitary confinement and starvation do to people is serious because it props up real world systems of abuse. Because it justifies ‘tough’ sentences to level of isolation that leave people mutilated by their own hand, or unable to function in society. Or dead. Because it leads to doctors ‘prescribing’ diets used in death camps.

Here’s the thing, talking about that reality to children is a fraught process. Especially when they’re children who don’t have any experience of seeing this stuff. And unless you’re their parent or teacher educating them is not your job.

Sending them down an internet rabbit hole that leads to photos of real injuries, real torture, real mass graves… I think that has the potential to go very badly.

Enjoying something and then discovering that the fandom is toxic is unpleasant. But my impression is that’s the problem here: the fandom interactions are leaving you feeling like shit.

Disengage.

You do not need the fandom to enjoy uh… whatever Dream smp is. You do not need their permission and if the fandom is a negative space for you, you are allowed to leave.

If some of these people are your friends then by all means try to privately explain why their words hurt you and use this blog as a resource. But ask yourself how much you want to be friends first because that is a long painful process that might not work.

Torture apologia is everywhere and fixing it is going to take decades.

Accept that you can not control other people’s actions. Accept that some people will always be assholes.

If seeing torture apologia hurts you then… you probably need to find a piece of media without torture to enjoy. Because apologia is so present that I think that’s the only way to completely avoid coming across it in fandom.

Once again I understand. I’ve volunteered to be bombarded with this stuff every day. It is upsetting. It is also embedded our global culture and the popular media exported to every single nation on the planet.

Constantly being confronted with it and stewing in that anger and hurt is unhealthy.

Step back. Do something else for a while. Take a look at this post I made last week. You might find some of the advice on dealing with these feelings helpful.

You can not make people care. Hopefully most of the people you’re talking to will grow and learn and become more compassionate people. But you can’t force that process.

And you don’t have to deal with their bullshit while they’re still growing.

Shouting at other people isn’t always helpful and it isn’t activism. If you want to do something constructive there are a lot of organisations that would gladly accept your money and your time.

Here’s a couple that seem relevant:

Just Detention

Solitary Watch

The World Food Programme

Amnesty International

I hope that helps. :)

Available on Wordpress.

Disclaimer

*I asked a friend to explain what Dream Smp is and I’ll be honest I still don’t understand it. But hey I got an idea of the target audience which helps. Please don’t explain Minecraft to me any more let me rest.

#writing advice #tw torture #tw starvation #torture apologia #tackling torture apologia #fandom #solitary confinement #starvation #torture in fiction

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faelapis · 4 years ago

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picturejasper20 replied to your post:

I feel i kind of share part of the blame here since i have written tons of posts about this (have people noticed this strategic thing just now?). I don't where this Steven "never cares about others" comes from. The whole problem with him in future was how obsessive selflessness was becoming really toxic for him and how he let his relationships be defined by helping other people.

i don’t think you’re at fault here! i think the strategic angle IS important. it’s something i used to emphasize a lot when people framed the conflict as “shattering the diamonds would fix everything, steven is just too much of a coward to do it”, which... woof. i had so many problems with that sentiment.

like. let’s talk about a huge point of the shattering pink diamond story - why it doesn’t fix everything. it was a last-ditch attempt, and it scared homeworld gems away, but it was still a band-aid. it didn’t change gem society. cutting off the snake’s head doesn’t break thousands of years of homeworld indoctrination upon pink’s followers.

as you would expect, the exact opposite happens: rose underestimated how much of a BELOVED and REVERED figure pink was. jasper, the diamonds, etc - they mourned her. they hated the CGs more and each came to earth explicitly because of that hatred. and so, surprise! homeworld got angrier! they hate the crystal gems more now!

it’s also frustrating how it goes with this “Great Man History” thinking where the whole of society accepts a new way of thinking as soon as you kill their leaders and replace them.

again - all the diamonds are worshipped and adored. if you kill them, you are an enemy in the eyes of the general population. some will admire you, sure, but that’s not really dismantling their mindset, it’s just a new form of “might makes right.”

i also take issue with how like... “oh, sure, the underclass of this society has been indoctrinated, but the diamonds and uppercrusts? nah,” when in reality, eeeeeveryone believes in their role.

the diamonds believe they’re doing the right thing. they’re not generic, power-hungry villains. killing them without trying to help them is essentially the moral determinist’s argument: “sorry, we know your mindset was formed over millennia and that every gem has an innate need for purpose, including you, buuuut despite the forces shaping you being bigger than yourself, we’re gonna act like the people in the lower classes are the only ones capable of change.”

and that is, genuinely, how a lot of people see it. even though homeworld has never been exposed to another way of thinking, sorry, you were Innately Corrupted by the accident of your status at birth. sucks to be you, now die.

but morality aside, i also have to ask... how.

just... how would you kill them. would white bend down politely and stop piloting others’ bodies as soon as bismuth approached her with the breaking point? because from white’s perspective, stopping bismuth is extremely easy lmao. literally just take over her body and poof, white has the breaking point now.

so even putting morality aside... strategy matters. SU is very much a world where “we will win because we’re GOOD and we have FRIENDSHIP” is not how it works in a fight. the relative strengths of each group is significant and changes your strategy fundamentally. homeworld is stronger than them.

the crystal gems are a small outpost of rebels, who are up against pretty much their entire species, including their gods. many homeworld gems like the system, the ones who don’t are usually the ones with the least social power within it, and the least physical might to match.

so... yeah. this idea that the crystal gems would even have the chance to shatter a diamond is... very romanticized. it’s a shounen trope that doens’t respect the rules of the world in question, which are far more politically realistic.

i’ve said before that blue zircon’s theories are told through a homeworldian lens, and they are (for instance, stereotyping pearls, minimizing their agency and assuming love for diamonds)... but one thing she’s right about is that it’s extremely hard to shatter a diamond from “the outside.” in enemy territory, they often come with an entourage. they’re extremely powerful. white can control any gem. so like... good luck.

strategically, steven does the smart thing - and bismuth gives the Audience At Home (tm) a solid rundown of what he’s trying to do: “let me put this in earth terms for you: you're about to enter the "lions' den". luckily, you're a "lion" too! you gotta roar at them in their language; you're the one that has to do it.”

essentially, steven has to find a way to use his privilege in order to dismantle it. this includes talking to indoctrinated and priviliged relatives so they can understand that the hierarchy isn’t actually justified. imagine that.

btw, because the diamonds are BOTH a “resource” and the uppermost class... destroying those resources would mean you could never heal the corrupted gems. so... you got revenge for no reason and saved no one. hurray.

so we’re sacrificing this beautiful scene, and almost every CG (who were corrupted or shattered), for the sake of vengeance. good job keeping your moral purity by not engaging with the enemy at all, 10/10 solution to the material problems of this world /j.

#steven universe #gif /#su theory #the diamonds #homeworld #the crystal gems

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lilydalexf · 4 years ago

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Old School X is a project interviewing X-Files fanfic authors who were posting fic during the original run of the show. New interviews are posted every Tuesday.

Interview with Syntax6

Syntax6 has 17 stories at Gossamer, but you should visit her website for the complete collection of her fics and to see the cover art that comes with many of the stories (and to find her pro writing!). She's written some of the most beloved casefiles in the fandom. I've recced literally all of them here before. Twice. Big thanks to Syntax6 for doing this interview.

Does it surprise you that people are still interested in reading your X-Files fanfics and others that were posted during the original run of the show (1993-2002)?

I’m delighted but not surprised because I’ve written and read fanfic for shows even older than XF. Also, I joined the XF fandom relatively late, at the end of 1999, so there were already hundreds of “classic” fics out there, stories that were theoretically superseded or dated by canon developments that came after them, but which nonetheless remained compelling in their own right. That is the beauty of fanfic: it is inspired by its original creators but not bound by them. It’s a world of “what if” and each story gets to run in a new direction, irrespective of the canon and all the other stories spinning off in their own universes. In this way, fanfic becomes almost timeless.

What do you think of when you think about your X-Files fandom experience? What did you take away from it? What did you take away from your experience with X-Files fic or with the fandom in general?

(I feel these are similar, at least for me, so I will combine them here.)

First and foremost, I found friends. There was a table full of XF fanfic writers at my wedding. Bugs was my maid of honor. I still talk to someone from XF fandom pretty much every day. Lysandra, Maybe Amanda, Michelle Kiefer, bugs…these are just some of the people who’ve been part of my life for half my existence now. Sometimes I get to have dinner with Audrey Roget or Anjou or MCA. Deb Wells and Sarah Ellen Parsons are part of my pro fic beta team. I have a similar list from the Hunter fandom, terrific people who have enriched my life in numerous ways and I am honored to count as friends.

Second, I learned a lot about writing during my years in XF fandom. I grew up there. Part of this growth experience was simply due to practice. I wrote about 1.2 million words of XF fanfic, which is the equivalent of 15 novels. I made mistakes and learned from them. But another essential part of learning is absorbing different kinds of well-told tales, and XF had these in spades. Some stories were funny. Others were lyrical. Some were short pieces with nary a word wasted while others were sprawling epics that took you on an adventure. The neat thing about XF is that it has space for many different kinds of stories, from hard-core sci-fi to historical romance. You can watch other authors executing these varied pieces and learn from them. You can form critique groups and ask for betas and get direct feedback on how to improve. It’s collaborative and fun, and this can’t be underestimated, generally supportive. The underlying shared love of the original product means that everyone comes into your work predisposed to enjoy it. I am grateful for all the encouragement and the critiques I received over my years in fandom.

Finally, I think a valuable lesson for writers that you can find in fandom, but not in your local author critique group, is how to handle yourself when your work goes public. Not everyone is going to like your work and they will make sure you know it. Some people will like it maybe too much, to the point where they cross boundaries. Learning to disengage yourself from public reaction to your work is a difficult but crucial aspect of being a writer. You control the story. You can’t control reaction to it. It’s frustrating at first, perhaps, but in the end, it’s freeing.

Social media didn't really exist during the show's original run. How were you most involved with the X-Files online (atxc, message board, email mailing list, etc.)?

I participated in ATXC, the Haven message boards, and the Scullyfic mailing list/news group. For a number of years, I also ran a fic discussion group with bugs called The Why Incision.

What got you involved with X-Files fanfic?

I started reading XF fanfic before I began watching the show. I had watched one season two episode (Soft Light) and then seen bits and pieces of a few others from season four. I’d seen Fight the Future. Basically, I’d seen enough to know which one was Mulder and which one was Scully, and which one believed in aliens. An acquaintance linked me to a rec site for XF fanfic (Gertie’s, maybe?) so that I could see how fic was formatted for the web. I clicked a fic, I think it was one by Lydia Bower dealing with Scully’s cancer arc, and basically did not stop reading. Soon I was printing off 300K of fic to take home with me each night. I could not believe the level of talent in the fandom, and that there were so many excellent writers just giving away their works for free. I wanted to play in this sandbox, too, so I started renting the VHS tapes to catch up on old episodes (see, I am An Old). After a few months, I began writing my own stuff.

What was it that got you hooked on the X-Files as a show?

I had to be dragged kicking and screaming to The X-Files. I’m not a sci-fi person by nature. I think my main objection is that, when done poorly, it feels lazy to me. Who did the thing? A ghost! Maybe an alien? I guess we’ll never know. You can always just shrug and play some spooky music and the “truth will always be out there…” somewhere beyond the story in front of you. You never have to commit to any kind of truth because you can invent some magical power or new kind of alien to change the story. I think, by the bitter end, the XF had devolved into this kind of storytelling. The mytharc made no kind of sense even in its own universe. But for years the XF achieved the best aspects of sci-fi storytelling—narrative flexibility and an apotheosis of our current fears dressed up as a super entertaining yarn.

What eventually sold me on the XF as a show is all of the smart storytelling and the sheer amount of ideas contained within its run. At its best, it’s a brilliant show. You have mediations on good versus evil, the role of government in a free society, is there a God, are we alone in the universe, and what are the elements that make us who we are? If Mulder and Morris Fletcher switch bodies, how do we know it’s really “them”? The tonal shifts from week to week were clever and engaging. For Vince Gilligan, truth was always found in fellow human beings. For Darin Morgan, humans were the biggest monster of all. The show was big enough to contain both these premises, and indeed, was stronger for it. The deep questions, the character quirks, the unsolved mysteries and all that went unsaid in the Mulder-Scully relationship left so much room for fanfic writers to do their own work. As such, the fandom attracted and continues to attract both dabbling writers and those who are serious craftspeople. People who like the mystery and those who like the sci-fi angle. Scientists and true believers. Like the show, it’s big enough for all.

What is your relationship like now to X-Files fandom?

I look at it like an old friend I catch up with once in a while. We’ve been close for so long that there’s no awkwardness—we just get each other! I love seeing people post screen shots and commentary, and I think it’s wonderful that so many writers are still inventing new adventures for Mulder and Scully. That is how the characters live on, and indeed how any of us lives on, through the stories that others tell about us.

Were you involved with any fandoms after the X-Files? If so, what was it like compared to X-Files?

I ran the Hunter fandom for about five years, mostly because when I poked my head back in, I found the person in change was a bully who’d shut down everything due to her own waning interest. A person would try to start a topic for discussion, and she’d say, “We’ve already covered that.” Well, yes, in a 30-year-old show, there’s not a lot of new ground…

Most other shows, Hunter included, have smaller fandoms and thus don’t attract the depth of fan talent. I don’t just mean fanfic writers. I mean those who do visual art, fan vids, critiques, etc. The XF fandom has all these in droves, which makes it a rare and special place. But all fandoms have the particular joy of geeking out over favorite scenes and reveling in the meeting of shared minds. It will always look odd to those not contained within it, which brings me to the part of modern fandom I find somewhat uncomfortable…the creators are often in fan-space.

In Hunter, the female lead joins fan groups and participates. This is more common now in the age of social media, where writers, producers, actors, etc., are on the same platforms as the rest of us. Fan and creator interaction used to be highly circumscribed: fans wrote letters and maybe received a signed headshot in return. There were cons where show runners gave panels and took questions from the audience. You could stand in line to meet your favorite star. Now, you can @ your favorite star on Twitter, message her on Facebook or follow him on Instagram. In some ways, this is so fun! In other ways, it blurs in the lines in ways that make me uncomfortable. I think it’s rude, for example, if a fan were to go on a star’s social media and post fanfic there or say, “I thought the episode you wrote was terrible.” But what if it’s fan space and the actor is sitting right there, watching you? Is it rude to post fanfic in front of her, especially if she says it makes her uncomfortable? Is it mean to tell a writer his episode sucked right to his face?

Do you ever still watch The X-Files or think about Mulder and Scully?

I own the first seven seasons on DVD and will pull them out from time to time to rewatch old faves. I’ve shown a few episodes over the spring and summer to my ten-year-old daughter, and it’s been fun to see the series through her eyes. We’ve mostly opted for the comedic episodes because there’s enough going on in the real world to give her nightmares. Her favorite so far is Je Souhaite.

Do you ever still read X-Files fic? Fic in another fandom?

I don’t have much bandwidth to read fanfic these days. My job as a mystery/thriller author means I have to keep up with the market so I do most of my reading there right now. I also beta read for some pro-fic friends and betaing a novel will keep you busy.

Do you have any favorite X-Files fanfic stories or authors?

I read so much back in the day that this answer could go on for pages. Alas, it also hasn’t changed much over the past fifteen years because I haven’t read much since then. But, as we’re talking Golden Oldies today, here are a bunch:

All the Mulders, by Alloway I find this short story both hilarious and haunting. Scully embraces her power in the upside down post-apocalyptic world.

Strangers and the Strange Dead, by Kipler Taut prose and an intriguing 3rd party POV make this story a winner, and that’s before the kicker of an ending, which presaged 1013’s.

Cellphone, by Marasmus Talk about your killer twists! Also one of the cleverest titles coming or going.

Arizona Highways, by Fialka I think this is one of the best-crafted stories to come out of the XF. It’s majestic in scope, full of complex literary structure and theme, and yet the plot moves like a runaway freight train. Both the Mulder and Scully characterizations are handled with tender care.

So, We Kissed, by Alelou What I love about this one is how it grounds Mulder and Scully in the ordinary. Mulder’s terrible secret doesn’t involve a UFO or some CSM-conspiracy. Scully goes to therapy that actually looks like therapy. I guess what I’m saying is that I utterly believe this version of M & S in addition to just enjoying reading about them.

Sore Luck at the Luxor, by Anubis Hot, funny, atmospheric. What’s not to love?

Black Hole Season, by Penumbra Nobody does wordsmithing like Penumbra. I use her in arguments with professional writers when they try to tell me that adverbs and adjectives MUST GO. Just gorgeous, sly, insightful prose.

The Dreaming Sea, by Revely This one reads like a fairytale in all the best ways. Revely creates such loving, beautiful worlds for M & S to live in, and I wish they could stay there always.

Malus Genius, by Plausible Deniability and MaybeAmanda Funny and fun, with great original characters, a sly casefile and some clear-eyed musings on the perils of getting older. This one resonates more and more the older I get. ;)

Riding the Whirlpool, by Pufferdeux I look this one up periodically to prove to people that it exists. Scully gets off on a washing machine while Mulder helps. Yet it’s in character? And kinda works? This one has to be read to be believed.

Bone of Contention (part 1, part 2), by Michelle Kiefer and Kel People used to tell me all the time that casefiles are super easy to write while the poetic vignette is hard. Well, I can’t say which is harder but there much fewer well-done casefiles in the fandom than there are poetic vignettes. This is one of the great ones.

Antidote, by Rachel Howard A fic that manages to be both hot and cold as it imagines Mulder and Scully trying to stay alive in the frosty wilderness while a deadly virus is on the loose. This is an ooooold fic that holds up impressively well given everything that followed it!

Falling Down in Four Acts, by Anubis Anubis was actually a bunch of different writers sharing a single author name. This particular one paints an angry, vivid world for Our Heroes and their compatriots. There is no happy ending here, but I read this once and it stayed with me forever.

The Opposite of Impulse, by Maria Nicole A sweet slice of life on a sunny day. When I imagine a gentler universe for Mulder and Scully, this is the kind of place I’d put them.

What is your favorite of your own fics, X-Files and/or otherwise?

Bait and Switch is probably the most sophisticated and tightly plotted. It was late in my fanfic “career” and so it shows the benefits to all that learning. My favorite varies a lot, but I’ll say Universal Invariants because that one was nothing but fun.

Do you think you'll ever write another X-Files story? Or dust off and post an oldie that for whatever reason never made it online?

I never say never! I don’t have any oldies sitting around, though. Everything I wrote, I posted.

Do you still write fic now? Or other creative work?

I write casefiles…er, I mean mysteries, under my own name now, Joanna Schaffhausen. My main series with Reed and Ellery consists of a male-female crime solving team, so I get a little bit of my XF kick that way. Their first book, The Vanishing Season, started its life as an XF fanfic back in the day. I had to rewrite it from the ground up to get it published, but if you know both stories, you can spot the similarities.

Where do you get ideas for stories?

The answer any writer will tell you is “everywhere.” Ideas are cheap and they’re all around us—on the news, on the subway, in conversations with friends, from Twitter memes, on a walk through the woods. My mysteries are often rooted in true crime, often more than one of them.

Each idea is like a strand of colored thread, and you have to braid them together into a coherent story. This is the tricky part, determining which threads belong in which story. If the ideas enhance one another or if they just create an ugly tangent.

Mostly, though, stories begin by asking “what if?” What if Scully’s boyfriend Ethan had never been cut from the pilot? What if Scully had moved to Utah after Fight the Future? What if the Lone Gunmen financed their toys by writing a successful comic book starring a thinly veiled Mulder and Scully?

Growing up, I had a sweet old lady for a neighbor. Her name was Doris and she gave me coffee ice cream while we watched Wheel of Fortune together. Every time there was a snow storm, the snow melted in her backyard in a such way that suggested she had numerous bodies buried out there. How’s that for a “what if?”

What's the story behind your pen name?

I’ve had a few of them and honestly can’t tell you where they came from, it’s been so long ago. The “6” part of syntax6 is because I joke that 6 is my lucky number. In eighth grade, my algebra teacher would go around the room in order, asking each student their answer to the previous night’s homework problems. I realized quickly that I didn’t have to do all the problems, just the fifteenth one because my desk was 15th on her list. This worked well until the day she decided to call on kids in random order. When she got to me and asked me the answer to the problem I had not done, I just invented something on the spot. “Uh…six?”

Her: “You mean 0.6, don’t you?”

Me, nodding vigorously: “YES, I DO.”

Her: “Very good. Moving on…”

Do your friends and family know about your fic and, if so, what have been their reactions?

My close friends and family have always known, and reactions have varied from mild befuddlement to enthusiastic support. My father voted in the Spookies one year, and you can believe he read the nominated stories before casting his vote. I think the most common reaction was: Why are you doing this for free? Why aren’t you trying to be a paid writer?

Well, having done both now, I can tell you that each kind of writing brings its own rewards. Fanfic is freeing because there is no pressure to make money from it. You can take risks and try new things and not have to worry if it fits into your business plan.

(Posted by Lilydale on September 15, 2020)

#new post #old school x #xfiles fanfic #xf fanfic #xf fanfic author interviews #syntax6

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anchorandrope · 4 years ago

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larry songs on walls

!!! | i’m not going to include the complete lyrics of all the songs so for a better understanding, look for them. all the songs were written by louis and other composers.

masterpost

HABIT

harry is the habit that louis can’t break

“i always said that i’d mess up eventually i told you that, so what did you expect from me? it shouldn’t come as no surprise anymore i know you said that you'd give me another chance but you and i knew the truth of it in advance that mentally you were already out the door”

the first part talks about how louis always thought he was going to ruin everything and that he didn’t know what harry expected of him, harry tells him that it doesn’t matter if he makes a mistake or they fight, he will give him more opportunities, they both knew that in the end, they were going to apologize but first they were probably going to have a fight where one of them leaves to not continue fighting (by leaving i mean literally going out the door and going somewhere else to calm the mind to not say things that they will regret later, i don’t mean to break up).

“i took some time ‘cause i’ve ran out of energy of playing someone i heard i’m supposed to be but honestly, i don’t have to choose anymore”

here he literally says that he got tired of pretending to be someone he is not, which refers to the role of straight image they put on him.

“and it's been ages, different stages come so far from princess park i’ll always need ya in front of me, in front of me”

this is the clearest reference to harry in the entire album as it mentions princess park, the first place harry and louis lived together. it basically says that he always need him, at every moment, at every stage.

bonus: stages is a wordplay because louis and harry literally went from stage to stage together singing and through stages of life.

“you gave me the time and the space, i was out of control and i’m sorry, i let you down guess that i know what i already knew, i was better with you, and i miss you now”

this part talks about a fight. they fought and as the beginning said, the one who “walked through the door” was harry, he left time and space for both of them to think. louis regrets it and feels that he disappointed him because even though he knows harry is going to forgive him, he feels responsible for everything. “i guess i know what i already knew” he talks about how every time a fight ends he realizes again that harry is the one, it’s something that he always knew and will know, but every time they fight is a thought that reinforces. the last part talks about the fear of losing him after fighting and how he only wants to see him to fix things, how the minutes for him are hours and that all he thinks about is him.

ALWAYS YOU

it was always harry

STUNT LYRIC IN ALWAYS YOU

“i went to amsterdam without you and all i could do was think about you” (...) “drink after drink but i still felt alone, i should’ve known”

the first part is iconic because louis went to amsterdam with eleanor in mid-2017 (x) and shortly afterwards he wrote the song. the second part talks about how lonely he feels when he isn’t with harry and how he drowns his absence in alcohol.

“walked through my door but it felt nothing like home ‘cause you're not home waiting to wrap your legs around me”

here is a word that describes louis and harry's relationship: home. the lyrics talk about how louis gets home when harry isn’t there (because he's traveling, he's giving a show, etc) and he doesn't feel like home because his home is harry, not a house.

TOO YOUNG

they were too young to realize everything

STUNT LYRIC IN TOO YOUNG

“we were too young to know we had everything” (...) “i wish i could’ve seen it all along i’m sorry that I hurt you, darling”

the first lyric talks about two things: how at the beginning of their relationship (until the end of 2011) they, even though they couldn't make it official, had few limitations for certain things such as tweets, flirting, hints, etc. and about what they lived together in one direction in general, they sang and traveled around the world together and at that moment they hadn’t realized how beautiful it was to be able to spend so much time together. in the second part louis blames himself for not having been able to see everything that was going to happen to them from the beginning (which is crazy because they were kids when everything started, so he should never blame himself for anything because the closeting is not his fault) and apologizes to harry for letting other people hurt him so much.

“i’ve been looking back a lot lately me and you is all i’ve ever known it’s hard to think you could ever hate me but everything’s feeling different now”

at one point louis came to think that harry hated him for all the damage that he “allowed” to be done to him (clearly not literal hate but he refers to anger/sadness) but now he looks back at those moments where he thought that and he knows it wasn’t that way, and now that he is older, he realizes that it was never his fault and he no longer feels that harry "hates" him for everything they happened. (it should be clarified that louis thought that harry was mad with him for that, that doesn’t mean that harry really felt that way, maybe it was only a perception of louis).

“oh, i can’t believe i gave into the pressure when they said a love like this would never last so i cut you off ‘cause i didn’t know no better now i realise yeah, i realise”

he talks about how at one point he believed what they told him about being with harry, when the closeting just started, surely before putting beards on them and everything, they talked to them to convince them to not be together because they weren't going to make it, louis really believed that it was something wrong with loving harry and that they weren’t going to make it, that's why he told him that maybe wasn’t a good idea to have a relationship, harry clearly made him see reason and that’s why at the end he says “now i realize”, which means that louis can't believe he thought it was wrong to be with harry and he can't believe he actually talked to him about it.

“face to face at the kitchen table this is everything i waited for now we can finally have the conversation that i wish we could’ve had before”

the first part talks about them being at home (“kitchen table” they also use it to refer to “home”) and they sat down to talk about all the shit they were going through, with “that conversation” he doesn’t refer to a discussion where they wondered if they loved each other or not, in that conversation they shared pain and frustration and both gave each other support.

WE MADE IT

they made it, together

STUNT LYRIC IN WE MADE IT

“‘cause we made it, underestimated and always underrated” (...) “knew that we would be alright, from the first time” (...) “never coming down with your hand in mine”

here there is a connection with too young: in too young he talks about how they were told they were never going to make it and here he talks about how they did it despite everything they were told, while they are together, nothing can bring them down.

“we were only kids, just tryna work it out wonder what they'd think if they could see us now”

another connection with too young: they were just kids trying to deal with closeting, they made it and now they wonder what those who told them they were never going to make it think.

bonus: “if they could see us now” eleanor and louis are a public couple, everyone can see and know about them...

“don’t know why they put this all on us when we’re so young done a pretty good job, dealing with it all when you’re here don’t need to say no more nothing in the world that i would change it for”

another reference to too young: he doesn’t understand why they put so much pressure and responsibility on them when they were so young. then he talks about how when he is with harry he handles the situation very well and that even though he has a horrible time in the industry, he would choose a thousand times to go through it just to be with him.

PERFECT NOW

harry love, you will always be perfect for me

to begin with, i want to say that its the only song with pronouns on walls, this data is not minor since it means that he intentionally wanted to highlight the feminine gender (he could have made it neutral as well but no, he decided to use feminine pronouns). harry gave us plenty of proof that he also uses feminine pronouns and louis was not far behind.

in my opinion the lyrics are quite obvious, they talk about harry’s insecurities and how louis tells her to not stop being who she is and that everything about her is perfect.

he talks about the clothes, about how maybe harry, no matter how open she seems, is still afraid to dress as she would like when she is with friends/family; he talks about the fear she has of doing things she loves, like dancing; he talks about she not wanting to attract attention, wanting to hide, etc.

its a beautiful love song, we can see how in love louis is and that he doesnt care about the pronouns or the clothes, he will always love her and he will be there to help her in her insecurities. (x) (x)

DEFENCELESS

im defenceless, i got so much to lose

“i come runnin’ to you like a moth into a flame you tell me, “take it easy”, but it’s easier to say “wish i didn’t need so much of you” i hate to say, but i do we’re sleepin’ on our problems like we’ll solve them in our dreams we wake up early morning and they’re still under the sheets i’m lost in my head, i’m spinnin’ again tryna find what to say to you”

this song literally talks about closeting. first he talks about how when louis gets angry about something they have to do (for the stunts) harry tells him to take it easy to which louis responds that its easier if he told him that he wishes he didn’t love him so much. he hates to say that it would be easier if they didn't love each other, but he knows that its true. then he speaks in the plural (this is important because he remarks that its a problem that both of them go through) saying that they both sleep waiting to get up and seeing that everything is solved. and finally, he talks about how louis is constantly thinking of solutions and consolations for both of them.

“been up all night, all night, runnin’ all my lines but it’s only the truth been up all night, not sure how to say this right got so much to lose”

“never been so defenceless (oh-oh) never been so defenceless (ooh-ooh) you just keep on buildin’up your fences (oh-oh) but i’ve never been so defenceless (ooh-ooh) [...]”

he spent the whole night going over everything he has to solve, everything he has to say to pretend; he doesn’t know how to say it because he knows that if he says it he has so much to lose. (this is literally a lyric about coming out of the closet, no explanation needed) he says he feels defenceless despite seeing harry building his way to the end, that no matter that he sees the light at the end of the tunnel, he feels vulnerable.

“no, you don’t have to keep on being strong for me and you acting like you feel no pain, you know i know you do and i can’t get inside when you’re lost in your pride but you don’t have a thing to prove”

he tells harry to stop pretending that nothing affects him because he knows that he suffered as much as he does, he told him to open up so he can help him and not let his pride win.

“i hope that i’m not asking too much just wanna be loved by you (don’t you be so defensive) and i’m too tired to be tough just wanna be loved by you”

does this need explanation? it’s louis telling harry that he doesn’t care about anything anymore and he just wants to be loved by him.

ONLY THE BRAVE

louis in love has to be brave

this song doesn’t talk about harry, it talks about louis’ sexuality but it seemed right to include it since i see the importance and relationship to his relationship with him.

“pour mercy, mercy on me set fire to history i’m breaking my own rules i’m crying like a fool tall stories on the page short glories on the fade i’ve been close enough to touch but i never cared for love”

“pour mercy, mercy on me” “i’m breaking my own rules” and “i’m crying like a fool” refer to the fact that louis suffered a lot when he discovered his sexuality and had a stage of self-denial, not everyone accepts themselves at first. “set fire history” and “tall stories on the page” talks of how historically homosexuality was not accepted. “shot glories on the fade i’ve been close enough to touch” talks about the times he felt close to coming out but never ending happening. “but i never cared for love” he never cared about loving the way he was taught: heterosexual.

“it’s a church of burnt romances and i’m too far gone to pray it’s a solo song and it’s only for the brave”

first he talks about the church (we already know the church's opinion on homosexuality) the phrase “burnt romances” talks about all gay couples who couldn’t be together because society prohibited them (it was also very normal in ancient times to burn homosexuals at the stake and you can refer to that too, it’s a sensitive theme but it makes sense). “i’m too far gone to pray” talks about being far from what the church expects and feels that god wouldn’t listen to you. “it’s a solo song and it’s only for the brave” is a song for people who, even though they feel lonely, are brave.

to clarify: heterosexual people don’t have to be brave to love, heterosexuals are accepted throughout the world and they don’t have laws that harm them or millions of people who think they are sick. saying that heterosexuals also have to be brave to love is homophobic.

“if the truth tell darling, you feel like there ain’t enough dying stars in your sky it’s a tall tale and it’s only hello, hello, no goodbye (goodbye)”

the first part talks about how by saying your true orientation you lose many people, the “dying stars” are the people who leaves you and “your sky” is your life. the second part talks about the homophobic “arguments” that people say when you show yourself as you are and that no matter what they tell you, you are still who you are. (tall tale=very exaggerated story)

“pour mercy, mercy on me i’ll fall upon my knees and they’ll say, “i told you so” come on, when you know, you know”

at the moment that he can’t take it anymore and “fall to his knees” (come out of the closet) and lose many people, there will be someone who will say “i told you that you shouldn’t say it”, he knows it was the right thing to do, but he also knows that they are partly right, they told him and he still decided to be free.

“all the lonely shadow dances from the cradle to the grave it’s a solo song and it’s only for the brave”

you are who you are from the moment you are born until you die, is a song for people who, even though they feel lonely, are brave.

clearly this is just my interpretation, their interpretations are also equally valid (as long as they can be justified obviously) there is no correct interpretation so if they interpret it differently it’s also fine

—————————————————

canciones larry en walls

!!! | no voy a incluir las letras completas de todas las canciones asi que para una mejor compresión busquenlas ustedes. todas las canciones fueron escritas por louis y otros compositores.

masterpost

HABIT

harry es el hábito que louis no puede romper

original

traducción

“siempre dije que eventualmente yo me equivocaría te lo dije, ¿qué esperabas de mí? ya no debería ser una sorpresa sé que dijiste que me darías otra oportunidad pero tú y yo sabíamos la verdad de antemano que mentalmente tú ya estabas fuera de la puerta”

la primera parte habla de que louis siempre pensó que iba a arruinar todo y que no sabía lo que harry esperaba de el, harry le dice que no importa si se equivoca o pelean, el va a darle mas oportunidades, ambos sabían que al fin y al cabo iban a disculparse pero antes probablemente iban a tener una pelea donde uno de los dos se va para no seguir peleando (con irse me refiero a literal salir por la puerta e ir a otro lado a calmar la mente para no decir cosas que no queres, no me refiero a terminar).

original

“i took some time ‘cause i’ve ran out of energy of playing someone i heard i’m supposed to be but honestly, i don’t have to choose anymore”

traducción

“me tomé un tiempo porque me quedé sin energía de interpretar a alguien que escuché que se supone que soy pero honestamente, ya no tengo que elegir”

aca literalmente dice que se cansó de fingir ser alguien que no es, lo cual hace referencia al papel de hetero que le pusieron.

original

“and it's been ages, different stages come so far from princess park i’ll always need ya in front of me, in front of me”

traducción

“y han pasado años, diferentes etapas ven tan lejos desde princess park siempre te necesitaré delante de mí, delante de mí”

esta es la referencia a harry mas clara en todo el álbum ya que menciona a princess park, el primer lugar donde harry y louis vivieron juntos. básicamente dice que siempre lo necesitó, en cada momento, en cada etapa.

bonus: “stages” puede ser etapas o escenarios, por el contexto es etapas pero es un juego de palabras porque louis y harry literalmente fueron de escenario en escenario juntos a traves de los años.

original

“you gave me the time and the space, i was out of control and i’m sorry, i let you down guess that i know what i already knew, i was better with you, and i miss you now”

traducción

“me diste el tiempo y el espacio, estaba fuera de control y lo siento, te decepcioné supongo que sé lo que ya sabía, estaba mejor contigo, y te extraño ahora”

esta parte habla de una pelea. se pelearon y como dijo el principio, el que “camino a traves de la puerta” fue harry, el le dejó tiempo y espacio para que ambos piensen. louis se arrepiente y siente que lo desepcionó porque por mas de que sabe que harry va a perdonarlo, se siente responsable de todo. “supongo que se lo que ya sabía” habla de que cada vez que termina una pelea se da cuenta otra vez de que harry es el indicado, es algo que siempre lo supo y lo va a saber, pero cada vez que pelean es un pensamiento que refuerza. la ultima parte habla del miedo de perderlo despues de pelear y de como solo quiere verlo para arreglar las cosas, de como los minutos para el son horas y de que en lo único que piensa es en el.

ALWAYS YOU

siempre fue harry

STUNT LYRIC EN ALWAYS YOU

original

“i went to amsterdam without you and all i could do was think about you” (...) “drink after drink but i still felt alone, i should’ve known”

traducción

“fui a amsterdam sin ti y todo lo que pude hacer fue pensar en ti” (...) “bebida tras bebida, pero todavía me sentía solo, debería haberlo sabido”

la primera parte es iconica porque louis fue a amsterdam con eleanor a mediados de 2017 (x) y poco tiempo después escribió la canción. la segunda parte habla de lo solo que se siente cuando no esta con harry y de como ahoga su ausencia en alcohol.

original

“walked through my door but it felt nothing like home ‘cause you're not home waiting to wrap your legs around me”

traducción

“atravesé mi puerta pero no me sentí como en casa porque no estás en casa esperando para envolver tus piernas a mi alrededor”

aca se menciona una palabra que describe la relación de louis y harry: home. los lyrics hablan de como louis llega a su casa cuando harry no esta (ya se porque esta de viaje, esta dando un show, etc) y no lo siente como su hogar porque su hogar es harry no una casa.

TOO YOUNG

eran muy chicos para darse cuenta de todo

STUNT LYRIC EN TOO YOUNG

original

“we were too young to know we had everything” (...) “i wish i could’ve seen it all along i’m sorry that I hurt you, darling”

traducción

“éramos muy jóvenes para saber que teníamos todo” (...) “desearía haberlo visto todo el tiempo lamento haberte herido, cariño”

el primer lyric habla de dos cosas: de como al principio de su relación (hasta fines del 2011) ellos por mas de que no podían hacerlo oficial, tenían pocas limitaciones para ciertas cosas como por ejemplo tweets, coqueteo, indirectas, etc. y sobre lo que vivieron juntos en one direction en general, ellos cantaron y viajaron por el mundo juntos y en ese momento no se habían dado cuenta de lo hermoso que era poder estar tanto tiempo juntos. en la segunda parte louis se culpa por no haber podido ver todo lo que les iba a pasar desde el principio (cosa que es una locura porque eran nenes cuando emepezó todo, asi que no debería culparse de nada nunca porque el closeting no es su culpa) y le pide perdon a harry por haber dejado que otras personas lo lastimen tanto.

original

“i’ve been looking back a lot lately me and you is all i’ve ever known it’s hard to think you could ever hate me but everything’s feeling different now”

traducción

“he estado mirando mucho atrás últimamente tú y yo es todo lo que he conocido, es difícil pensar que alguna vez puedas odiarme pero todo se siente diferente ahora”

en un punto louis llegó a pensar que harry lo odiaba por todo el daño que el “permitió” que le hicieran (claramente no odiar literal pero se refiere a enojo/trsiteza) pero ahora mira hacía esos momentos donde pensaba eso y sabe que no es asi y ahora que es mas grande, se da cuenta que nunca fue su culpa y ya no siente que harry lo “odia” por todo lo que pasaron. (cabe aclarar que louis pensaba que harry esta mal con el por eso, eso no quiere decir que harry verdaderamentese haya sentido asi, por ahi era solo una percepción de louis).

original

“oh, i can’t believe i gave into the pressure when they said a love like this would never last so i cut you off ‘cause i didn’t know no better now i realise yeah, i realise”

traducción

“oh, no puedo creer que haya cedido a la presión cuando dijeron que un amor como este nunca duraría así que te interrumpí porque no sabía nada mejor, ahora me doy cuenta sí, me doy cuenta”

habla de que en un momento creyó lo que le dijeron sobre estar con harry, cuando recien empezó el closeting de hierro seguramente antes de ponerles barbas y todo, hablaron con ellos para convencerlos de que no esten juntos porque no iban a dudar, louis realmente creyó que había algo malo en amar a harry y que no iban a lograrlo por eso le dijo que por ahí no era una buena idea tener una relación, harry claramente lo hizo entrar en razon y por eso al final dice “ahora me doy cuenta”, que significa que louis no puede creer que el pensó que estaba mal estar con harry y no puede creer que realmente habló con el sobre eso.

original

“face to face at the kitchen table this is everything i waited for now we can finally have the conversation that i wish we could’ve had before”

traducción

“cara a cara en la mesa de la cocina esto es todo lo que esperaba ahora finalmente podemos tener la conversación que desearía haber tenido antes”

la primera parte habla de que estaban en casa (“kitchen table” tambíen lo usan para referirse a “home”) y se sentaron a hablar de toda la mierda por la que pasaban, con “esa conversación” no se refiere a una discusión donde se preguntaban si se amaban o no, en esa conversación se desahogaban, compartían el dolor y la frustración y ambos se dieron apoyo mutuo.

WE MADE IT

lo hicieron, juntos

STUNT LYRIC EN WE MADE IT

original

“‘cause we made it, underestimated and always underrated” (...) “knew that we would be alright, from the first time” (...) “never coming down with your hand in mine”

traducción

“porque lo logramos, menospreciados y siempre subestimados” (...) “sabía que ibamos a estar bien, desde la primera vez” (...) “nunca me derrumbaré con tu mano en la mía”

aca hay una conexión con too young: en too young habla de como les dijeron que nunca iban a lograrlo y aca habla de como lo lograron a pesar de todo lo que les dijeron, mientras esten juntos, nada puede derrumbarlos.

original

“we were only kids, just tryna work it out wonder what they'd think if they could see us now”

traducción

“nosotros sólo éramos niños, sólo intentando resolverlo me pregunto qué pensarían ellos si pudieran vernos ahora”

otra conexión con too young: solo eran niños intentando lidiar con el closeting, lo lograron y ahora se preguntan que piensan los que les dijeron que nunca iban a lograrlo.

bonus: “si pudieran vernos ahora” eleanor y louis son una pareja pública, todos los pueden ver y saber de ellos...

original

traducción

“no sé por qué nos ponen todo esto cuando eramos tan jóvenes, he hecho un buen trabajo, manejándolo todo cuando tú estás aquí no necesito decir nada más no hay nada en el mundo por lo que cambiaría esto”

otra referencia a too young: no entiende porque les pusieron tanta presión y responsabilidad siendo tan chiquitos. despues habla de que cuando esta con harry maneja la situación muy bien y de que a pesar de que la pasó y la pasa horrible en la industria, eligiría una y mil veces pasar por ello con tal de estar con el.

PERFECT NOW

harry amor, siempre vas a ser perfecta para mi

para empezar quiero decir que es la única canción con pronombres en walls, este dato no es menor ya que significa que intencionalmente quería remarcar el genero femenino (podría haberla hecho neutra también pero no, decidió usar pronombres femeninos). harry nos dió muchas pruebas de que también usa los pronombres femeninos y louis no se quedó atrás.

la letra a mi parecer es bastante obvia, habla de las inseguridades de harry y de como louis le dice que no deje de ser quien es y que cada cosa de ella es perfecta.

habla de la ropa, de como tal vez harry por mas abierta que parezca, aun asi le da miedo vestirse tal y como le gustaría cuando esta con amigxs/familiares; habla del miedo a hacer cosas que ama, como bailar; habla de no querer llamar la atención, de querer esconderse, etc.

es una hermosa canción de amor, podemos ver lo enamorado que louis esta y de que no le importa los pronombres o la ropa, el siempre la va a amar y va a estar ahi para ayudarla en sus inseguridades. (x) (x)

DEFENCELESS

estoy indefenso, tengo tanto que perder

original

“i come runnin’ to you like a moth into a flame you tell me, “take it easy”, but it’s easier to say “wish i didn’t need so much of you” i hate to say, but i do. we’re sleepin’ on our problems like we’ll solve them in our dreams we wake up early morning and they’re still under the sheets i’m lost in my head, i’m spinnin’ again tryna find what to say to you”

traducción

“vengo corriendo hacia ti como una polilla en llamas me dices, “tomalo con calma”, pero es mas facil decir “desearia no necesitar tanto de ti” yo odio decirlo, pero lo hago. estamos durmiendo en nuestros problemas como si los resolviéramos en nuestros sueños nos levantamos temprano en la mañana y todavía están debajo de las sábanas. estoy perdido en mi cabeza, estoy girando de nuevo intentando encontrar qué decirte”

esta canción literalmente habla del closeting. primero habla de que cuando louis se enoja por algo que tienen que hacer (para los stunts) harry le dice que se lo tome con calma al lo que louis responde que es mas facil si el le dijese que desearía no amarlo tanto. el odia decir que sería todo mas facil si no se amasen, pero sabe que es así. despues habla en plural (esto es importante porqje remarca que es un problema por el que pasan ambos) diciendo que ambos duermen esperando levantarse y que todo este solucionado. y por último habla de como louis esta constantemente pensando en soluciones y consuelos para ambos.

original

“been up all night, all night, runnin’ all my lines but it’s only the truth been up all night, not sure how to say this right got so much to lose”

“never been so defenceless (oh-oh) never been so defenceless (ooh-ooh) you just keep on buildin’up your fences (oh-oh) but i’ve never been so defenceless (ooh-ooh) [...]”

traducción

“he estado despierto toda la noche, toda la noche, corriendo todas mis líneas pero es sólo la verdad he estado despierto toda la noche, no estoy seguro de cómo decir esto bien tengo mucho que perder”

“nunca he estado tan indefenso (oh-oh) nunca he estado tan indefenso (ooh-ooh) sigues construyendo tus cercas (oh-oh) pero nunca he estado tan indefenso (ooh-ooh) [...]”

estuvo toda la noche repasando todo lo que tiene que solucionar, todo lo que tiene que decir para fingir; no sabe como decirlo porque sabe que si lo dice puede perder mucho. (esto es literalmente un lyric sobre salir del closet, no necesita explicacion) dice que se siente indefenso a pesar de ver a harry construyendo se camino hacia el final, que no importa que vea la luz al final del tunel, el se siente vulnerable.

original

traducción

“no, no tienes que seguir siendo fuerte para mí y para ti actuando como si no sintieras dolor, sabes que sé que lo haces y no puedo entrar cuando estás perdido en tu orgullo pero no tienes nada que demostrar”

le dice a harry que se deje de hacer el que nada le afecta porque sabe que sufre tanto como el, que se abra asi el puede ayudarlo y que no se deje ganar por su orgullo.

original

“i hope that i’m not asking too much just wanna be loved by you (don’t you be so defensive) and i’m too tired to be tough just wanna be loved by you”

traducción

“espero no preguntar demasiado sólo quiero ser amado por ti (no estés tan a la defensiva) y estoy demasiado cansado para ser duro solo quiero ser amado por ti”

esto necesita explicacion? es louis diciendole a harry que ya no le importa nada y solo quiere ser amado por el.

ONLY THE BRAVE

louis en el amor tiene que ser valiente

esta canción no habla sobre harry, habla sobre la sexualidad de louis pero me pareció correcto incluirla ya que le veo importancia y relación a su relación con el.

original

traducción

“derrama misericordia, ten piedad de mí prende fuego a la historia estoy rompiendo mis propias reglas estoy llorando como un tonto historias altas en la página breves glorias en el desvanecimiento he estado lo suficientemente cerca como para tocar pero nunca me preocupé por el amor”

“ten piedad de mi” “estoy rompiendo mis propias reglas y “estoy llorando como un tonto” se refieren a que louis sufrió mucho cuando descubrió su sexualidad y tuvo una etapa de autonegación, no todxs se aceptan al principio. “prende fuego la historia” e “historias altas en la página” habla de como históricamente la homosexualidad no fue aceptada. “breves glorias en el desvanecimiento he estado lo suficientemente cerca como para tocar” habla de las veces que se sientió cerca de salir del closet pero nunca termina pasando. “pero nunca me preocupé por el amor” nunca se preocupó por amar en la forma que le enseñaron: heterosexualmente.

original

“it’s a church of burnt romances and i’m too far gone to pray it’s a solo song and it’s only for the brave”

traducción

“es una iglesia de romances quemados y estoy demasiado lejos para rezar es una canción en solitario y es sólo para valientes”

primero habla de la iglesia (ya sabemos la opinión de la iglesia frente a la homosexualidad) la frase “romances quemados” habla de todas las parejas gay que no pudieron estar juntos porque la sociendad lo impedía (también era muy nornal en la antiguedad quemar a los homosexuales en la hoguera y también puede hacer referencia a eso, es un poco fuerte pero tiene sentido). “estoy demasiado lejos para rezar” habla de que esta muy lejos de ser lo que la iglesia espera y siente que dios no lo escucharía. “es una canción en solitario y es solo para los valientes” es una canción para la gente que a pesar de que se siente sola es valiente.

también hay que acalarar que las personas heterosexuales no tienen que ser valientes para amar, los heterosexuales son aceptados en todo el mundo y no tienen ni leyes que los perjudiquen ni millones de personas que piensan que son enfermos. decir que los heterosexuales también tienen que ser valientes para amar, es homofobico.

original

“if the truth tell darling, you feel like there ain’t enough dying stars in your sky it’s a tall tale and it’s only hello, hello, no goodbye (goodbye)”

traducción

“si la verdad dice cariño, tú sientes como si no hubiera suficientes estrellas moribundas en tu cielo es un cuento alto y es sólo hola, hola, no adiós (adiós)”

la primera parte habla de que al decir tu verdadera orientación perdes a muchas personas, las “estrellas moribundas” son las personas que te dejan y “tu cielo” es tu vida. la segunda parte habla de los “argumentos” homofobicos que la gente dice cuando te mostras como sos y de que no importa que te digan, vos seguís siendo como sos. (tall tale=historia muy exagerada)

original

“pour mercy, mercy on me i’ll fall upon my knees and they’ll say, “i told you so” come on, when you know, you know”

traducción

“derrama misericordia, ten piedad de mí, caeré de rodillas y ellos dirán: “te lo dije” vamos, cuando sabes, tú sabes”

en el momento que ya no pueda mas y “caiga de rodillas” (salga del closet) y pierda a muchas personas, va a haber alguien que le diga “viste, te dije que no debías decirlo”, el sabe que fue lo correcto, pero también sabe que en parte tienen razón, se lo dijeron y aún asi decidió ser libre.

original

“all the lonely shadow dances from the cradle to the grave it’s a solo song and it’s only for the brave”

traducción

“todas las sombras solitarias bailan desde que nacen hasta que mueren es una canción en solitario y es sólo para valientes”

sos quien sos desde que naces hasta que te morís, es una canción para las personas que se sienten solitarias pero aun asi son valientes.

claramente esta es solo mi interpretación, sus interpretaciones también son igual de válidas (en cuanto las puedan justificar obvio) no hay una interpretación correcta así que si lo interpretan distinto también esta bien

#songs #habit #always you #too young #we made it #only the brave #perfect now #defenceless

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