#being dead and coming back to life
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70s-sugarmama · 9 months ago
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Let There Be Miracles
Oh look mama - I found a miracle!
Miracles happen all the time.Here are the top 3 which make more sense than the most:3. The Butterfly Effect2. Deja Vu1. Loving someone who loves you back.And then, there are some which are willing to drown in their own profoundness (but mostly, they swim):11. Watching your parents grow old and wrinkly10. People in your life who are willing to listen to your drunk, shitty poetry9. A home of your…
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lotus-pear · 4 months ago
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mourning black and the death of ideals
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cptnwynnie · 4 months ago
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Pop quiz! What do you do when you come home and find a kid in your office who is actually an alternate version of your best friend from another universe who has somehow ended up here via vague hand-wavey undefined circumstances?
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stars-obsession-pit · 3 months ago
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Danny Phantom was not used to fighting magic users. Ghosts, yes. But humans with powers? No.
So when a cult managed to successfully summon and bind him, he lacked the knowledge of how to stop them.
And they tore him apart.
His core was broken into pieces, each one then implanted into one of the most loyal cult members (or potentially sold off to another person to use…) to grant them a portion of Phantom’s many powers.
However, the cult didn’t entirely know what they were doing either. You see, it turns out that shattering Danny’s core in that manner didn’t truly end him. His soul still persisted, still refused to die even as it was trapped amongst the disparate shards. Though each individual piece lacked the strength of mind or power to affect their hosts, they would gradually forge themselves together anew should they ever be gathered back together.
And after Red Hood killed several of the cult’s members, that process began. Their shards, now freed, transferred to the vigilante, instinctively latching onto his proto-core. Though still not yet whole enough to form a truly conscious fragment of Danny, they are enough to start to nudge Hood in the right direction (bolstered in effectiveness by Jason’s connection to death)
Jason can feel it deep within his soul. There’s something more to this cult’s powers than just normal magic, and he has a growing need to find out what that is. To stop them. To burn them all down and dig their secrets from the ashes.
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frozen-seagrass · 3 months ago
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The WALL-E au no one asked for
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copypastus · 1 year ago
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Nothing gave me more whiplash IN MY LIFE than going from acowar to acofas.
Remember when Feyre closed the chapter on her relationship with Tamlin and wished him well? Coz the Inner Circle sure keeps forgetting.
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spacedace · 2 years ago
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So like...Danny as Ghost King getting to help sort people into the correct/prefered afterlives, and talking with all the Justice League peeps to figure out what they want/where they want to go ahead of time like it's a pension plan or like he's a Travel Agent.
Like he gives tours around various afterlives around the Ghost Zone, offers up different "packages" they can choose from.
"With the Ghost Package you can come back to the living realm, but you will be locked in with an Obsession - it's not as bad as it sounds, but we can go into more detail later on what it entails if you're interested - and you will be bound to a particular Haunt. Also my parents might try to capture and experiment on you."
"Unfortunately you don't qualify for the Revenant package due to how many times you've already died and come back, but I *can* get you set up with one of our Reincarnation representatives if returning to the living world is something you are interested in."
"Guardian Spirit is a popular choice, so there is a bit of a waiting time in terms of getting paperwork processed, but if you sign up for it now while you're still alive all that can be done ahead of time and you can jump right in once you pass on. You will need to make sure you regularly update the list of who you will be watching over considering your propensity for adoption."
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gods-perfect-idiots · 1 month ago
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something something blood-soaked hands cradling your face something something
anyway here's the post btw
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#what if post dp3 logan struggles to emotionally accept that wade Will Actually For Real Survive Anything#and one time they are fighting some random baddies#and they somehow get in a few shots straight to wade's cranium and he drops like a bag of slutty slutty potatoes#and logan goes full berserker trying to get to him#like he just massacres everyone in his way and wade still isnt getting up ohnoohnoohnonotagainohno#(healing factor or no a few direct shots to the brain stem/t box take a bit to recover from)#(no more than five minutes but it's an eternity to logan)#and his heart sinks to the very core of the earth as he kneels down next to wade's body#and his hands are shaking and soaked in blood and he can't seem to sheathe his claws in his dazed adrenalined state#he tries to peel back wade's mask and fear is just *pounding* through his system because in that moment#all he can see are the xmen dead in massive pools of blood#and that feeling of unreality is rushing over him like thiscantbehappeningthiscantbehappeningnotagainohgodnotagain#wade's still and unresponsive and there is so Much BLOOD (hard to tell how much is Wade's and how much is just on his hands)#and logan doesn't even realize he's crying until suddenly wade's eyes light up like a computer restarting#and he's smiling and gasping and joking immediately#“well howdy there hot stuff what did I miss?”#and then he clocks that logan is Not Okay#“... well gee willikers golly goddamn peanut 'twas only a flesh wound! no need to go all waterworks over lil ol me”#“you know it would take a helluva lot more than that to make me shuffle off this here mortal coil!”#“see all better I'm hunky dory peachy keen right as fucking rain”#“I mean cmon I can't have been out for more than five minutes so let's just go back to you being exasperated with my bullshit antics okay??#“...okay sugarboobs? snookums? babycakes?.... Logan?”#and they just sit there on the floor holding each other for a while#wade babbling and logan crying about everything he's lost and wondering distantly how he has come to care so much#about this blithering jokester in like barely a week#that the thought of losing him brought him crashing back to the worst memory of his extremely rough life#anyway that's enough tag mini fic lolol I'm having feelings about my own drawing I guess 😵#poolverine#deadpool and wolverine#poolverine art
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theredcuyo · 5 months ago
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"Why would you do all of this for me even after all i did to you?!"
"Because i love you, the you that it's really behind all of it, the you that you fight not to show to the world but that i've seen before anyway"
Is such a raw line that i asure you, if it's present in a fic, not necessary letter by letter, but in sentiment, then that's a good fucking fic
Wheter platonic or romantic
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greenerteacups · 3 months ago
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oooh please someday tell us what you think of GOT
oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.
SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)
so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!
so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.
the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!
now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.
here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.
but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.
so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.
anyway, that's what I think went wrong with game of thrones.
#using the tags as a footnote system here but in order:#1. quentin MAY not be dead according to some theories but in the text he is a charred corpse#2. arianne is great and i love her but to be honest. my girl is kinda dumb. just 2 b real.#3. faegon is totally a blackfyre i think it's so obvious it may well be text at this point#it's almost r+l = j level man like it's kind of just reading comprehension at this point#4. relatedly there are some characters i think GRRM has endings picked out for and some i think he specifically does NOT#i think stannis melisandre jon and daenerys all will end up the same. jon and dany war crimes => murder/banishment arc is just classic GRRM#but i think jon's reasoning will be different and it'll be better-written.#im sorry but babygirl shireen IS getting flambeed. in response stannis will commit epic battle suicide killing all boltons i hope#brienne will live but in some tragic 'stay awhile horatio' capacity. likely she will try to die defending her liege and fail#faegon will die there's zero chance blackfyres win ever#now jaime/cersei I do NOT think he knows. my brothers in christ i don't think this motherfucker knows who the valonqar is!!#same with tyrion i think that the author in GRRM wants to do a nasty corruption arc + kill him off but the person in him loves him too much#sansa i have no goddamn idea what's going to happen. we just don't know enough about the northern conspiracy to tell#w/ arya i think he has... ideas. i don't think she's going to sail off to Explore i am almost certain that the show doing that was a cover#because the actual idea he gave them was unsavory or nonviable for some reason. bc like.#why would arya leave bran and jon and sansa? the family she's just spent her whole life fighting to come back to and avenge?#this is suspicious this does not feel like arya this does not feel right#bran will not be king or if he is it'll be in a VERY different way not the dumbfuck 'let's vote' bullshit#i personally think bran is going to go full corruption arc and become possessed by the 3 eyed raven. but that could be a pipe dream#the thing is he's way too OP in the show so the books have to nerf him and i think GRRM is still trying to work out#a way to actually do that.#i don't think he told them what happened with littlefinger or sansa. i think sansa's story is vaguely similar#(stark restoration through the female line etc)#but the queen in the north shit is way too contrived frankly. and selfishly i hope she gets something different#being a monarch in ASOIAF is not a happy ending. we know this from the moment we meet robert baratheon in AGOT#and we learn exactly what GRRM thinks of the people who 'win' these endless wars of succession#and they are not heroes#they are not celebrated#and they are neither safe nor happy
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transmasccofee · 1 year ago
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thinking yet again about Saiki‘s’s final choice in the series being “I’d rather live with my powers than die without them” bc that is seriously the single best ending of a disability narrative I’ve seen. Fuck.
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loadsofcats · 1 year ago
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Funny how Oliver went to Point Nemo for a nap because people became a bother that started to suffocate him. Terminal Velocity stuff could be made out of this methinks
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lotus-pear · 4 months ago
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soukoku shippers can NEVER come after kunizai now with the excuse of them having no angst i think they honestly win tragic yaoi of the year award WAIT UNTIL DAZAI HEARS HIS PARTNER GOT TURNED INTO A 7/11 $2.50 FROST GLACIER SLUSHIE 😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭
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s-aint-elmo · 11 months ago
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I'm so glad I'm not the only one obsessed with the Marcille Laios Falin gang. Like they are a unit.... A team.... Even if the rest of the party fell apart they would stay together.... Idk it's just really fun to see all the different groups everyone falls into across the course of dungeon meshi and I love how you can tell that the three of them are a unit even as they are separated for most of the manga.
YEAH!!!! that day in the laughing wolf when falin first stopped marcille from perma-killing her brother that was fate in motion binding them together for the rest of their lives. (/hj but also i have a vague nebulous idea for a series of drawings of the toudens + marcille thru the years starting w the laughing wolf.) i love how we know that in both laios and marcille's ideal visions for the far future they are together with falin and that by the end they make it happen. i love that they both started off being connected only by the strength of their love for falin but eventually developed their own deep closeness that cemented their trio as a balanced whole.
i don't see laimar romantically the way i do farcille but those two for sure mean as much to each other as falin does to them. i love laios's strongest impression of marcille being the moment she gave it all to bring falin back. i love marcille speaking to laios's corpse with her cheek laid on his cold breastplate. i love laios looking out for marcille's comfort and enjoyment as the baseline for the party because she's the most expressive about her feelings. i love marcille always being the first to notice when laios is being dodgy as all hell and making him spit it out.
however it shakes out those three are family 5ever and we all know the lengths they'd go to if they were ever to be separated <333
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rhymaes · 10 months ago
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The Untamed (2019) // “Snowdrops,” Louise Glück
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thebirdandhersong · 2 months ago
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Lol
#theres nothing quite like your mother saying Well maybe you shouldve been more careful because now your boss might think youve been flirting#with this male coworker (whom i like splendidly as a friend) and now maybe she thinks youre not trustworthy#and maybe she regrets hiring you because you said you feel like youre making a lot of mistakes this week and she might assume thats because#your head is filled with this boy.#so dont make her regret hiring you.#MA'AM I TOLD YOU I WAS ALREADY ANXIOUS BECAUSE I MADE SO MANY MISTAKES TODAY WHY ARE YOU MAKING ME ASHAMED#OF SOMETHING THAT I HONESTLY HAD NO CLUE I OUGHT TO BE ANXIOUS ABOUT AT MY FIRST NEW JOB AFTER IVE GRADUATED????#anyway going to bed i cant take this anymore LOL she said it so lightly and im like. well i never even considered#being afraid of making my boss regret hiring me somehow because of some kind of behaviour that i had no idea was sending some kind of signal#anywaysssss 😭😭😭😭😭😭😭#and then she was like why are you crying?? 💀💀💀💀💀💀💀💀#not to be like this is partly why i didnt want to move home but confound it all why are things like this#can i not simply confide in my mother my anxieties and worriws#worries#and not also have to worry about her potentially being like Well have you considered you ARE right and it IS your fault?#idk man something something firstborn child eldest daughter can i have some room to breathe. please#also not to whine but Not my father walking in on me eating dinner at 10pm because i was holed up#in my room in a semi depressive state after so many gong shows in a work day and straight up having no appetite#but deciding my body needs the food anyway its better late than never.....walking in and then saying#you know if you eat this late you'll gain weight. SIR??????????????????#sorry to complain and rant again i simply cannot in this house and whats more am doing my best to honour my parents#but why is it so hard out here and how can they say stuff like that with a smile!!!!!!!#also i DO have an inner critic who is always like Its your fault you are the worst you should be ashamed always........why do my parents#not understand after knowing me for so long and watching me grow up#that i can make myself so ashamed of the smallest thing so easily and that what they say drives me to shame almost as easily?#ANYWAY LOL WHAT A DAY#you guys!!! i am working so hard i promise i PROMISE I am!!! it is my first full time job ever and i am working so so hard#i am doing my absolute best and no one sees it and that is FINE i just wish my parents would see that i AM trying!!#i come back home so dead every single day because i put in 120%! this is literally my first job after graduation#and my parents KNOW this has been the most exhausting taxing and soul crushing year ive had in my very short life so far
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