#been let down too many times

[satorugojoswiife]

Idk the exact details of the ch 243 theory (I could get this wrong. I’m sure can look up the full theory) but it’s because Gojo’s character is heavily inspired by Buddha. Buddha reached his enlightenment at age 29 and because time stood still in the prison realm he’s 19 days behind everyone. So he didn’t turn 29 on his birthday Dec 7 he would technically turn 29 until 19 days later which would be Dec 24. And when Buddha reach enlightenment he took seven steps forward, with lotus flowers blooming with each step and said the ‘between heaven and earth I alone am the honored one line’. And there were apparently seven lotus flowers in the after life scene and seven chapters after 236 would be 243. I probably didnt explain it fully lol

omg this is super neat!! Thank you for explaining ❤

[egophiliac]

Hi it's just to let you know that the official romanization of Revaan's name is Raverne ! Also they have romanized Baul's name to Baur !

Twst coming back at us again with the least expected romanization! thank you everybody (oh god my inbox) (no it's great, I literally asked for this and the reactions have been INCREDIBLE, thank you all!)

I do like Raverne though, I think it's got a nice fancy sound to it! (I had kinda suspected it was going to be an R instead of an L, so the fact that it's SO close to Laverne except for that is hilarious to me personally.) and Dragoneye Duke is honestly probably the best translation for his title, I wasn't envying the localizers that one. :') Baur instead of Baul I was NOT expecting, but in retrospect I think his name's supposed to be a reference to the Bauru crocodile, so that actually makes way more sense!

someone else also said Meleanor has become Maleanor, which is the REALLY weird one to me, because I was so surprised it was written as Mel instead of Mal in the first place?! oh god no I can't decide which one I like better. 😭 (I wonder if they might change it to Mal...they have made romanization changes before) (like I remember House of Distraction being corrected to House of Destruction in Playful Land) (I did check and she's still Mel for now, but I dunno, they might Mal her up and some point and save me from having to make a decision about which one to use) (HECK I CAN'T DECIDE)

uhhhh thank you for letting me ramble about anime names, let's just say MONOGRAMMED SWEATERS FOR EVERYONE

[poorly-drawn-mdzs]

Never gonna live that down.

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[doomedclockworkdotmp3]

heeyyy gaaanggg

the pose and the background of the album version (left) are based on oingo boingos only a lad album art. not cause i think he has anything to do with it but just cause ive been wantin to draw that pose for like. weeks and i didnt know who to put there. so why not my latest bug man.

[jamiethebee]

(In which I spiral down a rabbit hole with Midoriya that has little to do with @codenamesazanka 's original post that started this (x).  FYI I sorta separated Deku/Izuku to indicate Deku as the hero and Izuku as the person outside of heroics.)

I started thinking about this post again (see the link above) and how Deku doesn’t really understand that non-perfect or sanitized victims exist AND still need to be saved and not by destruction. (The "maybe killing someone does save them" thing is a great way to assuage guilt but it's a stupid copout.)  Deku (hero) and more importantly Izuku (person) doesn’t really understand that though because he WAS a “perfect” victim.  Midoriya stayed quiet and inconspicuous and didn’t make a fuss about the bullying or discrimination he faced, he just kept his head down and hoped that something would change without any real effort on his part.  And if he had died as a result from the bullying he would’ve been hailed as an unfortunate victim (of who? or what? Don’t worry - isn’t his death so tragic? oh well now on to our next news story -), so any critique of society and the individuals who reinforce the status quo don’t actually have to do anything.  I know there’s more nuance here and lot of cultural things happening with this all but I’m not gonna dig into that right now.

Moving on!  Quite frankly the boy didn’t live long enough to get out of his childish mindset and get some “righteous" anger at the wrongdoings and failings of society.  All Might came along when he was still starry eyed and hopeful to lift Midoriya out of the trajectory of his life and Izuku never had any time to get to the point where he comes to terms with the hurt caused society’s rejection of his self and get angry about it.  As such, he can’t understand the league.  It probably doesn’t even occur to him that he's missing that understanding because for him it worked out - he got the attention and support to be able to escape the circumstances of his birth/quirklessness and to leave the box (deku) that society shoved him in. Twice and Toga never had that support – they both lived how they needed to in order to survive in a world not meant for them until they broke down.  (Maybe that's why Vigilante Deku AUs were so popular back in the day - they speedran Midoriya past the hopeful kid stage and to a point where a lot of the fanbase was in their own lives - seeing the issues in the world and wanting to affect change.)

Izuku, for all that he claims to want to connect to the villains, hasn’t given enough thought or empathy to understand how continuing to live a life where you don’t fit in with society can be deeply hurtful as well as the emotional repercussions of having unchangeable parts about yourself be reviled.  This isn’t to say Izuku had it easy -  of course Izuku went through hardships but.... there’s a big difference between living through stuff as a kid and finding a way out of it vs living through that, growing up, maturing, and in turn looking critically at society.  But I can’t bring myself to fault Midoriya for those exact reasons because he's just a kid. He doesn’t have the perspective to see outside of himself – at least not for the villains.  Because that seems to be too far of a stretch for him?  But Todoroki was close enough to Izuku’s mindset for him to help back in the sports festival arc.  I also acknowledge that he's a teenager and IS capable of critical thinking, but from what we've seen, his schools have never actually made the students examine the world they live in - which is a different skill from quirk analysis or historical or literary analysis or the various writing exercises that students go through. 

(Believe me – you can have the brightest kid but, most of the time, unless you point out the shortcomings of their mindsets, it won’t occur to them to look further.  (Not necessarily assuming that they’re wrong, but rather that their consideration of life is not as expansive as it should be. Especially for a kid wanting to be the greatest hero and save everyone.)  For example: many abled bodied people don’t realize how inaccessible places can be until someone brings it up to them or they find themselves in that situation (like a temporary crutch or wheelchair).  It’s through no fault of the able bodied person that they weren’t aware enough to consider it in the first place, but what they do once they realize physical accessibility is an issue, is on them.)  Back to the point – hero society never calls attention to it’s own shortcomings despite the proof quite obviously existing and the people within society don’t seem to spare much thought either. The adults who have seen more of these instances are then of course more culpable in this than the kids who haven't.

So, Midoriya was also failed by society (cough all might cough) as well, but he chose the hero path - to save people. We see him starting to consider the deeper issues in his talk with Uraraka, and the few times he “tries” to talk to various villains shows that he is aware enough of underlying issues - which makes it his duty as a hero to do something about it.  In that way, he is at fault. He chose a profession to devote his life to that should require this of him.  And through his hero work, Midoriya has seen the problems in society and yet he’s chosen to turn away from them (and by problems/them I’m referring to the villains “too far gone to save” and the issues they represent). 

(Sorry Midoriya, but considering we’re nearing the end and you haven’t shown any growth in this area….. I am faulting you for metaphorically pushing your head in the sand.  I do want to be wrong though.  I really want the kid to prove me wrong.)

And he’s able to turn away from them guilt free, in part, because he’s gotten the proverbial thumbs up by his classmates that it’s ok and that they’ll just be better and be model minority heroes and that will fix the problem! Because they’re positive representation!  Or something?  If you can put your mind to it that will fix things! Just try harder! Again, very idealistic but they are kids, so it comes with the territory.  (Horikoshi didn’t have to make them unquestionably right in that approach though.  Toga and Uraraka coming together for the win! The Shoji and Spinner match up not so much.)

Overall, there’s something about how Deku still fit into society's boxes in an acceptable way and never truly faced what existing outside of "acceptability" was like.  Don’t get me wrong it’s tough to live in the mha world as a quirkless person and of course it has its problems and restrictions, but that’s still a box that society provides for, even if the society in question doesn’t like it. 

And I'm not saying that Izuku had to live through a terrible life to understand the villains!  Just that, he has the capacity to look outside himself and be empathetic, but the application of it is lacking, despite knowing there’s problems, despite having LIVED with some of those problems. Extrapolate, boy!!!! You don't need empathy to reach out to others but the whole compassionate/kind Midoriya thing has been touted since the beginning! So I want to see it!

(Not sure how much sense this will make to people, but there’s a maturity that comes about with either time or certain circumstances that can be hard to grasp unless you’ve lived through it.  And quite frankly, Midoriya hasn’t. He went from a perfect/acceptable victim to the top tier of society (heroes).)

(Basically: Midoriya never **matured in the restrictive environment he grew up in and can't emotionally connect with the league who did, because of that. Instead he seems to have internalized the "if they were better" or "if they were truly good" then there wouldn't be a problem because just look at his classmater!, so villains being villains is their own fault and no one else is culpable.)

**centers on the idea that someone starts off as hopeful in regards to their discriminated position in life and over time matures to understand how society supports that discrimination and come to terms with the hurt that it's caused them personally (and in this case to fight back against it)

also, if you made it this far, i'm just having a fun time reading codenamesazanka's posts about the latest chapters

[reineydraws]

Saw your Mishanks bodyswap art! Very cute and fun! (Mihawk with a genuine smile on his face so so fun)

I imagine Shanks whould have trouble fighting in Mihawk's body at first since it's been years since he's had two arms

yes absolutely, i imagine that too! conversely, i think mihawk would have a little bit of trouble adjusting his balance and reach with a body missing one arm, as well. it's interesting to think about how they both would be forced to change their fighting style, and whether or not they would exchange swords.

mihawk's been seen using yoru with just one hand so he could probably pull it off with shanks's body. also interesting to think about shanks tripping up on having two arms until he naturally slips into his old fighting style again--or would he? because there's also the question of muscle memory, right? would mihawk's body automatically do things that shanks isn't predisposed to doing, and vice versa?

the other thing i find intriguing about body swapping in one piece is the question of whether or not your haki powers would switch as well. they say haki is spiritual presence, so presumably your haki switches if your spirits switch, but if it's the kind of spirit that's tethered to the presence of the body? then consider mihawk having the strongest conqueror's haki out on the blues, or shanks being able to use observation haki at mihawk's level, practically being able to predict the future--or mihawk, able to counter with shanks's haki-kill technique. food for thought!

[stillprettyunoriginal]

Names are so vital. So important and held to who a person is and gods Claude who has known Jericho through being far closer to Simon than himself now; through Jericho and the taking of his FACE through having to take in the mind of bloody fucking Martin. If names bring power, what sort of humanity does it draw out of a person when they’ve seen you try on a good couple. Maybe I’m just in my own head about this but truly, there are versions and layers of learning and change to the Jericho we know now, and after a certain point? If we move past his childhood? Claude has been there for nearly all of them besides the tubs. When he lost Kassie there was someone else and this one hasn’t LEFT through his learning and hasn’t died through him stumbling into the world and overall at his side. He has truly been one of the people closest to him. One of the closest you could get, at the very least, when you wear the face of a tormentor and feel your gut twisted by their own memories of their hatred of you or how you her them, and you can’t remember a world without that hurt. I’m never going to heal from these two I swear it.

(also the taking of Martin’s face is destructive to my mental health rip someone please save me it ruins me every time I remember it, n WONDER he had brother issues dude)

[triglycercule]

sometimes i like to think that horror comes to dust's room late at night just to talk to phantom papyrus. no he doesn't wanna talk to dust. horror probably doesn't even CARE if dust's awake at the asscrack of dawn or rambling off to the hallucination too loudly this late at night because he just wants to talk to phantom papyrus

horror's not delusional enough to believe that phantom paps is actually real and his own papyrus like dust does but sometimes he really wants to,,,, so just for these short moments between them he wants to pretend that the hallucination is his papyrus. that he gets to talk to his own brother before everything went to shit and before he ruined his brother's life. yeah sure phantom paps kinda says some crazy stuff that horror's papyrus never would back then but so what?? dust's papyrus is the closest thing he's got and at least he doesn't have to deal with the guilt at even LOOKING at his brother's face (the sunken eyesockets,,,, the uneven teeth,,,,, yeah no) because there's nothing there. horror doesn't have to do anything but keep his back turned to dust and just talk to papyrus through him

they both keep their backs turned to eachother when they do this because neither of them can stand looking at eachother. dust especially because hearing horror sound so much like how he was before. horror sounds so lighthearted and relaxed and just,,,,, normal that it almost reminds dust of himself. maybe if he closed his eyes and tuned out his own voice he could just imagine the moment being a conversation between himself and paps back then before he had to kill him over and over. dust doesn't want to have to look back and see horror's mutilated skull and his permanently replaced eye. he doesn't want the fake scenario he's choosing to indulge in right now to be broken

and then i think they talk like that for a long time; because horror has a lot to say to paps about himself and what he regrets and dust has a lot of reminiscing to do on the good old days before he lost himself :3

[spacebubblehomebase]

Without colors or context, this simple and stupid comic of mine feels so, so tense; It's ominous. The difference from the tone of my last doodle is low-key hilarious though. But please, *insert ace joke here* cause I swear this is nothing serious. I don't even know why I gave in so much effort or show ya'll my progress before finishing, yet here we are. -Bubbly💙

[alagaisia]

Hey if you’re still enjoying and engaging with Harry Potter in any capacity you can unfollow me 😊 please and thank you

Like. I get it. I was super into it as a kid too. I did not have the social context to pick up on the antisemitism or transphobia or sexism or fatphobia or bioessentialism or racism or anything else. I also picked up on surface-level language of Fighting Back Against Evil and ascribed my own values onto what that meant and thought we were all on the same page. I remember when the original kids who grew up with the books started becoming adult fans and picking up on the (blatant!) antisemitism and everybody was still mostly willing to give JKR the benefit of the doubt on it. (“She was writing kids books!” They said. “She didn’t know she was penning a global phenomenon! She picked a common literary trend in European fairy tales (antisemitic caricature) and didn’t examine it closely. It’s a mistake anyone could make,” we said. “She would probably do things differently now. After all, she word-of-god confirmed the vaguest hints she dropped that Dumbledore might be gay,” we said.) There was actually a span of several years where biases inherent in the actual real content of the Harry Potter series were coming to light and even the people pointing them out still seemed mostly to think it was an unfortunate accident.

That time has passed. Years ago! We are long past the first months of “maybe she doesn’t realize this seemingly-feminist tweet she liked was made by a noted TERF” and then “how could she not realize that these many veiled TERF-y things she’s retweeted have implications for the many queer fans of her work” and finally “oh wow okay JKR just dropped an entire transphobic manifesto on twitter. I guess the transphobia was the point.”

Yeah, there were a few months after that where people were still processing and still working through how they felt about Harry Potter and all of its flaws with the context of the now open transphobia of the creator. I was there for that. Remember how I was one of the kids who built it up into something noble and worthwhile based on my own beliefs about what messages it was probably trying to convey? Turns out it wasn’t trying to say any of those things, and when you take the time to examine all of the terrible shit that made its way into the text whether JKR intended it to be there or not, the whole series falls apart. It’s weird to discover that there’s a room in your house that’s rotten to the core, but eventually you figure out you can’t live like that, still going in there and holding your nose and pretending it’s still the same room you thought it was when the termites were only inside of the walls and hadn’t yet started chewing their way through the furniture. Because what’s going to happen is that they are going to infest the rest of your house. If you decide you can ignore transphobia and antisemitism and everything else just because you liked the color of the wallpaper, the rest of your principles are going to crumble too. You get rid of that fucking room. You put those books on a high shelf in the back of your closet behind other outgrown clothes and interests and you move the fuck on.

JKR uses the money made from her transphobic antisemitic children’s books to actively funding hate groups and to lobby for legislation that will and has actually affected the actual lives of trans people in an entire country. We are past the point of grieving something you were wrong about in childhood. Kids are wrong about a lot of stuff. You grow up and you learn new information and you change your behaviors based on it. You have to choose. It is transphobic to pretend there is not transphobia where there is. It is transphobic to support the work of someone who is using those funds to take rights from trans people with every fucking dollar. It is hateful to continue to engage positively with a story that at its very core is rooted in hate and bigotry and prejudice. You can choose to do all of those things but you cannot claim ignorance of them and you cannot choose those things and still pretend that choosing them upholds the values we convinced ourselves that Harry Potter stood for over a decade ago as uninformed children. You cannot choose to do those things and pretend to still support your trans and queer and Jewish neighbors. I do not want you in my neighborhood. Leave.

[captain-sunshine-11]

What if Kevin had gone to Wymack after Kayleigh died. What if Kayleigh figured out her time was running out but could not for the life of her (literally) figure out how or if her son would be safe. What if Kayleigh Day knew that Kevin ending up with The Ravens would be the worst outcome and had made sure that plans were in place for Kevin to go to Wymack.

What if Wymack shows up at her funeral, seeing little Kevin and can't believe how much he looks like Kayleigh in person. How much he looks like him. And only finds out that he was Kevin's chosen guardian as per her wishes when her lawyer approaches him at the will reading. What if Tetsuji and Riko tried to fight that claim but Wymack immediately jumped on that responsibility.

What if Wymack raised Kevin?

[meringuejellyfish]

bugs when you pick up a rock that are honestly chill as fuck

[atopvisenyashill]

not an f&b aegon ii fan, not a hotd aegon ii fan, but a secret third thing (a fan of the aegon ii that only exists in my mind)

[lilakennedy]

[nappingpaperclip]

so many pro-government/Democrat propoganda posts on here but they’re literally all the same:

30smthfandomblogger Follow

guys remember if a president did one or two things that really helped middle class white liberals then it’s ok for them to bomb children because our usamerican status quo is more important than brown people’s existence

[daisybell-on-a-carousel]

I'm a few pages in and this is the best storyline literally ever why have I not seen any mention of this.