#been into that a lot recently but i am NOT far enough into the game despite my playtime to confidently do that...

[mjm56]

would you be mad at me if i decided to come back and potentially change to a low pressure fun multimuse. i miss rp so much man i need a little smidgen of slamming two characters together like barbie dolls. except my barbie is majima or postal dude or whatver. like damn

[unbidden-yidden-deactivated20240]

I already regret making this post, but I think this needs to be a real discussion.

** Please note: I 100% do NOT want goyische opinions on this post. I am not interested, they are not helpful, and I will block you without hesitation even if we've been mutuals forever **

I think we have reached the level of Holocaust inversion on the left that we actually need to recalibrate the entire way we engage with an alarming amount of leftist goyim, because they have decided that their twisted understanding of Zionism as a form of 'apartheid genocidal ethnonationalist fascism' is on the same level as the Nazis.

Now regardless of how that makes you, as a Jew feel, that is how a lot of them are viewing this, period.

That means that you should assume that every single "we punch Nazis, not debate them" anti-fascist principle out there can be applied in full force to Zionists [with the understanding that their definition of Zionist usually means every Jew they don't like or agree with or who doesn't perform their brand of politics to the level they are asking]

Remember that video of an actual, real elderly Nazi that just croaks in the middle of his hateful yelling that went viral? Remember how happy people were when Richard Spencer got punched? Remember the whole "the only good Nazi is a dead Nazi" slogan? That whole idea that you cannot debate white supremacists and fascists because that inherently means debating your humanity and makes their position seem valid enough to debate?

Yeah. For these people, all of that applies to Zionists [and whoever they decide to label as such]

So yeah, an older guy protesting got killed? Same reaction as yelling Nazi dude above. Shrug.

A brutal massacre of Israelis and their neighbors that wiped out 1400 men, women and children? Imagine that some group managed to do that to 1400 Nazi families. We might find the sadistic nature of the deaths distasteful, but really: how many tears are you shedding?

Civilian population centers of primarily Jews are under constant missile shelling and bomb threats? Imagine that we were talking about Nazi Germany instead. Sucks for them I guess, right? 🤷‍♀️

Their reactions to recent events ranging from silent apathy to outright glee all make sense once you play a Mad Libs game of filling in "Zionist" or "Israeli" in place of "Nazi" or "fascist" in every "punch Nazis!!!1!" slogan.

The fact that Jews are and have been frequently the targets of these fascist groups throughout history and were the primary targets of the Nazis is irrelevant. The fact that we are human people who just want to practice our ancient religion and culture in peace is irrelevant. The bottom line is that the far goyische left has now figured out a way to fully de-person Jews in a social justice approved way, without even the ability to point out how utterly unhinged and counterfactual that take is because "we don't debate Nazis."

I don't know how to fix this.

Genuinely, I don't.

It's like the spirits of their pogrom-loving ancestors have gripped them and instead of whispering "the Jews killed Jesus, poison wells, and thirst for the blood of children," they just substitute out Jesus for Palestine.

[elodieunderglass]

I'm not as familiar with LOTR as you are, so I wondered if you could tell me if my wild theory is completely off-base.

No one knows where the Hobbits came from, except that at some point they diverged from the line of men. No one knows much about the Entwives' appearance, but we do know that they fucked off a long time ago.

Could the Entwives have been dryad-ish and hooked up with the hobbits' ancestors and so be the foremothers of the hobbits?

Ah I think I saw that post! The concept has a lot of charm, and when the Tolkien estate loses its corpse-grip on the property in 2050 or so, I think you should write it and sell it 😤 I’ve definitely read some good takes on entwives in fanfiction that both leaned into canon and moved away, and I think that sounds like good fun to explore. A common theme in the fandom is playing with Yavanna, the Green Lady, being the mother or patron of hobbits. This isn’t canonical, but she’s a “green goddess” archetype and is married to Mahal/Aulë, the father of dwarves, which shippers often leverage to their advantage. You could do something quite charming there with Yavanna if you wanted to. We also know that Entwives loved gardens and orchards rather than forests.

Some things I would explore with this include:

what is going on with all these consistent ideas of people, races, women disappearing. We know that a lot of it is how Tolkien processed an almost OCD-like Catholic framing of “the fallen world is getting worse and can never be repaired”, war experiences, romanticism and other stuff stewing in his old man head. What are some ways you could show what’s stewing in your head? What does “people disappearing” mean to you? and why is it especially healing that they disappeared in order to make new families?

I think “they disappeared from their old kin and made new kin” is an interesting and weird thing worth wondering about!

- this would possibly make hobbits a more recent race than is implied. What does that mean to you?

- why are hobbits teeny tiny?

A very good starting point, that Terry Pratchett used a lot, is taking some grand statement in fantasy fiction, and making it reflect a different political reality. “Most dwarves are girls actually.” “Wizards parody academia, but, like, FOR REAL.”

I personally have a different take because of my own political feelings and framings! I have a lot of complex feelings about Tolkien chickening out of hobbits. For various political reasons I personally have to take the stance that they are fully human, fully indigenous, and have their own native language. and that their disappearance is less “teehee we lost them” or “O, the Catholic guilt of the Fallen World, how far we have fallen from the light of the two trees God’s sinless light” and a lot more “oh yeah I’ve seen THAT pattern before.”

If you have a political sort of lens on, someone telling you “yeah… hobbits came from nowhere 🤭 and then disappeared 🤷‍♀️ sad!” is a story that can also invite the response of “OHhhhh you wanted their LAND real bad, huh.” Like, we know what that means, right.

It’s a political stance for me. Hobbits have to be close enough to us to touch, and we have to be able to face that, and the fact that 5,000 media properties will chew on tolkienelves and sell them to you before even admitting to the 🤭 just makes it even more of a 🤨. To me.

…But I have literally just been elbow deep in my own demented fanfic thing that involves inventing a language just to swear in, to enable my standing on a box shouting HOBBITS OUGHT TO RESIST GOING EXTINCT ACTUALLY, based entirely on, I think, spite. Why do multiple authors publish orc football games (Terry Pratchett) and orc coffeeshops (Legends and Lattes guy) and do every damned thing with every bit of Tolkien’s corpse but refuse to look directly at hobbits. I am feral over this and wrote 59k words so far to damage and harm my friends

In conclusion I see a great story shape there about kindred and I think you should explore it and it should be about evolutionary biology and women and divorce and nobody being wrong.

And if anyone argues you with some podcast boy “well actually”, just bite them and do more character work and sit on their heads

[hazelfoureyes]

A Doe in Fall (Part 8)

⟢HumanAlastor x FemaleBurlesquerReader - A Doe in Fall

A burlesquer with a penchant for conning men, you find your latest game interrupted when your next mark saves you from an aggressive fan— by killing him. The chance encounter left you curious, still half convinced you could complete your normal chase. Unbeknownst to you, you were the one being tracked.

Part 1 - Pretty in Red smut💦 Part 2 - Liar smut💦 Part 3 - A Tragedy smut💦 Part 4 - Enough Part 5 - Too Much Part 6 - Learning smut💦 Part 7 - Recognition smut💦 Part 8 - Trust sexual 🥵 📍 Part 9 - Shiny Things Part 10 - Good Deeds Part 11 - Caught Part 12 - Eddie Part 13 - The Release Part 14 - Someone like her smutty💦

Part 8 - Trust

Detective Brady is sharper than you initially thought, though Alastor is (seemingly) unfazed by the threat. While you both explore the idea of ‘home’ a familiar face shows up at your apartment.

「Warnings/Tags: Human Alastor x Fem Burlesquer reader, Detective Brady exists a lot and maybe too much, fingering lol, phone calls, almost our first fight, stress, Disney mom rule, Ruth is pretty alright for now, Brenda」

forgot to tag you in the deleted scene for TRDFAHS

M👻D☠️N👽I😈

Your mother always said ‘Anger is your sword and shield’. So you postured yourself as someone mad. One hip out, arms crossed, eyes narrowed.

“Sir I don’t appreciate a man in a lady’s space.”

Brady bit his tongue, wanting to say something sharp.

 I don’t see any ladies here.

 He met the glares of the women behind you. “Ah, well-,”

“Do you really expect her to leave in her robe?”

“Aren’t you the man whose been stalking her?”

“Autumn I’ll go with you.”

“You want her to get into a strange man’s car?”

He felt like a fox about to be pecked to death by the hens.

“Now-! Alright I’m seeing I maybe,” he set your shoes down and slid past you and between the other performers, “got a little eager to speak to you.”

“Does Janet know you like to hang around burlesquers?” Someone said as his back was turned.

Like having ice water poured over his head, his shoulders tensed as did his tone. “I’ll be right out the door.”

You tried to hide the tremble in your hands, but failed. Ruth slid beside you, “What do you need?”

A phone. But the cord wouldn’t reach that far. You wanted to tell Alastor. You needed him to know that detective had you cornered and knew of his existence.

“Could you stay with me? I’m not going anywhere. But I’ll feel safer if I’m not talking to him alone. In case he tries to drag me out. He seems a little off his rocker.” You were genuinely scared he would grab you by the arm and pull you out of the theater if he didn’t think anyone would see. 

She patted your back, the others filing in to continue with their work of getting dressed and undressed. You took your time, trying to plan what you would say.

Brady felt an embarrassed blush take hold as the women moved past him with scowls and tsks. He could feel a little bit of his sanity slip back now that you were in front of him. 

“I have some questions about Tommy. I’ve been trying to talk to you for weeks. We can head down now.”

Oddly, your mother also taught you, ‘You catch more flies with honey than vinegar.’ 

She didn’t always make a lot of sense, contradicting herself daily. 

Time to use the tried and true tactic, “I am sorry, detective. I had some trouble recently and have been keeping to myself… going home as soon as possible. Just trying to keep my nose clean. So to speak.”

Brady watched you look up at him with a face his daughter often gave him when she was in trouble. But you weren’t a child and you surely weren’t his daughter. “That’s no excuse to dodge me.”

Your turn to bite your tongue, “Of course, sir.”

Ruth was… confused. She’d never seen you so obedient. You had more venom in your voice after taking a hit from Tommy knowing a third could be close behind. Why were you being so small?

“Are you ready to go?” He fished in his pocket for his car door keys. 

Ruth felt the need to interject, “She’s not going anywhere.”

Perfect.

You nodded, “I won’t be out at night, sir. You know better than most about the dangers.” Your dangers. Your darling Alastor.

“No, no no,” an unhinged chuckle from the fraying detective, “You’re not slipping away again. I have my car, I’ll take you there and bring you home.”

Ruth looked to you, then back to the detective, “Is she under arrest?”

Brady rolled his eyes, “Of course not.”

“Then? What gives you the right?”

Technically, nothing. He didn’t need to talk to you. His lead still stood. But maybe you’d slip and say something to expedite his search for the radio man. Maybe this would only end with Tommy. But he felt something tickling the back of his skull. An urge to not stop pushing.

“I’ll meet you at the station tomorrow morning. Is it the address on the card you gave me?” Maybe you would, maybe you wouldn’t. You just needed him gone so you could call Alastor. 

He was shaking his notebook, key looped onto his finger. A nervous habit. “You still have my card?”

A smile, “Of course. In case any news came up. I’d have called but I didn’t realize you were so worked up.”

He scoffed. He wasn’t worked up. He was just annoyed. Maybe a little rougher in demeanor than usual but whose fault was that?

“If you don’t turn up tomorrow-,”

Ruth, taller than most women and some men and wide at the shoulders, leaned in.

Brady’s eyeline adjusted from yours to Ruth’s. Skye Scraper wasn’t just a pun, it was a cruel nickname she took ownership of. “Finish that sentence.”

The conversation ended there, Brady leaving with a huff.

You’d memorized the number the night Alastor gave it to you, too scared to write it down. He warned you though he wouldn’t be the one to answer.

“Is Alastor still there?” You tried to smile so you sounded less panicked. Ruth mouthed his name and pretended to swoon as you held the phone close to your ear. 

“Uhh depends, who is this?” Brenda answered, a voice you’d never heard but a woman Alastor had primed you for. 

“….”, but why hadn’t you thought through this part, what name was safe? Which was recognizable? You didn’t like the idea of this woman knowing your name. “Tell him it’s Autumn.”

“….” 

You laughed at Ruth, waiting still for a reply from Brenda, “Hello?”

“Is this a crank? Autumn like the season? I-,” a commotion, “Hey there! No. I don’t know. Well it’s past hours anywa-.”

Alastor was lying across Brenda’s desk to reach the phone, having wrestled it from the woman’s grip, “I’m here. What’s wrong? I was about to leave.”

“I’ll walk home tonight.” It hurt, physically hurt, to say it.

Alastor tried to keep his face neutral, “Oh.” Nervous fingers twirling the cord, “One second.” 

Harsh whispers, some clicks, and he was back, “I’m in my office. What happened?”

“Yeah Ruth is with me. It’s okay. I’ll call you like normal tomorrow?” 

“Should I swing by your apartment?” He considered doing it regardless of your answer.

“Ah, no. I wouldn’t recommend it. I’ll be heading to the police station early tomorrow so I’ll be asleep as soon as I’m flat.” Putting your hand over the receiver, you spoke to Ruth, “Thank you, we got it figured out.”

His heart sank to his stomach, “Did he finally manage to catch you?”

“Yeah. Or—-,” your voice cracked a little, the fear rolling in as soon as Ruth walked away, “Yeah.”

“I’m coming over to the theater.”

Cupping the phone you curved your shoulders in and turned away from the staff milling about, “Don’t, that’s worse.” Tears stung your eyes. You felt like you’d failed him. You had somehow, hadn’t you? The loose thread Brady could grab ahold of was you.

“If you can’t come to the alley I’ll leave after a couple minutes. But I’ll be there in twenty, same time as our normal pick up.”

“Alastor, that’s reckless.”

“Please, dear, I don’t want our first fight to be over my work line.” A calming breath, “You don’t have to meet me, but I’ll be there. Just five minutes, then I’ll be off.”

You decided the safest thing to do was to wait in the alley. If you saw any signs of Brady or anyone coming out, you’d go back inside and just miss the meeting. But the idea of Alastor being just beyond the wall, waiting all alone, was too much.

But how much harder would it be if the wall was of the prison? Or worse, dense earth under your feet? That’s what Brady was wanting. 

You hadn’t realized you’d been chewing your nails until his car turned down the alley from the back and you tore off much of the length of your thumbnail.

Your arms were thrown around him before he was fully out of the car, “Alastor, he knows I have a guy. He wanted me to go down right now but I managed to push it to tomorrow.” Alastor tried to decipher the words as you spoke them into his vest, “What do I do?”

Normally you’d have your own plans in mind but this was too big, this was capable of hurting him more than anyone else. 

He smelled like ink and smoke, a scent you inhaled as you tried to calm your breath.

A large hand patted your head, “Okay. You go tomorrow. It’ll be fine. Don’t stress.” Pulling you off he placed chaste kisses across your face. “Think about what you want to say to him and we can talk it out in the morning. Everything is fine.”

The reality of you standing in a dirty alley crying into the arms of a murderer set in. Then the little detail you were both killers creeped over your chest and took hold of your throat.

He was impressed at the strength of your hands as you gripped at his clothes. Leaning against the car, he offered you his most charming smile.

“Deep breaths, dear. Do I look scared?”

He didn’t. He looked like a magazine ad for French cologne or razor blades that left the softest skin. 

“No.” You shook your head.

“No.” He nodded. “It’ll be okay. If you don’t go, he will hound you worse. If you do go, maybe he’ll realize he’s got a handful of nothing.”

His smile blinded you. Bright grin as he rested against his car, arms open. 

“Do you really think so? A handful of nothing?”

“Did he say my name?”

“No.”

“Did he–” he elongated the word, lips pursed as he searched the sky for his next words, “have Tommy’s body?”

You laughed, morbid but preposterous, “I didn’t pat him down. Coulda.” 

Alastor snapped his fingers, “We’ll have to just assume he didn’t.” A moment of tension. The act of joking barely traversing the space between your bodies let alone reaching the stress under your skin. His hands came to your shoulders; firm, secure. “Did you want to have that fight now? About me coming over here.”

You rolled your eyes, obviously not. “Ala-,” you started and stopped.

“I’ll admit I’m being reckless but I think we can both agree my way is more fun.” Smile sliding into a smirk, he cocked his head and lowered it to get back into your line of sight. When you stuck your tongue out he took a deep breath in, relief. “Are you sure I can’t take you home?”

To which home, you wondered. He used the word so casually and interchangeably…

Face close to yours. Eyes solely on you. Perhaps the stage wasn’t as necessary as you’d once thought. Lips on lips, the feeling of his smile spreading as he returned the kiss. A second of panic as you realized you couldn’t see or hear or sense what else was happening anymore in the alley. Brady could have had you in handcuffs and you wouldn’t be the wiser. Not as long as Alastor’s mouth was moving over yours.

“I’ll call in the morning.” He said into your exhale.

You hadn’t opened your eyes yet. Not ready to return to earth. A pout from you. A chuckle from him. “I’ll be waiting,” You finally said. 

While you did your waiting, shuffling around the theater and later tossing around in bed, Alastor fell into a different kind of purgatory.

One he hadn’t realized he’d made for himself until you weren’t there. 

The house was quiet, almost eerie. Even with music on he found himself nearly uncomfortable. He shifted several times in his chair while reading, not finding any way to settle in. 

His bed was lopsided. Suddenly one side was too light. Multiple times his hand slid under the sheets in search of you out of habit. 

What a terrible feeling; to want someone. To know you could have them but they just… weren’t there.

It didn't make any sense. He knew he’d see you soon, in less than a day's time even. He typically enjoyed his home and its silence. Being alone was predictable and therefore comforting. Well, it had been. Before you. 

The feeling in his chest, akin to a magnet tugging through his sternum toward a distant partner, didn’t abate.

Only when he heard your voice again over the phone did he find a sliver of peace.

“I’ve decided I’ll deny I have a guy. And, I’ll never tell him about you. It’s safer if he never connects us.”

Alastor was listening, honestly, but he wasn’t really processing. His mind was worried about something else. The detective genuinely didn’t bother him but he had to agree, “I suppose that’s best. As long as we can manage it, to not let him know we’re together.”

Together.

You were together with him. An item. How spectacular you must be to be a part of anything with him.

But for how long? With a certain detective breathing down your neck…, “I’m scared. Actually.”

You could hear the smile in Alastor’s breath, it was odd but eased you. 

“He will never have enough to convict us. He’ll drive himself crazy trying. Trust me.” He soothed. 

Did you have any choice? “Okay. You’re right. I trust you.” Unequivocally so. 

He cleared his throat, “Sorry to change the subject…”

“Please.”

“I want you to come over again tonight. What do you think?”

“Oh, yeah. Of course, don’t even need to ask. I’ll always say yes.” All you needed to do was get through Brady and you’d be home.

But for Alastor, well, he wasn’t done asking the question. A moment of panic from a place unrecognized in his brain, fear of losing himself entirely. But what good was a safe harbor if he never ventured out to sea? That’s just a restraint then, isn’t it? 

Maybe you held a place for him even richer in its comforts than his solitude.

So he let himself drift away from familiar shores, no sails and no compass, “I think it’d be smart to bring over a couple sets of clothes. I can keep them washed and always here for you. Would that be alright?” He had wanted to suggest it while together, but Brady was ruining more than his sleep.

Oh.

The same silence from when he first extended the invitation, the deja vu not lost on you. You struggled to decipher the second meaning you were sure was there. Maybe he didn't know what he had asked. 

“I know it’s boring out in the boonies but, you’re welcome to just stay over while I go to work. I can come back and get you for rehearsals… I’ll enjoy the clubs or come back and make something for a late dinner for us, and bring you home when you’re done.”

He said it. He hadn’t really meant to, so he felt the need to clarify, but you also needed him to clarify just as quickly, “I -,”

“Did you me-?”

“Sorry, go ahead.”

“No I interrupted you-,”

“Not at all pl-,”

“Alastor for the love of God please don’t make me keep talking right now.” You lightly knocked your head with the phone a few times. Your heart was gasping for an ounce of understanding.

He chuckled, glad you were still very much yourself, “I meant, take you home as in, away from work. So, here. Or, there, if you’d prefer.” His face scrunched up, this wasn’t a conversation he had any practice in, “Anywhere really. I’ll drive you anywhere.”

“Alabama?”

He looked at the phone as if you were in it. Alabama? 

“Like— the first time you asked me over.” You added quickly. A terrible joke, a bad callback that made it painfully obvious you committed everything he said to memory.

Alastor rested his cheek on the dining table, laughing into the wood before bringing the receiver back. You always offered him an out of uncomfortable situations, “Well the offer still stands. I'd be willing to even venture at least halfway across Texas.” 

“The best half of Texas is on our side so that’s a generous offer. But, given our work schedules, I think your house would be much better. Time wise.” 

He let his eyes close as he felt the coldness of the wood, “Is that a yes then? To bringing over a couple of items… for ease.” Was it a mistake? Would he regret it? 

You were worth regrets. He had decided. He wanted you to say yes.

The weight of what he was asking wasn’t lost on you an ounce. You could see your window from the phone booth. You took great pride in your little apartment. It was your space and no one else’s. As a child you struggled to have your own anything, so you valued your home. 

But could you call any place so far from Alastor a home?

It’s just a few items. You weren’t giving up your lease. It’s a baby step. One you could easily walk back if you needed to later. It’s not like you hadn’t spent every night possible already since that first offer.

“Yes.” 

It was a plan that took your mind off cops. Have your interrogation, go home, then go home for a relaxing evening of jazz and drink.

The levity ended though the second you hung up the receiver. An obstacle between you and him still stood. You pulled out your bag but couldn’t find the will to pack it. Your hands were too busy as you chewed on your thumbnail again.

Brady noticed the uneven length when you sat down and set your hands on the table.

“Surprised you showed.” He opened his notebook and readied his pencil. “First things first, what is your legal name?”

A chill. You’d gotten your warning the night before to prepare something to say but ignored it. Your mind was flipping through words and images. Piercing all of it were the white reflective eyes of the deer along the road. You decided to lean into what you knew. 

“Autumn.”

“Really? Never heard the name Autumn before.”

“Me either. Made for an easy stage name.”

“I’ll need to see your birth records, just to be sure.”

You sucked your teeth. “Ah, unfortunately…all that stuff was left behind with my mom when I moved.”

“And where can I find her?

“Corner of North Villere street and Piety.”

“And your address?”

You paused. His eyes rose and met yours. The radiant aqua from the cafe morning was now an icy color. “I don’t give my address out. You know where I work.”

“But you’re fine giving me your mother’s address? That’s cold.”

“Not as cold as she is, I’m sure of that.”

“Fine, I’ll find it in the census records.” He flipped the page, “Tell me about the dates Tommy arranged.” He tapped his notepad on the table like it was the starting bell of a fight.

You wished Alastor was with you, but also wished he would never enter that station. “Apparently many of the dancers agreed, got a cut. I had no idea about it until he,” you remembered the man and his ugly tie, “introduced me to a man who was very forward. I insulted him and ran off. Lost Tommy good money, apparently.”

“And who was that?”

You searched your memory, “S something. Mister Stein? I honestly wasn’t listening much after I realized what was happening.”

Brady nodded, “And then he knocked you around?”

You winced without meaning too, “Yeah. Got me good.”

Brady waited for you to continue talking, but you had learned this game. People know silence is uncomfortable and will use that against you. So you let the silence stay. Let the awkward tension build. You had limited time, he knew that.

He caved first. “And… the next date. Last time anyone saw Tommy. Tell me about that.”

Lying was second nature to you. You had killed for Alastor. You could do this. Deep breaths, slink into yourself. You imagined Alastor choked on the park grounds, wet and unmoving. Imagined him cold to the touch.

“Tommy said he’d kill me if I didn’t go. So I did. Promised me he’d stay with me for protection.” Tears welled. Bloody hands and a large rock. “But as soon as he got his money he left.” 

Brady was writing, “And the man? What was his name.”

“Something foreign. Kerr-something. Or Car?”

He looked up slightly, “You’re pretty terrible at names.”

You wiped away your tears, “I had more pressing concerns at the time than trying to remember that man’s name. I was hoping I’d never need to know it.”

Brady hummed, “Yeah. And what did your beau think of this?”

Did you hide it? The flash of panic that rolled under the flesh of your face, “If I had a beau Tommy wouldn’t have made me do that. He said that himself.”

“Too bad he’s not here to confirm.”

“If he was we wouldn’t be having this conversation, detective.”

“Touché. Clever little lady aren’t you?”

Fuck.

You shifted slightly in your seat, looking downward in an attempt at being bashful. “That’s kind to say.”

“So why did,” he flipped through his book, “Beth say you stopped singin’ on Sundays cuz of your radio boyfriend?”

“Ah,” a weak laugh to hide the way your breath got sucked in with panic. The words ‘radio boyfriend’ punched the air from your lungs. “You must mean the rake. Took me for a ride at a club corner and sent me off in a cab to never see me again. Didn’t know he was in radio though.” 

“Well now you’re lying and I don’t appreciate it one ounce ma’am.“

“What?”

“Beth says he’s been coming to your shows for nearly half a year.”

No acting necessary for this part. “What are you talking about? I met him at a club. We arranged a date and he picked me up at—“

“Beth’s dive.”

“…. Yeah. Well.” He’d been there before? So often? And you never noticed…, “That’s news to me, that he had been there for so long, it’s got its regulars though so...” You shifted again, this time with a clear uncomfortable edge. 

“He stopped coming when you stopped singing.”

“….guess he got what he wanted then. A fun time in the swing hall bathroom.”  Anger. Unreal and unfounded. Trying your best to hide how confused you were.

“Sounds like a stalker, miss. Maybe one who woulda been quite unhappy to hear you were selli-,”

You cut him off, eyes snapping up to meet his, “I really recommend you reconsider your wording.”

Brady laughed with a huff, “A man dizzy with a dame can do some funny stuff. Especially if he hears she’s in a pickle.”

“Well, no knight coming to rescue me. I’ve sworn off men. It’s why I’ve been leaving work early. Getting home, reading, sleeping. He really did a number on my heart and my pride as a woman.”

Brady’s pencil stopped moving. 

“And his name?”

You’d never fucking say it. He could walk in on you moaning ‘Alastor’ and you’d still act like you’d never heard that string of syllables in your life. 

“John.”

Brady laughed and tossed the pencil to the table, “Let me guess, last name Doe?”

You shrugged, “We weren’t on a full name basis. He was handsome, he took me out, we fucked, I never saw him again” You delighted in the way his face screwed up at your unladylike language. 

“So, someone in radio named John. You know I’m going to be at every broadcaster talking to every John, right?” The nervous shaking of his notebook again. 

“When you find him let me know.”

“Oh I will.” He said it so quickly, so sharply you could feel it cut at your cheek as the words flew past you.

You pulled your hands into your lap, eyes firmly locked on Brady’s. “You look tired, sir. I hope my answers will help you. So you can rest.”

“I am tired. Of people jerking me around. You won’t give me your address, you don’t remember anyone’s name, not even your own, and you deny having a man I know you have.”

If you screamed would he have you committed? “I’m terribly sorry,” you leaned over the table and pulled a piece of fuzz off his shoulder, “my friend gave you inaccurate and dated information. I am genuinely trying to help as much as I can.”

Upon closer inspection, his eyes were more than just blue. They were dark and light, deep and shallow. Blue so far down it was nearly black. A blue so bright it was a cousin of white. Eyes you were sure would haunt you. 

“Help me then, Autumn.” Your brows rose at the request. He leaned back and away from you, “Just tell me what happened to Tommy. What your guy did. If he was trying to protect your name then we could find a sympathetic jury.”

Sympathy? Your smile was too wide, stare gone too soft. What sympathy did he have or would anyone have for you? Did he think you wanted the tender hearts of strangers? “Tommy ran off with a bag of money. He was a good man with a bad habit. That’s all I know. I have no partner, man or otherwise.”

A standstill. 

Brady felt a twitch in his hands he wasn’t used to. An itch to move. Unlike him, and a little frightening. 

Maybe he had been running himself ragged. 

Back sliding down slightly in his chair, he laced his fingers and rested them in his lap, “You know I’m gonna find out what happened, right?” His tone had shifted to something serious and calm. He said it like he was telling you a secret. Low but firm. Steady and sure. 

Those eyes. No, worse. What was behind them. You could see it clearly; unflappable determination. He absolutely would. 

“I trust you will.” A moment of silence again as you both felt the conversation die. As you stood, Brady did too.

“I wasn’t bluffing about him going to Beth’s for more than half a year now. I don’t know how you think this is gonna end but it won’t end pretty. Whether it was just your boss or all the others on my desk, end it with him and help us bring Tommy home to his mother.”

You adjusted your purse on your shoulder, “I don’t know how many time-,”

“Autumn. I’ve seen enough make up covered bruises to clock em from across the room. That’s the act of a possessive, immature man. Just think about what I said,” You opened the door in an effort to keep your hands from shooting to your neck. “There’s no white picket fence or church bells for you two. He’s a bad man. I think he may even be an evil man. You’re gonna end up hurt, or dead.”

A laugh bubbled up in your chest but you managed to stifle it. With an honest smile you replied, “We’re all gonna end up dead someday, Detective. I’ll call if I have any news. Thanks for your concern and … evident hard work.” You offered a little nod of your head before leaving the room and the station as quickly as you could without running. 

When he set down his notebook after returning to his desk, he couldn’t sit. Energy was buzzing in his limbs. He needed to run or swing or pace.

His desk neighbor watched him immediately pick up the notebook again and grab his hat. A few other men shared a glance as Brady rushed out, an unsettling feeling passed among them. 

“He’s still on that case?” One asked quietly, going back to his papers.

“Not officially….” Answered Freeman, standing at the window and watching Brady flag down a taxi.

“North Villere street and Piety, please.” He told the driver, not noticing his friend in the window.

It wasn’t near the station, nor the dance scene. He wondered if your mother would be any more amiable. What kind of woman would raise such a creature as you?

When the car slowed, Brady clicked back into his surroundings. He looked through every window hoping to see something different.

After a long pause the cabbie asked, “Ya gonna get out?”

His knuckles turned white as he gripped the edge of the seat. “No. Take me back to the station.”

His blood pressure rose so quickly he was sure he would black out as the cab turned around and drove back past the sign; Vincent DePaul cemetery.

✦ . 　⁺ �� . ✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦

Alastor kissed away the worries when he took your bag from you. Every detail of the interview was just hummed away. “Even if he finds me, without a body he has no case.” He reminded you like it was nothing short of fact.

“What if he gets one?”

“Not one of mine, I can assure you. He’d sooner need to kill someone himself and call it my fault.” A pause, was that something the detective would do? He shook off the thought. 

He was so confident that even though you knew it was just skin deep it still gave you a sense of calm. The bodies, where they went after he was done with them in the greenhouse, was the last step he hadn’t shared with you.

There was one thing you didn’t mention about the interrogation. 

You waited until you were a few drinks in, Alastor’s bowtie off and shirt unbuttoned several buttons before bringing it up. Uncharacteristically nervous about how he’d react when you broached the topic, you needed several deep breaths to get up your courage. Normally the idea of offending a man with an honest question wouldn’t ruffle you a bit, but once again there was nothing normal about you and Alastor. He made you so unlike yourself but not necessarily worse. Perhaps some consideration of other’s reactions wasn’t a bad thing. 

“This is awkward to ask.” It was dark already, the sun setting earlier and earlier. The buzz of the kitchen light could be heard through the screen door, the light just enough to let you see each other's features clearly. Leaning back on both hands for support, your legs rested in an unladylike spread down the porch stairs. No shoes. No girdle. No pretense.

Would he be mad? Or maybe offended?

“Brady said you had been going to my Sunday shows for awhile. Months before we actually met. Did you really meet me by coincidence?”

“Or was I stalking you as my next victim?” His head fell to the side, eyes closed and smile wide. “I saw you there, yes. And though you weren’t the best singer, I did enjoy your shows.”

You tried to see him without directly turning your head. 

“But yes, it was a coincidence. I had noticed that brute of a man a couple weeks in a row, staring at you so intensely. Word got around he had made a scene some time ago with a dancer.” 

You listened like someone was telling you your own story. It was an odd feeling, hearing someone recount your days from a different perspective. An unknown one. 

“I was surprised to see you at the theater when I followed him there. Even more so to see you in the alleyway.”

If he had said it wasn’t a coincidence, you genuinely didn’t know what you’d have done. You’d be scared and angry. Another predator lurking just past the tree lines.

Your relief must have been visible. “He really got to you, didn’t he?” Alastor asked, leaning over and letting his shoulder bump into yours. He was still riding the high of putting away your belongings in his closet and drawers. 

“Yeah. He gives me a bad feeling. Like…a brick wall barreling toward me.” You kicked a leaf off the steps, “Or like, when you see a big dark cloud on the horizon. Can’t do anything but wait and hunker down.”

How do you wait out a storm so set on burying you?

“Dear,” his hands rose and palms flipped up in a way that said he wasn’t hiding anything, “We get hurricanes annually. We’ve survived every one thus far. He’s just a drip. A sprinkle of a man.”

People have drowned on land before. A sprinkle could lead to pneumonia and that could lead to a wooden box. 

He tried to change the topic, laughing about Brenda’s reaction to the call and making plans for an evening out when things settled down again. You listened, but it was your turn to be half there. 

You could barely muster concern when you realized you’d forgotten your makeup and hair wrap at home when you were preparing for bed. What you would give for going home barefaced with a ruined hairdo to be the biggest stress of your week. 

The distance in your stare was weighing down his joy, how could he relish in the newest addition to his home when you were so burdened? Even in the moonless night he could see the faintest light reflecting off your eyes as you stared at the ceiling. Did you even feel his stare? 

He couldn’t let Brady poison his bed, and the man was clearly there now. Chasing you in your mind still. 

“Could I offer you a distraction?” Alastor slipped up against you, hand finding your hip. He could see your smile forming. 

“I wouldn’t argue against a distraction…,” you’d beg for one if you didn’t want to feel any lower than you already did. 

“Perfect. This bed isn’t made for three, so let’s eject that little nag, dear.” His hands slipped down your legs, “I want to replace your thoughts with better ones.” He pulled you to him, your back pressed into his broad chest. The way his soft hands smoothed over your silk slip felt like foreplay, so smooth and slick. Frictionless and gentle. Those same hands ran down and between your legs, following the line of your thighs until they found your center. “It seems you forgot something else.” Two fingers caressed your lower lips, barely parting them, “Not that I’m complaining…,” his lips found the back of your neck as his fingers rubbed gently at your core. 

It took so very little to get your body on board, wet and relaxed for his practiced hand. Your own fingers coming down to rub at your clit quickly when you felt your pleasure winding up. 

He sighed directly into the shell of your ear, hands working in tandem with yours under the covers. His back pressed against you, hips rolling into your backside in time with his fingers. 

“What are you thinking about?” Barely above a whisper as he said it into your heated skin.

“Fingers.”

“Whose?” His voice was deeper than his usual speaking tone. A tenor that made you clench around him.

“Yours.”

You’d never been so satisfied with hands before. With breath. With the sounds of a man. Never saw stars while clothed and not under the lights of the stage. Warm and wet kisses to your neck as you came down from your high, you’d never considered sex could be more than a man fucking someone. Nor that a man could find pleasure so readily with his cock still in his pants. But the way he hummed and growled softly into your skin was proof of his good time. 

You’d learned a lot from those progressively chillier nights at Alastor’s over the first week of your constant cohabitation. How much you liked waking up with someone just a reach away. How Alastor woke slowly, incapable of coherent speech for at least the first twenty minutes of his day. He’d stare and smile as his eyes blinked out of sync, rolling back occasionally as he fought the urge to fall back into sleep. Hair disheveled and soft.

When the weekend came, Alastor offered again to take you out. A promise to take you somewhere no detectives would be hiding about. A week without a peep, you were sure he had followed up with your mother and was probably steaming to get at you. But, for some reason or another, he hadn’t appeared again in the crowd of your shows. 

A week of going into work unmade and unkempt, you finally gave in and asked to be taken to your apartment early Friday. You’d grab a few items you needed, take them to work, and be back home that night. 

Your eyes were on Alastor when his car pulled up to your building. When he kissed you, your hand scratched at the shorter hairs at the nape of his neck. Eyes closed, you could smell him and feel him so much clearer. Perhaps when you were old together you wouldn’t have to worry about your sight giving out, you thought. Because you’d always know it was him by the way his skin on yours lit you up. 

“Pack something you’d like to wear out tomorrow night.” He reminded you before you pulled yourself from the car and waved him off. You lingered for a moment as he drove away, wondering if maybe the storm had been pushed off course.

“Oooh, who is he?”

Whipping around, you saw a familiar face sitting on the stoop of your building. An unwelcome one, though. 

“What the fuck are you doing here, Mavis?” Your bag fell from your hands as the strength drained from your limbs.

She patted the dust off her dress before bouncing down the steps.  “The names Ephi now.” A half sister, though perhaps a quarter sister would be best to describe the often absentminded, when not literally absent, sibling. 

“That’s not a name that’s a fucking letter of the alphabet. Mama would smack the color of your cheeks if she heard you.” You were sure you’d not see her ever again, not after she ran off to head north before your mother passed. She scowled, arms crossed as you brushed past her. “I don’t have any money so you wasted a trip. See ya in another decade.”

Ephi grinned up at you as you climbed the stairs, “Looked like he had some money. Mr. Big Shot and his shiny bus.”

“Lotsa people have cars.” Your eyes landed on the suitcase poorly hidden behind the steps. Hand halting its search for the building key as you could feel the stare of your mother looking…down? A weight slipping over your shoulders like a man’s heavy winter coat.

“Well I don’t need money or cars. I need a place to crash.”

Your head fell. You could feel it coming. The gust of wind dragging the clouds slowly towards you. No, the storm wasn’t off course. It was just building momentum.

˖ ݁𖥔.Summoning the Horny Little Deer Cult.𖥔 ݁ ˖

@cxrsedwxrlds , @nonetheartist , @tsunaki , @janchei ,  @moonmark98 , @hoebihoeshi , @pansexual-opera-house , @polytheatrix , @lorddiabigmommymilkers , @backinthefkingbuildingagain , @harley2223-blog  , @poinappel l , @midnightnoiserose , @spookieroz , @missmidorima a , @ivebeenthearchersstuff , @downbadforfictionalppl , @xx-all-purpose-nerd-xx , @sleepylittledemon , @aether-th3-enby , @dontfuckbutimfab , @breathlessaura , @aperfectidiot , @certainlygay , @jth12 , @star-kujo-platinum @ivebeenthearchersstuff , @rubyninja1 , @simphornies

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[thestargayzingheroine]

Why A Better World is my favourite "Evil Superman" Story

So in the last two decades or so, there's been a notable amount of dark and edgy stories around superheroes turning evil and whatnot and most of them really love to do their own expies of Superman. I've never been the biggest fans of these kinds of stories.

And then there's the actual stories of Superman and other heroes being outright villains or at least just massive assholes. In recent years, this has been largely thanks to the influence of media like the Injustice Games or the Synderverse DC movies. It's... honestly become a trope I am tired of.

Because you know the damnest thing? There is a story that does all these ideas really damn well and arguably better. It is the two-parter from the Justice League cartoon "A Better World".

Now, I am aware how most people favouring the DCAU has become a bit of toxic nostalgia at times and it's something I myself am trying to work through a bit. But in this case, I do think it's the best idea of doing an evil DC story, much better and more interesting than the Crime Syndicate, who if you ask me are not very interesting, though I do remember liking the Crisis On Two Earths movie a lot, which funny enough, was originally going to be this two parter before various things led to it being canned and then later repurposed as a direct to DVD movie.

Anyway, my main crux of why I love this story is simple... The entire Justice League turns evil... and the reasons are very much in-character for all of them. You look at the scene with Justice Lord Batman for example.

As fucking evil as the Justice Lords are... Batman can't quite fully hate his alternate self for his reason for taking part in all this being basically one-step further than his own mission, that no child should ever go through what he did. Hell, I recall reading that the reason the writers had Batman drop his batarang at the end of this scene... was because he genuinely wouldn't be able to come up with an argument to that.

Superman likewise kills Lex Luthor because yeah, Luthor literally exploited the flaws in Democracy and became president of the US, threatening to kinda basically start world war 3. It's obviously horrible... but Superman is a character whose main motivation is making the world a better place. And if people who abuse the systems of power of the world are hurting people, why shouldn't Superman put a stop to that?

And yeah, Superman should obviously never kill, he's the most paragon of paragons of the DC universe, a man committed to always being better than the villains he fights... but this is him pushed to his most logical extreme. Hell, the main Superman knows this and its why Lex used his knowledge of this alternate universe as part of his plan in the season after this, to goad our Superman into crossing the line because yeah, there's a part of him that could go this far.

But right as Superman is about to apparently finish him, the big guy says this.

"I'm not the man who killed President Luthor. I wish to heaven that I were but I'm not."

Because Superman like everyone else, obviously would have those same thoughts and same urges. He's human.

I've kinda gone off Injustice a bit because to be honest... the injustice games were kinda just this but a bit too edgelordy. Hell, in A Better World, Lois Lane still lives and the whole genesis of it doesn't revolve around her getting fridged.

So yeah, A Better World is probably one of my favourite mirror universe stories because of the fact that well... it really is like looking in a mirror and seeing just how easy the greatest heroes can become evil and how they wouldn't be massively out of character doing so. But also it reminds us that as much as this darkness can tempt some of our finest, the ones who don't go down this dark path are stronger in heart than anyone else. Because when the world becomes a dark and horrible place, it becomes very easy to be just as dark. But even though it can be hard to still try and be a good person even in dark times, it's ultimately worth it. Because good always triumphs over evil.

[twig-tea]

GL odds and ends 6 October 2024

I haven't been as good at posting about shows as I wanted to be, so I'm trying a round-up format instead because it feels like a lot of GLs skirt under the radar. It's exciting that we're in a time when there's enough GL airing that it's worth doing a round-up! This was a great week for the lesbians to figure themselves out, so it feels like a good week to start. No idea how regularly I'll do this, need to figure out a cadence that makes sense.

Currently airing (with thoughts up to Oct 6):

Reverse 4 U 5/8 (Thai, Tuesdays 1:00 PM EDT, Netflix / YouTube) This week the girls finally sorted themselves and we got set up for the main plot to start next week. I was initially really stoked about this one and then a little bummed that it's not taking it's very cool premise and the stakes it establishes as seriously as it could be, but I'm still hoping it will start to have real stakes in the main plot stretch.

The Two of Us s2 ep 6/6 END (Thai, 29 Aug-3 Oct 2024, YouTube) It was so great seeing women in their 40s being romantic together but I did not love the plot of this one; I find their romantic conflicts too juvenile (lots of easily-triggered jealousy). The moments they're being sweet are great though.

Unlock Your Love ep 4/8 (Thai, Wednesdays, GagaOOLala / YouTube [cut version]) This is the first episode that this series felt a little more assured; I liked the series this production company produced with a short run time, it feels like this series has been worse off for its longer episodes. That being said, when these couples get to do their thing like in this episode, they have good chemistry.

Chaser Game W s2 ep 3/8 (Japanese, Thursdays 12:30 PM EDT, GagaOOLala) @lurkingshan is already doing a great summary of this week to week in her JQL weekly round-up!

Affair the series ep 6/8 (Thai, Fridays 11:15 AM EDT, iQIYI/ YouTube) Finally! I liked that it was Ek pointing out that Wan was unhappy the entire time she was gone that finally got Pleng to give in to her desire to be with Wan. This show is so melodramatic but the emotional threads follow and the character motivations are clear and consistent; I'm enjoying it in spite of not loving melodramatic storylines in general. It helps that the acting in this one is excellent.

The Loyal Pin ep 10/16 (Thai, Sundays 12:15 PM EDT, YouTube) Glad we finally got confirmation of Patt's history! And I'm relieved Anin knows she has an ally, though I feel like it's given her false confidence that worries me. These two are stressing me out by how bad they are at being careful but I do love how desperate they are for each other, as well as how beautiful this show is.

Red Whisper ep 2/8 (Korea, Wednesdays and Sundays, YouTube) Starting with cheating is not my fave but is par for the course with these SukFilm short series; my fave so far has been their first GL so if you haven't seen that yet I'd honestly recommend that instead.

Recent One-offs

Out of Breath (re-release in a bingeable version; Korean, YouTube) Highly recommended! Also the creator, Soo not Sue, announced she's working on another series to hopefully air before the end of the year, which I am super stoked about.

The Suffering of Xiqing Mountain (Chinese (censored), YouTube)

Sastra film app YouTube channel has several short Cambodian GL series that come out weekly Honestly they are not to my taste but I don't like gatekeeping GL especially from smaller markets. I check in on these time to time and if there are any that I think are great I'll give them a shout-out

Ditto above with JPC media YouTube channel for Thai GL shorts if there are any that stand out to me I'll say so

Recently ended that I haven't had the wherewithal to write about:

Hoshikuzu Telepath (fansub) Thank you to @yuiyuihan for your hard work making it possible to watch this series! I I haven't read the original manga but I do know they changed the kiss communication to a forehead rest; Unsurprised that this adaptation, starring idols in the same group, would be left ambiguous in terms of whether their feelings are friendly or romantic. I liked what this series was trying to say, but in all honestly didn't love the execution. It's too bad because I absolutely love the concept of an alien being helped by girls obsessed with building rockets.

The Secret of Us 8 eps [complete] (24 Jun-15 Aug 2024, YouTube) I first included this in my recommendations from the summer and then retracted, but I ended up liking this series and then never updated again. So to set the record straight: Though it lost me in the middle, the ending on this series won be back over. I really appreciated the way this series handled filial piety and balancing that against personal happiness. I appreciated SO MUCH that the main characters decided together how to handle Lada's situation with her mother. I finally understood too late that Earn believed the lies Lada's mother told her in ep1, and that affected some of their decisions in the middle of the series. I still think the execution was wobbly, but the acting and chemistry between the two leads carries this series through. This has some of the best domestic fluff in any GL, as well as my favourite GL counter lift to date. And it's gorgeous. Tentatively recommended with the caveat that you do have to either enjoy or power through the melodrama in the middle.

Starting soon:

Apple My Love, Thai, 12 October, GagaOOLala

Pluto, Thai, 19 October, VIU

The Nipple Talk, Taiwanese, 1 November GagaOOLala

My Ex's Wedding [in theatres in Thailand 14 November]

Petrichor, Thai, 23 November, TBD

[sharkboywrites]

My perspective on Curly as a victim of abuse

Tw for abuse (physical and sexual)

Hey mouthwashing fandom, so this is kind of a hard topic for me to tackle, but recently with seeing people’s opinions in the fandom on Curly as a character, I want to put in my own two cents as a victim of abuse.

I want to clarify before I start that I am not a victim of sexual abuse specifically. The abuse I faced was physical that bordered on sexual, but I was never sexually assaulted. That’s why this analysis isn’t about the sexual assault aspects of Anya’s abuse, like her relationship with Jimmy, but rather on the aftermath of the abuse on how the people she trusted (specifically Curly) interact with Jimmy after they know.

For context so people can understand my situation: I was in a very physically abusive friendship that bordered on sexual abuse in my freshman year of high school. Now, through my sophomore to senior year, I was forced to be in the same school as this person. In the same classes, in the same clubs, in the same events, and the same friend group as my abuser.

This is why I relate to Anya so heavily. I understand being forced to stay in situations with the person who abused you and being around people who either don’t know or do know and haven���t done anything/hold them accountable.

Now onto the main topic of my rant: Curly. So far from what I’ve seen, Curly is a hot topic for debate on the morality of his character. Anya confided to Curly about the abuse, and Curly, as far as we can see, didn’t do much. This makes it really easy for people to point fingers at Curly and call him an awful person and say that he is just as bad as Jimmy.

This is where I disagree. I don’t think Curly is a bad person.

Again, I understand the pain of having people do nothing. I have watched people I confided in about the abuse I face completely ignore what I have said and continue to be friends with them. I have had people say that I was lying. I have had people defend them right to my face because “They look like they’re getting better” or “But they seem like such a good partner to their (current) girlfriend!”

I get how frustrating that is. I understand the level of hurt that brings and how unsafe that can make someone feel. But once again, this is something the fandom immediately jumps on Curly for without really looking any further into it.

The thing is, these are people I know at school. These are people who can actively control their situations. These people can stop talking to them, stop giving them rides, etc. to stop interacting with them.

This is not the case for Curly and Jimmy. The most obvious thing being: they’re literally on a ship in space. They are all in a confined space and forced to be together for months on end. On top of that, Jimmy is a very unstable person, and Curly probably knows that. A lot of people like to characterize Curly as the “Oh, but he’s my friend, he wouldn’t do that” guy, but that’s not what happened. He listened to Anya, and while he definitely been more empathetic and done a bit more, he still didn’t deny it.

I personally feel like Curly specifically not denying it means he knows that Jimmy did it, and that he knows Jimmy is a bad person.

All of these are faults of Curly’s. He let someone he knew onto was dangerous onto the ship, and when he did something bad, he didn’t do enough to help despite being the captain.

But one thing we do know is that Jimmy is a manipulator. He will manipulate or threaten anyone to get what he wants. First off, we don’t know if Jimmy manipulated Curly to give him the job in the first place, which could have very much happened. Second, he was seen manipulating Curly AGAIN in the psych evaluation scene, the birthday party scene, and near the end of the game when Curly confronts him after talking with Anya.

Every single thing Curly falls short on is a direct effect of Jimmy’s manipulation in the first place. Yes, he absolutely could have done more in both situations, but Jimmy manipulated into him into letting him off easy.

On top of being manipulated by Jimmy, there wasn’t much Curly could do. He can’t just throw Jimmy out into space and he couldn’t let Anya have the gun because he can’t have his crew killing each other obviously (even if Jimmy is a threat).

The only critique I have of Curly at this point is doing more to protect Anya. He could have made a better effort to keep Anya safe from Jimmy and really put his foot down when confronting him.

Although again with all of this, it just boils down to Jimmy. If manipulation doesn’t work with Jimmy, then he uses threats or brute force. Curly probably knows that Jimmy is unstable, and probably didn’t know what he would do if he had been firm with him or done literally anything that could be seen as against him, evidence being the birthday scene. Everything that happened and everything Curly fell flat on was becuase of Jimmy’s manipulation and unpredictability tendencies, so really, it’s not 100% his fault.

Tldr; While Curly could have done a little more and should be critiqued, all of the stuff he falls flat on is because of Jimmy just like everything else in the story, so people should stop treating him like he’s a bad person or could keep Jimmy in control because he was a victim too.

[mullty]

-Spoilers for Call of Duty Black Ops 6 Ahead.-

Bro I literally teared up. I am honestly only playing for the character that is Frank Woods. I grew up with Alex Mason and his story and recently I've gotten back into it as an adult. I love the arc we have sort've been on with Alex and Frank. They are so special to me and I could go on forever about them- but enough about me-

So Far there are two moments that I've just loved and been incredibly sad at. The shorter one, that you will probably barely notice, is when we are back at the mansion-manor?, home? house?-

We, as Case, are next to my new favorite person maybe ever Felix. The rest are near a fire they have and before Adler radios in with bad news, you hear the end of a funny memory Frank is sharing with the team.

So far, I have felt that even though we have the same Frank Woods, he is a very obviously subdued version of him. It's felt like... I don't know. Do you know when you're pretending you are normal and cracking jokes but you're so exhausted and you'd rather not say anything but you don't want anyone to ask you anything. I do think he's like making an effort but this whole situation starts off with Adler who we later learn is the one being blamed for Frank's "Condition" and the deaths of Alex Mason and Jason Hudson. I wouldn't want to be reminded of that dang mission ever in my life but suddenly Adler is back into the mix and suddenly it's all about Panama and Mason and who Frank once was- and I think it's a lot for him. He's older. He can't fight. He can't move as he once did. Now, he has people he is mentoring. He's staying back while they go. He had built a wall around these people because this isn't forever and he didn't owe them a sob story. Anyway- so yeah it's a big deal that he's sharing a story with them because it's a story about Alex. It's not confirmed but all we hear is something in the realm of (I'm paraphrasing)

"Yeah, we are in D.C. now- Not Alaska." Which prompts a laugh from the people there.

Now. Let's put on our thinking caps on and try to remember who in the game is canonically Alaskan.

ALEX MASON. HE'S TELLING THEM ABOUT ALEX AND A FUNNY STORY ABOUT HIM. BECAUSE FRANK KNEW HIM. FRANK KNEW HIM AND KNEW ALL SIDES OF HIM and Alex wasn't just some coworker that survived getting brainwashed and was basically the best soldier there ever was.

Alex was his best friend. They mention it multiple times in the story.

Frank lost his Best Friend. Most of all, he feels it was his fault because he pulled the trigger.

He let his walls down and he's letting these people in to know someone so important to him.

The next moment is when we go up to talk to him and ask how he's doing. I think there is a visible change in him. He feels lighter.

He talks about enjoying the "thing they have going on." They don't take orders from anyone and they're kind of their own paramilitary group in a way. No hidden agendas just stopping the bad guys. and Case responds with, "You don't have to go back to Langley."

And why would he want to go back there let's be honest.

And THEN HE RESPONDS WITH "I haven't told anyone this but with Mason gone, I wanna look after his boy... Bring him up."

And what had me in this scene isn't that he is going to raise David, We know he ends up doing that.

BUT how much Frank has come to terms with letting go.

Frank obviously to some degree enjoyed his job. I don't know how long he did it for but, he is still involved back at the C.I.A so we can see that he didn't want to be left out completely.

And he gets a taste of that back.

He has found something that works for him and allows him to continue on this path. But. BUT.

"With Mason gone, I wanna look after his boy."

He's going to leave it behind for David and Alex.

He's not going to leave David alone. ALEX WENT BACK TO THAT LIFE despite having PROMISED his son that he was done. because of frank. Frank needed him and Alex saved him.

A lot of fans point at Frank and Alex and say Gay lovers.

and like yeah what about it.

But also I think what the writers are going for is the most devasting option is that these guys are Best Friends and that's so much worse.

Idk if any of ya'll ever had a best friend, but there are moments when you question if God made them just for you.

Because the closeness you feel in your soul and the Love that is the same Love and Loyalty you reserve only for Family outpours to them as well. And they aren't family but they're someone who knows the most inner parts of you. A best friend is someone who loves you back just the same.

I honestly believe that there was nothing Frank could've ever done that would've turned Alex away from him. Frank was blinded by revenge and accidentally killed an innocent girl, but Alex remained by his side.

It just killed me because Frank could've kept going, Idk if he retires after COD 6 something tells me he does, but he doesn't.

David needs him. He needs to keep Alex's memory alive and I personally headcannon that Frank mentions Alex all the time. Like it's rare if you don't hear about Frank's best friend Alex in a whole week because that was Frank's best friend and he was a Badass.

Anyways there might've been more for me to say but it's late .

(Excuse typos and anytime I type in caps it's because I'm yelling.)

[pinkaditty]

He Knows

(Subaru Kagami x MC X Haku Kusanagi; Tokyo Debunker)

omg guess who's back!!!!! im posting porn as per usual. 2day's porn is about tokyo debunkers!! recently started playing that game and WOW haku kusanagi has stolen my heart holy shit man. i picked him and then proceeded 2 watch him jump off a burning ledge it was really something!!! anyways the more of him i saw the more of him i just ended up liking. like when i found out he's left handed i jus melted on impact bro wtf's wrong with me. anyways here have the result of my 72 hour long haku kusanagi brainrot: porn.

summary: haku's been avoiding you. it's because you're with subaru all the damn time. it's only at a party where you're in close proximity that things get... interesting.

a/n: note that the tokyo debunkers characters have no confirmed ages. i am running on the assumption that, since they refer to themselves as adults in the game, drink, smoke, and gamble that they are at least in the college student age range. also, i have never heard of a high school with a chancellor. typically it's universities that have those. i am running on the assumption that all characters are at least 18 years of age. if canon ages come out and turn out to be lower, i will delete this! thank you <3

cw: MINORS DNI, suggestive, no real smut happening but u get kinda close, mostly buildup tbh, self-indulgent (pls like this i spent hours writing it), gn!mc bc mc isn't described physically at all, strongly implied sexual relations, semi-public?, slight cucking if u wanna call it that?, subaru x reader x haku yea

MINORS DNI!!!!! PLEASE RESPECT MY BOUNDARY. THANK YOU.

Casino parties in Sinostra were a lot different from Frostheim parties. 

Where Frostheim parties were the peak of elegance; blue and white and silver, the mood just as frosty as the scenery, the dress code limited to the finest silks and satins, the food limited to the neatest hors d'oeuvres, and the conversation limited to humble whispers; Sinostra parties were the peak of gaucheness; all colors gaudy and neon, the mood joyful and jubilant and raunchy, the dress code ranging from evening dresses to last week’s uniform, the food being whatever was served at the nearest table, and the conversation loud and constantly overlapping. If you asked Haku, he didn’t have a preference. Parties were parties. It didn’t matter what kind.

He was here to have a good time. That was somewhat dampened when he realized he’d have no choice but to hang around you. He’d been avoiding you for a reason, after all.

It had been recently when he realized why his heart thrummed like a drum when you were nearby, the beat loud and monotonous in his ears. It was an unfamiliar feeling, one he’d scarcely felt, and when he realized what it was, he almost didn’t believe it was genuine. Sure, you were attractive, but all his flirting was, at best, to get your attention and to mess with someone cute. Who doesn’t like attention from an attractive person? He blew it off for the longest time, chalking it up to nerves at how you would respond to his brazen flirting, or perhaps surprise when you would talk to him with a sincere glint in your eye. It was crazy, falling for someone who might be doomed to die, but it was like he couldn’t help himself. Something about how you kept going, even despite that, accepting your potential fate but seeking a way to rewrite it all the same—it impressed him. You had the resilience of a ghoul, a will strong enough to devour a curse. So be it. He promised to himself from the moment he saw Taiga attempt to throw you out of the train window that he wouldn’t let you succumb to such horrors just yet. He had thought that, with the mesmer matches, his promise would be fulfilled. But when your eyes shined with recognition upon meeting his gaze again on that train, he knew he’d bitten off far more than he could chew. So be it. His fate was sealed, as it always had been. 

And, of course, like any romance story, you’d gotten quite close with another guy, Subaru. The odd pangs in his heart rang quite clear through his head when he saw the two of you walking together on campus yet again, or sitting together at mealtimes yet again, or when you’d come by Hotarubi to visit him yet again. He felt childish, feeling an odd jealousy bubbling up in him that he immediately tried to tamp down. He didn’t like feeling that way, not at all. He figured he’d have to rid himself of this somehow, so he distanced himself. Yet, the pull towards you was still strong and hard to ignore.

And then he started falling for you, harder, even after he’d implemented distance, completely unplanned. So, yeah, being here with you after weeks of attempting to avoid your presence after such a revelation was something of a downer. And, super awkward. But whatever, he could take it. He didn’t want to walk aimlessly around this party and see something he shouldn’t, so he was stuck with his dormmates, particularly Subaru, who was stuck—albeit, happily—with you. 

The party was going alright so far. The alcohol had given him a light buzz, enough to at least alleviate his nerves, and relax just slightly. He sank into the couch he sat on, adjacent to the bar. Next to him was Subaru, next to Subaru was Zenji, and next to Zenji was you. At least there was some distance, but his eyes met yours in fleeting glances quite often. It was minimally frustrating, but the buzz helped him ignore it. You were engaged in friendly, flamboyant conversation with Zenji, Subaru seemed a little shifty, though that could be chalked up to being in a loud environment, and Haku was leaning back, swirling his drink in his hands. The endless noise of loud voices and gambling wins and losses echoed in his ears as he did all he could to refrain from indulging much more. But your presence wasn’t exactly helping. 

He turned back to you, to give you another fleeting glance, but his eyes landed on Subaru instead. He seemed a little out of it, his skin shining in the low light with a thin layer of sweat, his breathing heavy and laboured, his face flushed a bright pink. Haku stared at him curiously, concern creasing his eyebrows and quirking his lips downwards. He reached a hand out to gently pat Subaru on the shoulder, who flinched suddenly. Haku looked at him quizzically, his eyebrows furrowing further. “You good?” He examined Subaru’s condition further, noticing his bangs beginning to stick to his forehead from the sweat. “Do we need to leave?”

Haku’s mumbled queries gained the attention of Zenji, who glanced over his shoulder. Upon seeing Subaru’s state, he frets, turning towards him and grabbing his chin, tilting his head back and forth. Haku wished he wouldn’t do that, and hoped onlookers assumed Subaru was just shaking his head. Not that anyone would be looking in this direction, anyway. He notices you curiously peering over Zenji’s shoulder. You showed no signs of concern, rather interest.

“Oh my! Are you alright? You’re quite flushed!” Zenji’s voice was pitched with worry, as he further examined Subaru’s face. “Did you perhaps—ah, but you’re not holding anything…” Zenji tapped his fingers to his lips, his eyebrows furrowing with concern. Subaru shook his head at both Zenji and Haku, and waved his hand.

“I’m fine. Don’t worry about me.” Haku heard a slight tremor in Subaru’s voice.

“Are you sure?” Zenji pressed, leaning towards Subaru, his eyes searching his face for any signs of further ailment.

“I’m fine! Please, enjoy yourselves.” To his credit, Subaru hid the tremor this time, but Haku could still sense something was wrong. However, he decided to let it go, assuming that they wouldn’t be here much longer. 

He took note of your lack of concern. He found it odd, but didn’t think on it much. You were close with Subaru, but maybe not as close as he thought. He hated how the thought of the two of you not being as close planted a seed of hope in his heart. Still, wasn’t concern a normal reaction to a friend being ill?

Haku let it go. They’d be out of here soon, anyway. 

Time seems to crawl by and speed up at the same time, the chaotic haze of the party warping his perception of time. Before he knows it, he’s on his second drink, even after internally swearing he wouldn’t overindulge. And before he knows it, he’s lost count of how many times he’s glanced your way, each time holding your gaze longer than the last. His pining was ridiculous. He felt like a teenager. And the drink in his hand was only a reminder of his low self-control, further shaming him. He sighs and places it down on the table in front of the couch, promptly leaning back in his seat. Once he falsely settles in, his finds his eyes drifting to you again. He quickly snaps his gaze away, but not before he spots Subaru’s quivering figure out of the corner of his eye. He turns to him again, concern once again etching itself into his expression. 

Subaru was trembling now, slouching just slightly, which was unlike him. His chest heaved with the effort to breathe normally, and he was sweating more now, more of his bangs stuck to his forehead. Instead of the modest blush pink his face had been before, he was now a bright red, color spreading from his cheeks to his ears and even to his neck. Alright, this was too much. Even Haku knew Subaru was pushing himself too far. He sat upright and gently placed a hand on Subaru’s back, to which he flinched again. Haku’s concern quickly turned to worry, and his hand moved to Subaru’s shoulder instead, leaning closer to him. He could feel the heat radiating off of him. “Hey, Subaru.” Subaru turned to him, still heaving and blinking at him blearily. “...We should go.” Subaru promptly shook his head, despite his body still trembling. The movement alerted Zenji yet again, who turned to Subaru, noticing his trembling form.

“My goodness, look at you!” Zenji grabbed Subaru’s face, squishing his cheeks. “Are you well? Do we need to take you to Montkranken?” Haku sighed as Subaru shook his head again, stubborn as a mule on this.

“N-No, I swear I’m fine, truly.” His voice shook audibly. Haku had half a mind to take him to Montkranken by force, but knew that no good would come of making Subaru any more uncomfortable. 

Zenji hesitantly let go of Subaru’s face, staring at him dubiously. He carefully inspected him, checking his complexion and forehead. As Zenji flitted back and forth around Subaru, Haku found his gaze once again slipping towards you. This time he didn’t stop it, deciding to let it go so he could hold your gaze at least once more before he shifted his full focus to Subaru. However, he notices you aren’t looking at Subaru, or Zenji, or him. You’re staring off to the left, as though watching the people of the party. He’s confused. Why are you so nonchalant about this? Even before, no concern was on your face, mere interest. And now, it’s like you couldn’t care less. It didn’t seem quite like you not to care about one of your friends. It was quite confusing and frustrating, watching you act so nonchalantly, hardly noticing Subaru’s ailment. But, whatever. Maybe you were just distracted. As he turns his gaze back to Subaru, about to gently encourage him to stand so they could leave, he notices your hand moving out of the corner of his eye. Your hand disappears into your pocket and shifts a bit more. Simultaneously, Subaru lurches forward, grunting. His whole body was trembling now, and his fingers dug into his arms as he desperately tried to keep it together. Zenji immediately leans over, placing a hand on Subaru’s back. Haku feels a rush of panic and leans towards him. “Subaru! What’s—”

Haku stops in his tracks. On the side of Subaru’s neck, facing Haku, there were small red and purple bruises. For a moment, Haku’s confused. What are those markings on the side of his neck? And what’s got him so—

Out of nowhere, something clicks. 

As Zenji continues fussing over Subaru, Haku slowly lifts his gaze to you. He finds your gaze boring straight into him. A shock runs down his spine. 

No. No way.

Haku watches as you smirk at him and you pull something out of your pocket, purposely angling the object so only he could see it. It is something very closely resembling a remote. His eyes flick between the remote and your face, your eyes still holding him captive. He tears his gaze away from you and the remote, and turns to Subaru’s trembling form, Zenji fussing over him. He turns back to you, observing the wicked smile on your face. This can’t be real, right?

He watches as your smirk widens, and you press a button on the remote, slipping it back into your pocket. 

Subaru groans, crumpling further forward, immediately pressing a hand to his mouth to muffle his voice. Haku studies him carefully, watching his expression. Subaru’s eyes roll back just once and the corner of his lips turn upwards in a smile, peeking behind his palm pressed tight against his mouth. 

Oh. Oh god.

Something akin to heat pools in Haku’s lower abdomen. He finds himself gripping the cushion of the sofa he’s sitting on so hard his knuckles turn white. Haku swallows thickly, and jerks his gaze back up to you, finding your gaze boring straight into him once again. Subaru’s muffled grunts grow louder, and now that he knows it’s out of pleasure and not pain, Haku feels the urge to squirm. He feels warm all of a sudden, his own body beginning to tremble with nerves and heat. His lips part as he breathes heavily, his gaze flickering from you, to your pocket, to Subaru, and back to you. Maybe it was a bad idea to have so much alcohol. Your gaze, the knowledge of what was really going on, and Subaru’s grunts—which were quickly evolving into moans, further confusing Zenji—all made quite a potent concoction, and with the alcohol running through his system, it really only served to shame him further yet again. 

Shame is all he can think about… Even as a tent forms in his pants.

a/n: YIPPEE!!!!!!! i finished at long last

also here have this fuckass meme i made thinkging abt all the fics im writing atm:

i guess i have a niche. my roommate literally asked me as i was telling her abt this fic "is it gonna be cuckold" and i was like "WHATEKSLSJK?!?!?!??!" and then i realized. i write a lot of these fics and call them all self-indulgent. is something wrong with me?

anyways wrapping this up!!!!!!! note that i appreciate likes, reblogs, and comments!!! please, tell me all about how much you enjoyed my work, if you did!!!! i really like when people tell me they loved it bc it encourages me 2 keep going ahhhh!!! until next time, readers!!!!!

[historicallyaccuratecheese]

I know this isn’t very in line with the usual “haha magnus archives worm lady” posts I usually make, but this is very important to me and I want to spread as much awareness as possible.

One of my favorite games of all time is Dead Cells, a fantastic indie roguelike developed by Evil Empire. Recently, it was announced that it’s upcoming 35th update would be the last one for the game. Now, let me start off by saying that on its own, this isn’t what I’m upset about. The fact that Dead Cells has gotten as much support as it has over the years is quite frankly incredible, and 35 updates, most of which have been free and very high quality, is an amazing amount of support. Rather, I am more concerned about the circumstances behind this announcement.

The announcement was…off, for a number of reasons. For one, Update 35 has been in Alpha and Beta on Steam for a while now, and it’s not exactly an update you’d expect the entire game to end on. Still quality, but not exactly a “grand finale.” Also strange was how long it’s been in alpha and beta, as it seems to have been in development hell for over six months. And finally, it’s clear that there was so much more planned for the game. For example, 2023 was said to be the biggest year for the game, and yet we only got two updates. Granted, one of those updates was very big, but not nearly big enough to really live up to the title of “biggest year so far.” By all accounts, it definitely seemed like there was some sort of internal issue that cut the planned lifespan of the game short. If so, that would be very unfortunate, but I would have been willing to accept there was probably nothing that could be done. However, recently some information about what actually happened has shown up, and….yeah I’m pissed.

For those who didn’t know, Dead Cells was originally made by a team named Motion Twin, but after the fourth update, most of the people working on the game left to form their own team, Evil Empire. Evil Empire has developed every update for the game since that split, and yet, they are rarely credited as the makers. Motion Twin is the company that promotes all of the new updates, as if they made them, and unfortunately very few people know which company actually makes the game. Recently, Motion Twin announced a new game called Windblown (proclaiming it was made by the same team as Dead Cells, when it certainly wasn’t), and based on recent interviews with Evil Empire, we learn that Motion Twin pulled the plug on Dead Cells against Evil Empire’s wishes. Evil Empire loved making the game, and planned to continue updating into 2025, expanding the gameplay and lore, yet Motion Twin decided to pull the plug, either to promote Windblown (which if so…why? You can have two games?), or simply out of spite towards Evil Empire, which seems unfortunately possible due to the fact that the devs do not seem to have the best relationship. And to add insult to insult to injury, Motion Twin straight up lied by saying that Dead Cells stopped development because they “don’t want the game to feel bloated”. ….THEY DON’T EVEN MAKE THE GAME WHAT THE HELL?!

So yeah…this is a really terrible situation. Dead Cells is a game that means a lot to me, it’s helped me through some very tough times and there are many other people who hold the game dear to their heart. So please, anything from a simple reblog to making your own posts about the matter goes a long way. Spread awareness about what’s going on. Tell people about how Evil Empire has put so much hard work, love and dedication into the game, and wishes to continue. Tell people about the lies that Motion Twin have been telling. Pressure the two teams into splitting away from each other entirely, so that Dead Cells might get a chance at continuing development. (Be respectful about it though, don’t commit any forms of serious harassment.) It would seriously mean a lot to me and many others, and I would greatly appreciate it :).

[venvellan]

da2's arishok is a good villain. if you have a fundamental understanding of the qun and listen to his thought process, the things he does makes sense. he uses the qun to justify slaughtering kirkwall's people, which is utterly inexcusable and what makes him a villain, but his character is complex enough to make dealing with him that much more thought provoking. he sends agents to kill petrice because she was killing his people, he doesn't give up the elves because they committed their lives to the qun, no matter how recently they converted, and he refuses to leave without the tome (and isabela) because his idea of justice hasn't been done. his logic makes sense, generally, though it is wrong on more than one occasion. he isn't moral, but he is methodical.

i feel this way about solas, too. i like da2's arishok for the same reasons that initially draw people to solas, i think. when we meet them, i find them interesting and educational to talk to, someone worthy of respect, and someone very honorable in their own way. similarly, many of my issues with solas compare with flaws in the qun/the arishok.

solas asserts that all of his beliefs are correct, and we're never allowed to challenge him on any of it. if he has high enough approval, he'll approach you to go, "yknow, i thought you were all [insert prejudice or stereotype] but YOU showed me that some of you guys are actually okay," which is NOT what it looks like for someone's beliefs to be challenged.

brief aside, i want to be fair in that we don't get this opportunity with many of the companions, and it's not even an inquisition specific issue. the dialogue format is agree, joke, be mean, and it's flawed, but it works in the majority of interactions. we don't really get to engage in nuanced discussions with characters, but there are positives and negatives to the system overall. it is possible to challenge and shape a character within this dialogue system (i.e., garrus vakarian) but in dragon age that really only comes in the form of harden/unharden. it was a little more doable with origins' system, but it really hasn't been a huge part of any dragon age game. most characters' beliefs remain largely unchanged by you regardless of how you play.

solas also possesses a strong sense of duty and purpose, though what duty he has, what his true goals are, he keeps hidden as long as he can. the most damning comparison though, to me, is how willing he is to destroy the world and bring back "his people," while the qunari fight to conquer the world and homogenize society into "their people."

in any case, with both him and the arishok, you can see the wheels turning in their heads. you can see why they do what they do, even if it's wholly immoral. it makes their threat a lot more personal, a lot scarier, psychologically, that a "normal" person, who doesn't want to cause suffering, can hold such specific beliefs and such strong conviction that knowing that they'll hurt people doesn't give them any pause. the root of their motivation is understandable. solas wants to right his wrongs, at his core. the arishok implicitly believes that the qun is safer, better for its people than life outside the qun. we can see that they're taking it too far, but they don't care. it makes them good villains.

"i am not corypheus, i take no joy in this." sure, which is a very similar sentiment, emotionally, to the qunari sense of duty. you can say you don't enjoy it all you want, you're still committing genocide. you can hate the qunari all you want, but you fight with their ferocity, their unshakeable faith in their own cause. their need to "do what's right," no matter who's caught in the wake.

i understand why people like solas, i go back and forth on it myself, but i don't think he's all that different from the arishok in method and motivation. they're each thrust into a world so different from what they believe is "right" that they demand it change around them. if we had to kill the old arishok, then if solas refuses to give up, he will have to die. he doesn't get to do genocide just because he's romanceable. he's a good character, he's a good villain, but he's not a good guy, and unless he stops before he does any real harm (which he will not do), he should share the arishok's fate.

[bengiyo]

BL 2023 Review

I wasn’t sure how I wanted to write about BL for this year. I was originally going to do a The Good, The Bad, and the Ugly framework for it, but that feels meaner than I actually am about it. Instead, I think I’ll just write out some sections and unpack some things I felt along the way.

I Watched Too Much Again

Last year I engaged with about 92 productions around the world. This year it was 99 (I tracked stuff I completed here). Sure I dropped 18 of them this year, but goddamn. The problem with watching as much as I did this year is that I worked full time this year and also maintained a separate hobby. I also continued my twice-weekly watch sessions with my friend Emily, so there are an additional 100-ish watch sessions in here of rewatching, plus a few other rewatches (Theory of Love and My Ride most notably).

One of my struggles at this point is I’m far too familiar with the genre, and find myself feeling impatient and irritable with shows that aren’t to my taste the way I used to. Throughout the late summer and fall I found myself increasingly grumpier about the genre, and it didn’t get better until I had a holiday and basically slept a day to get some energy back. I also found myself growing apart from fans I’ve known and followed a long time. It’s been a difficult year for me as a long-time fan because my tastes, habits, and friendships in the genre have changed even if the amount I watch hasn’t really.

I Wrote a Lot This Year

I recently converted my watch tag away from my gaming internet persona to just my shortname, so all near-1000 of my Stray Thoughts posts can be found under #ben watches now. I’ve also been going back and adding #ben writes to some of the standalone pieces that I really liked. In reviewing them, the pieces I’m happiest about are my ode to Framboise from Kabe Koji Nekoyashiki-kun Desires to Be Recognized, my post begging everyone to watch La Pluie, my post about what it means to actually like queer men, my SBS ep 10 post that ended up being wrong, my post about the Lavender Scare and Be My Favorite, my Tokyo in April is… post about the breaking of the BL line,

However, the two posts I am most proud of is my half-joking response about why I think tagging each other back and forth across Tumblr in our writing is so important. and The Knowing: Being Queer in BL because I had so much great conversations with folks as a result of both of these posts.

Looking back at my own blog, this is probably the most active I’ve been in my entire time on this website, so thank you to everyone who interacted with me this year, because it really is people talking to me that gets me most inspired to write things down. Big shout out to @lurkingshan who will bug me repeatedly until I blog something that I said in passing.

We Started a Podcast!

After hanging out with @shortpplfedup since Bad Buddy, she got inspired and really wanted to bring something different to the BL podcasting sphere. I had time, and liked talking with her enough, so we started @the-conversation-pod. Now we’re a full year into it and planning out future stuff. It’s been so much fun being able to get things off my soul and break poor NiNi in our recording sessions.

From this year, I think my favorite episodes we did were The Moonlight Chicken Episode, the Eighth Sense episode, the ITSAY Anniversary Episodes,  The Wedding Plan episode, , and The Holiday Clip Show. Huge shout out to @ginnymoonbeam for anchoring the transcription process, and @lurkingshan for editing.

The VIIB Awards will begin airing soontm so look forward to that.

Favorite New Term: Business Gay Performance

Let’s be clear, Bump Up Business is not good. It is an obvious BL cash grab from OnlyOneOf that seeks to comment on the fake nature of BL while doing everything it can to trick the audience into believing that the BL pair is real.

Before we got deeper into this year, I was a big fan of a certain pairing, and then their fans took it too far and it affected the way I engaged with their performances and their work. I like that we have a new term for “fanservice” that communicates that you understand that this is for work. (thanks to NiNi for this comparison) I can look at the latest behind the scenes video from Last Twilight and say that I think Sea really understands the work they’re doing, and he and Jimmy have a very relaxed and mature version of BGP without feeling like I’m feeding into shipping.

Do I think they’re dating? No. Do I like the way they fake it? Absolutely!

I can look at one of @respectthepetty posts about Yin and War having personalized, color-coded mics, and we can talk about the next level BGP between the two and both communicate that we know that this is a performance.

It actually makes the extra PR work fun for me again, because now I can just shout “BGP! BGP! BGP!” and it not feel like I’m giving myself brainrot.

Thai BL Needs to Finish Stronger Next Year

Let’s get into some of the show stuff. This year was defined for me by Thai BL starting strong with good premises and then squandering them by not focusing on the details that mattered or leaning into baseless melodrama. Time for some reads. Some of these shows were generally good, but they failed at these things:

609 Bedtime Story: The world building crumpled in the back half and both endings are flat.

A Boss and a Babe: Cher is a pro gamer who worked for a gaming company and there was no plot point about this at all, or collaboration between the two groups.

Bake Me Please: Why was a show about cake so lacking in flavor?

Be Mine SuperStar: You had a real opportunity to explore a fan and idol romance and had Punn show so little growth. I hope the footage of First’s range is helpful now that Ja is out of BL.

Be My Favorite: You redid that whole amusement park date and muddled so much of what the hell happened on that day.

Between Us: You had years to make this interesting. Why are there five pairs and why is the end of this a JC Penny catalog photoshoot?

Dangerous Romance: What the fuck happened to the Sailom we had in episode 1 and 2 before that gun incident?

Hidden Agenda: Tee, what the hell was this? Twelve weeks of this?

I Feel You Linger in the Air: You may be the most beautiful show, with some of the most impressive performances of the year, but you absolutely botched this ending. Finish the goddamn season next time.

Love in Translation: I love you, but that whole kidnapping plot was so stupid at the end.

Low Frequency: I like your OST. That's about it.

My Dear Gangster Oppa: No examination about how gaming friendships become close quickly because of the combination of anonymity and teamwork (shout out to @twig-tea for this excellent summation).

My School President: Saving your gay commentary for the final episode felt like a conservative choice. I want more from you next time.

Naughty Babe: You retconned your own characters to tell a worse story. Unforgiveable.

Never Let Me Go: You didn’t know if you wanted to be a high school BL or a mafia story. It was difficult to watch.

Only Friends: I cannot believe you did Boston like that at the end. Either give Force’s character a clear personality next time, or keep him enigmatic; half measures make him and Book look worse. Sand was absolutely embarrassing. Boeing was a waste. Ending on all of them paired like that felt so unearned.

Step By Step: You forgot to ground Jeng’s external dreams at the end, so the final two episodes are just frustrating.

I’m glad I got that off my chest. We can go into the next year now.

Korea Put in the Work This Year

I really like the efforts from the various Korean studios this year. I really hope we get a Strongberry joint next year, but I want to acknowledge that we had 18 Korean BL dramas I watched this year, and at least three of them I think are must watches: Our Dating Sim, Sing My Crush, and The Eighth Sense. Beyond that, I think Love Tractor, Unintentional Love Story, and A Breeze of Love are easy recommendations.

It’s really impressive how the complaint for me this year with Korean BL is not about them using their time poorly. It’s more about normal drama concerns, where I think characterization is a little weak, or a theme doesn’t land squarely. This rapid iteration from the Korean studios is really impressive to watch, and I’m excited to see what some of the recognized players do next year.

Taiwan and The Philippines Have Been Quiet for Me

I wasn’t really able to connect with much from the Philippines this year except for The Day I Loved You. I never wrote about The Day I Loved You, but this beautiful and heart wrenching show is one of my favorites from this year. I wasn’t too keen on the Oxin Films offerings of this year, and I’m still chasing down the ones from The IdeaFirst Company.

As for Taiwan, this new BL project from the end of the year just isn’t hitting. Kiseki: Dear to Me also ended up really hurting me with the way they used Wayne Song and Huang Chun Chih. I love that angry little man with the white hair, but I’m still salty about Wayne and the general mess of that show.

Japan was Busy This Year

I watched 16 new shows, a few older ones, and a few movies this year from Japan. We haven’t gotten this much from them ever. I continue to love the Drama Shower project from MBS, and my beloved What Did You Eat Yesterday? returned this year. We had pretty stellar outings with Our Dining Table, If It’s With You, and I Cannot Reach You.

I think a third of the Japanese BL I’ve tracked on MDL actually released this year. That’s huge.

Still, I am going to side eye Minato’s Laundromat 2. You were the show that let me down the most this entire year. More than Only Friends, more than Step By Step, and even more than Kiseki. You absolutely blew it. You were telling a great story about a man with an acute case of internalized homophobia coming out of his shell and learning to love his younger partner and you blew it for stupid amnesia nonsense. I will never forgive you for this.

Where Were All the Uncles This Year?

Really, without Jim from Moonlight Chicken, and without the men from What Did You Eat Yesterday? we had an alarming dearth of older gay characters passing on knowledge and wisdom to the youngsters this year. What the hell happened?

Rare Dynamics Won: Second Chance Romance and Friends to Lovers!

We had so much second chance romance this year. It’s really my favorite version of gay romance because gays don’t always have ideal settings when they’re young. We had Our Dating Sim, Individual Circumstances, Jun & Jun, The End of the World With You, Tokyo in April is…, Be My Favorite, Love Class Season 2, and A Breeze of Love. I am satisfied.

Friends to Lovers is actually so rare in romance and we have so many to choose from this year! The best examples are I Cannot Reach You and Sing My Crush, but we also have one of the pairs in Love Class Season 2.

Gay Thoughts

I had a couple of ongoing thoughts this year about queerness in BL.

First, I want to return to my post about Sing My Crush and La Pluie, and how I assert that Men Need to Be Angry Sometimes. More than giving men grace to be righteously angry or upset about things, along with letting them express it in ugly ways, I really want to get into how we engage with these shows. I will stop engaging with moralistic reads on characters in 2024. I will no longer engage with asks, reblogs, or meta gripping the fandom where we're judging the moral fiber of the character.

The question that really only matters for me at this point is: Is this act from the character justified from their characterization, the narrative, or genre conventions; and is it interesting? Whether or not the character is good or bad reeks of the lame arguments about good and bad representation, and I am not watching BL like I’m being graded in Sunday school.

The second thing I really want to acknowledge at the end of the year is that the gay sex is finally getting better again. I watched The Novelist this year, and we have taken so long to get back to the space that show took us on the portrayal of male-male intimacy. We are in the genre about people with dicks. It should feel like it. There should be a masculine component there that feels specific to queer intimacy.

I will acknowledge 2 Cutie 2 Pie, A Boss and a Babe, Be Mine SuperStar, Bed Friend, Candy Color Paradox, For Him, I Cannot Reach You, Kiseki: Dear to Me, La Pluie, Love Class 2, Love in Translation, Love Mate, Middleman’s Love, Naughty Babe, Only Friends, The End of the World With You, Tokyo in April is…, and Wedding Plan for your contributions.

Final Thoughts

I like how broad the genre felt this year, and I enjoyed how much speculative fiction is entering into the conversation. I don’t know how I feel about there being five vampire stories in the works next year, but overall I’m glad that we’re getting more experimental concepts. I’m burnt out on the college engineering BL, and would like to see more shows about working adults.

Despite how grumpy I was for at least three months, I think this has genuinely been one of the best years we’ve ever had in the genre. I made a lot of new friends in BL this year, and I’m excited to see what comes next. Thank you all for spending some of your time with me this year and I’ll see you in the next one.

[centrally-unplanned]

I have been taking my fit-and-starts second stab at playing Victoria 3 - I did a Japan run, and a Korea run, and this is a very frustrating game. It bothers me because its deep core is probably the best of Vicky so far. It understands that the appeal of these game is Factorio-esque; you want to build up this cool little supply chain that goes chug chug chug I make-a the widgets and numbers go up.

Vicky 1 was ofc just pure cheese; most goods could just be dumped on the global market with no buyer and do fine, certain goods were just hard-coded to be profitable, and insane things like 100% of import costs coming out of the government's budget pushed you towards a kind of samey, slapdash hyper-industrial mercantilism. Vicky 2 was the opposite - so opaque in its function that you as the player didn't really have agency over it, as the vaunted World Market just does its thing. Your strategies "worked" no matter what you really did though, so you just kind of followed basic "build factory in same territory as RGO" logic and let the system run itself. Both of these systems made for functional-but-not-exceptional gameplay loops.

Vicky 3 is more complicated than its predecessors, but in ways that makes how the economic system functions more concrete. You have local prices for goods, wider markets with clearly labelled high-and-low demand, and clearly defined "production methods" where buildings can commit to better tech at the cost of different inputs. As a player you can build factories, farms, and mines of a dozen different types anywhere, so you always have agency - and those new production lines gives you goals. Invent steel tools, so now your tooling workshops can make more tools but will need steel instead of iron as a input? You can switch over the lines...but make sure you have enough steel mills! And oh, that drives down the price of tools once you do it...so now your cattle ranches can justify switching their line to tool-assisted butchers! And now you make more meat, your local cost is low, but oh in the Russian market meat prices are high - as shown by that little gold coin icon it - so you can export it now!

Things are looped, contingent, and based on your decisions. It is simple, of course, you are making lots of little, easy calls that build you up over time - which is what makes it fun. It has to be simple, because otherwise it is a dizzyingly complex web of a million markets, it would never work. You feel like you are actually building the economy without being overwhelmed by it.

Which would be great if it wasn't stapled to one of the worst political & military systems I have ever seen, played with a UI God abandoned in shame.

So you can join the markets of other countries? Like you have your own market as a default, so you can click the "market" tab and it will show you how much wheat your country makes, how much iron it buys, etc. All good. But if you join another country's market, now that tab shows the collective market, everyone's wheat, iron, etc. Useful but like obiously I am not playing the market, I am playing the country; so how do I see how much wheat I make?

You can't.

You actually can't! Idk maybe they patched it in recently, but I couldn't find it and all the reddit threads I google from 2023 say you can't. Are you planning to declare independence and wanna see if you make enough food for your people? Too bad! Fuck around and find out I guess. I saw one thread where someone's advice was "save the game, declare independence, screenshot the new market, then reload". Quantum timeline level of experimental design going on in these guys' Bureau of Labor Statistics.

It isn't even the gameplay implications that bother me the most - this is a game about building an economy. You want to see what you built! And they stop you. It is baffling, and is just the tip of the iceberg - there are so many things like this. One of my favourites is that your "construction sector" is a hybrid of government and private projects, sometimes it is you spending the money, sometimes investors. Okay, cool, when it is you spending it comes out of your treasury, right? Well, yes, but the way they show that is when everyone spends it comes out of your treasury, but the private sector reimburses you for their share. Which you will not understand your first ~3 games, and instead just see huge red numbers on your budget screen and panic. And you are just left asking why? Why do that?

Beyond UI, the political system is just half-baked. It is "interest groups", each has baseline popularity, and verrrry slowly that changes as your economic structure changes (or revolutions). And to change laws you initiate campaigns to drum up support with roll dice to pass/fail. Which isn't a bad baseline, but it completely fails to capture how political change occurred in the era. Like the Meiji Restoration is "done" by you putting industrialists in power and kicking out the "landlords" lol. Japan didn't have industrialists then! Landlords are the ones who did the restoring of Meiji.

More importantly than inaccurate it isn't fun - to change a law you just arrange a coalition in power than kind of backs it, then pray you get good random events. In Vicky 2 they had a lot more railroad-style decisions and stuff you could do to capture history, "hit this military score benchmark and launch a civil war" kind of stuff. It wasn't complicated, and it was less organic, but it was pro player agency, you could take active steps to achieve it. In Vicky 3 it is mainly waiting or cheese - people often talk about getting the Meiji Restoration by deleting all your armies at game start and launching a civil war immediately that the AI will lose by default. A checkbox decision is better than that!

The military mechanics are the epitome of their "systems over gameplay" approach. What they wanted to do was two-fold; reduce micro in Vicky 2 where it is "click army to province" over and over, and "balance" the game by making combat not reward micro where players could cheese the AI. Very valid goals, I totally support it. What they did was built a system where armies auto-move to "fronts" and their AI can't handle it, but now as a player my agency over my units is gone so I can't fix it. The UI is awful, you can't even really tell armies to attack or defend, they just ~whim. You have to do a lot of clicking to fight the system - yes it is less clicking than Vicky 2, but in Vicky 2 that wasn't mentally taxing, it was fun enough to wage the war you wanted to wage. Everything was concrete and in your control.

Here...look, as Korea I declared war on China to gain independence. Then the UK - not my ally, just separately, declared war on China as well. So now we are kindaaaa on the same side? At which point half my army auto-reployed to Hong Kong because a "new front" had "appeared". One my one boat. Then the UK declared war on me as well and then 50% of my army was fighting the UK in the South China Sea alongside the Russians (???) while the other half of my army is sitting there at home facing the Qing troops along the Yalu River going "bro, wtf?". At one point a newly spawned army of mine tried to auto-redeploy to Senegal.

All of this is just so preventable - you wanna reduce micro? Make combat provinces really big. You just invade "Manchuria", no clicking from Jilin to Mukden, and have bordering armies support each other defensively or something like that so you don't have to dash back and forth. Don't try to make your AI "do it for you" because it clearly can't and you want to play your own game. I'm sure the above will get better as I learn the system but I can just see the hundreds of players who saw this system and insta-quit, because until you "understand" it, it stabs you in the back. Not what you want out of a game.

Anyway enough me whinging about the game for way too long - the fundamentals are strong in the end. I will test out mods, I could see an overhaul mod really fixing everything except maybe the combat (and then you just cope). I definitely want it to work, the potential is high.

[thebramblewood]

Apologies if you've answered this before, but I was looking through your asks and couldn't find anything.

Do you have any advice on how you take such good screenshots of your game? You have such a knack for lighting, having variety of shots, and making them immersive.

This is so sweet. Thank you! 🥰

If I'm being honest, it's 90% vibes and gut feelings for me. I don’t have any formal background in filmmaking or photography, and everything I know is by sheer osmosis. There’s a lot of fancy terminology to describe why certain image compositions look better than others. I admire and respect anyone who purposefully keeps that in mind. But I am definitely not that person. I think I’ve watched enough film and TV, though, to subconsciously be doing the "right thing" - or at least what looks right to me.

That being said, I think the best way to improve is practice. If you spend enough time doing something you'll obviously get better at it, even if you don't realize it at first. So the most important thing is to give yourself the patience to grow and the freedom to experiment! At any rate, here are some things I've learned that will maybe be helpful to others.

Camera Tricks: We all know the camera in TS4 can be a little wonky at times. I use Buckley's camera mod. It hasn't been updated in eons but still works as far as I can tell. It gives you more freedom with movement, and I've found it especially helpful for getting shots that are lower to the ground.

Now that I've realized how sneakily useful first person camera can be, I also take advantage of that all the time. There's the trick of making your Sim look in a specific direction. (This works with poses and gameplay actions, by the way! For example, I used it to turn Caleb's head toward Lilith while he was trimming the bonsai tree.) There's the Dutch angle trick explained in this video. This is great for moments of disorientation and unease. I also just straight-up used first person camera to convey Helena's confusion upon waking after being turned.

Also, saved camera positions are your best friends. You can save up to five positions using CTRL+5-9. Then you just click the corresponding number to return to that position. I've used these for so many reasons. By taking two shots in the same position and Photoshopping them together, I've been able to edit Sims in (like Vlad below), fix accessory clashes (the book was in the hat category, so Lilith couldn't actually wear it at the same time as the towel on her head), and to pose Sims in open doorways (Helena had to walk through the door to open it for the Vatores, so I shot both halves separately).

Zoom: I love smashing that zoom button, whether it's zooming way in or way out. Zoomed out shots are perfect for establishing setting or as interstitial shots during a long conversation when you don't want to always focus on Sims' faces. They're also great for the draaama. Extreme close-ups are great for emphasizing emotion or a tiny but significant detail. Playing around with the extremes of zoom is one of the best ways to achieve shot variety!

Focus: I don't think Reshade is a necessity for good visual storytelling, but it does make certain things easier. I rely a lot on depth of field shaders to pull focus in shots. I like using cinematic depth of field especially in conversations to blur some characters while emphasizing others. I feel like this helps ground conversations because it reminds us there are multiple participants instead of always zeroing in on the speaker alone. Another way to play with focus is to allow the angle to mirror the emotions of the conversation. It's an older shot, but I always liked how Caleb seems to cower beneath Lilith's bat form here even though she's technically smaller. And in the recent conversation between Lilith and Helena, I kept the camera to Lilith's back to emphasize her vulnerability and discomfort and put the focus on Helena's reaction to it.

Framing/Angles: I do this by pure instinct, honestly, and have gotten better at getting it right on the first shot over time. I used to take half a dozen shots of the same pose from different angles and choose the best one. Nowadays, I'm quicker to commit and often take only one shot. I've learned that if something immediately tickles my brain, it's usually the way to go. I usually angle shots so that the characters aren't looking directly at camera, as it seems more natural that way. On the other hand, sometimes the direct to camera look can actually work in more confrontational or unsettling moments.

Environment: If I can help it, I don't do my own builds. In some ways, this is a disadvantage because I have to set up the scene within a space that wasn't specifically catered to it. On the other hand, it makes for fun little surprises, like the ability to peek in through a skylight or frame two characters within perfectly placed archways. I like using objects and structures to create interest when I can. I often don't discover things like this until I'm pulling the camera around and randomly happen upon them. I definitely recommend navigating all around to see what you've got to work with before committing to any specific angle. You might find one you didn't even think of!

Lighting: I do what I can with the game's lighting. I avoid placing ceiling lamps or at least turn the brightness down much lower, and I don't usually turn all the lights on in a room at once. I tend to change the color to one of the warmer golden hues to avoid a stark white that washes everything out. I always like when I can get some sources of light into frame because it adds a lot to the ambience. But I've also been using Relight on all of my posts lately. It's an addiction, and it truly makes all the difference. I'll use it to give light sources a stronger glow so they stand out more and also to create shadows on Sims' faces. It's also very good for flashlights and computer screen glow!

After having self-indulgently written all this, I'm not sure how much is usable advice versus rambling musings. I find it hard to give storytelling "tips" because so much of it feels innate and personal and hard to put into generalized terms. I also don't want to imply that every one of my shots is perfect or that there aren't a million other ways to go about achieving good results. But thank you to anyone who's made it this far, and I hope you found it worthwhile. 💕

[linksqueerawakening]

something i didnt realize until (relatively) recently is that the yiga in BOTW steal peoples faces. once i met a yiga and chuckled bc his face was so small for his head, and it stuck in my head. then a few irl days later i was wandering around and came across a merchant on the road and froze bc. it was the exact same guy! but this one had a name, not just unlabeled as "traveler" or something the way yiga are when you talk to them. and he was just a normal friendly npc

after that i started paying attention and realized that pretty much all of the disguised yiga along the roads in botw are using actual NPCs you can meet as their disguise. usually traveling merchants

ive been thinking about the implications for like a month now. like. can they not make their own original hylian designs? is the spell limited to only copying someone else? is the same thing going on in TOTK, or am i just not noticing it happening bc there are so many more NPCs wandering around so its harder to remember them all? if they arent copying people in TOTK, is it bc they only learned how to make new faces in the interim between the two games, or is it just that theyre copying people that link cant run into? we know there are more people in hyrule than the ones we see; several gerudo in BOTW mention their husbands who live in some other locations outside of gerudo town, presumably in homesteads outside of any town? but close enough that the married vai can reasonably send their money home and ya know. spend time with the guy they spent so much time hunting down. are some of those unseen husbands being impersonated by the yiga clan? are there more prisoners like the ones forced to make clothes in TOTK that are being kept for their faces? or have they just improved the spell? or am i just unobservant and they ARE copying NPCs we meet, and my memory is just bad? do any of the BOTW merchants know they were being impersonated? if they saw a yiga disguised as them, would they even know it IS a magical face-stealing assassin, or would they come to the far more plausible explanation that they have a coincidental look-alike or long-lost twin?

the one question i dont have is "why mainly traveling merchants?" bc quite frankly that just makes sense. someone that goes to and from settlements and stables, a face thats familiar enough to let in, to not question why theyre on the road, but not so familiar as to notice any out of character behaviors. it might just be the smartest bit of critical thinking ive seen on the yigas part, though i suppose theres always a chance they didnt think that hard about it. they could very well have just gone with the people they see a lot in their own travels between settlements and targets

[queer-goddess-of-the-hunt]

I started to type this in the tags of my most recent poll (vote here) but I have far too much to say about my journey as a fan of Dan and Phil, especially after seeing TIT last night. (don't worry, this post is spoiler free)

I originally found them through Dan. I don't remember which video it was exactly, I know it was before the Sunstroke video (oh god that was when I was 12). I ended up binging all of his videos and consequently found Phil. I didn't binge all of Phil's videos. I think I originally just watched all of the videos that had Dan in them, but I started to watch Phil's videos more regularly in 2014/2015.

I think I was drawn more to Dan because I saw him as edgier and I was the angsty kind of kid in middle school. There was a lot I could relate to in his videos. Now that I've grown a bit, I think I have accepted the more Phil-like aspects of myself and he is honestly my favorite of the two now, although it is very close.

I was here when their gaming channel first started. I still own TABINOF and DAPGO. I think I stopped really watching them when the hiatus started. I might have watched a Phil video here or there, especially if Dan appeared in it, but I really fell off.

Then the gaming channel came back and it sparked my love of them again. Their joint content truly is what I loved and love most, but I'm also finding myself enjoying them individually as well? I'm starting to actually catch up on all the content I missed and binging all of the content I haven't watched in a while. I completely missed most of Dystopia Daily when Dan did that series during his tour. I have no idea how many Phil videos I have missed.

It just feels amazing that I managed to rediscover them and realize that I still really love all of their videos, even after around 10 years of being a fan. I feel so lucky that I was able to go see them live this time around after missing out on that for so many years. It's a bit of a shame that I didn't get to properly meet them, but seeing them live was surreal enough. They truly did raise me along with the likes of Jacksepticeye, Markiplier, and Thomas Sanders. I feel really lucky to have been a fan of so many good and kind YouTubers growing up. I think they really made me who I am.

Thanks to everyone that is responding to the poll, I love reading all the tags <3