something i didnt realize until (relatively) recently is that the yiga in BOTW steal peoples faces. once i met a yiga and chuckled bc his face was so small for his head, and it stuck in my head. then a few irl days later i was wandering around and came across a merchant on the road and froze bc. it was the exact same guy! but this one had a name, not just unlabeled as "traveler" or something the way yiga are when you talk to them. and he was just a normal friendly npc
after that i started paying attention and realized that pretty much all of the disguised yiga along the roads in botw are using actual NPCs you can meet as their disguise. usually traveling merchants
ive been thinking about the implications for like a month now. like. can they not make their own original hylian designs? is the spell limited to only copying someone else? is the same thing going on in TOTK, or am i just not noticing it happening bc there are so many more NPCs wandering around so its harder to remember them all? if they arent copying people in TOTK, is it bc they only learned how to make new faces in the interim between the two games, or is it just that theyre copying people that link cant run into? we know there are more people in hyrule than the ones we see; several gerudo in BOTW mention their husbands who live in some other locations outside of gerudo town, presumably in homesteads outside of any town? but close enough that the married vai can reasonably send their money home and ya know. spend time with the guy they spent so much time hunting down. are some of those unseen husbands being impersonated by the yiga clan? are there more prisoners like the ones forced to make clothes in TOTK that are being kept for their faces? or have they just improved the spell? or am i just unobservant and they ARE copying NPCs we meet, and my memory is just bad? do any of the BOTW merchants know they were being impersonated? if they saw a yiga disguised as them, would they even know it IS a magical face-stealing assassin, or would they come to the far more plausible explanation that they have a coincidental look-alike or long-lost twin?
the one question i dont have is "why mainly traveling merchants?" bc quite frankly that just makes sense. someone that goes to and from settlements and stables, a face thats familiar enough to let in, to not question why theyre on the road, but not so familiar as to notice any out of character behaviors. it might just be the smartest bit of critical thinking ive seen on the yigas part, though i suppose theres always a chance they didnt think that hard about it. they could very well have just gone with the people they see a lot in their own travels between settlements and targets
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OKAY SO I may have accidentally lied about Light's Hogwarts house—because it's not Gryffindor like I thought it's Ravenclaw by a HAIR with Gryffindor as the runner up. Meanwhile L's is exactly what I thought it'd be; Slytherin with Ravenclaw following close behind.
Mello is a Slytherin with Ravenclaw close behind, just like L, while Near surprised me by pulling Gryffindor with Hufflepuff not two questions down 🧐
The only one I guessed correctly was L 😭
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love paying thousands of dollars so I can sit in a lecture hall and over think my identity instead of maths
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𝐣𝐮𝐬𝐭𝐢𝐧𝐞 𝐧𝐞𝐞𝐝𝐞𝐝 𝐧𝐨 𝐦𝐚𝐧 𝐭𝐨 𝐜𝐨𝐦𝐞 𝐭𝐨 𝐡𝐞𝐫 𝐝𝐞𝐟𝐞𝐧𝐬𝐞 𝐨𝐫 𝐩𝐫𝐨𝐭𝐞𝐜𝐭 𝐡𝐞𝐫 𝐡𝐨𝐧𝐨𝐫. she need not protection — not from a sword & shield nor by tongue & declarations. for justine was well equipped in the latter - weapons capable of destruction which left no physical marks or wounds, which left no tangible evidence of the impact of their blows.
𝚊 𝚠𝚎𝚊𝚙𝚘𝚗 𝚠𝚑𝚒𝚌𝚑 𝚑𝚎𝚛 𝚎𝚚𝚞𝚒𝚙𝚙𝚎𝚍 𝚝𝚘𝚗𝚐𝚞𝚎 𝚠𝚒𝚎𝚕𝚍𝚎𝚍 𝚝𝚘𝚍𝚊𝚢 𝚊𝚝 𝚝𝚑𝚎 𝚖𝚊𝚛𝚔𝚎𝚝. @stablelad and lucy had accompanied her, scampering off together with hushed giggles that had caused justine’s eyes to roll fondly — shouting after them to be careful before continuing her stroll through the market.
with the basket handle nestled in the crook of her arm, justine had strolled through the various vendor booths, 𝚎𝚡𝚌𝚑𝚊𝚗𝚐𝚒𝚗𝚐 𝚜𝚖𝚊𝚕𝚕 𝚝𝚊𝚕𝚔 𝚕𝚒𝚔𝚎 𝚌𝚘𝚒𝚗𝚜 𝚜𝚑𝚎 𝚞𝚜𝚎𝚍 𝚝𝚘 𝚙𝚞𝚛𝚌𝚑𝚊𝚜𝚎 𝚝𝚑𝚎 𝚋𝚛𝚎𝚊𝚍𝚜 𝚊𝚗𝚍 𝚏𝚛𝚞𝚒𝚝𝚜. for the most part, the vendors and passersby were kind and polite. ever since their dear ella’s rise to queen, villagers were kinder overall. that truth made itself known in the fact that most made no comment about 〝 the undead griswald sisters 〞 — 𝒂 𝒕𝒊𝒕𝒍𝒆 𝒘𝒉𝒊𝒄𝒉 𝒘𝒂𝒔 𝒑𝒂𝒔𝒔𝒆𝒅 𝒂𝒓𝒐𝒖𝒏𝒅 𝒕𝒉𝒆 𝒗𝒊𝒍𝒍𝒂𝒈𝒆 𝒍𝒊𝒌𝒆 𝒉𝒐𝒓𝒔 𝒅'𝒐𝒆𝒖𝒗𝒓𝒆𝒔 𝒂𝒕 𝒂 𝒓𝒐𝒚𝒂𝒍 𝒈𝒂𝒕𝒉𝒆𝒓𝒊𝒏𝒈.
a title which was shouted at her by the grating voice of one of the town drunks.
′ oy! ′ he followed it with. ′ dead bitch! ′
justine had attempted to ignore him, breathing in through her nose and exhaling through her mouth in order to remain calm. but then —
′ where’s that bitch sister o’yours, huh? thinks she’s so good — thinks she’s too good for me, does she?! ′
justine whirled around on the spot. her gaze cold as ice, her knuckles white as trembling hands clenched the handle of her wicker basket. ′ you keep my sister's name out of your filthy mouth, you rotten scoundrel. ′ she snapped. his eyes had narrowed, and he staggered towards her.
′ what about you then huh? think you’re too good for me too eh? i’ll show you. i'll show you both — ′
justine needed no man to come to her defense or protect her honor. but michael was no mere man. he was her brother, a title that better suited him than it did jacob.
eyes flit nervously to the man before they land back on michael, who now stood between them, shielding her. ❛ mikey, ❜ she says, 𝐚 𝐧𝐢𝐜𝐤𝐧𝐚𝐦𝐞 𝐟𝐫𝐨𝐦 𝐭𝐡𝐞𝐢𝐫 𝐜𝐡𝐢𝐥𝐝𝐡𝐨𝐨𝐝 𝐭𝐡𝐚𝐭 𝐬𝐭𝐢𝐥𝐥 𝐟𝐨𝐮𝐧𝐝 𝐡𝐨𝐦𝐚𝐠𝐞 𝐨𝐧 𝐡𝐞𝐫 𝐭𝐨𝐧𝐠𝐮𝐞 — 𝐧𝐨𝐬𝐭𝐚𝐥𝐠𝐢𝐚 𝐥𝐞𝐚𝐯𝐢𝐧𝐠 𝐢𝐭 𝐚𝐬 𝐭𝐚𝐫𝐭 𝐚𝐬 𝐭𝐡𝐞 𝐛𝐞𝐫𝐫𝐢𝐞𝐬 𝐬𝐡𝐞 𝐡𝐚𝐝 𝐩𝐮𝐫𝐜𝐡𝐚𝐬𝐞𝐝. she places a hand on his arm, giving his bicep a small squeeze as if to plead without words. ❛ it’s alright. he’s nothing more than a drunkard. prithee, michael, let’s go. ❜
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The more i remember what my ex friend did to me while acting like the worlds kindest saint, the more I feel disgusted for believing in him, the more I feel poisoned by all the hurt he inflicted, and the more I realize just how deep the damage stayed. I cant trust anyone that remotely reminds me of him anymore. I seethe at the very thought
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WHAT ARE YOU DOING ON A LUCIFER ASKBLOG.... GET OUTTA THERE!!!!!!/JOKE
WHAR
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My last vent post could have literally been summarized by me just saying "how tf are some people just okay?!? I'm freaking out over here and I'M RIGHT"
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People draw Nishiki so pale all the time that it makes me question my recollection but when I look at him he looks like he's got a bit of a tan to me?
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OH SHIT TODAY IS ACOFAF DAY hold on hold on *gently tucks assorted ashton and imogen thoughts into a corner* okay lets fuckin gooooooooooo*
*(not RIGHT now, but you know. mentally)
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Dream anon again! I was curious if you had any questions you associate with your favorite bllk boys btw?? "Honey" by Johnny Stimson makes me deeply think of Bachira in love while the One Punch Man theme song is what I would play personally for Kunigami's intro to a game as his hero theme lmao. Ty for reading!
hi dream anon !! 🥺 (omg so sorry that i took ages with this i was a little swamped with Life™ but i hope you’re doing swell<3)
i’m gonna assume you meant songs ! :) hhmmmm that’s interesting actually, because when i write i just pull up my go to instrumental playlist ‘cause lyrics.... distract me LOL (i try to blame it on the Bilingual Brain but…. 🥹🥹 yeah no i’m not even convincing me with that one) however !!
there have been a few songs (when i was just casually listening) that very insistently made certain bllk boys wiggle in my mind 🤔 ‘the catcher in the rye’ by elephanz to me is just– sae right after he realized he’s stupidly in love with you, but you’ve slipped out of his grasp a long, long time ago now – and he’s terrified he’ll never win you back. terrified to know the thought alone of you not being a part of his life shatters something permanent inside him. (but eventually, after long, thorough, heartbreaking groveling and trail and error, he’ll win you back. and the sweeping joy of it all is worth it in the end<3) nskzjebdbdjdks forgive me that is so specific HELPP. i actually have an embarrassing amount of songs i associate with sae but we’re not gonna talk about that bc i’m not supposed to be in love with him 😤
i think i mentioned this before on here but ‘clown’ by njomza is just absolute peak making kaiser crawl on his knees for you pathetically LOL as he deserves. also – and this is so funny to me to this day – right after the nagireo break up happened in the manga i was just like imagining reo gaslight gatekeep girlbossing through it and blasting ‘mean!’ by madeline the person on full volume like yeah girl you deserve better than him sksjsbbddnjsnsn pls okay shut up river
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I love tumblr mobile rn bc its saying that i am following absolutely no one.
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i Need to figure out how to talk to people ... people keep adding me on discord . what am i supposed to say
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TADC Freakshow AU Masterpost
May you be warned, this is a horror/gore based AU. If that’s not your thing then I’d probably not click on the links
+ bubble
(these will be updated when new ones come out! None of them are in a particular order, some of them will be and hopefully soon there will be an actual order)
Go check out @jokerskellington !! They helped me out with a lot of the designs and the concepts :D
Story comics
Abstraction
Aftermath
A little chat
Notes
Stitches
Replacement
Outside
Broken faces
Lost friend
Restart
Looks decieve
selfish kindness
needle and thread
needle and thread pt2
Bloody tracks
I don’t want to.
Rule-Breaker
Eclipse
community choice adventure
Misc
posters
line-up
Freakshow&carnival templates
Q&A
Q: Can we make ocs/fanart/fics/etc.?
A: Of course you can! I love getting work of my AU from others, please tag me in them! (Do not send them in my ask box, I prefer it when people post their own work)
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Q: Is the community choice adventure continuing?
A: Yes. You don’t need to keep asking me, I have been taking a little hiatus but I will be working on it soon.
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Q: Do you have any boundaries?
A: Not necessarily, but my only rule is to keep things chill over here.
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Q: can we make Nsfw?
A: I don’t mind, if it’s sexual, please don’t tag me. However, extreme gore and violence is A-okay with me (infact please tag me in those.)
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Q: Will X character be in this au?
A: all characters seen in the show will be characters in this AU and more than likely have designs when I get the time.
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Q: if gangle abstracts, what would happen?
A: she will abstract, simple as that. Then be replaced with an AI much like her sister.
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Q: can or will the virus be cured?
A: no.
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Q: what would happen if x character met y character?
A: I strongly dislike these questions, please don’t ask them.
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Q: art requests?
A: I don’t usually take them unless I like the idea and actively want to do it. 8 times out of 10 I likely won’t do them but who knows.
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Q: Art commissions?
A: I promise I plan to open those up for the people of tumblr soon, I am currently rehashing my prices and setting up my sheets but I will make a post when I am ready!
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"Every time I speak at a lesbian-feminist gathering, I introduce myself as a femme who came out in the 1950s. I do this because it is the truth and it allows me to pay historical homage to my lesbian time and place, to the women who have slipped away, yet whose voices I still hear and whose V-necked sweaters and shiny loafers I still see. I do it to call up the women I would see shopping with their lovers in the Lower East Side supermarkets, the femme partners of the butch women who worked as waiters in the Club 82. I remember how unflinchingly the femme absorbed the stares of the other customers as she gently held onto the arm of her partner. Butches were known by their appearance, femmes by their choices. I do it in the name of the wives of passing women whose faces look up at me from old newspaper clippings, the women whom reporters described as the decieved ones and yet whose histories suggest much more complicated choices. And if femmes seemed to be "wives" of passing women, the feminine protectors of the couple's propriety, it was so easy to lose curiosity about what made them sexual heretics, because they looked like women. Thus femmes became the victims of a double dismissal: in the past they did not appear culturally different enough from heterosexual women to be seen as breaking gender taboos, and today they do not appear feminist enough, even in their historical context, to merit attention or respect for being ground-breaking women."
- An excerpt from "The Femme Question," written by Joan Nestle and found in The Persistent Desire: A Butch-Femme Reader. (Emphasis in bold my own.)
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the way 98 trigun had to rush thru the gung-ho guns left me in a headspace of just not really questioning their existence or motivations much. And early trigun manga / trimax doesnt get into their motives much either, so tbh I just kinda mentally kept glossing over them?
but finishing trimax and rereading it finally got me to wrap my head around the fact that Knives spent years purposefully looking for and/or overseeing the creation of the worst in humanity, and presumably interacting directly with humans very little otherwise, all to prove his point to Vash.
Knives never went looking for anything to change his mind because he was scared of being hurt by what he found again. He had so much hope for humanity that was dashed by discovering Tesla. The point of Trigun is that continuing to have hope and trust in the face of uncertainty is arduous and terrifying, but that its worth it. Knives refused to acknowledge that he was afraid at all, tried to ignore how desperate he was to escape his fear. The only way he saw to avoid feeling afraid and vulnerable was for him to refuse to have any hope or trust in humanity.
Which is, symbolically at least, why Knives doesn't have a single scar from humans. He never risked trusting them enough that they might hurt him again. He could avoid that vulnerability and uncertainty by threatening them into obedience, and thinking of them as tools.
The one time he let a human close enough to hurt him (post-Rem) was Conrad-- and Conrad ended up decieving Knives with what little trust he was given. And Conrad felt his deception was necessary, because Knives was making himself a threat. Which Knives did to avoid feeling vulnerable.
It's a self-fulfilling prophecy. Knives guarantees he sees the worst in humanity, not just because he goes looking for it, but because he is constantly showing humanity the worst of himself. Because doing that makes him feel safe. Because he knows how humans will respond almost every time, when backed into a corner with their lives threatened. They'll try to survive. There's too many unknowns in any other scenario. Too many risks. He's too afraid of another nasty surprise, so he just tries not to be surprised.
Meanwhile Vash, covered in scars, still gives humans the benefit of the doubt. He is willing to risk getting hurt and IS hurt over and over again in order to show them the most kindness he can offer. In order to give humans a chance to show him their best. And he sees it. And it's worth it. man.
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Nomae but it's those dialogues from dangerously yours:
“You’re very clever, aren’t you? I can read you like a book now. You thought I was young, and easily swayed, that you could make me love you, and I would throw over my country—my duty for you—!”
“Thats not the way to look at it.”
“You weren’t so wise afterall! Because you’ve lost you hear me?! Lost! You’ve guessed wrong in our little duel of wits! You forgot how close hate is to love!”
…
“You never loved me—! You knew that I loved you, and you used that!”
….
“…You mean you’re actually going to kill me..?”
“I mean just that.”
…
“You won’t do it. You can’t pull the trigger. You can’t pull it because you love me.”
….
“You don’t think i’ll do it? Thats why you’re so brave… You don’t think i’ll do it… You wouldn’t be so brave otherwise…! You’re a coward at heart! You lied to me, you decieved me—“
“You tried to decieve me.”
“—I’m tired of listening to you!”
….
“Do you think I wanted to love you…?! Knowing where ya came from and what your mission was?! Don’t you suppose that every hour that we were together I was just thinking ‘Shes just pretending’?!”
“I wasn’t!!! I loved you!!!”
“And I loved you so much I let you pretend…”
“You’re very clever, aren’t you? I can read you like a book now. You thought I was young, and easily swayed, that you could make me love you, and I would throw over my country—my duty for you—!”
“Thats not the way to look at it.”
“You weren’t so wise afterall! Because you’ve lost you hear me?! Lost! You’ve guessed wrong in our little duel of wits! You forgot how close hate is to love!”
^ This, especially, embodies NoMae.
I can see a paraphrased version between them in the 2nd movie over this. I really see the star-crossed enemies-to-lovers trope here with the will-they-or-won't they vibes rolling off them. Love-hate-love-hate and the ever-vicious cycle of that rotation. Where does it end? Well, where Romeo x Juliet ends, of course.
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