#because you thought of doing that and there’s know way of knowing what the devs intended

[vashtijoy]

Extremely random thought but do you think that cringy fanfictions written by preteens who then grew up to be embarassed adults would have never existed in the Marukiverse, considering how that art student who was in a slump was forcibly pivoted to archery instead?

wow, goddamn. I guess you could take it either way, couldn't you? Maruki does seem to think that struggling against the odds isn't worth it, and that depression and discouragement are best treated by giving up.

I do tend to think that Maruki is able to tell what people truly want, to somehow divine it out of their heads, even before 12/24—just because all of the kids get something they really want, even when it's not necessarily obvious. Maruki makes some startling judgements there, but the PTs all seem to agree that they were genuine temptations.

So my reading would tend be that Yusuke's artist friend really did think he might have been happier as an archer, and really did believe there was no hope for him in art—but, just as the PTs all turn down their wishes that they desperately want, Yusuke's friend has chosen not to switch paths, and to stick with his painting despite his slump. Until Maruki happens to him, at any rate.

What I think is more likely is that people who want to write would still write. They just wouldn't ever feel discouraged, or down. They wouldn't go through that phase of realising all their work is cringe. And of course, because Maruki's reality has no pain or challenge or complexity, nobody would ever write anything worth reading.

Which brings me to....

deleted text chat

While I was checking the archery chat, I ran into this deleted chat all about conflicting wishes, and how the very thoughts in people's heads, their ability to feel negative emotions at all, will likely be erased. It's unsettling reading, and confirms a number of theories that go around about what life in Maruki's reality would really have been like, and how he'd likely handle conflicts.

It's SCRIPTCHAT_282, and since it didn't make it into the English localisation, it will have been cut in very early dev. Look out for Akechi chiming in when Ann talks about wishing to get rid of people they don't want around.

Futaba 正月のこと覚えてるか? Do you guys remember New Year? Ryuji そりゃもちろん 嫌でも忘れねーよ… Course we do. There’s no way we could forget that. Futaba わたしのおかーさんいただろ? 春もおとーさんいたよな? My mom was there, right? And Haru’s dad was there too, right? Haru え、うん　いたけど… Uh, yes. I suppose so... Makoto なにかあった? Did something happen? Futaba ちょっと考えてたんだ I was thinking. Futaba 死んじゃった人に会いたいって 思ったら生き返ってたじゃん? If we think about wanting dead people back, they come back to life, right? Futaba んじゃその逆は? って So does it work the other way around? Sumire 逆…ですか The… other way around? Ann いなくなってほしい人に 消えろって願ったら… If we wish for people to disappear, who we don’t want around… Ann ってこと? Is that what you mean? Futaba そ! Yeah! Akechi なかなか面白い考えだね 、どう思う? That’s quite an interesting thought. Ren, what do you make of it? [Joker] 消える気がする I feel like disappearing myself. [Joker] 考え方が変わる It’s changed my perspective. Yusuke だが、誰かが生きてほしいと 願ったらどうなるんだ But then, what would happen if somebody else wished they were still alive? Sumire 一度消えて また現れるんですかね… They’d die, and then reappear again, wouldn’t they..? Ryuji 忙しいな Busy day. Akechi そういう考え自体 が 消えてしまうんじゃないかな You know, even thoughts such as these may die out in the end. Yusuke 自分のか? You mean our own thoughts? Sumire そういうこと考えなくなる ってことですね Do you mean we just wouldn’t think such things any more? Akechi 僕も同意見だな　思考自体を消されると思うよ It does seem likely. I’m afraid thought itself will be erased. Futaba あーなるほど Huh. I see. Haru 負の感情を抱かなくなるのかぁ… So… so we won’t be able to feel bad things any more..? Ann 平和になりそうだけど なんか気味悪いね It’s kind of creepy, isn’t it? We’d get to live in peace, but… Ryuji つか、よくそんな 物騒 なこと思いつくよな You always gotta think of the worst things, don’t you, Futaba? Futaba だってヒマなんだもん It’s because I get bored. Futaba あ、そうじろう帰って来た そんじゃな! Oh, there’s Sojiro! See ya! Yusuke 本当に暇潰しだったのか So this was all just to relieve her boredom? Makoto じゃあ、私たちも 授業に戻りましょう We should all turn back to our lessons, anyway. Morgana 人を生き返らせる、か。認知を使ってそんなことするなんて… Bringing people back to life, huh? Imagine using cognition to do such a thing… Morgana ワガハイには理解できないぜ。 I just can’t understand it.

revision history

Click here for the latest version.

v1.0 (posted 2024/11/30)—first posted.

[mythalism]

Do you find yourself in almost a state of mourning/grief with datv? I’m literally in an almost emotional distress over it. All summer I built up insane defensiveness due to all the grifter hate train bullshit brewing for it with a dose of insane excitement since I’ve been a DA girlie since Origins 2009 release date and I just… don’t know how to process my feelings?!?

Due to the pre game discourse I almost feel programmed to fight criticism for it and during a new play through I keep having “holy shit that quest was so dialed in” followed immediately by “what the hell did I just listen to” and yet my brain is still in copium mode.

DA fandom discourse has always been poisoned with garbage takes, ESPECIALLY since Solas got introduced with DAI (I’m sorry, I truly believe his die hard haters have the reading comprehension of a peanut) but the fact that there is still a huge pocket of the fandom that couldn’t even get the point of the solas/mythal dynamic when it was LITERALLY SPOONFED TO US kind of… scares me about the future of narrative design in general.

Absolutely development hell and reboot and lack of time to truly sink into the intended story beats from start to finish played a major role. The skeleton remains of bullshit multiplayer factions are here too. But holy shit. Is it just me or does everything else utterly scream “chronically online” to me.

Sorry I have no idea where I’m going with this. I just needed to yap thoughts that weren’t just in the void. I don’t know how to reconcile getting my dream romance ending I waited 10 years for alongside a narrative that doesn’t even make sense leading to that happy ending.

i wouldn't say im experiencing full on grief but i do know exactly what you mean and i sympathize with your experience a lot. i think it might be because ive been in a corner of fandom that has been very critical of bioware and so i honestly had extremely low expectations of veilguard up until the summer. i thought we would NEVER get the game, and if we did get it, i was sure it would be a fucking trainwreck after 10 years of "[insert x developer here] leaves bioware after 20+ years!". my personal bar was truly on the floor, in the deep roads, in the heart of a titan, in the void etc etc.

it does bother me the way it was marketed because honestly i would call it duplicitous. not in the "false advertising" legal sense of the world but in the way it feels like the devs are (and were) very aware of the flaws in this game and more importantly were very aware of how it would be received by long-time fans. and of course i am aware that developers have little to no say whatsoever in marketing, and its also clear that vg's marketing was an absolute mess of conflicting directions considering that reveal trailer that honestly set the game up to fail (i truly believe the grifting and general, casual reception would not have been so negative if they had used the release-date trailer instead) and the way they immediately had to drop 20 minutes of gameplay to reassure people that they werent releasing dragon age: fortnite LMFAO. but i think that mismatch actually tells us a lot about the similarly contradictory tone and writing in different parts of the game, and the direction that EA seemingly pushed for (as exemplified by their attempts to market it as... whatever that was) and the game bioware was attempting to make (which would have undoubtedly been flawed but probably more in-line with past games).

but, this duplicitous marketing was not just EA, and i do feel that the devs played up the game, and specifically our attachment to past characters and franchise entries, in a way that was a bit unfair when you have the context of their comments post-release about how aware they are of it's shortcomings. and i get it, these people have quite literally no choice. they have to participate in the marketing of this game, it's their job, they need to pay rent and eat etc etc like i get it. but just because they have good reason to play on their fan's attachment to their writing via their tweets and comments in dev q&a's doesn't mean i cant say it left a bad taste in my mouth. i think trick being completely absent from the entire marketing cycle is really interesting in this context, lol. i have no proof of there being a correlation, it was just something i found interesting this summer, and that i find even more interesting now, especially considering their role as lead writer.

it definitely felt like the things they chose to show and the things they chose not to were designed specifically to grip fans and rile us up, and though it worked for their pre-sales, i think it actually hurt them in the end because if they had not gotten expectations up so high by dangling varric and solas and morrigan and the inquisitor in front of us like carrots, we probably would not all have been so disappointed! i sure wouldnt be. remember i thought this game was going to fucking blow not even 8 months ago! for me it was precisely the summer build up that left me so bereft in the end. if i had played the game completely blind id still think it was a flop, but i wouldn't feel absolutely bamboozled and pissed off in the way i and a lot of others seem to feel.

legend @scaryanneee said once that the entire game feels apologetic, in both its writing and design and that has stuck with me ever since she said it. the whole game feels like a big "sorry it wasnt better", and even more so due to the release of the artbook filled with ideas that they knew we'd like better, and even MORE so with the game's lack of denuvo or other anti-piracy software, allowing us to data-mine and see the skeleton left behind at some point. idk a lot about game development but i am under the impression that post-release content that feels like a desperate apology to fans + tweets about how you fought and lost that then get deleted are not the norm????

its truly a mess. but i do not feel hopeless, for some reason. gaming is a mess and i think you are right to fear for the future of narrative design but although there are always people who will bootlick to cope, there are also beloved haters like us who will always complain, and not out of transphobia or a desire to grift, but out of a genuine love for these games and the stories they tell. i wish the reviews had been a bit more discerning and critical, but i hope the message will get through to bioware and EA eventually. i also think that tbh, if this game came out 3 years after bg3 rather than 1, it would look VERY different. i would not even really consider myself a bg3 fan and i have a lot of criticisms of it (lol who's surprised!!!) it is objectively a move in the right direction for the gaming industry for a variety of reasons, and i do believe its many accolades have sent a message to greedy execs everywhere.

[hassianlovebot]

i've seen some people talk about einar's romance dialogue and how it feels offputting and rude to him but i'm gonna be honest,,, i never really saw it that way?

like i do agree that the player's dialogue options Suck compared to the other romances. something about it just feels really childish and definitely not as,,, "serious" or even committed as the other romance dialogue options. that being said, it never felt patronizing toward him.

to me, it feels like the player is just. being human. while einar is being galdur. the player doesn't get mad at him for not understanding certain jokes or not showing affection in the same way. and einar doesn't get uncomfortable with the player being human, making human jokes, or showing human affection. they're just Being Human and sharing their humanness with einar. which einar, while not always understanding of it, is completely used to and Does understand and enjoy it later on in the 3-4 levels. not that he didn't enjoy it before, but once you get closer to him, he Does understand more of the jokes and even joins in on certain ones (like the catch one!).

idk man it just always felt like the player and einar are just sharing their perspectives, personalities, and culture with each other. and of course there is the chocolate thing where he says he doesn't need it and the player has to learn what he actually wants from the relationship (ie spending time together). and there are still jokes that he ends up taking seriously, which yknow, that's kind of what i meant when i said the player's options often feel very childish compared to other ones. but it just never came off as patronizing to me, especially since einar repeatedly says that he enjoys spending time with the player and engaging in their "togetherness".

like to me it always felt like he enjoys learning about new things, even if he doesn't want to participate. like at the maji market when he says that while he doesn't understand the hotpot game, watching it fills him with "oneness". he enjoys learning about human and majiri culture and seeing them just be themselves! none of his dialogue implies that he's uncomfortable with the way the player shows affection (there Is something to be said about the dialogue options only ever showing one form of it,,, but tbf they can't put in 50+ options to cover the minutia of human brains lol)

idk i want to be clear im not shitting on anyone else's opinion on this!!! there's room for all perspectives here. i just wanted to share! i've seen SO many people say that romancing einar feels patronizing and like. i've just never seen it that way ! and it always confuses me when i see it akjhgd tbf i think some people are also neurodivergent (same lol) and don't appreciate the dialogue options that einar doesn't understand because in real life it Does feel patronizing when someone does it on purpose even knowing you won't get it. but for me, einar being galdur and not a neurodivergent human/majiri is an important distinction. he shows multiple times that he enjoys learning about human cultures and perspectives, that he enjoys talking to the player even when they don't understand each other, and that he's capable of understanding the player's jokes and sarcasm once explained to him. he Likes that they're different !

einar seems to enjoy the player acting "human" with him because he gets to learn about them! and he wouldn't want them stifle their true personality just to please him! einar is alllll about being true to yourself, your beliefs, your oneness, etc. he wants the player to understand him and his affection, but he also wants to understand the player's personality and affection. he wants them to share each other's "quirks". and don't get me wrong, i do wish there was more we could do to share in his way of affection (especially if his way is our way,,, like i'm Not flirty or jokey like that irl at all and i'd love to have more options where it really is just "hi i enjoy parallel playing with you :)))" lol) and that the dialogue options were less jokey or at least more affectionate/serious but idk,,, i think for me, i've just always seen einar as someone who wants to know and appreciate everything about the player, even the things he doesn't Immediately understand. he wants the player to explain things and share their culture with him SO bad

[theoretical-tactician]

They’ve done it. They’ve made a sequel that I like less than the original all by adding a cool new mechanic.

[gb-patch]

GB Patch Games: Response About Sensitivity Reader

[Some of you might not have heard of this happening, but I wanted to address it across the board]

Hey everyone,

I want to make a post about the screenshots of comments from one of our sensitivity readers. The situation is that neither me or Rose want people to feel uncomfortable with Our Life: Now & Forever, but Rose hasn’t done anything terribly wrong and isn’t going to be punished.

The comment about OL MCs wasn’t meant to be genuine hatred towards all male players/MCs of OL. Rose wrote a reply about it-

"Hi everyone! This is Rose, I want to address the male MC comment since it was taken wildly out of context and without the lengthy discussion that was after it. I don't hate male MCs, in fact far from it, male MCs are integral to the story in OL:NF as female and trans MCs are. I think the relationship they could potentially have with Qiu could be a great asset in my opinion as they figure out their gender alongside the MC. The discussion itself was about how I noticed players were sticking to heteronormative norms by shipping Tamarack with a man purely out of societal norms than it was genuine thought into the characters and how I personally wished there was more sapphic relationships with Tamarack or just Tamarack with trans characters as a sapphic trans person myself. I didn't mean to offend anyone by it as no one but my friends who understood what I legitimately meant behind my message and it definitely wasn't meant to be seen seriously. I am sorry regardless to anyone I have offended and I love your male MCs regardless."

And most of the comments were about me. I’ve seen screenshots of the full conversations and they’re not as harsh as the cropped snippets made them out to be. It was longer discussions about not including Derek in any base game Moments for no good reason and not having any plus-sized love interests in OL1 because I was afraid players wouldn’t accept it. That’s not a lie, it’s what I decided for the game I created, and it is ridiculous of me. I’m the one who should be feeling embarrassed over how OL1 will forever be that way, not the people who remember that I did that. I’m not perfect and Rose actually cares more about the players than making me feel like I am flawless.

I also don’t want to tone police an employee venting about their boss in private, on their own time. Both the OL games deal with personal, important topics. This is sensitive work, and it can bring up frustrations. Sometimes people do use harsh words among friends, but they wouldn’t ever say it to a person seriously and directly.

I understand if you wouldn’t want to see anyone speak badly of a dev you like, but I promise it’s not a point of contention between me and Rose. I don’t feel mistreated in anyway. Rose genuinely cares about the Our Life series, and that’s why they get fed up with me over certain parts of the game.

Rose has never been unkind or unreasonable to me when working on the project, and their advice is detailed and well-explained. They do care about the game and want it to avoid having content that upsets people because of my own ignorance/shortcomings.

This being shared publicly from a private server is targeting Rose and seems to be a continuation of things that have happened before this. I don’t want this to continue happening. If you do still have concerns over the one comment about the community, you can let me know. But again, I don’t want people being mistrustful of Rose on my behalf for comments about me in conversations with missing context.

Do not send angry messages to Rose about any of this. We’ll do our best so that OL2 will be better than I was before. Thank you to everyone who reads this and participates in the community!

[dualityvn]

I would like to address a recent trend I am seeing pop up in the yandere community. I feel that people are kind of pointing fingers at each other trying to decide who is more morally correct than the other. And I find it a little silly. We're here for hot stalkers. None of us are consuming moral fiction.

I sympathize with Fantasia and the backlash she is getting because of her recent update to her game. I still stand by my belief that devs should write what they want before they let themselves be influenced by outside opinions. It is her choice and her game first and foremost. Not to mention it's her first one and being thrown in the spotlight while you're making your first game is a pretty horrible experience. Because you don't know much about the process of making games or what you even ultimately may want to do with your game. It's a trial and error type of thing. And you can't make everyone happy. I still support her and encourage her on her creative journey and I hope the finished game is something she will be proud of.

I also understand that the game originally looked like a yandere romance game and it did not turn out to be that. So people are upset and feel betrayed. Some have spent money thinking they'd enjoy it and the recent update may have changed that. I understand, but I ask them to be understanding themselves and give their feedback without harassing or insulting the dev.

At the same time, I'm observing some weird new mentality in this attempt to support Fantasia. Now, we are claiming that "realistic" yanderes are superior? And that people who enjoy softer yanderes are delusional idiots who don't belong in the yandere fandom? And don't get me started on the word "romanticize." Can we please stop the holier than thou attitude?

We are all in this pig den together. We are all muddy. We are all consuming dark content. One isn't more moral than the other. You are free to prefer yanderes who are cruel and awful and psychotic, but do not belittle the devs and fans who prefer a softer alternative. If someone outside the yan fandom were to look at us, they'd judge us all the same: people who like toxic obsessive love interests. We all know real life stalkers are bad. I am afraid of them everyday. None of us are delusional children and it's insulting and ridiculous to claim so.

Likewise, it's a little silly to claim you can't have darker content in dark fiction. Dark fiction is here to explore the awful parts of humanity without having to worry about morality. It does not reflect on the type of person the creator is. It does not make them an advocate for murder, stalking or sa.

Please be mature. If you wish to criticize, do so in a well thought out way. Do not simply throw around words.

[dilemmaontwolegs]

The Nickname Runs in the Family || CL16

Summary: When you end up crying on your father’s shoulder over a boy, Kimi enlists the help of Charles to teach him a lesson. Charles Leclerc x Raikkonen!Reader Warnings: nsfw, fighting, mentions of sex, WC: 2.9k

To the outside world Kimi was known as ‘The Iceman’, garnered for his cold personality in the media and how he never let anything bother him, at home however he was just called isä or dad. You really could have done with more of The Iceman persona because when it came to his family your father was anything but cool and collected.

“Tell me what happened,” Kimi demanded, your tears only streaming faster down your cheeks.

“Nothing happened, dad.”

“Something happened, tytär, don’t lie to me.”

It was stupid to go there after what happened. You should have just returned to your student accommodation at the college but you needed the comfort of home and someone you trusted. Now all of Monaco was going to hear just how hotheaded The Iceman got while your step-mother tried to put your baby half-sister back to sleep.

“Nothing happened!” you sobbed, burying your face in your hands as embarrassment flamed across your cheeks. “I said no, okay. I said no and he called me a frigid bitch before dumping me and leaving me at the party.”

You expected to hear something break, or at least his heavy stomps storming towards the front door. You didn’t expect your dad to throw his head back and laugh, a deep belly laugh that echoed around the quiet living room. 

“Ah, that’s my girl,” he laughed as he bundled you into a hug. “I like that, Frigid Bitch. It’s good.”

You snorted a laugh despite the hurt and wiped your tears on his shoulder. “I thought you would be angry.”

“Oh, I am,” he admitted somberly. He placed a kiss on your head before standing up and pulling his phone out of his pocket. You didn’t see who he was calling so late at night but groaned when it was answered. “Hello, Charles. You know everyone in Monaco, where does Devereux Laurent live?”

“Isä! No!”

Your father ignored you as he grabbed his car keys and his jacket, his phone shoved between his shoulder and his ear. “I’m not going to kill the little bastard, fuck, Charles, I just want to have a chat.”

The door slammed shut behind him and you collapsed back onto the sofa with a groan about keeping your mouth shut next time. You were still ruminating over your life choices when the doorbell rang an hour later. 

“Charles?” You frowned at the man panting in your doorway like he sprinted across the city before your eyes widened at the split lip he sported. “What are you doing here? What happened?”

“Kimi.”

“Fuck.” 

“Yeah.”

You grabbed your purse that had been discarded on the kitchen table when you arrived. “Where is he?” 

“The police station.”

“Shit, he didn’t do that to you, did he?”

Charles reeled back, clearly offended. “No, you’re asshole boyfriend hit me.”

“I don’t have a boyfriend,” you clarified as you dragged him inside and grabbed a tea towel to wrap a bag of peas from the freezer. Charles flinched as you gently pressed the ice pack to his lips and you sighed. “I’m sorry my dad got you involved in this.”

“It’s okay,” he murmured, taking the pack from your hand to place it on his swollen knuckles that you hadn’t noticed. “I got myself involved when I heard what Dev did. Are you okay?”

“I didn’t get punched in the face,” you said as you playfully rolled your eyes, however you soon sobered. “It's nothing a few drinks and a bad romcom can’t fix, after I’ve bailed dad out first. It’s not like we were together long enough to get heartbroken. Do you want me to drop you off on the way?”

“I’ll drive.” He snatched a set of keys from the hook by the door, but you caught his wrist and took them back.

“That’s Minttu’s minivan.” You hung the keys back on the hook and grabbed a set for your dad’s Rolls Royce Wraith instead. The empty hook beside it was where the keys to his Ferrari Pista usually hung. “She wouldn’t be happy if you crashed her car again.”

“I didn’t crash her car,” he argued as he pocketed the keys and opened the door. “You were driving!”

“I had a shit instructor. You were too busy checking yourself out in the mirror to teach me.”

His finger jabbed the call button for the elevator as he scoffed. “You only know that because you were too busy checking me out to watch the road.”

The elevator arrived but you held a hand out to block him as you stepped into the small space. “Sorry, your inflated ego is too big to fit in here.” 

“That wasn’t a denial.”

You ignored him and jutted your head to the fireproof door. “Try the stairs.”

“But we’re on the top floor.”

You smirked as the doors started to close but he darted inside before they sealed shut.

“You’re still not denying it.”

“So you really went swinging for my honour?” you deflected as he hit the button for the garage level, exposing his swollen fist again.

“You sound surprised.” He leaned back against the wall and looked at his hand, massaging the tender bruises. “When I saw he was still at the party…”

You frowned, first at the fact that Dev went back after leaving you there, asshole, then at the fact Charles knew where he was. Charles was definitely not at the party, if he was then you would have heard the women going feral for him. “How did you know he was there? You don’t follow him on Instagram.”

“Not on my main account,” he said with a shrug. Anyone that Charles followed on social media made sure to announce the news like it was an instant ticket to ViP treatment, and Dev would have been no different. It was also the exact reason you went by Y/L/N, your mother’s surname, instead of Raikkonen. You didn’t want to be used by people for the name you carried. 

“You hate him, why would you follow him?”

“It doesn’t matter why.”

“It does to me.” 

Unfortunately the doors opened and he pushed off from the wall to stride past without an answer. A flash of lights responded to the click of the button on the keys and Charles slowed his steps for you as he led the way to the sedan parked in a secluded corner, the space beside it empty of your fathers red Pista. Charles stopped at your door and opened it for you, his eyes scanning the open space that was empty and quiet save for the whine of the elevator leaving the level. 

“For you,” he admitted as you slipped into the leather seat. “I followed him to keep an eye on you.”

The door closed and you watched him walk around the car, dropping into the driver’s seat before pushing it back to suit his longer legs. He then silently adjusted the mirrors and turned down the heavy rock music that blasted when the engine started. You didn’t know what to say, all you had were more questions that could only lead to more confusion.

“You deserve better,” Charles said, breaking the awkward silence as he pulled out into the street. 

“He was just drunk.” 

“That’s not an excuse. You deserve someone who will wait until you are ready to have sex, not try it on drunk and at a party.” His words were seething by the time he finished and his knuckles turned white from the tight grasp he had on the steering wheel.

“Uh, Charles, I was joking about my honour…I’m not a virgin.”

“Wait, what?” The car slammed to a halt and he earned a toot from the Lamborghini behind before it drove around when Charles didn’t move. “Since when?” he asked as he turned in his seat to face you.

“I didn’t realise it was such a big deal. Was I meant to stand at the corner and hold a sign that said ‘deflowered’ in Times New Roman or Comic Sans?”

He didn’t even blink at your icy tone and heavy sarcasm. “But Dev said he dumped you because you didn’t want to have sex. He didn’t force himself on you, did he?”

“Oh my god, no! I can’t believe we are having this conversation, Charles.” You figured it couldn't get any more awkward as you looked out the window into the sleeping city. “Sex wasn’t the problem, he was upset because I didn’t want to have sex with him.”

“Oh…oh.” He cleared his throat and put the car back into drive before continuing his way to the police station. “So, uh, is there anyone you do want to, um, have sex with at the moment?” 

“Why? Are you offering?” It was meant to sound teasing but there was too much curiosity in it.

His face flushed pink and his lips parted two twice before his voice worked. “I don’t do casual.”

It wasn’t a no, and that somehow made things both better and worse as a new possibility began to worm its way into your mind. You didn’t like the hope that fluttered in your stomach. Charles was a friend. Charles was someone your father trusted after Seb vouched for him. Charles was off limits. 

By the time you had filtered through the thoughts he had induced, Charles was pulling into the police station and you hoped your dad was fairing well behind bars. It turned out you had no reason to worry as you walked inside and heard his voice from behind the glass wall. 

Kimi was being well taken care of by the officers. He had a coffee in one hand, a pastry in the other and was answering questions that had nothing to do with Dev. You cringed as he recounted why he missed meeting Pelé years ago, but Charles chuckled along with the policemen as you knocked on the door.

The Monégasques fawned over their hometown hero while you watched Kimi pull himself to his feet, cracking his back that had stiffen while he was sat down. 

“I thought you would be in maximum security by now,” you said as he pulled you into a hug. “What did you do?”

He patted your cheek and smiled mischievously. “I like Charles even more now.”

He gave you nothing else but that was expected. Whatever happened was obviously not on the record and you wanted to keep it that way, especially since he didn’t have a single scratch on him - like he hadn’t been in a fight at all. You were quietly contemplating that knowledge when you climbed into the backseat of the Wraith and your father readjusted everything on the driver's side back to how he had it.

“You took the fall for Charles, didn’t you?”

They both swivelled back to look at you. Charles’ eyes widened, while your father’s narrowed. 

“Fucking hell, I’m not going to tell anyone,” you growled as you threw your arms up in exasperation. “I just want to know what actually happened tonight.”

Charles waited to see if your dad wasn’t going to explain as the car pulled out of the station car park. After a moment of hesitation he took a breath and started to rattle off the truth.

“I called Kimi when I realised Dev was still at the party. It was only a block away so I thought I would meet him there to point him out.”

“I was just about at the address he gave me when he called. I got there as fast as I could but Charles was already inside,” Kimi said with a proud chortle. “Got a few good hits on the little bastard too.”

“Iså,” you warned as he enjoyed the violence just a bit too much and Charles looked sheepishly down at his hands. “Why did you fight?”

“You know why. I couldn’t stand by and let him talk about you that way.”

“Good man,” Kimi said with a stern nod. 

“And you, what did you do, dad?”

“What I had to do,” he said with a shrug. “I’m retired, Charles has a career.”

You stretched the seatbelt and leaned forward to hug your dad and kiss his cheek before doing the same to Charles. “Thank you.” Your eyes lingered on Charles as his eyes said everything he couldn’t with your father in the car. 

“He’s not pressing charges but there may be some questions if anyone caught the fight on camera. You might want to give your PR team a heads up.”

It took a moment to realise where you were and why the car had stopped outside the venue where the party was still in full swing. Drunken revellers could be heard behind the velvet curtain hanging over the door and your father handed his keys over to Charles with a shake. “Make sure she gets home safe. I’ll pick it up in the morning, no scratches.”

“Yes, sir,” Charles promised with a nod before getting out.

“You’re trusting him with your Pista?”

“I trust him with you, the car I can replace.”

You surprised him with another hug as your door opened, your voice thick with emotion as you said, “thank you.”

“Do you want to come home?” he asked quietly. “I can make up the sofa bed.”

“No, it’s fine. I don’t think I’ll want to get out of my bed tomorrow.”

“Fair enough. Love you.”

“Love you too.” You stepped out and Charles closed the door, placing his hand on the small of your back and guiding you to your father’s favourite car. “He doesn’t even let me drive this, you know.”

“Maybe that’s because you don’t support Ferrari,” Charles teased as you buckled yourself in.

“I support it now.”

“What changed your mind?”

You dared to look at him and met his green eyes. “You.”

—

“Awww, she called her little puppy,” Dev taunted as he spotted Charles walking towards him.

Charles chuckled, but it held no humour and his smile was dark. You had never seen that look in his eye and your thighs clenched in response. “At least she will still call me. You just lost the best thing you never deserved.”

“Well you can have the frigid bitch, good luck getting her to put out though. Fucking cocktease.” The snort Dev made was cut off by the fist that crashed into his nose and then the both of them were going to the floor, grappling and twisting until Kimi darted into the fray and grabbed Charles.

“Go, she’s at home,” Kimi ordered as he pushed Charles back the way he came. “I’ve got it from here, kid.”

The video looped back to the start and you watched it twice more before determining you were fucked. It hit you like a train, the pressure slamming into your chest as you realised you were in love with Charles. No one had ever stood up for you like that, or taken a punch for you or risked their career. But he had.

You stayed cocooned in your blankets for most of the morning, watching the video footage from the night before and it became your new favourite binge worthy entertainment. It would probably be classed as insanity if anyone knew you had become addicted to it, but it was only the fact someone knocked at your door that you placed your phone down.

“Charles? I’m getting a little déjà-vu here,” you commented as you opened the door and found him sweating.

“Will you go on a date with me?” he blurted out. “Please.”

Your brows shot up at the outburst and you checked the student halls were empty before pulling him into your room. “Uh, you do realise who my father is, right?”

“I do, thank you for your concern,” he chuckled. “I was actually just with him. I wanted his permission to ask you on a date.”

“Well that explains why it looks like you’ve been running for your life.” You looked at your door expecting to see it kicked in. “Was he chasing you?”

“What? No, I wasn’t running. Fuck,” he groaned as he ran his hands over his jeans to dry his clammy palms. “I was just nervous about asking you out. You still haven’t answered my question.”

“I will.”

“Answer the question or go out with me?”

“I will go out with you,” you clarified with a laugh.

Relieved, he took a seat at the edge of your bed and sighed happily. “I have been waiting years to ask.”

“Seriously?”

He nodded before flopping himself down comfortably and you dropped down beside him. “Your dad scared me,” he admitted as he took your hand in his.

“But not anymore.”

Charles smiled and it was one so similar to the video that was still playing on loop. He seemed to recognise the muffled sound coming from the blanket at the same time you remembered it was there and fished it out. “You’ve seen it.”

“Once or twice,” you lied. “I see why you’re not afraid anymore. That’s one hell of a right hook.”

“Oh no I am definitely still afraid of Kimi,” he corrected as he rolled on his side to face you. “But I am done watching you date assholes when I know exactly how you deserve to be treated. I want to give you the world, if you’ll let me.”

[paper-mario-wiki]

Oh Scout, did you play Outer Wilds? I would love to hear your thoughts on it!

To impress upon those who may be looking for a recommendation, I will make one speaking as little about the game as possible. If you have not played the game, it's important to recognize that all checkpoints throughout the entire game, all the way through, are 100% in your mind. If you already know how to do something, you'll know forever, so it's imperative that you know that before you go looking for more information. If you look up a let's play or a guide, you will not be able to play the game properly. I do not mean that in a "that's not what the devs wanted!" way, I mean since the game deals in mental checkpoints, seeing a puzzle solved means every time you boot the game up it will be like booting up outside the final boss's door every time, no matter what. Doesn't matter if it's a fresh install on a steam account that isn't yours on a computer on the other side of the world while playing in a language you don't understand. You cannot unlearn the solutions in this game.

I cannot overstate enough that if you were to ever be overly-cautious about not spoiling a game for yourself, it should be this one. I have a very high tolerance for spoilers, but if this game was spoiled for me it would have robbed me of something so, so important.

Now, onto the actual recommendation:

Watch the trailer and take note of the awards it shows you. It will show you nominations, high critic scores, and game of the year awards from many different sources. I can tell you with confidence after having just completed it, there is not a single one of those accolades that is exaggerated. Every person who's ever been like "you've GOT to play Outer Wilds" is doing it for a reason. It took me a while to play it because I'm the kind of person who gets annoyed when people over-recommend something to me. With this one, after playing it, I completely understand.

Genres: Exploration, Puzzle solving, Mystery, Sci-fi

Similar experiences: Subnautica

[silversodas]

I Don’t Know If Peri Can Be What Dev Needs Him to Be

So leaving off the episode with Irep (I guess that’s what they are going with) and I think I have just enough context to gage what Dev and Peri’s problem is. And some people have already pointed this out, it’s not wish fulfillment that Dev needs, and in a way Dev is starting to see that too. Well it’s more like he can’t understand why he isn’t happy with Peri which is why he has picked up the habit of constantly comparing Peri to Cosmo and Wanda. And come to the misguided conclusion that rule free wishes will make him happy. When he asks “why can’t you do this Peri?” When comparing him to his parents, what he is really saying is “why am I not happy with you, like Hazel is happy with your parents?” But let’s back up to Dev’s Birthday, the opening of the episode gives some pretty interesting insight.

Dev acts like a normal freaking person around Hazel and was starting to extend that to Cosmo and Wanda

Cosmo makes an attempt to cheer Dev up about his Dad being absent and Dev gives a shy but genuine smile at the effort.

Hazel has a pretty thoughtful gift for Dev, and Peri has an..interesting reaction to it

No one has pointed this out, but I thought his facial expressions in this opening were odd, like why does he look slightly sad about it? And you can’t say it’s resting bitch face because here is his resting face in the next scene

Speaking of this frame, it doesn’t seem to register to Peri that Dev is pretty down and is actually pretty oblivious to it, while Hazel picks up on it right away and cheers him up with her second thoughtful gift

And while waiting to receive it Peri….passive aggressively checks his nails..ok. It’s a pair of Rocket Boots, a lavish but thoughtful gift that Hazel wished up. And Boy is beyond freaking happy about them ,and Peri’s reaction to this is

“That should keep him happy for about ten minutes”

To criticize the gift? Dude what is your damage? I then had the thought “wait..is he jealous of Hazel?” But then I thought “no Peri wanted Dev to make friends of course he isn’t jealous..even though dev is never this happy or open with him like he is with her”

After the fight Dev had with Hazel and Peri trys to cheer him up by trying to offer him a distraction Dev losses his temper at the line “go ahead, make a wish” and blows up on Peri

“News Flash! I needed your help an hour ago!! I wish you would leave me alone!!”

Dev is furious because Peri let him down but got set off by the line “go ahead, make a wish” because he knows it won’t make him happy, all of his wishes have been things he can already get without magic. For real Peri is just slightly more convenient then online shopping for someone like Dev, and when he actually needed him he was distracted by his parents and wasn’t there for him

“I…as you wish kid”

I found this so heart breaking, you can tell in the first shot this wish hit him like a slap and looks so rejected and sad in the next shot. You can tell he really wants to help Dev and wants Dev to like him but Peri’s way of Godparenting IS NOT HELPING! Dev didn’t need shallow wish fulfillment. He needed Peri to help him emotionally for his Dad not being there at his Birthday. He needed Pari to be the adult and protect him from the psychotic banshee his Dad hired. HE NEEDED A PARENT!! I don’t think Dev is able to identify those feelings just yet though.

With that being said, Peri is a young adult doing his best, but the role of the Godparent (like the actual title godparent) is to give guidance and to take over the parenting role when the actual parents no longer can. And I am not sure if Peri can give that much of himself

I will say this about Peri though in the latest episode with Irep Peri really seems to be willing to go the distance for Dev, and I was NOT expecting Peri to literally snatch Dev away from Irep he basically went MINE! And let Jorgan blast Ireps ass back to the anti-fairy world and then

Leaves Dev to sulk on the ground….sigh, I mean if he is willing to go THIS far for Dev maybe he is willing to go further who knows.

Oh! We do learn this interesting tidbit about Peri

“It’s a good thing I was jealously spying on Dev- I mean passing by! I was normally and confidently passing by”

HE WAS JEALOUS OF HAZEL!!! Just like he was jealous of Irep! Wonder if they will expand more on this. Not gonna lie, it would be interesting if Hazel gets Devs trust back first and we get to see more of this jealous side before Hazel and Peri become friends

[untitledgoosegay]

re last reblog I do see fanfic culture pushing/replicating a certain model of "what trauma looks like," "how trauma works"

this is a problem across all areas of society obviously, but transformative works are, well, transformative. they're about crafting and modifying narratives where the fan-creator sees a flaw or a lack -- often for the better! don't get me wrong, I've done my fair share of "I take a hammer and I fix the canon," it's the main thing that gets my creative gears spinning -- but what happens when that "flaw" is simply a narrative not conforming to popular expectations?

some people just don't get PTSD from events that sound obviously traumatic. they're not masking, and they're not coping; they just straight-up didn't get the permanently-locked stress-response that defines PTSD. they walk away from a horrible experience going "well, that sucked, but it's over now." some people do get PTSD from events most people wouldn't find traumatic. we don't really know why some people get PTSD and others don't. but fandom has an idea of events that must be traumatizing, of a "correct" way to portray trauma. you see the problems with this lack of understanding in e.g. fans pressuring the devs of Baldur's Gate 3 to add dialogue where the player character badgers Halsin about his own feelings on his abuse -- because he must be traumatized, and his trauma must fit a certain mold and presentation of sexual trauma, under the mistaken impression that anything outside that narrow window is somehow "wrong" and disrespectful or even harmful to survivors.

take, for another example, the very common trope of a traumatized character who hates touch or sex "learning" to like touch or sex as a part of their healing process. certainly that can be healing for some people; other people will never like, or want, touch or sex, because of trauma or because they just don't. the assumption that someone who doesn't want sex or doesn't like to be touched must be traumatized, must be suffering from this perceived lack, is seriously harmful -- to asexual people, to people with sensory issues around touch, and to people for whom healing from trauma means freedom to refuse sex or touch.

and there's a secondary trope, one that's slightly more thoughtful but ultimately repeats the problem -- that once someone has learned that their boundaries will be respected, they'll feel it's safe to soften those boundaries. once they feel safe refusing touch or sex, they'll feel comfortable allowing it on their own terms. but many people don't, and many people won't! many people will simply never want to be touched, and never want sex, and they are not suffering or broken or lacking because of it. the idea that proving you'll respect someone's boundaries entitles you to test those boundaries -- the paradox is obvious, and yet this is something i've seen hurt (re-traumatize) people i care for.

people are imperfect victims. people don't heal in the ways you expect. many people have positive memories of their abuse, of their abusers. many people hurt others in the course of their trauma, in ways that can't easily be unpacked in a 5k oneshot. very few narratives of trauma and recovery actually fit the ones put forward by popular children's media and romance novels -- which are the ones I most see replicated in fandom spaces, because they provide the clearest narrative and easiest catharsis, and so they're easy and soothing to reach for.

that's not necessarily a bad thing! i am not immune to goopy romance tropes. i am not immune to teary catharsis. not every fic has to grapple with ugly realities. but there's a problem when these narratives become predominant, when people think they're accurate and realistic depictions of trauma, when the truth of trauma is unpleasant and uncomfortable, and doesn't fit any single narrative, let alone one of comforting catharsis

[yugsly]

Hey uhhh. Sorry if this is too spoilery. So that Zine. Mentioning Capochin. THE FULL ON EMO EXCLUSIVE.

Do you think Capochin and [Redacted] improve together? They got a lot of work to do?? Is it okay for them to be together?

I wanna know MORE and I just. People are SCARED for Capochin myself included uhhhh.

PLEASE I NEED ANSWERS

Hey, before I say anything- I know they're mine and Day's characters, but anything I talk about related to "post-game" or context not in-game is still "speculation". Meaning, not necessarily canon unless it was something recorded in dev-text or something I specifically had in mind while creating it, not after. I would never want to snuff out anyone's own ideas for what things "mean". THAT BEING SAID, I have some things to say- DO NOT READ ON UNLESS YOU HAVE COMPLETED THE GAME:

So, It's pretty complicated and I've thought about it a lot during and after making the game. Hector's got to do a LOT of work to even earn Capochin's forgiveness, if he'll even give it to him. (if most anyone will give it to him, really.) It's a silly cartoon game but yes, the situation is pretty grim. I mean, you've seen that cooking video Capo made. You've seen what he said when you faced him at the end of the line. All those implications. Without getting into specifics, yeah, the situation was really, really bad. But it's complex. It's not black and white. Hector and Capo knew eachother for a long long time even before Hector became Inspekta (a nosy person might have noticed the news clippings in Milldread). So they go way back- and I imagine things were pretty great up until, and a good ways into Hector ascending. But you know, there was a certain turning point- leading to where he ended up. Razzma speaks on this a bit, throughout. (Razzma has a lot of interesting background tidbits, explore giving her different phrases!) Him realizing that becoming a god didn't solve his insecurities like he thought they might... and more... I won't elaborate too much, because I want you to imagine it yourself. I only want to spread a few bread crumbs and let you make up your minds, even if I have my own thoughts, you know? Your question: "Is it okay for them to be together?" Well, that's up to you to decide. It's okay to imagine whatever you want. Capo forgives Hector eventually? Great. He never forgives him? Also Great! Do I wish I had more time in-game to elaborate on these things? Sure, I do. There's a handful of things I'd love to have explored. But I also like that it's open ended- you can tell, at the end, even though the day was saved, Hector and Capo feel awful. Sure, Capochin gave him that confidence boost to save the day- nothing he said was a lie- it was just the right thing to do in the moment. But you know, they don't really get a chance to really hash it out. It allows for y'all to really brainstorm, the world is your oyster. Whatever you come up with- be kind to eachother and respect eachother's ideas, okay?

[a-driftamongopenstars]

something I find extremely well done with Halsin's character is his sexuality. i've been thinking about it on and off but I wanted to write out my thoughts on the matter because it's really well done!

it's rare to find a good representation of a character with high libido in video games. most of the time it's either used as a tool or as a representation of 'sin'. to be fair, most games don't focus on it and don't put it at the forefront, but Larian has gone far and beyond to include intimacy and questions around sex in their game and showed a whole array of very different people with very different tastes. they showed a whole spectrum, from asexuality to the very other end.

with Halsin, his drive is never judged. it's a big part of his character, but not because he's obsessed with it or it's all he thinks about - it's simply a thing he enjoys doing, it makes him feel good and he likes making other people feel good. you can tell it's one of the ways he connects with those he cares about.

and the thing is, he's never judged. he's not the butt of the joke for his desires, it's a part of his druidic nature as well as a part of self. it's beautiful!

he is also so extremely good about boundaries and a healthy discussion of expectations. he never steps over any lines, he is always keeping a door open for more discussion if necessary, he never pushes but he also respects himself greatly. he shows vulnerability when it feels safe to do so.

and like i said, while it's a big part of him, it's also not his whole personality. he is an experienced man who knows what he's about, he is touched by awful trauma, both from his youth but also his more recent times, but his sexuality is not the product of it - it's just who he is.

i love finding mature characters in video games as i myself get older and I love watching devs tackle characters who had a chance and time to grow and become something, someone. in this case, Halsin is so well done, it raises the bar very high for me.

all in all, I'm just really glad they turned him into a proper companion and expanded his story. i know the joke is to thank the "thirsty fans", but really, Larian did very well with him and I think they gave him a very good part in this amazing adventure while also representing a lot of people who are condemned as sex-crazed by the society but are actually just. people.

[lost-seal]

I wanted to analyze all the bedrolls in mouthwashing. Why? Because something is bothering me so I'm reaching out for opinions. SPOILERS FOR THE GAME, btw.

Now I haven't searched through the whole game for every single instance of a bedroll, I'm just looking at the main ones we see. Any images are screenshots from a video so sorry if the quality is bad.

Swansea's

His is surrounded by bottles (can't tell if empty or not), and is outside Utility. Most likely so he can guard Utility better. Interestingly enough, this was the bed that Daisuke was placed on after the vent incident. I guess Swansea had no more reasons to guard Utility anymore, or even sleep for that matter. Plus I think it's closest to where they found Daisuke. Correct me if I'm wrong.

Anya's

Her's is next to the Polle statue. I read a theory that she put her bed there because it goes off automatically when someone goes near it. That way it alarms her and potentially wakes the others up if someone gets too close. I think that's very plausible, and makes Jimmy breaking it sad.

Another thing that caught my attention is that she's sleeping away from Jimmy. I don't know the term, but like, her head is furthest from Jimmy while her feet are closest. Once again, maybe so that she really hears Polle when someone gets too close.

Daisuke's and Jimmy's

(because they're so close together I might as well mention them together)

This one makes me feel the most anxious, given what we know about Jimmy... He's also close to Anya's too, but not one toss-and-turn away like he is with Daisuke. They are so close that when Jimmy wakes up because Curly's cries are echoing through the halls, you can hear Daisuke breathing without needing to get up. Not snoring, no, small shallow breathes through the mouth.

Which also means Daisuke is a mouth breather but let's not get side-tracked.

They sleep next to each other before AND after Swansea and Anya's talk. Which either means that A) Anya didn't tell Swansea about what Jimmy did to her and her current situation, maybe instead discussing how she thinks Jimmy was the one to actually crash the ship. B) She did tell him and Swansea didn't tell Daisuke because he thought Jimmy wouldn't do that to him. That's all sorts of messed up, especially when we know he's much younger and is easy to manipulate if you say the right words. As we learn how Swansea was able to keep Daisuke away from helping with the foam, he doesn't tend to question things if it's from someone he views highly (With Swansea > Jimmy in the hierarchy).

It makes me feel nervous about what could have been, or even possibly about what's already happened and we'll never learn about it.

Also Daisuke sleeps with his boots on. What. Why? Is it dev reasons? Wild.

All in all neither Anya or Daisuke should be close to Jimmy there's so much space there please move away.

[kekeke32]

TOUCHSTARVED trailer theme theory??

Hi guys, hi everyone. Hope we’re doing well!

SO the full version of the trailer theme is finally out on YouTube and holy shit??? It goes so HARD!!! Give it a listen here.

After rewatching it over and over again, I noticed something so I’ll map out which lyrics appear with which character for y’all to see:

Wish I could’ve added more ss but I’m on the mobile app 🥲 Anyways, I really don’t think the dev team added the characters photos randomly ‘cause check this out:

In Ais’s part, the lyrics are about a certain weakness (ik the lyrics “my weakness” refer to a person but I chose to ignore that jskdksk) and survival. This may be a reach BUT doesn’t this reminds you of Ais’s official character description? Specifically of this part: “Ais seems capable of curing you...but a sick sense of dread surrounds him. He's beginning to suspect that he may not be as in control of his powers as he thought. Can you save each other, or will he drag you down to the abyss with him?" This so-called “weakness” could be his very own powers and he’ll need the player to help him, to “survive”.

Now, about Vere’s part, I don’t have much to say tbh other than the fact that the lyrics “Cause everytime we touch” appear for the first time in his part and I guess you could say it’s related to his frequenting at the brothel? (iykwim 😏) Oh! And you could also see him being touched by a lot of different hands in the trailer. Besides that, his part ends with the lyrics “need you by my side” sung softly by the singer hmm…

Kuras’s part on the other hand, starts strongly (I suck balls at describing music so pls listen 4 urselves, you’ll know what I mean😭) and at 1:59 mins the lyrics are “Cause everytime we touch” then his face darkens a little and it stars an instrumental interlude. I don’t know what that really means but he’s sus

Mhin’s part is sung very softly as well and the lyrics “We’ve been through them all. You make me rise when I fall” are so sweet more so because I think in their route they’ll open up more to the player after going together through incomprehensible horrors and we’ll learn how to support each other <33

Finally, Leander’s part!! Now, LISTEN. His part is the reason why I even made this post in the first place lmao This mf is way too sus but first of all, the building synth progression at 2:58???? oh my god I got CHILLS. literal chills. *ahem* Moving on, his part, starts strongly the same as Kuras’s part did. Their parts are the only ones sung like that… Weird, huh? Anyway, after the lyrics “I can’t let you go. Want you in my life” at 3:49, the song gets SUPER intense and starts sounding very desperate ig?? (kudos to Dan! love his voice frfr) and Leander’s part ends with “Need you by my side”. Okayy y'all… Y'ALL. THIS IS CRAZY. In his part we have both the lyrics "I can't let you go. Want you in my life" AND "I want this to last. Need you by my side". AHHHH Leander you obsessed little bitch (affectionate)

In conclusion, there’s no fucking way the red spring team didn’t assign the certain parts of the lyrics very and I mean VERY purposefully to each LI. The parts suit them specifically well so I highly doubt it’s random but it could also just be me reading too much into this

Whatever!!! Good morning/Good night to this fandom only ^_^

[kromato]

Hey what's up it's me with a special interest in weapons and I wanted to share my thoughts about Nikto's machete (no that's not an innuendo for once)

Had a bit of a solo-mandela effect going on because for the longest time I thought it had a modified 'billhook'-like feature on the back of it for whatever reason (but smaller than what would be considered a traditional billhook, more like a hoof pick blade).

I kind of enjoy still HCing that it does have it because a) it looks kind of cool and b) a terrifying thought to think this man whips this giant intimidating blade out, flips it deftly in his hand to the hook side, just to sink it into flesh and yank people back in when they try to run. Also it allows me to think about a scenario where, resident karambit knife enthusiast Sebastian Krueger, can teach proper blade hooking techniques to our beloved plural man. Anyway back to the knife - It's like a cross between a coup coup and a bola? But has a cool flare like a Tapanga for his newer mwiii model. Also like a vintage Senegalese french machete, which were known for their high quality (might technically be the same thing as the coup coup, just with the locale specified I think, both entrenchment machetes). That curve also kind of reminds me of parangs but it's not particularly drop-pointed.

I HC Nikto as a very brutally pragmatic but particular man, so it doesn't feel too far off to think that he went out of his way to acquire something niche like that. Some kind of custom-made machete that fits his needs just right. The length of it, as well as the curved, ergonomic grip makes me think he's gotten it to do some serious chopping, so it's also probably heavy and weighted forward to make that easier when swinging. I don't see him as a flashy fighter personally, and though maybe it was a stylistic choice for the game devs/artists, I think it's a neat feature that speaks to his character. I do think it's made of hefty steel; weight is important in chopping knives, and though steel rusts, it's sturdy compared to a lot of other metals. Not to mention - I feel like oiling and caring for his weapons, machete included, would be a ritual source of peace for his sometimes loud and chaotic mind. Grounding when he can feel the weight and texture where his nerves aren't completely damaged, smell the oil, have tangible proof that it's reality when he sees the maintained blade even after he becomes unmoored.

Now this is just me WAY reading too much into it, but it gives me a little giggle - The hole at the end of the handle is for a wrist lanyard, so you can loop a piece of paracord rope to secure it around your hand. It's an important safety feature just in case the machete goes flying out of your hand while chopping, lest it hit people in your vicinity (accidentally...?). In his 19 model, he doesn't have the paracord rope attached; Nikto says "Fuck your safety" but also huge ego of "I would never accidentally fling my knife!!"

Could also be because it gets caught on stuff if it dangles off his hip though - he's got one on his newer model where he wears the blade on his shoulder, which looks like a place where it's less likely to snag on things. Could also be because he's been increasingly featured in larger factions, so he works with more people and was asked to have one on hand maybe?? I don't know. In either case the knot in the middle of the rope makes it too small for his wrist which could also be read as a passive-aggressive "Here's the fucking safety rope it's on there ALRIGHT" and yet he's also made it nonfunctional for its intended purpose lmao Okay that's all byeeee

[racheldrawsthis]

i was kind of wondering how the studio's process is with the current unreleased games, especially since the most recent announcement. Don't get me wing I am stupid excited at the prospect of a new game, the characters and especially the protagonist lol adorable and I'm scared for whatever horrors they will face.

Anyway back to my main query, I admittedly am somewhat new to the fanbase having joined the discord server in February.

I do remember a tweet where you said that the unreleased games will ask be released within the next to years, but with multiple games coming out of game jams like RiP, MiR et cetera will there be any progress with the unreleased games?

Now I know y'all aren't full time game devs and I don't want to sound dissatisfied or anything :sob: I mean this in a purely curious and maybe a little concerned way. Concerned in the sense that the studio is starting another new project to be released by the end of the month even though Married in Red was released not too long ago, but that I'm complaining

Anyway I am only curious and not trying to sound pushy so I deeply apologise if I came off that way

Good luck on all of your future endeavors!!

Hello! The unreleased games are being worked on behind the scenes, the contents just aren't being posted to the public yet (Some have been posted for those who are subscribed to the studio's Ko-fi membership though)! The currently released/announced games are only coming out fast because they are games specifically intended to be made in just a single month for month-long game jams and we thought they'd be nice opportunities for the studio to gain more experience in game development and attention from the public before fully taking on big unreleased projects as they are all definitely longer and more elaborate than what we've worked on so far as well as give those who are looking forward to big project releases something to play as they wait.

Thank you for your concern! But I do want to remind you that we aren't full-time game developers and all the games we've been developing have been shared for free out of passion, so I believe it'd be good for our interest and motivation if we get to decide which projects we want to work on next- But we do plan to release every listed unreleased project in the upcoming years so don't worry! Game development just takes time.