#because we actually do know what some of these characters do when crying in canon

[firawren]

What the Jane Austen romantic interest characters do when they cry

[mrchoppedslefthand]

Homicipher Random Headcanons/Scenarios [NSFW]

Edit:11/07/2024

I desperately needed to post the random head canons and scenarios of our husbands that my brain kept cooking up (+ some from discord friends), so the list is not organized. Also, since we shape shift, I'm going to assume we can choose whenever we have a cock or pussy (because I want to be fucked and do the fucking) Anyways...enjoy the food thought.

Characters: Mr. Crawling, Mr. Chopped Mr. Silvair, Mr. Hood, Mr. Gap, Mr. Machete, Mr. Scarletella

Warnings: mentions of NSFW, mentions of some canon-typical violence, implications of dubcon, mentions of somnophilia, implied cuckold

Mr. Crawling

He can be submissive top. Constantly asking you if you love him during intimacy. He would ask if you enjoy playing with him as you pound yourself onto him. He would be a moaning mess and probably wouldn't know what to do about it as he clumsily places his hands around your waist.

He would definitely eat you out without you asking once intimacy had been initiated.

Afraid of hurting you, he wouldn't be too rough, instead he would be more tender and gentler when it comes to intimacy.

He definitely would love it when you play with his hair, allowing you to braid it or do whatever as long it doesn't involve cutting his precious hair.

He actually gets jealous easily, but he doesn't verbalize it, instead he shows it through his actions.

He is better with his hands, than his cock. So sometimes you prefer that over his cock. His cock is more on the average/smaller side and it's cute.

He definitely has a praise kink.

Mr. Chopped

He lacks a body, so to make up for it he is extremely expressive and open with his feelings. Which makes him a little fun to bully, to see all those cute expressions he could make.

He probably would be very good with his mouth and tongue, let him be your personal rose toy/fleshlight if you will. He can't fight back and have no choice but to whimper about it.

Imagine getting sick and fainting with him nearby, he can't move or do anything but helplessly cry for you to wake up and starts crying out help for Mr. Silvair to come help him and you.

Maybe one day, for a day of tricks and pranks. Mr. Stitch will allow Mr. Chopped a day in his body, so they swap places, stitching Mr. Chopped in place of Mr. Stitch's head. It had been a very long time since Mr. Chopped felt sensations beyond his head, so he happens to be very sensitive and clumsy with his hands. Everywhere you touch overwhelms him, he melts and becomes a moaning mess, but Mr. Chopped isn't the only one feeling all these sensations. Mr. Stitch can still feel it too. He is intrigued by today's type of play.

He definitely would be more on the whiny and needy side when it comes to pleasure, he lacks a body, but he can still feel lust. He can't do anything about it, which makes him extremely needy and extra pouty.

Mr. Silvair

Definitely would have had intimacy with other ghosts/humans before to research the body and performance during mid transformation if it differed.

Imagine one day he finds a mysterious liquid that fell from the 'other world' and feeds it to you, himself and the other ghosts in your crew. Only to find out it was an aphrodisiac. It was the first time he felt such a strong sensation of lust. At first, he mistakes this strong desire to be violence, so he starts to self-inflict wounds onto himself. You attempt to stop him, but soon find yourself to be underneath him as he bites into your neck, drawing blood. Surprised at seeing the often-composed man, turning into a ravage beast. You somehow manage to find something to tie him up and have your way with him.

He probably likes overstimulation on you...but also himself. He would love to research on how much his body can go and handle.

He would actually be a switch, for research purposes. To take and give he'd do anything for research. It had been long long ago since his body used to be human, and he often forgets about his own experiences if he doesn't write them down, but no worries, he has you by his side now to keep remembering.

Mr. Hood

He is quiet but speaks whenever he finds it suited for. But if you need him, he would be happy to talk with you.

He is a bit insecure about his body, he doesn't have arms or hands or even legs, he is an entity of nothing. The clothes are what shape his form, and well maybe he not entirely a entity of nothing. You had a glimpse before, a small glimpse and sensation of a squishy and somewhat slimy part that had belonged to him. You never mentioned though, but if it was you'd love him still anyways.

He realized that some words had been a bit harder for you to keep in mind and remember and so he thought of a special way to get you learning. Learning with what humans call pleasure. He fucks you and asks you what certain things are, and if you get it wrong, he denies you from coming. You have become determined to learn your words properly even more so now. Because if you remember you get rewarded with the most absolute fulfilling fuck of your life.

Since most of his body is invisible or nothing. If you mouth fucked him you would be able to see that real good, it is strangely erotic watching your cock move inside his mouth.

Mr. Gap

When you're sleeping, sometimes he might just cuddle against your leg or lower half. He loves the feeling of warmth, compared to his hollow darkness.

He definitely seems like the type of person to eat you out while you're asleep. Playing around and waiting for you to wake up to watch your reaction. Of course, he would only do this though if he knew you'd allow it. He values consent.

Imagine taking your backpack to school and you have to take out a pencil for a test. When you open your backpack, you realize it is just an empty void and hear a voice asking for your heart in exchange for the pencil. Yeah... you accepted your fate. You just failed your exam...

When you become a moaning mess under him, he can't understand but he knows that from your sweet voice, and moans, that it's a good thing. He knows to keep continuing.

One day Mr. Gap gathers his usual newspapers that fall from the rubble or somehow manages to grab one from the human realm. He notices a magazine that discusses about marriage and giving rings on the fourth finger. Intrigued about this idea, he asks you for your all four of your fingers, but you misunderstand and refuse to give him your fingers. He's sad but soon you later find out that he was asking for your hand in marriage, literally but also figuratively.

Mr. Machete

We would wonder aimlessly for an eternity together searching for his/your home. But eventually our subconscious would recognize each other as home instead.

He would definitely mock and laugh at how fast you would falter/melt under his touch. Calling you "weak" for coming so fast but would give kisses here and there after the mocking.

He'd probably be into throat fucking and laugh at you looking pathetic, he loves reactions that aren't boring, so seeing you choke on his cock seems like a great idea.

He definitely would come inside most of the time.

When he fucks you, his cock would probably bulge out a little from your stomach, fascinated by it he'd roughly press his hand down near that area.

He is our beefy dumb macho, perfect.

If you mouth/fucked him he would tell you he feels nothing, but his eyes would already be red and tearing. He's a pathetic coward.

Mr. Scarletella

He belongs to you, and you belong to him, together forever, in a hellish world. He loves the destruction you bring into his life and does the same for you.

Oh boy, he would absolutely devour you, his queen, in pleasure. Fuck you stupid to the point you're just a blabbering mess, hands on waist, and long fingers in your mouth, as he pounds deeply into you.

He seems like the type of guy to fuck you during your period.

Definitely gets jealous easily and he makes it know when he gets that way.

Imagine your fucked/fucking another ghost and you hear static within the distance, the sound slowly starts to come closer and closer until you hear the static in the room. Your crimson servant arrives and witnesses your fantastic display of intimacy. Jealous, he kills them and becomes extra possessive and quite terrifying, but you love it so much. How he seems so lost and pathetic without you.

You don't know his name, but neither does he know yours. Despite this disconnect, you still manage to give him some sort of other named to be called. It's connected to your name, but he knows it's not all of it, he can't fully whisk you away, but he's okay with that. You are still bound to him for an eternity anyway.

If Mr. Scarletella went back to the human world with you instead, he would appear to be the one most suited for fitting in. Just slack some foundation on his face, make him wear gloves and he would blend in quite well. Well...except for his odd habit of asking every stranger for their name and laughing and giggling crazily each time.

He would have a praise and degradation kink, he's not a whore. He's YOUR whore. He likes being YOURS.

[scoobydoodean]

I have 2 spn accounts, a Deancentric blog that ships Destiel and another account that unintentionally follows a lot of Samgirl blogs. So one blog follows majority Deangirl blogs and the other incidentally follows a lot of Samgirl blogs. And here's the major difference I've noticed on the different dashboards.

Deangirl dashboard: Great meta analysis. Beautiful art. Level 1 and 2 headcanons (largely based in canon). Pro-Dean. Stumble across reblogs of Deancrit. Bitter Deangirl blogging. Generally fair portrayal and discussion of the positive and negative traits and actions of Dean, Sam and Cas. Deanhater anons.

Samgirl dashboard: An entirely different pool of beautiful art. Whole lotta woobie!Sam art where Dean is his abuser. Deancrit about Dean being an abuser. Bitter Samgirl blogging about how people will find any excuse to hate Sam. "How can anyone be Samcrit he has done nothing wrong ever." Level 5 headcanons (you literally ignored canon to make that up). More about how Dean is Sam's abuser. So many posts about how awful Samcrit is. "Do Deangirls really think that Dean cries himself to sleep at night thinking that ppl thinks he doesn't know how to read." I have yet to see any actual Samcrit posts (not even links or reblogs from Sam defenders), not even after literally searching the Samcrit tag for it. The Samcrit tag is full of Samgirls crying about Samcrit and no actual Samcrit. "Samgirls are feral, but we need to be bc of the hate ppl throw Sam's way."

I literally have to block so many people on the incidentally Samgirl dashboard bc I'm not on Tumblr to randomly stumble across a post on how Dean is a toxic stalker who abused Sam by changing Amelia's number in his cellphone. Do you have any idea on why Samgirls seem to feel so attacked all the time even though I literally only ever see *them* attacking Dean?

If you dig deep enough into any fandom, you will encounter people who fetishize "helpless victimhood". Some fandoms attract more people with those particular proclivities than others. Supernatural and Sam in particular attracts people who hold those sorts of aesthetic interests because of his relationship toward accountability versus Dean's.

Dean is a character with an overactive sense of responsibility. He blames himself for the Lindbergh baby and unemployment and every child murdered by a shrtiga from 1990 to 2005 because he went to play an arcade game when he was 10. He also blames himself for things like Jessica dying and Sam not being in school. Other characters pile on this blame frequently. John blames Dean for Sam getting hurt (1.18). Ruby tells him (and Sam) that Sam is a weak baby who won't psychologically survive without Dean there to protect him (3.11). Meg alleges that Dean is "dragging Sam everywhere" (1.16). Sam rewrites reality from 1.05 to 1.21 to make Dean responsible for his burning desire for revenge. Cas and Zachariah and Gabriel blame Dean when Sam breaks the last seal because he didn't stop Sam in time. Sam blames Dean for him drinking demon blood first because Dean wasn't there to protect him and then—in a complete 180—because Dean is smothering (4.04, 5.05). Dean generally absorbs blame when it is piled at his feet because he has been blamed for things he couldn't control for most of his life and thus he feels guilty and responsible for things even when him being responsible makes no logical sense. He's never a victim of anything—everything is always on him.

Sam, on the other hand, tends to eventually deflect blame because he can't handle the gnawing bite of it for long. It reminds him too deeply of being left isolated and alone as a child and the feelings of otherness and wrongness he developed through that neglect. When his actions ultimately have consequences he didn't foresee and/or that he finds undesirable, it makes him feel ugly and unaccepted and he can't face it so he eventually finds a way to make what happened someone else's fault—usually Dean's fault. Nothing is ever on him. He's always at least a little bit of a victim and Dean always carries at least partial responsibility for his decisions (1.21, 1.08, 4.04, 5.05, 8.23, 11.01)

In other words, Sam has an under-active sense of responsibility and Dean has an overactive responsibility and that dynamic—driven by their childhood experiences—places them into a vicious cycle of blame being cast onto Dean for Sam's decisions and Dean absorbing it. Dean absorbing it reinforcing the narrative for samgirls with a victimhood fetish that Dean deserves blame and that Sam truly is a helpless baby. They never watch what actually happens on the show to see whether this narrative that Dean is responsible for everything and Sam is a helpless baby lines up with the actual events that occurred onscreen because why would they? That would ruin their enjoyment. Sam isn't interesting to them outside of his capacity to be mourned as some sort of helpless martyr. And yes—they will cry and moan about how horrible and unfair Sam's suffering is, but it isn't because they're having a bad time. They're having a great time. They love thinking about Sam that way. They wouldn't be here blogging about it day in and day out for the last 20 years if they didn't actually want to see exactly what they're seeing.

Related tags of note:

#sams motivations

#taurus sam in the flesh

#In which Sam is not a helpless little waif with his hands cast over his eyes being carried along by the tides of the immutable sea

#sam the hunter

#sams follower/leader false dichotomy

#parentification

[rainbow-crane]

In-Depth Analysis On All The DR Characters Because What, Are You Gonna Try And Stop Me? Who Are You, My Mom? Yeah, I Didn't Think So- Part 2: Mondo Owada

So yeah, I decided to do Mondo's next. After all the material I ended up inadvertently collecting for him in my Taka analysis, it just made more sense to go ahead and get him out of the way, even if I'd rather go for my personal favorite characters first.

As noted previously, this analysis will only be using canon material. It'll primarily focus on the game and its english translation since that's what I'm most familiar with, but may also pull from the original Japanese, as well as the animation, stageplay, etc. If you aren't interested, just keep scrolling. Mondo fans, prepare some popcorn, and perhaps a tissue box since if you're anything like the Taka fans you may end up crying. You're welcome.

Part 1- Character Design

Mondo Owada is a delinquent character whose design pays homage to manga series Jojo's Bizarre Adventure: Diamond is Unbreakable, and is modeled after its protagonist, Josuke Hikashigata. Mondo sports a massive pompadour and a modified uniform that mimics Josuke's, and is the leader of a biker gang called the Crazy Diamonds, a direct reference to Josuke's Stand, Crazy Diamond.

Due to leading this biker gang, he was given the title of SHSL Gang Leader, or Ultimate Biker Gang Leader.

Part 2- Character Introduction

Most of Mondo's character introduction isn't actually from himself, but from the researching Makoto did prior to entering the school in-game. We know immediately that he's leader of the largest biker gang in Japan, and get a look into his public image via Makoto. Despite the fact that Mondo is being fairly chill with his greeting, Makoto remains terrified of him based off of reputation alone- "I'd better be careful around him. One wrong word and I could wake up at the bottom of the sea..."

However, we can quickly see that this reputation is built mainly on bravado, as when Monokuma first calls for the entrance ceremony, we can see Mondo begin to sweat, despite his claiming otherwise- "Well hell, it ain't like I'm scared or nothin'. Let's just get this over with!"

He continues to sweat throughout Monokuma's explanation of the communal life, attempting to cover it up by yelling at the bear to let them out. We get a brief look at his more protective nature, as he purposefully puts himself between Hiro and Monokuma in order to confront him. We also quickly learn just how easily provoked he is.

Despite this provocation, he's not completely swept up in his rage, as he's able to listen to Kyoko's warning of the bomb and follows her advice- to throw it away- without hesitation. So our first real impression of him is that he's a short-tempered and intimidating- but well-intentioned- protector of sorts. He's not completely brainless; he's considerate of his classmates and their safety even when putting himself at risk.

Part 3- Early Game Development

Mondo is an interesting case, as he's a character that almost immediately looks directly into the camera and tells the player directly what their main motivation is. The only other character in this series that's as transparent about their goals so early in is Sayaka, and even then the game makes you ask for that information.

He tells us, in no uncertain terms, that keeping promises is the #1 most important thing to him. He also tells us indirectly how highly he values his family and personal connections, holding his brother's word as law. These combined with his talent being that of a gang leader all suggest a pack leader mentality, which is immediately confirmed by his anger at Byakuya for trying to separate from the group- "Like hell I'm gonna let you run off and do whatever you want!"

Not only is this loss of control upsetting to him, but he's then immediately provoked and called insignificant by Byakuya, leading him to lash out at the closest person in an attempt to regain that hold of power- which just so happens to be Makoto. Not only is this response irrational and violent, but it knocks out Makoto for 10-11 hours. Mondo is a leader, yes, but he's a gang leader, and his bite does match his bark.

Mondo's aggressive and fairly single-minded nature is made apparent when he continuously tries to break down the hatch in the main hall. Not only does he attempt to bust it open with Sakura on the first day, but he then returns to the hatch with Leon the following day, despite the fact he already admitted there was probably no way to open it from inside, and continues to check into the following chapter. He sees one possible way out, and zeroes in on it, just in case.

The game continues to double down on the irrational, defensive aspects of his character when Monokuma appears again to present the first motive. He again confronts Monokuma directly- pretending as if he knows who's piloting the bear for a fact("We know who you are!")- and attempting to intimidate him into letting them go. Once again, this demonstrates both his desire to protect himself and his classmates, and his unwavering confidence in the intelligence of said classmates, as Chihiro was the one to suggest the mastermind being Genocide Jack based only off her gut feeling. He then proceeds to immediately turn around and make Makoto be the one to go find the motive instead of going himself, getting extremely angry when Makoto doesn't instantly do as he's told- "Hey... Hey hey hey hey hey... HEEEEEY!!! You see how passionately I'm begging you!? What's the big deal? Just check it out real quick!"

He then calms down the second Makoto agrees.

It creates a sort of duality with his character between his more protective nature and his need to exert control, something the game makes a point to call out.

Part 4- Relationships

Mondo develops a fair number of relationships across his time in the game, to varying levels of importance- some antagonistic, some exceedingly complex. We'll go from least to most important to the overarching story.

4.1- Celeste

Celeste and Mondo are written in directly opposing ways, as while they're both fairly short-tempered, Celeste is much better at hiding it. It's by this logic that throughout the early game, oftentimes when Mondo starts to get riled up by the rules of the school and/or their circumstances, it's Celeste who ends up deescalating before he can explode, maintaining a facade of calm where he can't.

4.2- Sakuraoi

While not very touched upon, Mondo does end up developing a mutual respect for Sakura and Hina. When the class splits up to investigate the school on the first day, he joins the two of them in trying to find a way to get back to the outside, and he and Sakura work together to try and bust open the hatch in the main hall.

Hina's the one that stops Mondo from attacking Byakuya in the library, and when Chihiro begins to cry over Mondo saying that 'women are naturally weak anyway', it's Hina who calls him out for 'screaming like a lunatic.'

His relationship with Taka is also directly contrasted to Sakura's with Hina by Sakura herself- "Friendship between men seems very simplistic. Nothing like what I'm used to with girls." "Yeah, for real..." It's an interesting comparison, considering both Sakura and Mondo end up dying and leaving the responsibility of failure on Hina and Taka.

4.3- Byakuya

Byakuya antagonizes Mondo more than once, first as they're splitting up to search the school, and again after the library opens. Both times he seems to take enjoyment from it, calling him unimportant more than once and refusing to even entertain the idea that he might die.

"So miniscule, so insignificant, they couldn't possibly have any kind of influence on the boundless ocean."

"You know, I still just can't believe it..." "Believe what?" "That an uneducated, brain-dead, useless piece of garbage like you has survived this long."

"You all need to try harder. If an opponent isn't going to give it their best, where's the fun for me?"

It's enough of a threat for Mondo to genuinely believe that he's dangerous and want to keep him bound so he can't attack (foreshadowing when Byakuya himself would go one to tie Chihiro up? Probably not but it's a neat connection)

He also goes on to fuck with Chihiro, both by mocking her fear and by purposefully tampering with (what he believed to be) the crime scene of her death. On both counts, this directly affects Mondo, calling him out for his bullying("Hey, shithead! You get off on bullying people that can't fight back?") and letting Byakuya pin the crime of killing Chihiro on himself in the trial.

However, despite all this, Mondo never gets the chance to give Byakuya his comeuppance for his words and actions.

4.4- Ishimondo (yeah these bitches gay)

Similarly to Byakuya, Taka starts in a more antagonistic position, directly opposing Mondo as the unofficial, self-designated 'leader' of the class and remaining insensitive to the feelings of his classmates.

Unlike Byakuya, there's no actual intent to harm here, and their banter remains more focused on their differing ideas on how to help their classmates than anything else. Still, as time continues to pass, Mondo's impatience combined with the recent losses from ch 1 starts to push him over the edge, getting angrier with the class's lack of urgency.

This impatience only leads him to butt heads with Taka more, who's trying to keep the class together and safe first and foremost. On top of that, Mondo's delinquency is directly opposed to Taka's disciplinary background, making it all too easy to see each other as foes. Despite the fact they consider themselves the better type of man to the other, they have similar views on how men are to face each other, leading to the sauna scene.

Both characters' strong-willed determination and stubbornness inadvertently puts them on the same path, attempting to use their physical abilities to prove himself a more worthy leader than the other. It's a simplistic way of deciding, but it's one they both wholeheartedly believe in, and this gives them the opportunity to connect with each other in a way they're unable to with anyone else in the class. Thus, the following morning, when asked about the contest, the two have formed an inseparable brotherhood and refuse to even acknowledge the contest, as having a winner would put them on different levels. Interestingly, Mondo shares the belief with Taka that men bond by being naked around each other("Guys gotta expose themselves to each other, ya know?"), suggesting that he removed his clothes in order for this 'brotherhood' to form.

4.5- Daiya

The first thing we learn about Mondo's older brother in-game is that he was the one who taught Mondo to always keep his promises, no matter the cost. The second thing we learn is that he fucking died. And until nearly the end of Mondo's run in the game, that's all we as an audience need to know. He had an older brother that taught him his core values and passed away, leaving Mondo to carry out his wishes. It's not until after the chapter 2 trial is said and done that we learn anything more about him through Mondo's secret: "That embarrassing memory, that secret he didn't want anyone to know... You know what he did? He killed his own brother!"

It's through Monokuma that we learn the truth of Mondo's history with his brother: Daiya was his only family growing up, and thus, became his role model, the man Mondo himself wanted to become. He respected Daiya and Daiya alone. He followed him everywhere, and together, they formed the Crazy Diamonds, which went from a local biker gang to one of the greatest in Japan. It was through his brother that he developed his biking talent, and acted as his right hand. But some of the gang didn't believe in Mondo or trust him the way Daiya did. As Daiya grew older and prepared to retire, rumors of nepotism circulated throughout the gang, saying that Mondo was nothing compared to Daiya, that he wasn't worthy to take over the gang.

"Daiya created the gang with his bare hands! Mondo's just along for the ride." "Can someone like that be our leader?" "All that'll do is make the gang look bad."

Any accomplishments Mondo had made within the gang didn't count to the gang, or to Mondo himself, because they were put next to the leader's achievements. He compared himself to Daiya as well, feeding into the rumors and developing a deep-rooted jealousy. He felt like he had to be the stronger man, had to prove himself to the gang, had to best his brother or he wouldn't be accepted. So he challenged him. He challenged Daiya, and lost all restraint on the road, charging forward with the desperation of a dead man. And it cost him his brother's life.

His brother made him promise not to let the gang go as he passed; Mondo became shackled by his honor to stay. He fully believes it was his fault Daiya died, and now not only is he indebted to stay with the gang, but can never admit blame for fear of tarnishing not only his own reputation, but tearing his brother's gang apart. His community demands unwavering macho leadership, and he can't afford to break character for even a second.

4.6- Chihiro (will be using mostly he/him due to discussing canon)

Mondo and Chihiro exist on 2 sides of the same coin- toxic masculinity. Both characters (canonically speaking here) are men, but are perceived totally differently, both by those around them and by themselves. And because of this design, when put into the high-stress scenario that they were, they were doomed to drive each other to ruin.

Even before chapter 2 starts, there are multiple instances of Mondo listening to Chihiro and respecting his words without doubt(his theory of Genocide Jack and asking his opinion on '11037'). We've also seen Mondo's confrontational and protective nature in action. So it's no surprise at all when he stands up to Byakuya on Chihiro's behalf when he clams up. And while this is done with good intentions, it only serves to make Chihiro feel weaker. Mondo is physically stronger- anyone can see that- and he's not afraid to mouth off to someone showing excitement at the killing game they were all forced into. So when asked if he's okay the following morning, he can't help but explain himself- he feels weak, and doesn't like having someone else stand up for him. For Mondo, this goes directly against his idea of strength, and can't comprehend why "she'd" possibly care.

With all of Mondo's toughness, he carries not just the expectations of a man, but the misogynist beliefs that often come with it. But regardless of that, he's immediately able to tell he fucked up("Hey, c'mon, don't cry... I-It's my fault, okay? I won't yell anymore...") as far as the narrative will allow him due to writer's bias*. He feels bad about this, genuinely, enough to offer Chihiro his promise as a man. It's enough of a gesture for Chihiro to trust him completely, believing in the man's promise he's emphasized as being the most important thing to him since the very beginning.

(*Writer's bias in this case means the author is also sexist to a degree. Mondo is very clearly meant to be a tough guy with good intentions but because the creator appears to agree with the sentiment that women are weaker on average, we as an audience are meant to take issue with the fact that he's yelling and not the sexist statement. Said bias is made pretty clear by the fact their 'weak boy' character is dressed like a woman to emphasize his weakness and be a 'gotcha', as well as the fact they later have Kyoko force Makoto to tear paper out of Hifumi's rigor mortis hand because Makoto's a boy and she's a girl, even though earlier in that same game she, still a girl, was allowed to examine Chihiro's corpse in enough detail to find her dick. Writer's biases can and does affect the final product, so it's always important to consider that when looking at a character's development to determine whether they're being shitty because they're supposed to be or if it's some fault with the creator themself inputting their biases into something that otherwise wouldn't develop in this way. This has been Critical Consumption of Media 101.)

When Chihiro's found dead, Mondo keeps his head hung, lamenting about the fact that Chihiro wanted to be stronger, and when Makoto points out Chihiro was a woman anyway, Mondo just dismisses it, contradicting his earlier statement.

He respects Chihiro's memory and refuses to speak poorly of him. And while at first glance this is all it appears to be, as the trial unfolds and we learn the truth about what happened to Chihiro, a dual meaning behind this reveals itself- another showcasing of his devotion to the promises he keeps and the desire to protect his friend, even in death.

Chihiro is physically weak; a strong wind could probably knock him over, and he's much more in-tune with his emotions than your average guy. He mourns the losses of Sayaka, "Junko", and Leon all deeply, and has a deep shame for not being able to defend himself against Byakuya. But despite all this, when tested by Monokuma's secrets motive, he doesn't crumble away. He thrives, taking that threat and turning it into motivation to push his limits. He has the self-awareness to know when to ask for help, and isn't swayed by the threat of death. He's physically weak, but is incredibly strong mentally and is able to conquer his fears and face the lie he created for himself. Unfortunately for him, living with this toxic idea of what masculinity is supposed to look like makes him believe the way to do this can only be found in becoming physically stronger, and dies without ever seeing the strength he already had.

Mondo, on the inverse, is extremely physically capable, even without trying. He's 187 cm of muscle, and is confrontational to a fault, only giving him more opportunities to show off that physical strength. But on the inside, he can't face the sins of his past, can't admit his faults, and can't comprehend how to make peace with himself. All this is exacerbated by the weight he carries of leading the gang his brother formed, unable to release that weight from his conscience.

"N-No matter what... I couldn't let the other gang members find out. If that happened, everything would've been ruined... Everything me and my brother worked to create... woulda been destroyed... His death... all the guilt I'd been carrying around... it all woulda been for nothing."

And when Monokuma tests his resolve, he completely crumbles. Unable to admit the truth to himself, he's faced with Chihiro, someone who has the mental capability he could only dream of. That primal fear of breaking the promise he made for his brother on his deathbed, combined with Chihiro's unwavering confidence as he happily chimes how unbothered Mondo must be, blocks out all rationale. He spirals, forgetting where he is and who he's talking to, trying to make the panic go away as he throws the dumbbell in his hand.

Chihiro and Mondo each have everything the other wants, and drive each other to death trying to get it.

Part 5- Chihiro's Trial

For most of the trial, Mondo doesn't appear suspicious at all. So much time is spent on Byakuya's suspicious behavior and his framing of Genocide Jack that you barely notice him. He fully appears to be trying to find Chihiro's killer and find justice for her, following Makoto's line of reasoning to find Byakuya as the killer- with the body's suspension and the subtle differences between Jack's methods of killing and the murder of Chihiro herself. He's all too eager to declare Byakuya as the killer- and though we can't know for sure, he may have genuinely believed it. After all, walking into the girls' locker room to find her body suspended and the message of 'Bloodlust' written on the walls certainly wasn't his doing. Unfortunately for him, that's all Byakuya did, and the conversation continues.

In the end, Mondo brings about his own execution. Even after slipping up with his words, the conversation is able to continue on, sfifting focus over to Chihiro's missing E-Handbook and what exactly happened to it. And when Mondo becomes cornered with Makoto's mention of the sauna, it's not Mondo who goes on the defensive; it's Taka. Mondo gives up; he lets his tough-guy persona go. He finally faces the truth; he's undoubtedly the one that ended Chihiro's life, no matter how he may have wanted to delude himself otherwise. He sees his bro defending him, and he accepts that he has to die. It's not beyond reason to say that Taka's insistence of his innocence was what pushed him to truly admit his guilt, both to the class and to himself. Up until this point, he'd still been trying to play it off and get away with it. But was it worth it to live and kill his bro, and everyone else, just to protect his pride? No. He admits to being the killer, straight up.

"Yeah. Yeah... I did it... I killed him."

"Go ahead, Monokuma. Get it over with... Ask for the goddamned verdict..."

Part 6- The Cage of Death

The first person that comments with some variation of OH MY GOD YOU'RE SO EVIL HOW COULD YOU PUT THE EXECUTION IN THIS gets a cookie. Anyways, the executions in these games are always thematic to the characters and are meant to send them into the worst possible despair in their final moments, so let's break this down.

The execution begins with Mondo forcefully strapped to his motorcycle by Monokuma, who's sporting the same pompadour as him. This may be representative of Mondo feeling confined to the biker gang by his guilt; he was never able to break free of the lie he created about that night. The pompadour is likely just Monokuma making fun of him for his hair again, as the thing that nearly killed him in the prologue.

The kanji written on the motorcycle reads 'Little Black Sambo,' a reference to a children's story of the same title. The entire execution is an inverse of this story as well. In the story, a boy named Sambo is surrounded by four hungry tigers, and gives up his clothes to avoid being eaten. The tigers are all conceited and argue over who's the best-dressed, chasing each other in circles until they churn themselves into butter. Sambo is then able to recollect his clothes and the butter, and his mother uses the butter to make pancakes. This story is well-known and beloved in Japan, but isn't in basically the entire rest of the world on account of the racist caricatures of the POC present in it.

Mondo's execution is a inversed version of the story(and also, because Mondo isn't blasian there's thankfully no directly racist art in it, just tigers). Rather than being the one to trick the tigers, he's the one who's full of pride, and so he's sent into a motorcycle cage and left to spin around and around, while the tigers dance on either side of him. He ends up being the one who's turned into butter, and Monokuma gets to enjoy a delicious plate of Mondocakes. It's meant to represent the downfall of Mondo's macho personality and how he sent himself into a spiral, but loses a lot of its meaning if you aren't familiar with the story.

Part 7- Jealousy

So, we've torn this character apart. We know what makes him tick, but why does that all matter? What was the point of his story? Simple- it's a cautionary tale. It's a warning against everything he stands for. Mondo, through all his faults, is NOT someone you're actually supposed to idealize or hold up as the epitome of manhood in the way that Chihiro does. Rather, he's a deconstruction of everything society views as 'manly', and a demonstration of why that line of thinking is inherently flawed. He's big and tough, he yells and cusses at the people around him, he doesn't have a handle on his own strength. He knocks a dude out for like, 10 hours straight because he was mad at someone else!!! That's not a healthy way to get your frustration out!!!

Simply put, your image and pride are not worth your mental health, and comparing yourself to the people around you not only tortures yourself, but can hurt those who you love. Mondo couldn't stop comparing his own faults to the strengths of others, and ended up pushing himself too hard trying to prove himself. Not only did he lose his brother over it, but he felt like he had to keep all his pain and regret locked up for the sake of an image they'd painted together. It pushed him up to the edge, and he never learned to cope with it in a way that was healthy. It only led to him lashing out more and more, and repeating history when he killed Chihiro. Your trauma can't be fixed by ignoring it or shoving it down; seek out help when you need it. It's okay to confide in your friends; they aren't your enemy, and they aren't making fun of you. That line of thinking will only push you over the edge.

Afterword

So yeah, this was longer than anticipated. Even after doing Taka's and creating a point of reference for myself, I still ended up surprised. I mean, Taka survived longer, so you'd think his would be longer, right? But no, Mondo is not only a very well-established character, but he has more important connections and a much more impactful storyline. I'm gonna go out on a limb here and say Mondo may be one of the easiest characters to understand from THH, considering how in-your-face they make him. And I respect that, even if his whole facade can be kind of annoying for me. I totally see why this guy is so popular among fans. Happy birthday Mondo!

Anyways, hope y'all enjoyed this one, and be sure to stick around! Sayaka's analysis is coming up next, and holy shit am I excited for this one.

[inawickedlittletown]

No Queerbaiting Here

A long time ago…I’m talking May of 2021, I wrote a meta post about queerbaiting. Essentially an essay. I wrote it right before the S4 finale of 9-1-1 aired because I was frustrated by Buddie fans calling Queerbait entirely like the boy that cried wolf. I still stand by it. Sort of. 

Now, even back then I was pretty clear about how 50/50 I was on Buddie ever going canon. (Maybe not in that post but certainly elsewhere) But, I shipped Buddie then and wrote a lot of fic and meta and participated in fandom. I never said it couldn’t happen…I just would never be bothered if it didn’t.

Where we stand now: It’s not going to happen. 

And where I stand now: fully immersed in Bucktommy. And what’s more, I am more than perfectly happy about Buck and Tommy staying together and going the long-run. Although I can still look at Buddie and think it’s a cute ship, I just don’t want it in canon. I would not be satisfied if the show went that way. But what’s more if Buck and Tommy don’t work out, that would be disappointing, but I’d be okay as long as they got to be happy. There is, after all, always fanfiction. 

So, I wanted to revisit this concept a bit now that Buck has been confirmed as Bisexual and now that he is in a relationship with a man. Not Eddie. Tommy. And somehow, some Buddie fans are still crying queerbait because their ship is not canon. That’s not how it works. Also…shipping works outside of canon, that’s the whole point of shipping. 

To reiterate from my original post on queerbaiting, here’s the definition from wikipedia:

“Queerbaiting is a marketing technique for fiction and entertainment in which creators hint at, but then do not actually depict, same-sex romance or other LGBTQ representation. They do so to attract a queer or straight ally audience with the suggestion of relationships or characters that appeal to them, while at the same time attempting to avoid alienating other consumers.” 

Here’s where I stand: Buddie was abandoned a long time ago. If it was ever a real possibility, we won’t ever know. What we do know is that Oliver was aware that at one point he had given them the go-ahead to make Buck Bi. Whether this was by putting Buck and Eddie together or having Buck realize this another way, we just don’t know that. We don’t have that information and nor will it probably ever be provided to us. Narratively, I know that a lot of fans figured the timing of it fit with S4 and that particular finale but we really just don’t know despite what happened in the finale.

I found that interesting looking back at my own post from back then and the discussion that followed where some fans felt that the way the finale went would determine if Buddie would be another queerbait ship. (I think most people agreed after the will scene that it wasn’t queerbait because it did leave a kernel of hope that Buddie might still happen). 

And yeah, I guess you could argue that the network deciding not to go the route of a queer storyline points to missed opportunity. That doesn’t then mean that any queerbaiting occurred or that any fans are owed anything just because something that was set up or that the writers were writing towards was then scrapped by the network. Is it a shame that it didn’t happen in whatever way they wanted to play it out, sure, but only because Buck would have been confirmed queer earlier. In the same vein isn’t it nice that we have a confirmed Bisexual Buck now? That the show managed to bring it back to that.

A Buck that is happy and free and that has realized something so monumental about himself? Isn’t it nice that all the queer coding that Buck as a character has received since the start of the show is actually finally not just queer coding but full on character development? That we can look back at the show and see all the things Buck did around other men for exactly what they were. 

When Tommy first returned to 9-1-1 in S7, I think a lot of us were excited by the spoilers about Buck and Tommy because of Bi Buck, but also because this was the thing that could lead to Buddie. 

And then…then Tommy was actually on my screen and I doubted it. I actually thought maybe the spoilers were wrong and this was about Eddie and Tommy? That episode flipped things in such an expertly way that by the time Tommy and Buck were sharing a kiss for the first time I was right there with Buck. On a second watch, it is all there. Buck was never jealous because his friend was ignoring him. He was jealous because his best friend had the attention of the guy whose attention he wanted for himself. The writing on that was perfect and no amount of twisting it can change what happened on screen. 

Buck was not jealous because of Eddie. Tommy was never interested in more than friendship with Eddie. And Buck and Tommy have nothing to do with Buddie. Tommy is not a stepping stone, a way for Buck to be ready to then embark on a relationship with Eddie. That’s both disrespectful to Tommy and Buck, but just not what the story being told on the show is doing. 

The storyline is monumental. Having a big strong guy, a firefighter, figure out his sexuality in his thirties is such good storytelling and add to that Tommy. Someone that we already know, who already works as a first responder, and who can show up and wow Buck in such a way that he realizes something about himself? This is what I’ve always wanted. Because guess what, Buck never questioned his sexuality before this. Not when he met Eddie and not when he met anyone else, not until Tommy. 

Going into the new season we know a few things and one of those is that Buck and Tommy are thriving. The media coverage talks about them as a solid couple, it talks about Buck having someone to turn to and complain to. It talks about how they are still in the getting to know each other phase and I love that for them. I love how they are being treated and described and I can’t wait to see what plays out for them and how much of the build up of their relationship we may get to actually see. 

Do you know what the media and the show never talked about outwardly like this? Buddie. Whenever it came up it was always brushed aside in a way that was respectful to fans and what they saw, but without ever confirming or hinting that the show would ever go there. They never queerbaited anyone with Buddie, what they have done is say “yeah…we know what you see” and then turned around and given us a Buck and Eddie friendship and Buck kissing Tommy, going on a date with Tommy, and thriving with Tommy. 

So, no queerbaiting here on the show where half of the major canon pairings are queer. It’s actually more like some fans baiting other fans with theories and headcanons that just don’t fit.

[avalypuff]

Answers to the common questions of “Why didn’t Zelda retain dragon features?” and “Why did Link’s arm revert to normal?”

I’ve been dying to do some analysis posts since TotK came out, and after seeing a lot of people complain about the above, I decided my first should be related to the endgame.

So, I’ve seen a lot of posts where people seem to misunderstand what was going on when Zelda changed back into a Hylian, and why Link’s arm returned to normal. Many write this off as simply plot convenience, and while it’s true that Nintendo wouldn’t want to leave the main characters of one of their most popular titles with permanent changes, I’m here to try my best to explain the actual reason these things happened the way they did, because whether you noticed it or not, there is plot relevance to this reversion.

Draconification is permanent.

This is an indisputable fact.

And while I have seen people criticizing the way Zelda changed back, the fact is she swallowed the stone knowing that she never would.

“I’ll be forever changed…”

Her cry for Link to find her was not for her sake. She wasn’t depending on him to find the key to changing her back. Nay, the only reason she desperately prayed for him to find her was so that he could get the Master Sword, which—ignoring game mechanics that would allow you to beat Ganondorf with literally any weapon with the right damage/durability ratio—canonically is the only thing that can hurt him.

When Zelda changed back, it was almost entirely thanks to Sonia. That’s right!

…Let’s take a second to recall this scene in which Rauru decimated the horde of Molduga.

We see Sonia extend her hand and then gesture for Zelda to do the same.

Here they’re extending their own power to amplify Rauru’s counterattack, even beyond the already-massive boost the Secret Stone provides.

In the final scene when Link finds himself hovering over the sleeping Light Dragon amongst a dream-like atmosphere, it’s really quite telling that Sonia is the first to rest her hand over Link’s, then followed by Rauru.

This time Rauru is fulfilling the role of amplifying Sonia’s power over time. Not just that, but adding it on top of the time manipulation that Zelda gave to Link at the beginning of the game.

That’s what’s happening here. This is immensely powerful, triple amplified time magic!

The change from dragon to Hylian wasn’t a transformation in the same sense that it was when Zelda changed from Hylian to dragon. I know that’s a confusing sentence, but consider the basis of Sonia’s time magic is recalling things as they once were.

Zelda didn’t retain dragon features because, through the power of time reversal, she was never a dragon to begin with.

This is the also the reason the Secret Stone reappeared on her necklace.

This is ALSO the reason Link’s arm reverted to its natural state before he was affected by the gloom.

And before y’all come at me with “well, why didn’t Rauru do that in the first place instead of giving his arm to Link?” Simple; Sonia wasn’t there. Even spirits aren’t omnipotent… in Hyrule. (Probably.)

The point is, this was essentially a lucky break for Zelda and Link, because if Sonia (and therefore Zelda, by inheritance) didn’t have time magic, there would have been no way to undo the Draconification. It would have been every bit as permanent as Hyrule legends and history says it is, and Zelda would be gone forever.

In fact, it’s likely it was a shot in the dark even on Sonia and Rauru’s part, considering there was no prior knowledge of reversing time on a dragon, let alone a person. It was a glorious blend of the convenience of Sonia’s time magic, and luck that it worked out the way they (“they” being all characters involved) wanted.

Anyways, to wrap this up, Draconification is indeed permanent, unless you have the number one badass-master-of-time-manipulation Queen Sonia on your side. Then you can probably undo anything. :)

[howlsofbloodhounds]

Can you talk more about the fandom's ableism with Ink and Killer??im quite curious!/gen (reference to your reblog tags)

I can try, but know im not an expert and also bigger knowledgeable inks fans are welcome to chime in.

So we all know how Ink is soulless, yes? It is because of this that people take it as an excuse to demonize them and make them evil, fake, manipulative, abusive, a bad parent, a rapist—everything under the sun simply because he’s soulless, lacks empathy.

Some people claim he doesn’t feel emotions because of his soullessness all the time and the paint vials he takes are just “fake emotions,” but in actuality Ink needs those paints to function (because without them Ink becomes an unmoving husk and this makes him extremely vulnerable to being used and taken advantage of), and to feel. It’s basically medication that he needs.

Not to mention; Ink is clearly a neurodivergent character, having hyperfixations and everything. This breeds depictions of “Ink is so stupid,” “Ink is a child,” “Ink needs to be leashed and treated like an animal,” “everyone is tired of and hates ink because ink is annoying.”

You see this type of thing with Killer a lot too in his fanon depictions, and this is because it’s a pretty agreed upon headcanon that Killer has ADHD; it’s just that most people clearly don’t do any research into how Ink and Killer’s ADHD/Autism are disorders, how they actually impact them as characters and their lives rather then how they annoy and inconvenience everyone else around them, infantilize and dehumanize them by treating them like hyperactive idiotic children or animals that need to be kept on a leash—is stereotypical depictions of ADHD with the typical “hyperactive talking a lot so annoying oh my god can you just shut up?” and “can’t ever stop moving or talking” and just generally have other characters be ableist and abusive as fuck towards them both and play it off as if it’s supposed to be funny to be talked to like that just because something they have no control over was a little annoying today.

there’s no discussions or depictions how this stuff effects either of them. Killer already has a dissociative disorder and CPTSD and can’t trust his own memory, and Ink has short term memory loss so bad he needs to write things down on their scarf just to keep track of it, and yet Killer’s memory issues are completely ignored because he has to be the silly haha comedy relief that all the characters use as their punching bag and Ink’s is only ever brought up in any serious capacity to paint them as a bad parent who would forget that his children even exists.

Killer and Ink are both characters with little to no empathy for others; and this is used to demonize them, or is completely ignored by giving Ink a soul or and forcing Killer into Stage 1 as their quick fixes.

Their lack of empathy and emotionlessness is only ever brought up to use them as villains in another character’s story; which is extra fucked up when people refuse to acknowledge that Killer is a canonical victim of literal conditioning, abuse, torture, kidnapping, and literal fucking trafficking.

People are demonizing someone who is literally trapped in a trafficking ring and being sent out as weapon of terrorism by Nightmare under threat of torture, death, and replacement all because, oh. He’s emotionless. He’s sadistic. He doesn’t act like a perfect victim curling up in a ball crying from guilt every single day and why doesn’t he just say no?

Killer isn’t perfect but people like to pretend he has more control and power than he does and like he actually wants this when the man doesn’t even know what he wants because he became who he needed to be to survive. People seem dumbfounded by the concept that victims will mirror their abusers to survive and that obviously won’t make them good people, but killer doesn’t consider himself people.

It’s never brought up how Ink’s memory loss and his lack of paints making him a husk would make him very easily to abuse and use and lie to and manipulate and take advantage. It’s never brought up how Ink thinks and feels about upsetting or losing friends because he forgot their names, or their birthdays, or when they were meeting up and where, and no matter how hard he tries things just keep slipping from his mind.

It’s never brought up how Stage 2’s indifference and overwhelming apathy and dehumanizing view of himself (and others, just like Ink, who sees others as characters in a story whereas Killer sees people more like codes programmed to follow specific scripts and roles in a long series of games and tests and just not real), means he is a lot more likely to be used and abused and taken advantage of—and yes, raped, because for some reason people really really love making Killer a sexual predator as if he’s not the one most likely to be abused in that manner—means he’d likely just accept whatever someone does to him (especially if he believes they’re stronger than him) because why should he care? Nothing matters anyway. There’s no point in resisting, why bother. This is how it was always supposed to end, and nothing is real anyway. This doesn’t affect me, i don’t have emotions, im not real. I’m not a person.

The only form of control Killer would have is playing along. Acting, pretending he enjoys it and is having fun—but ultimately, he doesn’t know if he does or not. Where does he begin and the act end. He doesn’t know, but if everyone around him is telling him one thing, then it must be true.

Stage 2 wouldn’t see himself as a victim or anything that happened to him as anything particularly significant. Nightmare asks him to do something and he does it because why not is what he thinks—it’s just how it works, Nightmares stronger. He ignores what would happen if he drug his feet or attempted to refuse because to him it’s just logical that he’d be punished for that, and he likes pain anyway, so enjoying means he must’ve wanted it.

(Does this justify the people he hurts when commanded to, triggered to, provoked, or when his dehumanization of others and conditioning leads him to do pretty awful abusive shit to them out of sadism or curiosity or just needing to feel in control? No, of course not. Any of his victims are allowed to hate him or feel however they want about him.

Doesn’t mean we have to ignore that he’s also a victim and has even less control than he allows others to see or know about, and that he himself likely refuses to acknowledge or look at too deeply.)

Which is another thing a lot of people use to justify Nightmare’s abuse of Killer. That he’s masochistic and sometimes pushes and provokes Nightmare into hurting him—the idea that it’s not actually abuse because he “wanted it” and “liked it” or that he’s somehow as bad as Nightmare because “he provoked him.”

He cannot access the emotions and trauma and fear and moral concerns and safety concerns of his other Stages because that is the entire point of his dissociative disorder and his conditioning. This makes him easy to control and this how he’s survived and remained even somewhat functioning.

Not to mention. The idea that Ink and Killer need to “learn empathy” or “learn emotions” to be better or good people, and not because being in touch with emotions is an important thing everyone should learn especially victims of abuse and those with trauma and that having little to no empathy is not some moral failing on their end or says something about the type of people they are. It just means they struggle to relate to others, understand their emotions, or feel others emotions as if it were their own.

There’s also the matter of some people trying to say that because Ink is soulless he is AroAce. That is not true, is both aro/aphobic and ableist. Ink is both soulless and AroAce and these are two completely separate things—they’d still be AroAce even if they had a soul.

There’s probably a whole lot more that can be said about this, but I’ll end it right here. Others can add on or correct me.

[nerdysleepybunny]

Hallo! im new here so please let me know if i cross any boundries.'

anywho, I was wondering if i could request a platonic philza and/or techno comfort? ive had bad few days :(

Have a wonderful day/night!

I APOLOGIZE FOR GETTING TO THIS SO LATE!! I literally love dsmp asks even though the fandom is dying off, so this definitely isn’t crossing any boundaries! I hope you’re doing better. My dms are open if you ever need to chat! :D

🩷☁️N E R D Y S L E E P Y B U N N Y☁️🩷

Fandom(s): DreamSMP

Character(s): Philza, Technoblade (ft. Mumza & Chat)

Reader: Gender neutral (you/your)

Style: Hcs

TW: N/A

Summary: How Philza and Technoblade (separate) would comfort you!

🩷☁️N E R D Y S L E E P Y B U N N Y☁️🩷

Philza:

I feel like he’s the type to just know you aren’t doing well before you even say anything.

Like, you’re just sitting there in your feels, then suddenly?

BOOM CONCERNED DAD RIGHT IN YOUR FACE

“Are you okay, mate?”

“Do you need anything?”

“Here, let’s sit and have a chat.”

Literally shooing chat away so it’s just the two of you having quality time together.

Would sit down next to you on a couch, but probably wouldn’t initiate any touching. The most I see him doing is a shoulder pat or a hand rubbing your back.

Of course, he wouldn’t mind you leaning on him or embracing him! He just doesn’t want to touch you in case you want your space :)

If you want to talk about it he’s there to listen and offer wise old man advice (if you call him old while you’re upset, it’s the ONE time he won’t get defensive about it)

Like

He’s just talking giving you some advice about your problems, then he hears you snickering

“What’s so funny?”

“You sound so old right now, Phil.”

Usually he’d shout his usual “I’M NOT OLD/I’m only in my 30’s, mate…” (I’m pretty sure he’s canonically thousands of years old but shh let grandpa be delusional)

But now? He’d just chuckle and shake his head

“Whatever you say, mate.”

DON’T EXPECT HIM TO BE SOFT FOREVER, IT’S ONLY BECAUSE YOU’RE CURRENTLY SAD

After you’ve concluded your venting/told him that you don’t want to talk about it

You know what time it is…

DISTRACTIONS!!!

Pillow fort anyone? He’s giving pillow fort vibes.

He’s a dad, so obviously he’d just do all the work and build it for you. Again, only because you’re sad. Any other time he’d yell at you for not helping.

Speaking of sadness

Don’t let Phil’s wife see you sad…

OH NO YOU’RE SAD? NOW MUMZA IS SAD AND IS RUSHING TO COMFORT YOU

Mumza is the type to cry when she sees someone else crying, so now both of you are just sobbing together and Phil is there trying to comfort the two of you but is an overwhelmed old man and may end up crying himself

Uh… cry party?

Either you all end up making fun of each other for crying which results in you all laughing together, or you just cry till you get sleepy and pass out on the floor together.

What an interesting way to family bond.

Technoblade:

So you seek The Blade for comfort, the most monochrome and nonchalant man on the server. What a wonderful decision, reader! /lh (I’d do the exact same)

If you’re a Technoblade fan you’ve definitely heard the “it’s fine” audio.

Now I can either be wholesome and say he’d hold you close and whisper that everything will be okay to you

Or I can be silly and realistic and say that he’d pull out a phone and just play the audio with a blank face, but is laughing on the inside due to your “what the actual fuck” face.

Okay now for some actual comfort!

As we all know… Technoblade isn’t exactly good at comfort.

He kills orphans for a living, how do you think he’d react seeing someone crying like a child?

He’s standing looking at you with a look of “why is this creature screaming” and “wtf do I do”

“Uh… you good? You okay? You, uh… need a hug…?”

Very awkwardly holds his arms out for a hug, and if you accept, he even more awkwardly pats your back.

If you got his shirt wet with tears, he’d DEFINITELY comment about it

“Are you seriously ruining my shirt? How are my enemies supposed to think I have a good fashion sense now?!”

Goes into a rant about how he needs to look his best and how it’s a good strategy to beat his enemies in battle while you’re kinda just there… honestly are you even crying anymore?

You’ve stopped crying ages ago, and he’s still just talking

In conclusion, Technoblade is good at calming people down without even trying (I was literally having a breakdown and all I needed to do was listen to the silly pig man talk about Greek mythology. It must all be part of his master plan…)

Speaking of listening to his voice, here’s a scenario.

“Technoblade, can you read to me?”

“…what?”

“Read to me.”

“I’m not reading you a bedtime stor-“

“I wanted you to tell me about Greek mythology.”

“Fine. Come here.”

Long story short, he starts by reading you just one story. That one story turns into the entire history of the Greek gods and goddesses… yeah you pass out pretty quickly. But Technoblade isn’t one to stop mid-ramble. Once he notices you’re asleep, he’ll continue talking, just quieter. He’ll eventually get sleepy himself, and soon enough… you’re both asleep.

Works like a charm!

🩷☁️N E R D Y S L E E P Y B U N N Y☁️🩷

[astaroth1357]

Most to Least Likely to Cry After Sex

Okay so, this might be a personal thing on my end, but I have long kept a running list of characters that I believe would cry after having sex. It is a perfectly natural response and there is absolutely nothing to be embarrassed about if it happens ... though it is surprisingly entertaining to think about in terms of fictional characters. And of course, I have a list for OM as well.

Contents: Nsfw/suggestive, depending on your definition, but not explicit. Emotional vulnerability explored.

~♡♡♡~

Levi

I think anyone could see this coming. Levi almost certainly has cried or would cry after sex. And depending on what you're doing, he may even cry during sex too.

Bless his little heart, it is 100% because he is always riding an emotional rollercoaster of the highest highs and lowest lows. The realization that somebody out there actually wants to be intimate with him would send his whole body into a meltdown. Have patience.

Mammon

Also kind of a no-brainer. He's only a little less likely to cry than Levi because he's better at putting up a front when he really wants to.

Unlike others on the list, Mammon gets super embarrassed if he gets overwhelmed and cries after sex but he rarely tries to hide it. It's kind of his way of reaching out for more affection, he wants to be coddled and reassured that his partner accepts him no matter what. He thrives on unconditional love like that.

Satan

Hear me out. Satan is canonically a kinky little fucker, I don't think he would cry after an especially "playful" rendezvous. It would be the really soft and intimate moments that get him everytime.

We have to remember, he's still a little new to this whole "experiencing feelings" thing. An emotion as overpowering as love is going to flatten him like a steamroller. He won't even realize that he is crying until his tears start staining the sheets. Be gentle. Talk him through it. Again, it's perfectly natural if it happens.

Belphie

I think Belphie will cry for bratty purposes more than anything else. I am wholly convinced that he will cry on demand if it gets him what he wants.

Lord forbid the MC tries to go anywhere before Belphie is ready because he may just grab onto them and start the waterworks. If you could withstand the full force of a pouty, teary-eyed Belphie begging just "5 more minutes" of cuddling, you're a stronger person than I am.

Simeon

Only lower than the other guys by virtue of having quite the stranglehold on his inner emotions, but he will let them out if he's comfortable to do so.

Let me be clear, Simeon wants to cry everytime. He wants to lose himself completely in his partner and let it all wash over him. It's just the social and moral questions surrounding what's happening that keep him from doing so. (Poor thing #1)

Asmo

Another person who can cry on demand or just get overwhelmed, but it won't happen often.

Put quite simply, Asmo's been around the block. He has a pretty good handle on himself even during his come downs. However, he knows how much it could mean to your partner if you're willing to show that side of yourself to them. So if MC says/does something that genuinely touches him, he will cry without shame.

Diavolo

Would almost certainly get misty-eyed if he was with someone he truly cared about. He may not cry, but he'll have to rub his eyes some.

Make. The. Prince. Feel. Loved. The realization that he has someone that he doesn't have order or trick into staying around would floor him. He's far, far too well-versed in maintaining a certain image to fully breakdown, but those feelings would all still be there regardless.

Lucifer

Also gets misty-eyed, particularly after make-up sex.

He would rather sheath his own nails into the skin of his palms than get caught crying, but if he really screwed something up (and was willing to admit it) then he would get a little vulnerable in the moment. It would be fleeting, though.

Solomon

It can get to him a bit, he's a pretty lonely guy, but he's more likely to make a joke or say something out of the blue just to hide from his feelings.

I don't think Solomon quite lets himself ponder or self-reflect on things that genuinely upset him. He's very goal-driven and future-focused, so indulging in these softer moments would be foreign to him. If he ever feels like crying, he'll immediately try to distract from it rather than letting the feelings out. (Poor thing #2)

Beel

I just don't see him crying. He's very comfortable with himself, he doesn't really repress his emotions, and he knows he's well-liked and well-loved. Beel would be just fine.

It's not a Solomon situation, of course. Beel does self-refect and he genuinely engages with others. I just don't think this would be a shocking level of intimacy to him. He already loves others about this deeply to start with, so just expect a really smiley Beel!

Barbatos

To be clear, Barbatos can cry and he has cried before in his life. It just won't ever be after sex.

Similar to Solomon, I think Barbatos lives his life with a certain level of detachment from the world around him. He wouldn't get overwhlemed after sex because he can't. It's not that his mind is elsewhere, it's that he blocks himself from getting too emotionally invested in such things to begin with. (Poor thing #3)

[friend-lover-traitor-narrator]

A couple of thoughts after re-watching TGM

What I think is actually canon

Amelia is Mav’s daughter (Penny hints at that when she’s talking to Mav about her) but Amelia doesn't know

Mav considers himself to be Bradley’s dad (Mav answers when Bradley asks his dad what to do) 

Bradley considers both Goose and Mav to be his dad (after Mav says that Bradley saved his life, Bradley says that his dad would've done the same - considering the fact that Mav has already saved Bradley's life you could see that as Bradley seeing Mav as his dad, too) 

Bradley has lived with Mav for a considerable period of time (Mav says to Penny he tried his best to be a father for Bradley) 

Thoughts concerning TG3 / Predictions 

I think they gonna set up Phoenix as Bradley's love interest because they seem very close in the movie (but for me they’re more like besties) 

I hope they gonna keep the character's of Warlock and Cyclone (with Cyclone basically hating Mav and Warlock secretly supporting the shit Mav does all the time) and also they need to keep at least Warlock because somebody needs to prevent that Mav is thrown out of the Navy

I hope there still will be references to Ice (I just love him and he needs to be mentioned) 

Other thoughts 

I actually paid attention to the hangster dynamics for the first time

Jake’s and Bradley’s first hook up is right after dogfight football

Bradley is Ice-coded while Jake is Mav-coded 

I ship bobnix now (I think Nat and Bob are very sweet together in the movie - need to find some fluffy fics about them)

The lifelong friendship between Ice and Mav just kills me (solely sticking to the movie here because otherwise icemav is endgame imo), like Ice basically knows everything about Mav (every shit he has done at work, everything around him pulling Bradley's papers, private problems he’s had etc.) and also the other way round (Mav supporting him during his battle with cancer and a whole lot of other things which we don't know because sadly Ice is only a minor character in both movies) 

I love that Mav refers to Ice in the whole movie only by his nickname

I had to keep myself very hard from crying during the funeral scene (if I had watched it alone, I probably would’ve cried) 

[shima-draws]

OK, so thinking about a Sanlu au where Luffy is a Pirate King who gets so many marriage requests but does not want to get married. And so he instead insists that he gets to choose his partner through a contest where all the princes and princesses of like the countries around them or other pirates can like bring him a meal and if he likes it, you get married. The problem is that whenever people bring him food he'll just eat it and move on.

And so obviously the vinsmokes are like. Oh s***, we should get in on that. New Ally? And so they try with some of Sanji's others brothers, but none of them like work because they just made their cooks make their meals and everything.

Then eventually sanji, who wants to escape hears about this. And he knows that he can cook so he makes this amazing meat dish He is ready to present his meal towards the Prince in hopes of like maybe escaping his country and living there with Luffy. But like as he's on the way there, there's like this little girl who's starving, and so he gives her the meal instead. It was a one in a million shot anyway.

Anyway, either Luffy sees him doing this or if this was like the true test for kindness for all his partners, and sanji passes the test. Luffy's like get bring this man to me! So sanji goes before him, and luffy asks if he has a meal for him. All sanji has is like, this old sandwhich that he made for himself for the journey here, and sanji tells luffy that. Luffy tells him to bring it to him anyway, and after a lot of protests, he does. Luffy finally eats it and says that its delicious. He and sanji definitely get married.

Sorry for dumping this on you, but your artwork made me literally fall in love with sanlu so I wanted to share this middle of the night idea with you lol.

SCREAMING CRYING THROWING UP ANON THIS IS EVERYTHING.......I'm a SUCKER for AUs like this, ones that kinda give off that Cinderella vibe? The whole 'Well if I have to get married to a random stranger I'm gonna do it my way' trope is always so fun to explore

Luffy's one requirement for a spouse being that they have to cook well is SO on brand for him tbh. I feel like that's something that would be canon too. (Thinks about a situation like that in canon where Luffy's like well nobody can cook better than Sanji so I'll just marry Sanji! And Sanji double takes like wait what hold on a second--)

Even funnier would be if Luffy just met Sanji's brothers and was like. I don't like their vibes they seem mean. And all three of them being SO offended at that lmao

SANJI GIVING HIS DISH TO A STARVING GIRL THO AAAHGFHFHF THAT'S SO. CLENCHES MY TEETH he's so selfless and giving he would absolutely give up all of his dreams just to make sure someone doesn't go hungry I am GOING to cry. And Luffy immediately noticing that, pointing at Sanji and going "Him. I want that one" AGHHH 😭😭😭

ALSO YES THE CALLBACK TO WCI with Sanji's little lunch basket...the food is a total mess it's been rained on and dropped and looks awful but Luffy eats it anyway and says it's delicious...and Sanji's like oh oh oh I think I'm in love with him. Uh-oh.

DON'T APOLOGIZE THIS IS SOOO ADORABLE I'm so glad I got you hooked on Sanlu they are so underrated!!! Going slightly off topic here but I think it's really funny how predictable I am when it comes to getting into new media. Step 1 I watch a show and slowly discover who my Favorites are. Step 2 I end up shipping those favorites together. Step 3 I make that everybody else's problem. Also that ship almost always ends up being the less popular one for some reason?? Which is SO funny to me. Looks at Trustedpartner/Diode, Yujikiri and Tododeku as the most obvious examples of this along with Sanlu

ANYWAY anon I really want to write this can I write this. No guarantees to me actually finishing a full blown fic but oh my godddd this is such a cute idea and is so in character for both of them I'm weeping real tears

[acourtofthought]

Hello! Recently I've been watching a lot of acotar discussions and as I'm from the Gwynriel and Elucien fandom I'd like to know your thoughts on it. I saw a girl on the other side of the fandom saying that canonically Amren had suggested that Elain leave the house and get some fresh air before Lucien. She also cites scenes in which Elain was present in the sunlight but was still depressed and that what really helped her to start to improve her condition was when Azriel said that she was a seer. I would really love to know your thoughts on this. And I also wanted to ask what you think about when Madja says that only a mate could say what Elain had and it is Azriel who says that she was a seer.

In canon, Elain's condition began improving after Lucien's arrival and after Lucien demanded they get her out of the house. Was she fully healed? Of course not. She's not even fully healed now but the change was noticeable (more on this below).

Amren did make the suggestion for both sisters but it was Lucien who began losing his temper because it seemed Nesta and Feyre weren't taking his suggestion seriously. It was Lucien's insistence that triggered Feyre to take action, not Amren's, and Amren seemed more focus on getting the sisters to help them rather than Elain's mental health.

Amren page 171:

Lucien page 252 (almost 100 pages later, he also wasn't present for Amren's comment) :

Only one of these scenarios shows true, targeted concern for Elain, very specific requests related to Elain (he even mentioned the sea and we later learn their estate in the human lands was by the sea). To the point that he was personally affected by Feyre and Nesta making light of his suggestion, indicating he knew how important it was to Elain's well being. And only one of these characters is Elain's mate who just truly met her for the first time yet he was able to achieve the desired outcome that a 15,000 being did not. That her own sisters didn't even think of.

Side note, if we're putting weight on the things Amren said then it should be also noted how she was the one who had to reprimand Az for not believing in Elain. And Madja even said there was nothing wrong with Elain, which is true. Elain's powers were a riddle to solve but they aren't something to fix. Not like her catatonic state was (a state we could say Az drew straws to avoid). Her specific words were:

"The ancient healer jerked her chin toward Lucien. “See what he can do. If anyone can sense if something is amiss, it’s a mate.”

Lucien barely had time to sit with Elain before Nesta pulled her rage act but even if he'd been with her longer, he wouldn't have found anything "amiss" outside of her sadness of what happened.

Her powers are simply powers, something she only had for a few weeks, they aren't a link to her soul. Az simply knew the name for them, as he would have known the name for anyone with those same powers, it doesn't mean he knows Elain as an individual.

Back to Elain's state, before Lucien's arrival in the HOW she was not eating, drinking or sleeping. She would not leave her room and she spent her days crying.

Within two days of Lucien's arrival she left her room for the first time though the sisters "couldn't figure out why". And she just happened to choose the room where Lucien just happened to be visiting though he was actually ordered not to after Elain just happened to begin having her visions for the first time.

(sounds like our Seer knew where her mate would be going!).

After Lucien demanded they get her outside, she began sleeping and drinking, two things she hadn't done before his suggestion. She also stopped crying all the time.

Again, that was after page 252 and beyond. Az claimed she was a Seer on page 334. And this is actually how that went:

Elain didn't even trust what Az was telling her, she had to confirm it with Mor. And after she confirmed it with Mor, Mor was the one who first fought for her vision while Az thought it was better to do nothing with it, choosing not to go after what she was seeing:

And it was Lucien who volunteered in Elain's place:

Az gave name to Elain's powers but it was Mor and Lucien who actually believed in her and what she was telling them. Elain did start baking after that but for someone who felt like nobody ever saw her, my guess is it was Mor and Lucien's confidence in the information she provided that made the difference, not Az labeling what her gift was then choosing to ignore the help she offered to the IC.

[steddieas-shegoes]

frankie

for @corrodedcoffinfest prompt 'freak'

rated t | 930 words | cw: temporary character death | tags: canon-adjacent events, frankie pov, eddie munson lives

🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴🔴

Frankie doesn't think he's a freak. He knows he's not the typical teenager, but he definitely knows there's weirder dudes out there.

Take Eddie Munson, for example. He's fuckin' weird.

He knows people call him a freak for a lot of reasons: he's got long hair, likes heavy metal, plays DnD, and is allegedly queer.

Frankie stays under the radar as much as possible, but he ends up at Eddie's table, sitting next to his one and only friend, Jeff. Eddie's starting a DnD club, needs people who are serious about playing long campaigns. He's a senior and "wants to leave a legacy."

Jeff convinces him to try it out.

He tries it out.

He has fun.

He becomes a freak, too.

And, actually, Eddie isn't really a freak. He's eccentric, sure, but he's definitely not what everyone implies when they call him that.

He's kind in his own way, inviting to people where most other kids at school have their cliques and don't let anyone else in. He's funny, too, sometimes completely unintentionally.

His Uncle is nice enough to let them use their trailer for campaigns, at least until Eddie is able to convince the school to let them use the storage room in the auditorium. They have to fight for space, especially when it comes time for the end of year drama club performance.

Frankie doesn't think much about what will happen when Eddie graduates. He assumed Jeff will run the club since he's Eddie's right hand man.

But Eddie doesn't graduate.

Frankie starts to get into the same music as him, no longer worried about wearing his Black Sabbath shirt to school. It's just music.

He doesn't worry about shaving his head, letting his natural curls grow out a little.

Maybe he's more of a freak than he thought, but it doesn't bother him when he hears others whisper it under their breath. Eddie wears it like a badge of honor, and now he does too.

****

When the news reports that Eddie is the suspect in the murder of Chrissy Cunningham, Frankie knows they've got it wrong.

Eddie is a lot of things, he's a freak, he's different. But he's not a murderer.

He's also gay as fuck, and while very few people know that, Frankie knows he had no intentions with that girl other than to sell to her. Maybe he should have been more careful, but he's gotten away with it this long. Eddie never pushes anything on anyone, only sells to those who seek him out, so there's no way she wasn't the one who wanted drugs.

It seemed to Frankie like a wrong place, wrong time situation for all involved.

Eddie was missing, which means he got scared and ran, and Frankie isn't sure what that means for any of them.

Everything is hanging in a weird balance for days.

Gareth swears he saw him in an RV when his parents dragged him to The War Zone, but no one believed him. Frankie didn't not believe him, he just figured Eddie was probably already out of the state.

Guilty people may run, but so do innocent people with a bounty on their head.

***

Frankie doesn't think Eddie is coming back.

He sees Dustin crying and handing Wayne something. He sees Steve Harrington of all people in Eddie's vest, a vest that now has some suspicious stains on it.

No one mentions him for a while.

Gareth is a mess, and Jeff keeps saying that he'll come back, but the news spreads that he's dead and Frankie feels like he's the only one who is taking that seriously. He doesn't realize how much he's hurting until they're standing in Jeff's garage with no idea how to fill the space Eddie left in the band.

"I think we should have auditions," Jeff says quietly.

"I think you should fuck yourself," Gareth bites back.

Jeff sighs. Gareth crosses his arms.

"I think you guys should come with me," Lucas interrupts from the driveway.

They go with him because Frankie is sure he wouldn't have even spoken to them if it wasn't important. They barely talked since everything happened over Spring Break, but now that school's starting up again, they'll need to figure out Hellfire Club.

He leads them out of the neighborhood and towards the neighborhood at the bottom of the hill: Loch Nora. The nice neighborhood.

It's hot and Frankie and Gareth are both sweating by the time they make it to their destination: Steve Harrington's house.

"You guys can't say shit to anyone, got it? You'll put us all at risk." Lucas is glaring at all of them as he knocks in a very specific pattern on the front door.

"Are you leading us to our deaths?" Frankie asks, only half-joking.

"Despite what Mayfield thinks, I'm not gonna kill anyone."

"Eddie!" Gareth yells as he runs past Frankie and Jeff into the house.

"Alright, keep it down." Steve says from the couch. "Neighbors don't need to know he's hiding out here."

"Holy shit, it's good to see you," Jeff finally says as it registers that Eddie is actually in front of them.

"You know, I was prepared to take on the role of freak," Frankie said quietly. "Just to protect all your sheepies."

Eddie smiled at him. "Yeah?"

Frankie nodded.

"Well, you still can. I'm not gonna go back to school anyway."

"So what will you do?" Frankie asked.

"Not sure," Eddie shrugged. "Teach you my ways, I guess."

Frankie smiled at him. "First lesson: how'd you come back from the dead, dude?"

[meemoop]

sorry but your anon/s are annoying they complained that making draco shorter is horrible but didn't ever complain for making harry too short almost half draco's size when in the books he is only SLIGHTLY shorter than draco meaning harry is actually TALL too

obviously your anon/s have hate on bottom feminine draco and him being femine but if you ask them to reveal their account and you'll see they support supper short feminine harry and claim that is the correct drarry because again theu complained about draco being feminine but never stated that they are upset when harry is feminized?

it in the books that james and harry are also on the tall size

does he stay short when he gets to eat meals healthily and have a growthspurt?

no hate against you at all because what you draw is actually good when their only height difference is little but the way these anon/s complain made it seem that drawing draco short is so wrong and the only correct is short harry why didn't they complain when it is bottom feminine harry and they make draco too tall beefcake dom and harry is only 4 ft feminine weak cry baby?

you all have a LOT of feelings when it comes to character design LMAO 😭😭. Personally, I do not hate a design in particular because it’s all up to the artist. The only reason I drew Harry shorter is because it looked better that way. I think the anons were more so against “over-feminizing” one partner (and because I got a DM critiquing my design of Draco, we focused more on his design rather on Harry’s) not that men with feminine features are WRONG (shout out to Oscar Wilde’s Cyril Graham, my delusional king 🗣️) I think everyone is entitled to their own opinion on how they like to see characters being portrayed; everyone’s opinion is valid and there’s absolutely no wrong or right answer. I’ll stand by my design and I am not claiming it as canon whatsoever—I’m just having some fun, and other artists who draw it differently are also having fun. But it’s nice to know you are all so passionate about design 😭😭💗 thank you!

[padawansuggest]

Real take: I like Star Wars. I like the prequels because they have more fleshed out world building than the originals. I like the originals because it has a compelling storyline and character building. I like the cartoons because they do things that live action cannot. I like the children’s show Young Jedi Adventures and I think it’s both cute, extremely full of world building, and it’s designed to bring back the cartoon storyline of learning a lesson every episode that young children can relate to. I like the Mandalorian because it took a species with exactly two known people from it, and added a third, but made them a baby, and they were cute, and it shows the morals of Mandalorian adoption and love for children. I love Ahsoka because it took a favorite cartoon series and not only brought it to life, but also it’s funny and very full of world building for both the New Republic Rebellion scene, as well as more Dathomirian nightsister lore. I love a lot of other Star Wars off-shoots because they gave good storylines, they try to bridge plotholes, and a lot of amazing characters and new places to play with. I adore, fucking love, would give my life for Star Wars Visions; the lore and new concepts alone have captivated me and I can and HAVE made posts about things Visions did that no other SW series has touched and I’m so obsessed with the force and it’s aspects as well as just species and such you have no idea I would sell any of you for SW Visions. In fact, I would sell any of you for Young Jedi Adventures too. The worldbuilding alone for those two series is enough to have me vibrating with excitement with every episode. Sometimes I rewatch episodes of them just for random juicy facts that I can use for fics.

But you know why I don’t tell people I like Star Wars in real life? People always lookin at something they hate, and the most incel take on it is that it’s got too many women now. But irl non-fandom people who just want to ‘enjoy the ambiance of the original trilogy’ and me do not get along because they actually hate Star Wars. They genuinely hate Star Wars.

I can give you 50 plot lines in various sections of canon and legends that boiled my blood (tho not that one time Anakin at 12 literally boiled a man’s blood inside his body, that was hilarious his eyes turned black like a demons I’m so obsessed with him), but I’m not gonna talk about those.

Aren’t you exhausted? Wouldn’t it be nicer to gush about how amazing a certain costume design was? How the implications of a certain species makes you so excited you could burst? Wouldn’t you like to talk about how that one character just doesn’t get enough love and it wasn’t because they were fridged it was just because they didn’t get enough love from the fans for being black or female or disabled or something?

I am going to tell you this now, and you’re gonna hate me for it but I’m right: if you didn’t like Mortis because you think the force Doesn’t Work Like That? You don’t like Star Wars.

I’m tired of interacting with comments on commercials because it’s full of idiots crying about more women, a black character, the fact that ‘oh that wouldn’t happen’ as if the High Republic era didn’t literally have some sort of fucked up midichlorian vampire roaming the outer rim killing anyone force sensitive. Obviously they def would have acolytes set before the prequels shove it up your ass.

Anyways. Stop talking about what you hate. Yes, I get it. We are tired of rote pumped stories, but that doesn’t change the fact that there will ALWAYS be someone who hates the story you love, and loves the story you hate. You cannot please everyone, and I for one have found just about all off-shoot SW series individualized and compelling in some way or another.

You know what I did when I starting hating about 90% of all new Marvel movies? I stopped watching them. If I want back in the fandom I have older ones I can watch or simply only interact with fics.

Because Marvel, as much as they Need To Calm Their Shit, isn’t about me, and it isn’t for me anymore.

But I think a lot of you hate so much Star Wars content that you truly need to stop interacting with the series. It’s not for you anymore. And just because you didn’t like it doesn’t mean it’s not real SW. Not sorry, but this ain’t your scene anymore and you need to find a new one.

[maxzinn]

off topic but also on topic its so clear that the genshin/star rail (saying both cause theres a large overlap) have no capability of thinking.

there are so many fics where *reader* somehow becomes a (sex)slave or is forced to do horrible shit and just general dead dove behavior. the fact that the author used INGAME LORE, CANON BACKSTORY FOR THE CHARACTER proves how braindead so many people are.

like people try to free slaves/captors in media isnt a new thing. theres a lot of art of that angelhusk ship where one gambles for the others freedom (never watched it but its an example)

like having slaves/captors in media isnt new and never has been but the only reason people truely care is because its a hoyoverse game and cant handle anything darker or complex then a PG rating

(sorry anon, I got carried away with this one tee-hee)

YOU'RE SO REAL FOR THIS!!! y'know I was sooo confused when people started screaming for blood when the authors are using his IN-GAME LORE in their fics and then claims that the people who enjoyed writing those have "white-knight syndrome" like cmon sjsadhjg you're giving me a fucking stroke.

I'll say it again, wanting to give slave aventurine or someone a better life DOESN'T mean they have "white-knight syndrome" when they have good intentions!!! We were all were crying for him and his tragic past, we all wanted to comfort him, and we at some point also wished for his salvation and the betterment of his life. These people need to stop throwing these "white-knight syndrome" accusations cuz it's definitely not about that. And like you said, it was his IN-GAME LORE. I already expected some authors to write about reader saving him from his slavery and there's nothing wrong with that! Cuz please, don't tell me you won't help the guy out of his abusive owner, let's be fr here.

Like you also said, many have been writing yandere/heavy dark themes about reader being literally SA'd and R'd by said character (do not tell me you guys haven't read all those fics where Aven was our debt collector and in paying our debt, he noncon or manipulated us into sleeping with him 💀) and now they wanna talk about morals?

And please, don't even try bringing up Romania or irl people in here. IT'S A FICTIONAL RACE IN A FICTIONAL STORY. it may be "inspired" like they said, but it's not directly addressing Romania!!

I get their point alright, I truly do. Like I said in my other post, I do not condone the sex slave! aus about aventurine and the master/slave bdsm cuz his story truly hurt me and I'm uncomfortable sexualizing his slavery when I know about his story and what happened to him as a slave. But I won't go as far as to actually send death threats to those authors and act like a hypocrite💀 people can write what they want to write and I don't have to read those writings if I don't wanna.

Just to say, I'm a yandere/dark-content enjoyer as well, it's just that I draw the line when it comes to aventurine cuz I just wanna cuddle and dote on that man and give him all the love and affection in the world. but like I said, am no hypocrite as well. (sorry if I can't explain it very well but I hope you get the gist of it)

It's just funny and baffling how people are like "eww this person wrote a fic about reader buying slave aventurine so they can be a good owner to him".... this is leaving me speechless how they turned an act with good intentions into something malicious... that poor author doesn't even have bad intentions when writing that fic.

When you apply their logic, it's like saying "this person adopted an abused child so that they can be a good parent to that child, disgusting" do they even realize how stupid they sound??? 😭