#because this freedom and free will and self love is everything the game has been about

[icharchivist]

(Sandalphon voice) It's all about the freedom the choose and being true to yourself... some people want to choose to inherit the coffee cafe they love... some people want to choose a different gender... some people want to choose to ruin their coffee by making it wrong...

That's the summary of his Grand FE, 100%

It's about free will! free will to have a nice place to take care of, free will to explore your gender identity, free will to be wrong,

[astrobydalia]

more observations (lost count)✨

Hello guys! Life's been crazy lately and I barely have time to make any of the master posts I wanted to, so you'll be getting lost of observation posts that I've been collecting in my drafts for the past months. As always, enjoy!

❗️long post

work by astrobydalia

✨ Sagittarius and Aquarius are so fucking similar. Both of them are chaotic af, love their freedom and think they're smarter than everyone else. People who have both of these in their big 6 have the most unhinged

✨ Libra is WAY more obsessed with perfection than Virgo

✨ Whenever I had Libra or Taurus ASC on my Solar return chart I was lazy AS FUCK. I had no motivation to work whatsoever during those years, all I wanted to do was vibe and enjoy life. I also felt very relaxed and stress-free, when difficulties came I just went with the flow

✨ What is up with Gemini risings and always feeling intellectually insecure all the time? Literally their #1 insecurity is feeling like they are dumb or like they’re not good enough for highly abstract and intellectual tasks/professions. They come across as someone immature who lacks wisdom or has a superficial/simplistic view of things. I feel like this is because they attract people who are a bit of know-it-alls (Sagittarius DSC) and they have a reputation for being scattered-brained (Pisces 10th house) so people tent to infantilize them a lot.

^^^But let me tell you this not true at all, Gemini risings are some of the most brilliant people I’ve met with so much potential. Their problem is that they allow overthinking to get the best of them and end up doubting themselves 24/7. These are the type of people who have amazing ideas but they never pursue any them. They really struggle making decisions for themselves, they always need to ask for opinions first which is not a bad thing but this makes them come across as incapable or as someone who lacks self-sufficiency

✨ Mercurial signs (Virgo and Gemini) like to focus on concrete things and immediate reality, they process life by connecting one thing at a time and taking info as it comes, they focus on what's going on around them cause Mercury is all about multiplicity and details. With Jupiter signs on the other hand (Sag and Pisces) one thing about them is they don't care about details as long as things make sense as a whole, they see life from a more broad and general perspective, they prefer having a birds eye view of things because Jupiter is all about expansion and therefore it likes to encompass many things at once. This is why Virgo and Gemini rule mundane life themes and immediate reality while Sag and Pisces are more about general life lessons and higher knowledge

✨ Scorpio moons/8th house moons are the definition of an energy vampire fr. They just have a really poor understanding of healthy emotional boundaries, they expect you to give your all but aren't willing to reciprocate and always turn everything into a manipulation or mind game somehow which makes it pretty exhausting to be around them in the long run. Don't get me wrong, most of the ones I’ve met were very and good people but they always end up taking my energy away and make me feel emotionally burnt out

✨ Mercury-Mars aspects have this "it is what it is" mentality and really dislike over complicating things by reading too deep into them. They tend to think things exactly as they seem. This does not mean they're simplistic, on the contrary this makes them surprisingly insightful fast thinkers and are not the type to be easily fooled

✨ I've seen people saying that hard aspects between Mercury-Pluto makes people misunderstand your words. This is not true, this happens with Neptune cause Neptune rules delusion, but Pluto is a very blunt and straightforward planet cause it's all about revealing the dark truths. Mercury-Pluto aspects makes someone very deliberate with their words and they know exactly what to say to make their message stick. You will understand their words exactly how they want you to understand them. What happens with hard aspects is that the native tends to have a more provocative approach in the things they say, they don't care if you're offended by what they say as long as what they say makes an impact. People can misunderstand their intentions because of this, but not their words

✨ The ironic thing about Aquarius placements is that they are very good when it comes to connecting with the masses, the public usually feels very drawn to them because they're very good at appealing to collective values which makes them come across as relatable to many people as a result. However, when you actually try to relate to them or connect one-on-one, you will find yourself with someone that is surprisingly elusive, distant and more distrustful than Scorpio placements which is a huge contrast from the welcoming vibe they give off to the public. I've found that the only way you will get close to an Aquarius placements is on THEIR terms lmao, if they've decided they like you, it'll be them who will approach you and/or make the effort to engage with you

✨ A reocurring thing I've seen with Virgo placements is that they really dislike big changes and prefer to stay in control. I think this is not mentioned often cause it's kinda weird to say that about a mutable sign, but Virgos being mercury+earth ruled they feel comfortable relying on facts, data, observations, etc and they use all this tangible info to navigate reality, that's why they rule daily life and routines because they invest a lot of their energy on factually understanding and categorizing their reality (earth signs in general are very attached to the tangible). Their mutable nature shows in that they easily use their knowledge to adapt, find solutions and fix what’s wrong but when they are in situations where these "categories" prove to be useless (aka Pisces themes), they get very triggered cause that means they no longer have control of their reality

✨ That being said another reoccurring thing I’ve noticed with Virgo placements is that they love to predict things. But not in a mystical sense it’s more like they enjoy understanding things in such way that they’re able to easily put a label on them and easily predict what’s going on or how something works

✨ I have not seen a single Taurus placement who didn’t have the most insanely sexy and pleasant voice ever. Doesn’t matter if they sing of not, just hearing their voice is so delightful

✨ Aquarius Mercury really believe their opinions are the most ultimate and correct opinions out there. They are certain that their judgment is always 100% objective (aka always true) so in their mind if you slightly disagree with them that means you’re mediocre, dumb or narrow-minded.

✨ There's always a duality in all mutable signs. Sagittarius can be very humorous and optimistic but also very dark and profound. Gemini can be curious and chaotic but also very analytical and logical. Virgo can be picky and perfectionistic but also very permissive and conformist. Pisces can be very compassionate and wise but also very detached and clueless

✨ Neptune does not do well in air houses/signs at all simply because air energy rules (different types of) information and connections, while Neptune is all delusion and confusion. Also air energy is purely cerebral and rational while Neptune appeals to the unconscious

✨ I have not fact-checked this but I feel like it's safe to say that Mars rules testosterone. Testosterone is a hormone associated to violence or impulsive behavior, sex drive, red blood cells (blood), masculinity, etc That's literally all mars

✨ People always talk about how Capricorn moons have had a rough life but I've noticed this is also very true for Sagittarius Moons?? Responsibilities are not imposed on them like Capricorn, in their case they have to build up wisdom about life through pure and raw experience without anyone giving them a heads up or any pointers first, that's why they grow up feeling like they're fully on their own. Things work out for them at the end but they always have most MESSY life experience it's really crazy

✨ Both domicile and afflicted Mars are ambitious and determined but the main difference is that Libra/Taurus/Cancer Mars need to find some type of enjoyment or fulfillment in their goals in order to get motivated while Capricorn/Aries/Scorpio Mars find motivation in the challenge and endure through stuff they don't find pleasant

✨ From what I've seen males with Scorpio placements are very superficial and will gaslight as a lifestyle. They are the type of people who look the other way or brush things off or never takes anything seriously and I've noticed they do this so they never have to take accountability.

✨ Neptune/Pisces energy either gives “glamorous and ethereal” vibes or “weird in an extremely cringe way” vibes, there’s no in-between

✨ A reoccurring thing I've noticed with those who have Chiron in Taurus/2nd house or Chiron-Venus is that they often have dubious morality or double standards because they don't have a solid values

✨ Every single Libra Moon/rising female I’ve met embodied the material girl stereotype. They really have this “instagram girl” vibes to them if that makes sense

✨ Those with Sagittarius in the 5th house can actually find a lot of joy and happiness in becoming parents or they have a lot of fun with children

✨ Scorpio Mars can't stand not knowing what's going on around them and at first I thought this was bc they were suspicious/paranoid but then I realized it’s because they’re just controlling as shit. They come across as very chill and care fee but they’re actually SUPER controlling dude. Even when they know for sure that they can trust you and you’re doing nothing wrong they still want to keep taps on you and won’t leave you alone. They won't bluntly violate your privacy but will still find ways to always know what you're up to

✨ The resentful and spiteful stereotype associated to Scorpio actually belongs to Leo placements imo. They can be very reactive and childish when you insult their ego and will make it very known that they won't let it go

✨ Cancer North Node people always have some sort of issue or inner conflict with of having kids. They feel drawn to the idea of becoming a parent but deep down they low-key don't? I've also seen many women with this placement who had fertility issues

I have the theory that these natives are conflicted in this topic because they see family as an achievement or a societal expectation (Capricorn south node) so in this life time they have to know what it's like to desire a family for the right reasons and not because they feel like they 'should'

✨ Capricorn risings really are hyper-aware of their public image and how others perceive them. That's why they always end up becoming very popular and respected, cause they know very well where they "stand" publicly so they know how to successfully curate their own reputation. It's not surprising to see this placement a lot in celebrities

✨ Pluto in the 12th house are genuinely unsure of who they can trust which leads to a lot of paranoia and projection. The type to ignore the most obvious red flags but then automatically doubt your loyalty cus you spoke in a suspicious tone

✨ Pisces/12th house placements 🤝 disappearing. Y’all shit on Gemini for ghosting but have you ever met a pisces/12th houser?

✨ Saturn in 5th house people had parents (namely father) who were overly critical of them and their self-expression. Doesn’t necessarily mean they were unsupportive of the native but they were quite hard on the native’s creativity

✨ I've seen a lot of bullies/mean girls have Aquarius placements. Honorable mentions: virgo, Leo, libra

✨ Neptune-ASC people are really good at making themselves invisible when they want and/or making parts of themselves go completely unnoticed even if they're bluntly obvious. I've noticed they actually get away with a lot cause they have this tendency to not be accurately seen by others if that makes sense

✨ Neurodivergent individuals usually have Mercury harshly aspecting (conjunction, square, opposition and inconjuction) Uranus and Saturn. Said Mercury is more often than not in a water house/sign/degree or in Aries. Of course not everyone with these aspects will be neurodivergent, but it's just a pattern I've seen

✨ Pluto-ASC people most of the times fail to have a lighthearted view towards life. They always want to look beyond the surface of things which doesn't really allow them to enjoy life as it is. They often get a reputation for looking too deep into everything and in turn the Pluto-asc native often sees others as superficial

✨ Virgo risings are huge conformist and won’t go after anything that’s outside their immediate boundaries. They only make an effort towards things that are accessible and will quickly lose interest in anything that has difficult availability or requires them to go way out of their comfort zone. They're overall pretty self-serving.

✨ I know several people diagnosed with OCD. All of them have Virgo AND 6th house placements, 22º in their big 3, Scorpio Mercury/Moon and Mercury dominance

work by astrobydalia

[destinationtrekk]

Personally I love the idea of a Wesker who never really understood growing up how he could be desirable. Like he was probably completely isolated from romantic/sexual activity, it wasn’t until he achieved a modicum of freedom that he’d start realizing that others find him attractive. And he understands the simple fact that he IS attractive, but it’s the WHY that eludes him.

Enter you, who practically gets a nosebleed when he walks in the room. Even after the reveal with Spencer in which Al finds out he’s essentially a failed experiment, the last in a line of mass-produced children, you look at him with nothing but desire and adoration. And he just doesn’t understand why or how you can do that. Don’t you see he’s nothing? He was manufactured, his entire life a fabrication from the very beginning, and nothing he’s ever done has been a result of purely his own free will. Is he a man, or a facsimile of one?

And even when he begs you to understand, when he reveals the depth of his burgeoning self-loathing, you don’t relent. There is no world in which you would not want him, all of him, the good and bad. And if you try to show him your side of things by explaining your own insecurities and shortcomings he immediately shuts that down. You’re divine, impeccable, the only one worthy of accompanying him into the new world. You are everything the world should be, everything he wishes he had growing up. And you just smile, because maybe now he’ll understand where you’re coming from.

Idk if this is Anything I get really emotional thinking about him and the fact that he really had no choice in becoming who he is. I get really emotional thinking about how he probably battled with self-hatred after Spencer’s reveal and how he spiraled into the crisis of RE5 as a result. “I could fix him” ok well I could love him as he is. I could make him understand that he’s not beyond kindness and love. I could kiss him a lot

upon first meeting you he denied every hint of attraction, telling himself he just wanted to string you along because you would be useful. your skills were too valuable to be tossed away in the Spencer estate, so he used your infatuation with him to keep your loyalty. he gets more and more attached, of course, but never bothers to explore the true meaning behind what he feels for you. he tells himself you're just a pet, something he's grown to rely on for material comfort, and that one day you'll die like all pets do and he'll happily move on with his life.

this could not be further from the truth. after he finds out about the other Wesker children, and he he was simply a pawn in someone else's game, he breaks down. you're the first one he goes to, not bothering to explain why he's so angry and hurt. he's surprised, in a way, that you understand his emotions so clearly, and shocked at how you embrace him without hesitation when he finally does tell you what happened. without even realizing, he pours his heart out to you and confesses that he's used you for years, that your love for him is a cruel joke he played on you, believing that he really did somehow brainwash you into being his perfect pet.

this is insanely incorrect, and makes you realize how troubled he really is. it takes days for him to finally come to terms with his own (and your) emotions. he refuses to accept your declarations of love, continuing to tell you that you don't mean it and even berating you as pathetic when you plead for him to listen. you know he's just hurt and he needs some serious help processing his own childhood, but you refuse to step down. he may not understand how to be loved in return, but you'll make it your life's mission to see him smile when you kiss him.

[imthepunchlord]

Just wondering, what are your thoughts on the sentimonster Adrien theory and it officially becoming canon?

Personally, I hate it.

I hate that there's a Miraculous that can make life, and it's a life you can fully control, how they think, how they feel, how they act and what they do; and you can terminate that at a snap of a fingers.

And with the ability to make sentipeople, it's a power to make slaves.

How very miraculous...

And with this ability to make slaves/animated puppets that users can preprogram and fully control, well, I got to question everything that is Adrien.

Who even is Adrien?

Does Adrien even exist as a being and person at all? Is he just a construction working off what Emilie set up, a pretty doll to play motherhood with, her "perfect" son?

Are Adrien’s actions even his own? Is this why he gives leeway to Chloe and Lila? They work off Gabriel's agenda, and is Adrien subconsciously securing they get to continue doing what they do?

Is this why we see him hang out with Nino less? Because Gabriel dislikes him and Adrien is echoing that?

Also Gabriel wants to unmask Ladybug, is this why Adrien pushes for the reveal? Is he being subconsciously influenced by Gabriel and mistaking it for romantic love? Is this why he and Kagami date because they're influenced by their parents wanting them to, but Adrien "chooses" Ladybug over Kagami because Gabriel is so focused on Ladybug?

Everything about him is now iffy and up to be questioned.

He's also now a liability if Lila ever gets the rings that control him. And Felix now has an edge over him, and his stance on Adrien is unclear. As far as I know, he can get mad at Adrien one day and terminate him. He could even decide to make a "better" version of Adrien or entirely overhual Adrien into someone else.

This also hand waves away Adrien’s problematic choices and actions, as it can be blamed on his parents instead of him, he's an animated puppet that they influence and programmed. Potentially all his choices aren't his own. He is not his own being being. He can't learn, change, nor does he have free will. All that comes down to who wears his rings.

The biggest kicker is that, as much as I hate the concept of sentipeople, it can be done and work well. The catch is though that it needs to be treated as a serious topic, and to work with a linear story.

And it is a serious topic relating to identity/self, self-discovery, and personal freedom. These could've been really interesting to see with Adrien.

Though you need some rules to making sentipeople to make this work. Biggest one is them unable to use a Miraculous, as that's a huge glaring detail to this ability, the Guardians have no reason to pick heroes when they can just make people they can fully control to hand off Miraculous to (why, no Miraculous even needs to see the light of day as this Miraculous could just make a hero based on another Miraculous to save the day). It can be that kwami magic clashes, and only humans can neutralize it, but a senti made from a kwami can't click with kwami magic, they'll "malfunction".

So Adrien getting Cat is set up to "destroy" him as a senti, he resists and back talks Gabriel, he rebels and runaways, and Gabriel is baffled. And Adrien would be set to break down, but he works closely with the Ladybug Miraculous, and with it's magic, it starts to create as the Cat destroys, and he starts to become "alive". He starts to think independently, feel what he's never felt before, have whole new experiences and exist outside his parents. He'll become real, and he'll have to figure out who he even is.

But I rather keep him human, not a senti, especially with this shows writing quality and how seriously it's treated. It also felt tacked on then planned from the start (Adrien technically wouldn't runaway to go to school or even want to go to school, nor would he go join a gaming tournament). I also question what dies this even add as he already has an angsty set up. This is just piling more and with it, a whole can of ethical problems for what's supposed to be "miraculous".

[eff-plays]

To me it's not really about morality if I have to be honest. I'm an Isaac Castlevania stan and he wanted to kill literally all of humanity. Like I don't care if you play evil characters or get off to immoral dom daddies or whatever. I've wanted to punt children in Skyrim into the sun for saying sassy shit to me so like. It's a video game where you kill people. I do not care.

To me, the "problem" (or rather, the thing I like making fun of the most) is just how very surface-level evil the Ascendant ending is, how obviously evil it is, how Larian pretty much beats you over the head with it using very simple and traditional storytelling techniques ("you'll have to kill 7000 people, including literal children btw"), and how some people still manage to twist it into something it isn't (a triumphant, perfect ending) despite Larian constantly blasting at you how bad it is. (And this isn't a critique, it works well and tropes are tropes for a reason, this shit works.)

And it's not even a unique setup. It's a classic dichotomy of want vs need. That's why they're contrasting endings. Astarion wants power, but he needs freedom and self-worth. That's the gist of it.

That's why I love the epilogue titles so much, because they perfectly sum up the endings. Radiant Hopeful, because he's his own light in the dark. For someone who's been a pessimistic asshole after suffering for two centuries, that's HUGE. Sunwalking Regent means he can walk in the sun, a symbol for everything he wanted, but "regent" implies he's a temporary ruler. Someone, somewhere, will come to de-throne him one day, and every day he fears that moment. His newfound power binds him to constant fear and paranoia, and he always searches for new ways to become stronger, because in his mind, he can never be strong enough.

Spawn ending is bittersweet: he lost power, he's still cursed with vampirism and can't walk in the sun, but he is free, he is his own person and he has hope for the future. He's decided for himself what he wants to do, and that's adventuring and helping others, lending his strength to those who do not have any, in his own weird way. He's physically weaker than Ascendant Astarion, and yet he's got strength to spare.

So what's the flip side? In the ascendant ending, he has power, he has control, he has money. But he's paranoid, he's controlling, and he's terrified of losing it all again, because without it, he believes he's nothing, so having it becomes his one and only purpose. It's also bittersweet, because he finally has everything he wanted, but he'll never again have what he truly needs.

These are like ... classic tropes. You can't have it all. You have to make a choice. The thing you think you want, or the thing you don't know you need. AA stans argue that actually, no. His endings are actually suuuper flat and uninteresting. Either he stays a weak and worthless and fearful spawn, or he becomes a strong and powerful and manly supervampire (let's not unpack the masculinity stuff here cuz that's a whole other bag of yikes). That's the argument they're making. That it's a black and white choice of either you pick the stuff where everything works out forever or the stuff where he's a loser lapdog who has to obey Tav because men must either control to be real men or are controlled pussies who can't do fuck (again, not getting into that here). And it's just literally not how the story is set up. None of the companion stories are this flat. If they were, there wouldn't be any argument or choice to make. No pros and cons to weigh. And it's just logically not a good gameplay mechanic, for a role-playing game.

And yet there are people who are just choosing not to get it, just the way I choose to believe it's a choice for most of them because I don't want to believe so many of these people are genuinely this stupid.

So yeah. That's why I block AA fans on sight. Not because I think their fetish is funny (though I do), but because I genuinely don't think I would have anything to gain from people who fundamentally cannot comprehend extremely basic storytelling techniques when they're practically spelled out for you with not-very-subtle methods. It's not even a thing of consciously choosing the bad ending where he's a very shitty daddy dom because it gets them off, that's literally whatever to me, but the fact that most of them genuinely believe it's somehow the better ending.

Despite. Well all of the shit I wrote above.

So yeah. It's not about enjoying evil characters, to me. People who do generally don't brush the actual evil part under the rug. It's the refusal or apparent inability to grasp extremely basic storytelling concepts lmao. And for what? Pff.

[hamliet]

BSD 112: War and Peace

Now that the manga has finally caught up to the anime, I shall say that I am still pretty convinced Fyodor will pull a Jesus and be fine.

That said, I hella loved this chapter. The themes, man. Essentially Fukuchi is inviting Fukuzawa to become God, though I would NOT be surprised to see a certain new character show up considering this entire chapter is basically Fukuchi and Fukuzawa trading paraphrased quotes from A Certain Novel.

It's a battle of free will vs peace, and how we walk that line as individuals and societies... war is futile and hell, and pointless because what even is a state anyways besides some arbitrary idea we've all agreed to for... reasons, and yet if you remove the ability for war and conflict as a whole, you don't really have humanity but instead mind-controlled slaves.

War is not a polite recreation, but the vilest thing in life, and we ought to realize this and not make a game of it... as it stands now it's the favorite pastime of the idle and frivolous.”

Every action of theirs, that seems to them an act of their own freewill is in the historical sense not free at all but is bound up with the whole course of history and preordained from all eternity... Man lives consciously for himself, but serves as an unconscious instrument for the achievement of historical, universally human goals.

It's true that people are born where they are born, and caught up in the stories that are grander than they are. Everyone likes to imagine what they know and what they experience and what they want and believe is True, but is it? Or is it merely a product of how they've grown? Is it a product of the centuries and millennia of people before us who create wars and conflicts and use us in them?

Yes, humans are used as unconscious instruments. But is that all they are? All they should be? Fukuchi seems to think yes. If they're currently used as instruments of war, then why not use them. as instruments of peace?

Fukuzawa, however, thinks otherwise.

It's an existential question humanity has been wrestling over since human beings have existed, and it won't be answered anytime soon because there is no neat answer. It's the paradox of human nature and human existence.

He had learned that, as there is no situation in the world in which a man can be happy and perfectly free, so there is no situation in which he can be perfectly unhappy and unfree.

Dictatorships are known, obviously, for suppressing free will and free expression.

Now, in War and Peace, Tolstoy's answer is love. And God, who is Love. But love first and foremost since Tolstoy himself wasn't super religious when writing it (later on he was though).

Seize the moments of happiness, love and be loved! That is the only reality in the world, all else is folly. It is the one thing we are interested in here.

Yet, if you remove the ability to choose love or violence, then:

A man having no freedom cannot be conceived of except as deprived of life. 

And it's pretty clear what lesson Fukuchi has to learn:

Life is everything. Life is God. Everything shifts and moves, and this movement is God. And while there is life, there is delight in the self-awareness of the divinity. To love life is to love God. The hardest and most blissful thing is to love this life in one's suffering, in the guiltlessness of suffering.

Life sucks. War is hell. It makes life feel like it's not worth living. But without free will, you are not alive at all.

For if we allow that human life is always guided by reason, we destroy the premise that life is possible at all.

Anyways, even if Leo Tolstoy does not appear as an actual character with the supreme ability of "War and Peace," well, he sure is influencing this arc a lot.

[soimcoga]

Ice Cream Kitty

Everyone in the family call Ice Cream Kitty differently. Leo calls her Icy, Raph calls her ICK, Donnie calls her Cream, Mikey addresses her solely by her given name Ice Cream Kitty, Casey calls her Ice Cat and April calls her Kitty.

Ice Cream Kitty acts accordingly to how the family addresses her. She's clingy and soft with Leo, cool and brash with Raph, sophisticated and delicate with Donnie, essentially her little shit self with Mikey, and she shows off her mutant side with Casey and acts like a normal cat with April.

Ice Cream Kitty is very smart and learns things very quick. She can and she will call you a 'piss baby' if you lose to her in a board game, and the only reason she's allowed to is because Leo doesn't know about it.

(L: Raph, stop teaching Icy how to swear!

R: You do what you must.

L: Why is having a mutant cat swear considered a must?!)

Ice Cream Kitty can read and write in English, though nothing too complicated. She usually communicates by meowing, but if there's something she wants to convey very badly, she'll write it down for the family.

There was one time Ice Cream Kitty completely froze because the fridge was too old and there was no way to control the temperature in the freezer. The next day the Hamatos were breaking in the everything your home needs type of store, stealing a brand new fridge.

(They had to stage a car theft, so Kirby won't be convicted, because they used his party van to transport the fridge. It was a fun night)

Leo has been teaching Ice Cream Kitty Japanese, as per Mikey's request. She's a good student.

Raph's been teaching Ice Cream Kitty excessive violence and acceptance thereof

(D: Did... did Cream just try to stab Slash with an icicle...?

M: My baby's free to do what she wants.

R: Yeah, don't deny her freedom.

D: Aren't you and Slash friends???

R: Friends shank each other all the time.

D: THEY DO NOT???)

Donnie has created several pet carriers for her comfort, because you never know when you have to run. And no family gets left behind.

Mikey has stolen several portable fridges for her. Surprisingly, Leo never complained about it. Now every room in their lair has a place for Ice Cream Kitty to rest.

Ice Cream Kitty is violently protective of her family. If you hurt them once, intentionally or not, she hates you, she despises you, she will claw your heart out and present it to Donnie for research. Leatherhead's cool though. She has forgiven him for everything.

Slash though? That bitch gets it every time he visits.

(L: Do you not like Slash all that much, Icy?

I: mrow

L: Right, you're a good girl that don't hold grudges.

D: *whispering* So we're not telling him Cream tried to murder Slash in cold blood...?

M: *whispering back* Let him live his illusions)

Karai and Shinigami are on thin ice. She tolerates them, but she will fight them in a heartbeat.

Donnie created a system for her to traverse the lair mostly on her own, like a real cat. Mikey almost died, choking on his tears, when he came back home and had Ice Cream Kitty greet him.

(Donnie never told anyone that Ice Cream Kitty was the one to ask for that. Because she saw how lonely the kids were coming home to no one greeting them)

Casey is financially indebted to her.

(L: Are... are you playing actual poker... with Icy?

C: Shush Leo, I have a good hand!

L: Don't play on money with a cat?!)

Ice Cream Kitty loves being stroked/patted and makes sure every single member of the family snuggled her at least once a day. Ain't nobody gonna escape affection.

(They adore her just as much as she adores them)

Mikey is a teensy bit overprotective (borderline crazy) cat dad. Everyone lets him be.

(She's the best daughter to her dad)

[4dmc]

Been replaying DmC for the few free time i have, together with remake 4 and this wacky wahoo aristocratic foie gras The Council (play this..just for the heck of it)

And...I maybe missing something but It's just a thought. But Vergil implanted to us, the audience, and to Dante this Chosen One Narrative... Which is completely subverted by Dante himself, but also if we really look at the Nephilim themselves.

"The only ones that can stop a demon king are Nephilim." "Half angel, half demon, we are Nephilim."

The thing is, they're just powerful enough to thwart at least one too powerful active demon royal.

ANY NEPHILIM must've done that already in the past. Hence their massacre (apologies for the word but.... that's what happened & both Dante and Vergil have everything hinging on them, their the last 2 !!)

What I'm saying is, it's just convenient that it's just the two of them left.

I don't think Sparda and Eva even meant that they're anything special or the "Chosen Ones".

The way Eva explained why she and Sparda became together because at least, despite the forbidden laws, they freely chose to do so!

And that's the ongoing theme of DmC anyway: freedom through rebellion. Eva and Sparda's love and their want to meet their children, who are forbidden to exist because their higher-ups said so (because, yes, these kids are literally growing to become even more powerful than the forces of both heaven and hell [[and this is the best assumption of WHY they don't want the Nephilim existing, they don't want the power balance tipping over to a new 3rd party, and this is seen as a big problem because both angels and demons are having a war...what the war is even about, that i personally don't know... probably a moral debate that went extremely wrong, where now they want to apply their "morals" against one another, who knows...]]

... anyway their act of love and family, simply wanting their children, who are also a new race, to exist, is an act of rebellion. And they essentially want the new race of Nephilim to be free...

... which brings me to Vergil.

Because for some reason, he actually stands a bit antithetical to both his parents' stance. This became more evident in his dlc's ending.

It's no secret that Vergil actually sees the Nephilim as a race much more worthy than their predecessors, the angels and demons. And therefore, he makes a self-proclamation as a new ruler for being something more special.

Two things:

1. Someone special CAN lead. Someone who has leadership qualities can definitely lead. But not because of one's special circumstances suddenly and automatically equates that they should lead.

2. .... What the hell Vergil??!!? I think this is an ongoing issue among reboot fans anyway: what was it that made Vergil have this ideology?

With already the presumption that Ninja Theory was unable to shed anymore light to Vergil because a.) They're already not wanted by a hardcore audience, and Capcom was already seeing the temperature....so they had to pack their bags and leave.. and b.) The way they structured DmC was basically awaiting for a sequel (which will never happen). And it seems with the dlc being Vergil, the sequel likely was going to transition more to who Vergil was, and who he had become... Which will never happen😔

The best I can interpret is that, since he had been adopted into a human family with a much more well-off social status, perhaps this is where Vergil saw the unethical and depraved side of humanity, the ones who can afford to get away with anything.

So if he had more power and control over humanity, he'd essentially be controlling the richest and most powerful humans, and maybe make them benevolent or..you know, make them do other concepts about responsibly handling their power and resources.

... anyway uhh I guess Vergil's idea of a Chosen One is being the best elected royal of the world ?😌?? 😅

open to conversations because honestly, the 3 games I'm playing actually have similar themes about how to handle power so ehh

[beevean]

Imagine watching the show as it came out

Imagine ending S3 hating the fuck out of Lenore but spending time talking and theorizing about her implied nuances in spite of the writing flaws and how she could be improved as a villain

....and then S4 comes out

I have a feeling you should consider yourself and your sanity lucky

ngl, I would have so fallen for the copium that S4 was going to have Hector breaking himself free and taking revenge on all the people who hurt him 😔 perhaps even that Isaac would slowly become his beautiful cunty game self 😔

I keep thinking of this post:

This is a wonderfully written post. They make many good points, like how Lenore always finds a way to relieve herself of responsibility when she abuses Hector ("you hurt me and that's why I beat you", "Striga wants you to wear the leash, not me", "the others are planning to use mercenaries"), which is scarily realistic. Or the part where she asks Hector if she can visit him again, as if he had any choice in the matter. I commend this person for picking up so many details, some of which I had missed or forgotten myself. I don't agree with everything, as I believe they overestimated Hector's characterization and ignored how blatant Lenore's lie of "I want to run away with you" is, but I can feel how passionate they are and invested in this potentially novel narrative about how subtle abuse can be.

And I keep thinking about all of this got squandered in S4. How this disturbing depiction of abuse got flattened into dick jokes and "you're the only one who listens to me 🥺" and Lenore blithely dismissing the one time Hector dared to be annoyed at her "solving his problem" which got treated with the same levity as Greta making a cheating joke out of Alucard's own rape.

"Also, she's a female predator, which are rarely presented without sympathy in fiction. Which, I think, is part of why it's hard for the fanbase to realize how evil she is. If the genders were reversed, some people would probably still find the whole rape by deception and magical enslavement romantic because, well, people, but they'd probably sympathize more with the victim than the predator because they'd be easier to identify through our cultural shorthand."

I wonder how they reacted when S4 comes out and the show does exactly what they have criticized, sanitizing Lenore because she is a cute woman and suddenly showing her fake, superficial kindness as genuine and a valid reason Hector would love her, not with the love of an abused dog but real genuine affection.

And he definitely had real feelings for Lenore, however falsely they were invoked. It's possible they still exist after his enslavement. I'm hoping not, but it would be an interesting conflict to see play out. Loving and hating someone who's been alternately kind and cruel to you is a tough spot to be in.

This is what really depresses me about the Lenector story. It is not impossible that Hector would still have feelings for Lenore, because he has such low standards that things like "actually keeping her promise of giving him free roam of the castle" and "going to him to vent about her issues" would be taken as signs of love, and confuse his abused brain. Hector crawling back to Lenore as his only reason to live? It makes sense! It's awful, but it makes sense for someone like him! He has nothing left, he thought he'd be killed but he was given another chance at life, and his first instinct is to cling to his only certainty in his miniscule world.

It should not have been the emotional climax of his arc! Not in a season that is so deadset of giving everyone happiness that they fucking brought Dracula back and allowed him to go on a honeymoon with his bae!

The resolution of this story about abuse is that Hector needed to grow up and let his abuser find freedom in death! A freedom that is specifically framed as Lenore freeing herself of... herself, basically, of everything she has done and might do, not out of guilt but out of despair that she lost all the power she had and might go insane eventually. Not him finding another place to live now that he is free, not him realizing he is worth more as a human being, bro barely even cares about his new life as Isaac's consort or whatever the fuck he is for him now. No, it is never about Hector. He wanted Lenore, Lenore didn't want to stick with him because she's depressed, and we are meant to find oh so tragic that the two star crossed lovers will not have a meaningful touching relationship after

SHE RAPED HIM INTO SLAVERY BY TAKING ADVANTAGE OF HIS FEELINGS AND MOCKED HIM IN FRONT OF HER SISTERS AND THEN REJECTED HIS PROTESTS ON THE GROUNDS THAT HE ENJOYED THE SEX SO HE HAS NO REASON TO COMPLAIN

THE LATTER HAPPENS IN SEASON 4 WHEN WE ARE MEANT TO ROOT FOR THEM. WHEN THE STORY REALLY WANTS TO CONVINCE US THAT LENORE REALLY IS A GOOD PERSON DEEP DOWN AND NEVER WANTED TO HARM HECTOR AND ONLY CARED ABOUT HIM

DOES THIS LOOK LIKE FUCKING CARING TO YOU YOU STUPID HACKS

All that carefully woven abuse for what? For fucking what? For the puppy fetish?? To tell the audience that you should forgive people who hurt you if they give you the bare minimum of human decency because it is the MATURE thing to do, you stupid manchild who only wants to be loved and will never have that because you are too stupid to be loved?!

god I am mad! I'm sorry this makes me mad! I don't even imagine how furious I would be if I had to wait one year to see this shit!

[callistawolf]

Astarion: Alive or Dead

If there's one constant in the Baldur's Gate 3 fandom, it's that Astarion fans are divided on ascending Astarion or not. I like to think more are against it than are for it. It's not secret, I am a fan of Spawn Astarion and believe ascending him is his "evil" ending. That it's perpetuating the cycle of abuse. But I also know that fans of Ascended Astarion are very vocal about how they believe allowing him to ascend is granting him his true freedom.

And I can understand why. As a spawn, he's been confined to what is essentially slavery with no will of his own. Until he was infected with a mind flayer's tadpole, he had no choice on anything. Plus, he couldn't do things like be out in the sun or walk through creeks or enter people's houses. When he learns about ascension from Raphael, it's a tantalizing prospect.

Astarion knows he can't turn back the clock on being a vampire. Or at least he strongly suspects that. If there's a cure out there for that condition, he doesn't know about it. (And neither do I, for that matter, but stranger things...) From his point of view, ascending is the closest thing to a cure that he's encountered since that fateful night when he woke up dead. He could walk in the sun again, he could feel practically human again. None of the drawbacks of being a vampire with the added bonus of MORE power than even a regular full-throated vampire would have. Which means he wouldn't be a slave to anyone ever again. VERY appealing.

Of course, ascension comes with a cost. It's an infernal ritual and as much as vampire tend towards the evil side of the alignment spectrum, an ascended vampire is soulless. Many people say that Ascended Astarion is Cazador 2.0. But it's even worse than that. He's like Cazador 2.0 on steroids. He loses whatever shreds of humanity his spawn self had. That includes his capacity to love. Love is replaced with a more grasping impulse. It's turned into ownership, and your character becomes someone for him to possess. To own. To control. This is largely why I'm so opposed to it. Why would my character who has fought so hard in this game to regain their bodily autonomy from the mind flayer's tadpole just happily hand it over? Even for Astarion? I can't reconcile it.

Something else occurred to me today when I took the gang to Cazador's palace to have a little talk. Naturally, I talked Astarion down from his blood and fear soaked high and we freed the spawn and my man has retained his soul. I told him I was proud of him and he was very understandably feeling jittery and on edge and unsure about everything because let's be honest... it's a LOT. He has just killed his former master, his tormentor. He's closed the book on a ridiculous amount of power. He's free but... he's still who he was before. A simple spawn with no extra powers and, without the tadpole, a lot of drawbacks to living a regular life.

He says this again later when your character speaks to him in the cemetery. He wants to live again. He edits his tombstone to reflect that he has begun his life over, it's not finished yet, there's more to come. You don't get that scene if he ascends. In fact, correct me if I'm wrong, I believe he plans to take over Cazador's palace, to rule from there. A place that the spawn him, post-Cazador, is eager and anxious to leave because it smells of death.

Ascending is accepting death, embracing and celebrating it. It's continuing the cycle that has gone on for so, so long and not doing anything new. It's giving over to the worst impulses a vampire could have. It's staying there, in a palace that reeks of death. You can feel the sun on your face again, but you are still dead and bound to death.

Remaining a spawn seems like a step down for anyone who wants Astarion to have all the freedom he wants but it's NOT. He is free, not just of Cazador, but of death. There's discussion about finding a way for him to walk in the sun again after the finish the of the game and I honestly think they could find a way. But more than that, being free of that cycle of abuse is the true freedom. He is no longer a slave, no longer beholden, and his life is his own, however he chooses to live it. He makes his own choices. He is not a slave to his hunger any more than Tav is a slave to her hunger for food. He doesn't have relentless need for power that ascension would have shackled him with.

He tells the spawn that they can control their hunger. He knows this from experience. Once he was infected with the tadpole and dumped in the wilderness, he knew what it was to be the sole person responsible for his choices. He's had stumbles along the way (this is where Tav comes in, to help guide him and show him a better morality), but he knows he can keep himself from attacking innocent people. He's stronger than just the average beast. He's not a soulless monster.

Remaining a spawn is choosing to live a life of his own, for better or for worse. Autonomy is so important to Astarion and I love the thought that my character (Tav or Durge but let's be honest, it's usually redeemed Durge) will be there with him, holding his hand and support him and guiding him along the way. No, not to tell him what to do. He wouldn't stand for that anyhow. But to explore this life with him. I firmly believe my character isn't the sort to just let him steam roll over her and I also believe Spawn Astarion wouldn't want her to be. (Ascended Astarion would likely have a different opinion.) I enjoy picking dialogue options throughout the game that challenge him a little.

He tells my character after Cazador that he's so relieved that he didn't ascend. He's looking forward to what comes next, for the first time in his life, and he wants to embrace that future with my character as an equal. Spawn doesn't want to control or possess, he wants to love and live.

Ascending is choosing death, familiar as it is, and the power that it holds over him and others. Remaining a spawn is being brave enough to step out of that bubble he's lived in for two hundred years and see what else is out there for him. The sky is the limit. As Astarion himself says, anything and everything is possible.

[raayllum]

Quick run down: 4 is the lowest typical score given, 10 the typical highest score given (although you can technically go up to 12). Making my post because I noticed Callum’s Justice ranking was at 6 (lower than I’d expected) and I always meant to do a lil more formal comparison between the trio so here it is I suppose.

Devotion: This is value is about duty, faith, and friendship. You’re motivated by the bonds of loyalty and your love for others.

Truth: This value is about fidelity, certainty, and authenticity. You’re motivated by finding strength in facts and by the principle and pursuit of knowledge

Glory: Have you ever wanted to be celebrated by history? This value is about legacy, fame, and fortune. You’re motivated by praise, acclaim, and your desire to be remembered.

Justice: Have you ever been compelled to fix what’s wrong? This value is about balance, virtue, and reward. You’re motivated by adherence to fairness and what you think is right.

Liberty: Have you ever resisted the control of others? This value is about freedom and autonomy. You’re motivated by a world without oppression or suppression.

Mastery: Have you ever needed to rise above your own limits? This value is about control, achievement, and skill. You’re motivated by power, growth, and progress.

Similarities:

Glory is a 4 for all of them. Utterly unsurprising I think - they’re all willing to do things regardless of recognition and aren’t motivated by any real self importance

Truth is a 6 for all of them. I find it interesting that Callum gets the “hide the truth to protect others” rather than Rayla, but we do see elements of that in TTM. For Ezran, it has less to do with a moral truth (Rayla) or how to handle the truth (Callum) but more to do with maturing to see the truth (“I ignored something that is true” —4x03)

For anything other than their Most Important Feature, everything else has roughly an 8. This makes sense as it is still a core value, i.e. Callum jumping off the mountain is very devotional, Rayla works very hard to find real justice, Ezran cares a great deal about placing autonomy in other people’s hands (S3), etc. 

In Betweens:

Ezran and Rayla both have Mastery at a 6 with Callum having it at an 8; this makes sense as he is driven to look for knowledge and power (through magic) in ways they are not / are mostly settled and/or disinterested in

Ezran and Callum both have Devotion resting at 8 - high, but not their highest values. This makes sense as according to the game, Devotion is how obligated you feel to others. Ezran feels beholden to Katolis but that’s something he’s largely grown into, and he feels a wider responsibility to the world at large, moving in between them as he can. Callum is very devoted to his loved ones (mainly Ez and Rayla, but also Zym in a lot of ways) and his desire for freedom often interplays with a desire to have autonomy/capability to protect and/or provide for them in key ways. 

Rayla and Ezran have Liberty at an 8, showing that they value freedom (Rayla’s bio includes her goal to free all people from terrible fates like the one she almost had with the binding ceremony, we’ve gone over Ez’s, etc) even if it’s not as high as Callum’s - but more on that later

Highest Values

Ezran’s is Justice at 10. This makes sense as he is the series’ embodiment of Justice thematically as well as the series’ Witness. This reflects his role as the peace maker for elves and humans and dragons, both politically and interpersonally with Callum and Rayla in S1 and S4 in particular. It is also embedded into the fact that his death itself would have been Justice and his survival is what allows true justice to actually continue, his decisions as king, and the fact he’s king at all, per Harrow’s words: “My father told me that about all, I must be a Just king.” 

Callum’s is Liberty at 10. This foreshadows his arc in season four in terms of a complete loss of control/freedom and why it screws with him so royally. While many of the characters agonize over making the right choice (or a choice at all), not having a choice at all is what torments him the most: “I can’t do anything!” (2x07) particularly when it comes to protecting or helping his loved ones. We see this especially in his quote under Liberty in which despite being crown prince and heir to the throne, he states that he is beholden to his inner circle rather than a sense of duty. In S4 he is concerned about Aaravos hurting his loved ones, and that fear of doing awful things to other people is what has him so especially worried over the situation, reaffirming his statement that “I value those close to me more than anyone or anything” certainly. 

Rayla is Devotion at 10. At first glance it’s easy to take her “My only allegiance is to my heart and those that know it” as a similar kind of sentiment to Callum’s “I value those close to me” statement, but we know what Rayla’s heart is aligned with: “My heart for Xadia.” Her heart is given to whatever she feels her duty is, to what feels right, hence why she risks everything for Phyrrah, someone she doesn’t know at all, simply because leaving the dragon there results in “every fibre in my body is telling me this is wrong.” Bloodmoon Huntress also expands on this further, drawing comparisons to her and Runaan’s sense of duty and love for the whole world, as well as precisely what led her to take on the assassination mission in the first place. In S1-S3 Rayla gets better at listening to her heart rather than shutting it down, although this has changed in S4. She’s learning to prioritize her loved ones more and more, but at the cost of her actual heart.

Misc Notes:

For Callum, it’s worth noting that Devotion and Mastery (magic) are of equal value to Callum and are definitely two cornerstones of his more hands on arc. Thus, we can likely deduce that as much as Callum undeniably values Liberty, the fact it’s his highest value is also because it’s the value that informs and guides his arc the most Thematically. This means that his desire to learn magic and be there for his loved ones is of equal measure in terms of his decision making, but we also see him clearly prioritize his loved ones in ways he does not do with his own pursuit of magic. 

[ Side note: And just as a comparison, Claudia - Claudia’s - devotion is also an 8, but Mastery is her 10, even though so much of her arc is driven directly by devotion to her family (although her bio makes it clear it is supporting her family and her father, not merely her valuing them, as the distinctions are important too). ]

Following this “Two Pillars holstered by One Theme” logic, we can break Ezran and Rayla down into a similar manner.

Rayla is defined by her initial quest of Justice and a growing sense of Liberty (cue: being literally freed from her binding, other symbolic cycles, etc) but this is bound together and streamlined through her Devotion to a cause to people and her family. We can see S4 bring this together directly in her devotion to Callum and her family and how they are both either already literally or becoming entangled / entrapped in forces beyond their control with Rayla wanting to free / protect all of them.

For Ezran, this means he is defined by his place as Justice thematically first and foremost, with Devotion and Liberty as his two tether-hooks: re a child king being put in chains to try and give his people a choice > forced conscription, as well as the work he’s doing to try to create peace and a Narrative of Love (devotion) in S4.

Thus, the highest value for each of the Trio is what informs them at their core and subsequent thematically, with their two respective pillars as how those things are motivated and manifest throughout, with of course a good dose of overlap beyond all three. But either way, I just thought it was Neat™

Closing Note

One thing I found interesting when actually going each beat of their bios is that Rayla and Ezran are inverses of each other and very closely aligned. They share the exact same 3 values, all in similar amounts (either 8 or 10) and just rotate one out for their respective highest: for Rayla, Justice is at an 8, and for Ez, it gets bumped up to a 10 and his devotion down to an 8. This closeness between them, and how Callum diverges, lines up with how I’ve thought of and how I’ve written each of the trio for a while now, re: meta dated September 2021 about this exact difference, well before TOX came out.

Because Callum, strangely enough, does not have Justice™ as a particularly high value. It’s actually on the lower end of his scale, with other heroic characters like Amaya, Janai, and Aanya having it as a 10, an 8, and 8. The only none villain adjacent character (Soren, Viren, Claudia) with a Justice as low as Callum’s is Lujanne, and Callum’s justice ranking is the lowest of the trio’s. This is interesting particularly because Justice is defined by fixing what’s wrong/broken, a sense of fairness and balance. And while Callum wants to have positive impacts on the world and make things better, it shows that his big heart is also equally if not more so tethered to pragmatism, perhaps, compared to his family, even in decisions made like leaving with the egg in the first place being what was also safest for the egg and particularly Ezran during the attack on the castle. 

And well, if you know, you know ;) 

[cosmic-pheonix]

Feeling bored and unmotivated in posting stuff (and probably in a need for some interaction with fellow moots/followers). Saw a post on Twitter on everyone sharing their cartoon crushes. (In case you missed it!)

I decided to be brave and share my fictional crushes! 😖🫡 Feel free to either agree or roast me! (Civically of course!) I'd love to see others fictional crushes and gush over them as well! So don't be shy in sharing them under the replies!

So to first start off...

Him💜

The 1st pic and GIF of him always does something to me (My god...)

Yami Yugi/Atem (Yu-Gi-Oh! DM/DSOD) | Main Crush - My first anime fictional crush 💜✨🌟 (and still is to this day! And has been recently the cause for all those self ship/self insert reblog posts on my other blog, as embarrassing as it sounds....) This man has inadvertently popped back into my brain all of sudden and slowly got me back to hyper fixating on YGO, (in the year of our lord saviour 2024), specifically for him 💜! There's really a plethora of reasons why I enjoy and appreciate him as a character (ie his personality, aura, kindness, complexity and flaws as a character, his voice - both in English and Japanese 😳 etc. - if anyone's interested maybe I might make a seperate post about it and share my headcanons for him perhaps)

2. Seto Kaiba (Yu-Gi-Oh! DM/DSOD) - Do I really need to say anything? 🤷🏾‍♀️ Same reasons applied as Yami/Atem really! The guy’s iconic, what can I say?

3. Dartz (Yu-Gi-Oh! DM) - Unpopular opinion/hot take but I think he’s pretty underrated as a villain (fuck him for making Yami Yugi cry + manipulating him and everyone else - Affectionately?? Just so my words don’t get twisted out of context, I’m appreciating him as a villain/character here, so don’t get it twisted). Is the story a hit or a miss or is it necessary? Can’t really say for sure, sorry🤷🏾‍♀️.

It’s been a long time I watched YGO, so go easy on me and take it with a grain of salt. All I will say honestly, is that I really like his design, him as a character (I think there’s a lot of missed potential that could’ve been explored more) and his voice (English preferably, Wayne Grayson’s performance as Dartz really did it for me! No hate towards the Japanese VA/Dub, just a preference towards his eng voice)

4. Pantalone (Genshin Impact) - Okay, so here’s the thing with him…If I happen to come across a guy with this much drip, charm and mysterious aura, with glasses to boot than I’m already sold! I haven’t played much Genshin in a long time, so I’m not sure what role he plays into the story. (I’d love to hear your thoughts and theories, though no spoilers please! 😊)

I’ve only seen snippets of clips and fanart of him and the fatui from here and there, but I hope he’s playable in the near future.

If Arlecchino (Father - MORE LIKE DADD-), can become playable in the future, then so can he (among other fatui members, aside from Childe).

5. Boothill (Honkai Star Rail) - I don't know about you guys, but ever since he's been leaked (and now recently added to the game have seen his character trailer - the way he just sauves and moonwalked like the smooth criminal he is did it for me!) I just adore him - Design, personality, voice everything! I love me a spunky, sassy rootin tootin space ranger cowboy that loves to cause havoc and chaos! (and serves cun-) I just think he’s neat! (Also is it just me or does his theme song in the character trailer sounded something you would hear in a freakin Ford Truck Commercial, his theme screams pure “America. Freedom, F yeah!” Vibes. PLEASE TELL ME I’M NOT THE ONLY ONE THAT THINKS THIS?! I JUST FIND IT FUNNY TO ME)

6. Miguel O'Hara (Across The Spiderverse) - Haven’t seen the movie yet (dw I plan to watch it but PLEASE NO SPOILERS!) but this man is everywhere and I don’t blame you! I’ve seen fanart/edits of him (especially ones whenever they show his fangs 😳👀) and honestly it’s on me because I been rewatching ColeyDoesThings video on him and it immediately got me back to start watching the spider verse movies (it’s on my to do list) So thanks Coley! (You should go check out her YouTube videos on everything fandom related, it’s great!)

UPDATE: Got another honourable mention! ✨⭐️

7. Lycaon (Zenless Zone Zero) - I’ve recently started playing ZZZ and so far it’s pretty fun! I’ve seen so many clips and fanart of this dude it’s not even funny. He’s pretty cool and got a nice design and voice. And that’s all I’m gonna say. I think this video on Twitter should speak for itself:

[twig-tea]

Grand Guignol

Wanted to write down my thoughts on this movie because it was AWESOME and I don't want to forget lol. Non-spoilery thoughts above the cut and spoilers below it.

First of all, the colouring of this film is gorgeous. Everything is in dull greys and navy blues and cream, except for the red, and the red is throughout. There's red roses, red lighting, red ties, red viscera, and so, so, so much blood. It makes for a really stunning watch, to see this heightened red spurt and colour the white clothing of the protagonists, and on their faces.

The cinematography is also a lot of fun. So many dirty shots, where the creepy decorations of this school sit in the foreground and the characters having a conversation are left blurred in the background. Quick, hard cuts, so it's not clear whether something was real or not.

And I love the tension being around what is real vs what is fake rather than jump scares. The way cinema and pranks and voyeurism is woven into this plot to make everything more confusing is so well done; it puts us in the same situation as the characters stuck in this school with no clear sense of what's happening or why.

Most of all this was just fun. It was a wild ride where gross, gory, discomforting, messy, and generally weird shit happened constantly lol and I really, really enjoyed the experience.

Cutting here because I couldn't help but spoil from here on out.

I also really love the subtext of the show re: queer as monstrous. There is a suggestion that at least two of these characters were sent to this school abandoned by their families in order to be sacrificed because they are gay, or queer in some sense. The other characters have stories about doing physical harm to those around them, but at the least for Kenta, it's implied that whatever is going on with him and dressing femme--i won't assume--is what got him sent here (this is early in the film so I'm not counting it as a spoiler).

I had to laugh at the excessive lube; Japan's lube game is always incredible. We never get a normal amount of lube in a Japanese BL, and I live for it.

Also really enjoyed the cannibalism subtext! Cannibalism is always such an interesting theme in horror because it's such a taboo. This felt very Rocky Horror-like with the constant viscera shots and the open questions on characters' faces about where it came from.

The message in this film was so fascinating. Normally we get the trope of 'you have to defeat yourself ' as a hero's journey to get past self-doubt in order to win. In this case, Itsuki tells us he was forced to participate in...it's not entirely clear, bullying and mutilation at the least. He seems traumatized by the experience, and it's not clear how much damage he did on his own. But by the end of the film, after the teacher gave him the gun and told him to defeat himself, he manages to move through whatever was holding him back, and he fully embraces doing violence to others. He kisses Teshio, when he was surprised by/recoils from the kiss from Kenta. He laughs, glories in, is freed by the way he mutilated Teshio's corpse, and flashes back to his memory of when he was "forced" to hurt his classmate in his old school, but this time he's similarly elated. He had some initial reaction to seeing Kenta in a dress and wig--Shinji wondered if he wanted to wear it himself--and after the cult dresses him in heels, a dress, and wig, he does not remove them even after he's free and limping in the heels to drag along that sledgehammer. In this case, the hero's journey is one to freedom from moral constraints, allowing in the monstrous--both murderous and queer--parts of Itsuki to overcome any fear or self-hate or physical limitations, and to be victorious. And then we get the final scene, with the uncertainty as to whether the entire film has been a play, whether the play is in Itsuki's mind, or whether it's a metaphor for the audience to represent what happens. I think the uncertainty is the point. The entire film has been messing with our ability to tell what's real and what's fake, and maybe in the end it doesn't matter. Itsuki is dead; whether metaphorically because he's mentally snapped, or literally because he's killed himself, or because the whole thing was a metaphor and he's embraced his weirdness and joined this weird club and found acceptance in this group that puts on horror plays...the Itsuki who was traumatized and terrified of himself is gone by the end of the film, he's defeated the enemy within. I loved that.

And there's something in this film about how it gets us to be interested in this weird friend group before it starts killing them off for the sake of... entertainment, a ritual, to free their parents of the embarrassment, it's not entirely clear which. But there's something implicit in the morality here that these characters are humanized before they're demonized, and that we are set up to see the ritual as cruel and the level of violence as undeserved. This part reminded me of Gang of Cherry; these kids are fucked up, and cruel, and weird, but don't deserve the even more fucked up and cruel situation they're in, which in turn makes them even more fucked up and cruel, until it's a twisted version of enlightenment, when all you are is cruel and fucked up, and delighting in the purity of the emotion.

Anyway that's way too much navel-gazing for what is essentially 1.5 hours of intentionally bad blood-spraying camp and actors who didn't kiss in their BLs kissing in this. Big fan.

If you want realism, sexiness (there is a sex scene but it is not what I would call sexy; it's intentionally discomforting/edged with tension), romance, or a happy ending in the traditional sense this is not for you. If you like campy horror, strategic cinematography, gratuitous gore, gratuitous tongues, being discomforted, psychological horror, and metaphors on metaphors, I think you'll enjoy.

[archiveikemen]

William Rex Main Story: Preview

I do not own any of the Ikemen Series content being uploaded on this blog, everything belongs to CYBIRD. Please support them by playing their games and buying stories. Not 100% accurate, expect mistakes.

read this before interacting with my posts

My sin — was a spoonful of poison.

William: You have to record down all my sins because you’re a fairytale writer—

William: If you want to judge me for my sins, then stab me with this knife.

William: Only then, I’ll accept your judgment.

— William Rex. The wicked, “King of Self-Righteousness”.

He had a melodious whispering voice that drove me crazy.

…

William: You have a habit of prioritizing other people's feelings, and you hide your own feelings deep down in your heart.

William: I don't think this is because I was the main culprit of the murder incident.

William: … Why are you hiding?

(“Why”...? I don't know… why.)

(But… it’s just that I…)

(I don't think I should voice my feelings out loud.)

…

His bright red eyes stared straight into my heart and lured out my deepest desires.

The feelings I buried deep down inside my heart even suffocated me in my sleep.

Wiliam: So you want to play games with me…

William: You’ve got some nerve, huh? Kate.

William: My eyes never deceive me.

William: You’re noble, you’re greedy… you're kind, and you're strong.

…

His love was neither medicine nor a poison, and it poured down like the rain in springtime.

A heart that had been locked away, was once again set free.

“Falling in love is a dangerous thing” — and I knew that.

My heart that was close to being torn open always longed for him… it was impossible to stop.

Kate: W-Whenever I’m with you… I… I feel like I’m not myself…

Kate: I… I’m not the type of person to do something like… this…

William: … Do you mean that as a good or bad thing?

Kate: … I don't know. Therefore…

Kate: Because I still… don't know… please tell me.

Feeling him with my eyes, ears, and skin… my heart was changed completely. As if I was reborn.

His “evil” and “destiny” — his true colors were shoved in my face.

…

(This is his sin. This is the price he has to pay in order to protect the people he loves.)

(Up till now, William has committed this sin many… many… times.)

William: It doesn't matter what the reason was. There is no way to justify taking a person’s life. By taking away someone’s life, you are disrespecting their dignity and permanently taking away their freedom.

William: A sin is a sin.

Wavering between good and evil, the feeling of hesitation made my legs tremble.

…

Kate: Does this mean… you want to die in such a way that… makes you fear of being destroyed…?

William: Hm? Ah, yes. You could put it that way.

William: I want it to be as cruel as how evil I’m judged to be.

William: Being evil is my life, and I will continue to be however big of a villain I want to be.

William: Until the day comes to have my head cut off.

He was an “evil” man — who desired the most tragic of deaths.

…

Even when I disregarded my lingering affections and carried on with my daily life… what awaited me was not a happy ending.

As if mocking my suffering, doom came creeping up to me…

He let me go so easily — it was a selfish and cruel act of kindness.

William: Goodbye, Little Robin.

William: I wish for your future to be filled with happiness.

Kate: I don't want you to wish for that… William, wait…!!

…

There is a blade called “justice” that destroys “evil”.

It would be absolutely foolish to stand before that blade.

…

And yet—

(If I call William evil and thrust that blade at him,)

(Whether he’s good or evil, or is this the kind of ending he wants — I…)

William: — My Robin. Respond to my curtain call.

William: When you wake up— I’ll give you my greatest evil (love).

Yes. I want it —

— The punishment for my sin of loving evil.

[the-meat-machine]

what is your general read of caliborn? like character motivation wise? i love him sosososo much but i think i take a particularly charitable view of his character. like yes he is a hater misogynistic time demon obsessed with gore. but he is also obsessed with art and love <3 personally i think of his primary motivations in the comic as a combination of ambition but more importantly a desire for freedom / the ability to be his own man and to not be threatened or controlled by other people (callie, gamzee, chewing off his leg, etc.) he loves to win but the real prize that comes with winning is the ability to exercise your will on others rather than to have the will of others exercised on you, & i think this interpretation tracks with how he becomes the literal lord of time, which is basically fate in the comic? although it fucks him in the end anyway. idk this is how i think of him and therefore i do kind of think he is just a baby doing his best. like SURE he did galactic crimes. but he was also SAD and TRAPPED. <- no one agrees with me

I don't think my take on him is quite so generous. I think that ultimately, Caliborn's actions are primarily motivated by his drive for destruction.

That said, I agree with you that there's more to him than just wanting to fuck shit up forever. The problem is that I don't think Caliborn knows that. Perhaps he was sad, but if he was, he never realized it. Certainly he was trapped, but most of those traps were, ultimately, of his own devising. And he does value art and love, but not enough to consider straying from his destructive path for even a moment.

Bear with me, because my answer to this ask has basically become a thesis on Caliborn. I'll present it in two sections: one about Caliborn's relationship with fate, and one about his tragic lack of self-awareness.

Freedom and Fate

The thing about Caliborn is that I don't think he really values freedom at all, as a concept. Certainly not others' freedom, but not really his own either. He's all about rules, and he's more than willing to accept restrictions if doing so will get him closer to his goal.

Because if all Caliborn had wanted was freedom, he could have achieved it much more easily by working with Calliope. If they had trusted each other at all, they could have been free of their shackles within a day by simply agreeing that they'd each leave their own shackle off when they slept. If Caliborn had been willing to play the game with Calliope, their joint game session would have been far, far more fun than his nightmare of a solo session was.

Of course, Calliope is perhaps the principle person he wants to be free from. But Calliope isn't really trying to control him — she wants to cooperate with him. (On the other hand, to say that she wants him to cooperate with her is to say that she wants him to become more like her, which is, perhaps, its own sort of destruction of his personality. But let's be honest, Caliborn's personality fucking sucks and everyone, including him, would be way better off if he were more cooperative.)

It's true, though, that Caliborn wants to become not only the master of his own fate, but the master of everyone's fate. And he succeeds! But the way he does it isn't by seeking to change fate — it's by embracing the inevitable. When he sees that something is going to happen in the future — even if it's his own defeat — his instinct isn't to fight it. It's to make himself into the one responsible for it.

(This also indirectly makes Caliborn responsible for his own imprisonment as a child. By the point in the story when the cherubs are born, Gamzee is acting as little more than a manifestation of Caliborn's own will. Everything he does is to ensure Lord English's eventual existence, at Lord English/Caliborn/Lil Cal's behest.)

In the end, Caliborn's will is so tightly interwoven with the alpha timeline that cause and effect become blurry. Is it fate because he wills it, or does he will it because it's fate? To Caliborn, I don't think that's a meaningful question. He believes to the core that what he wills is inevitable, and that if something is inevitable, it must be because he willed it. The two are one and the same to him.

Personally, I would argue that Caliborn is just as bound by fate as anyone else in the comic — maybe even more so — but it's because that's the path he's chosen of his own "free" will. Is that freedom? The freedom to choose not just to embrace inevitability, but to become the inevitable? Perhaps.

Now… could he ever have chosen otherwise? (They say that when you face The Choice, it hardly feels like a choice at all.)

Really, Caliborn is a self-fulfilling time loop. Right from the start, he is exactly what he needs to be to ensure his own predominance.

The Tragedy of Caliborn

So here's the flip side to Caliborn's inevitability.

The tragedy of Caliborn is that what he's determined to get isn't necessarily what's best for him as a person. What he thinks he wants is to fuck shit up, forever and always. This is his goal. This is always his goal. And he succeeds at this goal beyond his wildest imaginings… at the cost of giving up literally everything except for that goal.

Because, yeah, I agree that Caliborn does care about art. He does, deep down, want love and affection. But he'll throw all that away for power, without hesitation. It's really kind of sad.

Lord English is the culmination of everything Caliborn has been working for. He is everything that Caliborn thinks he wants to be. But Lord English doesn't tell stories. Lord English never holds hands with anyone. Lord English is barely even a character. He's a force of nature, the personification of destruction. There's nothing left of Caliborn in him except for raging misogyny and the drive to murder entire universes.

And the worst part is, Caliborn understands himself so little that he never once regrets this. In pursuit of his goal, he gives up everything that makes him him, and he doesn't even notice!

I've said before that, by definition, Caliborn can't question himself — because if he were the sort of person who ever doubted himself, he wouldn't be the sort of person who could become Lord English.

This is the downside of that. Caliborn cannot ever decide "wait, maybe I'd rather spend my life making art and smooching dudes instead of fucking shit up for all eternity?" The idea that he could have been wrong about what he thought he wanted out of life is inconceivable to him.

And, like… I guess getting to destroy shit for all eternity makes Caliborn pretty happy! But… maybe he could have been even more fulfilled some other way?

Caliborn doesn't think so! But there's a hell of a lot Caliborn doesn't understand about himself.

[just-another-star-47]

Hi!!💓🥹💓 for the ask game (especially for Lulu but you could do for any or ALL of your characters if you want!!)

6, 16, 23

Love, myokk🥹💓

(can’t send asks from sideblog)

Thank you for your ask you beautiful human beeing. 😁🥰💕

Alright, then let's start with

Luscinia

6: How do they deal with grief?

Lulu is horrible expressing her emotions verbally, but when it comes to hurtful emotions such as grief, anger, sadness.. she's not able to express or work through them at all. So for the most part she tries to distract or numb herself, until everything gets too much. Then she will flee, hide away in a dark corner, where nobody will find her and break down, crying until she's exhausted and able to move on again.

16: Their dreams

Freedom. Beeing free from the expections of her mother and society. As she was younger, she sometimes also wished to be free from the responsibility of taking care of her younger brother. But she always felt incredible guilty afterwards and hated herself for even having such thoughts.

23: How they act when they are sick

This is probably the only time Lulu will let someone take care of herself. ( and secretely enjoy it). But only, if she trusts that person. To everybody else, she will just repeat over and over again, that she's fine, even though she clearly isn't and get angry, if somebody dares to tell her what to do (get into bed, drink some tea..). So yeah, when you're not friends with her, she's a little annoying, grumpy patient that needs to be tied to the bed. When with friends, she's gently. Atleast until she gets bored or has to take some medicine. 😅

Corvus

Luscinias older brother

6: How do they deal with grief?

Just as his younger sister, Corvus never learned to deal with his hurtful emotions in a healthy way. So both of them use the same mechanic of distraction, but due to their different personalities, Corvus would be the one throwing himself into parties and surround himself with a lot of people. He also throws himself into work to not feel. When it becomes too much, he gets angry. He will never hurt anybody in this state or throw a tantrum, it's more a brooding and silent anger, that will often lead him into dangerous situations and irrational decisions.

16: Their dreams

That was actually hard to think about. Corvus has many ambitions, but dreams? Maybe, deep down, it's his dream to see Lulu truly happy? I think it's different from the goals he has in life, because he knows that he only can contribute to the happiness of his younger sister to a certain level. But it's something he wishes for.

23: How do they act, when sick?

Corvus is one of these annoying people that never really gets sick. 😅 He has a running nose for a few days and that's it. When it comes to beeing injured, he's a patient and polite man, who will take his medicine and do as he's been told obediently. 😅 When he has to be in bed too long, he'll gets quieter and isn't his charming self anymore, because he starts to feel useless and has no real oportunity to distract himself from hurtful feelings and thought, as he usually would do.

Accipiter

Luscinias cousin (I call him cousin, but it's their great, great, great grandparents that were siblings.. soo..😅)

6: How do they deal with grief?

Honestly. I'm not sure if Accipiter ever experienced deep grief. He doesn't get attached to people or animals easily and is in a position to get everything most things he wants (Out of the three he is also the only one not able to see Thestrals). Growing up spoilt, but with parental figures meeting atleast some of his emotional needs, he probably would be the one dealing with grief in the most healthy way. Talking to his uncle or friends. When he would be grieving for something he think he shouldn't be grieving for, he would be very fast to push this negative emotion onto others, though, making them feel as bad as he is.

16: Their dreams

To be seen and respected. Accipiter grew up in a household that linked worth with status and mistook fear as respect. So he constantly tries to be the best. (The true reason why he hates Sebastian)

23: How they act, when they are sick.

Did I mentioned, that he is spoiled? Yes? Because that's all you need to know. He will whine, he will pout, he will throw tantrums. Somebody has to stay at his bedside the entire time (and not 'just' a house elf..). If he's quiet, be aware, it's serious. 😅 You want him to eat something? You have to feed him. Demands chicken soup the entire time. Soo.. have fun..😂

At this point, I'm nearly able to write a family chronic.. 😅