#because they really do

[vargdottern]

i don't dislike moomintroll and snorkmaiden's relationship because it gets in the way of snufmin. i dislike it because every conversation they have feels stilted and awkward. i dislike it because moomintroll so obviously cares more for snufkin than for snorkmaiden which leads to neither of them getting what they need out of their relationship. i dislike it because it feels like they're just together because they're the main boy and girl in the story. i dislike it because they could have just been good friends but they were forced into a relationship with no chemistry instead

[valtsv]

stuck between "psychological horror statement" and "objectively the funniest thing you could say to your real flesh and blood dad" in the father's day card aisle

[napping-sapphic]

take your clothes off and get on the bed what no we aren’t having sex right now we’re cuddling and pressing every inch of skin together as close as possible for the next six hours

[chiptrillino-art]

(ID in ALT text)

"got your nose"

[thechekhov]

this one goes out to everyone who has an M sized dog with an L sized bark.

[littlelightfish]

Funny things I found out playing with language setting in Netflix while looking episode 15:

Chilchuck's scream sounds HAUNTED in brazilian portuguese. Give it a try if you can.

(You can hear it here)

In spanish dub, Senshi says: "toc�� mis senos de hombre", which means "he touched my man boobs" in Spanish. And I think that's the best dub line one so far.

[beebfreeb]

[stemmmm]

more people gotta try this shit where bill has not improved and will not change but he's just chilling so its fine probably. its great

[traaumaa]

*has several debilitating disorders* idk maybe i'm just lazy

[albinogel]

[inkskinned]

this is just my opinion but i think any good media needs obsession behind it. it needs passion, the kind of passion that's no longer "gentle scented candle" and is now "oh shit the house caught on fire". it needs a creator that's biting the floorboards and gnawing the story off their skin. creators are supposed to be wild animals. they are supposed to want to tell a story with the ferocity of eating a good stone fruit while standing over the sink. the same protective, strange instinct as being 7 and making mud potions in pink teacups: you gotta get weird with it.

good media needs unhinged, googling-at-midnight kind of energy. it needs "what kind of seams are invented on this planet" energy and "im just gonna trust the audience to roll with me about this" energy. it needs one person (at least) screaming into the void with so much drive and energy that it forces the story to be real.

sometimes people are baffled when fanfic has some stunning jaw-dropping tattoo-it-on-you lines. and i'm like - well, i don't go here, but that makes sense to me. of fucking course people who have this amount of passion are going to create something good. they moved from a place of genuine love and enjoyment.

so yeah, duh! saturday cartoons have banger lines. random street art is sometimes the most precious heart-wrenching shit you've ever seen. someone singing on tiktok ends up creating your next favorite song. youtubers are giving us 5 hours of carefully researched content. all of this is the impossible equation to latestage capitalism. like, you can't force something to be good. AI cannot make it good. no amount of focus-group testing or market research. what makes a story worth listening to is that someone cares so much about telling it - through dance, art, music, whatever it takes - that they are just a little unhinged about it.

one time my friend told me he stayed up all night researching how many ways there are to peel an orange. he wrote me a poem that made me cry on public transportation. the love came through it like pith, you know? the words all came apart in my hands. it tasted like breakfast.

[egophiliac]

don't think I'm not still obsessing over 7-12

[bixels]

The final TF2 issue really got to me. Spoilers, but it’s the reveal that all of this suffering and murder and war over gravel and shitty land was for nothing but senseless, bottomless hatred. That the administrator can’t even remember where this revenge plot started as she flashes through different false memories of her parents’ deaths. There was never a tragic backstory or justification, only terrible people doing despicable things. And despite how crass and stupid and unserious TF2 is, the story subverts every expectation by showing the survivors and inheritors willingly breaking the cycle. Ms. Pauling lies to the administrator and chooses not to save her, and finally lets her die. (Hurts even more if you read into the subtext that Ms. Pauling is in love with the administrator.) She lets the final cache of Australium go and walks away from the burden and legacy of a century-old bloodfeud. Hale lets Gray’s daughter go and live her life freely. Spy is the first to arrive at Scout’s house and meet his big family, finally takes off his mask, and helps with the kids. Even Merasmus exhaustedly makes peace with himself and Soldier and chooses not to curse him or something. There’s nothing to finish, no promises to keep, and no one to avenge. The only thing to do is break the cycle and walk away.

It feels odd how happy and warm everything is, but it feels so right and earned. These bloodthirsty, awful, violent men were expendable cogs in a machine of endless violence, and they found a way out. It’s a genuinely great message about letting go the past that burdens you and finding the will and a way to hit the bricks, change, and be happy. Maybe they don’t technically deserve happiness, but they’ve got it nonetheless, and they’re not gonna let it go to waste. They’re still all crazy and violent, but on their own terms now and with people who love them! Smiles.

[smoosie]

A different tomorrow

[luwha]

Not telling y'all that you should be able to identify AI slop (but it is a valuable skill, you totes should), but if you're to be accusing artists of being AI left and right at least go and do your homework, or at least do the bare minimum and use AI identification tools like Hive Moderation, so you 1- don't ruin someone's lifehood 2- don't make a clown out of yourself maybe

Like, i get it, AI slop and "AI artists" pretending to be genuine is getting harder and harder to identify, but just accusing someone out of the blue and calling it a day doesn't make it any better.

The AI clowns shifted to styles that have less "tells" and the AI arts are becoming better. Yeah, it sucks ass.

They're also integrating them with memes, so you chuckle and share, like those knights with pink backgrounds, some cool frog and a funny one liner, so you get used to their aesthetic.

This is an art from the new coming set Final Fantasy for MtG. This is someone on Reddit accusing someone of using AI. From what i can tell, and i fucking hate AI, there is NO AI used on this image.

As far as i can tell and as far as any tool i've used, the Artist didn't use AI. which leads to the next one:

they accused the artist of this one of using Ai. the name of this artist is Nestor Ossandon.

He as already been FALSELY ACCUSED of using AI, because he drew a HAND THAT LOOKED A LITTLE WEIRD, which caused a statement from D&D Beyond, confirming that no AI has been used.

Not to repeat mysef, they're accusing the art above, that is by Nestor, to have used Ai.

REAL artists are not machines. And just like the AI slop, we are not perfect and we make mistakes. The hands we draw have wonky fingers sometimes. The folds we draw are weird. But we are REAL. We are real people. And hey, some of our "mistakes" sometimes are CHOICES. Artistic choices are a thing yo.

If you're to accuse someone of using Ai, i know it's getting hard to identify. But come on. At least do your due diligence.

[eydilily]

would you bite the hand that feeds you?