#because they have important parts I have to mention them

[mareastrorum]

Adding onto this. I'm an attorney, but I don't work in this area.

Get an estate planning attorney. Don't rely on services like Legal Zoom because they're literally just forms that may not be the best option for you or your family. You want a lawyer for the advice.

Family, estate, trust, guardianship/conservatorship, and adoption laws all vary by state. They don't change very often, but they can be difficult to navigate. What the documents are called, what they can do, and what happens without them all vary by state. Get an attorney licensed in the state where you live.

Most attorneys in this practice area offer packages like (a) a simple will alone, (b) a full set of documents, (c) trusts + other docs, etc. These packages usually are meant to cover a certain amount of hours working on the documents, including the back and forth discussions and going in to sign the documents with witnesses and a notary. Your retainer agreement will likely mention that if they go over that number of hours, there's an additional charge; it's unlikely that prepping the plan would take more than 10 lawyer/paralegal hours except in complex cases. Depending on the attorney's experience and geographical area, it may be a few hundred dollars for a package.

Some attorneys may suggest an hourly rate instead of a package. Don't psyche yourself into thinking you'll save money because you'll save money by not asking questions. You should ask questions. Get a package. People who need to pay an hourly rate (for however long it takes) are people who have so much money and so many assets to account for, they don't really worry about the rate or the hours.

Before you meet with an attorney, make a basic list of what you're worried about. Do you have property or savings that need to be taken into account? Do you have kids? Is anyone on their second+ marriage? A good attorney will have a pretty comprehensive questionnaire or interview to figure out your needs, but you still want to go in with a general idea so that you're ready to talk about it.

You may want to ask the attorney if they work in more than just estate planning. An attorney that also does probates, adoptions, guardianships, etc. is actually a good sign because that attorney has a better idea of what happens when things go wrong. Some firms have attorneys that do one area, but they group to share their clients as they need each of these services. It's not uncommon, and it's not a bad thing.

Basic list of potential documents you may need (again, varying by state):

Will: When you die, who gets your assets after your debts are paid? If you don't decide this, the state has default "intestate" rules that may fuck over your partner, kids, etc. This is the document where you ask your attorney if there's ways to ensure that your partner and all dependents will receive what you want them to even if your legal relationships are invalidated. (Sometimes, a will can direct all assets to a first choice, then to a second choice, and if it turns out someone is still underage, hold the assets in a trust. They can be conditional sometimes!)

Personal property designation (sometimes can be separate from the will): When you die, do you have specific items of personal property (NOT MONEY OR LAND) that you want to go to specific people? For example, maybe you want to leave everything of value to your partner, but you have a Babe Ruth baseball for a cousin. Maybe you want to avoid your family fighting over who gets what pieces in your Beanie Baby collection. You'll be dead; let everyone be angry at you instead of each other.

Guardianship nomination (may be part of another document): Who would you nominate as guardian of your children and wards if you (and your spouse) die or are incapacitated? THIS IS INCREDIBLY IMPORTANT IF YOU ARE NOT IN A CISHET MARRIAGE. BOTH OF THOSE THINGS: CISHET AND MARRIAGE.

Financial Power of Attorney: Who do you want to handle all of your assets if you are incapacitated? Literally everything. This person could fleece you, so it has to be someone you trust not to do that. Often times, you can also name a backup in case your chosen person is incapacitated, and it's suggested in case you and your partner get into an accident. (NOTE: Sometimes, if you are a single person with a fair amount of assets, it can be a good idea to name your attorney. This might be a preferred option if your next of kin cannot be trusted. It costs money, but if you are at all worried about what your family might do, at least have that discussion with your attorney so you can learn your options.)

Healthcare Power of Attorney: Who do you want to make all medical decisions if you are incapacitated? Who do you trust to make decisions you would have wanted? Who do you think could handle this without getting their own emotions in the way? Who would actually be available where you live to make those decisions? You can also name a backup for this as well.

HIPAA authorization: Who is allowed to access your medical records if you are incapacitated? This should at least match your healthcare POA, and you may want to allow biological relatives to do this too if you have any genetic predispositions.

Health Care Directive/"Living Will": Do you want to be resuscitated if your heart stops? You can decide either way, but this means your next of kin doesn't have to make a snap decision on your behalf while you are actively dying.

Trust: The utility and purpose of a trust HEAVILY VARIES BY STATE AND YOUR CIRCUMSTANCES. For example, they are super popular in California, but they're usually excessive in Washington. There's also different kinds of trusts. Ask your attorney what the benefits would be over a traditional will. Maybe it's worth it, maybe it's not.

This is a scary time. Making a plan means you're ready if something goes wrong. Breathe, talk with your loved ones, and make a plan.

Before January 2025:

If you are a USAmerican in a relationship that might be affected by legislation that dissolves same-sex marriages, who may no longer be recognized as next-of-kin, especially if you have children, get your rights in writing!

Your marriage certificate may not be enough to prove you have rights to make medical decisions for non-biological children or for a same-sex spouse or partner.

Go to a lawyer, get it spelled out as clearly as possible that you have a voice in emergency medical and legal situations.

[yukioos]

TWO OF HEARTS

SUMMARY: ashley graham x reader x leon kennedy // leon and ashley try to gain your love in spain through various acts.

WARNINGS: not proofread, mentions of ashley’s kidnapping (not by reader or leon), jealousy, reader’s really unaware of how they’ve fallen head both like her, ashley and leon don’t really like each other

AUTHORS NOTE: sorry i’ve been so inactive! i’ve been drowning in homework lately, but i had no homework today so i decided to write! i’ll try to be more active in the future, but anyway, here’s my first leon/ashley writing! send asks if you want some more content about either one of them :3 this is 0.6k words, but not really a full on oneshot?? just ideas

when you and leon get sent by the president to rescue his daughter from a village in spain, your friend decides it’s the perfect time to get closer to you. although the mission is supposed to be all serious, considering you’re dealing with the president’s daughter, he can’t help but notice you’re oblivious to his advances and compliments.

unfortunately, as he attempts to get to know you better, you keep the objective in your head: find and save ashley. of course, it’s always good to stay focused on the task, but he wishes you’d have more fun at the time.

another thing that would be a pain in his ass at times was ashley. for some reason, she’s taken a liking to you as well and trails behind you like a lost puppy. she’s always complimenting you, whether it’s about your skills or your outfit, or how you can lift something heavier than two times her weight.

all those words from her make leon’s blood boil. he has a job to do, but she isn’t making it any easier.

however, he can’t blame her for finding herself attracted to you. you’re everything anyone could ever want, the most perfect thing, sculptured by god himself.

leon tries to gain your attention by laying his hand on your waist or hip, occasionally rubbing the space with his thumb. of course, he likes to protect you because it makes him feel masculine, and he can be depended on. sometimes he tells little jokes just to see your eyes squint, especially in a high-stress situation. he places his jacket over your shoulder when he sees a single hair on your arm perk up, or goosebumps form on your arms or legs. he always feels a surge of pride flow through him once he sees his dark brown coat on your body.

ashley, however, isn’t too fond of leon’s actions. she’s thankful he’s taking part in saving her, but prefers to be a few steps behind you instead. she’s always chatting your ear off and smiling at you sweetly, using her manners whenever you do something kind for her (leon tells her that you’re just doing your job, and she always rolls her eyes when he makes that comment). she always blushes and giggles when you gently place a hand on her back, guiding her where she needs to be, like a schoolgirl talking to her crush on the phone. being kidnapped by a cult was traumatizing, but she hated the thought of returning to her father and never seeing you again, supposing you’d be busy on other important missions. maybe she’ll ask her father to invite you over for dinner so she can properly thank you.

the unspoken rivalry between the blondes grows far too strong, one will grin as the other crosses their arms or scoffs when they’re not feeling noticed by you. they’ll both be shoulder-to-shoulder with you, ashley’s head tilting as she looks deep into your eyes, trying to flirt with you. meanwhile, leon will stay silent and tell you what the next task should be, all with a large arm around your waist.

you’ll compliment ashley on her adorable skirt, asking her where she got it, and she’ll respond with a cheery smile on her face. within a second, she’ll send a smirk towards leon, and his expression hardens as he glares at her.

your obliviousness frustrates them both, even telling you they love you or want to be more than friends would only be a compliment towards you! you’d take it as they see you as an important person in their life, or they want to be best friends. the blonde finds humor in the other’s frustrations, feeling closer to you once the other fails to tell you how they’ve fallen head over heels for you.

[millersfinest]

the thing in your chest that beats ² | e.w

santa barbara!ellie williams & ex-firefly!reader

wc: 4.5k

mini-series: california | oregon (you’re here) | idaho | wyoming

blurb: you put up a good fight with those rattlers, but it wasn’t good enough—all it got you was strung up near a beach where the sun scorched you dry. abruptly, their set-up gets fucked by their own prisoners, saving your life by only a thread. but the wrath that lingered under your skin was immense, and you’re not the only one to experience that phenomenon. when another damaged soul encounters your brittle state; the dreams that put you in a tough position manifest into reality. along with a few extra miscellaneous things…

cw: angry!r, slow-burn romance, eventual smut, proximity trope, both reader and ellie on a path of redemption, afab body parts mentioned, vulgar language, reader being complicated, mentions of attraction, inner guilt, use of ‘y/n’ and ‘woman’.

note: honestly i just can’t wait for them to kiss (spoiler: not this chapter). but they’re learning to trust each other. just know in the idaho ch we’re gonna be UP! please, enjoy this for now!! (also: i hope the lot of you voted for the presidential election. these are very very important times #harriswaltz2024)

Oregon

Several days and nights were spent on a boat, cruising up the coast of California. It was one of those livable boats, where you could hide from the sun in a room with stable furniture to eat on, and a bed to sleep on. You spent a lot of your time inside the hatch, analyzing a map that Ellie had labeled with a marker. Hoping that you’d maintain your luck enough to actually see Wyoming for yourself.

Ellie had confessed that she came from Jackson, but she still hadn’t told you the why. Instead of asking about it, you refrained, in turn, asking about the settlement. Were the people kind? Did they have horses? Because you heard they had horses.

Those were the questions she could answer easily, with little to no hesitation. Until your questioning began to irritate her—which, in turn, irritated you.

The two of you bickered over the smallest of things in those days on the water. It could’ve been the heat, or the rationed food, or even your similar personalities. You couldn’t help but clash every chance you got. By the time the two of you drifted onto the coastline of Oregon, the conversations had diminished—because of your stubborn attitudes.

Leaving behind the boat was a drag, but there’s wasn’t much of a choice. The rest of the journey toward Wyoming was going to be on foot. Over cracked pavements and between dewey trees. If only the trip could be simplified by the use of a boat—it would be less extraneous.

The weather had gotten significantly cooler the more north you traveled. The mornings were the coolest, and the days were chilled with a gentle breeze. It would rain eighty percent of the time, which made it harder for you and Ellie to continue the trek. But both of you were resilient.

Somewhere between Salem and Portland, you found yourselves looking for a place to stay for the night. You had run across some nefarious people when you first arrived at the coast; and you’ve been recovering ever since. Trying to collect as many things as possible on the road to make up for the lost ammo and supplies. Which is what led to you looking for a place to crash in, basically, pitch black darkness. Navigating the dewey wood with nothing but the lights attached to your bags.

Droplets of water slipped off the waxy green leaves of the trees above. Splashing onto you—and it was shocking every time. The climate sent a gentle chill up your spine, so the water was even colder. Ellie walked ahead of you, mumbling under her breath from the lack of shelter. Her agitation was ruminating off her skin like a furnace. “We should’ve never gone this way— there’s nothing out here!”

Her agitation was obviously laced with panic. Ellie was exhausted from all the traveling and worries about conflict. “We entered a campsite a few miles back. At the very least there should be a cabin out here.” You surmised, squinting your eyes trying to defy the darkness. The auburn-haired woman scoffed under her breath, adjusting the hood of her raincoat. “If you wanna take a break, just say that.” You reached for her wrist, pulling gently. “It’s been a long day…”

“Absolutely not. We need a place to sleep tonight— with a roof.” Ellie pulled her arm away, placing her hands onto her hips. Her head hung low, clearly fatigued.

“How about this: you park it by this tree for a little bit, while I walk around to see if I can find somethin’ for us.” You offer, shrugging your shoulders, casually. The both of you were exhausted, but it seemed that Ellie was suffering a bit more than you were. Was that not that point of a team? To tap in someone else when you need it. Plus, you really felt that there was a cabin nearby. There had to be one. Most campsites had cabins that hikers and campers would go to before they began their adventures. For supplies or even important notices about wild animals.

Or, maybe, you watched too much tv at the firefly base.

She shook her head. “No chance. Separating in the dark doesn’t sound like a good idea to me. What? So, you can get lost and give us another problem to deal with?”

Pinching the bridge of your nose, you press your lips into an irritated line. “Are you seriously insulting my intelligence, right now?” You raised an eyebrow, glaring at the woman in front of you. “I was a firefly for six years of my life—“

“Oh, my God! The whole world knows that you were a fucking firefly, y/n. No need for the reminder.”

Ellie began to walk in another direction, sternly. You scoffed, following after her like confused duckling—which was an embarrassing thought. “You’re so insufferable. All I was trying to do was help you out— because to be honest, you’re not handling this well.” You quip, walking by her side with your hands shoved into your pockets.

She scoffed. “How could I handle this well? Please, tell me.” Stopping in her tracks, she glares at you. Olive irises blown out from the darkness around her, boring into your aggressive frame.

Taking a step closer to her, the corners of your lips curled, mischievously. “You could start by taking a fucking break and letting me take the lead.” There was something that differed between you and Ellie’s versions of frustration and anger. She took it up a level, while you brought it down. It could fool an idiot into thinking you weren’t mad at all, when really you were fuming. The pace of your voice was slow, almost menacing. True fire remained behind your eyes, in your posture—the way your lip twitched as you spoke.

“I’m not some damsel in distress you pull everywhere then blame when shit goes wrong.” You added, taking in her battered features. The scar in her eyebrow and her top lip. The freckles under her peeling skin from the days aboard. “I have a great sense of direction; I’ll have you know.” As you spoke, she examined your features the same way you did. “Stop arguing with me, sit your ass down, drink some water— and i’ll be back in twenty minutes tops!”

Ellie rolled her tongue in her mouth, averting her eyes from you. She was too stubborn to admit her own exhaustion to you—she’d rather be in control of the situation than someone she barely knew. Someone, who at the start of this trip, was, in fact, a damsel in distress. Your body had healed in the days since departing Santa Barbara. Not completely, but in progress. You were walking better, even though you still had a bit of a limp.

Her focus on you made it easy to forget her own ailments. The missing fingers on her left hand, the wound on her abdomen. They were healing, surprisingly. However, her attention still remained on your well-being.

She sighed, itching her nose with her index finger. “Fine. Whatever.” Ellie shrugged her backpack off, leaning against the tree. “Just come back in one piece, yeah?” Somehow, she managed to sound insulting with her hidden words of weariness.

You snickered, narrowing your eyes. “Is that worry I’m sensing or…?”

“Don’t make me change my mind.”

With that, you backed toward the path, chuckling under your breath. Adjusting the hood over your head, you focused to begin looking for the cabin that you just knew was close by. Feet crunching over dead leaves and sticks that were imbedded in the mud.

The light attached to the strap of your bag began to flicker as you pushed between the trees. “Come on…” You hit the light to stabilize it. “Now is not the time.”

When you’re lost in the darkness, look for the light.

Your past affiliations haunted you like a ghost. Somehow, you always found yourself looking for that light. Perhaps, in this case, it’s Jackson, Wyoming—a place far from what you know. That was more of a long-term goal, though. The light you were currently looking for was a building made of wood, preferably insulated.

Ahead of you, you weren’t sure if you were seeing things, but what you were hoping for was coming into view. The brightness of the moon illuminating the starry sky outlined the top of the cabin, exposing its silhouette. In excitement, you rushed toward the building, peaking through the foggy windows. From what you could see, there was nothing inside but old furniture. Thankfully, no infected. You were beat; the last thing you wanted to do was fight that damn virus.

As you peeked through every window you could find, jiggling door handles to try and find a way in, you realized it was a home. Not some hiking administration building you surmised would be around the trail. Spending enough time circling the cabin, you pick up a rock from the ground to crack a window. You were getting in that house one way or another.

The rectangular shape was rather high for your reach. Huffing, you dug your fingers into the divots of the logs. It wasn’t the best grip, but it was enough to get you into that window. After throwing your body through the hole, you landed on the ground with a thud. A shallow pain throbbed in your thigh—the one that Ellie had stitched for you back in Santa Barbara. Shutting your eyes, you took in a breath from the slight pain. You weren’t one hundred percent just yet.

Exhaling, you stood tall on your feet to get a look at the interior. A long plaid couch was placed in front of what used to be a fireplace. Burned logs was still lying in the pit, but they burned to a crisp. You were certain that if you touched them, they would fall apart under the weight of your hand. The dirt shapes on the walls symbolized that picture use to fill this space—the cabin was drained of life.

It’s only source of existence was the fact that you were standing in it.

Before leaving to retrieve Ellie, you jogged up the steep stairs of the cabin. To check the upstairs rooms for any infected or people. You must’ve been one lucky woman, because there was nothing but dust occupying those rooms. Quickly, you went through the front door to grab your partner.

Crunching on leaves and sticks, you startled her. Ellie was spotted sat in front of the tree, leaning her back with her eyes closed—which was the least smart thing to do, but she was tired. The sound of your boots crushing the elements of the forest jolted her from her light sleep. She gripped her switchblade in a fist, looking at you with determination. “Fuck,” She sighed, rubbing her hands over her face. “I thought you were someone else…”

“Nope. Just me.” You breathed, watching her as she stood to her feet. “There’s a cabin about ten minutes from this spot.” Crossing your arms, a slight smile rested on your lips. A smile screaming I-told-you-so.

Ellie slung her bag around her shoulders, dusting off her jeans; doing everything to ignore your antics. “Are we just gonna stand here, or are you gonna show me where it’s at?”

Sucking your teeth, you pivoted, rolling your eyes. She was such a sore loser. It felt good to be right, and for her to be wrong. You didn’t get lost like she thought—instead, you carried out exactly what you planned: finding shelter for the night.

The two of you approached the cabin, Ellie releasing a sigh of relief. Hallow sounds of your shoes walking up the steps of the wooden porch sounded. You opened the door, allowing her to walk through. Staring her down with same smile you had a few minutes ago. “Nice place, huh?” You asked, shutting the door behind you, turning the lock.

She meandered inside, surveying the interior. Her fingers slide along the dusty bannister above the fireplace, pursing her lips. “Not bad…” Ellie lifted an eyebrow, peering over her shoulder at you. Lifting her finger, she eyed the dust that stuck to her skin.

“Told you there was a cabin around here somewhere.”

“I knew you were gonna say that.” Ellie chuckled, dryly. Taking moderate steps toward the kitchen. Every time you stopped, she insisted that inventory was taken of all of your supplies. She achingly tugged her backpack off, sighing. You followed behind her, leaning your arms against the counter—watching her tired movements.

“Why are you looking at me?” She dropped her hands onto the counter, with that familiar irritated glint in her eyes.

You purse your lips. “You know I could do this, right?” Shrugging off your bag, you swing it onto the counter. There was a slight sway to Ellie—the only reason being her exhaustion. “We’ve done this a number of times; you can go rest up. There are three bedrooms upstairs— take your pick.”

Ellie scoffed, continuing the work in front of her. Counting under her breath. You grit your jaw, glaring at her. She was truly insufferable—moments like these really highlighted that. Her stubbornness and pride amounted about the same to yours; causing you to wonder… Were you just as bad? You pity the friends you had in your youth if that was the case. Releasing a meditative breath, you placed a hand over hers. “Seriously, Ellie, I got it. Go get some sleep.”

She looks at you through her eyelashes, allowing your skin to remain on hers. “Aren’t you tired, too?”

“Yeah, but not as much as you… I could stand to be up for a little while longer. You on the other hand…”

She pulled her hand from under yours, pushing off her wet hood. Her auburn strands were damp, sticking to her freckled skin. “All right. Make sure to write down the things we don’t have that we need.”

“I know.”

“And mark the items that we’re running low on.”

“Again, I know.” You motion with her hand to run along with amused eyes. Waiting to begin, you watch as she hesitantly walks toward the steep wooden stairs around the corner.

It was like pulling teeth for Ellie to willingly hand over responsibility to you. In her mind, she was still doing you a favor—she was working for you. But being that she was extremely tired, her inhibitions loosened. The touch of your skin to hers, surprisingly, comforted her concerns; made her sleepier. She heavily stepped up the stairs, leaning on the railing for support.

She walked into the first bedroom she saw. The light from the moon cascaded through the window that the queen-sized bed was pushed against. Shedding her damp clothing, she spread them out onto a dresser before getting into the bed. Before nodding off, she peered out the window with a burdened mind. Remembering the bulk of her actions leading up to Santa Barbara. With the added misfortune of Santa Barbara. Then… You.

The moon reflected over a sparkling pier, that was down a hill behind the cabin. The lake was completely in her view, rippling subtly from the fish beneath the surface. She cracked a smile, peering at the beautiful sight. Rolling up a pillow, she propped it up enough to let that be the final thing she sees before sleeping. Using the elements of the earth as a night cap.

She’d woken up many times throughout the night, but she was used to that habit. When the sun peaked through her window, Ellie had gotten as much sleep as she could have. The smell of cooked fish had wafted into her nostrils, pulling her from the old mattress. With a groan, she swung her legs over, rubbing her eyes.

In a blur, from the corner of her eyes, she saw a figure walking toward the pier. Blinking, she leaned on the pillows against the window, watching as the figure began to remove their clothes—it was you. Ellie watched as you dropped your items, carelessly, before jumping into the water. For the first time in awhile, her mind went blank. Completely empty.

Well… Not that empty.

She checked the clothes she had on from the night before, and for some reason, they still were damp. Enough moisture resided in her jeans that she didn’t feel comfortable putting them back on. Sighing, she began searching through the drawers for anything she could put on in the meantime.

Finding a pair of plaid pajama pants, she slid those on, throwing her holed band t-shirt over her sports bra. “What time is it?” She patted her jeans for the watch she carried with her. Cursing under her breath, she realized it was left in her backpack.

Quickly, Ellie found herself navigating to the first floor. Her eyes widened at the organized sight of all of your supplies. You had grouped similar items together and left a piece of paper with the amounts in each group. At the bottom of the page, you had written a list of the items you needed more of. Ellie’s watch was sitting on the end of the counter, properly placed. “You have outdone yourself…” She muttered, picking up the paper you scribbled on.

When she flipped it over, the subtle grin her lips faded. Seeing the sorrowful words written on the page. Since leaving Santa Barbara, she noticed you pulling out this letter a lot. The one you fetched from under that infected woman. You had never gone into what this letter or note meant to you—probably, because she never asked. That didn’t mean she wasn’t curious about it, though. Ellie never would’ve expected that you’d write on it over something as silly as taking inventory.

There were so many things she didn’t understand about you.

The aroma of fish filled her nostrils again, leading her to slab of rock placed on the counter. A coverage of cloth was placed over the fish to ward off flies. She peeked under it, seeing a perfectly scaled and grilled fish. Hunger got the best of her, and she began to eat the fish with her hands. Humming at the satisfaction of filling her stomach.

After, she grabbed the cracked watch to check the time. It was ten in the morning, the both of you should’ve been back on the road.

Pressing her lips into a line, she walked out the back door to alert you. Her fingers fiddling with the plaid cotton on her legs.

The air was fairly cool, but the sun warmed you up. Basking in the lake was like splashing your face with cold water in the morning—it was a wake-up call. Something that you needed after the night you had. In the room across from Ellie’s, the bed was too firm, and the sheets were too prickly. Your mind kept you up with the image of Honey’s infected body. And, whenever you did shut your eyes, you were back on those pillars again.

You had no choice but to get up early and occupy yourself. So, you fished for a little while, then cooked what you caught—for yourself and the sleeping woman upstairs. After that, you thought you could use a bath. And there was nothing more satisfying than cool lake water—nature’s finest.

You allowed the water to engulf you, embracing your body like a chilled hug. Breaking the surface, you swam comfortable laps around the lake. As you lazily backstroked, you noticed Ellie walking down the steps that led to the dock.

Her auburn hair was spiked all across her head—she must’ve slept well. You chuckled, swimming up the edge of the dock. Placing your hands against it, to pull yourself up a little. Bare shoulders glistening from the sunlight reflecting off your wet skin. “You have a bad case of bedhead, my friend.”

“What?” She immediately became self-conscious, running her hands through her hair. Shaking her head, she adjusted her features, trying to uphold her naturally irritated persona; scrunching her eyebrows and clenching her jaw. “You let me sleep too late; it’s ten. We should start packing up.” Her eyes avoided you, instead, focusing on the plants surrounding the lake. Or your pruned fingers holding onto the dock.

Looking up at her with squinted eyes, you dramatically sniffed. “Why don’t you hop in? You smell like shit.” You ignored her small jabs of blame, coating your lips with a smile. Perhaps, you’ve been spending too much time with her, but her little irritations were beginning to amuse you more than bother you. Or, from the angle that you were peering up at her, she looked really… Pretty. Bedhead and all.

“Excuse me?” She questioned, raising her eyebrows, finally meeting your eyes.

“I’m serious. Let’s resume the trip smelling better than a sewer.” You began to paddle backwards, almost forgetting about your own nakedness. “Take off your clothes… I‘ll give you privacy. Unless you’re too… Chicken.”

She hesitated, watching you swim backwards. Catching an accidental glimpse of your breasts as you turned around. It was true that she didn’t smell the greatest. Before she could formulate her thoughts properly, Ellie spoke. “Chicken? Really, y/n?” She sighed, punching the bridge of her nose. “Fine. But not for long— I wanna make it to Idaho within the next two days…”

Ellie shed her clothes, dropping them close to yours. She jumped into the water, keeping her head from going under, loudly reacting to the coldness of the lake. “Shit!” She exclaimed, treading water.

You turned around, chuckling, noticing her hair still disheveled. “You’ll feel better if you dunk yourself under water.”

“Hell, no! It’s too cold.”

“This doesn’t have to be another I-told-you-so moment…”

She rolled her eyes, clenching her nostrils with her fingers, lowering herself under water. Allowing the cold, earthy, lake water to encapsulate her. The first few seconds were chilling, but her body began to adapt. It became rather comforting—easing her sore muscles and healing wounds.

The lake did the same for you, which was why you were still inside of it. Time stopped at the pier; at least it felt like it did. Existing felt normal, for once. There weren’t any violent rogue people, or hungry infected. Just you and Ellie bathing in a lake.

Ellie broke the surface, running her hands over her saturated strands. Her pale skin was flushed, from what you could only assume, was the briskness in the air and the chillness of water. However, that may not have completely been the case. “Feel better?” You ask, waving your arms under the water to keep yourself afloat.

The corners of her lips curled, subtly. You had to squint to really notice her amusement. She rolled her eyes in a way to avert her gaze. “Yeah, a little.” Ellie finally peered at you, pointing a dripping finger. “Don’t say it.”

“Say what?” A grin plastered on your lips. “I told you so?”

“Do you realize how annoying you are, or just me?”

You pursed your lips, feigning thought. “Just you, I think.”

Honestly, you’re proud of yourself. A lot of the relationship blossoming between your traveling partner and yourself had been developing under the pressure of your attitudes and circumstances. The fact that you could get her to crack a smile, even if it was faint, felt good. It was either the dock’s magic, or your own.

A beat passed while the two of you circled each other. Barely looking at the exposed skin above the water, trying to be distracted by the world around you.

Surprisingly, Ellie was the first to speak—or the first to question you. She rarely every asked you anything. “That letter you carry with you…” The woman awkwardly began. “I saw it on the counter— who wrote it?”

Her voice grabbed your attention immediately at the mention of the note. You held onto it like a totem, a piece of memorabilia from your past. Hesitating, you moved your eyes from left to right in thought. “I know that it came from Santa Barbara. From that house…”

“It’s from an old friend.” You started, lips parting slowly as you spoke. Mouth going dry at the question she asked. You’ve yet to physically get the chance to talk about Honey. From the days aboard the boat, you’ve been trying to forget what you saw. Maybe, you could convince yourself that she was off living the life she wanted—instead of spending her last days suffering under the hammer of infection. “Some girl I met at that God-forsaken resort…” You attempted to casually respond.

“She got infected?”

“Yeah…” You nodded with avoidance, shutting your eyes and moving your head with a cadence of I-don’t-wanna-talk-about-it.

Ellie pursed her lips, nodding. “Why’d you write on the letter? I don’t know… It looks like it means a lot to you— I don’t understand why you would write on it?” She spoke, thoughtfully, as if she didn’t want to say the wrong thing. That was certainly the first time.

You shrug, wanting to hide somewhere, even though there was nowhere to do so. “I just want to forget about it… I guess.”

“If you cared about her, why would you wanna forget about it?”

The muscles in your forehead twitched, bunching your eyebrows together. Your face burned, lips scowling. Ellie’s voice evolved from a soft curiosity, to a judgmental version of it. You sensed the difference the moment it fell from her lips. The intention of her words didn’t matter—it was what she said that bothered you. Did she think you were cruel for wanting to forget about seeing her in that state?

“If I cared about her?” You started, evenly, but with warning. “I did care about her— I do care about her! If I choose not to remember her as a fucking corpse, that makes me a bad person?” Your voice raised, for the first time in awhile, rasping.

Ellie sighed, shaking her head with pleading eyes. “I didn’t say that.”

You scoff, swimming toward the dock. “Well, I’m sure that’s what you meant, right?” Pulling yourself out of the water, you don’t think twice about the exposing of your naked body. Cold air pricking at your wet skin. “I’m the asshole for wanting to remember Honey alive rather than dead…” You wrapped the towel you brought with you around your body, balling your clothes into your arms.

Lamely, Ellie called for you from her place in the water as you left her behind. Before you covered up, she eyed the scars and bruises on your body—maps of what your vessel has been through. Perhaps, she should have entered the conversation with more caution.

Watching you stalk back into the cabin, wiping at your eyes felt like a punishment. A worse punishment than the fact that she didn’t have a towel to dry off with.

“Nice work, Ellie.”

[blackbird5154]

𖤐 Encyclopedia of Terzo 𖤐

I've been thinking a lot about how the personality of Papa III was created. Tobias set the basic framework, the archetype, the cliché from which he drew. But the real implementation of Papa was on stage, where his image developed through improvisation. Some things were conceived on purpose, some were invented on the spot, some came out unplanned, due to circumstances. Papa turned out to be as lively and unpredictable as life itself. In many senses, he lived on stage.

Thanks to the research of concerned fans, there is quite a lot of material. It occurred to me to collect them in one post for those who want to get acquainted with the canonical image of Terzo. This catalogue uses materials from two users, Cityofmeliora's and myself. You can use them for fanfiction or just for your own amusement. So, allow me to introduce Papa Emeritus III!

Cityofmeliora: Transcriptions and facts

Radley @cityofmeliora has an academic degree in Terzo Studies. He did a great job watching probably 100% of the Terzo videos and bringing us some interesting insights about his personality from the Terzo mines.

▸ notes / thoughts on Terzo's characterization (Terzo is so disappointed and depressed and i love him)

▸ Terzo's mom was mentioned twice

▸ quotes on Secondo and Terzo's age gap / the Emeritus brothers having different mothers

▸ TF on the archetype of Papa

▸ about Terzo's height...

▸ Terzo's sweet tooth 🍰🍫

▸ Secondo lied about being able to speak Swedish, and Terzo lied about *not* being able to speak Swedish

▸ according to the Nameless Ghouls, Terzo is better than Secondo because he has hair and is "less smelly" 😂😂

▸ TF breaks character a little too much and accidentally makes it canon that Terzo has a child 💀👶

▸ Who is Mysterious Spectre?

▸ transcript: Terzo's first concert - Linköping, Sweden (June 3, 2015)

▸ transcript: Sweden Rock Festival (June 4, 2015)

▸ Terzo lying about his knowledge of Swedish AGAIN!

▸ Terzo talking about his mom <3

▸ Papa Nihil taught his sons to sing

▸ Terzo hates it when people are bad at clapping 👏👏👏

▸ Terzo knows he's always yapping <3

▸ Terzo is hard of hearing 🦻

▸ Terzo did WHAT in Poland? 😳

▸ Terzo totally not bragging about his Grammy 🙄

▸ Terzo + children 🥰

▸ Terzo had eye infections???

▸ "And it is very important that you respect the fact that there are kids and there are"

▸ Terzo thinks 'Cirice' is a sad song

▸ Terzo getting angry

▸ Terzo's fucked up sore throat voice 🤒

▸ Terzo mentioning Secondo 😎

▸ Terzo mentions his parents 🧑‍🤝‍🧑

▸ Terzo + family 👪

▸ Terzo + being old 👴

▸ Terzo saying quesadillas are his favorite food 🧀

▸ Terzo is NOT a fluent / native Italian speaker 🤭🇮🇹

▸ Terzo + musical instruments 🎹🎸🥁🎺

Blackbird: Observations and analysis

My modest contribution to terzology was an attempt to summarise observations and look inside the head of the mysterious Papa III.

▸ Part 1: Terzo's responsible attitude to work

▸ Part 2: The jokes about height

▸ Part 3: The relationship between Terzo and Secondo

▸ Part 4: The ideas behind the birds and the bees speech

▸ Part 5: Terzo's other beliefs that he broadcast

▸ Part 6: Terzo and his loneliness

[crypticpine]

All of this is very important, and I am glad people are pointing this out about homeschooling. But when I say I love homeschooling and if I have kids, would want to homeschool if possible, I am not talking about this type.

As prev said, the evangelical Christian homeschooling is a cult and I advise to stay away as much as you can. Pity the people part of it, but don't go out of your way to interact with them.

Now, this isn't to say I wasn't taught Christianity, I'm Catholic and was raised that way, but my mom was able to find textbooks and programs that would teach me what I needed to know, no matter if it was Christian or not (not Christian with math and science iirc), and had religion a seperate thing that would sometimes blend into other subjects (like English and History). I learned about evolution, and was taught that while it is controversial to say it was real, it doesn't disprove God exists because that could be how He made the world. I mention this as an example of a more well-rounded homechool education that with the resources we had, didn't rely solely on religious texts.

Now, that isn't to say I didn't have the issue mentioned by OP with the thinking I'm smarter than I actually am and having gaps in my knowledge. I don't know anything about politics and my math skills are not the best (though the math is because of dyslexia and all that). I could've read better books for my English, like the classics (though that's also dyslexia). College really did round out my education and helped me understand that I am not that smart tm. It gave me the knowledge my mom wasn't able to. It helped me socially by showing me so many different viewpoints and growing my empathy. I was also expected to go to college, something most homeschoolers aren't usually told to even consider as an option.

Bottom line is, there's absolutely a way to do homeschooling right and there are non-religious resources you can use. With how self paced and personal homeschooling is, where you can really focus on strengths and weaknesses, it sucks that it's used for oppression and cults.

[onim5]

Invicible Pain

Portgas D. Ace x reader

Warnings: Emotional pain. Swear word.

I believe this is fluff and a little angst.

Gender is never mentioned.

------------------------------------------

"If Gold Roger had a kid, we kill him."

"It be a demon child, we would have the marines execute him, immediately."

"Ha! The Marines made sure no such brat existed."

"The last thing we need is another monster."

"Such a brat doesn't deserve to live."

Boink!

"Aw, frick. What was that for?!" Ace asks, frustrated, looking at you and the book you hit him with.

Boink!

"Hey, stop that!" Ace demands. Holding up his hands so he be ready to defend himself.

"No, not until you stop being stupid." You growl, trying to hit him again with the book.

"The hell did I do now?" Ace whines. He hadn't stolen your food. . . . . yet, and when he does, you don't get this mad. Did he perhaps forget something important?

Boink!

"Oh, come on! At least tell me." Ace hiss.

"You know what you're doing!" You yelled. . . . . Ace looked at you in shock. This was the first time you were actually mad at him, and you yelled. . . . Ace felt how he tensed up. He must have messed up badly, but with what?!

"Y/n, I am really sorry for what I did, and I promise to never do it again."

Boink!

Ace's stomach felt like a heavy bag filled with stones. Whatever he did, he deserves this. He deserves death. . . .

"Now you're doing it again!" You yell, hugging him instead.

"Stop, . . . . Just stop with the self-hatred." You plea, hugging him tight. Ace felt blank. . . . . He didn't move. He couldn't.

"Ace? . . ." You call out as your eyes tried to make contact with his. All you found, though, was an empty space. His gaze was somewhere else internally. He looked hollow, but you knew he was full. Full of emotions others had given and created to him. Emotions he himself had stabilized brick by brick.

Ace eyes finally reached yours, his arms hesitatantly started hugging you back. But he didn't say anything. It was the first time someone had said it out to him. That someone had pointed it out. . . . . He wants to deny it, but he can't.

"How did you know?" Ace whispers, his voice barely adiuoable. You could feel his nails dig into you in a desperate way. He was longing for support but never showed or told anyone he needed it.

"I, I can tell. You get that dark gaze on your expression. Ace, I can feel your invisible pain. It's in your aura." You answer, hugging him more gently, more lovingly.

"I'm see-through? Like glass?" He stutters, a feeling of pathetic and failure dawning on him.

"No, you're not. Your really fucking hard to see through. You're solid with hundreds of walls. But, there's small cracks . . . . And, and I know that there's a door. Please, Ace, let me in."

And that's what he did. In his room, on his bed, he laid a little spoon in your lap. Your fingers caressing his hair with so much care and love? Listening to his story. You never gave him a reaction, just patiently sat and patted him. And so, he accidentally told you everything. About who he was and what he have become.

"I'm a monster." He murrmur, his voice broken and bitter. You didn't say anything, but your hands went to his cheeks and rubbed them gently. Ace can't stop the overwhelming feelings inside. He couldn't stop the quiet tears of pain that covered your loving hands. He couldn't stop . . . . . Finally, he tried to break out of your touch, but both you and a huge part of him stopped it.

"Why, why are you doing this? Why aren't you judging me? I'm a crying man. It's pathetic." He scoffs, once more trying to break out of your touch and love.

"Because your words have been mostly lies. Either your own or someone else's. You're a man, but also a human. you're allowed to cry. It is simply natural." You state, trapping his body in a hug.

"What do you mean?" He asks, his large hand grabbing yours.

"People's feelings have created lies, lies that have reached your ears. Their fear for Roger, a man most actually never met. Has created lies and opinions about you. And you have slowly started agreeing and building up these lies within you. It's time for you to start taking down that huge wall. I don't care if it has to be done brick by brick. Do you know why?" Ace shakes his head, his eyes looking at you.

"Because I love you."

-------------------------------

This was inspired by @captainportgasdace. Thank you. - onim5

Masterlist

[katerinaaqu]

Did Odysseus have horses or not? (An Iliad and Odyssey Analysis)

This little thing came from a post made by @wolfythewitch and my response in regards to some Cephallenian horses that can still be found to Kephallonia to this day: see here So here is a more extensive analysis on the question of horses and Ithaca or the kingdom of the Cephallenians in general

So as we know from antiquity, horses are known to be a sign of nobility, proof of status and of course a valuable animal for work such as farming or war. Horses play a very important role in the homeric poems with of course the most infamous example of all the Trojan Horse that was the symbol of Troy and became its destruction. Many heroes have had the pseudonym "tamer of horses" including Diomedes and Hector.

It seems also that horses are linked most to some of the richest and most powerful kingdoms are shown to have beautiful or good horses. For example except for Troy that as also linked to god Poseidon and thus to the sumbol of Horse, we also see Argos be famous for the horses (and king Diomedes earning his name from it) or even Sparta (Menelaus providing horses to Telemachus which are praised) and Pylos when Nestor also provides Telemachus and Peisistratus with horses.

But what about Ithaca?

As mentioned above and as others mentioned before me, it seems that Ithaca, the tiny rugged place Odysseus speaks about does not seem to have terrains that are capable of hosting horses like wide plains or wide and smooth roads where horses can trot freely or graze. The existence of animals for work as well seems to be touched in post-homeric sources such as Hyginus Fabulae where we see the infamous story of Odysseus pretending madness. He ties to his plow a donkey and a cow instead. Both of the animals are more frequent for plowing fields or carrying loads especially donkeys and mules that are still famous in Greece and greek islands and they are known for being capable of marching across the wild terrains and uphill paths.

Ironically, or not so much, Ithaca seems to have a lack of horses according to Telemachus himself for when Menelaus offers him parting gifts, including horses, Telemachus replies to him thus:

However the horses I shall not take with me to Ithaca but I shall leave them to you, with your permission (lit: to your glory): for you are a king of wide fields, rich in clove and galingale and plenty of wheat that is dicocum and white. However in Ithaca there are neither wide roads nor grassy meadows; place that is fit for goats to walk and graze on rather than horses. For no island that leans in the salt (here: sea) is fit for riding and grazing horses: Ithaca least of all.

(Translation by me)

So here Telemachus seems to imply that not only most of silands have unfriendly terrain for horses but also that Ithaca is "least of all". Now there are a couple of things here that are toned out:

Ithaca is described as a ragged place by Odysseus as well when he speaks on his homeland to the Phaeaces and even nowadays it is indeed true that Ithaca has more mountain plains than wide fields given how small the island is as well and in general Greece is over 80% mountains anyways.

Homer makes Telemachus speak on how Ithaca is the "least of all" suitable for horses. Probably that is a small hyperbole. For starters maybe one could speak on "least of all" in the islands of the Ionian sea instead, which Telemachus probably is familiar with because islands in the Aegean sea are much dryer and uphill than the islands on the Ionian sea so it is probably a hyperbole used by Homer to show how unsuitable Ithaca is for riding horses or comparing them to islands of the Ionian sea instead (because see for example an image of Folegandros which has even less greenery for horses to feed on:

However the image that Ithaca is probably boarderline hostile for horses and riding is also linked to the fact on how Ithaca is often perceived as a land rich in certain products such as olives or fruit trees (due to the mild climate) but a generally poorer island and kingdom compared to others like Mycenae, Argos or Sparta. When Telemachus visits Sparta is is mesmerized by her beauty and richness.

Even if we do have examples in Ithaca that show that Ithaca is not a weak or penniless kingdom (Penelope sits on a chair with ivory which is an exotic material very hard to find or Odysseus leaves for war wearing a crimson woolen mantle that is decorated with a golden brooch. Both gold and the color crimson were extremely valuable. For example crimson pigmentation is found only at the shells that come from the east so it would require good economy to obtain) Ithaca is by general idea a poorer and less powerful kingdom than the rest (Odysseus is one of the kings that brings the least amount of ships with him at the number of 12 and around 603 men in total including himself)

The absense of horses or the hint that Ithaca does not breed horses at all, according to some readings of the passage, is also linked to the lack of powerful status for the kingdom. The kingdom itself is not one of the great powerful kingdoms of Greece like his peers from Mycenae or Argos and the fact that a status symbol like Horses is absent is rather interesting way to show that. In fact Ithaca seems to gain fame by its people rather than its political power.

(See how Odysseus calls the island κουροτρόφο aka "nurturer of men". Odysseus implies that the importance of his kingdom is not to the status symbols but to its people and their braveness)

But can we really talk on complete absence of horses in Odysseus's life?

Cephallonia's Semi-wild Horses:

As I mentioned to the post I reblogged under @wolfythewitch post we do seem to have a breed of horses to the area. The horses are being left to roam about according to an ancient custom because Cephallonia has no much space to keep them so the farmers do tame them but leave them roam free to the plains and now they are part of the national park of Aenus mountain:

These horses have been adapted to ride perfectly well to the rough rocky terrains of the mountain. Now of course the breed was probably imported from the mainland (most likely from Pindos mountains). Cephallonia has also been suggested as the location of the homeric Ithaca (and the giver of name of his kingdom) due to the fact that it deprives from homeric description that Cephallonia was "the most far western island" or, as I would probably be willing to believe, that maybe the land of modern Ithaca and Cephallonia were connected by land at that time (take that hypothesis with a grain of salt but I think it is highly possible) other locations suggested were even Lefkas for they discovered Mycenaean remains there

It is of course unclear when these horses enter the terrain. Itis possible that the horses arrive way after the bronze age that Odysseus ellegedly lived or even after Homer's time even, if Homer doesn't mention them or mentions that horses are not possible to grow in Ithaca.

It could also be, though, that homer completely dispatches horses from Ithaca to that degree again to point out the difference of status between Ithaca and Sparta. And, another totally wild guess, is also interesting how the animal symbol of Poseidon is absent from the island of Ithaca to the poem that speaks about the hubris of Odysseus against Poseidon and the god's wrath against him! Food for thought! XD

No horses in Ithaca doesn't necessarily mean Cephallinians had no horses at all:

Another thing that people often forget is that Odysseus was not king of Ithaca only. The kingdom of Cephallenians was a kingdom that spread over several islands AND part of the mainland where modern day Aitoloakarnania is:

The kingdom is not limited to the island of Ithaca only. Acarnania is also a wide area. Horses can possibly be bred there and also be providing the islands if needed. It is interesting because Odysseus is not only in posession of a chariot in the Iliad but he also seems perfectly capable of riding horses. In the Iliad for example both he and Diomedes steal the Thracian Horses in rhapsody 10:

So she spoke and he (Diomedes) recognized the goddess's voice and swiftly jumped on the horses: Odysseus smote them with his bow and they trotted towards the fast ships of the Achaeans

(Translation by me)

Interestingly Homer uses the 3rd singular of the verb: ἐπεβήσετο (he rode) but then proceeds using the 3rd plural ἐπέτοντο (they flew/rode away). So what could it be? Could it be perhaps that Odysseus jumped on the horse behind Diomedes and smote it with his bow to start trotting away? In that case we could speak indeed on the fact that clearly Diomedes was a better rider than Odysseus given that he is more familiar with horses. However if both of them ride away that means that Odysseus is not completely oblivious of horses he just doesn't seem to be so capable with them indeed. In fact the first is rather confirmed at the passage that follows soon after:

Then Odysseus beloved to Zeus restrained the quick horses, while the son of Tydeus jumped on the ground, placing the bloody spoils to the hands of Odysseus and once more he rode the horses; hitting them with a whip and nothing stopped them from flying to the hollow ships, as they so much wished to be.

(Translation by me)

So in this scene Diomedes seems to be the protagonist, being more knowledgable on horses (he is the one who rides first and trots) while Odysseus plays a more auxiliary role (steeds and holds the horses or holds the spoils in hand) but he doesnt seem completely oblivious to the exietence or treatment of horses. He both knows how to restrain and steer them but he is also in posession of a chariot with which he fights in the Iliad and covers the retreat of Diomedes and later that same chariot comes to pick him up from the battle (see rhapsody 11).

Conclusions:

So Homer seems to be sticking to the notion that horses are not widedly used in Ithaca or the rest of the kingdom due to its rough terrain. Not only does Telemachus speak of it but we also see the image in Iliad where Odysseus is clearly not as capable rider as Diomedes given how while they trot away. Of course needs to be noted how the horses are often depicted unbriddled and without a saddle in the artwork so it is also interesting to think that Odysseus wouldn't be able to ride without equipment while Diomedes who is more familiar with horses he has no problem.

Odysseus seems to stick more to chariots than horse riding which also indicates that he is not familiar with horse riding to that extent or that he is not particularly confident in it, however he seems capable of doing it.

The existence of the horse breed in Cephallonia as well as the fact that the kingdom also involves the mainland could indicate that horses were not unknown to the Cephallenians just not widedly used. Odysseus speaks many times on horses and their beauty and strength so he is familiar with them and he can judge (bet he also learnt a bunch from his fellow kings like Diomedes and the idea of Diomedes showing Odysseus even more stuff about horses sounds a cute image doesn't it!?) but from the incidents such as the one from the Iliad, suggest that he is not confident rider.

His knowledge seems less extensive compared to his knowledge on other stuff such as sheep and goats (he praises the flock of Polyphemus for example, elemet that I also used to my retelling/one-shot fic "Escape from Cyclops Island: Hubris") or stars and navigation so indeed even if he does have knowledge on riding or chariots he is not very confident in it.

So I tend to be somewhere in the middle; I don't believe that the Cephallinians had no horses at all or that they had no idea on horses (Telemachus himself has some knowledge after all since he mentions immediately to Menelaus that his gift would be unsuitable for his land) it is just that if they can host horses it is just some very sturdy and adaptable ones like the ones used at mountain passages and even those were not widedly used. They would probably have more mules or donkeys for transportation like it happens to mountain terrains and use more cattle as farming animals. The use of horses must have been very scarce to the point of providing them general knowledge but not as widedly used as in other places

But what do you guys think? Let me know!

[vento-di-fata]

To all my American friends, from an Italian who has been raised steeped in "love your country" bullshit.

Be selfish, and do what you can to save yourself. Do your best to bring as many loved ones as possible with you, but do not compromise your safety for the sake of a country and people who have turned against you.

If you decide to move away please don't let anybody try to convince you that you're 'abandoning' your country or your people. You are saving yourself and your loved ones, and can't help anybody else if you're dead and/or in jail. Protesting and fighting is good and all, but after a certain point, you must also think of your own safety. You are not a coward or a traitor. The only people who will tell you that are the ones who are not risking their life and livelihoods. Please do what it's best for yourself and your families.

Patriotism and community won't save you when police shoot you in the head for protesting.

Europe immigration portal

As an European and afaik I would say Finland, Ireland, Sweden and Germany are your best bets to move to because they have the best immigration and integration programs, as well as welfare and other necessities.

If you're lgbtq+ the best bets for you are Germany, Spain, Norway, Sweden. They all have same-sex marriage, adoptions and most of them allow gender self-identification. Italy is not safe for lgbtq+ people because we have no rights whatsoever. Civil unions are a lie.

All the countries I have mentioned should have a specific page on their government websites for immigrants to let them know the resources they provide for you and the documentation you need. Language courses are often offered as part of the immigration resources, but there are also plenty of schools and independent courses you can attend.

I hope everything doesn't go to shit. But in any case please ensure you have safety plans to move states or countries if you need to.

Renew your passport, gather all important documentations, save money for a quick getaway and contact the embassies of the countries you might want to move to.

Please all keep yourself and your loved ones safe.

Help each other, support each other, but at the end of the day everyone will fight for their own life. Senseless altruism will lead you to your grave. Don't lay down your life for a country that hated you since the moment you were born.

[oatmealdaydreams]

Black Hole Fantasy: I'm pulling in the driveway, I'm turning off the car

Let me know if ya wanna be added on or taken off the general taglist!

Part 1

Inspired By Works: the Shifter Stan AU made by @the-east-art! Check out her stuff, it's super good. Shout out to East!

Pairing: Stan Pines & Ford Pines, gen

Warnings: Homelessness, Implied/Referenced Child Abuse

Summary: After reconciling, Stan answers what he can while Ford asks questions about his shifting abilities. Most of them are expected from his nerdy brother: how certain shifts work, what kind of limits there are, what the deal is with partial shifts, and all that. But then Ford asks about how he found out about his abilities, and…and Stan debates if it’s a good idea telling his brother about his time driving in Mount Tammany.  Stan cannot lie to Ford without him seeing right through it, anyway.

Notes: Wrote a majority of this today (as of posting) because I damn well know a lot of us need some comfort right now.

[Masterlist] | ao3 link

[read under the cut]

Stan expected this. It’s Ford, he’s gonna be all nerdy and ask questions and wanna know more about things he doesn’t understand so he can understand them. He expected this. 

As soon as the question leaves Ford’s mouth, he can tell it probably isn’t the best thing to ask, for whatever reason that may be, because Stan tenses in his seat and his gaze darts away from his brother. 

Stan expected this. It’s Ford, he’s gonna be all nerdy and ask questions and wanna know more about things he doesn’t understand so he can understand them. He expected this. 

The younger twins are due to arrive within the next week or so for another summer. Stan’s surprised their parents are letting back to Gravity Falls—depending on what they told their parents—but he’s not complaining. He grew attached to those chaotic gremlins rather quickly. They’re family, after all. Stan knows he’s got a weak spot for ‘em. Ford gives him shit about it sometimes when he’s being all stubborn and grumpy. It doesn’t come from a place of hypocrisy, though. Ford’s just as bad as Stan is when it comes to their niblings, and he most often admits it.

The time sailing across the vast seas on the Stan O’ War II with Ford helped with remembering things. Stan had remembered most of his life—the important bits, at least. There were still holes in his recollection here and there, still are, but important memories stuck before the rest of it. The fact that he had a twin brother named Stanford, his niblings, most of what he’s done while in Gravity Falls, the entire Portal Situation, and almost everything that has to deal with a certain triangular dream demon. When he has relapses, Ford is always there to help him remember and support him until the memories come back. Childhood can be a bit blurry sometimes. He doesn’t quite remember much about their father, but Ford reassures him that he’s not someone to worry about; Stan trusts Ford. That, and the way Ford’s eyes darken every time he mentions him…well, he can piece things together on his own. Some people aren’t worth remembering. That’s okay. 

One of the periods in his life he struggles to remember much of is the ten years before he arrived in Gravity Falls. Ford doesn’t know much about them, either. When a memory from then resurfaces, it can be…really shitty. Sometimes, when a relapse happens and it involves something from his years being homeless, it gets a lot harder to calm Stan down. Especially since all the memories he’s remembered from then so far have been what his niblings would call ‘unfairly traumatic’. Stan knows by now where he got all his survival skills, at least. 

There are a few memories from when he first got on the streets that aren’t so bad. A few failed attempts at cheap products that got him banned in some places. He vaguely remembers his Stan Vac, the whole not-rash-causing rash-causing bandaids, little things like those. His leaky towels that made stains worse. 

His drive up through Mount Tammany. 

Stan remembers a particular night from that. Getting banned from New Jersey and trying his luck in the next state over. Dark nights where the skies were perfect for stargazing if he’d only let himself stay still for a few minutes. But then again, staying still for even a second on the road is the kinda thing that gets ya killed. So. He can always stargaze now, though. Ford always watched the stars when they got the chance at sea. Maybe they can do that again, now, in a place that doesn’t involve a surprising constant of sea-bound critters out ta get their asses. 

The fucking point: he remembers sitting in his car on the roadside, alone, in the middle of nowhere up on a mountain, getting all teary over his stupid fucking hands. He’d shifted them by accident, and suddenly six fingers replaced five. Missing Ford did that kinda shit, he supposes. Intertwining a five-fingered hand with a six-fingered one nearly broke him. Stan can punch a pterodactyl in its damn face, but he’s weak when it comes to his family. To his brother. 

Stan hopes Ford never finds out about it. He hopes he does find out about it. It’s a complicated mess of things. 

They sit in the chairs in the living room. Some rerun of an earlier Ducktective episode plays at low volume, perfect for background noise. Ford noticeably has a notepad and a blue-inked pen out on his lap. Stan’s counting down the seconds it takes for his brother to ask whatever questions he has on his mind. It only takes about thirty seconds for him to burst. A new record, really. 

“Can I ask you a few questions about your shifting?” Ford’s eyes twinkle like the fucking stars. 

Stan shrugs, genuinely open to it, “Sure, why not.” 

Ford’s excited little smile is plenty of reward for agreeing to this. He knows if he said no, Ford would back off. He’d be a bit disappointed, yeah, but he’d back off. Brothers are like that, y’know. 

His brother readies himself with his pen and all, eagerness leaking off him like some weird mist or something. 

“How can you shift into a mermaid but not into a partial fish shift?”

“It’s not that simple, Poindexter. There’re limits to it.”

The sound of a gliding pen across paper, “I suppose that makes sense. Even with Shifty, he had to learn through visualization before he could shift into something. Perhaps you mimic in a similar fashion,” There's a brief pause as Ford writes another note. “What are the limitations?”

“Well,” Stan grunts out a sigh, “for one, shifts hafta be made of the same base stuff that humans are. Size is another thing. Can’t shift inta somethin’ too small or too large. And, uh, partial shifts are their own thing, not very sustainable. ‘S why I gotta shift into a full merfolk instead ‘a partial fish.”

Ford nods along to his brother, scribbling notes hastily as he talks. There’s a sense of ease that blankets the air between them. Lounging in the tv room, talking, listening, just hanging out with each other. When was the last time they did shit like this? When was the last time it started to feel easy? Maybe it’s because he’s answerin’ the things that he does know about his shifting abilities, but a warmth blossoms in Stan’s chest at the realization of how much it reminds him of being kids. Yappin’ with each other. No arguin’ or nothin’, just…yappin’. It’s nice. 

“Wait, so—” a readjust of Poindexter’s glasses, “Then how come you’ve shifted into partial cat eyes or…ah, the partial bear shift the kids told me about?” 

“It ain’t sustainable, so it doesn’t last long,” Stan tries, though he’s pretty sure he just explained the partial shift thing. “Wouldn’t wanna randomly shift underwater, y’know? And fish shifts are always a bitch to shift in and outta.” 

“Ah, I see. Why are fish—”

“The gills, nerd. Breathing’s all different an’ shit.”

“Oh, well, nevermind then.”

Stan snorts at him, and Ford playfully rolls his eyes. He writes a few more notes down. Stan taps his fingers on the arm of his chair, lightly drumming out a tuneless rhythm. A companionable silence fills the room, and for once, he doesn’t feel the need to replace it with some sort of sound. Probably because he’s already making noise with his tappin’, but still. It’s like a gentle inhale of fresh pine air, drifting around them. It’s calm. It’s as quiet as any ambience can be. It’s peaceful. 

And it only lasts for a few minutes, thankfully, because Stan might’ve started tappin’ with two hands instead of one if it went on for too long. It’s still silence, after all. Nothing good has come with complete silence.

“Given what you’ve explained…how does your shifting work?” and this question has the stars in Ford’s eyes turning into spotlights that gleam onto Stan. 

Stanley clicks, shrugging, “Tch, I don’t know.”

Ford glances up from his notepad, pen stilling, “What?”

“I don’t know how it works, Six.”

“How can you not know how it works? It’s your shifting!”

“I’ve been busy.”

“But you just explained—”

“I know some things, just not everything!”

“How—wait, okay. What were you so busy with that you didn’t explore your shifting more?”

The peaceful air thins. There’s a slight pressure, tension, something that threatens to smother them if they don’t tread this carefully. A choking hazard. 

Stan scoffs, a biting voice, “Jeez, Six, do ya not remember bein’ shoved into a massive fuckin’ portal? And I thought I was the amnesiac.”

He winces as soon as he says it. That was a bit harsher than he intended, honestly. It’s in the past. Sure, there’re still some shit they gotta work out, but now wasn’t the time. Why is he always biting like a wounded feral dog when it comes to shit like that? What is he, a beaten hound? 

Ford goes sheepish, “Oh, right…”

It’s awkward. The tense air simmers like New Mexico’s summer heat. It blazes underneath the first layer of their skin. It fizzles and crackles and makes both of the older twins fidget in their seats. Stan shifts his weight in his chair, and his finger-tappin’ gets quicker. 

Ford clears his throat, “Right, well, I—thank you, Stanley.” 

A small, fond smile tugs at the corner of his mouth. Warmth fills his chest like waves of the ocean, his heart sighing pleasant beats. Ford’s said it a number of times while they were sailing. Some nights, when the beer was cold and the stars were glistening across the vast seas, they figured out talkin’ about shit. Not everything, no, not even some of the things they probably should, but they were still important things they needed to talk about. The portal was one of them. At least, some of it. The parts that Stan remembered in flashes. Memory of its entirety came back before they returned to Gravity Falls, but he digresses. They talked about some shit, and Ford made a point of saying ‘thank you’ a lot more. He still does it. 

The tense air dissipates a significant amount, easing, calming, gentle.

“Yeah, whatever, Poindexter,” Stan waves it off, but he couldn’t wipe the little smile on his face if he tried. “What else ya got, huh?”

Ford shares his own little smile, glancing down briefly at his notes, “Well, let’s see…oh! How did you initially find out about your shifting?”

And the tense air returns with a sharp bite. 

As soon as the question leaves Ford’s mouth, he can tell it probably isn’t the best thing to ask, for whatever reason that may be, because Stan tenses in his seat and his gaze darts away from his brother. 

“Of course, if you don’t remember it,” Ford adds quickly, “Just the earliest you can remember.”

Stan considers what to do here. He’s been given an out. He can just give the easy excuse that he doesn’t remember. It wouldn’t be too far a lie, what, with how fickle his memory from that far back can be. It’s still a lie, though. He does remember that night driving through Mount Tammany. Although it may not be his first experience with his new-found shifting abilities, it is one of the earliest. It would be around the time he first found out, anyway. 

And he’d promised Ford on the boat that he’d try and talk to him. They both did. They made that promise. Stan is tired of breaking things. He won’t break a promise to Ford, especially now that they’re on much better terms. He can’t risk fucking this peace up. It’s too precious now. There’s been too much work and hard nights and shed tears they’ll never comment on. Stan won’t break it for anything. 

He sighs, refusing to face Ford while he does this. 

“It ain’t much. Just a drive through the mountains,” he forewarns, “Nothin’ pretty, nothin’ ugly.” 

Ford’s eyes widen in momentary surprise, as if he’d expected Stan to take the out. He shakes it off, leaning in slightly. An eager listener. A nod to show he understands. 

Alright, we’re fuckin’ doin’ this, Stan thinks. 

A gruffer sigh, “Just been banned from Jersey, I think. A few failed business ventures or whatever, and I was drivin’ up through Mount Tammany.”

Stan ignores whatever Ford’s reaction is to him being banned from their home state. He can’t handle reactions if he’s gonna commit to this. Grabbing a half-drank can of Pitt Cola, givin’ something for his hands to do. Idle hands ain’t gonna do good. He can’t risk havin’ idle hands that reach for violence and excuses. This ain’t the time for it. Not now, not now. 

He swallows, continuing, “It’s dark, probably in the middle of the night. Got used ta drivin’ in late hours so much I don’t think it made a difference.” 

The scene itself starts to unravel in front of his mind’s eye. He can almost see it, hear it, smell it. He keeps talking. 

“Mind kept driftin’, so I had ta pull over. I was wonderin’ about…people. Where they were, how’d they been, all that. Guess they really got to me, heh.” 

Ford doesn’t need to ask who he’s referring to. This one, he knows. He knows what Stan is like when he talks about missing Ford. It’s one ‘a those times. 

“Not even twenty yet, y’know. Still young enough to have a weak stomach about things. I couldn’t keep drivin’ all those curves up in the mountains like that, else I was gonna crash or somethin’. I pull over.”

Stan has to pause for a moment, swallowing again. He tries not to get lost in the memory. He fidgets with the can in his hand, thumbing across its smooth surface. Remind himself where he is. Remember he’s in a chair next to his brother, and not breakin’ at the sight of holding a five-fingered hand and a six-fingered one together. Five plus six is eleven. It’d only been ten years when he saw Ford next after that, but it sure felt like eleven centuries with the way they’d changed. 

No longer lookin’ like each other. Both scared outta their minds and desperate. They’re twins; but back then, they’d been strangers that shared a last name. Not even that. Stan’s used many names throughout the years. He’s worn many faces, too. Droppin’ his shift for the first time in years, just to see his brother, had been a lot more unsettling than he thought it’d be. 

Right, explain’ Mount Tammany. 

Stan shakes his head lightly, ignoring his lingering thoughts of triangular portals. 

“I felt the extra fingers before I saw ‘em,” a hitch of breath besides Stan, but he continues through it, “Six fingers on each hand. The last I recall, I wasn’t the one with hands like that. Turns out I shifted ‘em without thinking.” 

Stan does that sometimes. In moments of heightened emotion—distress, usually—his body decides to kick into gear without askin’ Stan first and shifts itself into whatever it deems necessary to survive the situation. He heard Wendy explain it as a trauma response once. She’d been taking this psychology class to avoid some shitty required course that had a shitty teacher. She’s smart. Gonna do some pretty great shit one day, that kid. Badass enough as it is, really. What highschooler can say they’ve survived the literal apocalypse without referrin’ to a video game? 

“I was already a weak mess at that point,” Stan hesitates, thumbing the can in his hand again. Quiet noises come from Ford’s chair, and he tries to write it off as squeaky furniture. ���I, uh…shifted one hand back, and…intertwined them. ‘Bout broke me. I was already fucked-up with drivin’ in the middle of the night, anyway. Y’know, lackin’ sleep and all. That shit.”

Stan cannot look in Ford’s direction after he’s finished. He keeps fiddling with the Pitt can in his hand. His other hand drums a tuneless rhythm on the arm of his chair. He can’t have idle hands. They reach for things. Reaching for Ford might not be a good idea right now. Hey, at least Stan’s actually thinkin’ for once in his damn life. Mabel’s childlike optimism is rubbin’ off ‘a him. 

The quiet noises include a sniffle, and Stan feels something in his chest crack like a statue about to fall off a breaking cliff. Something’s about to break and fall into the churnin’ waters below. The sea can be just as much of a hell as it can be a comfort. Life’s like that, he supposes. Your greatest comfort can be your easiest weak point. 

They sit there, not talking, not looking at each other, hardly making a sound. It’s a fragile air. It’s a thin glass sheet. They’ve had practice on the Stan ‘O War II with learning how to navigate moments like these, but this? This is something else. This is about an earlier memory of being kicked out from home. This is about when Stan learned he was just as anomalous as his brother. This is about one of the first times Stan lost a little hope. This is different. It’s fragile, and Stan’s never been good with fragile things. He breaks what he touches. He doesn’t know how to touch this without cracking the glass like a hammer to a stained glass window. 

Neither of them breathe for a moment. 

How the hell do you navigate a conversation like this? How did it turn into thinly-veiled raw emotion with the steadiness of a paper house? The pivot from your average sibling bickering and stupid smiles to something made of a deck of flimsy cards. A sharp pivot. A sudden pivot. Where did the fragility come from? 

Ford, surprisingly, is the one to break the stained-glass window. 

“Lee,” his voice is thicker, choking, full of hitching breaths and sniffling that becomes all the more noticeable with the uneasy silence. 

Stan can’t help but turn to his brother as soon as that nickname is uttered. There’s a lump in his throat at the sight of Ford’s red-rimmed eyes behind the guise of his blocky glasses. He doesn’t have it in him to swallow it down. 

Okay, they’re doing this. Great. This is fine. 

“Six,” Stan responds, and he sounds just as bad as Ford.

He ignores the prickling droplets in his eyes. 

“You—when did—” words come tumbling out of Ford’s mouth like foreign concepts of another dimension. 

“It’s fine, Poindexter,” an attempt at waving things off, even with how messy their voices are right now, because he cannot stand seeing his brother look so distressed.

“It’s not fine, Stanley.”

“...It’s not.”

“You were banned from Jersey?”

Starting there, okay.

“‘S what happens when yer products are a total sham.” 

“I–yes, I get that, I just…I saw the commercials. Thought you figured it out, and  not…”

“You saw the commercials?”

A pause, “Ah, well, yes. It was the only time I ever saw you.” 

Something about that twists a heart or two. Neither of them can tell if it’s their own or each other’s. It doesn’t matter, really. It twists all the same. 

“You went through Mount Tammany?” Ford continues. 

“Headed towards Pennsylvania. Business opportunities and all that.”

“Ah.”

“Yeah.”

Moses, they’re pushing towards seventy and still this awkward? What are they, pre-teens?

“Can you show me?” Ford is so quiet that Stan almost doesn’t hear him.

“Uh, what?”

“Just—you said you shifted into six fingers, so…” the shrug he gives is a little unlike him, but this entire conversation is a little unlike them. Too many emotions going ‘round in a circus display of some spin-top toy. 

Well…not exactly where Stan thought this conversation would go, but it’s not a bad direction. Just show his brother that he can have six-fingered hands like he does. He’s done it before. It’s not the shift that holds a heavy weight behind it, but it’s the reason Ford’s even asking. He’s not gonna point out that Ford’s already seen him with similar hands before. 

Stan tears a hole in the paper house, and he nods. 

Ford watches with a gaze of…something. Careful curiosity is in there somewhere. Along with whatever else is racin’ through his damn head. Lots of things today, huh?

Stan doesn’t need to concentrate as much as he usually does with partial shifts. This one is something he’s practiced and done so often that it’s instinctual. In fact, he glances down and notices one of his hands already has six fingers. He shifts the other to match. Ford stares. He fidgets with his own six-fingered hands. They twitch like they wanna reach out. Stan feels that echo in his knuckles, his joints, the bones of his wrists and hands and even in his sockets. 

Stan slowly reaches out first. 

Ford spares a darting glance at his face, and he meets him halfway. 

They hold hands. 

The very much not-there-at-all tears glide down Stan’s face. Ford’s sniffling again as his breath hitches again. Quiet sounds flitter around the room. Little sounds. Sounds they won’t admit to making because that means admitting to crying over holding hands, and they sure as hell ain’t gonna do that. Doing that means facing the truth of how heavy it feels. Holding hands with your brother isn’t supposed to be heavy. He’s seen Mabel and Dipper hold each other’s hands, and they certainly don’t get weepy over it. Not that Stan would dare to make fun outta them if they did, no, he rather shift in and out of bein’ a fish a million times before he even thinks about doin’ such a thing. 

Ford squeezes, and Stan squeezes back. 

A deck of flimsy cards topples over and scatters across the floor in a whirlwind of sad old men and old wounds. 

Little birds keep close together for winter. 

A sparrow holds his brother’s hand, and it brings more comfort than he’d thought possible. Maybe the scared teen that drove through Mount Tammany heals a little. Maybe the lost kid that cried over his hands while stranded alone in his car starts to smile again. 

A small, teary smile tugs at the corner of Stan’s mouth.

Taglist: @lost-in-thought-20 @thegoldenduckie @not-sure-what-im-feeling

[deadpresidents]

Thanks for being real today.

I get people wanting to be hopeful.

But I can't with "it will be okay" and "we will survive this."

It was not okay for Heather Heyer, Joseph Rosenbaum, Anthony Huber, Joyce Fienberg, Richard Gottfried, Rose Mallinger, Jerry Rabinowitz, Cecil & David Rosenthal, Bernice & Sylvan Simon, Daniel Stein, Melvin Wax, Irving Younger, Andre Anchondo, Jordan Anchondo, Arturo Benavides, Leonardo Campos, Angie Englisbee, Maria Flores, Raul Flores, Guillermo "Memo" Garcia, Jorge Calvillo García, Adolfo Cerros Hernández, Alexander Gerhard Hoffman, David Johnson, Luis Alfonzo Juarez, Maria Eugenia Legarreta Rothe, Maribel (Campos) Loya, Ivan Filiberto Manzano, Elsa Mendoza Marquez, Gloria Irma Márquez, Margie Reckard, Sara Esther Regalado Moriel, Javier Rodriguez, Teresa Sanchez, Juan Velazquez, or any of the other people killed by white supremacists whose actions were aided and abetted by the Trump presidency. These people did not survive. Not to mention all the people who haven't survived COVID, but might have if the Trump administration had taken timely action. Or the women who have died after being refused appropriate medical care because of the rapist and his buddies that Trump appointed decided with some weird pastor in the 1600 said was more important than the lives of actual living, breathing, human beings. Or the school children who would not have been shot to death if we had actual gun control laws in this country, a thing that would have been possible to achieve if Trump had lost in 2016.

Yeah, sure, the majority of us in the United States will probably survive. That's how statistics work. And if that's what somebody needs to hear in order to move forward, then I guess saying such things has a purpose. But it's looking pretty shitty for anybody living in Ukraine and to me, it comes across as disrespectful to the people whose lives have been lost in no small part thanks to what goes down in US elections.

I needed somebody today who would say not only that this is not okay, but this is *really* not okay.

Thanks for being that voice.

Thank you for this. I can't help but write what I feel, even if some of it hasn't been the most optimistic message to send. There is a reality that we need to come to terms with in order to find some way forward. I'm pissed off and I'm disgusted with this country, so I'm going to keep doing what I've been doing because it is therapeutic for me right now and I'm too old to go around punching and kicking people.

I do want to say that I'm also cognizant of the fact that some people just need some time to allow this reality to settle. I certainly don't want to add to the stress or darkness that some of us are feeling right now. There is no denying that this is fucking terrible, but we will regroup and find a way through it. It won't be easy and we're going to have to fight, but I don't want anybody to think that there is genuinely no hope. There's always something that we can do, even if it seems bleak.

If I'm writing something or somebody else is saying something that you're not ready to hear, it's okay to do what you need to do to remain healthy. These posts are going to be here whenever you might feel like reading them. You can and should step away from this if you just need a fucking break. It doesn't mean you're any less ready or willing to fight this battle than anybody else. Even if Trump and the rotten MAGA cult takes control of every lever of power, you can gain a personal victory by not allowing them to completely crush your faith in the future. You can be depressed and despair, but do not give up. Do not give them that power over you. We will find a way. We will get through this. We will figure out what it is that we need to do and who we need to back and how we need to attack, but taking care of your personal health and well-being is more immediately important than the bigger political battle or the next step in the resistance. Take care of yourselves first and we'll still be here and ready to eventually harness this anger and frustration and fucking disgust to defeat the MAGA movement and Trump's Christian nationalist personality cult.

The main thing, though, is that if you're really having a tough time in the immediate future, step away, take some time, go for a walk, read something that has absolutely nothing to do with Donald Trump or American politics (if you need suggestions, I always have book recommendations!), and regroup. Again, we'll get through this, and as goofy and weird and ridiculous as Tumblr can be at times, there's always a community of people on this site willing to listen and help each other when we're struggling. So, if you are having trouble getting to tomorrow, reach out because there are scores of people here who will help get there with you.

[omgsomeonesomewhereonearth]

This poll as well as recent conversations I've had is really helping me realise that I actually had amazing sex ed my whole life. It wasn't perfect (and a lot of my other schooling wasn't either), but honestly I'd say it was better than good!

In Year 5 (9-10), primary school - had a few lessons on puberty, a short one from our main teacher and then another one later where they separated the boys and girls. A professional lady came in to talk about the dawning of our boobs and periods and other bodily changes. They also talked about penises briefly but not in much detail. I can only assume the boys got the same talk but in reverse wrt detail. Didn't go deeply into partnered sex but wet dreams and masturbation were mentioned.

Year 6 (10-11), different primary school - taught us more about sex. It was a incredibly heteronormative (I specifically remember them describing the act as "a special hug between a man and a woman that can lead to a baby), but comprehensive and did emphasise that sex could also be for pleasure. We did worksheets where we had to label the body parts and watched some videos with naked cartoons ans scientific diagrams. Again stuff like masturbation and wet dreams were brought up in a normal and not shameful way.

Year 7 (11-12), all girls secondary school - had a professional lady come in again to tell us about our changing bodies and hormones and stuff in great detail in first term. Gave us free tampons and pads, explained that there's no shame in using either. Started talking about sex both from a scientific perspective in biology and a personal perspective in PSHE, around the same time which I think really helped bring the message home. Second term a different professional came in to talk to us about like, sexual feelings and hormones and slut shaming/virgin shaming in teen culture.

Year 8 (12-13), learned more about protection and all of the options available to us in terms of hormonal birth control and physical like condoms. Again, that happened both in biology and PSHE to really drive the point home. Later on in Geography we discussed Africa for a full term and about two weeks of that were focused on how AIDS spread rapidly because condoms weren't made accessible and how important they can be not just as birth control but also for personal safety. Did tell us though that people with AIDS are fully capable of living full and healthy lives and it's not inherently a death sentence. We also had a day long workshop with many activities where we talked about different kinds of relationships. This wasn't inherently sex ed, but it did get brought up in the context of many relationships can involve sex - and these don't have to be marital or even romantic. We talked in detail about consent in relationships, both to do with sex and otherwise and how to recognise the signs of abuse. And we also talked about same sex relationships during that workshop which was nice :)

Year 9 (13-14), had another day-long workshop like the relationships one but this time it was purely about sex. Once again talked in depth about consent, slut shaming, and virgin shaming etc. Went over all the different birth control methods available to us and talked about their effectiveness. Practiced putting condoms on bananas. Even talked a little bit about lesbian sex and how you can practice safety whilst doing that. Were given the option to take home free condoms.

Again it wasn't perfect by any means and especially at the all girls school it was very cis-woman-with-a-vagina centric. But for me, as a perisex afab who for now hasn't transitioned medically at all, I have found myself really benefiting from the stuff I learned back then in my adult life! I would love if they'd talked more about trans bodies and experiences - and honestly, knowing that school it's fairly likely that they now do! All of these experiences are from like 2012-2017. A lot of the stuff we learned about gay sex had only been introduced a year prior, to my knowledge.

"Abstinence-focused" meaning that a large underlying message of the sex education you received was "don't have sex [before marriage]."

If you had sex ed at multiple different times, vote according to whichever was better.

–

We ask your questions so you don’t have to! Submit your questions to have them posted anonymously as polls.

[ficsonpost-its]

sparring with gf!lara croft

summary: dating world renowned archaeologist lara croft does come with some conditions. the most important one? you need to know how to defend yourself cw: mentions of loss but otherwise, pretty fluffy!

‣ Lara's number one rule was simple: know how to defend yourself. She's not risking the chance another break in to her home happens and you're caught unawares with no way to protect yourself if she didn't get there in time.

‣ This meant countless hours in the home gym Lara had constructed shortly after the events of Yamatai. You'd find her down there some nights with a faraway look in her eyes working on one of the machines. She made it look so easy.

‣ She found a way to make it at least a little bit fun though. Playful contests on who could run on a treadmill the longest, who could lift more (that one was one you were certain you'd always lose), and at one point there was an impromptu game of messing about on yoga balls during a moment where Lara found herself feeling less serious than usual.

‣ During a session where Lara was attempting to teach you how to get out of grips, the both of you had found yourselves on the floor, nose to nose.

‣ "Does this mean I win?" You had asked, and you were proud to see her turn her head to semi hide a smile that grew on her face and laugh in that way she did where she couldn't help btu be amused by you.

‣ "No, it means you've lost, and now are being dragged to who-knows-where."

‣ "I don't know, from where I'm lying I see this as a win."

‣ Shamelessly flirting with each other became the norm too. Stealing kisses during close encounters, making little jokes (some of them less than clean), or finding excuses to give each other a cheeky squeeze.

‣ Of course, amongst all the fun, there was also the main goal: sparring and hand-to-hand practise. Not that you'd let a chance to hold her hands pass you by, not at all.

‣ "This is serious!" She'd say as she caught you not-so subtly ogling her arms for the nth time in the past couple hours. Now, Lara would be lying if she said that didn't give her a spike in confidence and esteem that you were so distracted by her you couldn't concentrate, but in the back of her mind flashed images of those that didn't make it in the past. Whether directly because of her or not, that weighted on her heavily, and she couldn't have it happening to you too.

‣ But really, how could you not get distracted? It wasn't often you saw her in clothes that truly screamed casual. But being with her, alone in her home gym while she shows off her physique in black sweats and matching sports bra? Sometimes you messed up on purpose just for her to throw you around a little.

‣ She'd flipped you over for what you hoped wouldn't be the final time and stared down at you, obviously trying to look annoyed but you could see how she struggled to not let slip the little smile and her eyes never lied - they were always soft for you.

‣ You, meanwhile? You stared lovingly up at her, matching her own smile, and let yourself laugh. You were down bad, that much was true.

‣ "What would you have done if I hadn't been me?" She'd ask you rhetorically with a tilt of her head as her face changed to that subtle expression she'd give you when giving you some sort of warning or trying to make a point. "Right now you could have a gun pointed at you, or a knife, or who knows what else?"

‣ You could hear hints of frustration in her voice and you knew it wasn't exactly directed at you. Lara had told you some stories of her adventures in the past. People she had gained, people she had lost, and you came under the 'people not to lose' category. It made sense why for the most part she was a little hard on you.

‣ As serious as the reasons behind these training sessions was, you would notice that now and then she'd let herself crack a smile or just have fun with you. You always try to encourage her to see the positives of working out together and not the negatives that would often plague her mind.

‣ Maybe kiss her a few more times when she isn't expecting it? That should do the trick.

writers block is complete ass but i finally finished this! hope you enjoyed!

[bisnes-socks]

Professor 🙋‍♂️ I have an observation to share that I admit I haven't noticed before. You mentioned that Autiomaa first and second half of the song sets the theme apart from past to now with a different style of singing. Now that I listen closer, he's doing that with other songs too: RTG, Takavoltti, Kot Kot, S=M, etc.. second part tends to be either more 'shouty' or in slightly different voice tone. And I am absolutely eating it upppp :V

you are my favourite student for bringing this up. you get an A++ 💚

alright class, gather 'round. we're going to be talking about his vocal abilities, vocal styles and techniques and how he uses them to elevate songs and build different levels into them.

something you will often hear as criticism towards käärijä is that he's not a technically skilled singer. i have a friend who likes to remind me everytime we talk about eurovision 2023, that käärijä didn't get jury points "because he can't sing". but it's not that simple.

while clean melodic singing is not his strength, and it's true his vocal performance in the singing part of CCC was perhaps not the strongest on the ESC stage, up against a lot of technically skilled singers, what he does does actually take skill and it is not something just anyone could do at the drop of a hat. and if esc juries had actual vocal experts in them, instead of just radio pop producers, they might actually recognise that, but that's another rant for another day lmao.

you've all probably heard multiple CCC covers by now. how often do singers covering CCC sound comfortable doing all that? and how often do they sound like simply getting as low as he can go is a struggle? to hold on to that quality of voice, keep the volume and the breathing steady, and stick to basically one single note, and do all that live? that. takes. skill. there's a reason he isn't moving much in ccc live performances during the verses - he needs his body focused on producing the sound.

and CCC is a great example of him using different vocal styles to elevate the song. the first verse is in that low voice, then we get to the chorus, which is in a higher, more shouty voice - different textures! contrast between the sections! and then back to the low voice - but behold! the higher voice comes back now, for the second half of the verse, as the tempo of the rapping picks up. we're kicking into a different gear, and he is highlighting and emphasising that with a different vocal take. the song is going somewhere that sounds both new and familiar and that is sooooo important in a song like this, that is trying to make a big impact in a short amount of time. we're going somewhere new but the song isn't going to lose us, because we already know these elements - we heard these lyrics before, we heard this voice before, but it's something a little bit different know. the vibe is new and something else is coming!

and so after the second chorus we get to the melodic singing - again, a new vocal style! and then the softer part - again, a new vocal style! these aren't dramatic changes, but just enough to build the song and to familiarise us with these new sections, that will repeat, for us to feel and experience them again. brilliant songwriting and brilliant use of vocals!

you mentioned ready to go in your ask and that is an eeeeeexcellent example of his use of vocal styles, i could DIE! let's look at the choices here, they are delicious.

the thing to recognise about many käärijä songs is that ultimately, they are made up of quite simple ingredients. they aren't super complicated instrumentally a lot of the time, so if you look at ready to go, the musical elements in each section are, at the end of the day, quite simple. which is not unusual for the genre! so he brings a LOT into the mix with his different vocal styles, making the songs feel like they keep moving forward and building.

ready to go starts with one vocal style: quite a low and monotone voice, except lines start with a sort of a mechanical squeal in the voice. and it's quite a funny voice actually, it doesn't sound like a natural speaking voice. then we get to the pre-chorus: "oh, oh no, vaikka meikit valuu nii ei lopu show" part, and the voice is different. it's more of a singing quality, but still quite low. 

and then we get to the part that i'm sure everyone has realised is my favourite by now: "sä haluut nähä ku mä flomaan taas ojaan kuraiseen, hei baby i'm ready to go". there's no beat, there's just a synth-y carpet of a background, and he goes over it with quite a breathy tone, much higher than before. it's quite a flirty sound, on purpose i think. obsessed!

now! second verse! he could go back to the same voice he used in the first verse, but he doesn't. the song has moved on from that, it needs another layer to stay interesting. there is a change in the music as well, the palm muted guitar is now there for the whole verse, but the most noticable change is in his voice and the intensity. it's higher and sharper. 

he dips back into the lower voice for the pre-chorus, but that works in his favour, because going back down there, in the area we already know and are familiar with, allows the chorus to kick in hard when it does.

and this chorus is in full blast, the beat is there the guitar is there, and his voice is not so soft and breathy anymore. overall the voice is much sharper, much more resonate, much more engaged.

and then the song calms down again with "mä haluun ajaa tosi kovaa, vaik pelti kolisee, hei baby i'm ready to go" and he isn't quite as breathy and flirty as he was with the very first "sä haluut" part - because that wouldn't fit this part anymore. he has to go from here directly back into the full chorus at full blast. so he is softer, but not too soft - just the right style to calm it down and then jump back in.

he actually does know what he is doing vocally, even if he isn't one to belt like celine dion, you know?

and one more thing! i know how much people love his growly shouty voice - as heard in sex = money (tein onlyfans bagin section) or the last verse of yhtä vailla and many more. THAT takes technique to be able to do it so consistently and to be able to control the volume as he does. our beloved growly shouty vocals are actually a true testament of the fact that he is skilled with his voice. i'd like to see the best melodic singers do what he does for a song and see how well they do. because what he does is not easy.

now go forth class and find different vocal styles and textures in his songs! he is a vocal wizard and i love him for it. he is so flipping interesting to listen to.

[maul-of-shame]

Elrondriel/Galrond Theory time Again:

Okay hear me out-

*Puts on Clown wig and makeup*

I'm kinda sure they won't bring back Celeborn and Celebrian. Sure this pseud meta may be far-fetched, like Mordor level of far-fetched but hey-

Nothing in LOTR is accidental.

You don't have to read my post to see that some baby steps (and giant ones) towards the Elrond/Galadriel storyline/ship (proposal shots, the white dress, the kiss, everything) have been made but I found something interesting.

Elrond gets his scar following a fight, because of who, generally speaking? Sauron's mess.

I give you the dad:

Gal gets her scar following what? Fight with Sauron again. I give you the mom:

Arwen gets her scars how? Bringing Frodo to her dad and escaping Nazgûls aka Sauron's forces. And I give you the daughter:

I have this theory about Rings of Power and the absence of Celeborn and Celebrian that’s been brewing in my head for a while, and it’s not something I think is a random choice.

In fact, I think it’s a deliberate creative decision by the showrunners that legit shows the direction they’re taking with the series.

I mean come on, have you watched the series????

And those are just a FRACTION of what happens in the series.

For one, the timeline has been so heavily built on in the show that it would be a huge stretch to change or introduce Celeborn and Celebrian in a way that would feel natural. TROP showrunners could’ve easily included these characters, but instead, they chose to introduce original characters in place of them.

And honestly, that says everything to me.

They could have stayed strictly faithful to the established timeline, but instead, they’ve taken a more fluid approach—one where certain details from the books, like Celeborn’s involvement or Celebrian’s story, can be set aside or reimagined.

Now, this isn’t necessarily a bad thing. I actually think it’s a smart move.

By not including Celeborn and Celebrian, the show has the chance to give Galadriel and Elrond more space to evolve as characters.

I genuinely thing, they could become parents to Arwen. There’s something about the bond between Galadriel and Elrond that just makes more sense at the center of this narrative. They’re both so tied to the ancient history of Middle-earth, but by not introducing Celeborn, the focus can remain squarely on them. Their relationship, their shared history, their struggles—they can be explored in a way that feels organic without getting bogged down by a third, potentially distracting character.

We know how important Celeborn and Celebrian are in Tolkien’s canon, especially with the tragic story of Celebrian’s capture and her eventual departure. But in Rings of Power, it feels like the timeline has already been set up in a way where they can’t be fully integrated without changing so much. The show is choosing to prioritize Galadriel and Elrond’s relationship instead of trying to fit them in, and I think that makes total sense. It’s not that they won’t ever be mentioned or referenced, but bringing them in as major players would complicate things. And if you ask me, that would take away from the deeper exploration of Galadriel’s fierce independence and Elrond’s more reserved wisdom.

This isn’t just a random decision—ROP has crafted a version of Middle-earth where the focus shifts to these two characters. They’ve clearly built the story around their dynamic, and I think it's intentional that the show has chosen to lean into that rather than risk complicating it with other characters.

Plus, by making this choice, they give themselves more creative freedom to explore the themes and relationships in their own way, without having to tie everything strictly to the old timeline.

In the end, I don’t think Celeborn and Celebrian’s absence in the story is a missed opportunity or an oversight—it’s part of the larger plan. The timeline’s already been altered, and the show is taking that as a chance to dive deeper into the complexities of Galadriel and Elrond, leaving a lot of space for new stories to emerge.

So while it may seem like a bold move, I believe it’s one that makes perfect sense for the world they’re building.

Galadriel and Elrond just make sense.

Now onto the "Galadriel + Elrond = Arwen":

Imagine, for a moment, the beauty of Rings of Power choosing to make Arwen the daughter of both Galadriel and Elrond.

At first glance, it might seem like a bold move, a break from the established canon of LOTR, but when you really think about it, the possibilities here are deeply poetic and rich with layers of meaning.

We know that Arwen, in the books/movies, is a powerful and tragic figure—torn between her immortal elven heritage and her love for Aragorn, a mortal man. Her choice to give up her immortality for love is one of the defining moments in Tolkien's work. But what if her story is shaped not just by the love of Aragorn, but by the very essence of both her parents—Galadriel and Elrond?

In many ways, these two characters embody the full spectrum of Elven experience. Galadriel represents the fierce independence, the history, the wisdom of a queen who’s seen the rise and fall of ages. Elrond, on the other hand, represents the more measured, diplomatic, and deeply compassionate side of Elvenkind—he is a steward, a guide, a father. Together, they bring a balance of strength, grace, and wisdom, each with their own scars and stories.

Now, if Arwen were their daughter, it would be the ultimate blend of these traits.

From Galadriel, Arwen would inherit that unyielding strength—the drive to protect what she loves, the resilience forged in centuries of hardship. Galadriel’s scars—her battles, her moments of weakness, her journey—would echo in Arwen, giving her a wisdom that stretches far beyond her years, an understanding of the world and the sacrifices it demands. But more than that, Arwen would also inherit Galadriel’s haunting beauty, her ethereal presence, that glimmer of starlight that draws others in. Galadriel’s magic, her connection to the light of the Two Trees, could pass to Arwen as well—imbuing her with a quiet, serene power that could light up even the darkest of places.

Elrond, as her father, would provide her with a different kind of inheritance. He is a figure of compassion and wisdom, a man who has witnessed loss and war, but who chooses the path of healing. His scars—both physical and emotional— brought a depth of understanding that comes only through great sacrifice. Arwen’s relationship with Elrond could be one of profound tenderness, where she sees in him a kindred spirit: someone who understands the burden of responsibility, the weight of having to choose between duty and love but also that both can be linked without having it be a "bad thing".

It would then be no surprise that Arwen’s love for Aragorn mirrors, in some ways, her parents’ own sacrifices and choices, her parents' love.

But it would also show us a more grounded Arwen, one who has inherited not just beauty, but an understanding of the deeper, quieter moments of life.

But beyond their individual traits, think of the dynamic between Galadriel and Elrond as parents—what it would mean for Arwen to be raised by these two. Galadriel, for all her power, is still a figure of mystery and distance in the movies but TROP brought a new version of her. Fierce, protective and compassionate. While Elrond is the steady hand, the one who keeps things together, the fighter, the one who doesn't hide when choices have to be made and so much more.

Together, they would raise a daughter who is both fierce and compassionate, wise and empathetic, someone who carries the weight of two worlds on her shoulders.

There’s a beauty in this new interpretation of Arwen that is more than just a daughter caught between two powerful legacies. Arwen as the daughter of both Galadriel and Elrond could be the perfect synthesis of their traits. She would carry the fire of Galadriel’s unyielding spirit, but also the quiet wisdom of Elrond’s patient heart.

This Arwen would be someone who embodies both strength and vulnerability, a child of two worlds that are changing, just as she is.

And I think that’s what makes the idea so compelling—because in Rings of Power, the showrunners have this unique opportunity to reshape Arwen’s story too, giving her a deeper connection to the lore and the characters we already love, while still honoring what she represents in Tolkien’s world. By making her the daughter of Galadriel and Elrond, they can give Arwen a more profound and intimate backstory, showing us not just the "princess" of Rivendell, but a daughter forged from the union of two of the most important Elves in Middle-earth.

This would make Arwen’s eventual choice to be with Aragorn not just a personal sacrifice, but a truly heroic act—a continuation of the legacy of her parents, who, in their own ways, also had to choose love over duty, kindness and compassion over rage and vengeance. It would be a nod to the greater themes of Lord of the Rings: love, sacrifice, and the passing of time.

It’s not just about the power of Arwen’s love for Aragorn, but about her understanding that sometimes, you must give up the light of immortality/risk your life to protect what you love, just as her parents have done in their own lives.

Oh, and I know I'm just over here joking around like, “Oh, Elrond, Galadriel, and Arwen all have the same scars? They’re definitely related, right?”XD I mean, it’s a funny thought, but also—nothing in Rings of Power is done by pure accident, and I can’t help but think that these details are purposeful. It’s probably just me reading too much into things, but I can’t shake the feeling that the showrunners are laying some groundwork here.

So yeah, just my theory, but I wouldn’t be surprised if there’s more to it than meets the eye.

[voids-ideas]

In the past years I've learned a lot about the us, and i know this are not good things for you to remember, but i will mention them because i want you to know you need to keep fighting

So, things I've been shock to learn about us elections as someone in a third world country:

Your elections are in a (apparently) random tuesday. Middle of the week?

Your work doesn't have the obligation to let you go to vote (In my country election day is... i don't know the word in English. But your job is OBLIGATED to give you time to vote)

Your campaign system is... a show. I don't understand it, but it's like a reality show. (In my country you have specific places where you can do campaign. You can't put it everywhere)

The financial part of a campaign. I don't know if you have rules about this, but it looks like you don't (Here there's a lot of things trying to make everything the most transparent possible)

The absent votes. It's a good idea, yeah. But why the fuck i heard people saying their votes weren't arriving? Maybe that should work. Idk. It seems important

The 40 something felonies? Like ??

Let's just say... the voting system

The amount of misinformation a candidate can say? Like, probably that shit happens here too, but... abortion after birth? It would be an amazing joke if it wasn't him

The amount of misinformation the government makes. I can't give you the link to this, but i know your government has admitted creating channels of misinformation. In foreign countries and in the country. Idk, look at it yourself. I'm just a random that isn't even from there

Musk and Pennsylvania? Wtf are you doing there, white boy?

Adding this one after posting this because it's IMPORTANT: The inscription to vote. I heard people saying they were removed? (It's recent but here is an automatic registration). Idk how easily you can do the inscription, but if you tell me you have to fight a dragon, i wouldn't be so surprised your government did that

Probably forgot something, but this is enough. Like, it wasn't your fault. Everything is against you

So please continue, try to make a difference with the most little things possibles. You have my full support

And in the case someone wants to be here like: You're not even American. Why the fuck are you talking

Babe, it was middle of the cold war. The world was full of tension... and your government decided to help putting a dictator as the head of my country. And for that, now you have to deal with my insufferable presence. Because that bastard died before I could throw hate at him

[genderqueerdykes]

im seeing you post about transmasc lesbians and thinking now about that post i saw that was like "its kinda weird that top surgery scars are the trans lesbian stereotype and not any stereotypical transfem features" and like. yeah i do think there should be more mainstream transfem lesbians but also why do we gotta take the piss out of transmascs about it

agreed, they're two separate conversations that can be had at the same time

as someone who is a transfeminine dyke and has had a lot of transfem lesbian friends and partners, a lot of lesbian stereotypes that come to my mind are that of what you mentioned with transmascs, plus things such as femmes with flat chests wearing low cut shirts, breasforms, transfem butches binding after growing boobs from HRT, femmes with defined jawlines and deep voices, excitement from growing boobs, femmes with looooooong hair covering almost all the face, never transition transfem dykes, transfeminine butches who have proudly been telling people they were dykes as long as they can remember, dykes especially femmes with visible crotch bulge, there's a lot of transfeminine 'stereotypes' and things to lesbianism but there's no reason like you said to take the piss out of transmasculinity to point out lots of people just do not have experience with transfeminine lesbianism

a lot of people don't and it's fine and they shouldn't act like they do. i lived in a punk house for a few months and met a lot of transfem lesbians there got close to many. once you get exposed to transfem lesbians you become aware of "stereotypes" that are present in the community. it's 2 separate conversations when we we talk about stereotypes from more transfeminine and more transmasculine spaces in the community. they are lesbian experiences, but it is 2 separate conversations that can be held at the same exact time

part of the reason top surgery scars are so well represented in lesbianism is because afab bodies are treated like the norm, but also because a lot of lesbians struggle with gender and especially when that comes to the societal expectations placed on people with breasts. a lot of lesbians want to discuss their experiences with this and it's important. lesbians have rich and deep history of being gender variant people and it's important to let people celebrate top surgery scars. that's a separate conversation, however, it is closely linked to something else.

everyone on every side rejects transfemininity as belonging in lesbianism. everyone silently agrees afab bodies are the norm for lesbianism, so they shun any and all transfeminine experiences and prevent them from appearing in lesbian history. nobody wants to be the one to start romanticizing transfeminine features in the community for fear of backlash or getting silenced or mocked or talked over. we've made it nigh impossible to have the conversation about transfem lesbians, so people begin to fight with each other instead of recognizing that transfem and transmasc have very complex relationships with lesbianism and it's not right to try to silence one for the other

we have struggles that are common in a lot of ways. if we begin embracing what transfeminine lesbianism looks like, we can begin to have a more complete understanding of what the whole lesbian experience is. without putting transmascs down or trying to talk over transmasculine lesbians. we can talk about transfem and transmasc lesbians needing support at the same time. it's important that we do. we need to talk about how transmasc and transfem lesbians are here and that we need help in being accepted as part of the community

it's just wrong to throw any other queer person of the same group under the bus for the sake of trying to have a separate but very similar conversation. im with you. i hope we see less of this down the road. these are 2 very important conversations that we really need to have simultaneously. together at once.