#because she found someone who WANTS HER

[redeemed-wren]

Never going to be over how ready Jo Grant is to sacrifice her life

[knockknockitsnickels]

I think this is one of my favorite lines from the Wraith route because of (imo) how much the meaning changes depending on if you got there via Spectre or Nightmare. For Spectre, it honestly strikes me as a genuine question. Why are you doing this to her? If you're on the Spectre route, you presumably already know the Narrator can't really be trusted, since you had to reject his reward to get here. What are you hoping to gain from continuing to hurt her? For Nightmare, it honestly just makes me sad. As the Shifting Mound describes her, "She desires only companionship, but the only thing she knows is how to hurt." This line feels like a plea from someone who genuinely doesn't understand why you keep rejecting her. She wants to be with you, but she just can't understand how to do that in a way which doesn't hurt you.

[kawaiichibiart]

Hello, yes, I need more cards where the characters interact with their younger selves.

I want more of this please:

[critter-wizard]

ep 43 had me tearing up in a fucking shopping centre ‼️‼️

b+w alt version that I truly couldn't decide if I liked it more . Also I included a lot of thoughts in the tags but they're somewhat incoherent<3

[tea-cat-arts]

Honestly, the more I look into mxtx's reasons for not writing side couples (aside from mobishang), the more based I think she is

[sissytobitch10seconds]

Calypso isn't that bad, you guys are just mean.

[screwpinecaprice]

Got a freeform connverse ko-fi request, baby!

I mean, the request was them doing something cute as a couple, but almost same thing.

Thank you for the tip and request, Alphasun! 😁

[yuseirra]

**Oshi no ko spoilers** !!

I've been looking over the lyrics for onk S2 op "Fatale" since yesterday, and I'm getting this hunch that this song is from someone who is almost desperate for Ai's love, with her being the "Fatale". There could be multiple ways to interpret the song and I think it'd appear to reflect the perspectives of the many characters coming forth in this arc, but this is the first thought that comes into mind for me

It'd be natural to assume the speaker is Aqua, but what it says seems even more extreme than what he'd feel toward Ai, the lyric feels like there is a huge longing to the point of obsession. This person is willing to give everything up for their love and is declaring they can't survive without them, the type of love aqua has for ai is different, I feel. It should be more tender and familial.

I think it'd make sense for this song to be written fron hikaru's perspective. IDOL was written from Ai's, right? And it conveys her desires to love more sincerely... It could also have conveyed her feelings towards hikaru if she really held some desires to build a more genuine relationship with him as she did for her fans. Perhaps the opening for the second season displays HIS feelings towards HER in comparison. I have a feeling they cared about each other when they were together but there was some miscommunication that's led to a tragic outcome. At this point, maybe the feelings kamiki has for Ai's become something quite huge and twisted, like what nino has for her? Something like what this song says.

He might be even more similar to Aqua than we think, in terms of mentality. What if he feels regret and despair after Ai's death and has given up on his chances to live a normal life like the way his son's doing right now? His motives and purpose for living could be tied to what he THINKS is for Ai's sake.

Mephisto and Fatale both seem to have lyrics that have implications of giving up the speaker's own life and trading it for their loved one, the person wishes to bring them back, and they won't mind giving themselves for this purpose, it seems. So what if those parts of the lyrics are from hikaru's thoughts? What if hikaru is actually trying to go through with something like that? The whole plot of onk starts out with two people being revived from the dead so it IS something that's possible in this universe. Maybe he knows about that after having came to contact with a god himself.

I wrote this yesterday, but he could be a version of Aqua who went to the point of no return. Aqua still has a chance to live normally and happily, but kamiki just can't because he has too much blood on his hands. Aqua can be saved by his friends and companions, but Kamiki only had Ai and she couldn't stop him from going down that path(rather, she became his drive to continue what he's doing the way it is for his own son)

Having Ai love a serial killer would make things seem like she chose the wrong person to love, right?; After what all Ai's been through.. that seems really off. Kamiki should have some type of reason that could appeal to the readers if he REALLY is one in the first place. Did he really kill in the first place... Idk about that, I don't know how extreme he'd get for Ai's sake, but it is likely that the new op could be how he feels about her, and if that is the case, he'd be the guy that'd be able to throw himself away and risk anything if he can have her back. I've only looked at the first verse, but this seems like a REALLY powerful song in terms of the type of emotions it has. I rather have him REALLY loved ai, it'd be sad if the one she wanted to open up to more after all her struggles turned out to be someone who didn't care... The plot makes more sense for me if he did too. Then we'll see why and how desperate he is and understand him as a character and why he is a match for Ai. Honestly everything will start to make more sense as a whole, because there were some parts that felt very confusing. It'd all start to click if the story goes like this.

Looking forward to anime S2! The op seems great!! I can't wait to see the lyrics in full!

[moeblob]

Another OC gift because it's another buddy's bday! And I like to draw gift art. And birthdays are such valid reasons to pester people to let me draw their children.

[lost-in-beacon-hills]

I can't imagine being Mrs Everdeen. But I do wish to try.

Imagine standing to the side roped off from your children and being unable to do anything as your youngest is reaped. Knowing she won't make it because she's too tenderhearted and too young. You know as her name is called, that she will die. And yet you can't change it. You just gets to watch as your child is slowly marched forward to her death.

Imagine the hopelessness she feels. Having braved the few years of Katniss's first reapings alone, and now having to endure Prims reaping and all the while wishing she had her husband by her side to help her get through it. But she's done it for the past four years with Katniss, so surely this one won't be as bad? Only it's worse. Because it's Prims first reaping. The chances of it even happening are so slim. Katniss made sure of that. And yet, it is, in fact, her name being called.

And you wait in silence as your gut sinks and your eyes close, and you take a second to remember your daughter before she's gone. You regret giving birth because all it's done is lead to here. You regret it, and you feel so resentful. And some part of you thinks this isn't the way it should be. Not her. Not Prim. She doesn't have what it takes to claw and strangle her way to the top. She's dead before she's started.

Your gut lunches and your heart beats too fast. You feel sick. Until you hear your other daughter. The one who has been your family's rock. Who's your rock, is now stepping forward to take her sisters place. You release a breath and part of you unclenches. Because even if you would never speak it, even if you would never want to think it, even as you think it and feel disgusted with yourself, you know that you would rather Katniss go in.

She could do it. She's done so much. For years she's taken care of a family. Kept them fed by skill alone. She's your daughter. You should tremble at the thought of her going in, and you do. But not as much as knowing it could have been Prim.

And all you can do is sit back, watch it happen feeling more than grateful. Knowing this child has saved you in more ways than you can count and how often you've failed her. Despite failing her again and again every day she still continues to provide and protect. She still takes the role of mother when you haven't.

As your sixteen year old daughter marches forward, you get to feel safe one last time, grateful to have this decision made for you.

[perenlop]

going from isat to edging back into kirby is so insane to me because i forgot just how much the kirby fandom loves fandomified found family

[clownjacket]

If Kipperlilly DOES end up betraying Porter/Jace as part of a secret other scheme she has (whether good or evil) and it has to do with saving Lucy, I just know she’s going to be a bitch about it and pull a ‘sorry, I only save High Five Heroes’ before leaving her other friends to die or some shit. And then she will take her final form: Magic Betty from Adventure Time, betraying her allies and saving her frost gf at the expense of the world. It would also parallel what Ankarna is going through (‘your girlfriend’s out of town, it sucks’, becoming a little imperialist rage machine under the influence of Porter/Sunstone but not being able to fully turn on Lucy despite going against her values and turning into a violent weirdo). This is my wish. My dream. I am manifesting it. Magic Betty Kipperlilly I believe in you.

[vanhelsingapologist]

I am loathe to say it’s the Devil’s taste.

Finally got around to redesigning my PC Tatyana. She’s my main character, but as mentioned, I haven’t gotten to play Demetria in campaign for a bit because she’s been sealed up in Ravenloft with another PC. I’ve said it before but my DM had every one of their players make two characters right off the bat in case of death. So far, I think everyone except one has had to play their backup because of temporary/permanent death or incapacitation. Smart move, then! I love playing Emilia but I miss Dima!

[thedreadvampy]

btw about Neil Gaiman I periodically agree with the 'Neil Gaiman is annoying' stuff bc I feel like both he and Amanda Palmer seem like people who I would go insane stuck in a room with bc we have very different ideas about art and suchlike. and I also do think that the career trajectory he's on lately is cynically redoing his greatest hits and pretending that was the dream all along when it clearly was not. which is at best meh.

having said which

as far as I can tell by far the most common complaint about Neil Gaiman is "Snow, Glass, Apples is problematic/gross/it's got incest and rape and frames the child as the aggressor"

which strikes me as a weird complaint to pull out of a 40 year body of work tbh when that short story is pretty clearly coming from a place of 'how far can I push this'. like you don't have to like the story. I don't really like the story. but it is. a horror story.

like and this is the thing with particularly 90s alt horror right? a lot of the interest is in transgression and sitting in the worst possible perspective and seeing what happens if you pull those strings. like I really like Clive Barker for example but there's a good chunk of his short stories that I'm like I'm not picking up what you're putting down Clive this seems Kinda Off. but that willingness to write some trite or Bad Message horror fiction that doesn't land is imo a side effect of being willing to try writing uncomfortable and unpleasant fiction at all. which is what horror is for, among other things, it's for creating discomfort as a form of catharsis or engagement.

like I am not a huge fan of the type of sex-horror that pops up in a lot of Gaiman's work and other contemporary horror writers - to me I don't find it upsetting or horny it just ends up feeling kind of edgy and tryhard - but I'm also a bit like. it does seem like a lot of people's beef with Neil Gaiman is that In The 90s He Was A Horror Writer

and this approach to Problematic Horror in Snow, Glass, Apples I find kind of microcosmic of how The Discourse often approaches art in this kind of 1:1 way. if you write a story which seems to line up with rape apologia it can only be because you agree with it. if you write a story about transphobia you're a transphobe. if you write a story that makes me genuinely uncomfortable you're attacking me.

but artwork, especially art like horror that's not necessarily trying to provoke enjoyment as its main response, is necessarily hit and miss. and if what you're shooting for is discomfort then whether it works, falls flat or goes too far incredibly depends on your audience. and making good art - as in art that makes its audience think, art that opens the audience up to discomfort and catharsis and sticks with them and changes them - requires the space to experiment and tbh the space to fuck up. like they aren't all going to be winners and they certainly aren't all going to work for you as a singular audience.

personally I don't see the appeal of Snow, Glass, Apples, less cause it's nasty and more cause it's hack. ooh an edgy monstrous version of a fairy tale where there's lots of rape and cannibalism? you're soooo original Neil. but like. that's fine. I don't really vibe with like 70% of Neil Gaiman stuff I've read but I still like Neil Gaiman because the stuff that works for me really works for me.

idk I think there's a lot of folk on this website who shouldn't interact with horror cause they clearly aren't interested in being horrified. that's not everyone who dislikes Snow, Glass, Apples, but it's a real undercurrent to a lot of the criticism and tbh this kinda vibe is shit for art. making standout art What Is Good also requires being ready to make art which stands out for the wrong reasons. sometimes they'll be the same art to different people.

[robinsversion]

As someone who once had their art stolen by a mutual who has many times more followers than me and I only found out because I happened to click on her ig stories on the right day,

Get his ass.

[averlym]

pleaaase may i have 28 and 29 aramour angst ✨ i crave it

28: “Move out of my way before I make you.” // 29: “You deserve better.” (prompt list here)

click for better quality!