#because of what i think it did to him

[batcavescolony]

Katniss is such an unreliable narrator. She says "Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me" girl you deliver strawberries to the Mayor, you hunt and trade for the district, when you fell at Prim being chosen someone caught you, when you went to Prim people parted for you, when you volunteered EVERYONE stopped. Idk how to tell you but I think you're a pillar of the community.

[brainrotcharacters]

the easy grip on the knife. the leg over the seat. the hand over the other seat. the sassy "come get it" move. you know the bitch is smiling behind that mask even as he said the line.

[vinestaff]

sighs. another guy in my brain i guess

[daisybell-on-a-carousel]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[poorly-drawn-mdzs]

...Turns out gay sex actually was the solution.

(This is basically a redraw, come read the real deal over at Tiger Tiger)

[egophiliac]

finally got some time to finish these guys up! which is sort of ironic considering I started these because I wanted to draw Malleus with a Dragapult, and then I just didn't for a million years!

Malleus has the aforementioned Dragapult, except it's a super special non-canon color Dragapult (like an anime-only form that you could get in-game exclusively through some limited-time event where you have to show up in-person at a specific location in Japan) (it has some wacky overpowered exclusive move/form and the OT is listed as Malleus) (so like that kind of ridiculous specialness) (Leona is extremely salty about this). also hoards and hoards of Dreepy. Dreepy LOVE Malleus. they take naps on his horns inbetween begging him to throw them across the island at mach speeds.

Lilia has a Drampa and a bunch of Woobat that he hasn't actually caught, they just follow him around in swarms because they sense a kinship with him. (also breaking my own rule again to say that he had a Mawile in the past, because...I just really wanted to give him a Mawile...)

Sebek has Sandile for obvious reasons, and also a Pikachu that bullies him relentlessly. :(

Silver has a shiny Corvisquire; I really went back-and-forth on also giving him an Aegislash, but...hm. those pokedex entries though. he can stick with just one for now.

(I hadn't planned on the shiny for him, but after I'd decided on the Corvisquire line and was looking it up for reference, I realized that shiny Rookidee is gold and then turns silver when it evolves and I lost my entire goddamn mind)

[im-here-homie]

a happy audience is the key to the academy's heart

shadow milk design by @catxolotlquoise

[flwrkid14]

Tim Drake Accidentally Takes Over the World (and Didn’t Think to Mention It)

So, Janet somehow spent decades climbing her way into every government worth a damn, ruling the entire world from behind the scenes. And then, because the universe is apparently wild, she left it all to Tim.

Cut to Tim Drake, the brand-new, completely reluctant secret ruler of the entire planet. And he just… never really thought it was worth mentioning?

The Batfam finds out when Bruce stumbles across an encrypted memo traced to a mysterious Gotham office with Tim’s name on it.

Bruce, holding up the memo: “Tim. Want to explain why this document about, oh, international finance reforms is signed with your encryption key?”

Tim, not even looking up from his laptop: “Oh, yeah. That. Janet left me her ‘global influence portfolio’ or whatever. Mostly paperwork.”

The Batfam stares in total shock.

Dick sputters nearly dropping his coffee: "Wait—you’ve been managing world policies?!”

Tim, shrugging, barely paying attention as he emails the president of Germany: “Well, yeah. I figured someone had to keep things running. It's not that big a deal. I mostly just redirect some policies. You know, keep things running smoothly.”

Jason, absolutely cackling: “Are you telling me that little Replacement here is the reason for half the ‘global cooperation’ headlines?”

Tim, scrolling through emails: “They send me reports; I send suggestions. And honestly, they make it way more dramatic than it is. It's not that hard."

Barbara stares at him, half horrified, half impressed. “How did we not notice this?”

Tim blinks. “I mean, it’s not like I was actively hiding it. I assumed you guys knew I was… kind of managing these things?”

Cue utter disbelief.

Stephanie, laughing too hard to breathe: “Tim, do you have world leaders on speed dial?”

Tim, completely unfazed: “Only the important ones. They text, mostly. Oh—by the way, I might’ve influenced a minor arms control thing last week. Don’t worry; it’s all sorted.”

Bruce, looking like he’s two seconds from fainting: “Sorted? Tim, we're talking about you having global authority here. People notice these things."

Tim shrugs again as his phone buzzes with notifications. “Sure, but it’s not like they’re going to do anything too crazy. I just suggest stuff, and they listen. Honestly, it’s like herding really powerful, really overdramatic cats.”

Damian, scandalized: “You mean to tell me, Drake, that you’re manipulating world politics like it’s a game of checkers?”

Tim, still casual: “Manipulating’s a strong word. Like I said, it’s more just nudging things along.” His phone buzzes again. “Oh, hang on. France is panicking about their energy policy again.”

The Batfam tries to process the fact that Tim—Tim, who routinely forgets what day it is—is now, somehow, running the world.

And then his phone buzzes with a message from the UN Security Council.

Tim sighs, glancing down. “Oh, great. Looks like they’re debating nuclear arms again. Be right back.”

Meanwhile, the Batfam is left absolutely speechless, processing the fact that their Tim—scrawny, coffee-fueled Tim—is apparently one of the most powerful people on the planet. And to him its just another tuesday.

[lucabyte]

On autonomy, and what it means to be Obliged to Help.

Bonus:

[irenespring]

Today I would like to shout out that one random Twitter person who made up that JD Vance bragged about fucking a couch.

Imagine making a random shitpost and less than two months later your joke is being used by a major party nominee for Vice President on live television at his introduction rally, earning him thunderous applause.

That poster must be having quite the experience.

[keferon]

Did you think I was done? Ahahahaha no, I have more.

Because chapter 70 of MOMU gave me the very dynamic between them that I missed so much, I just blacked out and started drawing uncontrollably lmao

Also. ALSO. I noticed a while ago that Prowl has the habit of..like…constantly frowning. So. I did a bit of research and made this graph.

In 70 chapters, Prowl frowns rougly 104 times. And the intensity of this gesture is very clearly correlated with the development of his relationship with Jazz, as you can see ahahahahah It might be wrong tho don’t take me seriously I’m not good with graphs

[babyspacebatclone]

Something related…

I finally got around to reading Nate Stevenson’s autobiographical graphic “novel” “The Fire Never Goes Out.”

(tw if you seek it out: it was originally published before his name change, so older editions still use his deadname, including the one I borrowed from the library; current editions use ND Stevenson)

There is next to nothing from the years Nate was working on SPOP in it, largely because the art/comics are stuff he put up on Tumbr by year and obviously the show and his life kept him away from posting.

That is completely understandable, btw, no criticism intended on this.

But that leaves the year review write up as - difficult to interpret.

I’m forced to have a takeaway that being made showrunner of SPoP was the worst thing that could have happened to Nate.

I could be wrong, and focusing on the negatives that were revealed at the expense of positives that didn’t get as strongly textualized.

But he talks about the pressure, about the expectations he internalized over all the success he achieved so young, about impostor syndrome (without that word to my memory) and anxiety and still struggling to come to terms with his bipolar disorder….

Nate was not prepared for being responsible for something with as much nostalgia baggages as She Ra.

And as much as everyone, including his wife, could help in the situation - and I’m sure they did to the best of their abilities! - as much as those people could help, I don’t think it could have ever been enough.

What I’m saying is…

Based upon my reading of “The Fire Never Goes Out,” the final season of SPoP, and crew interviews including the above…

Nate, at that time, should not have been given an existing property with existing expectations.

On a purely intuitive level, filled with extreme bias, I do not believe the stress Nate was under could have ever allowed him to direct a healthy resolution to Catradora.

I can understand the desire to “go there,” to create what at the time had never been done before.

I can understand the pressure of that idea keeping others from reigning in Nate.

But I really feel the results speak for a need for someone to have intervened when it was obvious Season 5 couldn’t handle what had been set up.

And there is no reason a well handled show should not have been storyboarded in such a way to make the time constraints clear.

That is not a knock on Nate; there should have been experienced people and the time for them to make those plans. If they were not made, that’s on the producers, that’s their literal job, making sure these things can be done.

That’s one of the things the Writers Guild were trying to protect and reclaim with the strike (woot!! you go peeps! so happy for you!!!).

In short:

Someone should have stopped this, because poor Nate was (based on my understanding of his experience) not capable of creating anything other than what we got with Season 5.

so i just found some old interviews of spop, especially ones after the finale, and i just wanted to dissect some of the interesting parts:

the crew themselves keep reinforcing the idea that only catra saw adora for who she is, when the show itself says otherwise multiple times. catra, who mocked adora for never being a true hero, who kept hurting adora because she resented her for being she-ra, who kept saying that adora has a hero complex and that she is full of herself. that catra “motivated and inspired” adora?

“i wanted their romance to be the central arc”

this explains everything. the fact that they took an existing show with an intriguing fantasy world and so much potential and then reduced it to “cute lesbians kiss haha”. if you're gonna write a show about romance, do that. you don't have to butcher an already existing series for that.

“it reveals how that arc has been built”

what arc? is the arc we're talking about in the same room as us? because from what i can see, they put in zero effort to make c//a's development even halfway coherent. catgirl tortures hero for four seasons, gets saved by said hero and joins the good guys, continues torturing hero. how is that an arc?

so.. they have the right idea here. catra and adora did indeed need to take their time away from each other and deal with their problems. but did they? adora came close to building her self-esteem and realizing that she didn't have to take responsibility for everything around her. but then all that was reversed in s5 when she was forced into a relationship with the same person who ruined her sense of self-worth in the first place.

catra.. doesn't even try. the closest she got to moving on from her past was during her time in the crimson waste but then she ends up spiralling even deeper into toxicity, adding more and more into her list of crimes. in s5, she is shown to reflect on her relationship with adora but does she learn anything from it? nope. she continues abusing and berating adora, she continues giving adora mixed signals and relying on adora to do all the work in the relationship.

so the crew seemingly had the right idea (although i'd say they still shouldn't get into a relationship, even after they've worked on their issues) but never followed through. instead they gave us a lazy and rushed redemption, where the wrongdoer never works on their flaws and instead puts all the blame on their partner. amazing.

so nate himself admits that not all of catra's actions were justified. but then, why does the show try to justify them? why does the show justify catra abusing adora by implying that it's because adora abandoned her? why does the show justify all of catra's toxic and abusive behaviour by blaming it solely on shadow weaver? if catra's actions cannot be justified, the narrative should keep her accountable, which they don't.

secondly, i'll try not to assume the worst of nate's personality from what he said, and just get to the important part.

“It's other people's decision to forgive you, that's not a given, but also there are ways for you to fix what's broken. You have to work hard to prove yourself again, you have to actually actively fix what's done, it's not as simple as a sacrifice.”

i'm so confused. the way nate says it, you'd think he applied all of this to catra's arc. but he didn't. “it's not as simple as a sacrifice” but a sacrifice was all it took for catra to be forgiven by her victims. she doesn't work on herself, her apologies were shallow, and she continues repeating the same mistakes. “it's other people's decision to forgive you” yet every single character forgives catra immediately and none of them are allowed to stay mad at her.

how could you write such a bad redemption and then talk about it as if it had all the details and nuance it was lacking? again, when speaking, nate seems to have the right idea of how to write a redemption arc. why did they fumble so badly when it came to actually executing it in the story? the only answer i can think of is that none of the writers in the crew are good at writing.

[technically-human]

Part two of the reverse verse is here! The reverse boys meet the original boys. They're not really getting along as well as I had hoped...

Again, this was a commission for @i-am-as-normal-as-you-are and they asked for angst/funny vibes... I think it's mostly just angst though. Oh, well...

Part one

[rocketbirdie]

face value

[anna-scribbles]

does anyone have like a pet ml episode that is not one of the huge banger plot-heavy ones but just feels like your special episode you’re so fond of. i think mine is psychomedian

[poorly-drawn-mdzs]

Cite your sources.

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