#because if I must suffer then so must everyone else :')

[mythalism]

Watching a video of the "fight Solas" ending and I find myself really disliking the fact that Rook declares that the Veil must be tied to the life of an elven god. It is treated like a fitting punishment for Solas, and even in the redemption ending, Rook all but orders Solas to sacrifice himself to maintain the Veil (or the status quo). I also can't help but feel that Solas, the last of the elven gods, is being sacrificed to maintain the Veil that he, alone, is somehow expected to magically maintain, allowing everyone else to go on their merry way. The implication here is that the elves are losing the last of their history, or pantheon, and this is a GOOD thing, and now we can all move forward and live peacefully. Am I overthinking this? 'Cause if this was the intention it does sound kind of bad.

yeah. i do agree and i dont think you're overthinking. and even if you were, im about to overthink way harder so don't worry. forgive me for getting on my legal philosophy soapbox but thats my whole brand at this point so here we go: it is a very retributive view of punishment and desert (deserved-ness) that i morally disagree with and feels outdated in the political landscape of 2024 to me PERSONALLY!! the foundation of retributive justice is:

(1) that those who commit certain kinds of wrongful acts, paradigmatically serious crimes, morally deserve to suffer a proportionate punishment; (2) that it is intrinsically morally good—good without reference to any other goods that might arise—if some legitimate punisher gives them the punishment they deserve;

obviously this is how much of the western world conceives of punishment and western media is consequently saturated with narratives that espouse this. most of the time, restorative justice is seen as mutually exclusive with retributive justice, though there are some people who say they can be used in tandem. i disagree anyway.

i think solas's endings grapple with these ideas in a way that is... messy. its confusing because we dont actually know if he is truly imprisoned, in the sense that he cannot leave. we know he is in A prison, though its unclear whether its the new regret prison that rook was in, or the black city (epler refused to clarify this during the AMA because of "spoilers", while trick said the implication is he is "going back to the prison", the epilogue slides imply he is in the black/golden city, as does his quest to heal the blight which only exists in the black city). we also do not know what capacity he has to leave. with lavellan or after being "redeemed" by willingly binding himself to the veil, he does not have the lyrium dagger but he does have the capacity to free himself from his regrets (if hes in the regret prison) or heal the blight (if he's in the black city), exemplified by his golden epilogue slides. if he is tricked or fought, he is not in a mental space to overcome his regrets and does not swear to atone by healing the blight, but he does have the lyrium dagger with him, so we can assume he can just use it to leave, the way we literally see him do earlier in the game lol. whatever message they are trying to send with his "punishment", i think it is muddied by the vagueness of what actually happens to him in the end and where he goes.

if the message truly is that he "deserves" to be imprisoned in the fade for his long list of crimes, i find that lazy and nonsensical. first of all, he loves the fade and has been dying to return to it so thats not really a gotcha, but more importantly, which crime warrants this punishment? and is his punishment proportional? this is impossible to answer because we do not know what the punishment truly is. we also dont really even know what crime he's being imprisoned for. taking down the veil? he didnt actually get to do that. are we punishing him for something he didn't do yet? is it for killing varric? sure, i guess that one works. its the strongest of the options we have, but the game is also pretty clear that its not what varric would want. what about all of the other people he has killed? the spirits he sacrifced in that siege on elgar'nans temple? the mages who summoned and corrupted wisdom which he incinerates alive? flemythal and felassan? do they deserve retribution via solas's imprisonment? would they want that? would they find it just and satisfying? the game does not ask these questions. so we dont know. does he deserve to be imprisoned for for what he did to the titans? ok, maybe. this is stronger than the others at least. but in the trick/fight endings he doesnt vow to heal the blight, so what does his imprisonment do for the dwarves and the titans spirits? this is what i mean when i say his imprisonment is retributive, but it is not even thoroughly retributive. it does not think deeply about what solas deserves for his crimes and the proportionality of such a punishment, but it is clear that we are supposed to that he deserves to be in prison, it is morally good that he is receiving "justice", and rook is a hero for imprisoning him. his punishment is presented as a moral good because he deserves it. unfortunately for veilguard, i dont think i would ever be convinced by this message in any narrative anywhere, even if it was better written, because this is not a moral philosophy that i subscribe to.

his redemption endings feel so much better and more satisfying because his vow to use his immortality and knowledge to heal the blight that he created is restorative and has a direct correlation to his crime of creating the blight by tranquilizing the titans in the first place. his imprisonment achieves nothing outside of removing him as a "threat", which is ruined by the fact that he has the dagger and can just leave lol. devoting the next significant portion of his life to alleviating the titans suffering is not just reparative remedy that directly affects the people and creatures he has harmed, it also actively makes the world of thedas a better place. to be clear, im not saying solas is innocent. he is guilty. of a lot of things. he bears responsibility for a lot of things. he would qualify as a war criminal. but i do not believe in retributive justice. veilguard having solas kill varric because trespasser made me sympathize with him "too much" is not going to make me believe in retributive justice. for the non-atonement imprisonment endings to feel satisfying you have to subscribe to this ideology of moral desert and punishment and a lot of people do. the entire american carceral system is founded on it. so is christianity. and bioware clearly subscribes to it as well. you might disagree with me and subscribe to it yourself. thats fine. but i believe it has caused a lot of harm to our world and continues to do so. seeing it manifested in media is always disappointing to me.

regardless of the technicalities of his imprisonment, his binding to the veil is the one thing that happens regardless of his ending, and i agree that it is icky for similar reasons. the veil is his responsibility, as is the blight which he will be keeping contained with his life, so i guess you can interpret it as proportional? but again, what crime is he paying for with binding his life to the veil? is he not paying for a crime at all? is binding his life to the veil even part of his punishment? or is it just something he has to do because he's the only person alive that can do it? if that is the case, that it has to be him because he is the only proper sacrifice, and not that he deserves it, then what does it say about rook that they sacrifice someone undeserving? if he is deserving, why exactly? if he wasn't the only elven god left alive, would he still be deserving of such a fate? if the answer is no, then he does not deserve to be bound. what gives rook the right to make this call? based on the convo they have before the ending where they plan to bind him to the veil, its not clear if rook binds him because they think he deserves to be bound to one of his greatest regrets, or because he's quite literally the only option. either way, i think there is an argument for it being cruel, and unearned coming from someone like rook, who really has barely been a victim of solas's sins outside of a 2 week time-out. literally harding binding him would've been far more satisfying. or imagine if fragment mythal went rogue and did it, or morrigythal did. mythal would not be justified either but at least it would be fucking banger and evil and interesting of her. anyway.

i think your point about what it means for the elves to lose their final living god, outside of mythal who is [redacted] ? is a fantastic point. through solas's binding, they also lose the veil-less future he represented that was promised to be a better world for them. would it really have been? probably not. solas clearly thinks so. but we will never know lol. the failure of the story to grapple with the dissolution of the elves entire belief system is one of its most egregious ones, and i think this is a symptom of it. dragon age's elven lore got itself into a weird spot by veilguard and i think they just abandoned it rather than attempting to write themselves out of it. i love stories that grapple with the average person's culpability as complacent in imperialism. this is part of why fullmetal alchemist is my fav story of all time and you should watch it (fullmetal alchemist:brotherhood on hulu please im begging. but you have to watch the "brotherhood" one not the other one. its complicated dont ask). veilguard seemed to want to do something like this, but they got themselves into weird spot with the elves because their evil, slavery-based empire is a thing of the distant past, and in the present they are systemically oppressed and have no social or political power.

usually in these sorts of stories, someone currently living in an imperialist society who is directly benefiting from that imperialism is confronted with their complacency and asked to rise to the occasion of standing up for what is right, despite their material best interest. they often sacrifice their privilege as a benefactor of imperialism in the present to attempt to make up for the evils that system has inflicted on others. fmab does a wonderful job of this. there is at once both an acknowledgement that no, this is not literally YOUR FAULT, you did not order a genocide or press the nuke button, but you have benefited from it and/or participated every day of your life, whether that is through the stolen land you live on, the fact that you have never seen war in your home country, the way you can buy whatever fruit you want at the grocery store any time of year, or the way your tax dollars fund the bombs being dropped on children thousands of miles away, and you do have a moral obligation to do whatever you can to fight back. i believe this is a very important lesson for the average american (and canadian since we are talking about bioware), and anyone that lives in an imperialist country, that a lot of people have not yet learned ... lol.

this feels along the lines of what veilguard was going for (or maybe they werent and this was accidental, idk which is worse), but it fails because the elves are not currently benefiting from their past empire, like at all. actually, they live in squalor and at risk of constant violence from human empires. they have experienced centuries of genocide, violence and slavery at this point in modern thedas. the imperialistic success of the elvhen empire has absolutely no bearing on their current lives, it provides them with no privilege, and it gives them no culpability in its evils. they are thousands of years removed from it. and its not like "oh the british empire was dissolved 50 years ago so imperialism is over" no. because britain's wealth and power are a direct result of that imperialism, thus they do still benefit from it presently, even if the "official empire" is dissolved. this is true for most empires. but with the elves of thedas, they have none of the power or privilege that the elvhen empire accrued through its evils. if anything, it is tevinter that benefits most from the lost elven empire considering how much of their society is founded on its technology, and the fact that. you know. they are currently, modernly, presently an empire based on slavery. OF ELVES. so why, then, does veilguard present the elves as culpable? why does the angry titan harding creature say they are "thriving" at the titans expense? why does bellara take personal responsibility for the evils that elgar'nan and ghilan'nain commit when she had nothing to do with them? the messaging with this is so strange. it would make sense if elves were still the ruling class but... they're not. the only remnants of the empire that they have access to is their own bodies... which are systemically, bought, sold, and mutilated. though the game does erase much of the racism they face in what i can only assume was an attempt to make this work.

the combo of this + solas's trick/fight endings for what is fundamentally, according to this game itself, a desire for a better world for elves and spirits, no matter if it is misled or his methods are violent, is a depressing, bleak message that i find to be irresponsible to be sending in 2024 and considering the real world groups of people that elves are based on, most notably of the dalish as indigenous north americans. veilguard sees elves lose not just their understanding of their past, dissolving their entire worldview, their conception of their cultural identity, and their relationship to their religion, all without sufficient (or any) exploration of how devastating such a process would be, but by imprisoning solas, erasing his followers and supporters from existence, and binding him to the veil, it also robs them of the possibility of a more just future... while asking you to cheer because he deserved it. dont try to make the world a better place unless you do it the right way. work with the world as it is. your attachment to the past (when you werent being genocided regularly) is a disease. you deserve to go to jail because you tried to change the world in a way that that was too disruptive. get over it! move on! rot in jail!

[4linos]

when the walls crumble

lee felix x gn!reader

synopsis/request: felix’s stubbornness leads to a fallout with the person who cares about him most. in the aftermath of their argument, he must confront the consequences of his actions and decide what truly matters.

wc: 1341

For weeks, Felix has been pushing himself harder than usual. He has been working 24/7 with the group, practicing, recording, attending meetings, and putting in long hours of physical activity despite his back pain. The strain was becoming clear to you, despite Felix's attempts to hide it.

His usual happy personality became more subdued, his smile less frequent, and he began holding himself in an uncomfortable way, wincing while standing up or sitting down. You, as someone who loves him, observed the little details: the way he'd touch his lower back after long practices, or how he'd neglect breaks, pushing through the discomfort because he didn't want to slow anyone down. But what hurt you the most was the way he ignored any concerns you had.

He was always the one who looked out for everyone else, so seeing him suffer and refusing to listen to his own body seemed like a betrayal of his own well-being. You worried that if he kept going this way, it might lead to something far worse. But Felix, ever determined, refused to admit it. He had this hidden pride, a desire to prove his own worth even if it meant concealing his sorrow. The night of the argument was just like any other in recent weeks. Felix had gotten home from a late practice, dragging his tired body into the living room, exhausted but unwilling to stop. You had dinner ready, but Felix looked distant and deep in his thoughts. You tried to engage him by asking how his day went, but he just gave tired comments. You tried to ignore it, but something inside you snapped. The worry that had been building up inside of you for so long could no longer be suppressed. "Felix, we need to talk," you said, your voice faltering slightly. Felix looked up, slightly confused but not yet really understanding the gravity of the situation. "About what?" he asked, seemingly distracted rather than concerned.

You took a deep breath and, for the first time, let your concerns out. "I'm really worried about you," you added, speaking faster than you planned. "Your back has been bothering you lately but you keep pushing yourself like it's nothing. It isn't nothing, Felix. You're hurting yourself, and I can't keep watching you do it." Felix quickly reacted. His natural instinct was to shut down and conceal his sensitivity. "I'm okay alright? There is no need to worry. You're overreacting," he said, his voice defensive.

But it wasn’t enough. The words you had been holding in for days burst out. “No, it’s not nothing! Felix, you're in pain, and you keep pretending like it doesn’t matter. You think it’s not a big deal because you’re trying to push yourself to the limit what for? So you can impress someone? Or are you doing this for your fans?”

You shook your head, stepping closer, trying to make him understand. “You’re not invincible, Felix. You can’t keep doing this to yourself. I’m scared you're going to hurt yourself in ways that can’t be undone. I can’t just sit here and let you destroy yourself because you won’t listen to me."

But Felix wasn’t hearing it. Instead, frustration poured out of him. “I know my body better than anyone else, okay? Stop treating me like I’m fragile. I can handle this! You don’t get it. I can’t slow down, I can’t—” He broke off, his voice rising. “I don’t want to slow down! This is my dream, my life! I can’t just sit back and stop because you’re worried about me.”

The words hit you like a slap. His persistence, his desire to keep pushing himself, felt like a personal rejection of your concern for him. He was dismissing whatever you said, as if your concern was just an irritation to him. The pain welled up inside you, and before you could stop yourself, the words poured out. "Do you know what, Felix? Fine. Maybe I'm the one who doesn't get it. Maybe I'm too worried. Maybe you're right. You don't need anyone to watch out for you. Maybe you truly do know best, even if it is hurting you!" You took a sharp breath, the anger now fully bleeding into your words.

Felix froze, his body tense as he absorbed the sting of your words. For a long moment, the room was filled with silence, thick and suffocating. He opened his mouth to say something, but nothing came out. And with that, you took a step back, your voice quieter but bitter. "So, who am I to say anything? I'm just too worried, right? Someone who has no idea what is best for you. Fine. Do what you want. It's not like it matters anyway."

You stormed out of the room before Felix was able to react, leaving him taken aback and speechless.

The next morning, Felix woke up to the weight of the argument hanging over him. He tried to shake it off, tried to focus on work and rehearsals, but everything felt like a blur. His body ached more than usual, and his mind kept replaying your words. He knew he had hurt you. Deeply. But he didn’t know how to fix it.

At work, he tried to focus on the task at hand, but your face kept flashing through his head, your words becoming louder with each passing instant. You were only trying to help, to make him see that he was worn out, but he had pushed you away. He had been so headstrong, so determined to prove something, that he had neglected to care for the one thing that truly mattered: his relationship with you.

He saw you as he was leaving for a meeting and walking past your desk. You were staring at your screen, eyes red-rimmed and visibly upset, when it hit him like a ton of bricks. You were still hurting, and it was his fault.

Felix approached you gently, his chest tense with regret. "Hey," he whispered quietly, just above a whisper. You didn't look up at first, too proud or hurt to recognize him, but Felix stretched out and gently touched your arm. You looked up, and for just a moment, the vulnerability in your eyes cut through him. "I'm really sorry," he murmured, his voice shaking. "I shouldn't have said those words. "I was just... I was being an idiot. I know you were just trying to help, and I should have listened. I shouldn't have shut you out."

You took a deep breath, trying to calm yourself. "Felix… I just want you to be okay. I don't want to keep watching you hurt yourself when I know you're struggling. I care about you, and I can't just sit there and pretend it's not happening." Felix's stare softened, and he took a step closer, putting his hand on yours. "I care about you, too. I was stupid to push you away. I will take better care of myself, I promise. I don't know what I'd do without you. Please never believe that I don't appreciate you looking out for me."

You sighed, the weight on your chest starting to ease. “I’m just scared, Felix. I’m scared that one day, I’ll watch you do something irreversible, and I won’t be able to stop it.” Felix’s grip tightened, a vow in his voice. “You’ll never have to. I’ll listen from now on. I’ll let you help me. I just… I just need you with me.”

The air between you both seemed to calm. You let out a shaky breath and squeezed his hand back. “We’ll get through this together. But you have to promise me you’ll take care of yourself too.”

Felix nodded, his eyes locked onto yours with sincerity. “I promise.”

You leaned in and wrapped your arms around him in a tight embrace. Felix hugged you just as tightly, his heart lightening with relief. Despite the hurt and the argument, you both had a quiet understanding that would help you navigate the future together.

//

masterlist

[cluescorner]

I cannot imagine being a Damian stan right now. You've got both Zdarsky's bullshit (where he clearly doesn't give a shit about your boy) and The Boy Wonder (where Juni Ba clearly gives so many shits about your boy) coming out on the same day. The whiplash must be insane. I hope y'all get some nice warm soup for your efforts jfc

[7phanthony8]

"Shake it off like it was dirt? Throw it away? Wash it off like she'd never been a monster? He didn't… he… he didn't know what to do."

- Grillby, chapter 49

Casting Rain (ao3) by @silverskye13

[widevibratobitch]

btw we need to start gatekeeping mozart and especially nozze from music academies

[icewindandboringhorror]

A very interesting cloud formation!

[wild-at-mind]

I feel like tags like these were inevitable on the post about people traumatising themselves for the greater good or w/e... There is SO much emphasis on posting on tumblr and other social media being so important and so useful and we must never stop. But I would like to counterargue with the idea that posting on social media (especially tumblr) constantly does very little/nothing. If that was true then the point here becomes meaningless.

[krysmcscience]

Did somebody say Bill shouldn't be allowed to swear? I think somebody said Bill shouldn't be allowed to swear. Thanks to that, have these retooled The Good Place jokes:

The "powers that be" can refer to either the Theraprism staff, the Axolotl, or just. Ya know. Disney in general. Or all three! Whichever you think is funniest. ¯\_(ツ)_/¯

The "party" Bill's referring to is Weirdmageddon, of course. He was quite the ashhole to everyone back then.

Ford has probably gotten pretty good at the 'tune out your psychopathic ex with dank memes' challenge.

It must be very cathartic to be able to make Bill shut up whenever you want with just the press of a button. I'm sure Ford doesn't abuse this ability at all.

Oh, sure, 'Not now,' he says, before he immediately backs out of the newly-made hole in the Theraprism wall. 🙄

Don't worry, Bill doesn't get far.

also yeah i know this one doesn't have an attempted swear - i just wanted to use the joke because of the massive stink-eye involved in it because it makes me laugh

⬇️ More goofs beneath the brief ramble if you wanna skip it lmao⬇️

Why is Ford even there, you might ask? Well, he either decided he preferred to watch Bill suffer in person over being distantly and repeatedly harassed with the same evil desperation book for the rest of his life, or he got roped into some kind of contrived community service for 1.) all his many counts of interdimensional thievery, and 2.) his ignoring all the very clear warnings to NOT summon Bill in the first place (which I like to imagine is also illegal). Theraprism staff were just like, 'Wait, this guy matters to Bill? Ooh, we can USE that! It might be the only thing that can help him want to get better!' It is not considered that throwing Ford at Bill so soon after Weirdmageddon could instead make them both WORSE - in new and altogether special ways! :D

Anyway, I'm calling it the Community Service AU, and I am most likely not going to do anything else with it beyond appropriating these silly Good Place jokes. So, feel free to adopt the concept if y'all wanna??? Just make sure that Bill is still not allowed to swear, no matter what, full stop. It's gotta be a real linguistic corkblork of a situation for him, is all I'm sayin'.

Finally, have these bonus Good Place jokes, but with Handyman!Bill this time:

'Opposite tortures' doesn't sound so bad...at least until it's an all-powerful chaos entity known for torture saying it.

you may think i forgot mabel's cute pink cheeks but the truth is that i did in fact forget but then immediately stopped caring which makes it okay, SHHHHHHH

And, finally:

lmao this is shit

True facts, if you cram Season 1 Eleanor Shellstrop and Michael into a singular triangle shape, they turn into Bill Cipher. This is science, look it up. Or don't, and just trust the source that is me, bro.

Anyway, I should be in bed, y'all have fun with these, I guess. Tune in after like a week or so and maybe I'll have an addendum to my comic about how Bill was drawn naked for karaoke night. Because him actually being naked was not the only thing I considered as a plausible explanation. XD

Also if you see any inconsistencies or errors in any of these comics, No You Do Not :D

Also also, reblogs are rad as hell and I appreciate every single one, just don't repost, please and thanks. Every time a repost is made, an artist somewhere cries. :,)

[evanhereonearth]

The Insidious Cycle of the Abuser Who Says They Love You: Mythal and Solas

Likely goes without saying, but Veilguard spoilers all under the jump.

I have been absolutely wrecked by the end scenes in Veilguard for weeks now, and I want to do a deep dive into Solas's relationship with Mythal and how it absolutely reeks of abuse. Long post incoming!

CW for heavy discussion of cycles of abuse, trauma response, and abuse tactics.

When I finished my first playthrough, this moment hit me like an absolute freight train. His visceral response to her presence and the way he instinctively retreats and flinches back/puts out a hand to protect himself is a full-blown trauma response.

And then she starts talking and moving towards him, and it gets worse.

Solas curls in on himself; his body goes even further into self-protection mode. His face is downcast, not the way he bowed to his vhenan moments before with a straight back and open posture, but shrinking.

And then as she advances, he cowers.

He completely folds inward. He crumples; he shakes, he hyperventilates, and the moment she reaches for him, he fumblingly offers her the lyrium dagger to kill him with.

Is this shame? Yes, of course, but it's far, far more than that.

For the sake of brevity, I'm going to limit this list to the four most widely recognised trauma responses:

Fight

Flight

Freeze

Fawn

As someone whose primary trauma response is fawn (wooo CPTSD), which is intensely common among people who experience complex trauma, especially through emotional and prolonged physical/mental abuse where their needs are discarded, pushed aside, or otherwise steamrolled, I felt this right alongside Solas. My own body responded to seeing it. This is, quite frankly, one of the most visceral and realistic (and extreme) fawn responses I've seen depicted in media.

Mythal in this scene is...phew, something else.

"She was the best of them," Solas tells us in Trespasser.

But she was not good, everything tells us in Veilguard.

Let's look at his regrets in chronological order.

Through Solas's memories of regret, we see this germinate in his foundational regret: leaving the Fade to take a physical form.

He does not want to do this. He tells her he does not want to do this. From the conversation, it's clear it's not the first time she's asked.

And the way she asks? Outright coercion.

"You have so long observed the world. Why not consider joining it?" [I want you to do this thing, so I will frame it as logical for you to make the choice I want you to make.]

"But I have no desire to live as humans. Besides, this talk of taking on a solid form. I think you underestimate the danger." [I don't want to do that. It does not feel safe to me.] "When you took the glowing stone to build your body, did the earth not shake?" [This is dangerous and selfish.]

"The lyrium gives us the strength we had when we were of the Fade; we are the best of both physical and Fade." [It makes us powerful, so I don't care about the risks.] "I need your wisdom, Solas, to withstand the louder voices like Elgar'nan's who would go too far." [If you do not come with me, a tyrant you abhor will make others suffer.] "I need you."

"This is madness. You must know that." [I don't want to do this at all. This will hurt me. I don't want this.] "I will always follow where you go." [Because I love you and trust you.]

Mythal's words in this part are classic abusive framing. When appealing to his natural curiosity does not work and he expresses strong rejection of her logical thought process (just because I have observed this place does not mean I want to go there, echoing his comments to the Inquisitor in DAI: "Many Orlesian peasants dream of travelling to exotic Rivain. But not everyone wants to go to Rivain!") and expresses that there is significant danger to continue to build bodies out of lyrium, she changes tactics.

Her second tactic is that it gives them power--she implies that he is limited and not enough for being only of the Fade. If he follows her, he will be the best of both, like she is. She clearly already sees herself as above him.

Her third tactic is pure emotional blackmail: "I need you. I will give in to the tyrants without your wisdom, and having your counsel in the Fade is not enough. If you don't go against your own nature and desires, people will suffer...and it will be your fault for not being by my side."

She doesn't say those things outright, but they are implied by everything she is saying. He says again he doesn't want it--that it is madness and that she must be aware of that despite her ignoring any suggestion that she actually is. All she is seeing is power and her desires: for Solas to do what she wants him to do.

So he agrees. Because she is his friend, and she says she needs him.

As far as core wounds go, this one is a doozy. It's absolutely brutal, because it's irrevocable. It's a point of no return. It's the first in what will become millennia of regret, of her ignoring the Wisdom she coerced out of the Fade to do what she wants regardless, to continue to push him to twist his nature under the guise of the greater good, to continue to cede to Elgar'nan and enable the very tyrants she promised him to balance.

This regret was deeply painful for me to watch. The nuance here is easily lost if people don't understand abuse tactics and how this sort of manipulation is used. It also serves to bind Solas to Mythal, an enormous sunk cost fallacy in the making--once he has made this choice, there is no going back.

And you see Solas curled in on himself in anguish and regret from the trauma of taking a physical form. It is in deep, painful contrast to his open, free wingspan as a spirit of Wisdom; he will never be the same.

"Have you created what we need?" From the outset Mythal is framing this as his idea as much as hers, when from everything he says, that is not true.

"With this, the proper ritual will sunder every Titan from its spirit. But you must know, those severed dreams will certainly be driven mad, a disembodied blight of pain and anger. It--is--awful what we are doing."

"And the only way to end this war."

Again, Solas offers the wisdom she claimed she took him from the Fade to listen to. He warns her, again, of the danger. He does not want to do this. Just like he warned her of the earth quaking when they made their bodies--they, the Evanuris, started this war by taking what they wanted regardless of who it hurt. He never wanted to participate in it, but now he is in the middle of that war. Mythal was one of the initial perpetrators of this war; she brought Solas into it against his will because he loved her, and now he's stuck. He is past his point of no return. And she is still using his heart against him. She has isolated him from everyone he knew in the Fade; he has no one to support him. He. Only. Has. Her.

This is another classic abuse tactic; if the person being abused has no one else, they will continue to enable that abuse even if it harms others, because they cannot see a way out. If you don't do what I say, it will destroy our children, our family. If you don't do what I say, this war will consume all you have, and you no longer have a home to return to. If you don't do what I say and hurt yourself and the Other, more will suffer, and it will be your fault.

Again, his posture, curled up and broken, appearing to cradle a now-tranquil Titan beneath him--and be embraced in return. This is an interesting artistic choice here, one that aches. It speaks to the depth of his own wound and how much it rent his own spirit to follow through with Mythal's wants here; that it sundered him from his spirit as much as it did the Titans.

"You cannot do this, Elgar'nan! You swore we would give up our commands when this war was over!"

"Our people need our leadership. If you are unwilling, leave."

From Elgar'nan, this is expected. From Mythal?

"Our people must rebuild. And we must help unite them."

Solas, once again, betrayed. He put his trust in Mythal and in the other Evanuris to follow through with their promise. Everything he has done thus far is poisoned in this moment; had the Evanuris indeed stepped back rather than stepped on necks, perhaps Solas could have healed, found a way to live with what he had done, maybe even to make amends. But this starts his war anew--and Mythal is standing with his enemy despite her promises, despite every wheedling word she's used to get what she wants from him over the centuries and longer, despite him turning from everything, everything, he loved to love her. This is the moment where he understands that he has only been a tool to her all along.

"So we did not fight for freedom, but to conquer this land and our own."

Let's pick apart Solas's words.

So we did not fight for freedom: He truly believed that he was fighting for freedom, that no matter how bad it got, that he could bear it for freedom.

But to conquer this land: Literally the land, I think, because of the Titans. To subdue them at all costs. This was not what he came for, but he believed Mythal.

And our own: Our own, our people, more spirits we gave bodies for this war, more who may not have wanted to leave the Fade. Our own, our people. To Solas, he is one of them. In this moment, he realises how much Mythal holds herself above all of them.

Elgar'nan's words are all too telling: "We fought to win. And now the Evanuris are as gods. I do not answer to Mythal's annoying lapdog."

They all--all--see him thus. As her pet.

Because he is. She has, until now, controlled him utterly with her manipulation and "need" for him.

"The people are afraid. They must believe in something." Mythal does not even stand up for Solas here; she does not reject Elgar'nan's perception of him. All she does is further distance herself.

The people are afraid: The Evanuris made them. They are as controlled as Solas and more.

Elgar'nan asserts, "They need strength."

"And wisdom." Mythal has the absolute gall to attribute this to herself, when Solas is the source of the wisdom she "needed" for so long. (Belated addition: And another level here: she may also be saying again that she needs him, but doing so in a way that doesn't require her to stand up for him directly. Honestly, fucking gross.)

"They need gods who can protect them," Elgar'nan continues.

"We are not gods. You will learn that." Solas's voice here is pure defeat. The scales are falling from his eyes.

"Every lapdog holds a wolf inside," says Elgar'nan.

Solas knows that Elgar'nan's "protection" is hollow, based on subjugation. And I think in this moment, he learns that Mythal's is based only in her belief that she is better than those beneath her, who cannot possibly handle themselves.

So her lapdog becomes the Wolf.

"I was not certain you would come."

Solas's opening words in this regret show the distance between them already and how much he has realised he does not know this woman who called herself his friend.

And her response is to instantly blame him.

"You are the one who walked away. I never turn my back when my friend needs me."

In putting this post together, this line absolutely sucker punched me. I've watched these several times already, but the absolute audacity to blame him for standing up for his principles for the first time against all her manipulation? Hoo.

She blames him for doing just that, "turning his back when his friend needed him." She needed her enabler, and when he stopped, she turned bitter. Just like any abuser.

That he goes straight into "The Evanuris seek the magic of the Blight" instead of engaging, honestly shows that he's still Wisdom. That is one battle that is unwinnable, trying to stand up against an abuser's bullshit like that.

"Impossible," she says. "The Blight is safely sealed away forever."

Gaslight, girl boss, gatekeep.

"Though I wish I could believe you." [You have lied to me so many times.] "I have sensed the breaking of the wards."

And her answer is patronising. "I will investigate your claims." [I don't believe you.] "If they forget the danger of the Blight, I will endeavour to remind them."

Solas knows this is futile. "What if, instead, you left the Evanuris and remained with me? Do you not wish for freedom from this struggle?"

He asks her, again, to veer from the dangerous path. He desperately wants to believe he was not completely wrong about her, I think. If she were to leave, he could heal somewhat, for not having so thoroughly misjudged her character.

Am I enough for you? Was I ever enough? is the unspoken question here when he asks if she will remain with him.

And in return, he gets back even more patronising bullshit and hubris. "Be at peace, love. I will stop them."

(Can you tell Mythal pisses me off?)

She calls him love. What an unbearable insult after everything, to go on telling him she cares for him whilst ignoring his wisdom--the very wisdom she coerced him into leaving the Fade so she would have by her side--and consolidating her own power at the expense of his people.

"As you must," he says. "The Blight is our mistake."

Might be unpopular, but I do not think Solas bears a split fifty-fifty custody for whose fault the Blight is. Could he have said no about the dagger? Could he have pushed then? Maybe. But by this point, he'd already had probable millennia of complex trauma and a deeply abusive codependent relationship, probably also a level of magical bond. Like, sorry, Trick and BioWare, if you want to retcon everything you shared with us in Inquisition about being in service to the Evanuris ("You have given yourself into the service of an ancient elven god! You are Mythal's creature now. Everything you do, whether you know it or not, will be for her.") AND Mythal casually overriding her servants' will and Solas burning her vallaslin off his face and leaving a scar and devoting himself to freeing the elven people from the Evanuris's domination, fine, but I don't buy it. Even if there was no magical compulsion on him all this time, that is immaterial.

Complex trauma literally rewires the brain to survive. She spent lifetimes programming him, isolating him, stripping from him every bit of agency he had. This man did not have the capacity to say no.

When our no is trampled even for a few months or years, we stop trying to use it. We comply. We, as mortal humans, cannot begin to comprehend the compounded trauma of millennia of this happening with the stakes of worlds in the balance. Solas, quite simply, has lost the entire ability to consent. No one of us can even imagine.

Yet he managed to walk away from her somehow, when she chose Elgar'nan. This man is stronger than anyone gives him credit for.

The dagger was clearly Mythal's idea. The plan to sever the Titans from their dreams, clearly her idea. To end the war. For there to be "peace". For there to be "freedom". Except that never came.

His loyalty was to her and to their people; hers was only ever to herself.

And again, she walks away and lets Solas suffer.

What a good friend.

[screaming from the general direction of Scotland]

She put her trust in monsters instead of her oldest friend, and the monsters ate her face.

Anyone surprised? I'm surprised. (I'm not surprised.)

And on top of this, Mythal finally, finally giving Solas one tiny breadcrumb that she had any principles remaining? I think that cemented his bindings to her forever. Not just that the Evanuris killed her, but why they killed her: because after millennia, she listened to him.

For someone that deep into trauma and abuse? Well. We know what happened.

It cannot be overstated that with his imprisonment of the Evanuris and the Blight, Solas saved the entire world. The entire world. Every living being in Thedas had a chance at life because of him. Only because of him.

Morrigan says it early on in the game, that for all the consequences of the veil (which, it also must be said, was not supposed to be global!), "his imprisonment of the Evanuris was just. Had he not done so, all of Thedas would have fallen to the Blight."

And the world has hated him for it.

He woke after sleeping for millennia, exhausted by this immense act of magic, to discover that not only had it gone horribly wrong, but that it had cost his people everything. That Tevinter had come in and enslaved them, released a trickle of the Blight after breaking into the Black City, used so much blood magic that the veil itself all over Thedas has been in tatters--not least because in releasing the Blight, the survivors had had to face down and kill the dragon thralls (archdemons) of the Evanuris, rendering five out of seven of them mortal, and with their deaths over the intervening centuries, the veil had grown threadbare with only two Evanuris sustaining it.

The risks were catastrophic, the price unbearable.

Everything he'd ever done to protect the world could still come crashing down...and in a sick twist of fate, he would be alive to see it.

And, shockingly, so would Mythal.

Mythal, whose fragment has just been chilling in a swamp for centuries in human form. Mythal, whose abuse of him lasted through the entirety of the world's history. Mythal, who, due to the Evanuris's betrayal and her abusee's abandonment, has become little more than retribution.

Mythal, who could have set him free at any point in all this time and didn't, because he was hers.

Mythal, who is the only remaining person with the power to do what he feels must be done.

I find it interesting that they chose not to use the post-Inquisition dialogue at all. Interesting also that they used Mythal's voice actor and not Flemeth's. This feels like a retcon, but we'll go with it. Whatevs.

"I knew that you would find me soon enough. You need the power of a god, the strength that I alone still carry."

She's still asserting her own godhood.

He's not having it. "The blighted Evanuris will soon break free from their prison. I must make a stronger one that can contain them."

He's not wrong. Not even a little bit wrong. And he's also right that she won't help him. Why would she? She never has.

"While the prison is important, it is not the only goal you seek."

"Why should I not tear down the veil? And bring back immortality to all the elven people? They deserve it."

And this is where I get even more raging, because Mythal's answer is this: "The elven people of today do not deserve to see the world they love torn apart to salve your conscience."

I'm sorry, what?

The world they love? The world that has offered them nowt but literal genocide for thousands of years? The world where in Tevinter, they're chattel slaves and worse, fuel for blood magic without a thought? The world where in the "civilised", slaveless nations to the south, they're either confined to alienages and subjected to repeated genocide (that's what a "purge" is, if anyone isn't clear on that) or the remnants of the Dales, who are the descendents of another enormous genocide? The world where elven magic has been pillaged but elven mages in human settlements are confined to Circles and abused or made tranquil or also genocided by Templars invoking the Rite of Annulment? The world where they're called "elf savage" and "rabbit" and "knife ear" and cannot participate in Thedosian religious life because the Chantry erases every instance of elves from even the Chant of Light? The world where it took the Inquisitor installing a perpetrator of genocide on the Orlesian throne (both Celene AND Gaspard fit this bill) and either having Celene reconcile with Briala (Briala and Celene's relationship could be a whole other post. Boak.) and blackmailing them to give a single elf lands and a title? That world????

What the fuck, Mythal, die faster.

I got real mad there for a second. I'm fine. I'm fine!

Solas, once more, simply says, "I must fix what I have broken. I am sorry."

More than she deserves, frankly. Man's a mess, but at least he tries. She's been chilling in a swamp and pulling puppet strings for ages and abusing her kids. Nudging history like it's some sort of hobby, because it has always just been pieces on a board to her. They have never been people in her eyes like they are in his.

"As am I, old friend."

Aye, get tae fuck. Friends don't treat friends the way you treated Solas. The closest thing to an apology Solas will ever get from her is that she pretty much just lies down and dies when he comes to kill her. And she still won't set him free before he does. Has to continue to twist her own knife.

This scene has me riled.

And this takes us back to the beginning of this post.

To her essence showing up to release him from her service.

In what is, to me, the least accountable, bare minimum non-apology (she never actually says she's sorry) I've had the displeasure to witness in a videogame, with Solas literally cowering before her and offering her a knife to kill him with since this is the first time he's seen her actual, non-Flemythal face since she died.

This was never a friendship of equals. Ever.

She got one thing right. She did break him. But she knew it all this time, and she never took a single step to put it right until pushed. Her corner of the Crossroads, which he built for her in the desperate hope that she would show a glimmer of the friend he believed she was, notably has a pair of wolf statues. Both beheaded.

She's spent all this time punishing him further.

He never went to visit her? I wouldn't either. I could not blame him.

This has gone to an angry place. So let's conclude with what is, I think, the entire point.

Grace.

"I lied. I betrayed you."

"I forgive you."

Has anyone--anyone--in all his long life, ever said those words to him?

I'll say that again: has anyone--ANYONE--in all his millennia of existence, EVER said those words to him?

I forgive you.

Mythal certainly didn't.

The world certainly didn't.

He has shouldered all the blame of an entire pantheon, a war that broke the world, a blight, everything, always, and while people have come alongside him to help him, I am not sure anyone (certainly not anyone he cares about) has given him the grace of forgiveness.

The beauty of this final scene for me wasn't just Ilaana, wasn't just Ilaana reuniting with the man she has loved for a decade who has spent all that time pushing her away so he couldn't--in his mind--inevitably poison the love of the only person who has seen his spirit and cherished it without twisting him.

It was the slow realisation that Rook trusted his love enough to try.

It was Morrigan, who carries all Mythal's memories and her own of Flemythal's abuse and machinations, who responds to Rook's question about her views of Solas with: "Or do you mean to discover if I would stand directly against the Dread Wolf, were there a need? I shall aid you in any way but that. What has passed between Solas and Mythal...I beg you: do not ask this of me again."

Morrigan knows. She will not raise a hand against him. She will not try to stop him. She will let the veil fall. She will not fight with Rook. Because she knows this being whose memories she holds has harmed him enough.

Solas, in these final moments, even before Mythal shows up to gut punch him, realises all these people have somehow, somehow, banded together to help him.

Not work for him.

Not be his agents.

Not worship him.

Not follow him blindly.

To help him. To help Solas. To help him, after all this time, take the first steps towards himself. Towards his own essence, so long twisted into something he never sought or wanted.

The Inquisitor and Morrigan certainly understand what it's like to be seen only as the symbol others raise in your image. Rook will learn that someday, but is still naive.

But even with that naivete, willing. Present. Able to put aside being a chess piece on his board. Able to see that they would never have succeeded without his help. Able to trust two people who know him better than they ever will.

Able to offer him grace.

And when they produce Mythal's essence, how that must brutalise him; to think that perhaps all this has been to let his abuser kill him back. He clearly thinks that's what's happening. He breaks. He fawns. He offers her the blade that has caused so much pain.

Her release of him is the bare minimum she owes him. I've already railed about that.

What is transcendent here, transformative--it is the mortals.

The mortals offering grace to a god who never wanted to be a god.

It's them together showing him a way out of an endless cycle of trauma and abuse. No one of them alone is enough. Without Rook, they wouldn't have Mythal's essence; Morrigan can't go get it, and she can't do what is needed because she's not actually Mythal, only has her memories. Without Morrigan, who can stand there with those memories but from the compassionate perspective of someone who has watched them in horror from the outside. She's far from objective, but she can do this one thing to help.

Without the Inquisitor (romanced or not, still someone he let know him as he most desperately wanted to be known--the Fade-walker, the Dreamer, the humble mage who desperately needed a friend). The Inquisitor, who kneels before him to comfort him. Who sees his hurt and responds.

If romanced, without Lavellan, who kneels to repeat back words he once shouted at the Nightmare in the Fade after Adamant.

"Dirth ma, harellan. Ma banal enasalin. Mar solas ema mar din." (Speak, traitor. Your victory was fruitless. Your pride gives way only to your death.)

To which Solas replied, "Banal nadas."

On the surface, nothing is inevitable, but can also be taken to mean that nothingness is inevitable, entropy, the final void. (Thanks to Dumped, Drunk, and Dalish for this excellent long post on this scene.)

And here is Lavellan, kneeling beside him with those words. "Banal nadas ar lath, ma vhenan."

Nothing is inevitable but the love we share, my heart.

I see everything you are, all you have done, and I love you. I forgive you for the pain you have caused me. I understand, see, and forgive.

No one has ever shown him grace like this.

Ever.

And Solas, this shattered man, sobs.

He sobs.

Someone has taken the trouble to isolate his voice in the video. This man has nothing left. And, after millennia of this trauma cycle repeating over and over, he is finally free to make the choice he wants to make. It's not the outcome he wants; that has to be said. He doesn't want to leave the veil up. He doesn't want to be bound into prison forever with no hope of seeing the world he fought for ever return.

But he is done.

In the Fade after Adamant, there is a cemetery with the worst fears of every companion scriven on shrines and stones. Solas's is dying alone.

After all of this, he is willing to face just that--and would, if not for her.

She knows his deepest fears. She has faced the demon Mythal made of the man she loves. She has given unwitting comfort to the spirit of Wisdom still within. She has seen his sweetest self. Nurtured him, cherished him, and has been nurtured and cherished in return.

Does she want to leave the world behind and spend eternity in a Fade prison? Probably not her first choice. It's not my Ilaana's; she has been on his side all this time, dreaming of a world where the spirits she loves can be reunited with the world in peace and ready to make that happen.

But it was not supposed to happen this way. It did happen this way anyway.

He has sacrificed everything--everything--including his own spirit self, his soul, his life. How could she not offer him what no one ever has? A friend forever, a lover willing to walk the din'an shiral by his side, a companion to ward off the forever alone.

Together, the two of them can begin to heal, with their counterpart who has always seen through the burdens of the world to the soul within.

This is the only thing I've ever had any faith in. Grace I know you carry us Grace And it was such a mess Grace I don't say it enough Grace You are so loved

[fictionalmenmistress]

I haven't seen anyone else talk about it, so I wanted to share that Logan's rant monologue insulting Wade in the Honda Odyssey, before Wade decides to beat him up and they ~fight~ all night... that so clearly to me, was Logan projecting. It started as a tempered rant to cope with how annoyed and pent up he was, with the heat of everything and with Wade's muchness that makes him, him, but the longer he went on, the more he started ranting and exposing himself in the process.

"THE XMEN REJECTED YOU, AND THEY'LL TAKE FUCKING ANYONE!!!" That was my first hit, that he was referring to himself. He sees himself so lowly, so failed, that's canonical to the film. And canonically, he didn't even quite originally feel worthy or want to be with the XMEN. Didn't feel like there was a place for him there, a place for him anywhere. One of his biggest healings was Professor X not giving up on helping him believe that he deserved to be there, was wanted, was worthy, was a good guy. That's canon to his character. So we know he was speaking about himself. He was chewing Wade out, but he was also talking and focusing moreso on what upset him about himself. (He sees himself as just any jo shmo, when he IS literally THE X MAN ㅠㅠ)

He was seeing himself in Wade, how he "can't even save a relationship with a gd stripper", (he sees himself as not able to save anything either, and he's angry for that more than anything else he's angry or annoyed at) projecting SO HARD as he pieced together saying it out loud, that Wade was exactly like him. Logan hated himself for not saving anything. For being a "loser", a "failure", for all of the same reasons he was lashing out at Wade for. He was so angry and annoyed by Wade reminding him of himself, because he related to him. Wade was his reflection, in his eyes, calling him out so loudly with his own behaviors. And he hated himself. He deeply was suffering with that hatred for himself, and as a result, he lashed out on Wade when really he was chewing out himself, inside, admitting it.

"God's CRUELEST JOKE, IS THAT YOU *WONT* DIE ALONE. BECAUSE YOU! CANT! DIE! SO THE REST OF US HAVE TO SUFFER YOU THE REST OF OUR EXISTENCE!" (something along that.)

He didn't know for sure that Wade can't die. He picked up on that Wade can't be killed. Logan is the one who can't die. They are two flipped sides of the same immortal power coin. When he finished his screaming at him, and everyone was silent at how cruel and shocking the confrontation and his words were, I was sinking with a very empathetically whispered "oh, Logan..." Because I felt his misery. I immediately picked up on him really talking about himself, and I think that was genius and layered. I was upset for how awful that was to say to Wade, heartbroken for Wade taking that to heart, and I was heartbroken that Logan was saying that because he believes that about himself. Because they are, oddly, a lot alike. Very compatible.

This scene here:

I read that Hugh said that Ryan wrote that. He's brilliant with these films. It was so genius. I really needed to share this and bring this thought, meta, analysis to light. For all of us to have.

Is Logan mad at God's "cruel joke" of his immortality, yet ability to feel so much pain through it still? Yes. He punched the roof in rage, because it's not fair. Venting his own pain. He sees his powers, his own and Wade's too, empathetically, as their curse. The curse of being the one who lives, and the guilt with that. The one who can't die. The one who lives, who is forced to live, while everyone who "deserves to live" dies. And WILL die, around them.

"And You can't die. That's on all of US!" Logan says, clearly referring to himself living forever... And "us" being the people HE loved. He saw himself as a burden for existing with them, for them. He deflected that onto Wade, as if the people in Wade's life must feel that way too, but didn't really mean that. He meant it about himself. Logan believes he was a burden on the people he loves, the people he lost. That's probably why he left too, and didn't come back when they called out for him to. He distanced himself to protect them, and protect himself from that fear of rejection that he feels is so imminent, and them not having him, is the one element that led to none of them surviving without him. He was always the key. He was always wanted, and he was always important and needed. He just couldn't ever believe that.

Man, that's why it became so personal for Logan too, when he was shown Wade's photograph of his family. Because HE had a family, and he would do anything now to save them. Just like Wade. He held that photograph all night, he went and got it when it fell out of the car, he kept looking at it. It became personal for him, when he identified with it. That Honda scene really was their turning point of everything. That's when Logan cared with everything. He got it. Wade is the him he couldn't be. But now he can.

I dropped some heat with this one.

Extra little personal context/thought notes: Maybe I just spotted it because I have a natural knack for psychology, I'm hyperobservant, highly empathetic and deeply feeling, and I'm also years experienced of my parents and whole family treating me the same exact toxic lashout way almost every other day. That's a workweek for me to see through toxic lashout anger BS. These are not my gifs!!! They were created by another amazing account. I will refind their @ and tag them!! >>> It's @landoslastnerve ! Thank you friend! 🤍

Also wanted to include someone's tags from those gifs:

.

[loganhowlettshousewife]

we’ve all watched the scene of logan putting out the cigar on himself and it got me thinking about him with a reader whose mutation allows them to burn people. (he’s such a freak i need him).

-

he’s a squirming, whimpering mess underneath you. such a gorgeous sight, and one that only you get to witness - the big, bad wolverine turned into a moaning mess through the use of your power, completely at your mercy, his hands tied so he couldn’t fight you off even if he’d wanted to (not that he ever would).

you were anxious to try this. your power wasn’t one that could be used for good. it only ever caused pain, suffering, family and friends leaving you once it had manifested, spitting out words that felt like venom. you burn people when you touch them, like fire licking over their skin, making them cry and scream and beg for mercy. 

you have gloves of every colour of the rainbow, an array of different fabrics and patterns and textures, pairing them with your outfit every day. you hate touching people, hate hurting them.

but logan has a thing for pain. he’d admitted it to you, under the cover of a dark and cloudy sky, when you’d asked him how he could possibly stand to be with you when you’d never be able to touch him, never be able to kiss him without hurting him.

he’d begged you, actually begged you to touch him, to burn him, to hurt him.

for the first time ever you can touch someone without a layer of fabric in between. you can drag your fingers along his thighs and watch the red burn marks it leaves behind, watch the colour fade and the texture smooth over as his body heals itself. it’s like he was made for you, a perfect match, both with cracked and broken edges, but somehow you fit.

“fuckin’ touch me,” he spits, “c’mon.”

“i am touching you,” you reply, pressing your hand down onto his hairy chest. his skin is warm, slightly damp from a thin layer of sweat, alive and real. he cries out, but it’s not the sound you’re used to hearing when you touch people. it’s a whine, higher than you thought his voice could go, pain and pleasure mixing into something he hadn’t been able to describe to you in words.

“y’know what i mean,” he pants. you just smile, serene. you’re not teasing him on purpose, though you must admit it’s certainly entertaining to watch him fall apart, rather you’re taking the opportunity you thought you’d never get, exploring your lover's body with your touch, breathless at the feeling of skin against skin.

you finally grab his cock, feeling the thick, warm weight of it in your hand. you can feel the telltale buzzing under your skin, the sign that your powers are burning him, but he doesn’t try to pull away from you. rather, his hips jerk up, chasing more of the feeling. a bead of precum pearls at the tip, and you rub it down his shaft.

“you actually like this,” you muse, “you’re such a freak.”

the degrading comment only makes him groan, rutting his hips up to fuck into your fist. and he’s just so pretty, so lovely when he’s desperate, so as much as you want to play with him, spend hours making him beg, you don’t. because you need to see what he looks like when he’s falling apart.

you jerk him off slow, never letting the pressure relent. it’s a fight with your instincts, your mind telling you to let go before you hurt him, before he decides that he doesn’t actually like this, before he leaves like everyone else. but he heals as fast as you burn him, again and again.

you watch his face instead of your hand, focusing on the way his lips part with each sound he makes, the pleasure contorting his expression. he gets louder, warnings filling the space between you, and then his hips stutter, faltering, and you watch his eyes roll back as he cums, shooting thick ropes of white all over his own chest.

your eyes widen slightly at how quickly you’d made him cum, but he’s already hardening again in your hand, chasing the pleasure of his orgasm even as it fades.

“do it again,” he orders, though really he’s in no position to be making demands. still, you oblige, because it feels good to be able to hurt him and know he’ll always come back. you could definitely get used to this, and isn’t that a terrifying thought.

[avelera]

I can’t put my finger on why, but I can feel in my bones that Jayce suffered from, “Hot Girl who is literally so hot no one has ever dared asked her out, so she thinks she’s ugly or unlovable” syndrome.

You cannot convince me that the expression of total shock and confusion of his face when Mel mildly flirts with him and gets in his personal space is the product of someone who is used to being flirted with. He’s completely oblivious to how many longing looks get thrown his way.

And clearly Mel had no idea either because you can almost see the panic on her face when Jayce gets all lovey-dovey with her after their one night stand. She clearly thought this was a simple, obvious way to manipulate a passionate young man and make him well disposed to her guidance but, whoops, you were actually his first and the first person to ever openly express romantic interest in him, again, because no one else (including Viktor) ever dared!

Everyone just assumed he’s so conventionally hot he must also be romantically and/or sexually experience, but nah, bro was too busy obsessing over weird science and crushing on his lab partner to have a sex life.

Literally it explains so much. Him not shooting his shot with Viktor. His sense of betrayal when he confronts Mel about using him in 2.08 (she was his first! And she used him!). The fact he seems totally oblivious to the way people look at him.

Jayce is the Hot Girl no one ever asked out and he has literally no idea.

[aequitaes]

@sicsemper suffer my tag rambles. ✌🏻

The way Haikaveh/Kavetham is written in a way that makes both of them have their individual characters while also being an integral part in each other's lives. Both of them have their own beliefs and ideology. They both have different things they work on, Alhaitham being this avid researcher and Kaveh being this idealistic artist. Their characters don't necessarily revolve around each other all the time, but there is no doubt that they are both very important people to each other. Kaveh is the exception to Alhaitham, and Alhaitham grounds Kaveh. They each complete the other while the other completes them. So even though they're their own people, you can't separate the influence they have on each other.

[apas-95]

How do you not realize your Marxist ideology is false when it says shit like a trans black woman small business owner is oppressing her cis white man employees?

I don't think you're, like, genuinely asking, or are curious, here, but I'll answer anyways, for everyone else who might be confused on issues like this: it's intersectionality.

You could make this argument about essentialy any axis of oppression - 'how do you not realise your LGBT ideology is false when it says shit like a cishet black person is oppressing their white trans gay employees', or, conversely, 'how do you not realise your racial ideology is false when it says shit like a white trans gay person is oppressing their cishet black employees'.

The point here isn't to have a rock-paper-scissors, Pokémon type-effectiveness ranking of which axes of oppression 'outrank' which others, it's to understand that each axis of oppression is an entirely distinct social system that overlaps with the other. A black business owner suffers from the social system of antiblackness, and benefits from the social system of capitalism. The specific overlap of their blackness and their class character also gives them an entirely unique character with regards to their segment of society. If they are USAmerican, for example, in their specific case the state and progress of the national liberation movement in the US means that they make up the rear of the revolutionary movement, despite being themselves petit-bourgeois. These systems of oppression are qualitatively different, and cannot be simply, quantitatively, summed up against each other.

With this in mind, it should be understood that the Marxist understanding of class as the principal contradiction does not mean that class is the most important, overruling factor, and that other axes should be ignored. Class is considered the principal contradiction because it is the contradiction that all other axes of oppression, genuine in their own rights, grew out of. Antiblackness was created by the slave trade (not vice-versa), and the slave trade was created by the growing European bourgeoisie's need to extract surplus-value, in the collapse of the Feudal economy. In the example you gave, the petit-bourgeois business owner exploits the labour of her workers, and is supported in doing so by an entire legal, political, and philosophical system based on the expropriation of the proletariat. She is also herself repressed and exploited on the basis of race, gender, and transness. These do not cancel each other out. However, given the ultimate source of racial, patriarchal, and cissexist oppress is political-economic class, her ability to genuinely fight for her interests in those fields will be hamstrung by her class position - just as her ability to attain and maintain that class position in the first place is itself hamstrung by her oppression in other fields.

Ultimately, there are no simple rules that society can be flattened down by. Each and every instance and scenario must be investigated in its own right. The idea that people are driven to Marxism because it provides an easy or simplified way of looking at the world is (perhaps unfortunately!) wrong, it actually means a lot more work!

[patricia-taxxon]

i don't know much about systems, but i know a lot about autism, and i think "syscourse" basically just an intra community disability support needs squabble but without the word "disability" to help contextualize it. Lemme try and help.

A lot of toxic disability discourse is just people with high support needs who are seeking *support* vs. a neglected majority of people with lower support needs who are mainly seeking validity and understanding. Both groups form a misguided resentment of each other. People who are profoundly disabled are more likely to get defensive and feel attacked when someone tries to spin silver linings from their disability, feel like their struggles are being erased by less effected people who outnumber them and speak over them. Meanwhile, lower support needs people are likely suffering in some manner that is invisible to them and everyone else, and they want nothing more than for that invisible problem to have a name.

I am, in spite of how I might look as a disembodied collection of smart sounding text posts, a high support needs autist. I have an unfair resentment of most autism positivity posts because I feel it doesn't represent my needs. I often feel alone in my own community due to a combination of being spoken over + your average everyday internalized ableism. I am, in my lowest moments, the autism equivalent of the anti-endo sysmed who writes long posts about how terrible and disabling DID is. I'm also, I guess, a low support needs system, so in some way I've seen this horrid discourse from both sides. The lesson I've taken is this: as a disability advocate, it is pointless for me to harangue and chew out those for whom my disability is a personality quirk in a desperate attempt to be seen. They too are neglected by the same things I am, and I must not be yet another voice telling them they don't deserve support. At the same time, those who are least affected by a disability are in the majority, and hold privilege over those most affected. Having a disability that is sometimes unrecognized by other disabled people is not a comparable oppression to the world simply not being built to accommodate you on any level whatsoever.

In conclusion, both of you are talking past each other, please apply theory of ableism to your discourse before its too late.

Sincerely, Avery & Amber.