#because i miss the feelings you know!!!!

[cyellolemon]

Silly art of Angel and Romeo!!! :>

[redfirefox-55]

Please guys go read Software Entropy by @clubsheartsspades (I hope you don’t mind the tag!)

It literally destroyed me. I forced my sister to read it and it destroyed her too. I just had to draw something for it because I couldn’t get this quote out of my head, but I couldn’t possibly do the scene justice in the same way as in the fanfiction so you need to go read it yourself

[poorly-drawn-mdzs]

Happy Birthday to Fallen London; My favourite British people beefing it with bats simulator.

[ohrackham]

It is not what you do for me that makes me love you. It's your kindness. Your empathy. How much you care. Just being you is enough, Colin. I do not need you to save me. I just need you to stand by me. To hold me. To kiss me.

[lazylittledragon]

ok i swear i'm not going to talk about my breakup forever but the thing that just keeps bothering me:

i know that not getting what you need in a relationship is a COMPLETELY valid reason to end it but also. i feel like having a very vulnerable moment where i opened up about my struggles with intimacy and being relieved that i didn't have to keep doing things i wasn't comfortable with, then being dumped a YEAR later because of my lack of intimacy. is something i should be allowed to be very hurt by???

[mohntilyet]

veilguard spoilers regarding a josie romance. but can we talk about the letter josie sends to a romanced inquisitor because. i’m sorry. fucking losing my mind at the fact that the inquisitor and josephine are close enough friends with the guy the inquisitor duels in her romance to be invited to meet his third child. implying they’ve been invited to the other two. at a baby shower and getting introduced as the one who dueled the baby’s father because he was trying to steal your girl. antivan romances insane.

NO LITERALLLYYYYY. AND HE’S AN IN LAW. ITS TOO FUNNY. i cannot imagine how they met and how yvette probably was like “teehee…. the man that my sister spurned…. has fallen in love with ME!” and the best/worst part is that ortranto really has. i like to think of them running around with each other and secretly meeting as though their families actually hate each other (they really don’t lol) . the ortrantos would probably be delighted to have their son actually marry a montilyet like they wanted, even better that they’re actually in love and it’s not arranged!

i have this image of josie going like “you can’t marry him. is this a joke, because it’s not funny. i almost embarrassed him! the only reason the ortrantos do not hate us is because he is a very kind man who saw that i was in love with the inquisitor! ….yes i suppose a very kind man like that could love you…….. yes of course i want you to be happy…… yvette gabrielle montilyet, i fear you are not hearing what i’m saying— DON’T SAY YOU ARE ALREADY AN ORTRANTO. DID YOU ELOPE? ah okay. don’t do that. i said don’t do that. yvette come back and listen to me” etc etc

of course i must believe that there was a big scene caused (once again) by a montilyet and ortranto that ends with lord ortranto making a speech where the publicly declares his love for yvette in front of all of antiva city to see and hear. so there’s no backing out from this one. in my mind there’s a rehash of the big “BECAUSE I LOVE HER!” (ortranto, desperate but genuine), “you do?” (completely aghast josie who has somehow missed the fact her sister has been giggling even more than usual), plus an “OF COURSE HE DOES!” (a thrilled yvette) that reminds josie so fondly of her own love story that she's immediately relaxed (and suddenly accepting) about this whole thing <3

[dawn-moths]

thinking about tomura being tenko’s older brother where they’re perhaps ten years apart. you and tomura first meet when you’re both eighteen, start hanging out as friends, but you’re only vaguely aware he has a sibling when sometimes he says he can’t hang out that particular weekend because he has to “babysit the brat”.

after a while, you’re able to convince him to show you a picture of his little brother. you’re curious if they look alike, and other than a few features like their eye and hair color, you can easily imagine how tomura looked at that age, too. him and tenko look startling similar to each other even with that many years between them.

“sorry…” tomura grumbles through the other side of your phone call one afternoon. “tenko’s soccer practice got canceled and now my mom’s making me watch him while she’s at work.”

he sounds annoyed, almost embarrassed by the fact that, even at eighteen, he has to obey his mother’s requests, but is ultimately contrite about his last minute change of plans having to effect you so often as well.

“it’s ok,” you assure him with your usual chipper tone, fully understanding the responsibility he has. “but, y’know…” you remind him, “if it’s ok, i could always come over and we could hang out while you’re watching your brother?”

you try and hide your eagerness the best you can. the truth is, you’ve been wanting to meet the mini-tomura for quite some time now. tomura always describes him as annoying, as a needy little brat that whines until he gets his way, but the words are never spit with scorn and there’s something soft in his eyes that always gives away the fact that he actually does care.

tomura usually just brushes off your offer, promises to reschedule with you, so you’re prepared to be let down, but that time, after a short pause of contemplation, tomura clears his throat and says, “i mean, yeah, ok. that’s fine i guess, if you want…”

“ok!” you beam, already grabbing your keys. “i’ll be over soon then!” you hang up, grab your bag, and jump in your car.

any time you’ve been over to tomura’s house (which has been few and far between, since your place tends to be the designated hangout given you usually have the house to yourself most of the time) tenko hasn’t been there. he’s been at his aforementioned soccer practice or a friend’s house or some other activity that’s kept you from meeting him.

you’re so curious it’s overwhelming, and as you pull up to tomura’s house he’s already perched on the front step, gazing at his phone until he hears your car approaching. you park by the curb and scamper up to greet him, giving him a hug as per usual, and though he’d sounded sort of defeated on the phone earlier, seeing your smiling face now makes him feel a little lighter.

“hey,” you grin, momentarily holding both his hands in your own down between your close bodies. sometimes you're reminded how adverse to any kind of physical touch tomura used to be when the two of you had first met. even something as simple as a light, playful nudge would make him flinch, cause him to keep a bit more of a distance for the rest of the day.

but over time, you're not sure exactly why but, something changed.

and it was actually him who came to comfort you that time. you'd been upset, had planned on staying in your room alone until the ache decided to pass. but then you and tomura had started texting. he'd sensed something was wrong so he'd called. he'd heard the heartbreak in your voice, told you he was on his way, and not ten minutes later he was sitting beside you on your bed with his arm around you as you'd talked to him about what had happened while you'd cried.

ever since then, he'd gotten more comfortable with your casual, familiar touches, though he still found it easier to touch you than to be touched by you.

“hey,” he returns, then adds with that hint of that sarcastic humor you’ve come to love so much, “you ready to meet the little demon?”

you laugh, unable to not be amused by his melodrama. “oh, c’mon,” you say, lightly batting at his arm. “he’s only eight, he can’t be that bad!”

all tomura offers in response is a muttered, “yeah, well…” before inviting you inside.

as soon as you walk through the door, a little dog comes bounding towards you, running in energetic circles and barking as his tail wags with both curiosity and excitement. you proceed with caution around the corgi, wanting to reach down to pet him but hesitating around the unfamiliar animal.

the few times you'd been over before, tomura had let his dog out into the yard so he wouldn't end up jumping all over you, so this is the first time you're meeting him up close instead of catching glances of him through a window.

"ugh, sorry..." tomura mutters as he reaches down and scoops his dog up, the canine's tail continuing to wag even more once he's secure in tomura's arms. "i forgot to let him out back..." he then seems to realize something, his eyes widening a bit as he does a double take back at you and asks with a little more guilt in his tone, "you're not afraid of dogs, are you...?"

you wave off his concern with a swish of your hand and a crooked smile. you tell him you're not, you were just a little surprised is all.

"it's mon-chan, right?" you ask, slowly reaching your hand out for the dog to sniff.

"yeah. mon-chan," tomura confirms, readjusting his grip on the wriggling animal. "he's super friendly. just, well..." he gives a half shrug as a small grin cracks at one corner of his mouth. "he can be a lot."

"hey, mon-chan..." you coo, your tone turned sugary sweet, and the dog gives the back of your hand a few friendly licks. "awwww, you're cute, aren't you? what a good boy..."

but before you can dote over the dog too much, something catches your attention from the corner of your eye, causing you to shift your view towards the living room that sits off to the side of the main entrance.

and, lo and behold, there he is.

little tenko and his sweet little face that reminds you so much of the older brother you’ve become so fond of.

“hiiiii,” you greet the little boy with a soft voice and a smile. you know kids can often be wary when meeting new people, so when tenko just stares at you with those big, dark eyes you’re not surprised.

“hey,” tomura grumbles to his sibling. “don’t be rude. say hello.”

tenko then seems to snap out of his cautious trance, looking at his brother then back to you before saying, “is this the girl you’re always talking about, nii-san?”

tomura feels his cheeks heat and his ears burn as he sputters out something that sounds like half an excuse, half a scolding before telling tenko to go watch tv and behave. tenko obeys without any trouble and as you pass by through the living room you can see a popular superhero movie playing on the screen.

you travel down the short hall to where tomura’s bedroom lays at the very end, and once the door is shut he seems to become a little less tense.

“i’ll need to make him lunch in about an hour,” he tells you. “but until then…” he flashes you a suggestive smirk and you know exactly what’s coming.

it's one of your favorite things about hanging out together, the way it relieves the tension, lets you two unleash parts of yourself that you rarely let other people see. and tomura's been surprisingly good at it from the start. you wouldn't have guessed at a glance how skilled those hands could be, how coordinated given his usually lax, nonchalant nature...

he tosses you a game controller and you catch it with ease. “wha’dya say we pick up where we left off?” he asks, a hint of darkness to his voice that you now recognize as cold, hard competition.

you feel a look of confidence spreading across your face at the challenge and you reply in a tone befitting of a worthy opponent, “you’re on.”

the next hour passes quickly as you play your guys' favorite co-op game together, leaving you just two points from tying with tomura, and amidst your laughter and playful taunting, there’s a slight squeak as the door creaks on its hinges, little tenko peeking through the thin crack and observing, letting out a quiet gasp when he realizes he's been spotted.

“i’ll be out in a sec,” tomura tells his brother, already knowing what that expectant look means. tenko seems to linger, casting you another glance, and you convince tomura to pause the game.

“c’mon,” you murmur, giving him that guilt-tripping stare that he hates you for being so good at. “let’s go make him lunch and then we can finish this after.”

and it’s that suggestion of we, that suggestion of together, that has him pausing the game and setting his controller aside, standing from his bed to open the door to his little brother and following him down the hall to the kitchen, you close behind.

tomura takes out a tupperware from the fridge and has just popped it in the microwave when his phone buzzes from his pocket. "it's my mom," he states. "gimme one sec." he steps out of the kitchen and begins to wander towards the living room, his voice growing more distant as you hear him pick up the call. you hope everything is ok. but, for now, it's just you and tenko standing in the kitchen, the eight-year-old gazing up at you with that big, curious stare while the microwave counts down the seconds behind him.

"can i have lemonade?" he asks once you meet his eyes and give him a friendly grin.

the microwave beeps and you go to take his lunch out of it. "sure," you answer. but then, a little bit more suspiciously, you ask, "does tomura usually let you have lemonade?"

tenko nods, not giving anything away as you finish plating the other items of his lunch while tomura remains on the phone in the living room. from where you stand, if you glance just slightly around the entryway, you can see him sitting on the couch, leaning forward a bit while he continues to speak with his voice low. you just hope his mom won't be mad that he invited you over while she wasn't home.

it's not like you hadn't been over before when his house was empty, but given this is the first time you've met his little brother, you just hope you're not overstepping somehow. not to mention that, unbeknownst to you, tomura's mom had begun badgering him about meeting you before the end of summer. as soon as she'd caught onto the fact that her eldest son had been hanging out regularly with a girl, she couldn't help but become curious as to what kind of girl she might be.

a bit distracted by your thoughts, you just nod and say to tenko, "ok, sure, you can have some lemonade then."

once his chicken tenders and apple slices and animal crackers are promptly arranged on his plate and a glass of lemonade is poured, you carry tenko's lunch to the table and take a seat across from him while you wait for tomura to conclude his conversation, trying to keep your growing anxiety at bay at any possible problems that may be arising due to that phone call.

you try to listen in, though mostly hear the standard, vague, "yeah. uh-huh. alright," responses from tomura until—

"are you my brother's girlfriend?"

you blink at tenko, taken aback as you sputter over a response to that, wondering for a moment if you merely imagined it. then, once your nervous giggling and bashfulness begins to dissipate, you clear your throat and say, "did tomura tell you that?"

tenko takes another bite from one of his apple slices and says, "no. but he talks about you all the time. he says you're his friend, but i hear him talking to his friends at night when he thinks no one is listening."

you stare at tenko with an intensity you don't realize you're wearing on your face at first, the suspense eating you alive. eventually, when tenko doesn't seem like he's going to offer more, you lower your voice to something closer to a whisper, your gaze darting back to where you can barely see tomura sitting in the other room, still on the phone, and ask tenko, "what do you hear him say?"

tenko, his big eyes moving up and to the right, contemplates that for a moment as he finishes chewing and swallowing his next bite, then tells you, "i don't know exactly. i can't hear what his other friends are saying, but one time i heard nii-san say that you were special." you feel your cheeks heat and again glance over at the back of the boy you've become so fond of so quickly. "he said something about not wanting to ruin anything," tenko continues, reciting the words as if he doesn't quite grasp their meaning. but then, tenko's mouth splits into a mischievous little grin that reminds you so much of tomura, it's honestly a little scary. he says, seeming to find amusement in his next words, "one time, i heard him say you were like his guardian angel or something..."

a childish little giggle bubbles up from tenko's lips, almost as if he finds a cruel kind of pleasure in knowing his older brother's biggest secret, but this information just makes your heart all the more warmer towards tomura.

you'd spent the last couple of months suffering inside your own head about it all— about whether you really meant something to tomura, about if he cared for you as much as you did for him or if you were simply just convenient and would be discarded come any significant distance put between the two of you—

suddenly tenko seems to retract, perhaps sensing your discomfort, so you take the opportunity to clear the nerves and giddiness from your throat and change the subject.

"so, tenko," you begin, trying to straighten out your crooked smile. "tomura tells me you play soccer. do you like it?"

tenko gives a shrug at first, taking another bite of an apple slice that's had the skin peeled and cut to resemble rabbit ears. then he says, "i guess so. but i like watching movies more."

you ask him what kinds of movies he likes, recalling the superhero blockbuster that had been playing on the tv when you'd first arrived, and feel a spark of endearment as tenko's face lights up as he delves into telling you all about his favorite characters and their cool powers.

"wow! you sure know a lot!" you commend him with a beaming smile, and at the compliment tenko's face begins to turn a little red. "do you and tomura ever watch movies together?"

"not really..." the younger sibling sulks, pouting as he peels the remainder of the skin from his apple slice. "nii-san is usually playing video games in his room and my mom says i'm not allowed to play them because they're too violent..." then, before you can tell him that's too bad but one day he'll be old enough to play the same games as his brother, tenko perks back up and tells you, "but sometimes... sometimes nii-san lets me into his room on nights our mom works late and we play mario kart together."

you have to force yourself to stifle a laugh at that. i mean, it's just completely adorable, isn't it? the thought of tomura, who tries so hard to play it off like he couldn't care less about his little brother, like he's nothing more than a nuisance to him, a pest, an inconvenience, does actually take the time to bond with him anyway. at least, when no one's looking.

you tell tenko you also like mario kart, then lean in and add in a playful whisper, "but i bet he doesn't tell you about all the times i've beaten him, does he?"

tenko regards you with blatant skepticism. "no way," he says, as if he's never been more sure about anything in his life. "there's no way you can beat nii-san. he's too good! no one can beat him!"

now you laugh openly, causing tomura to glance over his shoulder just to make sure there isn't too much chaos ensuing in his brief absence, but tenko just looks confused.

"well," you reply, amusement trailing off the end of your words, "he is pretty good. i'll give him that. but unbeatable..." you quirk up one brow and wear a slight smirk for a moment before allowing your features to fall back to normal. then you tell tenko, "just give it time. one day i bet you'll be able to beat him. i believe in you!"

"you behavin' in here?" tomura suddenly appears in the entryway, slipping his phone back into his pocket as he casts his little brother a warning look.

"your girlfriend says she beat you in mario kart, is that true?" tenko blurts out, and you have to force yourself not to tease tomura when his cheeks visibly darken at the mention of you being his girlfriend.

"everything ok?" you ask to defuse the situation a little and put tomura back at ease, but then his look of bashfulness morphs into a look of slight surprise at the sight you and his little brother getting along so well.

quickly, he snaps out of it, and replies, "yeah. she was just checking in," before seeming to notice something awry about the picture here, specifically on tenko's side of the table.

"hey," tomura lightly scolds his brother. "you know mom only lets you have lemonade on the weekends." you immediately begin to apologize, saying that when he asked you thought it would be ok, and feel embarrassed that you let yourself be manipulated by a child, but tomura assures you it's fine before returning to interrogate his little brother who, admittedly, looks very guilty now.

"did you lie to her?" he presses, and for a moment you're afraid he'll make tenko cry. tenko denies it at first and you observe with growing anxiety as the argument between them ramps up a bit.

it isn't until you reach over to place a hand over tomura's, which has been firmly planted on the tabletop as he leans in over his brother, that he seems to simmer down a little.

"one time will be ok, won't it?" you ask him, not wanting to ruin the moment you'd just shared with tenko, feeling like you'd gained a little more of his trust. you use your secret weapon, the one thing tomura can never say no to whenever he sees it— that sweet, pleading stare you give as you gaze up at him, the look that makes his stomach flutter and his head haze over with thoughts he'll be revisiting later once he's alone.

"fine," he concedes, some of the rigidity that had captured his limbs leaving him as he steps away from the table. he looks directly at his brother and concludes with a warning, "but just this once."

you're relieved, and tenko appears to have returned to his prior state of unfazed contentment, but tomura still seems impatient about something.

"c'mon," he says, beckoning you up from the table to follow him back to his room. "we still have a game to finish."

you give tenko a parting smile before humming out an amused, lilting little note, trailing after tomura as you chirp out a mischievous remark of, "are you gonna actually help us win this time? or am I gonna have to carry the entire round again?"

he lets out an incredulous, albeit amused, chuckle, surprising you by throwing his arm around your shoulders and tugging you in closer to his side so you almost stumble down the hallway. "oh, just you wait..." brazen, he murmurs in your ear, his voice low and dark, now allowing the butterflies in your tummy to unfurl their delicate wings and take flight, "by the time we're done with this round, the other team isn't even gonna know what hit 'em..."

and, with that, you once again return to the confined space of his only slightly disheveled bedroom, the tv screen still bearing the scores from your last game. although, admittedly, as you continue to sit side by side, knees nudging one another here and there when things start to get a little too desperate or rowdy, you can't help but find yourself a little more distracted and self-conscious than usual.

because you swear you catch tomura glancing at you in between rounds from the corner of your eye, something softer, something warmer than you're quite used to possessing his crimson gaze.

it's a side to him you've rarely gotten to see, but you hope he'll learn to wear it a little more openly around you as time goes on.

besides, when his little brother had asked if you were his girlfriend, he hadn't quite said no, now had he?

[puppetmaster13u]

Prompt 115

“Seriously old man?” the rumbling voice nearly caused Tim to jump, his eyes darting away from where Ras was sitting, the Al Ghul almost seeming to perk. It was kind of hard to miss the man… teen… being? It was kind of hard to miss the owner of the voice what with how their hair looked like it was on fire. 

They motioned around at well, everything, crimson eyes looking exasperated. “Really?” They were definitely motioning towards him, interrupting Ras when he opened his mouth to talk. “No, I don’t want to hear it, I swear- Did he kidnap you?” That was definitely aimed at him. 

“N-no?” Tim was feeling slightly unbalanced and may be on hour sixty without sleep at this point, if the hour long nap was counted. “I need help finding my not-dad who's lost in time.” 

The being let out a strangled noise that Tim could nearly swear was almost another one, but couldn’t vocalize his slurred thoughts as the dude muttered something, motioning around as though he was tempted to strangle something or someone. 

Ras cleared his throat, looking almost awkward which was how Tim knew he had to be dreaming or drugged. Probably drugged. “Jordan, how good to see you, it’s been so long-”

“Can it Pops,” the being-named-Jordan scoffed, finger pointing towards the Demon’s Head. “Moms still pissed and isn’t coming back any time soon with you still pulling this shit.” 

Tim felt his brain stall, process for a moment, then process some more over what he just heard before his mouth ran before it could catch up. “Ras is married???” 

[batcavescolony]

I see a lot of people upset about William Kaplan being dead and no one mourning him cus Billy stole his body and I just don't see it that way. The kid in Wanda Vision is Billy Maximoff, The teenager at the Bar Mitzvah is William Kaplan, the Teen that got taken to the hospital after the wreck is neither and both Billy Maximoff and William Kaplan. That Teen went home with the abilities of Billy Maximoff, to the home of William Kaplan, with memories of neither and lived there for three years. He cares about Rebecca and Jeff, he lied to the to protect them from pain, they are his parents. He wants to find Tommy, he has magical powers, he wants to know who he is. All of these things are true. I wouldn't say William Kaplan is dead he just doesn't remember, like Agatha wasn't dead when he was Agnes, she just didn't remember.

[royalarchivist]

Missa: [Finds a book Fit wrote for Phil and stares at it in silence for a long moment]

Missa: ...Ok, Fit is talking to Philza. Should I... should I know what they're talking about? I mean, I mean no– it doesn't worry me, it doesn't worry me. I'm not a jealous guy. But maybe they've talked about this [the situation with Bad] and know something?!

Missa: It's like– it's like seeing his cellphone. No, I'm not going to read it, I'm not going to read it. No no no, no. It's like looking at his cellphone, no!

[moeblob]

North and Simon: (shaking hands on killing Simon potentially)

[riding-the-sunset-bird]

A character reference based on all four Steps of Our Life! It's only "sort of" a height reference as well since obviously they're not 100% accurate (the devs don't have specific heights for everyone to my knowledge).

I did dig into the code to try and get characters at their "normal" heights but there are other matters at play too (example: Nicolas is obviously "taller" than he should be because he needs to be pushed upwards to be visible enough above the game's text box; likewise with other very short characters).

Still, this should serve as either a nice reference guide for every character or a "height reference" in the sense of getting an idea of which characters are shorter/taller than others.

I'm also going to detail some extra notes below the break, including posts from GB Patch's Tumblr that reference any defined heights (with Cove being the obvious one) or general height things, as well as some more stuff about the MC's height in comparison to the three love interests depending on what you pick.

Cove's height is listed on GB Patch's FAQ as 4' 1" in Step 1 (also stated as "mostly average, perhaps a bit on the short side"), 5' 4" in Step 2 (in-game this is defined as "very tall" on the MC's potential height spectrum, as that is the only option considered on par with Cove's height), 6' 0" in Step 3, and 6' 4" in Step 4. A fun fact is that Cove's final height was originally 6' 3" (191cm) instead.

Derek in Step 2 is under five feet tall (this post also lists Cove as "around 5 and a half feet tall" which you could take as either close enough to 5' 4" as stated above or a potential original height he had that got changed). In-game, he's "short" but not "very short", as having your MC be "very short" will prompt narration telling you that you're shorter than Derek, whereas "short" only has you relate to him in smolness generally.

Step 4 Derek is "mostly average." He wouldn't be considered tall nor would he be considered short. His youngest brother Nicolas will "probably end up as a similar height to him" once he's more grown up.

Step 4 Baxter is "taller than average, but not especially tall."

I've been informed that, on the Our Life Patreon Discord, Step 4 Derek's height is listed as 5' 9" (175cm) whereas Step 4 Baxter's is listed as 5' 11" (180cm), so those are their defined heights. Before that, both of their heights had jumped around somewhat. A post from 2019 said that Derek was 5' 11", but a post from June 2021 said that Baxter was 5' 11" and Derek was 5' 9" (so consistent with the Discord). Then there's also another post from July 2021 (you'll have to scroll down for this one) that listed Baxter at around 5' 10" while Derek was 5' 8"/5' 9". If you're insane enough to try and use the character reference too, then Baxter would actually be around 6'1" at minimum since he's taller than Step 3 Cove (though you could also make the same argument that this means the mom trio of Pamela, Noelani, and Kyra must be decently tall as well since they're so close to Cove on the character reference).

I don't have any experience with GB Patch's other game, XOXO Droplets, so I don't know what ages the characters are in it, but since both Shiloh and Jeremy are characters seen visibly in Our Life, I thought I'd also mention that they're listed as 5' 10" and 5' 5" (or 5' 5 1/2") respectively in XOXO Droplets. Jeremy also apparently grows to 5' 8" in his 20s and he's 22 in the Our Life Cove Wedding DLC (I don't think this is spoken of in the game specifically but he's labeled as 22 in the code).

As for the MC and how their height plays into things, "tall" and "very tall" as well as "short" and "very short" tend to be considered the same for the most part in the game's code. It's not that there isn't a difference at all (I would say it's still notable), it's just that sometimes the game may be more vague about height differences. My post about Errands references this where you don't need more athletic points due to being "very short" instead of "short" to give Cove a piggyback ride.

A guesstimate I'd make is that about 5% of the time, the game will take note of whether you're "very tall" instead of "tall" or "very short" instead of "short." Otherwise, you're either "generally tall," "average," or "generally short." There are also other instances (usually with Cove) where the game might just check if you're either generally tall (around Cove's height) or not generally tall (i.e: definitely shorter than him).

This is actually relevant to the heights because, following all above information, one would assume that Step 4 Derek is average, Step 4 Baxter is tall, and Step 4 Cove is very tall going off the MC's potential "height spectrum" of very short, short, average, tall, and very tall, but it's not entirely the case.

A "tall" MC (generally tall) will look "down" at Step 4 Baxter just as he will look "up" at them or they'll look directly at each other if the MC is "average," same as Step 3 Baxter, but--

when the game has any instance of differentiating between "tall" and "very tall" (they never do this for Step 3 Baxter so the base assumption would have to be that he's just average height), things change.

During Baxter's apology in the wedding of his Step 4, Baxter dips his chin to look at the MC if they're "short"/"very short," levels his chin to look at the MC if they're "average"/"tall," and then lifts his chin to look at the MC if they're "very tall." A generally tall MC still has to lean down to kiss him if they choose to do so though.

Also, during the intimacy scene with Baxter (either in his office or his living room), if the MC is "very short," "short," or "average," it states that Baxter is taller than them. If they're "very tall," then Baxter is shorter than them, but a "tall" MC is "almost the exact same height" as him.

This is all a really long-winded way of saying that GB Patch referring to Step 4 Baxter being "taller than average but not especially tall" might mean that he's some infuriating middle ground between average and tall where he's not quite one but not quite the other either (which honestly is very Baxter of him so I can't even be mad).

[mulders-too-large-shirt]

thinking about how mulder loves to get scully a gift, usually terribly heartfelt, even if disguised as something flippant:

the superbowl vhs tape he brings her when she wakes up from her coma in one breath (and her deadpan "i knew there was a reason to live")

tickets for a football game to watch together in irresistible

bringing her flowers to the hospital in memento mori (he lies, saying he stole them from a guy with broken legs to make her laugh)

the birthday keychain in tempus fugit (and when she finds a meaning to it, he claims "i just thought it was a pretty cool keychain")

that is a man who is always thinking about her.

[poorly-drawn-mdzs]

Good morning, Sleepyhead.

[First] Prev <–-> Next

[lynaferns]

I'm seeing a lot of people saying stuff like

"it makes me sad that he's mean :(" "I'm scared that my au is not accurate anymore" or "I got my interpretation of him wrong"

And I think you should put this new information about the DCA at a side for a moment, go talk to friends and info dump about your original AUs and ideas, brighten up a little bit that spark that makes you create your art and just have fun talking about it. Because the fact that he's sassy in one game doesn't mean that that's the only trait to his personality now.

He can be mean, he can be anxious, short tempered, good intended, caring, dramatic, a little bitch, a cinnamon roll... He can be all the things you can come up with, in this fandom he's always been all of the above and more in different ways, in different stories. And you can still write him the way you want, people can still interpret him the way they want, don't let canon or other people or your own thoughts stop you from creating your AUs.

Instead use it to get inspired, get new ideas and create new stories. They turned the tables, you can turn them back up. He can be mean because of the virus but get softer to you with time, you can make a story about self-confidence and worth, he can hate and love his job simultaneously for different reasons.

The AUs where he's soft and caring are still going to be there, the fics where he's good with kids and patient are still going to get written. Keep writing those fics, don't stop just because canon says otherwise. I stopped writing my steampunk AU when the mimic was revealed to be burntrap and not Afton because "it wasn't canon anymore so my AU is not accurate anymore" and I'm still with that thorn stuck in the back of my head for not continuing writing even if it wasn't canon accurate anymore. Because I actually got excited about writing that AU but for the way my brain see things "if it wasn't canon accurate it wasn't worth it" and let me tell you that's a shit of mentality.

So please

Please please please please

Don't give up on your stories and creativity like that.

The immense variety of characterizations and AUs is one of the pillars of this community and one of the coolest things. The fact that you can come up with any concept for these two dorks and make it an investing story and you have a whole catalog to choose from what you're going to see next. Don't let that stop.

I love this community even if I don't understand it sometimes and I barely interact, I love seeing people having fun making their AUs, going nuts making fanarts and gifting art to each other just because it makes them happy.

Don't let this limit you.

Now I don't care how you share this, if rebloging, or reposting it, or rewriting the whole thing but shorter in your own post but just share this feeling with the community. It would be so sad if all the things that makes this place special crumbled because people aren't confident anymore in how they write the DCA because of a game that came out yesterday.

[starry-bi-sky]

Blood Blossom Au: before the nightingale sings

---------

for my batdad blood blossom au, the one where Vlad poisoned Danny with blood blossom extract and Danny ran away from him and ended up tumbling into the care of one Pre-Robin Battinson Batman :). A quick oneshot telling the tale of the tragic deaths of the Fentons

TW: Major Character Death Warning

-------

Not all deaths are created equal.

That is a valuable lesson in life to learn. One that Danny learns when he is eleven years old, standing in the pit of his parents’ creation; the culmination of their life’s work. The portal to the other side, the realm of the dead. To the infinite. 

He learns that when he’s eleven years old, in a hazmat suit that sags on him, and boots that clunk when he walks because the only ones that fit are his mom’s, and even those are too big. In gloves that he has to clench his fists in because otherwise they fall off. In goggles that slide down his nose even when he’s tightened them the farthest they can go. 

He learns that when he’s eleven years old, choking on giggles that harmonize with the laughter of his friends’ who stand at the mouth of the tunnel. Sam’s holding a polaroid in her hand. They’re just being kids. 

They’re not laughing when Danny’s hand hits the safety lock — the one with faulty wiring, the only one in the tunnel. The only one he could possibly hit. They’re not laughing when the portal buzzes to life, and the lights inside switch on row by row as the generator begins to rumble and hum. 

They’re not laughing when Danny dies. They’re screaming. They’re not screaming when he comes back.

Not all deaths are created equal.  

Some are poetic, beautiful. The satisfying close of a book as it comes to an end, of the hardback thumping soft against the pages like the sound of a door closing. A train run its course.

Some are violent; unsatisfying; unfair. The unexpected shattering of an egg as it rolls off the countertop when nobody is looking, the unmistakable crack as it falls to the floor. It is abrupt and messy. 

But most are just… unremarkable. Unintentional. Clumsy. 

Danny’s family dies one night in late January. He is thirteen years old, barely a month away from fourteen. It is unforeseen. It is preventable. It happens. 

It happens like this: 

Their water heater breaks one Monday in January. It’s old, sitting in the garage, and has dealt with nearly sixteen years of Fenton-grade chaos and shenanigans. Of parents tossing scraps and junk into the garage as brief storage to come back to later. Of illegal tune-ups on their vehicles that result in something exploding. Of little children running around and knocking things over, playing with poles and sticks they find on the ground, on the shelves. Of being lived and used.  

Something had to give. 

Jack Fenton notices it immediately when he comes upstairs that very afternoon — his children at school, his wife downstairs — to grab something from the garage. The very same scrap and used material they store like squirrels to use later. 

He stops what he’s doing to fix it.  

It wasn’t supposed to be permanent. 

Despite what many believe, Jack Fenton is not the idiot people make him out to be. He knows what he’s good at, he knows what he’s not. He knows he can be passionate and obsessive and single-minded about things. He knows that he is a scientist, an inventor; an engineer. 

He knows that he is not a plumber. That fixing water heaters is not something he knows how to do, not safely. And he loves his family. What he does is only meant to be temporary — a fix meant to only last a few days until they can call someone in who can fix it for them. 

So Jack Fenton futzes with the water heater, gives it a temporary stitch to last a short while, and reminds himself to call a plumber later that day to come in and fix it. He turns and leaves the garage with the part he came for —  a sheet of metal for his wife to melt down — and disappears back downstairs. 

He does not make that call; it slips from his mind. 

It is not his fault. 

One day passes, then two, then suddenly it is Thursday. The water heater has still not been fixed, the water heater has been forgotten. It is nobody’s fault.  

Danny asks his parents at breakfast if he can stay over at Tucker’s house for the night. Just one night. They’re going to study for their math test and then play video games until midnight, but he only tells his parents that first half. 

He’s been doing well in school. Really well — better than he has in a while. There’s been a delightful lull in ghost appearances for the last few weeks. The living don’t know why, but Danny does. The Winter Truce always calms the dead down for a while, something about how the Zone cleanses itself twice a mortal year and that fresh wave of ecto clears out the old and brings in the new. 

This year Danny got to participate. He’s feeling the effects of it too, and he’s been sleeping consistently well for the first time since the accident. 

It’ll never happen again. 

His parents agree under the condition that he doesn’t stay up late, and Danny harmlessly lies through his teeth and agrees. He goes and throws overnight clothes into his school backpack, and when he leaves for school with Jazz his parents are already departed into the lab. 

The last conversation he has with his sister is in her car on the drive to school. Inane, mindless conversation to fill the air and pass the time. Jazz comments on how relaxed he’s been lately; Danny tells her about the Winter Truce. She listens in rapt attention. 

She tells him that she’s glad to see him so well-rested. She thinks her little brother’s been growing up too fast these days. She thinks he’s been too tense. Too caught up with the spinning of the world around him that he forgets about himself sometimes. 

When they reach school, before Danny can get out of the car, Jazz looks to her little brother and says; “I love you.” 

Her little brother’s cheeks turn an embarrassed shade of red. He makes a scrunched up, grossed-out face, but can’t hide the smile pulling across it. “Don’t be a sap, Jazz. I’ll see you later.” He tells her, yanking his hood up over his head. She hears the bashful, ‘love you too’ before he walks away. 

That is the last conversation she ever has with her brother. 

Thursday is unremarkable, passing by in its normality as it always does. There’s one, maybe two ghost sightings; shades lurking around in curious infancy that are easily spooked away by the presence of a greater being. Danny doesn’t even have to go ghost. 

Thursday evening is even less so. Danny goes to Tucker’s house — Sam has a prior arrangement with her slam poetry club — and the two of them study for an hour before they toss their textbooks aside and reach for the game console. 

Danny sleeps in Tucker’s room with one of the extra blankets on his bed, curled across the room in one of the bean bag chairs. It shouldn’t be comfortable, but to Danny it is. He sleeps throughout the night, the portal shut down by his parents before they’d gone to bed. 

Early Friday morning, before the sun has even risen yet, before it’s even so much as a concept to grace the horizon, the water heater breaks again. It was supposed to be fixed. 

Carbon monoxide is a silent killer. Odorless and scentless, it kills within minutes. It fills the house like a shadow casting over the ground, creeping into the rooms. 

Danny’s family die in their sleep; painless and unaware. 

It’s not Jack Fenton’s fault. He didn’t mean to.  

Nobody wakes up with their alarms. 

Danny wakes up to Tucker Foley’s alarm on Friday morning, and he turns his head intangible and shoves it into the beanbag chair like an ostrich hiding its head in the sand. Tucker gets up before him, and throws a pillow at him as he reaches for the alarm. 

There’s laughter, messing around. The both of them get dressed, and Danny has breakfast with the Foleys that morning. He takes the bus to school with Tucker, and they meet Sam by their lockers. 

To him, everything is as normal as it should be. There are no ghosts for him to fight right now, school is as school does, and he’s on top of all his schoolwork. 

He does not see Jazz at all that morning, he doesn’t notice. Their schedules are so different, their routes on different paths, that it’s not uncommon for Danny to not see Jazz until he gets home some days. That’s if there’s no ghost attacks. 

At lunch, he gets approached by her friends. Worried creases between their brows, they ask him if he’s seen Jazz. She hasn’t shown up to any of her classes. She’s not answering their texts. It’s unprecedented of her; unheard of. 

Danny doesn’t admit to the concern that swells in his gut when they tell him this. He shrugs at them, and says he hasn’t seen her either. But it was probably nothing to worry about; she might just be sick and sleeping it off. 

He offers to text her and let them know if he gets a response, and that seems to ease her friends enough that they shuffle away in uncertainty. He keeps his word, and does exactly that. He pulls out his phone and opens her contact, and shoots her a message.

‘Where are you?’ 

He doesn’t get a response back, Danny is left on sent. He puts his phone in his pocket, and with a sense of unease creeping in the back of his mind, goes on with his day. He gets no response by the time the final bell rings; and he tries not to be worried. 

The house is quiet when he opens the door. Unusually quiet. He drops his backpack to the floor, it lands with a hearty thunk, and begins to take off his jacket. “Mom! Dad!” He yells. He hangs it up, and slips his shoes from his feet. “Jazz skipped school today!”

A laughable untruth that would get his sister all riled up normally; she should be able to hear him from the front door if she was in her room. The house just stays dead silent. 

He can’t even hear the usual banging and crashing from the lab. His unease returns. He reaches for the intercom that leads directly down to the basement, and presses the button to turn it on. A burst of static, and then he speaks;

“Mom? Dad?” 

Danny lets go, and waits for a response. He gets none back. That never happens, not when the house is this quiet. Not when he knows they should’ve heard him. 

Something sickly and fearful borns in the pit of his stomach, and begins to snake upward. He heads for the lab. The cool metal of the door is familiar in the grooves of his hand, and he doesn’t even need to think about the code as he punches it in;  he simply lets muscle memory guide him. It’s been the same since he was little. 

The door hisses as the pressure is released, and he swings the door open. He takes the stairs down two at a time. Something is wrong. His parents aren’t answering him. His feet pound against the metal. 

“Mom? Dad?” He calls again, more worried, more frantic. More scared. His voice echoes down the stairwell, and he reaches the bottom before it’s fully faded. The lab is empty. The portal is still shut down. 

It was four in the afternoon, they should still be down here. 

Danny races back upstairs, fear-raised nausea coiling in his throat. “This isn’t funny you guys!” He yells when he reaches the top, shoving open the door with more force than necessary. His head swims, his voice cracked. 

He checks the garage, the car is still there. 

“Mom!? Dad!” His voice bellows out throughout the first floor, loud enough that it bounces back at him and rings against his ears. He’s never raised his voice this much — mom would scold him if she heard him. But she doesn’t show up. “Jazmine!” 

Finally, he goes upstairs, and he can’t tell if what he’s feeling is anger or terror. Something is very, very wrong. 

He swings the door of his parents’ rooms open first, and there they are, with the lights still off and the curtains still drawn. As if they hadn’t left their bed all day. Some of Danny’s fear lifts from his shoulders just by the sight of them, but he’s still trembling. Something is still wrong — the room smells… off. Not good, not bad. Just… off. 

He swallows dryly, his throat still thick, and steps into the room. “Mom, dad?” They do not stir. “Didn’t you guys hear me yelling?” 

There is only room static. Danny’s heart shrivels in his chest with a tenfold return of terror, he feels ill. He remembers, just now, that they’re not heavy sleepers, and his dad should be snoring like a freight house. 

Danny reaches their bedside in seconds, hand outstretching for the covers, “Momma? Dad?”

Not all deaths are created equal. 

But many of them are accidental. Unmeditated. Shocking.

Danny Fenton finds his family dead in his childhood home. He runs to his neighbors in hysterics, inconsolable, in tears. Nine-one-one is called, but there is nothing that can be done. They were dead for hours by the time Daniel Fenton returned home. 

He sits on the front steps of the neighbor’s house beside FentonWorks, his jeans slowly becoming wet from the snow that was unable to be scraped off, and watches the paramedics cart out his family beneath white sheets. There are police cars blocking off the street, yellow tape blocking off his house, red-blue lights lighting up the block, an ambulance on the scene. He is wrapped in a shock blanket, and he is missing his jacket and his shoes. His tears are freezing onto his face, he can’t feel the chill. 

Not all deaths are created equal

But all of them are unforgettable.