#because i just wanted all the canon information to be revealed so i could play in my sandbox in peace

[lollytea]

I'm more sad about young sheldon ending than I was about owl house, there I SAID IT

[zoe-oneesama]

Now that it’s been brought back to the forefront of my mind in regards to yesterday’s SL asks, it really is genuinely kinda nuts how the potions were revealed in Season 2 and have only physically appeared (i.e. not just been mentioned or shown in a one-off picture or alternate timeline) in 13 out of what’s now 92 episodes (not counting specials) since their closest-to-chronological debut. Even more wild is the fact that, like you pointed out, only 3 out of 7 potion powers are canonically known to date. Apparently That Guy tweeted a few years back that one of the remaining ones is supposed to be a Fire potion (which, if true, may be the one Marinette was trying to figure out the “spicy little rock” ingredient for in Mr. Pigeon 72?) that gives the user the ability to walk on lava and/or a resistance to scorching heat, but they haven’t been able to use it since “Fire is something very difficult to use in shows watched by kids, because we have to pay extra-care that they won't see fire as a cool thing and play with it afterwards. Broadcasters tend to prefer not showing it at all.” To which I’m like?? A) You guys STAY hopping between whether you want your target demographic to be little kids or early teens in actual practice. B) There have to be a million ways that you can blatantly write the idea that fire is dangerous which is why the Fire potion would be NEEDED (or, y’know, have more faith in your audience’s ability to intuitively understand that from the get-go). C) If you already understood that a fire power up was genuinely likely to be a hard no-go with your broadcasters, maybe change your plans to only conceptualizing 6 instead of 7 potions before putting them in the actual show???

Right? And like, he said Lava as well. So do something WITH LAVA if you can't use fire! (I bet it would be easier to animate too!) Or, or! Invent a kind of goo or acid that burns LIKE Lava so they have to use the suit! That could be the debut episode, where it's impossible to get close because of the heat and burn of it until BAM! Fire Suit.

It's not like you have to use the suits OFTEN, they've only used the Ice one like two times I think, just do a debut episode and then use it for Ordinary Heroing, like actually running into a burning building and saving people. Pretty sure even kids don't think house fires are cool, so you don't HAVE to associate fire with a "cool" akuma.

A long time ago when I was ranting about this I was informed by a Anon that the others were "revealed" at some convention or expo and they were things like Air and Space (space hadn't been shown at the time), Sun and Moon, and like...Soul? So, what's the difference between Air and Space? Are Sun and Moon supposed to be Light and Dark, how is that following the Environmental Costume Change of the three we know? Wtf is Soul? Maybe it's a lack of cohesion that's making this difficult for them.

The more I hear about them, the more I think this idea was never fully fleshed out and will never BE fleshed out.

[pico-farad]

I finished season 1 of Vrains and it was cool but I thought it needed about 2 billion more secret identity shenanigans

extended thoughts below

So I went into a deep dive in my last two posts (1, 2) about all the problems I had with Vrains, and you'd think I didn't enjoy it, but in fact as I was watching, there was a separate, parallel version of Vrains that was playing in my head, a Yugioh I think we were robbed of and which fixes every problem I had with the first season, and that is Secret Identities AU.

Yusaku needs FRIENDS

This is YUGIOH.

This dynamic is everything I wanted from Vrains. Yusaku developing unexpected fondness for these bozos who think he needs a defense squad. I want Miraculous Ladybug levels of secret identity shenanigans. I want Yusaku slapping his duel disk every time Ai tries to blow their cover.

This AU sprung forth from the scene in the duel club where he shows Naoki his decoy deck. Having Yusaku passing as a bad duelist is 1) so funny, but 2) Yusaku needing to maintain his low profile is a useful contrivance for other characters to get more duels, and 3) I think it would be a really fun one-off episode where Yusaku has to duel using his bad deck. When he wins, Naoki is so proud he cries.

Having Yusaku actually have to interact with the other characters in the real world opens up Greek play levels of dramatic irony. The crux of a secret identity story is that every single interaction builds up anticipation, because you the viewer know that the other party is being deceived, and that the tension will snap when the secret is revealed.

I have zero anticipation about Playmaker's identity being revealed, because Aoi would be like "oh.... I guess he goes to my school" and Go would be like "have I seen that guy before?" But SIAU Playmaker? My guy is making friends just so he can betray them. Insane.

Go needs A ROLE IN THE STORY.

I said in my first post that Go isn't a rival or a best friend character. SIAU fixes this by making him both simultaneously.

Having him be the ace of the duel club is a natural replacement for his whole hero of the orphans schtick, while placing him directly the circle of relevance with the other characters. Instead of being disgruntled that the orphans suddenly like Playmaker more than him, he's disgruntled that Naoki and the duel club mooks are fawning over Playmaker -- which is actually just Naoki's character anyway.

I would kill for a big dramatic moment where Go learns that Playmaker and Yusaku are the same person, and even though Go feels betrayed that Yusaku has been deceiving him, he stands by Yusaku anyway because they're friends.

With a secret identity story, every conversation is working on multiple levels because each character is working with asymmetric information. You get these fascinating, layered scenes of two characters talking past each other because they cannot give up their secret.

Which would go especially hard with Go and Yusaku, because Go has legitimate criticisms of Playmaker in canon and Yusaku has legitimate reasoning behind the things he does, and as Go Onizuka and Playmaker they could never come to an understanding on them, but as Go and Yusaku, two friends in duel club, that door becomes open to them.

Aoi needs WRITING THAT ISN'T A TRAINWRECK

I made a whole post on this. Basically every problem would be solved if Akira doesn't know that she's Blue Angel. There's no reason for her to lose grotesquely against Yusaku, or have her basic autonomy called into question constantly. 

Having her actively deceive her brother is delicious. Like I said in my last post, it's so obvious how Akira's overprotectiveness has taken its toll on Aoi, and pushed her into developing this other persona, Blue Angel. I want this absolutely dysfunctional sibling relationship so badly. The Blue Angel vs. Zaizen duel would make me lose my mind.

And a secret identities setting works so well with the potential themes of VRAINS as a stand-in for the internet and Blue Angel as an idol. Give me that Perfect Blue Satoshi Kon good stuff. Give me those themes about identity, and the different lives we live, outward and inward, online and offline.

This also helps Akira's character, because I think he would be much more interesting and relevantly positioned in the story if he stayed a SOL Technologies baddie. SOL Technologies has very little presence in season 1 despite being critical to the story. After Zaizen is replaced by an irrelevant clown, they don't do anything but send out mook AIs to get destroyed. By having a three-way standoff between Yusaku's squad, the Knights of Hanoi, and SOL Technologies, both Hanoi and SOL Technologies become more compelling. They've both got all the reason in the world to want to take down the other. Zaizen vs. Revolver or Spectre? That's good shit.

And don't get me started on how I would turn Revolver into a Secret Identities character.

[classpectpokerap]

What exactly does "gloves is canon" mean, if you don't mind me asking?

let's just fucking get right into it.

Ultimate Rose Pt. 2: Gloves Are Canon

if you haven't seen part 1, here it is. the tldr version of it was to estabish candy rose (at the VERY least) as a liar. i also have a headcanon about ultrose putting alpha earth rose into front in candy timeline, but that doesn't really matter too much. its just kinda fun

anyway. heres the theory.

so you guys know A Threat, Sensed, right?

it's one of the hs2 bonus comics. originally patreon exclusive, but was made public for everyone during the hiatus. and i think it contains some deeply revealing information.

you may be wondering... hey, isn't that the comic where ultdirk talks to hussie about yiffy? like, its hussie's one appearance in the comic. kind of weird.

ahaha. yeah. so. about that.

let's rewind a bit. what's the contents of A Threat Sensed?

dirk wakes up after having the shit kicked out of him in pesterquest.

rose is like huh? huh wuh? but dirk gives her a thumbs up. and then he goes to sit on his computer, and type to god.

and then after that delay, he gets a reply.

etc etc etc. they talk. they chat. hussie talks about his beloved daughter yiffy. normal stuff. hey roll that last one back

let's play in this space. lets play in this space. perspective. daughter.

who's daughter is yiffy?

---

let's rewind.

when homestuck act 6 dropped, it released with one very important page.

this page.

this page, where someone with seemingly grey skin is typing on a keyboard. holy fuck, what a reveal. new troll. oh my god. this is the 13th troll

like, they have to be a troll, right? theyve got the time stuff. theyve got a symbol. theyve got shit going on with them

ah.

they were wearing gloves.

this? this is fucking huge.

in homestuck we see that shot a lot. of fingers on a keyboard. but every single time we have seen it, we have also seen at least one shot of the person typing, right?

with two exceptions. one is callie in the act 6 reveal.

and the other is andrew.

er, sorry.

"andrew."

from the patreon post on A Threat Sensed:

those are fake hands. what. what . what. what.

so

if this comic has a history of having a reveal when it comes to characters where Only Their Hands are being shown

and gloves are canon to homestuck, and have been used to precipitate this reveal

then perhaps

gloves are canon here as well.

if you'll allow me to speculate. on the gloves are canon in question.

yeah of fucking course rose is pretending to be hussie because WHO ELSE WOULD IT BE adjKFJGSKDHdskjgjkfskjgdsf

ITS ROSE!!! IT WAS ROSE THE WHOLE TIME

LETS REREAD.

"is that why you were lying on the floor" a question that Rose had because she saw his ass lying on the floor!!!!!!!

MY DAUGHTER

MY DAUGHTER YIFFANY LONGSTOCKING LALONDE HARLEY

hm purple background. anyway im sure thats fine

hm. hm. hm. psychoanalysis. hmmm. hm.

now if i was rose

if i was ultrose. and i wanted an ultimate weapon against dirk.

if i wanted to Make A Weapon Against Dirk.

what would i do.

how would i create it.

who would i hurt in the process.

anyway. this is all leading up to part 3 of this fucking nightmare roller coaster. but uh. basically. i think this one is like all but confirmed????

like...

We’ve had quite a bit of speculation on whether this is “really” Andrew. To that, I think we’d say that it doesn’t “really” matter. If you’re asking are those Andrew’s actual hands, then no, of course not. Because those hands are fake hands that are on the computer screen.

this sounds like it's telling us no, it's not "really" andrew. and to look at the hands. and we KNOW from part 1 of this theory that rose is incredibly deceitful.

the delay in "andrew"'s response could have plausibly been rose slipping away into her little hidey hole, putting on the stupid fucking gloves, and only then typing.

andrew never confirms who he is. and i'll admit, some of the lines don't sound 100% like rose. but others do. others really, really do.

i like this theory because it makes rose and dirk's rivalry on deltrius interesting. it means she has legs up on him. he thinks he's talking to hussie, but he isn't. she has plans within plans. she's got shit she's cooking.

i like it because it contextualizes yiffy, too.

hm wow it sure seems like the candy timeline isnt actually all that sealed! it sure seems like theres something in there that is a corrosive paradox! something that affects both timelines!

something

or someone!!!!!!!!!!!!

anyway. yiffy is an ultdirk icbm created by rose . rose wore gloves. gloves are canon. that's my theory graaaaaaaaaahhh

part 3 coming soon :3

[tossawary]

I mentioned before that I think DA2 is perhaps the most appealing to me for a Time Travel AU. This is in part because Hawke as a protagonist doesn't have to worry about an impending apocalypse in the same way that the Warden and the Inquisitor do, so there's arguably more space for slow-moving character work, and I think it would be fun to explore Hawke's relationship to Kirkwall.

You can take Inquisition-era Hawke, sacrifice them in the Fade, and then handwavy magic happens there that sends Hawke back for a Time Travel Redo. (If it's irrelevant to the rest of the story, let's skip going into depth on the time travel method! It does not matter!) If you want to avoid time paradox concerns, given that time magic actually exists in this series, this can actually be a Dimension Travel AU as well, sending a Garrett Hawke back in time to another dimension where there's a Marian Hawke instead or something. Two Hawkes!

I prefer sending a mage Garrett Hawke "back" into this alternate dimension because he is absolutely going to look like his own father, Malcolm, to the young Hawke family trying to escape Lothering. And that's some delicious angst.

Another reason that I think Hawke in particular would be interesting is that I think it would be interesting to have a time-traveler (dimension-traveler) be upfront about what had happened to them. A tired Garrett Hawke reveals at least the basics of the "future" to his friends and family (all of whom are strangers to him and it hurts) because he wants to keep them safe, and then the butterfly effects of canon divergence ripple out from there.

There are so many time travel fics where the protagonist confides in no one or only does so very late in the story. There are often reasons for this. 1) They will not be believed. 2) They are surrounded by enemies. 3) They are focused on changing a very specific event and do not want things to change before that. 3.5) They are unwilling to share their knowledge and give up some measure of control over the future. (These control issues are often in-character!)

Sometimes, I am persuaded by these reasons and find them compelling and sympathetic. Sometimes, I find the protagonist's insistence on doing everything alone frustrating and even cruel.

I think that if Hawke had the chance to do a Time Travel Redo, it would be incredibly cruel if they did not at least TRY to share some of their knowledge with their companions. I don't think Hawke's companions would believe them immediately, of course, but they live in a world with strange magic. If Hawke was willing to be calm and vulnerable, they could at least give their future friends some potential leads in their individual quests (being open about the fact that this world may be different to their own).

Like, let's look at Fenris. Fenris would not trust some strange mage talking about fucking time magic, of course. But after knowing each other for a month or so, Hawke might be able to approach Fenris and say, "Hey, I have a really weird story to tell you." And then Hawke could share what they know about Fenris' past according to their own world, so that Fenris can maybe look into that and prepare himself. Because keeping that information away from Fenris is a dick move! Fenris deserves to be able to decide what to believe, what to investigate, and what to do for himself.

I also don't think I could suspend my disbelief if Hawke let Anders and Justice just... play out again over the course of years. I think most Hawkes wouldn't be able to resist confronting Anders in some way! Even Hawkes who end up saying, "I'm going to personally murder Meredith this time." Is a mage-friendly Hawke just going to let characters like Karl Thekla be made Tranquil and be killed again?

Do Merrill and Isabella and Varric and Aveline not deserve to try and avert some of the tragedies in their own lives?

Like, it is totally reasonable for Hawke to be focused purely on their own family or the companions they like, rather than try to save every person in the city. I think it's more than fine if there are tragedies a protagonist just doesn't care about averting. Hawke is not even going to remember everything.

And it is VERY normal for people not to want to give up some measure of control over their lives, especially someone as traumatized as Hawke. I do often find it realistic that a lot of time traveling characters in fanfiction are kind of "control freaks" who don't want to be vulnerable, even if it's "safe" to be. I'm imagining that this future-sharing from Hawke would stem in large part from 1) exhaustion, 2) loneliness, and 3) Hawke being used to celebrity, due to the "Tale of the Champion", and somewhat blasé by this point about all the fucking shit they've been through.

And I think that spilling everything (or even just the basics) would not necessarily go well for a Hawke. I think Varric would take even limited information about Bartrand's future very badly. As strangers to Hawke, I think all of the companions would be upset and disbelieving. (I'm currently imagining a mage Garrett Hawke who previously romanced Merrill, so that he and Past!Fenris were barely friends, because Fenris didn't like this mage Hawke hanging out with a blood mage and Hawke kind of thought Fenris might turn him in to the Templars someday. Past!Fenris was more Isabella's and Varric's friend.) I think these new companions might go on to make some BIG mistakes trying to avoid the future that Hawke has described, as much as they might avert tragedy.

I also imagine that Hawke's relationship with this new Hawke family might be very strange and awkward, even if both Carver and Bethany live. Garrett looks like Malcolm and everyone thinks it's weird; Leandra is probably the happiest and most practical about it, but Garrett can't forget how his own mother died horribly and also blamed him for his own Bethany's death. Neither Garrett nor Marian know what to do about each other; Marian doesn't like some new person waltzing in and taking control of situations. Garrett unconsciously treats this Carver as older and Carver loves it, but Marian doesn't like it. Bethany likes having a mage sibling, but Garrett is awkward because he's used to Bethany being the Hawke family's perfect dead sister. And Leandra's shitty brother is not fucking helping any of this!!! And what's that about Leandra maybe getting murdered by a serial killer in the future???

By saying all of this, I mean to make clear that I really don't think "communicating" would immediately fix every problem for a perfect "Time Travel Fix-It". I do think it would fix SOME problems. Emotional conversations and immediate canon divergence also appeals to me because I like reading those things.

What I mean to make clear is that I think it would be fun to write something that explores autonomy, authority, agency, and control. There are many issues in the world that stem from people unwilling to give up control of a situation for a variety of reasons, and other issues that stem from people believing they have the authority to dictate other people's lives.

What right would a new Garrett Hawke have to withhold information and try to manipulate all of their strangers' lives? Especially from people like Anders and Fenris, whose stories are so deeply concerned with freedom of choice? To conceal backstory information from someone with amnesia, like Fenris, is a choice, and I think it's a cruel one, even if Fenris might not like what he hears and might react badly. Can Garrett Hawke really claim that he "knows best"? What if he doesn't know what's going on with this version of the world? What do you do when freedom means standing back and allowing some of the people you like and love to make "bad" choices?

Some time travel fics seem to me to be incredibly lonely. The protagonist trusts in no one. The other characters can be written as predictably following a timeline to the point of being shallow caricatures of people. It's just not to my taste.

It could be nice to explore Hawke finding new sides of companions that they missed in their previous "run" (which was very much not perfect and full of strife). It could be nice to explore an exhausted Champion learning to trust in other people and have them step up to help solve these shifting problems. DA games are so much about making choices for everyone around you: on behalf of your companions, on behalf of entire kingdoms, on behalf of the entire world. It might be fun to explore an exhausted older Hawke giving up some control and being pleasantly surprised on some fronts as paths diverge.

[romanceddawn]

i talk about yandere seto sometimes but in season 0 it is pretty much canon, like he is actively stalking yugi throughout the show and i think its really funny so heres a bunch of evidence of that:

the first time we see it is when he sends that first game master out, he's not only hiding to listen to the duel in the nurses office but its heavily implied that he's been stalking yugi for a little bit before that too

like at the end of the day anzu tells yugi not to go to the arcade and yugi kind of rushes off despite knowing he doesnt have the money, meaning this is a frequent thing he does, but whats more is that he's going specifically that day because someones told him theres a new game being unveiled. when he gets there he cant find it and has to ask about it, which is when we see a disguised kaiba lead him to the back alley to kidnap him (this killed me to watch btw, yugi has no self preservation, but it was cute that kaiba seemed to stutter when talking to him)

but this all means that he was watching yugi long enough to know he always goes to the arcade after school and that yugi wouldnt be able to resist coming, even if he didnt have the money, as long as there was something new to play. it also means he had someone plant the information that thered be a new game OR that kaiba just disguised himself and told yugi this which is what im choosing to believe

of course, then we get to see him actually stalking him in the triplets episode, literally driving by and watching him (which is so funny to think about cuz his driver must be so tired of him lol)

at first i honestly thought he was stalking the triplets but at the end of the episode there is no reveal that he wanted them out of the dueling scene or that he was even worried about them getting the card they wanted at all, he beat them extremely easily. his only reason for doing the duel is because he couldnt stand the thought of someone (that he hadnt sent himself) beating yugi before he could, so i think he was watching yugi, recognized the triplet, and got bothered by them trying to encroach in on his rival

he also apparently records yugi? this recording is just the first game master playing him that he shows to aileen, but who knows how many other times he's recorded him just in case he 'needed' the footage

this moment of him lamenting about being connected by fate is ooc for him and not really stalking but it is very yandere of him so im throwing it in here anyways

and of course i have to add the death t invitation because you know he was watching yugi and his friends that whole day just waiting for the perfect moment to hack into something and invite him as dramatically as possible (however i wont add any of the death t stuff cuz like. we know what happens and how obsessive he is there)

since having this in my drafts, the season 0 movie has been restored and posted to youtube and in it kaiba is technically looking out for rare cards but even then he's managing to get in some time to stalk yugi (also the way his employee says "i know sir" i just know they're so tired of his obsessive ass)

TDLR: yandere seto is canon thank you for your time

[stellocchia]

Even now, I still don't understand the logic behind having the Disc War Finale be faked when it was executed the way it was. Specifically, having Dream want to go to jail.

I'm assuming that, by the time the reveal happened, they already decided that Dream and Punz both knew how the Revival Book worked. And, regardless if they did or not, the characters canonically already knew. They'd been experimenting.

With that knowledge, if Punz gaining the trust of the public (which was never actually used in any context ever, so, even that is a very debatable gain to aim for?) was the aim, them killing Dream in front of everyone and then reviving him once they all left would have served the goal just as well if not better?

Like, what did Dream gain from actually going to prison? To the prison, he specifically made awful on purpose? Literally nothing. Just some torture which, sure, he could not have foreseen, but he knew his permanence in there would not be pleasant. He also, like, didn't give Punz the blueprints that explained how to get him out? Which meant that not only Punz couldn't help directly, but he couldn't even get Techno to pay back the favor and get him out that way. Which means that Dream's brilliant plan of being in prison for a while was wholly reliant on Techno giving enough of a shit to remember the favor and decide to pay it back, and then also on Dream giving him the location of the blueprints and hoping that Techno had a way to safely get out alive with that information.

Like, sure, it happened after well over a year, but that was not a concrete plan by any means. It couldn't be. Chucking books at the warden until he was let out would honestly have been just as well thought-out!

And, for all of that time, Punz didn't do much in general. He got mind-controlled for a while and that's about it. He didn't use the time to gain intel or allies or even spread 'Dream isn't that bad' propaganda. He did jack shit with it. So Dream got out right back where he started off.

And the thing is, there was still a way they could have played this out effectively.

They could have gone for an approach that humanized Dream (so we didn't have to have the child he abused later on be the one who realized his "humanity" and apologized, because that was laughably ridiculous and a terrible decision, though that's a rant for another day) by making it so that the original plan WAS the kill and revive Dream one, but, at the last moment, when it should have happened, Dream got scared.

Fear of death is a very human thing to have. It could have been interesting for him. A character who sees himself as a god with no weaknesses and no attachments, still so attached to his own life and scared of his own mortality. It's even in line with his desire for immortality!

And that's when he blurted out about the revival book and begged not to be killed. And Punz, still trying to gain the favor of the masses, couldn't go against their will when the plan shifted from killing Dream to trapping him.

It could have been interesting. It would be a loss for them, but one that would, funnily enough, make Dream look like less of a complete and utter moron than the "win" they got.

It would explore his character's weaknesses and his hubris. His belief that he's above the ridiculous attachments the rest of the server is plagued by would be the very thing that crumbled beneath his feet and caused his fall.

But, instead of that, we got the nonsensical "lmao I'm always 10 step ahead of everyone... what do you mean I walked into a plothole?" story instead. What a waste.

[hello-nichya-here]

Why do people hate JK Rowling?

Long-ass story short: She said she always intended Dumbledore to be gay, but only didn't write into the books because it was not necessary to that particular plot. People understood and cheered.

Then she started revealing OTHER "bonus information that didn't make it to the books" through the years. They started out reasonable enough, but it soon became clear that Rowling was just making that shit up as she went along, to get more praise and attention in a quick way instead of actually sitting down and writting new material.

Eventually she DID started writting, or at least approving, of new stuff, like "The Cursed Child" play, or the Fantastic Beasts movies. The receptions were mixed to put it VERY kindly, and worse yet, Fantastic Beasts had a controversy regarding Rowling seemingly not understanding that women can sexually abuse/coerce men - something that was already a big issue in the original Harry Potter books, but it no longer got the pass of "It was a different time."

One of those movies would be centered around Dumbledore and his falling out with his evil boyfriend - yet the script was not going to acknowledge that they were indeed a couple, even though it was relevant to the plot this time, so it basically confirmed to people that "Dumbledore is gay" was just bullshit she made up at the last second to get praised as being a super progressive writer, aka queerbaiting. To make it worse, Rowling acted like people asking for canon confirmation that Dumbledore was gay could only possibly mean that they wanted sex scenes in the film, even though they were only saying "If he really is in love with this dude, let him say it. That's literally a key aspect of his conflict in this story."

To make matters even worse, during all of this, Rowling also decided to go full TERF/Radfem mode:

Any criticism of her, no matter how mild or valid? She'd call it misogyny.

Trans person existing? Treated like walking, living, breathing rape-threats. But no comment on TERFs literally spying and sometimes filming people in the bathroom "just to make sure they're not secretly trans" and TOTALLY not because they're creeps.

(And she'd also not comment on how some of her TERF buddies were doing insane shit like "claiming/exposing/harrassing" famous people like Daniel Radcliffe, aka the guy that played Harry Potter himself and that Rowling knew since he was a little kid, for "secretly being trans" for stuff like "being too short/tall for their supposed gender").

People getting uncomfortable with how she continued to not so subtly double-down on "Women cannot be abusive/predators, that's exclusively a guy thing"? Yelled at for "demonizing women" instead of "calling out the patriarchy."

Finally, her TERF buddies also started putting her on a pedestal for being "one of them", doing shit like claim no other woman EVER had any success as a writer. People were already no longer comfortable praising her for her real accomplishments after the shitshow she had turned into over the years, so you can bet that they were NOT okay with acting like women like Mary Shelly, ya know, the one who literally wrote Frankenstein nearly two centuries before Harry Potter was created, didn't exist or weren't important just because some truly vile people wanted to kiss Rowling's ass and she continued to let them be vile because she liked having her ass kissed.

So yeah, reminder: FUCK JK ROWLING AND ALL HER TERF BULLSHIT! Now excuse me while I wait for the inevitable angry asks from Radfems calling me a pick-me, porn-addicted "fmoid" brainwashed by the patriarchy.

[hiemaldesirae]

Okay so my idea is Vox was an omega in life and hid it because he wanted to be a producer and at the time omegas were rarely allowed such autonomy and freedom. So when he dies, he just naturally falls back into his pattern of hiding his nature, especially because he knows he wants to be an overlord and another enterprising demon could take his power if he mated with the wrong person.

At first, Vox hated being an omega, but as the years went on, he realized what he actually hated was the constrictions Earth's society had put on him and he began to feel more comfortable and assured in his designation.

When Vox feels comfortable enough to start exploring his sexuality and possibly having partners for his heats, he drafts an NDA that all his potential partners have to sign so his secret can never get out. It works great and Vox learns what he likes and doesn't like and his secret is secure.

When Valentino approaches him for a partnership, Vox is already established as a small time overlord. Valentino flirts relentlessly but Vox remains completely professional until one day Val comes into work to find Vox leaning on his desk with paperwork of some kind. Vox tells Val he just needs his signature real quick and so Val signs it without reading. As he finishes, the contract glows and disappears and Vox grins before pouncing on Valentino and kissing him ferociously.

They fuck like crazy for the next week while Vox rides out his heat. Val was shocked to discover his business partner was an omega and a wicked lay but he was most shocked when he tried to call Vox his little omega and found himself saying "my little beta" instead.

Vox smugly informs him that he'd signed an NDA and that he was bound by it for the rest of eternity, but that if he played nice, maybe Vox would let him spend his next heat with him again. So every year, about a month before Vox's heat, Val rolls out the red carpet just so he can have the pleasure of being Vox's heat partner.

Vox will never tell Val, but after their first time together, he'd decided he didn't want anyone else. Nevertheless, it's good to keep Val on his toes-and he likes being showered in gifts.

OUGHHH wait oh my god this is honestly pretty fucking genius . i love this idea soo much and its actually so fun i love twists on a/b/o even though i myself typically pivot to more rigid dynamics. the idea that vox likes to NDA people he sleeps with is SOOO fucking funny and im now imagining a situation where valvox eventually start wanting more than their current situationship and vox in a show of trust nullifies the contract and NDA for val only, even though val still doesnt breathe a word of voxs secondary dynamic unless vox says its all good because hes just That Whipped 😭😭

theres also a crazy amount of potential angst here that i feel i should point out with the idea that perhaps voxs aversion from revealing his actual dynamic stemmed from past unfortunate memories in life + even what led to radiostatic breakup if we're following canon timeline here . like the idea that vox first revealed his dynamic to alastor and then al in his typical "I Have Never Interacted With Another Human Being Before" manner proceeded to use it against him and then broke voxs trust forever (<- you can tell i never got over the twist in freak-a-zoid) and now vox is learning to get over that wirh val... Aough. i dont know i think staticmoth can be sooooo cute sometimes

this prompt was wonderful nonny thank you for sending it in (and i promise ill find some time to start dusting off the other asks in my inbox eventually. just... maybe not now because im still irrationally scared of them)

[getvalentined]

Hey, long time lurker with a brand new account here! i was just reading an earlier ask you answered about why Vincent didn’t stop Hojo and Lucrecia and (of course) Sephiroth, but there’s also something that bugs me that I’m not sure has been addressed in canon or fanon. I like Vin and Veld as work besties in the 1970s and they’re also a ship of mine. Yet I’m not quite sure how to factor in how Vincent gets shot during his time at the Nibelheim Manor, is presumed dead, and Veld doesn’t even go to investigate until Before Crisis, when he finds Vincent in the coffin and tells him he’ll come back another time. I guess an answer I could come up with for myself was that someone higher up than Veld forbade him from looking into Nibelheim for all those years but I’m curious what your thoughts would be? :)

My take on this is actually very specific and headcanon heavy, since there isn't a lot of information on that whole time period—much less information specific to Veld—but I'll give as comprehensive a breakdown as I can!

Things we know specific to Vincent and Veld's situation:

Veld was Vincent's partner in the Turks

Veld did not know Vincent was dead

Detailed explanations on the certainty of both of these are under the cut, but they go into linguistics and translation disputes and context cues that will absolutely get us both lost in the weeds if I go into them here.

Other things that are moderately relevant to this explanation:

All victims of the Kalm fire were taken to Nibelheim for processing by R&D, including both Veld and Felicia (source: BC chapter 13)

In spite of being processed in the same location and even being utilized in the same experiment as Felicia, Veld didn't know that she survived, so it's very possible to hide people in there (source: BC chapter 13)

Veld did not know that Hojo had anything to do with Vincent's disappearance (source: BC chapter 19)

At the time that Vincent disappeared, Gast was still in control of R&D (source: OG FF7)

The Turks know absolutely nothing about the contents of the room in which Vincent is sealed (source: BC chapter 19)

Veld has multiple lines in BC that make it clear he's intimately familiar with the Manor, talking about how it still has a dark atmosphere and how unpleasant the place is. He also seems genuinely concerned when the Player Turk reveals that they were in there getting rid of old research materials on Tseng's order, although I think that's more because he didn't want his newer Turks finding out about what had happened to him if at all avoidable. (It was not avoidable.)

That familiarity with the facility, on its face, makes it really weird that Veld didn't know anything about what happened to Vincent. The only obvious way to reconcile this with him never finding Vincent (aside from the cop-out of "it's just bad writing") is that Veld chose not to look for him, he chose not to question his disappearance, he chose to forget him and let him fade into obscurity. This sounds really bad!

My take actually plays into this concept, and it while it could still be slightly damning for Veld, it's really just as much of a tragedy as anything else in that whole situation: Veld did look, but he started looking way too late.

In my headcanon universe, Vincent and Veld were together prior to the mission in Nibelheim. They broke up not long before Vincent left (the assignment itself is partially to blame for this, but that's long headcanon rambling I will save for another time), and the assignment was long-term enough that Vincent's reports were expected weekly for the first month, then monthly for the proceeding three months, and then quarterly after that. The assignment was slated to last roughly a year and a half, but could have gone up to three years according to Gast's estimations based on his previous efforts and the term of Project G.

But Veld had literally broken up with Vincent right before he left for this assignment, so he wasn't surprised when Vincent only sent two weekly reports, one monthly report, and then dropped into quarterlies from there. The reports themselves were still comprehensive, although Veld got the distinct feeling that Vincent was getting a little emotionally involved in the assignment—not that Veld could blame him, Vincent was requested for this assignment because Gast knew Grimoire, so Vincent was probably having a rough time being in close quarters with people who were so fond of his dead father. Still, the distance would be good for him. Let him get his head on straight.

In mid-1977, Vincent's report schedule faltered again. Veld had received one in April, a bit late—because Lucrecia was pregnant and she broke up with Vincent and married Hojo and he didn't know what to do, he didn't have anyone to talk to, but he didn't want Veld to know. One in September, at the very end of the month—because things were getting so bad, Lucrecia was so sick, Hojo was so aggressive, Gast literally didn't care—and in this report, Vincent said that there may be complications with the project that would require company attention, but he would let Veld know in his next report.

That report never arrived, because Hojo shot Vincent on October 24th, 1977.

Veld waited, because there was a schedule, and Vincent had been a bit lax anyway. No big deal.

At the end of December he received a missive from Gast stating that he would require escorted transport back to Midgar for himself and an infant, by no later than the end of January. Nothing from Vincent, but Gast didn't mention anything, so Veld thought nothing of it.

In mid-January, two Turks arrived in Nibelheim to help transport Gast and his team back to Midgar, and Vincent wasn't there. To hear anyone tell it, he hadn't been there for months. While phone lines were shaky so far out, they eventually made it through to Veld, notifying him that Vincent was missing.

They questioned the rest of the team, but their search of the facility was limited without clearance from higher-ups with that kind of sway. Veld could do a full search, he had the security clearance for it, but two lower-ranking Turks could not.

Lucrecia said that she didn't want to talk about it—she felt bad enough already. Hojo said the last time he'd seen Vincent was mid-October, and he'd just thought the boy finally ran off back to his kennel.

Veld questioned Gast when he arrived back in Midgar, finding that he was the most forthcoming and the least useful. Gast stated that he was under the impression that Vincent had returned to Midgar in early November; he'd been out of town for the last two weeks of October for a board meeting back in Midgar, discussing assignments for Project 0, and Vincent was gone when he returned.

All of them were lying.

By the time Veld made it out to Nibelheim to search himself, it was mid-February, and Hojo had moved Vincent into cold storage for the time being. Things were being shuffled around with the onset of Project 0 anyway, samples and subjects and materials being moved in and out, Lucrecia finally being sent back to Midgar for a much-needed postpartum recovery period, Hojo being given temporary control over the facility.

At this point in time, the Turks only had so much power. R&D was swiftly making itself the most indispensable department in the company, and Veld's search of the premises was always one step behind Hojo's relocation of materials. There was almost certainly one point where Vincent was held in a steel containment tank being relocated from the lower lab to the upper or vice-versa, and wheeled right past Veld without him knowing.

Veld, who knew how emotional Vincent could be and had now gotten the whole story of the regrettable whirlwind love affair from Hojo and Lucrecia, came to the conclusion that Vincent had gone AWOL. Could Veld blame him? He had been treating Vincent like crap since their own breakup—he hadn't been communicating, and even though he'd been able to tell that something was wrong, he never even tried to call and ask him about it. He'd been pissed off too, and left Vincent to his own devices...for over a year. On a separate continent. Of course he tried it with Lucrecia. Of course he left when that relationship fell through.

And Vincent was a good Turk, the best in the entire department, so he'd definitely know how to disappear. How to cover his tracks. Specifically how to hide from the current head of the department, who just happened to be his partner.

If Vincent chose to disappear, Veld would never be able to find him; since he never found any evidence of what transpired to lead to his disappearance, Veld could only assume that was what happened.

Almost thirty years later, he was horrified to finally get into that sealed room—the one Hojo said they used to store old furniture and facility staffers' more valuable personal belongings, way back in 1978—and discover that he'd been completely, utterly, devastatingly wrong.

But, once again, Veld had just waited too long to do anything about it.

—

Game content and dialogue sources:

Grimoire Valentine's BC playthrough

Flash PINK's BC script

Evidence that Veld and Vincent were partners:

The Grimoire Valentine BC playthrough translates Veld's line when explaining Vincent's identity as "We were partners a long time ago." I've seen this translation disputed, because the actual word Veld uses is 同僚 (dōryō), which is best translated as "colleague."

To my knowledge (based on obsessive linguistics research because I have a problem, I do not speak Japanese but I will spend hours researching exactly what specific terms mean within the context of a given culture), this implies equal standing within the company in question. Of course, this is in real-world situations, so we can't assume it applies 100% to FF7 canon—luckily, this word is used at one other point in the game, giving us important context on its usage within the department: in chapter 14, when Tseng thinks the Player Turk has been killed in Wutai, Yuffie asks how they know each other and Tseng replies "They're a [colleague]."

Tseng is vice director, meaning they're definitely not equals, so this could imply that this word is used more loosely among the Turks, thereby disproving the partnership between Vincent and Veld. However, since Veld uses the word 部下 (buka, "subordinate") to describe the other Turks in this same chapter, I personally feel that Tseng uses this term very intentionally at this point, and it's meant as an indication of his character. When Tseng thinks the Player Turk is dead, he refers to them as an equal. This is further implied by the fact that in the proceeding scene, when the Player Turk is proven to have survived, they continue to refer to him as Tseng-san, using the standard honorific, while Tseng doesn't use one in return to refer to them. Veld likewise doesn't use an honorific when referring to Tseng, but the other Turks do.

Back to Vincent and Veld's little reunion, though, I feel like Vincent's dialogue completely clarifies the intent: Vincent doesn't use an honorific or a title when referring to Veld. Every other Turk in the game refers to Veld as 主任 (shunin), with or without his name, which translates to "director." Meanwhile, Vincent refers to Veld by his name and his name only, and Veld doesn't refer to Vincent with an honorific either.

In their department, it's clear this isn't something you would do with someone who wasn't on your level. Subordinates get no honorific, sure, but anyone even remotely superior gets one—a practice that holds true well after Veld is gone, as Elena refers to Reno and Rude as "senpai" from her recruitment in 0007 all the way up to her appearance in Advent Children.

If either Vincent or Veld were ranked differently to the other, the lower-ranking one would use an honorific—but they don't. Names only. Add in the fact that they instantly recognized each other after almost thirty years, and the level of familiarity is undeniable.

Those men were partners, a long time ago.

Evidence that Veld didn't know Vincent was dead:

Upon finding Vincent in 2006, he isn't shocked to find him alive—instead, he refers to Vincent having "disappeared," specifically using the phrase 姿を消し (sugata o keshi), to describe what he knows to have happened. To my knowledge, this is an entirely neutral phrase with no implication of death or malfeasance, particularly within the context of Veld's dialogue, which makes it explicitly clear that whatever happened to Vincent, Veld did not believe it killed him.

His next line is something along the lines of "Did Hojo do this to you?" which I find equally important; he very quickly adjusts his assumptions based on the situation and what Vincent looks like, moving immediately away from the concept of a mysterious disappearance to something much more sinister, but he doesn't seem to have thought of that possibility prior to this point.

[bonesandthebees]

Hiya!!

I was just wondering how do you go about writing dialogue? Yk characterizations and all that. I don’t know how to make natural banter or how to see how much a character would actually reveal about themselves. Bc like ppl have filters to what they actual say and I tend to try to resolve everything too quickly and unrealistically. So any advice would be appreciated!

-🌷(I’m new to tumblr and dunno what any of these emojis mean, I’m rlly confused 💀)

hmm okay, this one is a little tricky for me to answer because dialogue is probably the aspect of writing that has always come the most naturally to me so it's not something I actively think about. but I'll try my best to give advice!

first off, what's most important is to make sure you know your character. know what their core traits are, and use that to determine how the character is going to act in a given situation. now, if you're writing fanfic and more specifically if you're writing an au, once you understand the core of the character from the original media, make sure you understand your specific au version of the character as well. what's their background? how has that influenced the character to be different from the original canon character? how do their core traits— the ones you have to hold onto to keep the character 'in character'—still shine through even in this different world?

then, less specifically, how does the character think? what are they feeling about the situation they're currently in?

basically, if you understand who your character is and where their head is at, that's going to make writing dialogue a lot easier. you need to understand the emotions the characters are going through, and how they're going to handle those emotions.

for example: in stars, a lot of stars!wilbur's dialogue is influenced both by how he was raised, but also by his own paranoia and anxiety. he's been raised as royalty with the expectation that he will become his brother's advisor. he's been taught how to participate in political negotiations and understands how these political games are played. so when he speaks on these matters, he phrases things more eloquently than tommy does because he knows how to 'dress these words up' like most politicians do. at the same time though, he's paranoid about who they can trust, and scared of what will happen if things go wrong. depending on who he's speaking to, he reveals some information but not everything, depending on how much he trusts the person and what his relationship with them is.

I wish I could give better advice then that but just try to be familiar with your character and understand where their head is at.

(also don't worry about the emojis lol. it's not a standard thing by any means. just here on my blog I answer a lot of asks people send me, and sometimes if someone sends me a lot of asks anonymously they might want to sign off who they are so I (and everyone else on my blog who sees their asks) know they're coming from the same person, even if we don't necessarily know who that person is.)

[schro4444]

About the Kaito keeping his secret ID through Refuge In Audacity do you think Conan stuck with his first guess that KID was younger than 20 or later dismissed it as KID wearing a mask? (Ik this isn't relevant to the kuroba sitcom but I had Ditto in the brain haha)

I personally hc that he logicked it away as "he can't be THAT young, learning all those skills he has would take time" and then Kaito TOLD HIM his mom was Phantom Lady who did crazy gymnastics so she couldn't have been very old and dissappeared a scant 20 years ago and Conan went "welp"

Ik that Hakuba figured KID's age through DNA and then compared to highschool databases across the country, but first that's not how DNA tests work, the length that tells how old someone is changes from person to person, and second, I'm not familiar w Japanese laws regarding privacy and DNA databases but I'm fairly sure that what Hakuba did was like. Super illegal. Probably why Hakuba hauled ass back to London after that case actually, I bet he only got away with it bc nepotism (IT'S SURE ILLEGAL IN THE UK)

I still rlly want to know if Hakuba sat KID down w an optometrist board and an IQ test though, HOW did he get that data. Like I bet Toichi and Chikage never even got Kaito tested bc they thought it funnier to keep people guessing just HOW smart he was, plus Kaito wanted to share class with Aoko and Nakamori wanted her to be in a class where she could make friends her age, and that was the end of the topic

(oh man this ended up long, MY BAD)

first of all, omg im honored, tysm for reading ditto :D <3

GREAT QUESTION I think conan kept it in mind, but became less sure of himself over time. conan/shinichi has a pretty skewed idea of what kids are capable of doing, and I think he knows this about himself, so it’s reasonable for him to think “...nah, it would be insane if a high schooler was doing all this… right?” and if he was basing his original age guess off of what he could see of kid’s face and body shape, well, he learned very quickly that kid can change any of those traits at any time. who’s to say that kid wasn’t wearing makeup/a mask/anything else that might change his silhouette? …left to his own devices for long enough, conan can become a victim of his own overthinking, lol.

aaaand then kaito dropped the Phantom Lady tidbit. that, if anything, seemed to me like a peace offering of some kind? possibly meant to even the playing field between them? as always, it’s hard to tell what shinichi and kaito actually Know in canon, though I’m of course personally a fan of them knowing the least amount of information possible while still being as intelligent as we know they are. because shenanigans >:D

if we want to have fun with it ;) , I think the phantom lady reveal only narrows down kid’s age to,,,,, younger than 30? ish? it mostly gives conan an upper limit, since he doesn’t know whether kid was born before or after her retirement, and she easily could’ve retired in her early 30s. what it Does confirm is that this kid isn’t the original one, but that only narrows his identity down to “probably a protege of kid #1.” from there, the biggest bit of provable evidence against kaito is that his father died right when the original kid disappeared, but that’s still a pretty big logic leap to make when you aren’t around kaito all the time (like hakuba is). and toichi had students, too! who knows who else he taught besides yukiko and sharon? who is more likely to be kaitou kid: an undercover protege of toichi’s, or his teenage son who has an alibi for multiple heists?

best I can tell from some brief research, in Japan, DNA collection isn’t regulated for law enforcement, but hakuba isn’t law enforcement, he’s a consultant at best. I think other DNA tests for ppl age 16+ require consent of the person, and 16 or younger require the consent of a parent. hakuba has NEITHER. hakuba was saved from being a juvenile criminal by nepotism and the fact that nakamori laughed in his face instead of charging him with obstruction of justice or something. and yeah, that’s Absolutely Not How DNA Tests Work adjfksjdj

FR THO!! now I’m imagining hakuba chasing kid through a museum yelling “WHAT NUMBER LOGICALLY FOLLOWS THE SERIES ACCORDING TO THE GIVEN PATTERN” while kid answers with, like, extremely confused perfect accuracy. “400 iq” honestly sounds more like something hakuba made up to explain the fact that kid could answer the iq test questions while rappelling down a skyscraper lol. and I totally agree, kaito’s probably never been officially tested—it’s important for kids to be with their peers, especially when you’re already likely to have child prodigy syndrome. also because kaito and aoko get along so well, they would run the risk of never making other friends (cough shinichi cough). plus, the kurobas probably like to avoid official records as much as possible, and scoring even in the 160+ range would gather attention that their family of internationally-wanted criminals does Not need

[arsene-fixates]

The Informant and A Sense of Self

CAN WE ALL GO CRAZY ABOUT INFORMANT FOR A SECOND?!!??!???! GESTURING WILDLY AT THE CROWD

CONTINUATION OF THE PREVIOUS ANALYSIS EXCEPT I MIGHT AS WELL JUST DROP WHATS IN MY HEAD NOW and everything else that I haven’t been able to say about him because it’s too short

spoilers under the cut 💗

@everynya AND EVERY LITTLE ASPECT OF HIM IS ALL HINGED ON IT. HIS UTMOST BEING, ALL DEVOTED TO HIS WORK. He’s buried himself too deep into his work to turn back that this is the only way that he can go forward.. AND HE DOES CHOOSE TO GO FORWARD. WITH HIS INCESSANT WANT TO HELP PEOPLE

And he’s far too selfless and far too self sacrificial, with how he keeps throwing himself into danger without a second thought for his own well-being it’s awfully reckless of him

and to be so fair, if he doesn’t do it, who else would? He’s so dedicated, always working steps ahead from everyone, always hyper vigilant to those around him always working, rarely taking a moment to rest

And the thing about this is that, sometimes, I’m pretty sure that profession of his is something he enjoys, the fact that he’s been Researching the mist even BEFORE he was the informant and how him getting turning into the werewolf was almost an opportunity for him to pursue the role of an informant, like dangling bait almost.

but of course, sacrifices has to be made, and in turn he loses all the connections he ever has, allowing him the anonymity that he wanted, leaving him to be this lonesome man

He’s always in some pursuit for information, constantly searching, his innate curiosity never truly satisfied because he’ll just keep doing it again and again and again and he’ll drive himself into his grave if I could be honest. His own downfall being himself.

and to tie this back to my main point, who is he under all that? if he’s not the Informant, Because he’s clearly not the man who he was before, he left that past behind him with no intention to turn back.

the only other thing he would be is ‘The Werewolf’ but he wouldn’t like that as an identity

and even if he was the person he was back then—being Felix’s brother—is he really Himself?

to give a bit of context about his family, his mother is a famous beauty with the background that a prince from another country once gave her jewelry and his brother (in the period of pre-informant) was the up-coming mayor to be elected for the city

so on the surface he would be “Felix’s brother” and before that he would be “Mother’s Son” And nothing before that

He said that he never felt like he fit in with ordinary life and I feel like it’s a product of him having a large age gap with his brother. Felix must have been someone busy so.. that sort of age gap makes you retreat into yourself, which is why he was always engaging with his own interests even up to young adult (reading up on legends and myths) his hobbies have always been rather solitary in nature

he is canonically a gifted child, just to note. He always played chess with Felix and was far too good at it at a young age and i wonder if other children felt put off by him.

he also implied that he likes wandering and did it a lot too…

AGAIN CIRCLING BACK TO HIS CURIOSITY..

i personally feel like as much as he misses his previous life, he only missed the safety of it all because living under being the mayor’s brother must have a lot of standards to hold up, any wrong thing could jeopardise his brother’s reputation

What matters to him is that he left it all behind now and he keeps hiding from it. He still tries to run away pre face reveal

But as things are, he can’t run away from it forever, he’s forced to accept his past as far as he tries to stay from it

He’ll always be seen for his profession, or for his family, and never really for Himself

[ghostedeabha]

i haven't posted anything in a bit and i'm so sorry, i don't want to reveal too much detail at the moment but i've just been having a wacky time mentally to put things simply.

in return, have some (extremely) random personal COD headcannons :))

warnings: mentions of mental health disorders (including eating disorders), mentions of religious trauma, mentions of child abuse/childhood trauma, idk just some sad stuff but also way more happy stuff than sad stuff i swear

a/n: reminder that i've never played the game, a lot of the information i have on the characters is from fan created content and a little bit of research and some things could be slightly inaccurate canon wise. also these are once again personal headcanons, you don't have to agree with them, just pls don't be mean :)

anyway, i apologize that there's not that many :(( this is just a short lil list so there's def gonna be some characters missing and such. but i will have more headcanon posts out another time <3

cod headcanons (very random edition)

könig is a farm boy <3

impovershed farmer's child to soldier pipeline is real

also idk why but i feel like his real name is like eduard german spelling of edward or something

2 sisters (1 older, 1 younger but born the same year as him) and a little brother

soap is an ipad kid (i will be taking no criticisms)

ghost probably has borderline personality disorder but because it doesn't present in the way it stereotypically does for borderline men so he is undiagnosed

was audhd undiagnosed until he was 25

bro was baffled

the development of his bpd was both through the abuse and neglect he faced growing up and the trauma that one can experience from being autistic growing up but left undiagnosed

soap has severe adhd

PRICE LISTENS TO DISCO AND CLASSIC ROCK 🗣️ guilty pleasure is 50's love songs and smooth jazz

gaz tried to establish team game nights

regretted his decision after one game night

both ghost and könig are gymbros but in the disordered way

orthorexic könig

an-bp ghost

every one of those mfs has ptsd and/or cptsd

valeria is a radfem (trans inclusive)

gaz secretly likes a few kpop songs from various different groups (he really likes g-idle for some reason)

catholic trauma soap📢

was probably forced to undergo an "exorcism" at one point

also had a scene phase

emo könig :(( <3

ghost wouldn't necessarily label himself goth but he does enjoy quiet a lot of goth music and some of the fashion intrigues him

gaz used to be a roadman😭 absolutely hates admitting it though bc he's embarrassed about it

idk i feel like horangi would listen to ayesha erotica unironically

ghost listens to lana

i could also see könig having bpd as well (this is mostly feeding off of the obsessive/possessive/jealous headcanon the fandom seems to share, though i do have some other reasons i could go into another time)

can i get an amen for he/they könig??

soap jokingly said he wanted to use she/her pronouns too and now ghost wont stop actually using them seriously and soap doesn't want to correct him

ghost is fully aware it was a joke and he just wants to see how long it'll take soap to correct him

141 all have matching tattoos (including kate)

ghost also listens to hollywood undead

valeria's guilty pleasure music is taylor swift's earlier albums

ghost smoked weed in high school

dream blunt rotation is the 141, könig, horangi and valeria

könig's social anxiety really manifests itself as arrogance and sometimes he hates that

könig and soap are actual pyromaniacs

one of könig's favourite movies is howl's moving castle

that's all i can think of for now,, hope y'all enjoyed🫶

if you did pls gimme a like and send an ask if you want to request anything <3

[7ban-sama]

Man 2023 was such a crazy year for AmaTsuka... I'm going to make a vague attempt at tabbing through Cataclysmic events in chronological order

February really kicked off the beginning of the year. First ominously seeing this header Tsukasa and feeling like, no... no... What's this? [brain shriveling up] call girl... phone sex... [REACQUIRES LIQUID] wait, Eros and Anteros?? [camera lens focusing] heart... necklace?

Matching? heart? necklace? hearts weighed on a scale? [crying]

[the event itself starts happening] [we see Amane's design in full and have to process he's some sort of corseted whore] Excuse me-!! Excuse me, sensei-!!!!! What does it mean! Help me!!

We get further information about how these demon brothers are extracting love from people and turning it into jewelry. (Ominously we receive no explanation on what their particular pieces of heart jewelry mean... LIKELY different in nature from the other hearts around them, but in what way? Not like we'll ever find out I guess.)

Like some sick doujin set-up, they're doing a competition where the loser must do what the other says at the end of this.

Deplorable... Reprehensible images. The vibes of this game they are playing with one another... The voting feels rigged anyways, because Amane's more capable of presenting himself appealingly, working everyone over.

This sucks I don't want to see what happens next I want to go home. [it persists.] I'm watching Nene-chan be TAKEN ADVANTAGE OF, WHY IS THAT HAPPENING. [it persists] fgwait why is Tsukasa eating chocolates where did he get those. [it persists] FEEEEEEED ? CHOCOLATE? OMINOUS ALLUDING TO WHAT WILL HAPPEN LATER? WHY!!!! but why am I in some sort of doujin. It's happening that way and I can't stop it...

As always, the twins get along better than you could ever predict. "For now" feed him chocolates. Ok

⬆ while trying to learn to cope from this, we are randomly blasted with this ⬇

End of February, this is revealed to us to be the inner sleeve of V19... DEVASTATION REIGNS, THIS IS THE SCARIEST IMAGE EVER... A Hanako with severe cock presence. Tsukasa's fair maiden quality ever emphasized by being surrounded by luxurious sakura petals, a special variety even... Fancy and cultivated. Tsukasa-chan...

Of course this is really stimulating when thinking about canon, this is our biggest look into the atmosphere of the deepest sanctum of Hanako's boundary. Perhaps Tsukasa was here suspended, sleeping beauty style... [horny]

Early March, getting this shikishi. It's more of a personal journey here, but getting an AU where the twins are simply... normal boys, alive, together, visibly, is a lot. Bandage boy Amane even...? Aesthetically, that one-?? Uough... Such a radiant Nene-chan here too... Thank you sensei. I'm grateful this time, not mad at you.

Advertising for V19, naturally we get to see scenes within it. I appreciate getting to see scenes again in color, at different angles etc. This image amuses me, it's like there are pheromones in the air. hot haze of red and purple... paralytic agents. Amane is dissociating and half-hard, as we like him to be.

Extra shikishi because of a G-Fantasy anniversary!

Of all AUs to return, never would've guessed this particular one would, from a set of icons/headers from 2022... That idol Tsukasa was already intriguing, but it's cool to see him in full. There's, a mysterious quality to his outfit, seeing it all, it's almost like the 'hakama' part is connected to his top, so. Are you just in a dress, Tsukasa..? I can't help but think you are...

This Amane meanwhile makes me laugh, WOOO he's here to stan, adorning purple in honor of Tsukasa's color. Tsukasa here has the big mic, he's our main singer. It's like a world where the twins figured out a hobby to pursue together, they can be obsessed with each other in this way, and blow off steam dancing whoreishly. Well congrats. Also I loev you yashiro. you look like. a cake topper. come to our dressing room after the show ok.

it's whimsical for asecond. but then sensei is out for blood. because

this happens. like dropping a big anvil on hundreds of mice. (the innocent fujoshi.)

this image convinces me sensei is evil and wants to hurt the girlies reading this manga. they're not holding back. i saw a deluge of tweets saying things like, Why does this look like a BL / the main characters? these are the main characters? / I can't read the chapter, the illustration won't let me / Why is it AmaTsuka

Everyone felt like they had a group hallucination. Why is it AmaTsuka... (It's always been AmaTsuka) (but still) Why is it this degree of it. Don't understand the deflowering vibes from this. Princess and knight. the torn butterfly wings and the flowers. the like evocative feminine orchids and the obscene wet feeling fruits. Tsukasa's sleeves being flower petals as well, he is the delicate feminine flower here. Hands pulling you close. "Searching for a reason to stand by your side." Why did you say that? Why did you do that? I feel like crying as I type this.

This is basically the most devastating event for the entire year and it happened so early, we spend the rest of the year still looking back and feeling faint. It's hard to be this valid, you all really cannot fathom, what it really means to be 'canon'... It's a pain I carry. Searching for a reasonnnnnnnnnn.....

Late March / beginning of April, and we are about to embark on our 6-month kitty cat crucible. AmaTsuka is going to become a genuine INTERSPECIES narrative, something I would've guessed blasphemous actually. But I suppose not... in this world, Tsukasa can be a child laborer/animal handler at a circus, and Amane can be his precious black kitten. With a little bell.

Amane runs off with Tsukasa, saving his life... They escape together, and are together still, 50 years later. How romantic. We're at the start, and it's already painful and glorious. Senseiiii!!

You know who is holding that cat tail. We have fun here, we take turns being the kitty. Tsukasa has a matching collar now, after all. :3

INTERLUDE for the April update, where we get Ch 101. ALIVE BOYS. CLOCK BOYS!! FIRST YEAR MIDDLE SCHOOL BOYS. OMEN!!!!!!

Serenading, beautiful Tsukasa... singing Over the Rainbow... This loving glance.

It's amazing to get a glimpse into their past, before the rope-burn and injury times. The prelude... Set in such a grim space as this area accessing the clock's inner workings. Captivatingly isolated, enclosed, kinda scary and dank... And we're brushing up against Amane's problem, how he won't say what he wants, won't make a decision. You need to make a decision, Amane...

Back. To the ryokan. Something something, there's a difficult to convey joke in Tsukasa's space, referencing sabi-neko (tortie cats (female cats?)) and also making a pun on 'service'. I get it I get it, Tsukasa is Amane's slave, you don't have to keep telling me...

Everyone gets along surprisingly well.

(This was an amazing year for TsuNene too, of course....)

I say all that but we do get revealed, during this cafe event, that. I guess Hanako is predatory and out here definitely seeming like he wants the guests to eat food to make them tastier and then get eaten. And Nene is also has insatiable lust to consume a human, which is like, upsetting, when you consider Tsukasa is a secret harbored human here. I guess Hanako has no issues with conspiring with his hot co-workers about how delectable humans are, while his 'twin brother' (not really?) (fetish RP?) is locked up in the closet or something. And I guess he does that all day and humps Tsukasa later like mmm my precious little dartyy secret boy.

Bonus thing, there was this insidious meta happening as I watched fujoshi repeatedly visiting the cafes and trying to eat as much scattered sushi and Tsukasa's Milk as possible. while the narrative is about entrapping people and fattening them up for slaughter. IG it felt kind of ghoulish that they couldn't resist the bait of the location and presentation of the meals.

August. Who are they lol? Some more fetish outfits... Amane and his collars, and Tsukasa looking like some little hentai mask girlie. The vibe is like, Amane is a cool super villain, and Tsukasa is there to go kyaaaa ❤

There's some stupid mokke promotional image that informs us these boys have ? horsie tails? so they are like, unicorns? We're having fun with animalish boys lately, I suppose... Thank you sensei (???) I can think about these unicorn boys and a fair maiden now.

Later in August, V20's inner sleeve images. Simply satisfying to see, thank you... back against back...

AND DELIGHTFULLY we get Amane-kun and Tsukasa-kun sillytimes too. AMANE BEING JEALOUS!! SHITTY!!! If you spend too much time working on a school festival, your older brother is going to feel abandoned and lonelyyy...

Starting September a little diabolically. Kitty in lap... This serene expression on Tsukasa... The fujoshi were troubled once more, that it could Be Like This.

Petting you, scritching your chin, going to pick the cattail fluffs out of your fur... Intimate moments like these must happen all the time. Sighhh...

Advertising V20 later in September. These images are so-- the genders. Amane looks like he is going to beat Tsukasa with that wrench. Scary guy. Tsukasa, a natural vixen, as usual. The framing of him before the big clock... Artful.

Bonus lil sad guy in late September... A look into the Amane that misses Tsukasa when he went missing. XU !!! I like to think he was truly helpless without Tsukasa there, pining for him.

Fsr between everything, TsuNene is getting buck wild and ramping up, until you get Tsukasa kissing Nene... She gets smallified in the manga and I'm suddenly like wtf canon moments of oniiloli for TsunNene. And Monster Nursery comes back so it really hammers in. IT'S JUST A VERY INTERESTING YEAR PSYCHOLOGICALLY. And VERY fun if you're me, shipping all 3 of them. Woooooo (ﾉ◕ヮ◕)ﾉ*:･ﾟ✧

Anyways November has our last couple major beats...

Tsukasa asserting that Amane won't come if he called, never has, alludes to so much. Why were you calling? For what, how long, what convinced you Amane would never? The idea of a Tsukasa that would plead to be saved or helped in any manner is dizzying. Beyond that — does Tsukasa not believe he has implicit value, not something Amane covets...?

(Meanwhile, I have to love that he confides this to Nene, and encourages her to get them out of this situation. Tsukasa had to make his way out of his own entrapment[?] in the past, and he believes Nene can too. They're similar, aren't they? Hehe.)

The pacing of the fall, Tsukasa catching Nene, then the ambiguous line, as if he mouthed Amane's name to himself...

And he shows up, like your hero, I guess.

'何？' ⬅ ??? ??? ?? Atrocious. Could that truly be your response? With that expression? Moody, hands in pockets, acting cool... You do all that and then you throw Tsukasa's handcuffed arms over your neck. Saving your two captive princesses... It's absurd out here. The fujoshi are dying for a reason.... You get sick of inhaling the toxic fumes of twincest miasma.

I suppose to make me less angry at them, AidaIro present a final birthday offering.

Naughtyyy shrimpt stealing boy... I can't believe it. Amane! You would steal the shrimps your mom is slaving away at, and hand them to your brother. He's going for more! Tsukasa is innocent and he of course must appreciatively eat your pilfered shrimp... But goodness.

Iet's simple, it's cute, it's a lovely illustration with lovely colors, it depicts another moment from canon we haven't seen (right before photos?) Silly and cute and says a lot about their relationship still! I feel like Tsukasa is often passive like a sweet kitten while Amane is a naughty boy. Wah!

A truly devastating glorious year, I feel so valid, I feel like I'm stuck on my throne, which is also a torture device, I'm strapped to it, there's a horrendous machine stuffing grapes in my mouth, I'm being laughed at, I'm crying. That's what it is like to ship AmaTsuka right now I suppose. HanaNeneTsuka thrums in the background all the while, ominous and foreboding. We get closer and closer to the end goal of all 3....

I'm looking forward to 2024. よろしくお願いします.

[ladysophiebeckett]

I just saw one of your ysblf posts about Betty being ready to save Armando one last time and it got me thinking, if the board meeting had been successful somehow (I know, I know, it not only implies that Betty didn’t hear Mario and Armando’s talk about getting rid of her, but also that Daniel didn’t find out about the real state of the company which was very difficult), how was Betty going to tell Armando she was leaving? And how would he tell her he couldn’t call off his wedding? Would Betty tell him she read the letter or keep it to herself? Would Armando marry Marcela? I have so many questions about this hypothetical scenario 🤣

Okay so, let's pretend that Daniel never got wind about Embargo Kelly Redbook (aka Big Red Book of Public Embargos), and that Betty didn't hear an out of context (but still incriminating) conversation.

However, she was determined to leave; she had already told her parents 'hey I'm quitting', she told Nicolas to enjoy his last date with Patricia, she had all of Terramoda's paperwork and up to date balance ready to go. And she had accepted a job fm Catalina, which was originally going to send her to Miami. So she wasn't even supposed to leave that day (day of the meeting). And then her diary entry is 'This is gonna be over soon. I'm gonna do him one last favor. I will go far away where I wont hear about his wedding and he can get married in peace'. That's the gist of it.

Nothing in her last entry implies that she was ever gonna tell him that she knew about the plan or the letter.

I think one of two things would have happened--either Betty was gonna resign in front of the board like she does in canon (so that Armando wouldn't try to stop her) or Betty was gonna disappear into the Bogota fog without a trace. As in, she was going to resign quietly by putting all the information plus her resignation on his desk while he isn't there. Only for him to have found it after she's already gone. Or maybe he sees her leaving it on his desk and they have one final confrontation.

It could go either way. And the reason I say that is bc Betty does what she does in canon out of impulsive anger. She puts the real balance in the folders and the copies of the letter so Armando understands why she's turning them both in. Because revealing the truth also affects her, which is something people forget all time. Her professional integrity\reputation is shattered as a consequence of revealing the actual state of the company and how she played a part in that.

As for Armando, the last card he gives Betty (after trying to kill Nicolas) he means it when he tells her he's gonna call off the wedding (but after the meeting). Marcela even knows that he wants to call off the wedding based on their drunk conversation the night before the meeting. His parents arrive day of the meeting and they've already heard the rumor that he wants to cancel the wedding. The Wedding Cancellation Pollen is BEEN in the air for WEEKS and only just NOW are people getting a wiff of it and claiming allergies.

Unfortunately, despite Armando being determined to cancel that wedding, Mario does get to him and also unfortunately, if the meeting went as planned and the lies remained intact for Functioning Business Facade---Armando would have tried talking to Betty and yet again, tell her that he needed more time, that he needed to go through with the wedding. Betty, at that point, would be at her most absolute limit and here he was letting her down one last time with one more lie. I think that would drive Betty to finally confront him. And of course after said confrontation, they would get interrupted by someone annoying (marcela) and Betty would take that opportunity to disappear into the Bogota fog with her ticket to Cartagena.

All of that being said, would Armando go through with the wedding?

No.

If we are pretending that everything goes smoothly with all the balance\financial fraud thing and him saying 'hey I'm gonna get married anyway pls wait for me' and Betty just disappears--he's gonna go crazy. Both Betty and Armando are at their limit. Betty, bc Armando keeps asking things of her professionally and personally and she believes he's lying to her, Armando bc everyone else keeps asking things of him--to continue his relationship with marcela, to continue stringing betty along, to keep the company intact.

If Betty disappears, his life falls apart.

He would have called it off and he would have done it in the worst way possible. Like, in an ugly yelling burst bc he can't find Betty. (for example). In between all of that, (Betty confronting him or not) something would eventually click for him. Her leaving without a trace and having no one to blame for that but himself--it would force him to confront what he didn't want to see for months.

In this scenario Armando would have everything; his presidency intact, the financial fraud secrecy intact, his goals being met (more lies), but he wouldn't have Betty. And he would realize that those things no longer matter and wouldn't be able to continue living another lie (marrying marcela).

I know I sound biased for saying that but he literally can't stand Marcela. He's been treating her terribly (and vice versa) for quite some time. I don't believe he would have been able to go through with it but I do think he would have told Betty to wait for him. It's all very depressing to think about.