#because every time i see him i get terrible flashbacks
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ann-creator80 · 6 months ago
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shout out to the guy who entered my brain at the age of nine, caused what I can only call my first obsession ever and then proceeded to never leave, he does not pay rent in there, I fucking hate him
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wonderjanga · 4 months ago
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Driver’s Test!
This is Part 2 to this post!
After both of those incidences, it was made very clear to everyone that Marvel was a terrible driver. Any of Billy’s attempts to drive afterwards were quickly shut down by anyone in the vicinity.
GL and Flash: *injured badly after a fight*
Marvel: “I’ll drive!”
GL: “NO. No. No… we’re good pal.”
Marvel: But all of you are basically crippled and I’m the only one who’s uninjured.
Flash: “It’s fine. Hal can drive.”
GL: “Yeah, I can. I’m only with uninjured legs.”
Marvel: “Are you sure?”
GL: “Yeah, yeah, man we’re sure.”
Marvel: “Oh… Okay…” *moves to go to the passenger seat*
Flash: “I call shotgun!” *rushes over, aggravating his injuries in the process, but would rather have that happen instead of Marvel being anywhere near a steering wheel again*
Marvel: *little frown before getting in the backseat*
GL and Flash: *simultaneously breathe a sigh of relief*
See, despite what people might think, Billy actually noticed that people were uncomfortable whenever he drove, so he decided to go to Tawny for help. After all, the dapper gentleman tiger has driven before. Or at least Billy thinks so.
Tawny: *holding a little clipboard and a pen, wearing reading glasses* “Alright, Billy. Today we’re gonna teach you how to drive.”
Billy: “Yay!”
Tawny: “The enthusiasm is much appreciated. Now…”
And with that, Tawny taught Billy how to drive. After about an hour or two Billy was driving like a proper gentleman. When he thought he was good enough, he went to Batman to see if he could be allowed to drive again. Batman allowed it on the condition that Batman and he would have a mock driver’s test.
Marvel: “Alright!” *buckles his seatbelt and puts his hand on the wheel*
Batman: *gets in beside him and is already having PTSD flashbacks from the time in Gotham*
Marvel: *checks the rearview mirror and starts to pull out of the parking space*
Batman: *gripping the seats for dear life because he does not trust this man to drive safely*
Marvel: *starts driving*
Batman: “Slow. Down.”
Marvel: “What? But I’m going the speed limit?”
Batman: “Still slow down.” *still getting vigorous PTSD flashbacks and is trying to tell himself that he’s driven worse than Marvel has in the Batmobile, but it’s not working*
The drivers test was a little difficult with Batman, fearing for his life every single time Marvel even breathed in that car. Thankfully, Billy passed. Though he doesn’t know if that was due to the fact he actually passed or if Batman just wanted to get out of the car as soon as possible.
They later got Nightwing to later do it and the man gave Billy a stellar pass and driving privileges back.
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ihavea-natural-curiosity · 5 months ago
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Viktors Disabilities, a Speculative Analysis
Ever since i first watched Arcane i have wanted to know (and i mean this in the nicest way possible,) what was wrong with Viktor. His disability was never explained beyond “he was born with a malformed leg”.
And so, i was left alone in the house with my thoughts today so i took it upon myself to figure it out, (and talk about his medical issues so i can ignore my own lmao) and i am releasing my thoughts upon yall!
(disclaimer: yes i am aware that this arcane is a fantasy world that is not our world and the disorders/illnesses and treatments will not be the same but the issues he has have to be based off of something (especially with how detailed this show is and how many references are made throughout.) this is not me trying to say that he definitively has any of these conditions, i’m just comparing them to conditions that exist today and suggesting what Viktors disabilities may have been based off of.)
(disclaimer pt 2.: i have not played League of Legends, i do not intend to play League of Legends, i have only watched Arcane and i am only talking about Arcane and Arcane lore and what i have been able to figure out from watching Arcane and spinning it around in my brain like it’s in a microwave.)
Now, i think i’ll just start from the beginning, and go in order of development.
1. Viktors Leg
According to the wiki (and about every other site that talks about Viktor) he is said to have been “born with a malformed leg”, and said pretty much nothing else. Now, when Viktor is an adult, his leg appears to be very not-malformed, so, let’s start at the flashback.
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Now, even in the flashback Viktors leg looks normal. It’s pointing forward, and looks totally fine. But as the clip goes on, and he gets up and starts moving, the problem becomes apparent. Here’s a clip:
Yall have probably already noticed what i’m talking about with this clip, but i want to illustrate it more because the clip moves so fast:
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As Vikto moves faster, his foot shifts inwards! It shifts inwards pretty severely (i mean, he full on trips on it), and the only time in this entire clip where it is doing so. And that is because the other times he is around someone else. I think he is purposefully pointing his foot forward and in turn walking on the wrong part of his foot (balance issues), and more than likely causing himself pain 1. to appear less ‘crippled’ and more “normal” to other people, and 2. because clearly, his foot is pointing inwards to a degree that is impairing his ability to walk.
Now to me, (and i’m not a doctor so if any actual doctors want to call me on incorrect information please do so!) this looks like Femoral Anteversion, or a twisting of the femur that points the knees inward (it’s typically found in both legs but it can happen with just one)
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Now this isn’t necessarily a terrible thing, ~10% of children are affected with Femoral Anteversion (or “pigeon toes”), and most of the time it resolves itself, unless it is super severe, at which point it requires surgery to fix it. Which, of course, Viktor did not have access to.
Now, his leg does appear to be normal as an adult, but the femoral anteversion thought is still plausible. There are 3 reasons i can think of for this one.
1. He got to Piltover and after a little bit Heimerdinger noticed how messed up his leg was and Viktor got the surgery to correct it as much as possible (it’s implied that Viktor was in Piltover for years, based on how he acts and the fact that he’s Heimerdingers assistant) (this thought doesn’t seem very plausible to me, i don’t remember seeing any surgery scars on his leg in the hexcore scene, but it is a possibility.)
2. He’s simply just still correcting his leg. The reason we wouldn’t see him mess up like we did in the flashback is that he’s about 24-25 in act one, and i’d say that 14-15 years is probably enough to get used to doing that sort of thing.
3. (Honestly this one seems to be the most plausible to me) His leg has (partially) corrected itself. Most children whose femoral anteversion fixed itself had normal gaits by age 8-10, but that’s an average age and those typically aren’t perfectly accurate to everyone (i have. very personal experience with that.) and it makes the most sense to me that his leg has mostly/partially corrected itself and he’s just also continuing to self-correct to avoid appearing any more disabled than he already does (he shows quite a bit of internalized ableism throughout the season, and his line about people not listening to him because he’s “just a poor cripple from the undercity” really drives it home for me, honestly.)
2. Viktors Deterioration
When we first truly see Viktor in act 1, he seems lively, and unless he’s actively walking, he’s not using his cane, not really (he hangs his cane on his arm to read a book with both hands (really great rep btw, we do in fact do that!), he leans it against a desk to pace in front of a chalkboard with Jayce, he puts it down somewhere to go help Jayce with the experiment, etc.).
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I mean, look at his stance, he’s not really leaning on his cane for support, more likely he’s using it for balance, and as an assist to his bad leg, rather than an attempted replacement like we saw in the flashback.
But in act 2? Hoooo boy
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Look at that, beyond just looking 10x sicker, look at his posture, his shoulders specifically. He is actively leaning on his crutch (because he needs a crutch now, the cane wasn’t enough), using it like a replacement. Now, over the course of the ~7 year time skip, Viktors condition has deteriorated enough that he 1. needs the braces 2. needs a crutch 3. can no longer even get up without his crutch, let alone take a single step!
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i mean, even when he’s sitting down, he’s holding onto it, leaning on it. The way he uses his crutch, how skinny he’s gotten, how much more tired he seems, all of these things say some sort of newfound muscle weakness, but why?
And the braces. Let’s start with the leg brace, since it’s right there. How it’s built around the actual leg and knee looks a whole lot like a much cooler unloader knee brace, or a knee brace that redistributes weight away from the weakened knee. I have to wear one of those when my knee gets really bad in the winter, when it starts buckling randomly and just.. not working. Which makes sense for the muscle atrophy/weakness theory i have, because that leg was already weak to begin with, and his knee would have been all kinds of fucked up if he did spend basically his whole life misaligning it like i’m thinking he did. (and to support that theory even further, the way that the brace goes over his foot as well reminds me of the braces some children wear to attempt to correct their ‘pigeon toes’ (which have been proven not to work, btw)
Now, the back brace. I’m gonna be honest, this part took me the longest, it truly confused me.
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When you look at it, it just looks like a thoracic back brace, with some extra support on the hips (once again, pointing to muscle weakness)
But the thing that really confused me?
The screws in his back.
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It took me an embarrassingly long time to figure out what procedure this was referencing (Percutaneous Pedicle Screw Fixation (i’m like really sure that the screws aren’t showing in the real life surgery but the fact that they are makes sense with Arcanes style)), and an even more embarrassing amount of time to realize that the golden screws in his brace weren’t connected to him. (i am. very tired.)
But essentially, a Percutaneous Pedicle Screw Fixation is a less invasive spinal fusion procedure. Now a spinal fusion can be done for many, many reasons, but only one really fit.
Support, because of muscle weakness.
Every single thing that got added on to Viktor could be explained by muscle weakness, but there’s never any explained reason why he was so weak all of a sudden. His terminal illness is cited as a reason but that didn’t really make sense to me, all of these procedures, all of these mobility aids made perfectly to his measurements would’ve had to have been caused by something with a much slower onset than the illness would have given him.
And after literal hours of scouring, i have a theory.
Post-Polio Syndrome.
The timeline makes sense, Viktor would have most likely gotten sick before the flashback, when he was a child (a lot of children who get Polio fight it off without even knowing they have it). Viktor is estimated to be about 32 in act 2, and the average time between the initial Polio infection and Post-Polio Syndrome onset is about 20-40 years (inconsistent numbers).
Now some of the symptoms we have no way of knowing if they affect Viktor or not, but the main ones that caught my eye were muscle atrophy, chronic fatigue, and, you guessed it, muscle weakness.
Given where Viktor lived as a child, and how heavily polluted it was (remember that Viktor was in the undercity over 10 years before we saw it in act 1 with Vi and Powders childhood), it’s not too far of a stretch to say that he could have contracted an illness very similar to Polio as a child, and only really be feeling the affects of it now.
3. The Illness
I have 2 main theories for Viktors illness, the first one seems to be the most popular among the fandom: Tuberculosis.
If you’re unaware, Tuberculosis (TB) is a sickness that mainly affects the lungs, with the main symptom being coughing up blood. Now this is a really good theory imo, it fits pretty well, with some of the other symptoms being muscle atrophy, fatigue, malaise (general feeling of discomfort/unease with no discernible reason), loss of appetite, and severe unintentional weight loss. all of this sounds like our guy, no?
TB can take weeks to be symptomatic, so we probably just caught Viktor at the worst time ever lol with this theory.
My other theory is actually one my friend suggested to me, and that theory is COPD.
Chronic Obstructive Pulmonary Disease (COPD) is a progressive disease that is basically a terrible combination of chronic bronchitis and asthma that can be caused by exposure to pollution (Viktor grew up in the Undercity before Cassandra’s vent system, i mean the river he was playing on had an oil slick on it, i think it’s safe to say he was exposed to some pretty severe pollution as a child.)
This theory makes a lot of sense to me, because it’s said in the show that his illness was probably caused by the air where he grew up, which this would have been, while TB would not. (not 15-20 years later, at least) COPD, once it reaches stage 4 is very severe, any flare up of symptoms could be life threatening at that stage, and the symptoms? Fatigue, shortness of breath, coughing, weight loss, and less frequently, coughing blood.
Anyway, i guess that concludes my analysis/comparison? I’m gonna repeat that i’m not definitively saying that ‘he has this condition and this is why!’, i’m just analyzing and speculating on what different parts of his disability is based on in real life. So, let’s just all be nice, yeah? (also PLEASE feel free to use this as a reference point for modern aus and stuff!!)
i do genuinely think that Viktors disease progression and his deterioration is one of the best examples of chronic illness that i have seen in media, in my experience (both with my own issues and what i’ve seen in other people) and Viktor himself is one of the BEST representations of what it’s like to be young and disabled and the internalized ableism that comes with it (if anyone wants to hear about that i will happily yap your ear off about it!
Anyway, for real this time. Yap session over.
[edit: if you like this you should look in the reblogs there’s a couple of really good in-depth deep dives from others that build on this!!]
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mellosdrawings · 2 months ago
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what's Leverage (this is an invite to infodump)
Hohoho ok ok ok. Wiki-level infodump incoming!
So, Leverage is a 5 seasons TV show from the early 2010s that has come back in 2021 with a follow-up show called Leverage: Redemption. It is a Robin Hood kind of series in which a group of thieves help poor/honest citizens get back at the rich/powerful who wronged them/stole from them/abused them.
Despite most episodes following the same format, it manages to stay interesting and attention grabbing thanks to its peak attention to details. Everything you see in the episode is a hint for how they get the bad guy, which should be a staple of the police genre but which is particularly well done here.
It's a character focused series, with very interesting development and overarching themes and plots. It also does an amazing work at blurring the line between "good" people and "bad" people. Some good guys are absolute pieces of shit, some bad guys are just down on their luck. Several episodes have the main gang changing plans totally because the "bad" guy they were trying to scam ended up being just another victim, so instead they started offering their help to fight the actual bad guys. Many times the bad guy is a piece of shit but when there needs to be nuance, the job is done incredibly well.
There's also a very purposeful Found Family Trope that's just... great. It's awesome.
Now, I just said it's a very character focused show so I'll have to dive in more into the actual characters. I'll be trying to keep it to the very first episode and remain vague on the rest but there will be some spoilers ahead! Especially so since every single in-show introduction is a masterpiece that I must talk about.
The Mastermind: Nathan "Nate" Ford is the brain of the group. He's an ex-Insurance employee who got fucked over by said insurance company when they refused to pay for his son's medical fees (something I'm sure many US citizens can relate to). He ends up having to work with criminals he has previously hunted down before, which gives him a good overall knowledge of how they all work while his time in the insurance company explains why he knows so many scams.
Despite being the "token good guy" in the first season, I'd say he's the most interesting at first. He's a self destructive genius with a terrible alcohol problem, and that alcohol storyline is just so beautifully handled in the first 2 seasons, I was completely hooked. Starting season 3 the line between honest man and criminal blurs though, as it should considering his activities for the past couple years, so he lost my interest just a bit. Still a very strong character with amazing storylines and a terrible personality.
Among the Found Family Trope, he is the depressed alcoholic father who pushes his kids too far but would still do everything to make sure they come home safe. His arc is literally going from deadbeat dad to the dad that steps up.
The Hacker: Alec Hardison is an early 20 years old sassy chatty black kid who, not content of being one hell of a hacker, is also an amazing grifter who picks up skills on the fly. While the sassy chatty hacker who is the comic relief of the show is a common trope, he's one hell of a charming character who will weaponise everything he has underhand to get away with stuff. Absolute kudos to his actor who was also in his early 20s at the time who regularly offer some of the best performances ever seen on TV. I swear that guy is too good.
His introduction depicts all that in seconds. He's the first thief to appear, already talking his head off and giving his opinion on the technology he's been given for the job. His introductory flashback is interesting as it doesn't show him in the middle of hacking, but instead getting caught by police having fun in a hotel room he stole and giving a Star Wars reference. Just from both of those you flag him as a young easy-going guy who still messes up a bunch.
In the Found Family Trope, he is the youngest child who messes up a lot. He has the most obvious father/child undertone with Nate, and an equally obvious bigger/younger sibling undertone with Eliot.
The Hitter: Eliot Spencer is a thirty something years old man whose job is keeping the rest of the gang safe. When it comes to the hardened ex-military trope, you expect scary brooding man who always avoids being hit while getting rid of his opponents in seconds. That's not quite the case with Eliot. Yes, he gives off scary and brooding vibes, but he actually has the biggest heart of the gang. He's regularly shown being the one who worries the most for others, and there's an ongoing thing about him being the defacto person to go to get help help when you're 18 and under. Eliot has an incredible amount of screentime being soft and helping/protecting children.
Not only that, Eliot isn't some kind of super soldier. He gets hit. A lot. But the point is that he always gets back on his feet to continue the fight. His hitter prowesses come more from the fact that he has a lot of knowledge in the matter, rather than from being a perfect fighter. He also has an underlying theme with self-control and anger issues. Eliot is a character that is constantly annoyed/angry, and who uses fighting as a self-regulating tool.
On top of all that, he's also a good grifter who, when not there to hit people, is there to hit on girls. He's regularly used as eye candy to keep the attention away from the others. He's also (not so) surprisingly low key. Eliot is often described as "hiding his game well", his opponents often underestimating him.
Eliot is the second thief to appear on screen, being asked by Hardison what exactly was his job here and not answering, nailing in the "low key" aspect of him that confuses his opponents. It's reinforced by his introductory flashback which has him sipping coffee while having guns pointed at him, then cutting to the outside of the room so we don't see his skill in action, then back to the room where he's still sipping his coffee, unfazed, while everybody else is K.O. The last part of his introduction comes when he finally shows what he is capable of, appearing out of nowhere to put out of commission several guards who hold Hardison at gunpoint, to which he finally answer to Hardison earlier question of what exactly he was here for, with a smile. That's where you start getting a glimpse of his softer side that is entirely focused on keeping his team safe.
In the Found Family Trope, he is the eldest son. He bullies Hardison at least once per episode (and Hardison fucks him over about as many times too), and is the one who, with Sophie, keeps Nate in check so that he doesn't go overboard. Nate and Eliot have a lot in common and while they are rarely clashing, there is definitely a tension between them.
The Thief: Parker is a (most likely autistic (edit: she is indeed autistic, it's canon)) young woman who loves money and throwing herself off of buildings. She starts off as quirky/weird/off putting until we (and the main gang) start to understand her. She is both the most obvious and the most complex character of the bunch, who unabashedly loves what she does and has a lot of fun with her new partners, all the while having absolutely no idea how to handle interpersonal relationships.
She is the one that grows the most during the show, picking up skills left and right (fighting from Eliot, grifting from Sophie, etc), developing her interpersonal skills and empathy, learning to rely on others and falling in love. Her evolution is just the best and she never gives up her whimsy while developing.
She's the third thief to appear on screen, but she's actually the first one being mentioned! Nate tells his client that "Parker is crazy" before agreeing to take the job. She appears hanging upside down from a rafter, interrupting the boys to ask playfully if she can have an earpiece too, and finally jumping off the building with a joyful yell before Nate can give the go. Then in her introductory flashback, we see her as a young kid, with a terrible family situation, literally blowing up her house after her "father" dared her to become a better thief to get the bunny plushie she wanted. And so you know Parker is the wild card of the team who is actually pretty forthright once you've pinpointed her interests.
In the Found Family Trope, she's the middle child who has... whatever is going on with Hardison and Eliot. While the boys have more obvious family interactions with Nate (the father), Parker mainly has them with Sophie (the mom) who teaches her the most out of everybody. Nate still regularly is there to explain things to her when she's confused, and Eliot teaches her how to bully Hardison (lovingly of course).
The Grifter: Sophie Devereaux is an actress that the gang fetches when their client fucks them over. It's a bit hard to depict her personality like the others because her whole theme is that she has identity issues. As a grifter she has many identities, and she plays them so often that she comes to forget who she even is in the first place. She's a quick witted, caring person who helps tempering Nate and coming up with plans, she's a femme fatale who either seduces or instills fear in her preys, she's the one who puts at ease the clients who come ask the group for help, she's the one who comes up with on the spot solutions when something goes awry and needs an immediate fix, she's the one always at the forefront of the plans keeping the attention on her so the others can do their jobs, etc etc. Sophie is everything and nothing all at once, which makes her a fascinating character that is difficult to explain properly.
She's the last thief to appear on screen, being brought by Nate. She's introduced as a terrible actress, all three thieves being appalled by her prestation on stage while Nate is smiling wildly. Then we get a glimpse of the romantic tension between her and Nate when he asks her for help, and another glimpse at their closeness when the three thieves turn to her when Nate confuses them, only for Sophie to tell them he really hasn't changed. Her introductory flashback focuses on her stealing a painting, being intercepted by Nate, and them both firing at each other. Finally the last part of her introduction comes when she shows off her actual acting talents while grifting the bad guy, startling Hardison who was still worried about her acting skills.
Sophie is introduced with her acting skills and her relationship with Nate instead of her personality or quirks like the other (the only quirk here being that she's a terrible actress on stage but an excellent one when she's grifting), which keeps nailing down her identity crisis.
Since we're on Sophie, I'd like to point out how well the writing team handled the actress being pregnant and needing to stay away from the show for a while. Her reason for being away tapped into her identity crisis, but she still was there to give advices to the others, mainly the "kids". While it was obvious in one episode that they placed the characters and angled the camera to avoid showing she was pregnant, the rest was handled beautifully well.
The show seems very respectful of its actors, to the point it lets them showcase their skills in season 3 like Hardison and Eliot's actors' music prowesses. It also allows them to shine in the filler episodes by having them play other roles, to which they deliver amazing performances (especially Hardison's actor. I'll never shut up about him, he's just perfect).
And yes, that was the time when we still had filler episodes! And they are GREAT! Some of my favorite episodes are filler episodes, like one where the whole gang go over a theft they all accidentally did together years ago, constantly fucking each other over without realising, all from their own perspectives. There are jabs at each other, like Sophie's accent or Eliot being a ladykiller and a terrifying psychopath, but there's also an insane amount of details scattered. One of my favorite being that everybody else saw the head of security carrying a rifle while Eliot was the only one (save Nate) to see it as only a box. It's a minor background detail that the show doesn't even point out, but when I caught it I got super invested in the episode. At first I believed it was because Eliot hates guns and sees them as sticks to beat people up with, but with the last perspective being shown with the "truth", it turned out Eliot was the only one seeing it as a box because it was a box. Eliot would be attuned to the amount of danger the objects around him would pose, and so wouldn't mix up a box for a gun. Once more, it's a background detail but it just ended convincing me that the showrunners care a lot about this show.
Ok I'm officially out of fumes. I think I could go into more if I dove into the actual episodes but I don't want to spoil more than I already did. All in all, great show, handles heavy stuff like addiction and grief and neurodivergency incredibly well without being condescending, scratches a hitch by fucking over powerful people in the most horrendous ways, makes you aware of the kind of scams there are around, etc etc.
It's just one hell of a good show. 10/10 would recommend. I only wish the 5 seasons box set wasn't so expensive, I can't throw that much money in it ToT
ONE LAST THING! If you wanna watch, the seasons are all available on Youtube (US only, get your VPN ready if you're not from there) in the RIGHT ORDER! The first season was aired out of order by the network so you will probably find it in the wrong order online too. It's not much since each episode is mostly contained, but it did make me pause at one point because of consistency issues.
Season 1 link
Season 2 link
Season 3 link
Season 4 link (careful, the Playlist starts with the last episode and finishes with the first. You gotta reverse the order of the Playlist!)
Season 5 link (careful, the Playlist starts with the last episode and finishes with the first. You gotta reverse the order of the Playlist!)
Redemption S1 link (careful, the Playlist starts with the last episode and finishes with the first. You gotta reverse the order of the Playlist!)
You're welcome 😘
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humaling · 6 days ago
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You're Still The One I Run To.
pt 2 of Hope Is A Dangerous Thing To Have
pairings: hijacked!finnick x reader
summary: in district 13, survival is routine—but when finnick’s quiet apology breaks through the silence, you begin to wonder if something lost can still be found.
contents: mentions of capitol's torture on finnick, slow burn
word count: 7.4k
author's notes: i'm sorry it took a while! i had a writer's block on this one hehe. next chapter will be the last and might take a while again.
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Finnick shifts uncomfortably in bed, the thin mattress doing little to cushion the hard metal frame beneath him. Every time he moves, it creaks and groans, pressing into his back like a cruel reminder of how far he is from comfort. Honestly, the floor might be better than this.
The dim glow from the lampshade beside him casts long, soft shadows across the room, the only source of light in the bunker’s stale gloom. It’s quiet. Too quiet. The kind of quiet that feels dull, empty, lifeless—much like how his body feels during these godforsaken hours of the night. He lies there, restless, like his bones are aching for something he can’t name. Something missing. Something lost. He tells himself it’s just District 13—cold, gray, and not at all like District 4. Not home.
Beside him, Gale Hawthorne sleeps soundly. A low snore rattles from his chest, breaking the silence in an oddly grounding way. Finnick figures it’s better than nothing. Better than lying awake in silence and letting the darkness creeping in the back of his mind swallow him whole.
It’s been a few weeks since he was cleared. He’d been assigned to share this room with Gale, who hadn’t exactly seemed thrilled about it. Not that Finnick was either, but at least he didn’t throw a fit. Katniss told him not to take it personally—that Gale’s just been sensitive lately, with everything that’s happened. Finnick tried to take her word for it. But after Gale locked him out of the room one night, Finnick stopped caring altogether.
Stopped caring. Grew indifferent.
His mind weaves back to you when he first got here; the heartbroken look plastered on your face when he pushed you away, the way your eyes glossed as you plead with him. And then:
A soft laugh flits through his memory like a breeze—gentle, teasing, familiar. He sees you again: running down the shoreline, your laughter carried by the wind. Just for a moment.
He squeezes his eyes shut. A dull ache presses into his skull, pulsing behind his temple. The memory slips back into the darkness, but not before leaving behind its echo. That’s been happening more and more. The flashbacks, the headaches, the wave of nausea that always follows. Ever since the emergency drill in the safety vault, it’s like his mind’s been splitting open, one blurred memory at a time. A voice. A touch. An object that looks a little too familiar—they all bring something back.
The doctor said it’s the Capitol’s hijacking wearing off. Told him it was expected. Gave him pills to ease the side effects. Finnick tried taking them at first, but he’s always been terrible with medication. He gave up after a couple days. He remembers how his mother used to chase him around the house just to get him to take flu drops. Now, the pills are tucked away in the drawer beneath his bed, buried under bits and pieces he’s collected since he got here—things that don’t mean anything to anyone but him.
The doctors, and the few friends he has here, keep telling him the same thing—that the memories resurfacing now are real, and the ones the Capitol etched into his mind are nothing but lies. And he wants to believe them, he truly does. But it’s hard. Damn near impossible. Because how can something real feel so distant and fragmented, while the false ones remain vivid, sharp, and devastating?
He tries to reason with himself. Maybe this is exactly how the Capitol intended to break him. Twist his thoughts. Turn him against someone he once loved. Because what better way to destroy a man than to erase the love he once knew? To make him forget how it felt to be held by someone who saw his darkest parts and didn’t flinch—who cradled his brokenness like it was fragile glass and still chose to stay.
But on most nights, he isn’t reasonable. Most nights, he wonders if this is how Snow wanted him to unravel. Not with violence. Not with blood. But with quiet betrayal. With the slow realization that the person he held closest—who he thought cherished him most—might have been nothing more than a well-crafted lie. A backstabber wrapped in warmth. A performance masked as affection. And for what? What was he even used for?
There are cracks in those memories, though. Little gaps. Inconsistencies. And sometimes, that alone is enough to soothe the sharp ache behind his ribs. Annie tells him those might be planted memories, stitched together by the Capitol to manipulate him. He holds onto that thought like a lifeline.
That it wasn’t real. That it was all fake. That it was designed to hurt him. Designed to turn him inside out.
God, get out of his head.
Finnick sits up in bed, the frame groaning under the shift of his weight. He leans back until his spine hits the cold wall, and a shiver races down his back. His thoughts drift again. To you.
He hasn’t seen you much lately. He never asked why, didn’t think he should. But a part of him aches to know. And he hates himself for that. He’s supposed to hate you, isn’t he?
But instead, he finds himself lying awake night after night, staring at the ceiling and thinking of you.
~
Finnick threads through the sterile halls of District 13, his pace steady, his mind fixated on one thing: berries. One of the soldiers had let it slip that there’d be berries served with the oatmeal today, and honestly, that was enough to light a spark in his otherwise dreary morning. He never thought he’d get this excited over something so small. Mango had always been his favorite. But after spending weeks underground without a single glimpse of sunlight, even the faint promise of berries felt like a damn miracle.
Because those godawful oatmeals? They tasted like regret. Like wet sand. Like someone thought flavor was a war crime.
He weaves through the crowd with ease, tossing a few practiced smiles here and there—charming, effortless, Capitol-polished. Just enough to slip past the line of tired faces and into the cafeteria before the berry stash is gone.
Even though he’s so caught up in his berry-fueled daydream, he catches a glimpse of a familiar face sitting at the corner of the cafeteria. You.
There you are, sitting in the far corner, a few unfamiliar soldiers scattered around you. Finnick figures they’re from your unit—he’s heard you joined the front lines. Johanna said it’s how you cope. Annie thinks it’s something darker, something rooted in self-destruction. She’d nudged him the other night, whispering that you’re not doing well, like she expected him to fix it. But Finnick isn’t sure what to believe anymore. About you. About himself. About anything.
You look… different. And not in a way that sits right with him.
You’re thinner—sharper around the edges. Your shoulders slumped, expression blank, eyes staring somewhere far away. Hollow. Faded. Like something vital in you had been drained and never quite filled back in. Those weren’t the eyes he remembered. The last time he really saw you—back in the bunker—they were bright, even through the pain. You’d looked at him like you still believed there was something worth salvaging.
Now? You look like someone who stopped waiting.
It’s hard, seeing you like this. Because he’s supposed to hate you. That’s what he told himself. That’s what the Capitol etched into his mind—memories painted in betrayal, twisted in ways that still make his stomach turn. And yet, his heart doesn’t play by the same rules. Because despite everything, despite the mess, it still beats a little faster when you’re near. Still aches when you’re not. And that hate he clings to so tightly? It doesn't live in his chest. It’s in his head. Planted. Manufactured.
His heart never forgot you.
That might be the cruelest part.
The tray in his hands trembles slightly. He doesn’t notice until someone bumps into him, muttering an apology as they pass. He realizes, too late, that he’s stopped walking. Just standing there in the middle of the cafeteria, staring at you like some haunted fool. A few people glance his way. He doesn’t care.
All he can see is you.
And right now, you look like you’re about to fall apart.
He tears his eyes away with effort, forcing his feet to move, to carry him toward the other end of the cafeteria where Katniss, Johanna, Annie, Gale, and Prim are already gathered at one of the long metal tables. Their conversation is quiet, tired. The kind of talk that hums under the surface of war—just enough to feel normal, even if no one really believes in normal anymore.
Finnick slides into the seat beside Annie, dropping his tray onto the table with less grace than usual. No one comments. Katniss glances at him briefly, then turns back to whatever Gale is muttering under his breath. Johanna’s poking at her food like it insulted her, while Prim gently nudges a bowl toward him with a small smile. Strawberries. A few, nestled beside the oatmeal like some precious, rare gem.
He nods in silent thanks, though he’s lost his appetite. That dull twist in his stomach has nothing to do with hunger.
Annie leans close. “You saw her, didn’t you?”
Her voice is soft, barely above a whisper. He doesn’t answer, just stares at the berries, mind still wrapped around the ghost of your expression. That faraway look. That hollow shell. He presses his tongue to the back of his teeth and forces a swallow.
“She looks worse,” Johanna mutters, eyes still on her food. “Should’ve known she’d run herself straight into the ground.”
Katniss gives her a sharp look, but Johanna shrugs. “What? I’m not wrong.”
Prim stays quiet, her fingers fidgeting with the edge of her napkin.
Finnick doesn’t say anything. He can’t. The words are there, burning behind his teeth, but none of them make it out. Because part of him wants to cross that room and reach out. Ask if you’ve eaten. If you’re sleeping. If the shadows under your eyes are from nightmares or from living wide awake in one.
But he doesn’t.
He picks up a strawberry instead, stares at it like it might give him answers. It doesn’t.
He stays quiet, even as the conversation picks back up around him. Laughter in the background. War in the foreground. And in between it all, the echo of something he once held close slipping further out of reach.
~
The corridors of District 13 hum with the low thrum of machinery and distant footfalls, sterile and cold as always. Finnick walks beside Katniss, steps matching hers as Boggs leads them down a narrow hallway lined with reinforced glass. It’s part of the upper training sector—recently refurbished, apparently. Or so Boggs says, though everything still looks the same shade of lifeless gray.
“From here on out,” Boggs says, tapping something on a clipboard as he walks, “you’ll be expected to report to training units daily—combat drills, endurance conditioning, field strategy. Nothing too advanced yet, just enough to prep your bodies for real fieldwork.”
Katniss gives a quiet nod, her expression unreadable. Finnick doesn’t respond. He’s listening, mostly, but his mind drifts in and out, clinging to details and letting others slide. The talk of drills, the bark of instructors echoing from far-off rooms, the repetitive slap of boots against the ground—it all blends together.
They round a corner and come upon a wide observation dome. The floor here curves into a glass overlook, where rows of seats face down into a sunken arena—a simulation room for live training. Finnick almost keeps walking—the place reminds him a little too much of the hunger games. But something pulls at the corner of his vision. A flicker of movement. A flash of a face he knows too well.
You.
You're down below, dressed in training blacks, moving through a timed obstacle drill with calculated speed. Dodging, pivoting, sweeping your arm in clean arcs as you strike the dummy in front of you, reset, strike again. Your body moves with trained precision—quick, sharp, disciplined.
But he sees it. In the way your left leg slightly drags after each leap. The moment your fingers twitch around the training staff like they’ve gone numb. How your jaw clenches after every third hit. Movements smooth, but not flawless. Not anymore.
Finnick slows, falling a step behind Boggs and Katniss, gaze fixed on the glass.
“She’s been here every morning,” Boggs says without looking, as if he’s already guessed what—or who—Finnick’s watching. “Won’t take breaks. Won’t talk to the medics. She’s burning herself out.”
Katniss glances back at him, a flicker of concern in her eyes. “They said she passed out during drills last week.”
Finnick doesn’t say anything. He watches as you stumble for the briefest moment, catching yourself before anyone can notice—anyone but him. You reset again. Keep going. Determined. Desperate.
Something inside him pulls tight.
“She doesn’t want help,” Katniss says gently. “Not even from Haymitch.”
That doesn’t surprise him. You always preferred to fight your demons head-on, even if it meant losing the battle with yourself.
Boggs keeps walking, motioning for them to follow toward another corridor lined with equipment and holo-maps. Katniss gives him a small nudge, and Finnick finally turns away, the image of you lingering behind his eyes like an afterimage burned into his vision.
But as they leave the dome, all he can think about is the way your hands trembled when you thought no one was watching.
It becomes a routine before he even realizes it.
After drills with Katniss and Gale, after the tactical briefings with Boggs, after the debriefs and silent lunches where conversation feels like another mission in itself—Finnick finds himself back in the upper levels of the training dome, tucked into the shadowed corners above the observation glass.
You’re always there.
Sometimes early, sometimes late, but always training like your life depends on it. Maybe it does. Maybe you think it does.
He sits with his elbows propped on his knees, shoulders hunched forward, eyes fixed on the figure moving below. You run the same combat sequences he’s seen a dozen times—standard disarm techniques, pressure point strikes, simulated close-quarters combat. He could close his eyes and still know how your feet land, how you pivot, how your hand flexes just a second too long after each blow.
At first, he told himself he was only watching out of concern. That’s what Annie would say. That he’s just worried. That he’s just looking after someone who’s clearly slipping.
But deep down, he knows that’s not the whole truth.
It’s the ache. The invisible thread that still pulls when he sees your shoulders sag a little lower than they used to. The way your breathing hitches when you think no one can hear. The way you fight like you’re punishing yourself for something no one else seems to understand.
He wants to say something. Every time, he tells himself he will. He’ll wait for the end of the session, trail down the stairs, walk across the floor and say—
What?
I’m sorry?
I miss you?
I don’t know what’s real but I think it’s you?
But the moment never comes. Not really. He watches as you finish the last round of drills, your body trembling slightly as you lean against the mat wall, sweat clinging to your skin, chest rising and falling in shallow gasps. You rest there for a beat. Then straighten. Then leave.
Just like always.
You never look up.
And maybe he tells himself it’s because you don’t know he’s watching. Maybe he tells himself that’s what makes it easier.
But it’s not. Not really.
Because the truth is, part of him hopes you do know.
Finnick sits there, his thoughts swirling, his mind still caught in the mess of lies and truths. His fingers twitch slightly, the familiar itch of wanting to move closer to you, to speak to you, but he doesn’t. Not yet. Not while he’s still unsure of what he feels. Not while the Capitol’s poison still lingers in his mind, clouding everything.
The sound of footsteps makes him glance up, and before he can look away, you’re sitting beside him. He blinks, caught off guard by how easily you slipped into the space beside him, how you don’t even seem to mind that he’s been watching you for weeks now.
At first, you don’t say anything. You just sit there, cross-legged, twisting the cap off a bottle of water in your hands. He can feel the tension between you, thick like a fog. He wonders if it’s because of the distance he’s put between you two or because he’s been too damn silent, too afraid to approach.
Finally, you break the silence, your voice low, steady. "You’ve been watching me."
Finnick’s chest tightens at the way your voice holds no judgment, just a quiet knowing. He shifts uncomfortably, fingers flexing against his knees.
“I—yeah," he admits, his voice hoarse. "I couldn’t help it."
You nod, like you’ve been waiting for that. You take a deep breath, eyes fixed on the bottle in your hands, not looking at him.
"I thought maybe, just maybe, the Finnick I loved was still there," you say softly. "At first, I thought if I just gave you space, you'd come back to me. But you didn’t. You never did."
Finnick's heart tightens, the words cutting deeper than he expected. He opens his mouth to speak, but nothing comes out.
"But you know," you continue, "I can only put up with so much distance. I can only wait for you to find your way back for so long. It’s not that I stopped caring... I just—" You break off, your gaze dropping to the ground. "I miss you."
He doesn’t know what to say, doesn’t know how to fix what’s been broken for so long. All he knows is that hearing those words from you feels like a weight lifting off his chest. He’s afraid to look at you, afraid to see the hope in your eyes that he might be able to fix this, but he does anyway.
And when he does, when his eyes meet yours, the rawness in your expression takes him by surprise. There’s hurt there, but also something more—a spark of the love you once shared. It’s not gone. It’s still there, flickering in the dark.
"I didn’t mean to hurt you," he says, his voice barely a whisper.
You glance at him, your lips curling slightly into a small, sad smile. "I know you didn’t. But you did anyway."
He bites back a sigh. "I don’t know how to fix this."
You shake your head, eyes softening. "You don’t have to. Just stop pushing me away."
The words hang between you for a long moment. Neither of you moves, neither of you speaks. But the silence feels different now, heavier. It’s not an absence of words—it’s the space where the two of you are finally, maybe, finding your way back to each other.
Finally, you stand up, dusting off your pants. Finnick watches you, heart aching with every step you take away from him. But before you leave, you stop and glance over your shoulder, a quiet challenge in your eyes.
"I’ll be here. When you’re ready."
And with that, you walk away, leaving Finnick alone with his thoughts, with the lingering weight of your words.
~
The day starts on schedule, like it always does here. In District 13, time is a currency you’re expected to spend wisely. There’s no room for distraction. No softness. Just wake, work, train, repeat.
You lace up your boots with steady fingers, standing in your shared quarters under the flickering light. The air feels sterile, too clean. Too sharp. As if even the walls are trying to scrub the humanity out of you. You can still feel the rough edge of the bench beneath you from this morning—can still hear Finnick’s voice, broken and raw, circling like smoke in the back of your mind.
You don’t speak during training. You can’t. Your body moves on command, lunging and dodging through combat drills, sparring with people who don’t know you well enough to ask questions. That helps. You can lose yourself in the burn of your muscles, in the precision of every strike. But even then, there’s a hollowness that follows you. You duck a punch and see the look in his eyes again—tired, aching, like he was already halfway gone and trying to crawl his way back to you.
You scrub in for your assigned unit shift in the war room—tasked with logistics today—and sit at your assigned desk, eyes fixed on the columns of data cycling across the screen. Numbers. Supplies. Deployment routes. It’s important. It should matter. But none of it can drown out the echo of what he said.
I didn’t mean to hurt you.
He meant it. That’s what shakes you most. It wasn’t performative. Not like the Capitol, where every word is curated, every gesture designed to be consumed. No, Finnick looked at you like he couldn’t stand what he’d done. Like he’d been watching the fracture grow and hadn’t known how to stop it.
The silence between assignments in 13 is usually a relief. A breath. But today, it just gives your thoughts too much space. You spend your ten-minute break sitting on the lower level of the dormitory hall, hunched over with your elbows on your knees, staring at the scuffed floor. You know someone’s watching—they always are—but you can’t bring yourself to care. Not when all you can think about is the way he looked like he was trying not to shatter.
After curfew, you shower under low-pressure water that smells faintly of metal. You let it run down your back until your skin pricks with cold. You don’t cry. You won’t. You already gave him your honesty—you won’t let him have your grief.
But later, lying in the dark of your bunk with the lights dimmed and the rigid mattress pressed against your spine, you can’t stop the memory from playing again. The way his voice cracked when he said he didn’t know how to fix this. The way he looked at you like maybe he didn’t deserve to.
You don’t know if you want him to try or if it would only hurt more if he did.
But gods, you miss him. You miss you—the version of yourself that felt whole with him.
You turn your face into the pillow, as if the act of hiding could quiet everything inside you.
It doesn’t.
The night went out just as fast as it came. There’s no softness to mornings here—just the buzz of the overhead lights flickering on like a switch has been flipped inside your head. You sit up before the alarm sounds, already awake. Already tired. The sheets are stiff against your skin, the air dry in your throat. Everything feels muted, like the color’s been drained from the world.
You move through the motions. Dress. Report to duty. There’s a rhythm to it, cold and clean, and you follow it because it’s easier than stopping to think. You sit through morning briefing with your spine straight, eyes forward, nodding at schedules and supply counts. You’re praised for efficiency. You always are.
But even as the room echoes with clipped orders and footsteps on polished floors, your mind isn’t really here. It’s still in that quiet space between you and Finnick. Still circling around the way he looked at you, like he wasn’t sure if he deserved to.
You try not to let it show. You focus on the data in front of you, let your pen move across the page with practiced precision. You memorize updates that don’t mean anything to your heart, only to your role. Your identity here has no room for vulnerability.
By the time lunch rolls around, your stomach isn’t exactly hungry, but your legs still carry you out of habit, moving you through the labyrinth of white-walled corridors toward the cafeteria. The halls are half-filled with people walking in clusters, speaking in low voices or nodding silently to each other. You keep your head down. You don’t expect anything. Not here.
But then—his voice.
“Hey.”
You stop.
The word cuts clean through the haze, too familiar, too fragile. You don’t even have to turn around to know it’s him. That voice has lived in your chest long enough.
You turn anyway. Finnick stands there a few steps behind you, hands at his sides, his expression unreadable but open in a way that makes it harder to breathe. He looks steadier than he did yesterday. But not by much. Just enough to show up. Just enough to speak.
You’re not sure what to say. You’re not even sure if you want to. But something in his eyes keeps you there, rooted in place, heart suspended in your chest like it’s waiting to see what he’ll do next.
He doesn't speak right away, just shifts on his feet like he's working up the nerve. His hands are twitchy, fingers curling and uncurling at his sides, like they’re searching for something to hold onto.
You tilt your head, watching him with quiet curiosity. Finnick Odair has always been fluid and confident, a creature of effortless charm. But now? He looks like he’s standing at the edge of something vast and terrifying.
His lips part, close, then part again.
“I—uh…” He glances over his shoulder, like maybe he's reconsidering. Like maybe he thinks this was a mistake. But then he looks back at you, eyes soft and uncertain. “We're... we’re all sitting together for lunch. Katniss, Johanna, Gale, the others. Annie too.” He swallows, trying to play it casual, but you see right through it.
The pause stretches. He runs a hand through his hair. “You can sit with us. If you want.”
You blink, caught off guard by how tentative he sounds. He’s not asking you like a man who's used to being told yes. He’s asking you like he doesn’t believe he deserves it. Like the offer is fragile, like he’s fragile.
And suddenly, you remember—twelve years old, in the glow of summer light back home in 4. Salt on your skin, sand in your shoes, and Finnick looking at you like you held every star in the sky. He was nervous then, too. Fingers fidgeting with a fraying bracelet, voice cracking as he asked if maybe you wanted to go to the harbor with him sometime. He’d smiled too fast, too big, trying to mask the tremble in his voice.
He looks like that now. That same unsure, wide-eyed boy, just with more scars. Just with a world that’s tried to break him in every way.
And even if you’re still hurting, even if the ache in your chest hasn’t faded, some small part of you—that soft, quiet part that never stopped loving him—leans forward.
You nod.
“Okay.”
It’s all you say. But his shoulders loosen, just slightly. A breath he didn’t realize he was holding escapes his chest.
He doesn’t smile. Not really. But there’s a flicker of something in his eyes. Relief. Maybe even hope.
The cafeteria hums with the same low buzz it always does, voices blending into the clatter of trays and cutlery. Fluorescent lights cast everything in a pale, sterile glow, but the table Finnick leads you to feels strangely warm despite it. Familiar.
Annie’s the first to smile. It's soft and genuine, her eyes crinkling at the corners as she makes space beside her, nudging a tray out of the way with a quiet sort of grace.
“You haven’t changed,” she says, tilting her head toward you as you sit. “Still like to lurk in corridors until someone drags you to lunch.”
You let out a breath, the sound almost a laugh. “And you still think you’re so charming for pointing it out.”
She grins wider, and for a moment, it’s like the war hasn’t touched either of you. Like the years haven’t passed. You talk, low and easy, about nothing and everything—how awful the rations are, how the uniforms never quite fit right, how District 13 seems allergic to any form of joy. You feel something shift in your chest. Something loosen.
Across the table, Katniss meets your gaze, her expression unreadable as always. But there’s a flicker there. A silent nod. An understanding passed like a note between soldiers—you’ve been through it too. You return the nod, and that’s enough.
Prim beams at you like you’ve made her whole week. “Thank you,” she says, too earnestly. “Now I don’t have to sit with them for one day, then you and your friends the next—it was starting to feel like I had divorced parents.”
That earns a quiet laugh around the table. Even Finnick huffs out something like amusement, eyes trained on his tray.
You glance down the table at Gale. He hasn’t said a word. He just gives you a look—cool, curious, unreadable. Like he’s trying to decide what kind of Capitol creature you are.
You meet it evenly. You don’t know him either. Don’t trust him. He carries himself like he’s always one breath away from starting a revolution, and maybe that’s true. But there’s something about his conviction that rubs you wrong. You grew up around people who wore masks; Gale doesn’t. Maybe that’s why you don’t know what to make of him.
Still, for Katniss’s sake, you nod politely. He doesn’t return it. Just goes back to eating.
Johanna flops down across from you halfway through a story about Annie smuggling sugar packets. Her eyes narrow like she’s trying to solve a puzzle.
“Look who finally crawled out of her Capitol shell,” she mutters, reaching for a roll she probably didn’t wait in line for. “Did Finnick threaten to cry or something?”
You raise a brow. “I just missed the privilege of being insulted mid-meal. Thought I’d treat myself.”
She smirks. “There she is.”
And maybe most people wouldn’t catch it, but you do—beneath the sarcasm, there's a glint of approval. Maybe even affection. It’s all Johanna knows how to offer.
The conversation ebbs and flows, warm and awkward and strangely easy. It’s not perfect. But it’s something. And as you sit there, tray untouched, laughter slowly folding itself around you, you realize how long it’s been since you felt like you belonged anywhere at all.
Lunch ends slowly, the table thinning one by one. Johanna slinks off first, muttering something about needing to spar before she “goes soft from all the sap.” Gale disappears not long after, barely sparing you a glance. Prim and Katniss leave together, Prim bubbling with chatter, Katniss trailing beside her in her usual brooding silence. Annie lingers, brushing a hand over Finnick’s arm as she stands—something gentle, something old and familiar—and then she’s gone too.
It leaves just you and Finnick.
Neither of you speaks right away. He’s fidgeting again, thumb brushing the rim of his tray, shoulders too tense for someone who used to command every room he walked into without even trying. It’s strange to see him like this—uncertain, too careful with you. The last time you saw him look this nervous, you were thirteen, and he had a daisy in one hand and sweaty palms in the other, stammering through his first try at asking you to the District 4’s spring banquet.
You were both still whole then.
He glances at you now, that same look flickering behind his eyes—like he’s on the edge of a sentence he can’t quite say.
“You didn’t have to sit with me,” he murmurs, almost a question.
“I know,” you say softly. “I wanted to.”
His eyes flick up to meet yours, green and wide and uncertain. There’s a pause, then he exhales, like that admission untied something in him. He stands first, grabbing both trays without asking. You follow quietly.
The walk to the drop-off station is short, but he doesn’t leave you after. He hesitates, lingers just beside you in the corridor outside the cafeteria, shoulders brushing once—by accident or on purpose, you’re not sure. The hallway is quiet, colder now without the warmth of others.
“I…” He stops, starts again. “I didn’t think you would. Sit with me, I mean.”
You shrug, though it feels heavy. “You asked.”
He lets out a breath, a quiet huff of almost-laughter. “Yeah. I did.”
There’s a pause that stretches too long. You know he’s searching for words. You know because you are too.
“I meant it,” he says finally, quieter than before. “What I said. About not wanting to hurt you.”
You nod, because you know. But knowing doesn’t erase the ache. Still, something about hearing it again, here in the hush of this empty hallway, feels like balm to a wound you stopped looking at weeks ago.
“Hey,” he says suddenly. “Do you remember that night—back in Four—when we snuck out during the storm?”
You blink, surprised by the shift in tone. He’s looking at you now, not nervous anymore, just gentle. “The hurricane?” you ask.
He nods. “Yeah. We were what… fourteen? Maybe fifteen. We got caught in it trying to race to the docks. I’ve been thinking about it lately. I remember the rain hitting so hard it stung. And we ended up hiding under that overturned canoe.”
You let out a quiet breath, not quite a laugh. “You told me you’d protect me from the wind if I gave you half my chocolate bar.”
His mouth twitches. “You still gave it to me even after I told you I forgot mine on purpose.”
“I remember,” you say softly, looking down. “You looked so proud of that plan.”
He chuckles, a low sound, soft and fond. Then his voice quiets again. “I don’t know why that memory’s been stuck in my head lately. I just… I needed to know if it was real. If I didn’t just make it up.”
You meet his gaze, and in it, you see something achingly vulnerable. Not a man trying to make amends with grand gestures. Just someone trying to hold on to something true in a world that keeps taking.
“It was real,” you say. “That was real.”
Finnick nods slowly, and it looks like relief. Like something inside him finally exhales.
“Okay,” he murmurs. “Good.”
And it’s not a confession. It’s not a plea. It’s something simpler, more fragile—a thread being carefully, hopefully tied back between you.
He doesn’t ask anything else. And you don’t press.
You walk in different directions at the end of the hall, but the air feels lighter now. Less like absence. More like beginning.
~
It’s been three days since that hallway conversation. Three days since Finnick brought up the storm in District 4, since he looked at you like he was remembering how to breathe.
You haven’t talked since. Not properly. There were nods, the occasional flicker of eye contact, and once—just once—he passed by you in the training center and murmured your name like a quiet promise before disappearing into the next room.
You’ve been patient. Careful. Letting him come to you in his own time, if he ever does.
And then, that evening, just after the last strategy meeting lets out, you step out into the corridor—and he’s already there.
He’s leaning against the wall like he’s been waiting. Not with the sharp confidence the Capitol taught him, but with something softer. Familiar. Like he’s trying to be brave again.
“Hey,” he says, straightening a little. “You free?”
You raise an eyebrow. “Right now?”
Finnick hesitates, then nods. “There’s something I want to show you.”
The corridors of District 13 are quiet this late in the evening, lit only by the sterile, humming lights overhead. You follow Finnick through a series of winding turns, deeper into the underground. He doesn’t say much, only glances back now and then to make sure you’re still there. His pace is steady, but there’s a nervousness in the way his hands twitch at his sides—like he’s unsure if this is too much, too soon.
Eventually, he leads you to a small maintenance room at the end of a lesser-used hallway. He punches in a code and the door hisses open. Inside, it’s dim and cold, just metal walls and a few crates pushed into corners. But when he gestures you forward, you realize what he’s really brought you to see.
There’s a narrow crawlspace tucked into the wall—a vent path maybe, or a space cleared for storage. Finnick slips inside first and helps you follow. At the other end is a grate that opens into a hidden view of one of the District’s water filtration reservoirs. It’s quiet. Still. And the pale reflection of the underground lights in the water gives it a silvery, moonlit sheen.
Finnick sits with his back against the wall, knees drawn up. It’s cramped, but not uncomfortable. You take your place beside him, careful not to let your shoulder brush his, even though part of you aches to.
“It’s not much,” he says, voice low, “but sometimes I come here when I can’t take all the walls.”
You nod slowly, letting your eyes trace the ripple of light on the water. “It kind of reminds me of home.”
He glances at you then. “Yeah. I was hoping you’d think that too.”
The silence between you isn’t heavy this time. It stretches out gently, like waves lapping at the shore. And then Finnick’s voice breaks through, hesitant.
“Do you remember that cove just past the harbor in Four? The one we had to swim out to?”
You turn to look at him, and there’s something soft in his expression—uncertain, almost boyish.
“I remember,” you say.
“You got stung by a jellyfish and told me I’d better marry you one day or you’d haunt me for eternity.” He lets out a quiet laugh. “Did that really happen, or did I just make it up to survive Snow’s parties?”
You smile, warmth blooming behind your ribs. “No, it happened. You cried more than I did.”
His face shifts, the tension in his jaw loosening just enough. “I was scared,” he says. “I thought I was gonna lose you.”
You look at him. Really look. The tired set of his shoulders, the faint tremble in his fingers, the way his eyes hold on to you like he’s still trying to memorize this moment before it slips away.
“I never left,” you say quietly. “Even when you tried to make me.”
He doesn’t answer at first. Just nods. And when he does speak, it’s barely a whisper.
“I know.”
The silence settles again, comfortable in its stillness but laced with things too fragile to name. Finnick shifts slightly beside you, drawing his knees closer to his chest like he’s trying to hold himself together. His thumb rubs over the edge of a seam in his pants—slow, rhythmic, grounding. You can almost see the thoughts moving behind his eyes, but he’s too careful, too practiced now, to let them slip freely.
“You know,” he murmurs after a beat, “sometimes I remember things that didn’t happen. Or maybe they did. It’s like… pieces of a puzzle that don’t belong to the same picture.”
You nod, quietly. “That’s okay. You don’t have to be sure right now.”
He looks at you, grateful but pained. “But I want to be. Especially with you.”
There’s something in his voice that cracks. Not loudly, not dramatically—but in the quiet way that feels like the soft crumble of stone, worn down by years of pressure. He leans his head back against the wall and closes his eyes.
“I think I remember your laugh,” he says after a long moment. “Not the one they made you wear in front of cameras. The real one. From when you’d chase me down the beach because I stole your towel. You always caught me. Always.”
A laugh does escape you now—quiet, surprised. “You were terrible at hiding. You’d always leave a trail of seashells behind you.”
His eyes open. They meet yours with something like wonder, as though he wasn’t sure if that memory was his or just another echo the Capitol forced into his head. But hearing it from you makes it real.
“I needed that,” he says. “I needed to know I didn’t make it all up.”
You don’t reach for him—he still flinches sometimes, and you won’t take that from him—but your voice is steady when you speak again.
“You didn’t. We were real. You and me. Before all of this.”
He nods. Slowly. Like it takes effort to believe it, but he’s trying.
“I’m still trying to find my way back to that,” he admits. “Back to the boy who thought a handful of seashells was enough to win you over.”
“You didn’t need seashells,” you whisper. “You already had me.”
The words hang between you, fragile but steady. And for the first time in a long while, he doesn’t look away.
You can hear the faint hum of pipes in the walls, the steady trickle of the reservoir below. Finnick hasn’t moved, still sitting close, still watching you like your presence is the only thing keeping him tethered to the present moment.
Then, he shifts. Just barely. His voice is tentative, searching.
“Can I ask you something else?”
You glance over at him, nodding once.
“That game,” he says. “Real or not?”
At first, you don’t answer. Your breath catches, your mind reeling back—not to this cold, hollow bunker, but to another time entirely. The way you’d sat with your back pressed to a door in the Capitol, shivering and broken, unable to sleep, to eat, to speak. And Finnick, kneeling in front of you with a look in his eyes that said he understood too much. More than he should have.
He was the one who made you look at him. Who asked the first question. “Your favorite food is salt-crusted crab, real or not?” And you blinked at him, confused and exhausted, before whispering, real.
“It’s real,” you say softly, voice thick. “You made it up on the second night. When I couldn’t stop crying.”
Finnick exhales like he’s been holding his breath for years. His shoulders relax, just slightly.
“I thought maybe I imagined that,” he murmurs. “I wanted it to be real so badly I started thinking it was.”
You reach out, just enough to let your hand rest lightly on the edge of the wall between you. Not touching him—but close. “It was real. That game saved me, Finnick. You saved me.”
He goes quiet again, but there’s something different about it now. A flicker of hope trying to find shape.
Then, barely above a whisper, he says, “Do you think… you’d want to play it again? With me. Now.”
Your heart tightens, not with fear, but with that bittersweet kind of warmth that comes with remembering who someone used to be—and seeing traces of them still alive in front of you. Still trying.
“Yeah,” you breathe. “I’d like that.”
He doesn’t smile, not quite. But his lips twitch, and his eyes flicker with something close to light. He nods slowly, almost like he’s afraid to break the moment.
And then he asks—quiet, careful, like the boy from District 4 who once handed you a seashell and promised the ocean would always bring him back to you:
“Real or not: you used to hum sea shanties under your breath when you thought no one was listening.”
Your eyes meet his, and for a second it’s like nothing ever changed.
“Real,” you say. “Only when I missed home.”
Finnick’s gaze softens. He leans his head back against the wall again, letting that answer settle inside him like a wave returning to shore.
“Your turn,” he murmurs.
The game continues on in the silence between you, questions lingering like whispers in the space you’ve carved out together. You take turns, each answer grounding you a little more in the reality of the present. The past is never far, but for once, it feels like something you can touch without fear.
As the minutes stretch into an hour, the world outside fades away. There are no more games, no more masks, no more Capitol pressures—just two people, sitting in the quiet glow of shared memories, leaning on the simple comfort of each other's company.
And for the first time in what feels like forever, you let yourself believe in something real again.
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yelenasbraid · 7 months ago
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always a winner — joe burrow
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summary — you’re at an away show and can’t make it to the game against the ravens. with the frustration of the loss, joe can’t help but be upset.
warnings — fem!equestrian!reader, major angst, arguments, fluff, sad joe, self-degradation talk
note — look 😭 i’m sorry for the horse lore, i got a bit crazy with it (kind of self indulgent since i used to ride horses lol) but i hope it’s not too crazy for you! if it is sorry in advance!!!
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YOU HAD TO BE CAREFUL to not let the silence scare you. the anticipation that sat in the air, eyes moving with the horses in front of them.
horse shows were both quiet and loud at the same time. the rounds themselves were quiet, all attention on the team below them. it was also because anything could spook a horse and derail the entire thing.
you liked the silence. it allowed you to think, to process the steps ahead of you. as you cleared another jump, you were 15 seconds away from snatching first place. as you rounded a corner, pushing your horse towards the final jump, you felt every move you made. your hips flexing, your thighs wrapping around your horse, your hands making room for your horse’s movements as you soared over the last jump.
“with a time of 1.15, y/n l/n snatches the first place slot,” the announcer speaks over the loudspeaker, cheers erupting from the crowd. you pumped your fist in the air, bringing it down to pat your horse. as you galloped around, wearing a bright smile, your thoughts wondered to your boyfriend, who played barely an hour away from where you were.
flashback
“oh, come on, i think you’re being a little dramatic,” you laughed on the phone, packing your riding gear up. joe was in his hotel room, prepping for the game that evening.
“i am not! i feel like a part of me is missing when you’re not here,” joe pouted, and you could hear the pout on the other side of the screen. you didn’t understand why players had to be in hotel rooms even when games were at home, but it was routine. you and joe were used to it.
“i wish i could be there,” you hummed, falling on your back onto your bed. you would leave for your show in about an hour, and by that time, joe would be getting on the field.
“me too, but you’re gonna do great. i want to hear all about it,” he smiled. he needed you there, though. he felt the loss in his chest, the ache of it all spreading across his body.
“oh you are,” you assured him. silence bred between you, unspoken words and topics fizzling into vision.
“on a serious note, joey, no matter what happens out there, i’m proud of you, ok? you’ve come so far, have done so well, and i am so so proud of you,” you reminded him. you knew that this season hasn’t been what joe wanted. the losses, the one win, he needed a win against the ravens.
“thank you, love. that means a lot,” he hummed. you were always in his corner, supporting him in the small and big ways. he just wished you were there.
end of flashback
you walked out, cheeks flushed and a proud smile on your face. a bright, blue ribbon was pinned on your horse’s bridle as you walked out. your coach came up and patted your horse’s neck.
“see what happens when i tell you to trust your gut?” she playfully smacked your thigh, causing you to let out a puff of air.
“yeah yeah,” you joked. your eyes met your friend’s, who came up to you with your phone in hand. you told her to keep tabs on the game for you, even though you’d watch highlights on the way home.
“it’s not good,” she started, which was a terrible start. your smile dropped, your heart rate increased, and the worst case scenarios started bombarding you. was it joe? is he ok? is he hurt? please tell me he’s not hurt.
“what is it?” you asked, dismounting. you held your reins in your hands as you looked at the score. 38-41. you were in disbelief. when you checked before your ride, they were in the lead. a good lead too, what happened?
your friend seemed to read your mind.
“evan missed the kick because the holder slipped his grip on the ball in overtime,” she answered. overtime? they went into overtime? you closed your eyes, pursing your lips. sorrow seeped into the cracks in your chest, bleeding down into your soul. you opened your eyes, fighting the tears that stung you. not here. people are going to ask.
you handed your horse to your coach, taking your phone from your friend. you knew joe was beating himself up. you knew he was going over every play, every single thing that went wrong. you knew that he was angry. he had every right to be. you couldn’t even begin to imagine what he was thinking, the defeat, the pain, all of it. he worked so hard to get where he was, and to lose 4 games didn’t prove to the world joe burrow was back. you saw beyond that stat, though. you saw other numbers, like his passing yards exceeded that of mahomes and lamar. you saw his dedication, his work ethic, and his commitment to the sport and his health. you were so beyond proud of him, but you knew that he wasn’t feeling any of that right now.
the show packed up from there. horses were loaded, saddles were put away, and you changed into something more comfortable. you sit in the passenger seat of the truck, your coach driving you home. she picked you up, explaining that she didn’t want you to have to drive home.
it was sweet, and it also meant you got to see joe faster.
the truck comes to a stop in your driveway, and you can see lights on in the house. joe was home. of course he was, the game ended around 4 pm, and it was now 6. you gathered your things before stepping out, thanking your coach for the ride. you huffed, walking up to your door, trying to be as quiet as possible.
game day joe was unpredictable. if he won, he was in a great mood, and you usually celebrate in more ways than one. when he lost, he hid himself away, lost himself in film and away from you.
you’ve mentioned it, and he’s worked on it, but it was hard for him to be close to someone else when he didn’t even want to be around himself. you just wanted to be there for him, to hold him and reassure him that he was still good, that you were still proud of him.
you walked in the door, the silence of the house deafening. you softly shut the door, locking it behind you as you walked into your home. it was cozy. blankets were neatly folded across the couch and folded in the basket, pictures hung on the wall, and small items of decor that had joe and y/n etched all over it. it was home, but you couldn’t ignore the forgotten water bottle on the island or the strewn shoes by the door. you flicked your eyes upwards when you heard shifting, signs of life from your boyfriend.
“babe?” you called, slipping off your shoes and neatly placing them by the door. you walked into the kitchen, dropped your bag in order to fill up your water bottle. you heard footsteps, and then descending steps. you turned to see your boyfriend walk into view. he looked exhausted. his face was sullen, eyes void of any light, and his hands hung loosely at his sides. his hair was wet; signs of a shower.
“how was it?” he asked. his voice was hoarse, and if he was honest, he didn’t want to talk. he wanted to be left alone, but at the same time he needed to see you. you weren’t at the game, you didn’t see him after he walked into the tunnel, or after the presser. no matter how often it happened, he was never used to it. why weren’t you there?
“it was good, stayed on and was safe,” you answered. telling him you won first place didn’t seem appropriate, but you knew he’d ask.
“did you place?” he asked, crossing his arms over his chest and leaning against the wall. he knew you did, you always did. unlike him, you managed to win at your sport.
“i did,” you started, your eyes flicking over his form. he looked small, and not in the physical sense, in the emotional sense. he barely held eye contact with you, but he was standing there, with you. he looked like a little boy, dressed in a loose fitting black shirt and sweats. his expression was hard, his nose red and cheeks raw.
he nodded and turned away from you, starting back up the stairs.
“joe,” you called after him. his heart jumped in his chest; he didn’t want to talk about it.
“i don’t want to talk, y/n,” he told you, a little harsher than he intended.
“don’t distance yourself from me, please,” you stepped towards him, and he went rigid. you stopped, watching as he turned to face you, his eyes now full of emotions. anger, guilt, sadness.
“you’re telling me that?” he snapped. he didn’t want to do this, he didn’t want to go there. you didn’t deserve it. you were right, and he begged himself to stop.
“what?” your voice is small, confused.
“you’re the one who told me a week ago she was going to be at the game, you’re the one who spent all of her time at the barn this week, you’re the one who’s avoided me,” everything is crashing down on him, the loss, his failure, his undeniable need for you.
“i don’t go to the barn to avoid you, joey. you know that,” you reminded him, trying to keep some semblance of peace. his emotions were running rampant, and he was trying to control them.
“you’re there for hours, you’re not home when i get home, and i’ve ate dinner by myself for a few days this week,” he feels the familiar sting of tears in his eyes, the clench in his chest. joe knows you’re there for hours, and he’s never voiced having an issue with it. joe knew that he sounded like he didn’t make much sense, but nothing was making sense for him.
“joe, what-”
“you weren’t there! you weren’t there and i needed you there,” his voice raised, standing a few feet in front of you.
“joe, with my schedule and yours i can’t be at every game! i thought we were in agreement with this,” you defended. you watched as his face shattered, the wall coming down, the realization settling in. he thought he’d be winning by now, at least 2-3, but he wasn’t.
“but i needed you,” he whispered, but his anger was still present. he wasn’t angry at you, he didn’t blame you, but his anger at himself manifested into it being towards you. a single tear slipped down his cheek, his eyes red with the threat of more.
the silence between you was poison, seeping into your pores and creating the sour cocktail of anxiety. your eyes never left joe’s body, watching the rise and fall of his chest, the unshed tears, and the shattered look in his eyes.
you should’ve been there.
“i’m sorry i wasn’t there,” you started, fiddling with your fingers. joe shook his head, wiping his eyes and his nose.
“it doesn’t change anything,” he snapped.
“i know it doesn’t, but i can’t control my schedule, just like you can’t,” you told him. he knew you were right. he knew how it worked, yet his emotions betrayed him. that’s not really how it works. she just wants to have an excuse to not see you embarrass yourself.
he looked at you, his eyes puffy and red. his arms ached, desperate to be around you. his heart raced, chest heaving with every inhale and exhale. the more he met eyes with you, the more his body relaxed. he swam in your expression, the softness of it but also the sternness of it. you’d defend yourself even if he was being unreasonable. his hands hung at his sides, his chest still tight.
he needed you, and you were here. now.
you gingerly approached him, watching as his head dipped to avoid eye contact with you. his chest heaved, his breaths clawing at his eyes; don’t cry don’t cry don’t cry. your hand gently rested on his cheek, guiding him to look at you. his eyes met yours, and his heart lurched. he didn’t want to sob, but he couldn’t help it. a sob escaped his throat, and you pulled him for a hug. you cradled the back of his neck, fingers caressing his skin as he buried his face into your shoulder, tears cascading down his raw cheeks.
joe hated arguing with you. he hated it even more when he was the one to start it. joe knew you worked hard, he knew that your commitment to your sport matched his own, but with how vulnerable he felt, he just needed his safety blanket. he needed you to help put his pieces back together, to remind him of who he was. as his arms held onto you, keeping you close to his body, he felt his breathing settle and his heart rate slow.
after a few moments, joe pulled away, wiping the remaining tears from his eyes. when you first started dating, joe didn’t cry in front of you. he didn’t want you to think he was weak, or that he wasn’t able to handle the load. as time went on, you became the only person besides his parents he’d cry to. he felt safe with you, he felt like he could give you his emotions and you’d take care of them.
your hands cupped his cheeks, one of his hands resting on yours.
“i’m sorry,” he admitted, his voice barely above a whisper. your shoulders sagged, a small smile gracing your lips.
“i forgive you,” you hummed, brushing an escaped tear from his eye.
“i know we’ve talked about it,” he sniffled, “and i have gotten better at letting you in, but it’s not always easy,” he confessed. you knew that, it wasn’t human nature to confess your deepest feelings, even to those closest to you. it was a protective measure.
“it’s not going to be easy, but the important thing is that you try,” you spoke softly, your hands falling from his cheeks.
“i want to win,” he whispered, his eyes glazing over with fresh tears, “i want to win so badly, for the team, for cincinnati, for you,” he continued, his voice breaking.
“and you will, trust me. you will win, even if you’re already a winner in my eyes,” you tagged a lighter tone to your words, which caused joe to break out a small smile. silence fell between you, unspoken words oozing out of joe’s skin.
“i am proud of you, i always will be, but i do want to bring home wins too,” he added. you chuckled, grabbing his hands and rubbing your thumbs over his knuckles.
“who has the trophy in the basement?” you joked, earning a chuckle from joe, “in all seriousness, you are going to bring home wins. we win together, not separately. when you win, i win. we do this together,” you gave his hands a squeeze, earning a bright smile from him. you leaned up and pecked his lips, then his forehead.
“i am proud of you, joe. every step you’ve taken, every yard you’ve thrown, i am beyond proud of you,” your words sunk into his skin, reminding him of who he was. he was joe burrow, joe sheisty, the quarterback that brought the bengals back to life.
“i love you,” he whispered, resting his forehead against yours.
“i love you,” you hummed. the warm moment was interrupted by the growling of joe’s stomach. you laughed, jokingly patting his stomach.
“is someone hungry?” you chuckle, pulling your head away from his. he laughed, nodding his head.
“i’ve not eaten dinner yet,” he confessed, earning a smack on the arm.
“joseph lee!” you scolded with a smile, “as much as you speak on eating healthy, you need to practice what you preach,” you teased as you walked into the kitchen. joe followed, watching as you opened the fridge. you had leftovers from the previous night, so you pulled those out.
“i do! most of the time,” he rebutted as he watched you place food on plates. as you stuck one in the oven, he wrapped his arms around you again. he melted into you, all 6’4 of him. you ran your hand down his back, then back up to his hair to run your fingers through his frosted tips. the microwave beeped, separating you two.
“we should watch a movie,” joe suggested as you put the second plate in.
“like old times?” you smiled, remembering the movie nights in college.
“yeah, except i won’t commentate,” he assured you. both of you were bad at it, especially marvel movies, which made it amazing when you two watched movies together. with friends? oh it was terrible.
“i’ll believe that when i see it,” you replied. with your plates of food, you walked over and sat on the couch, turning on a movie. joe sat next to you, leaning his shoulder on you. you didn’t mind how clingy he was, you embraced it. you sat, ate dinner, and watched a movie. a comforting and familiar experience.
with dinner done, plates on the coffee table, the movie still going on, joe nestled himself against your chest. his cheek against your chest, listening to your stead heartbeat, it was putting him to sleep. your hands combing through his hair didn’t help either. joe eventually fell asleep, his face tucked away in your shirt and his arms around you. you kissed the top of his head, a smile on your face.
“sweet dreams, my love,”
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rushed ending so sorry about that! i will say though, as work picks up for me i might not be writing as much. there’s also some other stuff going on too so that’s fun 🤪 so i will post when i can! hope you guys enjoy the writing before i get burnt out lol.
tags — @wickedfun9
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dragonmuse · 2 years ago
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Keep It In The Box : An Essay on OFMD Season 2 and the Failure to Heal
(here in is my season two reaction. It contains many many spoilers. It's also about 3k words long so you know what you're getting into.)
“See, I have a system for dealing with all the terrible things I've seen. There's a box in my mind, and I put the things in the box..” -Frenchie, Season 2 of Our Flag Means Death
…..and then he never opens it. Chekov’s locked box has no key in season two.
On first watch, it seemed clear to me that Frenchie’s declaration was a narrative plant. Clearly the whole season would be about that box of pain and trauma being opened, sorted through and at least the beginning of healing. The show had developed a reputation after season one of being kind and focused on queer narratives of healing from childhood. Ed and Stede’s parallels in their childhood traumas were frequently on display through season one and were repeated in flashback throughout season two. Jim’s season one arc about becoming someone who doesn’t think just of revenge and can now forge meaningful connections was profound, beautiful and often funny. Izzy is an antagonist because he doesn’t want Ed to move on or stop acting like the trauma-response version of himself. The antagonist wants to stop healing. The point is to grow, to change, to learn how to love. It’s one of the things that made season one work for me at the time, despite reservations about pacing and tone.
So naturally season two should follow suit. It’s a kind show! About healing and falling in love!
For the first several episodes, the remaining crew on the Revenge go through a gauntlet of trauma, forced to do and receive violence at Ed’s whims as he careens from self-destructive behavior to self-destructive behavior. This is the wounding setup. It was dark, but it seemed like it would have a payoff and at first it did.
Perhaps one of the most beautiful moments of the season comes in one of the small respites in those early episodes as Jim recounts Pinnochio to Fang to soothe him through his grief. That was the show that I expected. The kindness of that moment struck me very deeply. It gave me some understanding of Archie too, who seems to fall for Jim right at that moment.
That scene is the show season one promised. Season two led with packing Frenchie’s box full to bursting. Here is the fight to the death between lovers, there is a first mate who is mutilated and rotting in the very walls (the rot of the Revenge itself), and there is the storm of Ed’s rage and pain that threatens to consume all of them.
So surely these remaining episodes would concentrate on finding the humor in healing from those moments. That is the setup. Frenchie has a box. The box must eventually open.
Except time and again, all the characters who suffered are told that the only way to deal with what they’ve been through is to stick it in the box and never open it again.
Pete tells Lucius that he’s unable to move on and needs to let it go. Izzy has a story about a shark. Ed’s apology to the crew which doesn’t even contain the words ‘I’m sorry’ is just…accepted. I kept waiting and waiting for a meaningful apology to the people Ed had hurt the worst with his actions, but it seems all we get is Fang saying ‘eh, no problem, I got to hit you back so I feel better’.
The playful theme of ‘pirates are just violent sometimes’ from season one becomes a grinding horror machine in season two when every atrocity visited on someone is forgiven because the narrative needs it to be. Ed and Stede spend more time making amends with each other over the bloodless night on the beach than either of them spend trying to repent for their actions towards anyone else.
And let’s talk about Ed. Arguably this season pivots on his narrative, on his path to healing and growth. A path that starts at a very low point. His moment in the gravy basket, deciding he wants to live because there are still things to live for is so great! So one might assume that what would follow would be him pursuing those things, making amends, making connections. He and Stede have a wonderful moment, talking about being whim prone and how they’ll work to avoid that, build a relationship by going slower.
Yet, at no point do either of them stop following whims. They never heal or learn from what’s happened to them. They both keep running from thing to thing, particularly Ed. It’s a whim to sleep with Stede, it’s a whim to run off to fish, and the finale gives us just more of their whims. Ed drops fishing as fast as he picked it up. He finds those leathers in the ocean, murdering the symbolism of leaving them behind. Even the inn is a whim, one of those things Ed decided he’d be good at without evidence. And Stede joins him in that without a single on screen conversation about it ahead of the moment.
Ed needs to heal himself and to do that he needs to confront what he’s done and do the work to heal the wound. Instead, he doesn’t meaningfully apologize to anyone, besides Stede and Fang. Despite Izzy’s dying words (we’ll get to that), not only do we never see the crew caring about Ed, working to make him family in the same way they do with Fang and even Izzy, he also doesn’t choose to stay with them. So what is the point? Where is the healing? Or does even Ed, beloved main character, have to live with it all stuffed in a box?
He ends the season in the leathers he threw away, in a relationship that’s barely stabilized, going to live in a house which we are told by the narrative (in that they are very very clearly paralleling Anne and Mary with Ed and Stede or why do we even get that whole Who’s Afraid of Virginia Woolf? episode) will only end in them setting fire to each other to stay warm.
But Vee, I hear you cry, it’s a ROM-COM. This is all meant to be ha-ha funny and you are taking it so seriously!
Cool beans. Then why the hell isn’t it funny? Healing is often filled with comedy because people deal with pain with humor. You can heal and laugh at the same time. The finale especially is almost entirely devoid of laughs, almost entirely devoid of joy until the last minute for that matter. The episode that should show off with a flourish how far everyone’s come, mostly serves to show that no one has grown.
Okay that’s Ed. I want to talk about Lucius next. Our former audience surrogate (that’s taken away in season two when he doesn’t get enough screen time to perform that role and no one takes his place) really goes through the wringer. He experiences many many terrible things, including sexual assault (which is made into a grimace-laugh line that doesn’t take away from it’s seriousness because oh hey, that can be done as it turns out). He’s nervous, he’s smoking, it’s clear he’s suffering.
There’s a beautiful moment where Pete tells him ‘hey, I was also in pain. I grieved’ and that’s great. It’s good that Pete sets a boundary about Lucius not obsessing over the past to the point of occluding their future.
We even get our comedic moment where Lucius pushes Ed off the boat (still not apology, but I’d lost hope for that by then) and that doesn’t help enough. So Izzy comes in with a shark and the advice that you just have to move on.
Just…you know. Play pretend. Forget.
Shove it in a box. Ed didn’t take my leg, a shark did. Ed didn’t kill you, a shark did. Live with the person that tried to murder you because it’s your fault you dangled your leg over the side of a boat. That is the show’s message. I thought on first watch, that surely this would also come back up and be explained that you can’t live that way, that that is no way to heal. That it would become clear that this was no way through. You cannot make everything into sharks.
Lucius can move forward and still carry pain. He can still want a meaningful apology and still want to talk to his lover about what he’s dealing with while moving forward toward a brighter future.
And what of the flirtatious promise of relationships and connections being the way to heal? Look to Oluwande and Jim, whose heartfelt romance from season one was relegated to the bins of history in favor of a narrative that made him a brother Jim once had sex with. They could have had Archie AND Oluwande, who in turn could also have Zheng, but that never seems to be an option. With a single short conversation, they are broken up with, despite a brief tease at the birthday that they still ‘dance’ together, it never actually manifests. Jim and Archie never talk about what they went through. It’s swept under the rug as fast as knives are lowered.
Lucius also no longer flirts with other people, the solution to his pain is to propose and get married (but not too married, lest we forget that they’re two men, they don’t even get to be husbands or even the more respectful mates, no. They’re mateys.) This season proposes that the only happy endings are monogamous ones, where no one talks about anything painful that went before.
To ensure that message, beyond assuring the success of Oluwande and Zheng’s relationship, Jim and Archie almost entirely disappear from the narrative. Sorry you guys were given layers of trauma and no growth and not even much to do this season, we need to make sure that everyone remembers Oluwande is the break in Zheng’s day so when he says that to her five minutes later we know exactly what he’s referencing. No time for Archie to learn what an apology is or for Jim to get one line in with Oluwande that isn’t affirming their newfound broship. Must do more flashbacks to things we just did two episodes ago!
The show even dangles the conversation of the Revenge being a safe space. Why would any of them ever feel safe when the man who tortured them is allowed to walk among them and they are expected to forgive and forget? What’s safe about that? The ship is never made safe for any of them, but that’s never addressed.
And Zheng! Amazing, hysterically funny Zheng! She loses her ships, her entire way of life, the kingdom she built for herself and then…she doesn’t even get to captain the Revenge. We don’t know what becomes of her fleet, of her plans, her ambitions. Don’t worry about it, she has a romantic partner and isn’t that what every lady wants in the end?
(But Vee, I hear you cry again, there will be a season three! Maybe it will be All About Zheng! To which I say: then why did they present us with the most series finale feeling episode ever? If there’s more, I have no idea where it’s going. BUT VEE: BUTTONS AS SEAGULL ON THE GR- Fine. It’s time.)
Let’s talk about Izzy Hands.
Izzy manages more healing than anyone else this season. He reaches his lowest point, suicidal in the bowels of a ship that’s become a prison (very much in contrast to Ed’s suicidal low). The person he loves most in the world has shredded him physically and emotionally (and if you’re in the camp that thinks Izzy deserves the abuse that Ed gave to him, I would really like you to sit quietly with yourself and ask why you think there is ever anything anyone can do to deserve that treatment). He’s low, he shoots Ed to protect everyone, and then seems to plan to drink himself to death, mourning his losses.
And then another beautiful moment! The crew move past their own pain to help him. They work together for the first time and it’s to give Izzy mobility back. He treasures it. He cries over it. He uses that kindness extended to him to reach a new understanding of Stede and help him succeed, doing the work to make real amends. He sings in drag, he’s vulnerable and beautiful, celebrating the side of himself that he must’ve loathed in the first season. He’s an elder queer man, coming into himself.
He never gets an apology though. (‘Sorry about your leg’ without eye contact is not an apology. There is no responsibility taking, no acknowledgement of the weeks of torture that came with it.) Izzy also never really has an honest conversation with anyone about what it means that the man he loves punished him so severely for the crime of trying to protect the crew (yes, lest we forget, Izzy lost his leg because he was trying to keep Ed from re-traumatizing the crew and himself).
Izzy does all this work, but even he’s not allowed to take it out of the box. It’s a shark, not Ed. Ed is just ‘complicated’ (the language of abuse here is so upsetting and I think not even intentional).
And then he dies. His last act? To apologize to the man who tortured him and shot at him. To have done all this work, to take on all the blame. And then die.
In a rom com.
This show ends in a profoundly unfunny moment of telling the audience: this is the one character that did the work, that made amends, that tried his hardest to accept the parts of himself that he had a hard time embracing and formerly embittered him. He’s fully accepted his queerness and turned it into beautiful music. He’s disabled, and he worked hard to accept that. The man he loves will never love him back, so he worked hard to make Stede able to meet Ed on an even playing field. The Giving Tree gave up its limbs and its trunk, and it’s not even allowed to be a stump to sit on.
Kill the queer elder, who has managed to figure out how to live and in his own way how to heal. Kill him before he manages to teach anyone else how to meaningfully move forward (he almost gets it with Lucius, almost, but it’s meant to be rule of three, you know. Cigarette..shark…and then…and then fuck it, Lucius doesn’t even get to say a word at his funeral).
The message of this season again and again is that there is no healing, just moving forward. Like a shark. Like a bird that never lands.
That is not a kind show.
Season two is not a kind season.
It splinters people up and jams them back together without purpose or reason. It tells everyone who experiences pain that they should shove it in a box and not deal with it. No one who really needs one gets an apology of any sincerity. No one puts in the work to gain forgiveness. (Ed wearing a onesie is not The Work. Ed fixing a door is not The Work. Ed broke people that the show wants us to care about. Ed never does the work of making those amends. He fires off a Notes app apology at best. After all, it’s what he told himself via Hornigold in the gravy basket: you move on or you blow your brains out! Good thing he took his own advice and therefore had to change nothing to get his just rewards.
I would’ve taken just fifteen minutes of Ed trying to actually make amends. It could’ve been hilarious! Imagine awkward Ed trying to dance around what he’s doing with Jim and the two of them having a knife throwing competition about it. Or him and Frenchie attempting to make music together, writing a song about the raids they went on! It’s not just the crew robbed of their healing because of this, it’s Ed himself. He never meaningfully changes or makes amends. How is he any different at the end of the finale then he is standing on the edge of that cliff with Hornigold? He hasn’t moved on, he hasn’t healed. He tried one thing (fishing) that doesn’t fucking work and then he runs right back.
No one leaves this season better than they went into it. They’ve lost an elder queer, they’ve lost their joyous and queer polyamory, they’ve lost a chance for meaningful reconciliation with Ed and Ed lost any chance of looking like he gave shit if they did. Stede grows enough to accept the crew’s beliefs as important and then leaves them behind without a care.
Izzy gets a beautiful speech about piracy being larger than yourself. Ed and Stede, within twenty minutes of that speech, leave piracy. They are incapable of giving themselves to something bigger, apparently. They haven’t learned to be a part of a community. They haven’t healed from their childhood trauma or their fresher wounds. They are still just following their own whims.
Zheng’s life work is in tatters, but it’s fine, she has love. Oluwande and Jim aren’t together, but it's fine because they both have dedicated monogamous partners. Lucius was deeply scarred by what happened, never recovers much of his first season personality, but hey he got-well it’s not married exactly- but you know good enough!
Frenchie, who has a box forever locked in his head, is captain. Because the key to success is to lock it all in a box and never open it. What a message. What a show. Conceal, don’t feel. Smile because it’s a happy ending. Don’t mourn the dead, don’t try to tell people what happened to you (they will literally run away or cry too hard to listen and really you’re just bumming them out), and any meaningful change you make is only rewarded with death.
Frenchie is now a pirate captain with a box in his head full of trauma that’s never been opened, leading a crew with more wounds than scars. Wonder how that could turn out? Wonder how many years before he might want to retire and then happen to run across a gentleman pirate. As if no one learned anything at all.
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darlingdaisyfarm · 2 months ago
Text
takin’ what’s not yours (ford x reader x stan)
chapter 2 | chapter 1
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someone please whack me with a rolled-up newspaper like a misbehaving dog so i actually finish my fics on time. also i think this chapter is mega boring but i have no more brain cells to fix it because im very tired
tags for this chapter: death mention (i mean a dog’s death, and this is a little self-indulgent, but i just wanted to write it exactly like that), gore (not so much), panic attacks, child abuse, alcohol, flashbacks, unreliable narrator
Stanley, who has never met a terrible situation he couldn’t defuse with a joke, lets out a breath. “hey, bro, you planning on hunting something tonight or just ready to, i dunno, take out some deer in the backyard ”
Ford blinks once, but doesn’t lower the crossbow. “Already did,” he answers calm as you please. “for an experiment.”
You and Stanley go silent at the same time. The crackling of the old lightbulb above you fills the space where words should be. Somewhere outside, a tree branch scrapes against the roof, snapping you out of trance.
“. . . What,” you say finally, because someone has to.
“I needed to analyze the cellular structure post-mortem, it’s relevant to my research.”
Stan lets out a laugh, which sounds a little too loud in that awkward silence. “Oh, sure. Yeah. Right. Because that makes total sense, totally normal thing to do. Real brother-of-the-year shit.”
“Science isn’t about sentimentality, Stanley. Besides, it was already injured when i found it. I only expedited the process.”
Expedited the process. Jesus Christ.
You glance at Stanley, who is staring at Ford with such confused face, seeing something he doesn’t recognize , doesn’t have name for, which is funny, because you’re pretty sure he’s seen a lot of versions of Ford by now. Except this this one, who’s holding conversations with himself in his own head, this one with the dark circles and the too-quick explanations.
However, you were Ford’s assistant, his best friend too, so you know how his brain works, although even right now you can’t find explanation for. . . whatever this is.
You take a careful step forward. “Ford, why do you need dead animals for your research?”
“That’s complicated.”
“Try me.”
He exhales through his nose, apparently annoyed. “ Certain anomalies leave biological imprints even after death and I hypothesise that these imprints could be harnessed. Imagine, for example, an organism imbued with interdimensional properties—“
“Okay, okay, no. Stop.” Stan holds up both hands. “literally no idea what you just said, but it sounded fucked up. Also, you're still pointing that thing at us, genius, mind putting it down before i start thinking you’re planning on adding people to your little science fair project?”
Ford blinks again, then looks at his own hands as if he just now realized what he was holding. Carefully, he sets the crossbow aside.
“It’s not like that,” he mutters, pushing his glasses up, looking away.
“Great,” his twin says. “good talk. Totally reassuring.”
There’s another silence, because Ford doesn't answer that. You dont know what to say too. And the shack gets colder with every minute. Ford’s back is turned now, and you don’t know if he’s done talking or if he just doesn’t care if you’re still standing here.
You glance at Stanley again, silently telling him to say something, to do something, that's his own brother after all, damn it! But he ignores your request and folds his arms over his chest. What a moron. . . And because you hate this kind of silence, you try again. “Ford,” but much softer this time. “seriously, are you okay?”
Ford doesn't answer right away and that's the part that worries you the most. “It’s not as morbid as you’re making it sound. I needed to study the decomposition process in controlled conditions. It’s for science.”
Which is possibly the worst possible answer he could have given.
Stan scoffs, shoving his hands into his jacket pockets, nervous, but trying to hide it. “Yeah, that clears it right up. Real normal hobby you got there, Poindexter.”
Stanford just ignores that.
Then, out of nowhere, as if to shake the whole tension, Stan shivers, “Oh man. Do we have any tea or something? I’m freezing.” he says it offhand obviously, but it’s the perfect excuse for you.
So you seize it immediately. “Yeah , i’ll— i’ll go make some,” you say, already turning toward the kitchen.
Ford barely acknowledges you leaving, but Stan does. You notice the way his brown eyes flick toward you, the silent thanks he tells you. You both need a second to breathe.
The kitchen is cold when you light the stove, set the kettle on, press your hands to the counter and think. Ford is weird, you knew that, but this is different. The last time you saw him, he wasn’t like this, his skin wasn’t so pale, his eyes weren’t so dark.
He was paranoid. . . Maybe, okay, he sure was, but there used to be some kind of. . . purpose, excitement behind that paranoia. Now, it just looks like wild fear.
A deep, sinking feeling twists in your gut.
Meanwhile, in the other room, Stan’s stomach growls and the sound is too loud, making Ford glance at him. “You should eat something.”
Stan rolls his eyes. “thanks for the life advice, doctor sixer.”
“It’s just an observation.”
“Yeah? Well, what are you, taking a role of an older brother now?” Stan mutters, leaning back in his chair.
Ford doesn't answer, just stares, not knowing what to say to that. In the kitchen, the kettle starts to whistle as you shake yourself out of your thoughts. Pulling out some old mugs andgrabbing the first container of tea you can find, you turn your head to the cookies are on the counter and without even thinking about it, just grab a handful and pile them onto a plate.
When you walk back in, Stan’s sitting stiffly, arms crossed, visibly uncomfortable, while Ford is in exactly the same position as before, hasn’t moved an inch.
You set the tray down with a little too much force. “Ford, i hope you don’t mind i stole your cookies to feed your brother.”
But he barely reacts. Stan, though, eyes the plate, two seconds away from breaking down in gratitude.
“You are actually a lifesaver,” he says, grabbing one immediately.
You pass Ford his tea, but he doesn’t drink right away. Stan, on the other hand, takes a sip, exhales long and slow. “ God , finally, something warm.”
The moment almost feels normal until Ford lifts his mug, opens his mouth and spills the entire thing down his front . You freeze , feeling the cookie stuck in your throat . Just. All of it. No attempt to sip or at least to adjust , looks like a full-body failure of basic motor skills.
The room goes dead silent as Stanley and you stare again.
Ford doesn’t react, just sits there, drenched in tea, holding the empty mug like nothing happened.
“. . . Bro,” Stan says finally. “what the fuck was that.”
You’re gripping your own mug tightly, nervous. “Ford?”
Ford blinks, looking down at his soaked clothes, he slowly touches the fabric, not understanding what went wrong. “I guess I miscalculated.”
Stan throws his hands in the air. “Miscalculated? Miscalculated what, basic human function?”
Ignoring his twin again, Stanford doesn’t answer, still staring at the tea, clenching his fingers. You bite your lip. yeah. Something is wrong. Something’s really, really wrong.
Stan makes a strangled, baffled noise, shoving a hand through his hair, trying to process what he just saw. “Sweet Moses, Sixer, you just malfunctioned. You just— what the hell was that? You need a reboot? A software update?”
Ford, to his credit, keeps his fa c e expression calm as possible. Only brushes a hand over his soaked clothes with a blank face. “It’s nothing, Stanley, a minor lapse in coordination.”
“A minor lapse?” Stan repeats, looking to you for backup. “ Are you one year old?”
You want to laugh, because this is fucking ridiculous because Stan is damn right, but the feeling that’s been pooling in your stomach since you stepped foot back in the shack only deepens.
Ford isn’t acting normal. Not weird normal. Not his usual ‘I’m smarter than everyone and i know it’ normal.
“Ford,” you say quietly. “are you sure you’re okay? This is getting weird.”
Stanford turns to you like he just now remembered you were here and the second your eyes meet, you immediately want to look away as if your body is trying to tell you something your brain hasn’t caught up with yet. Get out.
“Of course i am, why wouldn’t i be?” you're not sure if you imagined it, but the intonation sounds rather sarcastic.
You don’t get to answer as you hear something crashing outside. Stan nearly chokes on his tea while you jolt so hard your own mug sloshes in your hands.
Ford is the only one who doesn’t react.
“Shit,” Stan hisses, immediately craning his head toward the window. “what the fuck was that?”
Your heart beats faster. You don’t know why, but suddenly the only thought in your head is—
“What if it’s a yeti,” you whisper, deadly serious.
Stan whips his head toward you. “Why the hell would it be a yeti?”
You glare at him. “Ford literally just admitted to performing illegal backwoods taxidermy. Why wouldn’t it be a yeti?”
Stan thinks about your words and his expression changes. “ Yeah , okay, fair point.”
Suddenly you hear another noise, but this time it’s a sharp rattle against the window.
Stan nearly jumps out of his skin. “oh fuck, it’s the cops.”
Ford finally sighs, tilting his head to glance toward the front door. “It’s not the police, it’s the wind.”
You and Stan exchange a look. Ford is right, the storm outside has picked up hard as the wind is howling through the trees, snow slamming against the shack in heavy sheets.
Stan exhales, realizing that he probably doesn't have a chance to get out of here in his car, the roads are so damn clogged. He runs a hand over his tired face. “Great, just fucking great.”
You glance toward the door, slumping your shoulders. “Yeah. Looks like i’m staying the night.”
Ford doesn’t even hesitate, happy with your words. “You can take the spare room.”
Stan raises an eyebrow, surprised at how fast his brother offered. You are too, honestly. Does that mean . . . you don’t get to finish your thought when Ford turns to Stan. “You can stay too, Stanley.”
At first, Stan doesn't react at all, thinking that he misheard, but then his brother's words gradually sink in. He's wary when he clears his throat, rubbing at the back of his neckawkwardly, obviously not used to that. “Uh. Yeah. Okay, thanks.”
Ford steps past him, when he passes his twin, though, he stops and leans in. “don’t worry , im not dad, i won’t throw you out.” just like that, he keeps walking, leaving Stan standing here wide eyed and frozen.
You stare after Ford, then back at Stan .
“Oh, um,” you say. “what the hell.”
Stan looks down. “yeah, no shit.”
***
The shack at night is a different thing, you knew this already, but knowing it and feeling it are two different things. You’ve stayed the night here before, back when things were normal, back when Ford was normal and the silence always calmed you, unlike right now. When you hear your own heart beating and the whole house is listening.
Stanley is asleep, dead asleep. Sprawled across the couch in a tangle of limbs and blankets, snoring faintly through the storm’s howl. Good for him, it's the first time in years he hasn’t had to sleep in the backseat of a car, curled up around himself like a stray dog in a storm drain. It doesn’t matter that the couch is stiff, that the room is freezing, this is the best sleep he’s had in years.
***
Summer, 1960-something. Kids. Kids with scabby-kneed, sunburned noses and wild hair.
The harbour always smelled like salt and fish.
Ford’s hands shake when he sees the bruise. So deep, ugly, purpling against Stan’s cheekbone, swelling beneath his eye.
“What happened?”
His brother was sitting on the curb, resting his arms over his knees, staring at a crack in the pavement.
“Dunno, pa just gets mad.”
The words felt like someone had dropped a rock right into Ford's chest, as it just sank to the bottom of his stomach, too heavy to breathe around.
Stan must’ve noticed, because he grinned. He actually hated that look, hated seeing his own twin with that kind of expression, because that made Stan know exactly how he looked when their old man had really lost it.
“But hey, hey, least now i look tough, huh? Bet all those bullies are gonna be real scared now,” he grinned, nudging Ford with his elbow.
Ford’s hands curled into fists. “thats not,” he cut himself off, shaking his head. “that's not gonna help, Stanley!”
“Eh, maybe,” he shrugged. “but it sure looks cool, huh?”
It didn’t. It looked awful.
Ford's chest was too tight. He looked at his brothers bruised eye, at the careless shrug in his posture, and suddenly the words burst out before he can stop them.
“We should run away.”
Stan opened his mouth, surprised, Ford, sixer, being this bold? And a second, he almost looked serious, considering it.
Then he laughed loudly. “and go where, genius?”
“Anywhere! Somewhere better. We could, we go up north, where it’s colder, where nobody knows us.”
Stan squinted at him. “but what about ma?” Ford hesitated, looking down. Stanley's smile faded as he rubbed his bruise. “look, Sixer, i appreciate the whole dramatic rescue thing, but we’re kids. Where’re we even gonna sleep? In a box?”
“We’d figure it out, you'll never be homeless, we'll never he homeless,” Ford insisted. “we’re smart—“
“You’re smart,” Stan corrected, no bitterness, just a fact. “im just a guy who can throw a good punch.”
Ford hated that he said that, so he didn’t give up.
“We could take a boat,” he tried again. “work at a dock, make some money—“
“You’d get seasick in five minutes.”
Ford scowled. “i would not.”
“Yeah, you would,” Stan teased, nudging him again.
Ford didn’t answer, because he hated the way Stanley took it all as some kind of joke. He was serious. He meant it.
But Stan just sighed again, stretching his arms over his head. “nah. don’t worry about it, Poindexter. Ain’t no big deal.”
It was a big deal. But Ford didn’t say anything else. Just sat down next to him, wrapping his arms around his knees, staring at the same crack in the pavement.
They were kids, they thought like kids. Ford just wished they’d stayed kids. Stanley wished the same.
***
Ford is in his bed, but he's not sleeping. Or maybe he does, technically.
He shifts, twists, rolls to his side, then to his back, then to his stomach, then repeats the cycle, stuck in a loop. His body doesn’t want to be still, doesn’t know how to be still.
He can't really control it, can’t open his eyes no matter how much he wants to.
It’s the same dream every time. Ford and him, sitting across from each other, playing chess, if Ford could call it that because every move Ford makes is a lie, and every move Bill makes is a trap.
Ford can’t win no matter what he does, no matter how many times he tries. Bill moves a piece. Ford counters. Bill moves another. Ford moves in response.
And when Stanford blinks, they’re already back at the start, the pieces damn reset and the game begins again.
“What do you say, Sixer? another round?”
Ford clenches his jaw, it’s not like he has any other choice. He just moves the first piece.
Every time their game ends with same, when Ford sees the door to his childhood home. It's already happening, every night.
He sees his brother standing there, staring in at their father with hope in his eyes, waiting for him to change his mind.
Ford sees his father’s mouth moving and even though can't clearly hear the words, he doesn't even need to hear them. He knows what happens next.
It’s already happened.
It’s always happening.
You aren’t asleep, either. Your head is too full, your body is too restless . Your thoughts won’t quiet. Ford, you cant get him out of your head. What you saw hours ago is sitting heavy on your chest, making it hard to breathe properly. Something is wrong with him and the whole shack, it doesn’t feel like it should.
You don’t know why it bothers you so much, but it does. Ford has always been intense, sure, his brain works faster than everyone else's, you've always known that.
You shake your head, taking a deep breath. No use going in circles. You have to talk to him tomorrow, ask him. And let him deny your questions as much as he likes and look at you like you're crazy, you'll get your way.
As soon as you close your eyes, finally sinking into sleep, the lights go out, and the whole room plunges into an all-consuming darkness. Fuck.
You immediately sit up, gripping the blanket. It can't be that bad.
It's fine, this is fine. You know where you are, you're in the shack, the storm outside is brutal, but that's normal. The generator will probably kick in any second now.
. . . Any second now.
. . . Any damn second.
The darkness does not change. You swallow. No use waiting, there should be candles somewhere in here, just to keep you sane and. . . would word safe fit here? Honestly, you just want to make this place feel like somewhere, instead of nothing at all.
Pushing the blanket off, you slip out of bed, feeling the cold floor beneath your feet.
Ford keeps candles somewhere, you know he does because it was a Christmas gift from you, years ago. So it should be easy to find them.
You put your hands out to feel for the walls as you move slow, trying not to bang your shin into anything, listening to the creaks of the house around you and footsteps. Wait.
Footsteps, exactly. Your whole body goes rigid.
Someone else is awake. Your heart pounds as you pause, listening hard.
Okay, they're not rushed, you take a note of that. Not stumbling or uncertain. Not. . . What was his name? Stanley? Yeah, probably not Stanley's, he would be louder, sloppier.
Meanwhile these sounds too slow, intentional.
Your fingers shake as you reach out, feeling along the shelves. Goddamn, you need a candle. Just one. Just enough light to fucking see.
Seems like luck is not on your side because just when you take another step, you damn trip, your hands shoot out, grabbing wildly for balance, but before you can fall and hit the ground hands catch you.
And they're not yours. Your breath stops. Someone else’s. You barely have time to react before you feel them close around your waist, digging into your stomach, your hips, moving fast, searching, checking. So strong. Coming from behind.
They trace higher, gripping as they move up to your chest. The air rushing from your lungs, your body tenses as a jolt of shock slams through you. The hands don't let go, not letting you pull away as they hold you in place. You try to yell, but before you can, you hear someone's voice right in your ear.
“Shouldn't you be asleep?”
Your blood runs ice fucking cold, but hands don’t let go.
If anything, they tighten. Painfully gripping you, grasping keeping you there, locked in place. A rush of panic clouding your senses before you even have time to think.
And it doesn't help th at the darkness is so thick, so you can't see who's behind you, can't even get a glimpse
Long fingers trailing slow over the curve of your sides, the dip of your waist, the softness of you beneath them. They follow the shape of your hips, press into the plush of your thighs.
You gasp when you feel your back pressing against someone’s broad chest. But your thoughts don’t fully settle on who or what it can be because your body is screaming louder than your mind. Sharp panic coils in your gut.
Your mind is too scattered, clouded with adrenaline. You thrash. Or at least you try to. Your muscles tense to push, to shove, but the hands don’t budge.
Panic overrides everything, making it impossible to think and breathe. Your body tells you one thing: get away .
But the fear floods your veins like ice, so much so that you can’t even count the fingers on the hands holding you.
Five. Six. Which is it? You should know. But sadly, your mind is too frantic, your skin burning too hot where those fingers press, where they curl. You don’t even realize you’re shaking.
And when they let go, all at once, the air rushes back into your lungs as your body stumbles forward, and you don’t wait or look back, letting your feet carry you .
You don’t remember running back to bed.
You don’t remember pulling the blankets over yourself, heart hammering, breath coming too fast, too shallow.
All you remember is pressing yourself into the mattress, squeezing your eyes shut and whispering the first prayer you've ever said in years. Not that it helps
So instead, you think. You force yourself to think.
Because fear is useless to a scientist, it is irrational, fear clouds judgment, fear lies.
And if you let it win, it will consume you.
You feel. . . violated. That’s the word, isn’t it? Or was it something that could be explained away as a trick of the mind?
Was it someone? Yes. Someone grabbed you. Someone touched you.
Your stomach lurches and you swallow it down, gripping at the blankets while your brain tries to work through it. To think. To rationalize.
This can’t be. Logic has to win, but the feeling is still there.
The ghost of hands on your body.
And you don’t sleep.
***
There's dirt under your fingernails, packed tight in the creases, clinging to the skin of your palms. Your hands hurt a little. Dug too deep. Pressed too hard. The grave was small, no headstone, although you wish you could, just a little wooden marker Ford helped you to carve.
Somewhere in the trees, hidden in the thick summer-green leaves, cicadas chirped. It was so warm, the grass beneath you was soft, a little overgrown, tickling against your arms.
Your throat still felt tight, and your hands, fisted in your lap, felt hollow.
Your voice came out rough. “it’s stupid to cry over a dog, right?”
Ford turned his head toward you, furrowing his brows, not sure if you were joking.
“What?”
“I mean,“ sniff. “its just a dog.” you rubbed at your face, pressing your palms into your eyes until all you saw was red behind your lids.
He stared at you, and you could feel it. His gaze rested on you, assessing, he was trying to figure out if you meant it or if you were just saying it to make yourself stop feeling.
Ford was not good with emotions too. You knew this. Logic, facts and equations neatly filed thoughts.
“You loved him, why wouldn’t you cry?”
You let out something between a laugh and a breath. It shook a little. “yeah,” you wrapped your arms around your knees. “yeah, i did.”
A scientist, you were a scientist, scientists weren't supposed to get that emotional over things that had clear, defined ends. Things that had lifespans. It was biology. Living things died. It was just how it worked.
But god, he was your dog. He'd slept at your feet when you stayed up too late, followed you through the woods, knew exactly when to curl up against you when you were sad.
“He was a really good dog.” Ford said eventually.
“He was so stupid,” you stared at the dirt. “always running into things. Remember that time he stole your sandwich?”
“He didn’t steal it,” Ford corrected. “you gave it to him.”
“After he tried to rip it out of my hands.”
“He was very persistent,” he admitted.
“You were so mad, i think that’s the first time i ever heard you swear.”
“I did not swear,” Ford said, scandalized.
“You did. I remember. And remember that time when he came back covered in mud?”
Ford smiled. “mud and skunk pray. You had to him, what, three baths?”
“Four,” you smiled back. “and he still smelled. I had to sleep with all the windows open.”
“You let him on your bed anyway,” Ford pointed out.
You huffed. “of course i did.”
Silence again. You leaned to the side, lettingyour head rest against his shoulder.
He didn't pull away. Only stiffened for half a second, like he always did, because he still wasn't sure what to do with touch. And then his hand came up and rested lightly against the back of your head.
The sun dipped lower, turning the sky honey-thick, melting into the trees.
“I’m gonna miss him,” you whispered.
Ford’s fingers curled slightly against your hair. “i know. Me too.”
You let out a breath and closed your eyes, feeling the tears again.
Ford's hand stayed in your hair.
***
Morning comes slow, at least the storm has settled. The sky outside the window is still covered with a gray haze, the snow is still falling, but the howling of the wind has subsided.
You don’t feel rested, but you’re awake and you need answers. You hate to admit it, but you're scared. And your thoughts don't paint the best picture for you.
You move careful, quiet, slipping out of the spare room into the main part of the shack.
And the first thing you hear is loud, unrestrained ridiculous snoring, coming right from the couch.
You blink, glancing towards it.
Stanley. Sprawled across it in the most undignified position possible. On his side, curled slightly inward, arms tucked close against his chest. Just a little, but poor guy is shivering. Like some pathetic, scrappy little street dog curled up against the cold. The blanket barely stays wrapped around him, but he clutches at it, seeking warmth in a place where he’s used to none.
For a brief moment, he looks. . . well, he looks cute. But you shake the thought away. You have bigger things to deal with. You need to find Ford.
The lab is quiet, but inside his head, it isn’t.
Ford is slumped in the corner, collapsed into himself with his knees drawn up, his hands tangled deep in his own hair, like he's trying to keep something from leaking out, all six fingers curled so tight against his scalp that his knuckles are bloodless. Moving his heavy head in small, restless jerks, shaking side to side, wanting to shake it out, but it’s not working, it never works, IQ, you fucking idiot.
Sixer's body tense with horrible, restless energy as if he’s still trying to wake up even though he never truly slept.
Dark, bruising exhaustion hollows out his eyes, pulling his features tight with sleepless strain. His glasses have slipped low on his nose, the bridge smeared with fingerprints, hes been pushing at them, rubbing at his own skin, trying to wake himself up.
Bill was always there.
The same dream. The same game. The same endless, maddening chess match. And the same loss.
Over. And over. And over.
No matter what move Ford made. no matter how many times he tried to outthink the demon, Bill always won.
And at the end it was always the same. Stanley, who's looking at his brother standing in the window, framed by the curtains
Stanley's eyes
Ford never forgot his eyes. The way they looked at him.
The way his brother had searched his face for some answer, at least some kind of explanation, begging. Stan's eyes so big, so damn wide, the pupils blown dark with confusion, desperation, with a hurt that had no words.
And his voice so small, so weak.
“Sixer?”
Ford shudders. Vomit rises in his throat. His hands tighten in his hair.
Gosh, he feels sick.
His stomach twists, coils, knots so tight it feels like it might rupture.
The sticky notes around him are everywhere, scattered across the floor, plastered against the walls, some even stuck to the sleeves of his shirt.
MISS ME, NERD? 
FEELIN’ RESTED? 
DOESN’T MATTER! I’LL SEE YA TONIGHT ;)
DON’T WORRY, POINDEXTER!
I’LL ALWAYS BE HERE FOR YOU! HAHAHA!
HOW’S STAN, BY THE WAY?
HE’S STILL MAD ABOUT, Y’KNOW. THE WHOLE… THING
REMEMBER WHAT HE LOOKED LIKE? YIKES.
He wants to rip them down, burn them, but they've dug their way into his skin.
But his body won’t move because his mind is somewhere else now.
Ford remembers the deer. Or what was left of it.
Half dead in the snow. Legs moving, jerking in agony. The crack of stiff joints.
Something that shouldn’t be alive rose from the ground, black tar pooling from its mouth. The ground beneath Ford's boots was damp, the scent of rot curling sharp in his nostrils.
Patches of fur are missing, peeled away, exposing the raw, rotting flesh beneath. Its ribs jut out in jagged angles, parts of it look eaten.
But the worst part is the eyes. Empty sockets, gaping holes where its eyes should be.
Ford ran, but forest was too big. Too many trees, too many shadows and sounds.
His feet slipped on something wet and Ford knew he shouldn't have looked down
Bones scattered across the ground, half-buried in the damp earth. And awfully glistening organs strewn across the ground. Dark red. Raw. Rotting.
A smell so thick, so rancid it shoves itself down his throat, makes him gag. His shaking hands flew to his mouth to stop the ill-fated piece of vomit that threatened to burst out.
You did this.
You did this.
You did this.
Ford screamed, falling to his knees, dirt and blood staining his clothes.
The sound that ripped from his throat didn’t sound human.
His throat closed, air wouldn’t go in, wouldn’t stay.
Ford opens his eyes. His body jerks , thrashing against the floor, his hands shaking, fingers clawing at his own skin, trying to tear something out of himself.
He can’t breathe. His throat is tight, closing, closing, his lungs burning, his vision swimming.
His stomach twists, nausea rising fast, his head spinning so violently he doesn’t know which way is up.
He can't breathe. He can't breathe. Ford is dying
His hands claw at his own chest, digging his fingers into fabric, into skin.
He barely registers the sound of someone entering the room, running to him, moving, hands grabbing his arms, gripping, holding.
“Ford, Ford. Hey—”
The deer.
The deer, the deer, the deer—
“ Ford!”
A voice he barely hears, hands on his shoulders, hands on his face, hands gripping him.
Not his.
Not Bill’s.
Yours
But Ford can't move, his body feels tight, contorted as if something is twisting him from the inside out. The color of his face is wrong. He’s so pale, every shadow and hollow stark under the overhead lab lights. His lips are parted, his mouth trembling, and his eyes, so wide, bulging, glassy with tears, but not focused.
Not seeing you.
He makes a noise between a choke and a gasp, his fingers digging harder into his own arms, his whole body starting to shudder .
You're on your knees in front of him.
“Ford,” you grab at his arms. “it’s okay, you’re okay, it’s me, i’m right here—”
Ford jerks, his hands flying out, shoving at you with a sudden burst of fear and he screams. “Go away!”
You stumble back, watching him wrapping his arms around himself, his whole body curling inward
“Go away,” he gasps again , “go away, you— you monster —”
“Ford, it’s me, i swear it’s me, look at me.”
But he won’t. His lips are moving, forming broken, faltering words, but nothing comes out.
He’s not here.
His mind is somewhere deep, somewhere dark, somewhere you can’t reach him.
“Ford,” you say again, softer this time, but firmer, shifting closer on your knees, “you’re having a panic attack, okay? you need to breathe, you’re safe.”
His scared eyes snap up to you, still wide and glassy and it doesn't take long for him to cry. Ford gasps so hard he thinks his lungs might collapse.
Your arms are around him, pulling him against you, pressing his face into your chest, holding him, feeling the way he trembles while he clutches at your arms in return, his hands fisting in your shirt, clinging to you.
“I’ve got you,” you whisper, “I promise, i’ve got you.”
“thirty-two point eight megahertz— quadrants , electron spin—”
What?
At first, it’s so soft you can barely hear it.
Your brow furrows . “Ford?”
“Event horizon c-collapse, field equations— metric tensor—”
You tilt your head to see him, but he just hunches further into you
“Warp theory— symmetry breakdown — proton decay—“
You squeeze him. “Ford, hey—“
He shudders and his muttering falters. Closing his puffy eyes, he buries his face deeper into your chest.
His mind registered it last, but his body recognized you first.
And you hold him, stroking slow, careful circles between his shoulder blades, your fingers weaving up into his hair, carding through the brown strands.
You try to breathe together with him. Slowly, letting him hear it. Letting him match it.
“I’m here, Ford, im right here, i swear you are okay.” you feel how his hands clench, then loosen, then tighten again.
His body still shakes, but the sharp edges of it start to dull, the tremors turning softer, his breathing slowing.
But his face stays hidden.
“Ford , i—” you swallow. “i’m worried about you.”
His shoulders stiffen. You keep going.
“This isn’ t. . . isn’t normal. You’re not okay, Ford. I think maybe,” your fingers twitch in his hair. “i think maybe you should talk to someone, to professional?”
The moment Stanley bursts through the door, his eyes widen at the scene before him. His brother, still trembling, lost in the fog of his panic attack, and you, crouched on the floor with your arms wrapped tightly around him, holding him close
Stan’s face immediately changes into that familiar, protective mask, although it's even more concerned now
“What the hell is goin’ on here?”
You turn your head to meet his worried gaze, your own heart still racing in the aftermath of what you just witnessed. “He just had a panic attack, Stan.”
“A panic attack?” Stan repeats, raising an eyebrow, clearly not sure how to process it, “jesus christ.”
You don’t say anything.
Your hand is still on Ford’s arm as you still feel the tremors running through him.
Stan huffs a sigh, rubbing his hands over his face, clearly unsure of how to proceed. Then, with a deep breath, he squats down next to his twin, trying to make himself appear less intimidating. “Hey, sixer,” he says, making his voice a little gentler, “what’s goin’ on? you . . . you talkin’ to anyone about this? is there somethin’ you ain’t tellin’ me? why the panic attack?”
Ford is still silent, his breath still ragged, as if he can’t find a way back to normalcy. He lifts his head, peering up at his brother, but it’s clear that whatever’s plaguing his mind, he’s not ready to share it.
“C’mon, Sixer, you can tell me. what’s really goin’ on, huh?”
Ford doesn’t answer. Stan looks at you, his gaze is questioning, but you don’t know what to say either. How do you explain something you don’t even understand?
Ford is not going to talk too, whatever it is that has him this scared, he wont say it aloud. He better keep it to himself, this deep-rooted and unspoken truth has to stay buried, even if it tears him apart to keep it locked in.
“Ford, it’s okay,” you murmur, squeezing your fingers lightly at his sleeve, “you don’t have to say anything if you don’t want to.”
Stan lets out a long, deep sigh, rubbing at his jaw, his eyes still on Ford. And, of course, because he can’t help himself, because he’s Stanley, because it’s how he deals with things, he tries to joke. Tries to break the tension the only way he knows how
“Shit, you look like you just saw a ghost.”
Ford stiffens.
Stan notices. And he . . . does that thing he always does, when things get too serious, when he doesn’t know what to say
He deflects.
Leans back, shakes his head, lets out a short chuckle.
“Or damn, maybe even worse. Like. . . i dunno. Like you just realized the government’s been spying on you through your radio or somethin’.”
Ford’s whole face twitches.
“Stanley,” you glare, warning him, and he immediately holds up his hands in mock surrender.
“What? What’d i say?” but his face betrays him. He knows what he said. He knows it was a bad joke. But he also doesn’t take it back, because that’s how he deals with things, isn’t it? Laughing when he’s scared. Pretending he isn’t worried when it’s clear as day that he is. And you don’t have time to unpack that, not when Ford is still sitting there, unresponsive.
“Just not now, okay?”
Stan grumbles, but doesn’t argue.
Ford hasn’t moved, at least his breathing sounds a little better, less sharp, a little more even, but he still looks. . . tired, so damn tired.
You soften your voice again.
“Ford, hey. . . i know you’re exhausted. I know you’re not feeling good, but maybe a shower would help? Get you cleaned up, get some of that tension out of your muscles.”
His eyes blink at you slowly, dazed you'd day, trying to process the words, but he just doesn’t have the energy.
“C’mon,” you coax, “you’ve got those bags under your eyes. You need some rest.”
There’s a long pause before Ford gives the faintest nod. And so you help him up, carefully, and he lets you, barely meeting your eyes, ashamed that you saw him like that but following your lead, disappearing down the hall toward the bathroom.
You exhale when you hear the water running.
Your body slumps just slightly, hands still tingling fro m holding onto him for so long. But you push through it, stretching out your stiff legs, then step toward the kitchen, glancing over your shoulder as you go, noticing Stan following you. Not that you're not used to it, after all, back home, you've got a little shadow on your own.
He doesn’t say anything at first, just leans against the counter, arms crossed, watching as you open the fridge, moving through the motions of finding something quick to make that Ford will actually eat without you having to argue with him over it.
Stan watches you like a cat staring at a fish tank. Or maybe more like a dog staring at a steak.
“I can hear you drooling,” you say without looking.
“I am not drooling.” you turn and yeah, no, he’s definitely eyeing the food with his whole damn soul.
“Uh-huh.”
He shrugs. “What can I say? I see food, I want food. You gotta get used to it if you’re cookin’ around me, sweetheart.”
“Noted.”
You keep working, stirring something in a pan, and Stan shifts against the counter, watching you for a second before glancing toward the hallway.
“Well, i gotta say,” he grumbles, back at eyeing the kitchen counter like a starving animal, “you really know how to make a guy’s day.”
You can’t help but laugh softly, rolling your eyes as you pull out the ingredients for a quick meal. “yeah, yeah, i don’t cook much, but i figured he needs something. Gotta take care of him.”
Actually you’re not much of a cook, but right now, it feels like the only thing you can do. You’re not a doctor. You’re not a therapist. You can’t fix Ford. But you can make him something to eat.
“So, what’s the deal with you two, huh?”
You pause mid-stir, glancing at Stan. “what?”
“You and Sixer. What are you? Couple? Friends? Lab partners? Secret government spies?”
You clear your throat. “we studied together.”
Stan raises an eyebrow. “just studied, huh?”
“Yes, Stanley,” you say, exasperated, turning back to the pan. “just studied.”
He watches you for a beat longer before humming, noncommittal. “Huh. That’s funny.”
You glance at him again. “what is?”
“That Sixer never mentioned me. I mean, you two were clearly close. Close enough that you’re still here, takin’ care of him. So why the hell didn’t he ever tell you about his own damn brother?”
You shake your head. “he doesn’t talk much about his past or his family. Especially after one situation where i saw a photo of his dad and said he looked just like him. Ford didn’t take it well.”
Stan chuckles. “Yeah, that’d do it, he doesn’t like the family thing much. None of us do.”
You glance up at him, raising your eyebrow, but before you can ask, Stan shrugs, not going to explain any further. “Sixer’s got his own baggage. We all do. Just gotta leave it at that.”
“He really doesn’t like talking about it. About his family or his past, i mean, i get it, but—“
“Hell yeah, sweetheart, family’s a hell of a thing.”
At end, Ford did eat what you cooked. Barely spoke, though. Sat at the table, moving food around with his fork, his own goddamn thoughts were so heavy he couldn't lift his hand right. You weren’t sure how much he actually tasted of what he was eating, but at least he got it down. You had to remind him to drink some water, push the glass a little closer when he forgot it was there.
Stan, on the other hand, jesus, the way he looked at the food, you almost felt guilty. Like some starving dog watching through a window. And yeah, he made a joke about it, about you running a charity kitchen or something, but you told him to just eat already. No need to act like a starving orphan from a dickens novel. He didn’t argue, eating fast, as if he might lose it if he didn’t.
It was easy to forget about what happened this night, the power cutting out and that moment of frozen, breathless fear in the dark. All of that got buried under your worry for Ford, who looked like he was about to pass out.
Ford was still pale, what made you want to press a hand to his forehead, check if he had a fever. You tried to ask, tried to get him to talk about it, but. . .
“You sure you’re alright?”
And of course, he just waved you off, mumbled something vague.
“It’s nothing.“
“It doesn’t look like nothing.”
“I’m fine.”
Stan chuckled, muttered something under his breath what made you shoot him a look before he could say something worse.
Ford didn’t want to talk, that was obvious. But that was the thing about him, right? Always acting like he was fine, even when he was so clearly not.
Stan had been quiet, chewing and incredulously looking around the house like it might spit him back out. He didn’t belong here, wasn’t supposed to be here, and was just waiting for the moment Ford would make it clear.
So, he cracked a joke instead. About how he should probably leave before Sixer turned into an even bigger grump, about how he “wouldn’t wanna overstay his welcome.”
“Soo yeah, guess I better be hittin’ the road.”
You frowned at him. “why?”
Stan gestured loosely. “i dunno, i just figure, y’know. Not exactly mr. Welcome here. ‘sides, your guy here looks like he needs his beauty sleep.”
“He’s not my guy.” you answered, but that didn’t stop the way your stomach twisted. Damn, you didn’t wanna leave Ford alone. Not after everything you’d seen. But . . . your dog. You had to get back. Had to feed her, take her out, make sure she wasn’t tearing up your furniture.
Ford didn’t respond. Just kept looking at his plate, barely eating anymore.
You hesitated. The thing was, you didn’t wanna leave. Not when Ford still looked like this and you knew something was wrong, but he wasn’t saying.
But you had a dog waiting for you.
Ford told you it was fine. That you could go. That he “preferred being alone right now. ”
And you hated that. Hated the way he always did this, how he always thought he had to go through everything alone, even when it was clear he needed help.
You promised him you’d be back tomorrow.
“I'll come back tomorrow. i’ll come back, and we’ll talk, okay?”
Ford didn’t answer right away, j ust stared at his plate. “okay.”
You didn’t like how he said it, like it was better if he was alone. Like he wanted to be alone even when he clearly shouldn’t be. And it made you sick, the way you left. Like abandoning a ship you knew was sinking, stepping away from a person you knew needed help. You hated it. Hated the way Ford always pushed everyone away, even when he was fucking drowning.
You and Stan stepped out into the cold, your breath coming out in little clouds into the biting winter air. It was getting dark already, sky looked gray and heavy, as always. Stan stuffed his hands in his pockets, shoulders hunched against the cold. You pulled your jacket tighter as you shivered, rubbing your arms.
“Cold?” he glanced over at you.
“Genius observation.”
The streets of Gravity Falls were quiet. Before long, you were near your place, the porch light shone warmly in the early twilight. You turned to Stan, about to say goodbye, but then you got a good look at him.
The dirt on his jacket, he probably hadn’t had a chance to properly wash it. The exhaustion on his face. And you remembered th e way he’d been staring at food all day, watching Ford eat, practically salivating.
“So uh, you have a place to stay?”
Stan blinked at you. Then scoffed. “‘Course i do.”
You raised an eyebrow.
“I do!”
“ Oh, okay. Where ?”
“Uh, y ’know. The— uh. The, uh . . . ‘lakeview inn.’”
You stared at him. “Well. . . okay.” and Stan seemed relieved that you weren’t pushing.
He coughed into his fist. “yep, great place, real fancy.”
You sighed. You didn’t have it in you to argue. Not right now. You just exhaled, gave him one last look as you told him to take care and stepped inside.
Your dog was waiting for you, so excited, wagging her tail. You knelt down, ran your fingers through her fur, whispered, “missed you too, girl.” Fed her, sat with her on the floor, talked to her, absentmindedly, about Ford. About his brother. About the way Stan was kinda . . . cute.
Meanwhile, across town, Stan climbed into the front seat of his car. He was cold. He curled his jacket around himself, stuffed his hands under his arms, tried not to think about how long it had been since he’d last had a real bed.
Or a real meal.
He should’ve expected this. It wasn’t like he hadn’t done this before. Sleeping in cars, parking lots, the occasional cheap motel when he could swing it. But somehow, after that meal, after you, this felt worse.
He stared up at the ceiling.
He thought about Ford. About how he looked tonight, half a breath away from collapsing. What kind of shit his brother had gotten himself into?
And then Stanley thought about you. You, who offered him food, just like that, like it wasn't some big deal. You, who told him to eat and watched him at the dinner table.
He exhaled, breath fogging up the air.
Tomorrow. Maybe tomorrow would be better.
***
The dorm is a disaster zone, but it always is when the three of you get together for all-nighters. Coffee cups, half-empty energy drinks, a plate of toast that no one’s touched in hours, and papers. . . so many fucking papers covered in chicken scratch equations and half-finished blueprints.
It was past three a.m. now. The window was cracked open a little, letting in the fresh night air, but none of you noticed the cold, too deep into the work.
“I’m tellin’ ya,” Fiddleford said, running a hand through his hair, “if we don’t take quantum decoherence into account, this whole thing’s gonna be about as useful as a screen door on a submarine.”
“Decoherence isn’t the issue,” Ford shot back sharply and impatiently . “if anything, it’s the entanglement equation that needs work. if we—“
“Oh my god, would you two shut up and let me think?” you groaned, gripping your hair. “you're both wrong. so wrong. like. fundamentally flawed.”
“Oh, is that so?” Ford pushed up his glasses, squinting at you. “care to elaborate?”
“Not really,” you muttered, blinking slow, yawning.
Fiddleford chuckled. “looks like we’re losin’ you.”
“Honestly, i think i’m about to collapse on myself. I need something stronger than coffee. Anyone got any adderall?”
“University rules strictly forbid unauthorized stimulants—“
“Fidds has moonshine in his bag,” you cut Ford off, grinning. “saw it an hour ago. Was wondering when he was gonna crack it open.”
Fiddleford looked deeply offended for all of two seconds before sighing. “Knew i shouldn’t have let you rifle through my things. . .”
You flashed him a grin before reaching for your tea, now stone cold and bitter as hell.
Fiddleford nudged his glasses up his nose and look ed over at Ford’s notebook, squinting at the formula again. “Alright , maybe you got a point there, buddy.”
Ford let out a smug little noise, proud of himself, but before he could open his mouth and gloat, you yawned again, barely muffling the sound with your sleeve. “Shit, i’m crashing.”
You tried to keep up, you really did, but god, your eyes were so heavy. That's why you took the right decision, somewhere between staring at Ford’s notes and trying to comprehend whatever the hell he was writing, you leaned, without even thinking.
Your head found his warm shoulder and that made him stiffen as if he’d been electrocuted.
Fiddleford went completely silent, stopping drumming his fingers against the table.
It was funny, really. You’d spent the whole night laughing with him, throwing paper balls, joking and teasing Stanford. Now, the moment your breathing evened out, everything got real quiet.
Ford. . . didn't move. Didn’t push you away, even though his shoulders were tense, his pencil hesitated, but then he just kept writing, like nothing happened. Just let you stay there, pressed against him, breathing softly in sleep.
Fiddleford didn’t stop staring, observing Ford's reaction, not in the way he expected.
He looked at you first, your face half-buried in Ford’s sweater as you sighed in your sleep, how easy it was for you to just fall into him like that.
And then he looked at Stanford. At his handsome face, which somehow seemed even better in the lamplight. The furrow in his brow, the six fingers wrapped around his pencil, so concentrated.
Fiddleford looked at all of it. Ford was a genius. A goddamn once-a-generation mind, sharper than a blade, but completely fucking useless at anything to do with feelings. He doesn’t get it. He doesn’t see things the way other people do, the way Fiddleford does.
Ford must’ve felt the stare, because after a while, he sighed and glanced up. “what?”
Fiddleford shook his head, smiling slightly. “nothin’, just thinkin’.”
“About?”
Fiddle ford took a sip from his flask and it definitely wasnt coffee. Something stronger. He swirled it, watching the liquid catch the light. “love, i guess.”
Ford scoffed, going back to his notes.“love? shouldn’t you be thinking about our project?”
“Oh, c’mon, ain’t you ever thought about it? bein’ in love? how it feels? ”
Ford didn’t answer at first, just kept writing. “love is. . .” he started, trying to find the right words. “it’s complicated. Distracting, even.”
Fidds hummed. “but good, no?” he grinned, taking another sip. “s’pose you think it’s all just chemical reactions, huh?”
“Well, technically, it is.”
“Yeah, yeah, dopamine, oxytocin, blah blah blah,” Fiddleford waved a hand. ”but it’s more than that.”
They were talking quietly so as not to wake you up. Ford didn’t answer as he shook his head, returning to his work.
So Fiddleford kept going. “i guess it feels nice, y’know? havin’ someone who understands ya, c ares ‘bout ya. Even when you’re difficult.”
Ford stopped writing again, listening intently to his friend's words.
“It’s when you’d do anythin’ for someone, even if it doesn’t make sense. When seein’ ‘em happy makes you happy. When you’d give up everythin’ just to keep ‘em safe. ”
Ford gave him a tiny smile. “you’re being sentimental,”
“Eh, maybe. Or maybe i just get it.”
Stanford finally turned to him, frowning. “get what? ”
“Doesn’t matter.” Fiddleford leaned back, stretching. “s’pose it don’t make much sense for a guy like me to be talkin’ ‘bout love anyway.”
Ford frowned deeper. “what’s that supposed to mean?”
Fiddleford shrugged, suddenly looking a little too interested in his flask.
“Are you saying you don’t think anyone will love you?”
“Oh, i know i ain't exactly a prize catch, Stanford.”
Ford settled his pen down. “that’s not true.”
and that made Fiddleford's eyes fill with hope “yeah?” he quirked a brow.
Ford hesitated, surprised at his own words and initiative, but then, because he was a good friend, because he meant it, he nodded, “You’re smart. Funny. Resourceful. You’re one of the most brilliant people i know and you're—“
“Handsome?”
That made Ford smile. “sure, yes! handsome, even.” Fidds thought he had imagined it. Did Ford really find him so? “so, im sure you'llfind someone. You’ll probably settle down, have a family. A kid, even.”
Oh. . . oh, okay.
And that’s when Fiddleford knew .
His smile did not drop, but he took another s ip of alcohol, letting the warmth burn his throat .
Ford kept writing, pleased he managed to lift his friend's spirit, while you doze quietly against his shoulder. He doesn't even notice Fiddleford getting up, leaning in close enough that Ford finally glances up from his notes.
“Yer my best friend, Ford, guess i’ll just love ya forever.”
Ford stopped writing. The pencil slipped from his fingers
But before he could ask, Fiddleford pushed himself up from the chair, stretched and yawned deeply.
He patted Ford on the shoulder, then grabbed his jacket.
“Whew! man, i need a walk. i’ll be back.” and just like that, he was gone, leaving Ford alone with the papers, the cold coffee and with the equations that suddenly didn’t make sense anymore.
Alone with you, asleep on his shoulder.
Ford didn’t move for a long time.
***
The morning air was cold enough to wake you up, even though you were still in the fog of sleep. Gravity Falls wasn’t exactly bustling this early, just a few cars passing, an old man walking his dog, the slow shuffle of someone dragging a garbage bin to the curb.
You pulled your coat tighter, holding your grocery bag. You'd only meant to grab something quick for yourself, but somehow, without even thinking, you'd ended up picking up something for Ford, too. Something that wasn’t just instant noodles and coffee.
He wouldn’t eat properly if left alone. You knew that, you knew him too well. You sighed, adjusting your grip on the bag.
Stanley Pines woke up in hell. Or at least, that’s what it felt like.
His entire body ached, joints were too stiff from sleeping in one uncomfortable pose whole night, cold burrowed so deep in his bones that even curling tighter into his jacket wasn’t helping anymore.
He squeezed his eyes shut tighter, just a few more minutes, ma, please, but the cold gnawed at him, dug under his skin, made every breath feel like ice in his lungs.
He was so fucking tired.
But sleep wouldn’t come back so he lazily cracked one eye open. Fucking hell.
Still the car. Still parked in the same damn spot he’d been in since last night. The windshield was fogged up from his own breath, the windows covered in a thin layer of frost.
“Mmmgh,” he groaned, trying to stretch, but back screamed in protest. God, sleeping in the driver’s seat was not good for his spine.
Cold. Everything was so fucking cold. His toes were numb in his boots, fingers barely flexible enough to work as he rubbed warmth into them.
“Good morning, Stanley,” he muttered to himself. ”what wonderful luxury awaits you today?”
He yawned, running a hand through his brown hair. His mullet was a mess, so tangle d, flattened weird on one side.
First things first, he fumbled for the glove compartment, rummaging through loose receipts and absolute trash until he found the old bottle of cologne. He sniffed it once, it was not fresh. But hey, better than nothing. He rolled it over his wrists, rubbed it against his neck.
Second, he grabbed an old comb, barely dragging it through his tangled mullet before giving up and stuffing it back into the glovebox.
Third, he adjusted the rearview mirror, squinting at his reflection, and groaned again.
“Oof.“
Looked like absolute shit. Dark circles, unshaven, face puffy from sleep. But whatever. Not like he had anyone to impress.
He reached down, adjusting his coat, when—
THUMP.
A hand. A fucking hand slapping against the driver’s side window.
“GAH!” Stan jolted so hard he smacked his knee on the dashboard. He panicked instantly, his hands flew to the wheel. “no, no, no, por el amor de dios, madre santa, no me lleves!” he spat out in rapid-fire spanish, already prepared to beg for his miserable life. “lo juro, no tengo nada, no me arresten, por favor, dios, maria, nadie, por favor!” his mind was a blur of oh shit oh shit oh shit, picturing cops and maybesome pissed-off local ready to drag him out, picturing—
Someone was writing on the window, through the fogged-up glass, a finger traced out two slow words:
It’s me.
That made him froze as he squinted suspiciously, still gripping the wheel tight. Hesitated. then, slowly, he rolled the window down.
You stared at him.
“So,” you said flatly, flicking your gaze between him and the car. “this is the lakeview inn?”
Stanley looked around, hoping a better answer would suddenly appear.
You crossed your arms.
“Technically,” he started, “i do live here. You ever heard of a little thing called, uh, mobile homes? Very trendy and, um, modern.”
”Uh-huh.” your eyes narrowed.
“Alright, alright, fine, ya caught me. I’m actually a millionaire, this is just my vacation home. My actual mansion’s up in the hills, but y’know, i like to stay humble”
“Stan.”
“Yeah?”
“You lied to me.”
“No, listen,” he started, already preparing some dumbass joke to get him out of this.
“You fucking lied to me.”
Stan threw up his hands. “hey, now, let’s not throw around ugly words like—”
“You told me you had a place , Stan.”
He stopped talking, and there was silence between you.
Finally, you sighed, rubbing your temples. “jesus, you look horrible.”
Stan bristled. “hey!”
“And you smell horrible.” not like you were lying though.
“Hey now, hold on!”
“Do you wanna take a shower at my place?”
Stan’s brain short-circuited. “what?”
“Then we’ll get you something to eat,” you continued, ignoring his slack-jawed expression.
He stared at you like you’d just spoken an entirely different language.
You. . . you were offering? Just like that?
“What?”
“You heard me.”
His brows drawing together, mouth pulling into a frown, jaw working as he was trying to find the right words. But it it didn't take long as he smoothed it all over in a blink, replacing it with serious face. He leaned back in his seat, crossing his arms.
“What, you pity me now?”
“No,” you said simply.
“Pfft, i dont need you takin care of me, alright? Go waste your charity on someone else.”
“Yeah?” you tilted your head. “so if Stanford was sitting in this car right now looking like this, you'd just walk away?”
Stan stared at you, surprised. You restrained yourself from laughing at how fast the smug confidence drained from his face.
“Thats different.” he muttered, rolling his eyes.
“Uh-huh.”
“Oh wait, wait, wait, i see how it is,” he grumbled. “you got tired of dealin’ with sixer, huh? figured you’d switch to fixin’ me instead?”
“What does this have to do here? Take the offer, dumbass.”
“Nah, i the natural scent.”
“You literally smell like a dumpster.”
“Okay, rude.” Stan putted a hand to his chest, feigning resentment.
But you only waited, waited and waited and that silence made him clench his teeth, grumbling under his breath. So when he finally let out a sharp sigh, dragging a hand down his face, you knew he’d given in. “you got hot water?”
That made you raise an eyebrow and smile. “Of course i have hot water.”
“Fine,” he muttered. “but only ‘cause i got nothin’ better to do and you begged.”
“Right,” you said, unimpressed. He shot you a glare, but you were already walking away, expecting him to follow. And, grumbling all the way, he did.
***
Early autumn. The bus stop bench is cold beneath you and you wish you’d worn something thicker. Clouds rolling lazily in the bright sky, October sun spilling through trees, gold colour caught in Ford's brown hair. He sits beside you, one knee bouncing, a habit of his, nervous tick, always. His hands are shoved deep in his coat pockets, and his breath fogs in the air when he exhales.
You bring the cigarette to your lips and inhale, one leg over the other, foot bouncing absently, meanwhile the tip glows warm for a moment, ember-orange in the afternoon light.
“It’s just a cigarette,” you say, watching the smoke curling from your mouth, but Ford, who's stiff like he's resisting the urge to snatch the cigarette out of your fingers, doesn't seem satisfied with that.
“Yeah and it hurts your pretty lungs.”
Oh. That tone. That damn tone, which means he’s about to start. Again.
He pulls his coat tighter. “Do you know how many carcinogens are in that? the tar alone is—“
You groan, tipping your head back. “oh my god Ford.”
“No, i’m serious. You don’t even understand what that’s doing to your body.”
“It’s not that bad,” you say, cutting him off, waving him away. “you’re acting like i’m chugging cyanide.”
“You might as well be,” his glasses slip down his nose, and he shoves them back up in agitation.
You've heard it all before, the lecturers, the statistics so you roll your eyes, amused, flicking the ash into the pavement. “When i wanna stop, i can.”
Ford scoffs. “that’s what they all say. . . I don't know if you know this, but cigarettes contain over seven thousand chemicals, many of which are—“
You blow smoke into his worried, but serious face and he immediately recoils coughing, waving his hand to dispel the haze. You laugh, reaching over to run a hand through his beautiful golden colored hair to smooth away his frustration.
“Honey,” you barely get time to say before Ford scoffs of. Oh here we go, petnames are back in circulation. You're using the secret weapon, you know exactly what they do to him. “Cant you trust me? when i want to stop, i can.”
Suddenly Ford is twelve years old again and Stanley smells like smoke.
He swears he can hear their dad in the other room, muttering at the evening news.
His brother leans against the windowsill, awkwardly rolling a cigarette between his fingers which he bummed off the older kids at school. There’s a hole in his sleeve. A bruise on his jaw.
“You know dad will smell it! He's gonna know. He's gonna—“
“Yeah, yeah, he'll tan my hide, blah blah.” Stan rolls his eyes, sliding the cigarette between his lips , lighting it with exaggerated flick of the lighter. The first puff is taken in a deep, inexperienced breath before he exhales through his nose. “seriously, Poindexter , would you stop being paranoid? when i wanna stop, i can.”
But he doesn’t, he lies, because Ford hears him cough at night sometimes. Watches him light another in the schoolyard.
He knows it’s bad. But Stan doesn’t listen.
Why does his brother do these things? Why does he always push the limits, cross the lines? Why does he always seem so desperate to do the things he knows he shouldn't?
That day, when they returned from school with large backpacks at the ready, Stanford glanced towards their house. “seriously, Stan, put it out. If da smells it—“
“What, you're scared he'll ground me?” Stanley smirked. “big whoop.”
“Stanley!”
Stan rolled his eyes at his twin's dramatic behavior, but stubbed it out on the pavement, flicking the butt into the bushes what made Ford exhale, relieved.
But the relief didnt last long.
Because week later, their dad does find out.
And Ford watches as his own twin, for all his bravado, gets actually scared. Ford hates that look. He hates it almost as much as he hates the sharp crack that follows.
Ford doesn’t like thinking about what happened next, doesn't like remembering the way Stan screamed. Doesn't like remembering how loud their father’s voice got, making the walls sh ake, how the belt cracked sharp as thunder, how Stan tried to act like it didnt carve its place into his skin.
But Ford remembers. He remembers the way Stan didn’t fight back, how he flinched at sudden movements for weeks. How he hissed through his teeth when he sat down too fast, and how he lit another cigarette anyway.
Ford opens his eyes. He's back in present now, back at the bus stop with you watching him with frustration in your eyes.
“Ford?”
He swallows, shakes his head, forces his thoughts back into place. He doesn't tell you any of that. “just. . . promise me you'll think about it.”
You groan again. “jesus, you sound like my dad.”
Ford flinches and wonders, distantly, if you notice. If you know what that comparison does to him.
“I told you, darling, when i want to stop i can,” you add, caressing his cheek.
He doesn't argue anymore, because he already knows that line. Heard it before. Millions of times. And he knows it's a lie.
***
Stanley Pines doesn't know what to do with kindness. Not the real kind, anyway, where someone takes him out, sits him down and actually pays for his meal as if some random knucklehead like him is worth the damn trouble.
He can't help it; he feels awkward because he is not used to people being nice to him. He's not used to much of anything, except scraping by, finding the next scam and eating cheap food out of plastic wrappers. So when you dragged him to the Gravity Falls diner, promising him a real warm meal, he was suspicious.
The waitress barely had time to finish setting down the menus before Stan barked out an order. “Burger, double. Extra fries. Chocolate milkshake. And gimme some bacon on the side.”
You're an idiot, he thought, the hell are you getting the money for all this?
Your brows shot up, but you didn’t say anything, just smiled and told the waitress to put it on one tab. That’s when Stan’s gaze snap s to you. “One tab? wait, you’re payin’?”
“Yeah, why not?” you answer casually, because it's not a big deal for you, but Stanley frowns.
“You sure about that? ‘cause, uh, i don’t exactly have, you know. . .” he trails off, scratching the back of his neck.
“It’s fine. Just eat, Stan.” and that’s what fucks him up. Because nobody’s ever wanted to spend their money on him before, not unless they were expecting something in return. But you just look at him with those soft, genuine eyes and tell him to shut up when he starts talking about returning money.
When the food arrives, Stanley attacks it like a man starved, which, honestly, he definitely is. The burger disappears in minutes, followed by the fries, then the bacon. Grease smears his chin and he doesn't even bother wiping it off, too busy slurping down his milkshake like his life depends on it. Not a single goddamn cru mb left. You swear he licked it. “Well, shit, if i knew you were gonna feed me like this, id have showed up beggin' at your door ages ago.”
You watch in both amusement and horror at the starved man in front of you, who barely stops to chew, talking with his mouth full .
“Yeah, yeah. You eat like a starving stray dog.”
That makes him choke on his milkshake, he wipes his mouth with the back of his hand, glaring at you while you laugh. “jesus, toots, the hell's that supposed to mean?”
“I mean,” you wave a vague hand, smirking. “you're scruffy, hungry all the time, you look at people like they might kick you if you get too close.”
“Hey, don't insult dogs like that.” He cuts in, effectively ending the conversation as he goes back to his food, shoveling another bite into his mouth.
“Damn, Stan, you wanna slow down before you choke?” you tease, propping your chin on your hand, watching him shoveling food into his mouth with the single-minded desperation of a man just let out if a cage.
Stan grunts, barely acknowledging you. “’s good.” you notice the ketchup on his cheek and chuckle.
“Yeah, i can tell.”
After couple of minutes, he finally pauses, chewing slower, he swallows hard and taps his finger on the table, avoiding eye contact with you. Leaning back with a groan and patting his stomach with one hand, Stan smears a little grease with other. He exhales, heavy. Then, as if realising how fucking feral he just looked, tries to play it off.
“Whew. Almost forgot what real food tastes like. Jail slop, y'know? Not that I've been to jail. Ha, kiddin.” he pauses and grins. “unless?”
Silence.
You stare at him, blinking. He watches your face, waiting for laugh or well, some kind of reaction that doesn't make him feel like a goddamn idiot , but you just look at him like. What. The fuck.
Stanley throws his hands up. “Okay, tough crowd. Coño. . .” he mutters the last word under his breath, shaking his head
“Was it Spanish?” your eyes perk. Stanley tenses , but you squint at him. “how do you know Spanish?”
“Uh, picked it up.”
“Picked it up where?”
“Places.”
“ Uh-huh, ” you lean forward. “cmon, teach me some.”
“Nah, i aint exactly fluent, sweetheart.” Stan laughs forced.
“But you sounded pretty fluent just now.”
“Yeah, well,” he rubs his neck. “i picked up the good words.”
You let it go, for now, because you notice the way his eyes dart and how how tries to make himself look just casual, enough for it to be convincing.
***
The dorm hallway was too bright and loud, full of students shuffling papers, setting up models and diagrams, nervously practicing their presentations to each other.
Ford stood off to the side, as always stiff and uneasy, shifting his weight from foot to foot, shoulders tight. His fingers fidgeted uselessly, six of them curling and uncurling.
The project was ready. The calculations were perfect. He should’ve felt confident.
Then why did he feel so out of place?
He scanned the room, seeing students, professors, familiar classmates. Goddamn. Ford hated how nervous he was, hated that his mind was half on the project, half on—
“G'mornin’” your lazy voice broke through the noise. “or, well, g’afternoon? god, what time is it?”
Ford turned. Oh, you were a mess with your hair wild, clothes rumpled, eyes heavy with sleep. A coffee cup dangled from your fingers, mostly empty. You yawned, covering your mouth halfheartedly.
Ford gave you a quick once-over, barely holding back a sigh. “you look— “
“Beautiful?” you grinned.
“like you rolled out of bed five minutes ago.”
“Aww, you noticed,” you laughed , stretching. Then, with absolutely no preamble, “so i fell down the stairs today.”
“What?” Ford raised his eyebrows.
“Yup, just,” you made a vague flailing motion with your hands. “ Wham, right down ‘em. It was very tragic. A true fall from grace. ”
You expected him to at least huff a laugh, maybe shake his head or give you that exasperated, fond sigh. But Ford didn’t. Instead, his brows drew together, and his eyes quickly swept over you, scanning for damage.
“Are you alright? do you need to see the nurse? You should’ve told me earlier.”
“ . . . you’re not laughing, ” you pointed out. “normally you at least try to pretend i’m funny.”
“You fell down the stairs, and you expect me to laugh?”
“Well, when you say it like that—“
“Are you hurt?”
That care, honestly, took you by surprise. “uh,” you looked down at yourself, then shrugged. “probably? i dunno, i was too tired to check. ”
Ford exhaled slowly, clearly trying not to engage, but you just kept going.
“Man, i am not ready for this presentation,” you groaned, rubbing your eyes. “seriously, i have no idea what i’m gonna say. But hey, i’d do anything for my two lovely nerds. even stand in front of a bunch of judgmental geniuses and pretend i know what i’m talking about. Right, Ford?”
Nothing.
“ . . . Ford?” you waved a hand in front of his blank face. Obviously, he wasn't listening, judging by how distant his gaze was, he was somewhere else entirely.
“Hellooo? Earth to Sixer?”
Ford blinked, snapping back. “What? Oh, sorry.”
You gave him a look. “man, you’re the one who’s supposed to be all focused and sharp. i m the one running on three hours of sleep and caffeine fumes.”
He barely heard you. “have you seen Fiddleford today?” Ford asked abruptly.
“What?” you paused.
“Fiddleford. Have you seen him?”
You frowned, thinking. “um. no? now that you mention it, i don’t think i have. But i just woke up like an hour ago, so last time i saw him was when we were working on the project. Why?”
Ford looked away and pursed his lips guiltily. “he said he was going for a walk. I remember he had a drink, said he’d be back. But he never—“
“You don’t think . . .?”
Ford shook his head quickly, Interrupting your thought. “ No. No, he’s fine. He’s probably just, well, late.”
But you both knew that wasn’t like him. Fiddleford was always there on time, cracking jokes and filling the space with his presence.
And now he wasn’t.
The noise of the hall seemed to fade. Ford exhaled sharply, shaking his head. He said your name, nervously slipping a textbook into your hands. “We should focus, he’ll show up.”
***
The ride to the shack is cool, winter sun setting earlier than youd like, same as always. Your dog is curled at your feet, eyes flicking back to Stan at the wheel. He grumbled about the fur at first but you can see it, he likes your dog, likes her a lot. He's just being difficult, pretending, putting up a front.
Stanley drives slowly, you don’t know if he always does, but right now, you wish he’d go faster. You want to see Ford as soon as possible.
But Stan doesn’t seem nearly as excited as you. There’s a knot of unease sitting somewhere inside him, but mostly, he just isn’t sure what to say when he finally sees his brother again.
“Hey, I’m bothering you again because I’ve got nowhere else to go?”
After a beat of silence, you glance at him. “you ever think about calling Ford before he called you?”
Stan's eyes are fixed on the road as he speaks, “thought about it. But i figured he’d just tell me to drop dead.”
“He wouldn’t.”
“Yeah?” he glances at you now , twisting his mouth. “pretty sure he told me worse when i got here.”
When you reach the shack, you knock. Wait.
No answer.
You knock again. Still nothing
Stan squints. “maybe he’s sleepin’.”
You huff, shifting your grip on the grocery bags. “actually, i lived here sometimes, so i’ll count it as my home too. And if Ford doesn’t wanna open the door for me, i’ll open it myself.”
Stan smirks. “yeah, that tracks.” but then his smirk fades as he narrows his eyes slightly. Lived here before.
You unlock the door, steeping inside and the first thing you notice is quiet the shack is
“Ford?” you call, but you don't get an answer.You exchange a worried glance with Stan. Ford seems nowhere to be seen.
“Should we be worried?”
“Nah,” Stan says, but he doesn’t sound convincing. “he's probably just. . .”
You step into his room and you see Ford sprawled out, dead asleep, hair a mess, glasses off. He's curled slightly inward, breathing deep and even, absolutely gone to the world.
Stan smiles. “Told ya he’s fine. Nerd just passed out.”
“I'm still worried, should we wake him? ”
Stan eyes his brother. “Nah, let him sleep. Dude probably hasn't in days.” he tells you, already leaving the room.
You nod slowly, still focused, studying Stanford's face. Okay, yeah, Stanley is right. You should let your poor n erd sleep. You turn, stepping back into the hall.
“You shouldn't have come back.”
And that makes you freeze as you quickly turn your head to the sound to see Ford sitting up. Staring at you, his eyes are open now, fixed on you.
You blink, thrown off, eyes flicking to the person sitting in front of you. Then, before you can think about it, you step forward, reach for his hand and—
Picture passes. Ford is still in bed, asleep.
You swallow. A slow, creeping dread curls in your chest. Who or what did you just see?
….
“Nerd looked bad. Needed sleep.”
That was the verdict. So you let Ford be.
“He always was a bad sleeper,” Stan grumbled, stepping past you, glancing around the shack, still having hard time getting used to it. “musta gotten worse over the years.”
Just let the man sleep. He'd wake up eventually.
You had to do something to keep yourself busy. Giving your dog a quick scratch behind the ears as you walked past, you figured she deserved a proper meal after all the traveling.
Stan, though, stayed behind and damn, it wasn't like he was snooping. Not really.
It was just this place felt weird.
He rubs the back of his neck, glancing around, taking in the clutter, the books, the walls covered in notes and sketches, and hell, even that weird curtain draped over the entire back wall like Ford is hiding some secret government operation. It's just. . . odd.
“Guess some things never change, huh, Sixer?” Stanley sighs. And that’s when his eyes accidentally land on the lighter what makes him tilt his head.
Since when did his goody-two-shoes, anti-smoking,'your-lungs-are-a-delicate-system-Stanford' brother have a lighter?
Stan picks it up, turning the little thing over in his hand. Metal. Decent weight.
Not some cheap thing, either.
He wants to call out to you, “hey, did you know Ford's got a lighter in here?” but he remembers, at the last second, that Ford is still dead asleep in the other room and screaming that loud would disturb him.
So instead, he just holds it, closing his fingers around it, turning it in his palm, flipping the lid open with a soft metallic click.
Weird.
Stanley's curiosity itches. So he looks around again, just in glance, just to make sure you aren't watching.
Then, his gaze drifts lower to the small pile of books near the armrest.
He chuckles. “Nerd books,” he tells himself, but his hand reaches down anyway.
One of them catches his eye. Heavy thing with a lot of pages.
Gravity's rainbow.
Oh yeah. He’d heard of that one.
Didn't seem like the kinda book Ford would normally read, though.
Stanley carelessly flips it open, barely glancing at the pages. Blah, blah, blah. Too many damn words for someone as impatient as him.
Suddenly, something slips out of page 69.
A bookmark?
Stan makes sure to catch it before it can land, brushing his fingers over the glossy surface before he turns it over.
Huh.
A photo.
It was you and his brother. From college, clearly, you both looked so much younger, holding some kinda trophy.
Some nerd award, Stan assumes.
Ford had that same awkward, stiff stance he always had in photos, but you looked too happy, excited, eyes shining. Laughing, hair a little windblown, standing too close to Ford, who had lipstick mark on his cheek.
What?
Stanley squints, fuck. . . he really needs to buy glasses.
You never really expect to see your nerdy brother like that. Looking. . . well, normal. Young. Happy.
Stan continues to stare. At Ford’s unsure smile. At your beaming one.
He turns the photo in his fingers again and glances toward the hallway where Ford is sleeping.
And then, a hand lands on his shoulder.
“Mierda!” Stanley jumps, nearly throwing the book across the room. He barely had time to shove the polaroid away before he turns, swearing under his breath, “por el amor de dios, you tryna give me a heart attack?”
You, startled, take a step back and raise your hands. “shit, sorry!” then your head tilts, “wait. Was that, was that Spanish again?”
Stan is still catching his breath, clutching at his chest like he just lost ten years off his life. “Si. Yeah.”
“What were you looking at?”
“Nothing.” Smooth, effortless. Completely unconvincing, but before you could say anything, his face twitches as he makes a sharp inhale through his teeth. “fucking hell.”
Your gaze drops to his shoulder, where your hand had landed.
A burn.
“Stan.” he swears he hears the shift in your tone before he even sees your expression. You reach forward, touching his arm again, but softer this time, brushing your fingers against the fabric of his jacket, near the burn. “You never treated it.”
Stan rolls his eyes. “it’s fine.”
“Bullshit. ”
“ It’s. . . oh, damn, it ain't like it's infected. ”
“That's not the point.” you pull, planting your hands on your hips. “you let it heal like that? No treatment at all?”
“Ain’t like I had a whole damn first-aid kit on me, sweetheart.”
You frown. “you could’ve at least—“
“It’s fine.”
And so it goes, the familiar dance of grumbling and resistance, before he finally gives in with a gruff and let you do your thing.
“Okay, fine. Fine. Do whatever.” he sighs, groaning, rubbing his face.
You mutter something about stupid stubborn men under your breath before reaching for the first aid kit on the nearby shelf.
But before you could even open it you hear your dog growling low what made your head snap toward her. She’s staring at the hallway that leads toward the front of the shack.
“Aww, shit.” you hear Stan say.
“What?”
He gestures toward the hallway. “you got ghosts in here, too?”
You give him a look, but your dog won't stop growling and that's when your eyes widen because you just hear the front door creaking slowly. Next thing you feel is a gust of cold air sweeping through the room.
Stan turns, the door is open what made fresh snow carry inside, dusting the floor in uneven patches.
You and him stare at it, realising that neither of you had opened that door.
After a long pause, Stan walks over and slams it shut, clicking the lock in place.
Then turning back to you with annoyed face, “so, anyway, how the hell is everyone in this town so damn weird?”
“What?” Stan plops back down next to you.
“i mean, you know,” he gestures, winces a little when the motion tugs his injured shoulder. “this place. Gravity falls. It’s weird. Fuckin’ weird. Like,” he tilts his head, looking at you, squinting. “theres so much paranormal weird shit here, and i aint even talking about my brother.”
“Now you sound paranoid.”
“See? That’s what i mean!” he points at you, triumphant. “exactly what i’m talking about! Everyone’s just, like, casually fine with all the weird shit, but if you point it out, suddenly you’re the crazy one. ”
As you work, carefully dabbing at the burn, he hisses through his teeth, every touch of yours is met with some kind of protest or mumbled curse or half-hearted complaint.
“You’re a goddamn baby.”
“And you’re a goddamn sadi—“ he doesn't have time to finish as he gasps dramatically again, throwing his head back like you just putted him through the worst pain imaginable.
“Oh, quit it.”
“Quit what?”
“Acting like you’re getting tortured.”
“Hey, you don’t know, you could be really bad at this.”
You press the gauze down harder, and Stanley hisses, jerking away.
“Fuck, watch it, would ya?”
“Oh, sorry, am i hurting you?” you deadpan. “maybe if you’d taken care of this in the first place, it wouldn’t be such a problem.”
“It ain’t a problem—“
“Oh, no, of course not,” you cut in, rolling your eyes. “burns are fine. Totally normal to just leave them alone and hope they magically heal on their own.”
“I was busy.”
“Busy being dumb?”
“Oh, fuck that, really,” he says flatly before he looks away.
You sigh through your nose, gentler this time as you go back to work, cleaning his burn around the edges. Stan's eyes flick to the coffee table and he remembers the lighter he’d found earlier.
“So, since when does Sixer smoke?”
You stop, freezing.
Stanley raises an eyebrow, watching the way your whole body goes rigid. “what?” he drawls. “hit a nerve?”
“Ford doesn’t smoke.”
“Yeah? that his lighter, then?” he gives you a look, nodding toward the thing. Wait. . . The realization hitting you. Fuck. You’d left it here? At Ford’s? “found that lying around. And i know that stick-in-the-mud was always on my ass about it, so unless he suddenly decided to turn into the marlboro man—“
You swallow. “no.”
“Huh.” his smirk widens. “so you’re tellin’ me— “
You scowl. “it’s mine, okay? I used to, but i’m trying to quit.”
After a beat of silence Stanley bursts into shameless laughter.
You glare at him. “what the fuck is so funny?”
“Oh my god,” he wheezes, slapping his knee. “holy shit, lemme guess, did Poindexter give you the whole ‘your lungs will rot’ speech? Went full psa mode?”
Your scowl deepens. “so what if he did?”
“No , no—” he’s still laughing, wiping at his eyes. “it’s just, you sound exactly like me when i was like twelve. Swear to god. He gave me the same fuckin’ speech. Like, word for word. Bet he even did the disappointed sigh.”
“He just cared,” you admit, looking away. “cared about my well-being. I used to think the same as yo u, that he was just being a nerd. But, y’know. Some things never change.”
That shuts Stanley up. So you use that moment when he seems to think or remember something, and clear your throat. “anyway, since you’re his brother, i wanted to ask you something.”
“Shoot.”
“Was he always like this?”
“Like what?”
“You know. Paranoid. Weird. Off.”
He gives you a look. “uh, i met the guy for the first time in ten years, like, yesterday.”
“Oh. Right.”
Stanley scratches his chin. “but, i mean, i dunno. When we were kids, he was always kinda anxious. Worried about grades, the future, that kinda shit.”
“Yeah. He was the same in college.” you nod, something clicking into place.
You fall silent, rubbing your chin, thinking. If even Stanley, his own twin brother, has no idea what’s going on with Ford, then who does? Who the hell would know what happened to make him like this?
There had to be someone. Someone who saw him a lot during those years, who knew what changed, who was here when that happened. Who knew what had made him—
Your eyes widen.
“Fiddleford.”
“Who?”
“Fiddleford. Fiddleford McGucket. Our good friend and Ford’s old lab assistant, he quit before everything went to hell, but if anyone knows what’s up with him now, it’s him.”
Stan stares at you. Then his entire body shook with laughter.
Ignoring that, you snap your fingers as smile appears on your face. “right! he should know!” you look at Stan, pausing. “what?”
“Fiddleford,” he repeats, grinning widely. “holy shit, that’s his real name?”
You cross your arms. “Yeah?”
“That’s fucking hilarious.” he shakes his head. “Ford and fiddle. Jesus.”
You shoot him a glare. “are you done?”
“Nah, nah, i need a second,” he chuckles, wiping his eyes. “Fiddleford. God.”
You ignore that dumbass, grabbing the phone, its rotary dial familiar under your fingers. You dial the number, tapping your fingers against the table, pressing it to your ear as the static hum of the line comes to life.
“Hello?”
The voice on the other end is unmistakable and it makes you smile, hearing your friend again.
“Fidds , it’s me,” you name yourself.
There’s a pause. Then, carefully, he repeats your name.
“Yeah! listen, i know you said you wanted to forget whatever happened when you were working with Ford, but—”
You don’t get to finish, because across from you, Stanley starts laughing again, shaking his head like he just can’t believe what he’s hearing.
You glare at him.
“Fiddleford,” he says under his breath, wheezing. “holy shit!”
You roll your eyes, bringing the phone back to your ear. “so, anyway— “
“Wait, wait, hold on,” Fiddleford cuts in, confused. “who’s that?”
Stanley, still grinning, leans in toward the receiver and says, loud as hell: “your parents named you what?!”
“Who in the sam hill is laughin’ at my name?!”
You turn away from Stan, pushing him. “ignore him.”
“Who’s laughin’?”
“Nobody.”
“I'm gonna die. Man, your name is awesome. And here i thought my parents had zero imagination.”
“Uh,” Fiddleford sounds even more confused.
“Don’t listen to him.”
But Stan just keeps laughing. “Nah, seriously, what kinda— “
You hear Fiddleford's voice going defensive. “now listen here, i’ll have you know Fiddleford’s a perfectly respectable name—”
You sigh, rubbing at your temple. Jesus christ. This was gonna be a long conversation.
Ford sleeps like the dead, the weight of exhaustion so complete that he might as well be a corpse until his chest lurches followed by painful gasp, his whole body jerking upright, pulling him back into the waking world.
His breath is coming too fast and shallow and Ford can't quite catch it. His heart is beating as if it wants to burst out, no longer belonging in his body. Cold sweat clings to his skin, dampening the sheets beneath him.
Another fucking nightmare.
Ford drags a hand down his face, through his hair. Inhales slow, exhales slower and forces himself to move.
The floor is cold when his bare feet touch it, but even that doesn't ground him, reminding him that he’s here, in the Shack, with him watching his every move.
He needs water, so he stumbles towards the door until he steps on something that makes too loud a sound.
Squeak.
Ford looks down.
A dog toy, a bright, rubbery, ridiculous thing, right there beneath his heel.
Oh he knows what it means. Happened quite a lot. You're here. And you brought your dog.
Ford sighs. Deeply. He sets the toy down on his desk and finally steps out into the hallway.
He hears your voice, unmistakable, and Stanley’s.
And then he hears a voice he hasn’t heard in a long, long time.
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BG3 Characters Safest Driver Headcanons
I've been thinking about that poll from months ago way too much, so I've pulled this from my drafts. In this essay, I will explain why Boo is the best driver. Astarion: Terrible. Absolutely terrible driver. He is doing his makeup with the visor down, looking at the mirror more than the road. Suspend your disbelief, he's driving in this universe. He can use mirrors. ♥ You have to grab the steering wheel, regularly. Without warning, the man twists around to find his purse in the back seat because he wants a different eyeliner than what he grabbed. You are on aux duty. He hates everything you've picked. 2/10, he lawyered his way into that license Gale: You would think he would be safe, but then you remember that Gale didn't pay attention in boring classes. And how hard could driving really be?? The man knows how to drive perfectly textbook. He also thinks he knows how to do it better than everyone else. He does not adapt well to poor drivers. The roads are full of poor drivers. He is yeling "Zipper!" at the merging traffic. You spend five minutes in the parking lot so he can find just the right song for the trip.
6/10, you will probably not die Halsin: The man drives slow, I'm sorry. He's fuel efficient as you can get with the windows down. He pulls over and stops traffic for ducks crossing the road, no matter what the current road conditions are. He stops to show you the new tree the neighbor got. He is a Yellowstone Park tourist. He wants to show you the world, one traffic-stopping mid-road parking job at a time. There is no music, we are listening to nature today. 4/10, you will be rear-ended with him and not the way most people want Jaheira: I stand by what I said last time: Jaheira reminds me of so many older women I know. She drives like she wants someone to start shit with her. She's so conditioned by having 5 kids fighting in the backseat at all times that every time she's behind the wheel she's having Vietnam-level flashbacks. Her blood is pumping in her ears. There is no road, there is only the red of her vision. She won't start the road rage incident directly, but by god, she will end it. (You tried to ask about music, but the look she gave you when asked killed the question.) 5/10, you make it to your destination intact. But at what cost? Your pants are a different color at the end of the trip than they were at the beginning. Karlach: Karlach is talking with her hands while she drives. She's fiddling with the radio constantly. You've blown four red lights. Three of them were the same red light because she took a wrong turn. She will not use GPS, she's got the vibe of where she's going. She was trying to show you something on her phone at the same time. It cannot wait. It was so good you have to see it right now. The tunes are so loud she hasn't heard the sirens behind her. 4/10, the tunes almost make up for it Lae'zel: You are helping her check her mirror distance before you get in the car. You are buckled in before the car even starts. You are not allowed to touch the light in the car if it is dark out. She was taught that it's illegal to have on at night and she takes that shit seriously. You are on blindspot-watching duty at all times. You're not allowed to have music on the in car, it is a distraction. 7/10, we are efficient, but we are miserable Minsc: Minsc cannot drive. Minsc was meant to drive today, but Minsc got into the wrong seat. We are all relieved. Jaheira trained him wrong on purpose and will kill you if you correct him. 0/10, don't even try. He will survive the accident, you will not. Minthara: Minthara, light of my life. She is gremlin cackling and riding bumpers the whole time. People are pulling off constantly to get away from her. You are white-knuckling in the passenger seat and are too afraid to let go of the bitch-bar. You pray her airbags are up to date because your life has not stopped flashing before your eyes since you got onto the road. We are exclusively listening to The Flight of the Valkyries. 7/10, it is shockingly efficient when no one else is on the road anymore
Shadowheart: I have been in many a 'Shadowhearts' car. The car is more of a problem than she is. She drives the type of car that makes people go, "You live like this?" She drives a manual. She was not trained to drive a manual. Almost every single dash light is on, the ones that aren't had their bulbs die out years ago. We don't know how old that trash is, but it lives here now. She has one of those cassette players that has to hook into your phone to come out the speakers. Good luck finding the right adaptor in the mess. 4/10, girl get your shit together Wyll: Wyll is the best driver, hands down...when he is alone. Like all things in his life, his greatest flaw is being too polite. He turns his whole fucking head to look at you when you talk because that is the polite thing to do. The road is secondary to how important your conversation and companionship are to him. And you can't not talk him! He's asking you genuine questions about your day because he's interested. You get to listen to whatever you want and he's totally down for it even if it's not normally his thing. He'll find something he likes about it. Alone: 100/10, he somehow makes everyone better drivers by just being on the road With you: 5/10, Wyll, please, look at the road. ;_;
Boo: My eyes are closed. It's better this way. We made it there in record time. I don't know how it happened. I don't need to know how it happened. ?/10, it's best if you don't think about it
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stargirllanaa · 1 year ago
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୨⎯ "Cruel World” - Rafe Cameron
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❥ Masterlist
Warnings: Dark!Rafe, Noncon smut, toxic relationship, Abusive relationship, Domestic violence, Gun violence, Drinking, ex!rafe, Rafe is actually terrible, psycho ex bf Rafe
Summary: loosely, based on ‘Cruel World’ by Lana Del Rey, everything goes wrong when you spot your psycho ex bf at a New Year’s Eve party.
A/n ✎: Thank you so much for 100 followers! Ahhhh!!!! I’m so glad you guys are enjoying my work, I recommend listening to the song ofc but you don’t have too. Bold and italics are flashback. Enjoy <333
Wc: just under 3k
18+ MINORS DNI, YOU WILL BE BLOCKED
“Does anyone know where I put my eyeliner?” Your friend Nora asked you, as well as your other friend Violet.
You were all getting ready for some New Year's Eve party at Nora's boyfriend's house; everyone would be home from college for winter break, so you were excited to see all the people you went to high school with.
“No, but I know where the vodka is!” Violet chuckled,
“Come on, let's all take a shot!” Violet continued as she made her way over to you.
“Come on, y/n, are you going to pout all night? He might not even be there.” the brunette expressed as she sat beside you, bottle in hand.
She was referring to your ex, Rafe Cameron, and you knew for almost a fact that he would be there. Nora's boyfriend happened to be his best friend, Topper, and you and Rafe hadn't exactly ended on the best terms. The two of you had been broken up for about a month and a half; for the first two weeks, he would not stop texting and calling you, profusely apologizing, saying things like, ‘I'll go to therapy.’ ‘give me another chance.’ ‘I'll be better.’
It got so annoying that you had to block him; obviously, that wouldn't stop him. The thing was, Rafe was fucking crazy; he would always find a way to get to you, and if he didn't, he simply didn't want to.
“He's going to be there.” You said with a sign, “I'm just going to get fucked up, ignore him, and hopefully get some dick tonight.”
“That's the spirit!” Violet said as you tilted your head back, and she poured the vodka down your throat.
“Are you kidding me?” Your boyfriend asked you in a harsh tone as he stalked toward you.
“What?” you respond as you tried to take a wobbly few steps back.
His eyes narrowed at you, and his eyebrows furrowed.
“Well, aside from the clown makeup,” Rafe said, referring to your red lipstick.
“How many times do I have to tell you I don't like that dress?” Rafe interrogated as he roughly grabbed your waist.
“How many fucking times, y/n?” the blonde shook your body roughly. “For you to get it through your thick fucking skull?”
You were silent, frozen almost; whenever Rafe got violent, you didn't know how to react. You didn't fight; you didn't try to run; you stood wide-eyed in shock because if you did respond the wrong way, you knew it would make things 10x worse than they already were.
“Huh?” He asked you, shaking your body roughly again, waiting for you to respond.
“I- I don't know.” You mumbled weakly.
“You don't know,” he mocked with a dry humorless laugh.
“Go and change. Red looks trashy on you.” He stated before letting go of you with a harsh push into the wall.
All your friends knew that Rafe was bad, but they certainly didn't know how bad he was. You were so good at hiding it, concealer, color corrector, foundation, you name it; if it could cover a bruise, you had it. Every story you told them about your fights with Rafe were very watered down, and because of that, no one knew how truly scared you were to run into Rafe at this party. Not in an ‘Oh, no, my ex!’ way more in a ‘he might kill me way.’ But with every shot you took, you felt your fear start to fade slowly, and when you arrived at the party five shots in, in your little red party dress, you felt way more confident than you should have.
Your arm linked with Violet’s as your friend Nora lost the two of you to find her boyfriend. You and Violet stumbled through the house, passing through groups of people, trying your best to find the drink table.
“By the way, I love your dress,” Violet approved, looking you up and down. “Red is your color.”
“Thank you!” you smiled, taking the compliment to heart; she didn't know just how much that meant to you; you hadn't worn red since Rafe had told you it was ‘trashy’ on you.
“Fuck, is the Britney Smith?” Violet giggled, pointing at the short blonde girl.
“Isnt she pregnant?” you wondered as your eyes fell on the drink table.
“Oh my god, look who's right next to the drinks,” Violet says before covering her mouth with her hand.
“Is that Alex?” you replied, squinting your eyes to get a better look.
Violet nodded in response, eyes wide with excitement.
“Go talk to him!” you smiled at her. “I'll sit right over there,” you said, pointing at the elegant velvet couch.
As you sat on the couch, you couldn't stop thinking about Rafe. Your anxiety slowly started to rise, and you regretted every choice you made up to this point. First of all, you and Rafe had ended on horrible terms; second of all, you came to a party that you knew he would most likely be at, and now you are all alone and a little more drunk than you'd like to be.
You couldn't stop thinking back to that day, your breaking point, the last fight you had with Rafe before you ended things for good.
“Why are you following John B on Instagram?” Your boyfriend asked you as he looked up from his phone.
The question confused you a bit; you honestly didn't even know you were following him in the first place.
“I don't know?” you replied with a shrug. “Probably was an accident; maybe Sarah tagged him in something or-”
“Was it an accident when you smiled at him the other day at the wreck?” he cut you off.
Was he serious right now? John B had waved at you, and you simply smiled in return. You were just being nice; it was nothing more than that.
“Rafe, I-” You were going into very dangerous territory, and you knew that, even though Rafe was physically attractive, he was very insecure, which showed a lot in your relationship.
“If it's another bullshit excuse, I don't want to hear it,” he scolded as he stalked towards you.
He wasn't even giving you the chance to defend yourself, and frankly, it was pissing you off even more than his stupid questions.
“Rafe, I don't even know what you're talking about; I literally-” you plead with your boyfriend, taking a step back for every step he took forward.
“Of course you ‘Dont know,’ you never do.” Rafe hissed at you, moving closer and closer.
“That's what you do; you act all fucking innocent and then sneak around behind my back.” the blonde accused.
“Do you think I'm stupid?” He sneered, backing you against the wall.
That was the final straw; now he was accusing you of cheating from a simple smile and an Instagram follow. I mean, how delusional could he be?
“Are you fucking crazy?” you asked him, eyebrows furrowed.
You could tell he was shocked at your response by the way his eyebrows arched upwards slightly, but you could also tell you pissed him off by the way his jaw ticked.
“What did you say to me?” He asked; he heard you loud and clear the first time; he just wanted to see if you had the guts to repeat it.
“Are you fucking crazy? I follow him on Instagram. So what? I can unfollow him if it's a problem.” you argued, shocked that this was even an issue.
Rafe's hand shot forward without warning, delivering a sharp slap to your face. Time momentarily slowed as the impact echoed through the room. As the sting of the slap registered, a deep sadness clouded your features. You hated to say it, but you were used to rafe hurting you.
“Who do you think you're talking to?” Rafe asked you. Blue eyes are darker than their everyday shade.
“Huh?” He scoffed, laughing slightly.
“Calling me crazy…talking to me like I'm the one in the wrong?” your boyfriend shouted as he snatched a big chuck of your hair, gripping it tight enough to bring tears to your eyes.
“Rafe, I-” you tried to defend yourself as tears clouded your vision.
“No, I'm talking now.” His voice boomed as he screamed in your ear.
Rafe slammed your head against the wall behind you, using your hair as leverage; at this point, your ears were ringing, your head was banging, and you couldn't speak from the pain alone. And Rafe just kept going on and on about how important trust is in a relationship, but how could you even listen when he was gripping your hair so tight? But obviously, Rafe didn't see this as punishment enough because he dragged you by the hair to his closet, and even as he rustled through his sock drawer, clearly looking for something, he didn't once let go of your hair.
“Rafe! Stop-” You were cut off by the feeling of ice gold metal pressed against your temple; you were completely frozen, not knowing what to do; there was no way your boyfriend was pressing a gun against your head over an Instagram follow.
“If you even look at john b again, your fucking dead.” Rafe threatened coldly.
Your heart was racing; Rafe was impulsive knowing him; you could breathe the wrong way, and he would pull the trigger. That didn't stop your breath from fasting and your tears from falling, though.
“You hear me?” he asked, pulling your hair back just enough to make eye contact.
You didn't say anything; you had been sobbing ever since you felt the metal against your head in the first place.
“Do you hear me?” He shook you, demanding an answer, “I will fucking kill you.”
“Yes!” you cried out, hoping and praying for him to put the gun down and let go of you.
And when you left his house that night, you had never returned. Rafe did have his good moments, but was he worth your life? You broke up with him over text the following day, and you hadn't seen him since.
Since today, as soon as you looked up from your lap, lost in thought, you made eye contact with Rafe. You felt sick when you saw him; you knew he would be here, but you weren't expecting to see him this soon.
You stood up, making your way through the separate groups of people; you needed to find somewhere you could be by yourself because right now, you felt like you might have a panic attack.
“Excuse me,” you repeated over and over as you drunkenly stumbled to the stairs. No one was upstairs, other than maybe a few people hooking up, but other than that, it was pretty empty. You looked for a room, apologizing when you opened the door to see Nora and Topper making out. You stumbled through the halls until you found an empty room, sighing in relief as you closed the door behind you.
Your relief was short-lived because you didn't realize that Rafe was following behind you the entire time, and when he entered the room, you instantly regretted isolating yourself from the rest of the party and your friends.
“No.” you panicked, anxiety rising deep within your stomach.
He was intentionally standing in front of the door. There was no way out.
“Hey, Listen, y/n-,” Rafe said calmly, trying to calm you down.
“No! Get away from me!” you interrupted words slurring, not wanting to hear a thing from him.
You had no desire to speak to Rafe, not after all he had put you through in your relationship, not after you had been in therapy for the past month to heal the pain he had caused you. He wasn't just a regular ex, Rafe was fucking crazy, and you both knew it; you knew he was waiting to see you in person again, probably planning it, planning out exactly how he was going to get you back and what he was going to do if you declined his offer.
“Can you just listen to me!?” he snapped at you, slightly losing his calm demeanor. “I just want to talk-” He said through his teeth, walking over to you and away from the door.
“Well, I don't want to talk!” you barely even knew what you were saying; your head was spinning, and you regretted every shot you had taken earlier.
“So that's how it's gonna be, huh?” Rafe mumbled to himself more than you, fist clenching as he spoke.
As he got closer and closer, the room seemed easier and easier to escape; you knew you couldn't scream for help because of the loud music banging throughout the house; no one would hear you, and you knew you couldn't put up the best fight because you were drunk and Rafe’s also way stronger than you, he had proved this time and time again.
So you took the opportunity to run for the door while you still could. But two steps in, Rafe had already caught you and wrapped his arms around you, holding you tightly against his stiff chest.
“I didn't want to make this complicated.” he hissed into your ear. “But come on, y/n, it's almost like you want me to hurt you.”
You thrashed your body, wiggling side to side, trying to escape his grip.
“You’re fucking crazy!” You shouted as you continued to attempt to free yourself.
“Yes! I'm crazy,” Your ex admitted as his grip around you tightened, and his nostrils flared. “I'm crazy for you.” he dug his nails into your side.
“Get off of me!” you cried out, voice raw with emotion.
“You come to my best friend's party wearing the fucking dress I hate! Knowing I'm going to be here!” he criticized, pushing your body towards the bed. “It's almost like you want me to take it off.”
“Rafe, stop, I-” you were cut off by Rafe throwing you on the bed and wrapping his hands around your throat as he hovered over you.
“Shut the fuck up!” He sneered, looking down at you with dark eyes.
“You fucking left me!” His grip got tighter the more he spoke. “Not even a call, but a fucking text.” he scolded. “Do I really mean that little to you?”
You didn't end things the way you did because you didn't care about Rafe; you cared about Rafe so much, more than you ever wanted to, and that hurt; throughout everything he's done to you, all the pain he's caused you, you still cared. You broke up with Rafe over text because you were terrified; he had threatened to kill you over an Instagram follow; you couldn't imagine what he would have done if you dared to break up with him in person.
But you couldn't say any of that because he was choking you so hard that you couldn't breathe, let alone speak; all you could do was hit his hands repeatedly, hoping he would let go.
“You didn't care about my feelings. Why should I care about yours?” He asked you, looking deeply into your bloodshot, teary eyes with his blue angry ones.
Your mind was racing; Rafe was actually going to kill you. You saw this day coming many times throughout your relationship, but you didn't expect it to happen when you guys were finished. You had shared your body, your mind, everything with him, and you had been happy it was over; you finally were starting to feel like yourself again. But now he was going to take that all away from you.
Rafe finally let go when he started to see your eyes roll back as you started to lose consciousness.
You gasped for air in between coughs as you held your throat, desperate to soothe it from the pain he caused with his harsh grip. You had accepted death. You knew exactly who you were dealing with, and the thought of him killing you over a breakup wasn't too far-fetched.
“You have a lot of making-up to do after the stunt you pulled last month,” Rafe sighed as if he was inconvenienced by what he was doing to you.
The stunt you pulled? Your break up was serious, and for a good reason; he was lucky you hadn't called the police; if anyone had pulled a ‘stunt,’ it was him. He had pulled a series of stunts throughout your whole relationship. He was pulling one now.
Before you knew it, Rafe was tugging at your dress, attempting to pull it off you. If there was one thing you weren't doing, it was going down without a fight. You tried your best to kick him and scratch him, everything, but you were drunk, had just been choked, and Rafe was much stronger than you, so he pinned your wrist above your head with one hand and pulled the bottom of your dress up with the other.
“Remember this, y/n,” He said as he positioned himself up against your cunt. “Remember this feeling the next time you think about trying to leave.” He taunted before pushing into you roughly.
As he thrusted into you repeatedly at a rough and harsh pace, you sobbed. You thought Rafe was behind you; you told yourself you would never let a man hurt you the way he did again. You were so happy when he was gone.
“Fuck, take this off,” Rafe moaned as he pulled your dress over your head.
With every hash thrust, your cries got louder. Rafe didn't care about your pleasure or even his; he wanted to hurt you; he wanted to see your tear-stained face. This was your punishment, and he was succeeding. The only thing you felt between your legs was severe pain.
“HAPPY NEW YEAR!” you heard everyone downstairs scream in unison.
“Happy New Year,” Rafe smirked as he pulled you in for a rough, sloppy kiss.
Rafe was fucking crazy.
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phantajam · 1 month ago
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so its absolutely no secret that a solid chunk of Saihate Station is made up of commentary on work culture and all the ways its toxic and exploitative (shitty management, overtime, bad pay, taking work home, pitting employees against each other, the list goes on), and in a previous post I said I might ramble about it a bit.
Haru is a character who is repeatedly shown to be utterly incompetent at work, and this is something others consistently look down on him for. Even when Tatsunami is still in his 'shower Haru with love and compliments' phase early on in the game, he doesn't try to play up Haru's skills at work, but tells him outright that Haru's job isn't right for him. We see via flashbacks that other characters such as the manager and their coworkers view Haru's struggles at work as an indication that he is incompetent in other aspects of his life as well and that he's just an all-around useless person (something which Haru himself believes as well).
However, we also see and hear from Haru multiple times that he takes good care of his home life and has some decent amount of domestic skill (i.e. cooking). This to me is one of the more subtle commentaries on work culture in the game: Haru has things he's good at, but they aren't the "right" skills because they all fall into household duties rather than things you'd need to do in a 9-5. For a salaryman in a patriarchal capitalist society, a man with domestic skills but no work skills may as well have no skills at all, and so Haru is still worth practically nothing to those around him despite not being as incompetent as he is perceived.
Then you have Tatsunami: master's degree, model employee, put-together appearance, works overtime and then takes work home with a smile. We know that he has far surpassed Haru at their workplace despite being there for two months less than him, and we see very clearly via flashback and exposition that Tatsunami is well-liked by their coworkers and manager. Haru goes as far as to admit that he hadn't viewed Tatsunami as human, but as "someone who's perfect at everything". And it certainly seems that way from how Tatsunami is presented. Hell, the first time he's on screen, Haru gives us a nice long and self-deprecating narration about how great Tatsunami is and how much he sucks by comparison. Until we see Tatsunami's apartment.
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Probably not the place most people would picture when asked to imagine such an excellent person's home.
Tatsunami also can't cook for shit, and I promise i'm not just bringing this up be mean. It's the fact that both Haru and Tatsunami have clear strengths and weaknesses, Haru's weaknesses being in the workplace and Tatsunami's in the home, but one is held in such higher regard than the other simply because Tatsunami's skills can be exploited at their job and Haru's can't. Not every person on planet earth was put here to work a corporate 9-5, but with the way their manager and coworkers act, you'd think it was some terrible moral failing to be anything but a diligent salaryman that lets himself be exploited. Haru has internalized the notion that 'success' in life is solely measured by the job you work and this is one of the driving forces behind the deep insecurity that dominates his character.
I don't really know how to conclude this but given the terrible work culture both in Japan and elsewhere worldwide (and how its getting worse), I've been very interested in Saihate Station's messages about work culture and what makes a person "valuable" to society (as well as to other individuals, but that's a conversation for another day).
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funhouse-mirror-barbie · 10 months ago
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So, I’d initially made a post that said something along the lines of “it’s weird that they had Stolas say this”—
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“Only to remind the audience like 9 min later of a specific time where Stolas talked down to Blitzø”
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And I also included the original scene for context/comparison:
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But after posting someone DID point out that in the song’s lyrics during that sequence, Stolas was questioning his past choices and coming to the realization that his actions had affected Blitz—They stated that initial scene of him saying he doesn’t look down on Blitz was a set up for this later self-reflection on his behavior in “All 2 U”, and potentially realizing how harmful his actions have been.
And I think this is a very fair interpretation and observation—as well as something I missed, and that’s on me.
I like talking about these things openly, because I think it is really nice to get other people’s perspectives and interpretations of stuff like this, and I’m also susceptible to missing things on a watch-through.
I decided to delete the original post, b/c I realized I agreed partially with their assessment of the scene, and because there was another comment that was a little spicier, and I didn’t want people to start arguing back in forth in the comments. That’s happened before and it’s always kind of annoying.
With all of that said, I do still think those lines were a weird choice, and I want to go over why the song “All 2 U” fell really flat to me in regards to Stolas’ self reflection. (More below + TLDR @ the end)
There is, so far, a really consistent pattern in Helluva Boss’ writing, where every time Stolas comes close to reflecting on the way his actions could have negatively affected Blitz, the focus almost immediately shifts back to Stolas’ own feelings and situation.
It’s kind of become the status-quo for HB—Stolas will have a brief moment of questioning himself, before the story continues to frame Blitzø as being in the wrong.
We see this really blatantly in “All 2 U”—where anytime Stolas DOES begin to question his own actions, Verosika and Vortex chime in and immediately assure him that it’s Blitz who’s in the wrong:
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And then even after, these lines where he questions himself further
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The song just CONTINUES to focus only on Stolas’ feelings, and prioritize them above all else. He has a brief moment where he wonders if he’s in the wrong, before brushing those concerns away and continuing to refer to Blitz as “the motherfucker”.
The montage during this also goes to great lengths to show how regretful Blitzø is hearing all of this.
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He feels terrible that Stolas is hurt—even though Blitz does NOT owe Stolas anything. You can disagree with me, but based on the arrangement that STOLAS created, their relationship is entirely transactional (and coercive, but I don’t have time to get into that mess right now).
Blitzø is in no way obligated to treat their “relationship” as something that holds meaning because of this—if Stolas is hurt by Blitz’s not reciprocating his feelings, that is ENTIRELY on Stolas. Blitz has not wronged Stolas in any way by not reciprocating those feelings.
But it’s so very clear that the WHOLE PURPOSE of this song—and this entire episode, even if there is a moment where Stolas questions himself—is to portray Blitz as the one in the wrong.
Even in the scene where Stolas questions what he’s done to Blitz and wonders if he’s in the wrong, his flashbacks include these scenes, which are framed as Blitzø being uncaring/blowing Stolas off after their arrangement:
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This is probably one of my biggest issues with Stolitz as a ship, and with Stolas as a character. That the writing explicitly caters to Stolas’ feelings and beliefs, and (so far) refuses to hold him accountable for anything he does that negatively affects others. His actions have consequences just as much as Blitz’s do, but the narrative constantly frames him as being a victim.
You can say that both characters are in the wrong all you want, you can say to the audience point blank “this is what I intended with this scene”, but you still have to actually. write. the developing relationships and action of the story. Telling the audience about development after the fact is just poor storytelling.
I’ve already gone over how the narrative rarely holds Stolas accountable in the conflicts he has with Octavia, but it’s very much the same with Blitzø.
So much so that Autistic Swag on YouTube was able to make a Stolas Hypocrisy compilation video:
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And because I know there’s a chance of people reacting to my criticisms this way, no, recognizing a character’s hypocrisy in the narrative is not “media illiteracy”.
Media analysis is still derived from the actual text of the story. I see fans (not just of HB, this is a general problem in a lot of fandom spaces) making wild leaps and jumps about story’s character developments, world building, plot-points, etc. and then claim that people who disagree with their interpretations are “media illiterate” and like.
Those are headcanons. Those are just personal headcanons that you made based on what you wanted to happen in the story.
Which is fine!!! Which is something that is very fun to do!!! I do it a lot actually!
Like, I could say that the green light in “The Great Gatsby” actually represents envy and that Gatsby is always staring at it because he’s actually jealous of Daisy and wants to transition from male to female and live as a transgender woman.
And that would be a really interesting concept to explore! But it would also be a headcanon because in the context of how the text is written, is clearly not the case.
Pointing out that Stolas’ actions are morally dubious at best, and that he is flawed and has done wrong and has very clearly hurt Blitzø by coercing him into a sexual relationship so Blitz can keep his livelihood isn’t media illiteracy. It’s literally. It’s just the text. Audiences aren’t media-illiterate for seeing that.
Final note time— I want this post to age poorly. I want so badly for there to be a future episode where Stolas is really truly held accountable for the ways in which he has hurt Blitzø, the ways in which he’s been classist and racist toward imps, the times that he’s neglected Octavia, and yes! Even for cheating on Stella!!
And I want this NOT because I want to see Stolas completely villainized or beat down, I want this because I want Stolas to develop and grow and change as a character. I want Stolas to actually have the nuance that the writers say he has!!
Again, as always, please know that if you love Stolas and Stolitz that I am REALLY not trying to rain on your parade. I’m not trying to convince you that you’re not allowed to like the story as is, or that your opinions are wrong. That would be really silly. You are allowed to interpret all of this literally however you want, even if we disagree.
The only, only thing I would ask you to please consider, is if you are doing the work of writing these characters development outside of the story, or are you building on what the writers have already shown you. I am not asking this to be condescending or elitist.
This is something I have to actively ask myself when reading and analyzing text and stories, and when analyzing and editing my own writing and work.
That’s all. Thanks for making it to the end of this long ass post. If you’d like to have a polite discussion about your thoughts on all of this I would genuinely like to hear it. I will delete any arguments or fights in the comments tho. Thanks again.
——————————
TLDR:
-“All 2 U” falls very flat as a song where Stolas re-examines his actions because even tho this self-reflection is set up, nothing ultimately comes of it and things immediately go back to the status quo
-This is a very consistent pattern with Stolas as a character, due to this he is severely under-developed, and feels like a completely different character from his season 1 appearances.
-People realizing that he has not had active development between seasons 1 and 2 and pointing that out is not “media illiteracy”.
-Final side note—I think the “both sides are wrong/fucked up” angle really COULD have worked, if after the bridge where Stolas questions his actions, he acknowledged that HE was also “a motherfucker”. But. Nah. Oh well.
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eempxth · 10 months ago
Text
The Great War - Taylor Swift.
a bakugou katsuki x reader oneshot
angst/slight comfort at the end.
not proofread, 904 words
this is the first time im writing again! sorry guys DD:
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The war was something everyone wanted to forget. The devastation, loss, grief, destruction, and desperation was something that was better off kept deep in the back of the mind. Many were still on the grueling process of moving on from the whole ordeal. You were one of them. As an empath, you deeply felt everyone’s emotions just from the looks on their faces. Their losses were your losses too. Looking at your classmates’ bruised and bleeding bodies, people who lost their loved ones, the damage it did to the country, you wished, with all your soul, that the war didn’t have to happen.
Your physical body was painful as well. It was hell. Feeling muscles you never knew torn, bones cracked or broken. Everything was sore.
It was all the same for Katsuki. He doesn’t remember the last time he had a proper night’s sleep in months. He kept getting flashbacks on what happened, how his injuries hurt, but didn’t hinder him from defeating all for one. How he was thankful that pro hero Edgeshot basically brought him back to life, how he heard that that damn Icyhot beat his brother, and you. How you were there with him every step of the way.
***
Class 1A was tense, and of course they were. Gearing up, they didn’t know whether they were going to survive or not. Due to shortage of heroes, mere students were forced to fight alongside the veterans, needing all the manpower they could get. They trusted the plan, of course. But alongside the doom, there was a spark of determination to win.
“Katsuki?”
A grunt came in response, a sign permitting you to continue.
“I vow, I will always be yours, if we survive this.”
His eyes widened, his cheeks turned slightly red, it was barely there, but his overall expression was unreadable. You turned away, scared he might turn you down for some reason. Almost taking a step to walk away, you felt strong arms wrap around your waist, a nose nuzzling the side of your neck.
“Fucking dumbass, saying shit like that. I will be all yours too. If we survive.”
Katsuki felt a faint giggle vibrating your body.
You, of course, were grouped with Katsuki and Izuku, tasked with tiring down Tomura Shigaraki. It went terribly wrong from the start, since Izuku wasn’t there, as he was meant to be. You felt it all throughout the fight, but whenever your muscles were tiring, your mentality fading, all you had to do was look at Katsuki.
You admired him ever since his character development started showing, and you made that pretty clear. He respected your strength as well, secretly grateful you were there with him.
But then he got injured. You pushed, overused your quirk, fought until you felt you would puke your organs out, felt your body would suddenly drop to the floor. Because he was doing the same thing. Your heart dropped seeing him fall on the floor. You sprinted towards him, dragged his body to a safe place until Izuku showed up. An attack made its way toward you, and you pushed Katsuki aside, and crimson red blood spewed out of you. His eyes widened, oh, you didn’t expect him to still be conscious.
After Edgeshot’s miracle, you both pushed your limit, your bodies almost moving on autopilot, with a mantra in your head. Defeat Shigaraki. Both of you slumped the ground eventually, with exhaustion and relief, as Izuku delivered the final blow.
Your body was calling, lulling you to sleep, as your vision wavered. Katsuki seemed to be experiencing the same thing, a decent distance from you. Using all your remaining strength, you forced your body, one last time, to crawl to him, touch him, hold his hand.
Once he realized what you were doing, he too, wanted to meet you in the middle. Both of you, crawling on the harsh, battered ground, desperate for the last piece of comfort and security. All the blood doesn’t matter. It was you. No one else.
Reaching for his hand, and him reaching for yours. That was all you remember before your vision blacked out.
**
At the back of UA, a memory garden was built. Columns of names on concrete walls were written, to remember the death, tragedy, and to remember the lives of these people. Heroes were given special mention. Walking around the garden, everything was silent. Not a word was spoken by either of you. Even if several months had already passed, the huge wound was yet to heal.
To your surprise, Katsuki was the first to break the silence.
“Oi.”
You whipped your head to face him, a tired, curious look on your face.
“Do you remember our promise?"
Confused, you ask. “What promise?”
“Agh, I swear I’ll kill you if you don’t fuckin remember. You were the one who started it.”
He went silent for a moment, as if thinking how to say it.
“I vowed, I would always be yours, if we survived the great war.”
He reached down to a bush, picked out a poppy, and placed it in your hair. His calloused fingertips so light, gentle, barely ghosting the surface of your head. A calm smile appeared on your face. A gentle grin appeared on his. You nodded, and echoed it.
“I vowed I will always be yours.”
196 notes · View notes
mybworlds · 2 months ago
Text
Chapter 5
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Paring: Joel x F!Reader (NO Y/N)
Warnings: pre!outbreak and post!outbreak, AU (there will be some characters, Joel's backstory is different), no Sarah, no Ellie (maybe!), a lot of flashback (at least in the first chapters!), age gap (reader is approx. 10 yrs younger than Joel), slow burn, mutual pining, angst, SMUT, unprotected sex, creampie, oral sex (m and f), fingering, masturbation (m and f), language, attempted SA, trauma, death and violence, abortion.
Rating: M
Masterlist
W.C. 3.8k
Summary: You work in the Millers' company, you are their friend, you have a job you love, your coworkers esteem and love you. Your life is perfect. Suddenly, one day, you wake up in the hospital, you are alone surrounded by silence and strange noises, your door is barricaded, but what happened? And what happened to the world out there?
follow @mybworlds and turn on notifications to get notified when I post new fics
Thanks @saradika for the divider and the banner. Thanks @vase-of-lilies for the banner.
Taglist: @harriedandharassed
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FEBRUARY 2014
After that breakdown you had, you forced yourself not to want to remember anymore. You don't want to remember because you're afraid of discovering and bringing back other bad and painful memories.
You focus on the present, a disturbing present, a terrible, distressing present, full of dangers, in which even a cough can put you in danger. But by now, imitating Joel, you can manage to move quite well silently through the various streets.
New York is far away. You are on the Soos Creek Trail in Kent, you are on a road surrounded by woods. You've passed a couple of gas stations so far where you've collected everything you could, canned food, medicine, Joel had offered to go first, but you wanted to go in with him. He didn't insist, he just gave you a long look to which you responded with a simple, I'm fine. The glass there was broken and the alarm was still ringing, Joel said it was strange that those creatures were not there as they are attracted to noises. Luckily you didn't spend much time there, that place made you very uneasy.
Now you are on the road, the road is sunny and every now and then you take tiny sips of water, you take little breaks, you look everywhere except at Joel, you know he's looking at you, you sense his worried look. If you weren't in constant danger, he'd probably always ask if you were okay or if he could do something for you, but you just want to be left alone. You don't think you're asking for much.
When it's almost dark, you arrive at a house in the middle of the woods. Joel enters first this time, you see him enter cautiously with a stealthy step and a tense look, he has a knife in his hands. You watch him anxiously, you are afraid for him. You are afraid of being alone. You don't want anything bad to happen to him. Shortly after, even though it seems like an eternity to you, he opens the door completely, “Come on, it's clear.” He says, letting you in and closing the door behind you.
The house is huge, on two levels. You look around, just in time to see Joel close a door behind you, you frown suspiciously “What is it?” you ask him.
“I’d rather you didn’t see,” he just tells you, but you walk past him and open the door. You immediately put a hand over your mouth, the stench hits you violently and you immediately feel like vomiting, there are two decomposing corpses, they are a man and a woman, he has a gunshot wound to the temple, while she has her stomach slashed and a gunshot wound to the forehead.
Joel holds you until the vomit stops shaking you, then helps you clean yourself up as best you can and you go into another room, your head is spinning, Joel offers you his water, but you refuse. “Drink.” He insists.
“No, that’s yours,” you reply, breathing heavily and holding back bile.
“Come on,” he insists, bringing his bottle closer. You look at him. “Go ahead,” he adds, then rummages through the deceased couple's drawers. “I'll take a look around, you take it easy.” he adds again, you nod with your head down. You follow him furtively, then look towards the closed door where the two are, you can't help but sigh and feel sad. You look thoughtfully at the bottle he left you, you think about Joel and how much he cares about you, you find yourself wondering if he cared so much about you even before your accident or if it was just because of your crying a few hours earlier.
It's now sunset, you look outside without looking out from the balconies or the various windows, you remain hidden behind the curtains, the countryside has become completely yellow and with orange hues. You hear Joel behind you, you turn towards him and see him leaning against the door jamb intent on observing you with a thoughtful expression, you look at him perplexed “What?”
“How d’ you feel?” he asks you. “Seriously, and don’t answer me with that hasty tone as if to dismiss me and keep me away from you.” he adds, crossing his arms.
“I was wondering if you cared about me this much before.” You continue, continuing to watch how the orange colors and the warmth of the day are giving way to darkness and even cold “Have you always acted like this? Or is it an attitude you have because of my accident?”
He sighs, “We’re friends. I’ve always cared about you,” he replies.
You shake your head, “I don't know if I want to remember, when I try I'm afraid I'll only remember bad things. I'm afraid I won't remember anything good from my past. I might as well have died in that accident...” you say, leaving the sentence hanging. You're tired. You feel like an empty shell. You're not like that, you feel like you weren't like that, but what if you had become like that?
You feel his hands on your waist and turn you towards him, your eyes locked. “Don’t ever think that again. Never again.” he says, emphasizing each single word with a harshness and almost an anger that makes you lower your gaze, making you feel guilty for those words of yours, “I won't let you give in, do you understand?” You look at him. “Do you understand?” He insists. You nod weakly. “I'll help you,” he says, gently stroking the side of your face and you instinctively close your eyes and stay with your eyes closed “Remembering is scary sometimes,” he adds and you open your eyes “but not knowing who you are, is worse.”
“Has anything ever happened between us? Or are you being nice because of our previous friendship?”
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MAY 2012
Ever since you found out that there really was something between Joel and Charlotte, you have avoided all contact with Joel. He himself had confessed it to you, but it's one thing to hear these words and another to see it so clearly. It hurts to think of him in her arms, holding Charlotte, to imagine him doing certain things, but most of all, Charlotte's words and what she told you resonate in your head, you would never have imagined that he could do something like that, he seemed so different.
As the weeks went by, you started hanging out a lot with both Kyle and Arnold who turned out to be two very nice colleagues, full of life and always ready to do various activities from the calmest ones to the most reckless ones. Once, they took you to an archery competition and you unexpectedly beat them and they laughingly carried you on their shoulders and said that you had classic beginner's luck. Another time, you went into the middle of nature to do a little camping, that was really a dangerous experience because the sign said that there was the possibility of encountering bears; the meeting didn't take place, but you were anxious both days you were there.
When you returned to work, you met both Tommy and Joel outside the building. They were about to go in too, but the sight of you stopped them. Tommy greeted all three of you with great warmth and enthusiasm, Joel opened his mouth and took a half step towards you as if he wanted to say or do who knows what, but your hard look and your straight pull inwards made him desist.
That day you couldn't do much, your head was elsewhere, your head was on the higher floors. Charlotte did nothing but walk past you repeatedly, looking gloating, and you wanted to strangle her. Katherine asks you if everything is okay, you answer with a hasty yes, but from her face you understand that she doesn't believe your answer; however, she didn't insist and you appreciated that a lot. It's eight o'clock, everyone's long gone, except you probably. Your mind still stuck there, in Joel's office, with Charlotte's words buzzing in your head.
You remember the night a few months ago, even though you were tipsy, you remember his words very well, those three words, you didn't imagine them. You can't have dreamed it all.
It couldn't have been just the product of alcohol and your imagination. You heard them.
You get up from your desk, turning off the light, and walk to the elevator. You enter the cabin, but you don't push the button to go to the ground floor, but rather you press the one to go up.
Maybe Joel isn't even there, maybe he's with Charlotte. The thought makes your stomach cramp, but you want to stop feeling bad.
When you get there, Joel is right in front of the elevator. He was probably about to leave and is very surprised to find you there at that hour and especially there with him.
“Do you got a minute?” you ask, taking a half step out of the elevator.
“Sure.” he replies. “Let's go to my office.” he says, starting to go to him, but you remain there, still, crossing your arms.
"Joel, you don't owe me any explanations." You start without being able to look him in the face because you and him are not engaged, you are just friends, there was nothing except a kiss that evening at your house and you're old enough to understand that a kiss doesn't imply any relationship; however, you need to talk to him and be clear once and for all “You are a grown man and you can choose who you hang out with. I am and will remain your friend no matter what.” you continue crossing your arms in a nervous gesture “I jus’ want to be clear though, I don't like finding myself in ambiguous situations or being defined in unpleasant ways. So, I want to make sure we're clear about this. You want to... date other people... okay, no problem, but please don't be ambiguous with me at this point. Just be a friend.” you add this time looking up at him, he is perplexed, his dark eyes fixed on you, his brows furrowed “I don't want to find myself in strange situations.”
“I don’t know what you’re talking about.” He starts with a raised eyebrow, and you shake your head and roll your eyes. “It’s the truth, honey.”
You take a long sigh, “One more thing, please, don’t call me that anymore. Or sweetie, or baby girl, or little one. You confuse me!” you blurt out and start gesticulating, which you don't usually do, but you've been so tense all day that you're starting to explode. “Are we friends? Treat me like a friend.”
“Can I know what's going on?” he asks you, trying to calm you down by placing his hands on your shoulders, but you escape his grasp by moving on. “Please, can you help me understan’ so I can understand something too?” he asks you.
You turn your back on him, “The truth is, I got it all wrong. Maybe I misunderstood everything and now...”
Joel murmurs your name, placing his hands on your shoulders, “If you're talking about Charlotte, our physical relationship is long over, please tell me what's wrong.”
“Everything.” replies “Joel...”
“Hey, you're shaking, what's going on?” he asks, making you turn towards him, your eyes downcast. He places a finger under your chin so that your face lifts and your eyes meet. “You can talk to me, you always can. I’m here for you.”
“That's the point. Are we friends?” he nods “Just friends?” you ask him again looking into his eyes, his eyes seem to darken suddenly and the expression on his face becomes serious, you just watch his eyes and how his features go from relaxed to tense.
"Yes." But his tone is less serious and less confident than the expression on his face.
You swallow, "Okay." You can only reply, feeling a burning disappointment burning through your soul; so, those three words that you remembered, that sensual embrace of yours, that kiss had been something dictated only by the moment.
There is nothing between you.
Nothing.
You're just friends.
You leave the offices in total silence, in total disappointment, you just want to scream and cry, maybe buy some ice cream and drown on the sofa with this tub, it could be the solution. You have your spoon sunk into a tub of half-melted ice cream, tears ready to roll down your cheeks again, watery eyes, you feel the heat in your cheeks, you've been sniffling for almost ten minutes, when the doorbell saves you from this state of deep disappointment and bitterness. You put the bowl of ice cream on the coffee table and go to open the door, it's Tommy.
“Hey,” he says with a great smile, but seeing the state you’re in, his smile quickly disappears.
“Hey.” You say, barely meeting his gaze, then open the door wider to let him in.
“Can I come in?” he asks you worriedly.
You nod, he takes a few steps inside as you close the door, leaning against it wearily.
“I would ask you how it's going, but your face says it all,” he adds.
You shrug, “I'm fine.” You lie, “I'm just really tired.” You lie again.
“Are you tired with that face and a kilo of half-melted ice cream?” he raises his hands. “Okay, if you don’t wanna talk about it, that’s fine, but spare me the line.” he continues.
You huff, looking down, “What did he do this time?” he asks you again.
He knows, but you don't want to talk about it. “Why are you here?” you ask him.
“It’s our night, pizza and a movie,” he replies, looking at you sideways.
“Oh, yes. Right… um… I’m sorry, I didn’t…” you babble not knowing what to say.
“Don't worry,” he says, coming closer to you and hugging you tightly. Oh, his arms and hugs are just like his brother Joel's... a tear escapes you, wetting his t-shirt, then another, finally you find yourself clutching his shirt in your fists and collapsing into Tommy's arms.
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FEBRUARY 2014
Moonlight filters through the thin curtains of the bedroom window, you stare at some indefinite point beyond the curtains at the sky. You are thinking about what Joel told you.
“We are friends,” he told you. That answer left a bitter taste in your mouth, almost making you sad, as if his answer had evoked something sad in you. You're sitting in the middle of the bed, Joel is still downstairs on the couch after making a bit of a fuss.
You get up and go to the window, outside you can only hear the occasional chirping of crickets; suddenly you hear a noise downstairs and your first thought is to go downstairs too.
Joel will probably have trouble sleeping too, who knows.
But the noises you hear aren't the ones Joel usually makes, and that makes you suspicious.
You go down the stairs and find the front door open, instinctively you go down the stairs more slowly looking left and right, there is no one in the entrance, when you enter the living room where Joel was sleeping, you see a man lying on the floor surrounded by a huge dark puddle that you can easily recognize as blood. Horrified, you take a few steps back, when someone hits you from behind, knocking you forward and face down, "You bitch, now you and your friend will pay for this," the man hisses, towering over you and making you roll onto your back towards him, the man violently places his hands around your neck, encircling it and squeezing it.
You feel suffocated, you try to push him away, but he's too strong. Your eyes widen in terror, you gasp for air, when suddenly the man lets go of you: someone hit him in the temple with something heavy. You gasp, rolling onto your side and see that the figure who attacked your attacker is Joel. You see him towering over your attacker and repeatedly hitting his head, you don't even know what he's hitting him with, you're coughing and meanwhile you hear the man gasping and then silence, followed only by Joel's labored breathing as he stands over the now dead man.
“J – Joel...” you call him, he turns around and in the darkness you see the distorted expression on his face, part of it stained with blood spatters and the weapon which appears to be a knife still in mid-air dripping blood, teeth gritted, eyes wide open. He's such a different person from the reassuring one who, albeit with a slightly gruff tone, had invited you to take the bed and then greeted you with a goodnight, darling.
You sit up massaging your neck, “Are you okay?” he asks you slowly changing the expression on his face reaching you and caressing you with his other hand, you almost hesitate at that contact, you swallow “Can you breathe?” you nod still shocked.
“How are you?” you ask, looking into his eyes, his expression still hard, “Are you hurt?” you ask, placing a hand on his clean cheek.
You are both almost surprised by your sweet reaction, he looks at your face for a moment then replies “No, I'm fine.”
You and Joel walk away from the scene of violence and into the kitchen, but with the sole intention of seeing if Joel is actually okay and then leaving. You don't want to stay there another minute.
The man almost immediately withdrew his gaze to clean his blood-stained face as best he could. Perhaps he didn't want to upset you and you appreciated that. But when he finishes, you reach out to him, to his hands, and then he turns to you, “Can you show me if you're hurt?”
"I'm fine." he dismisses you, but in response you turn on the flashlight, pointing it first at his still partly dirty face, then at his hands and finally you notice a clear tear in his shirt, it looks like the work of a knife, “May I?” you ask him looking towards his left side, he looks down for a moment then looks up and nods with a sigh. You lift his shirt and there is indeed a scratch, but luckily it's very superficial.
“I’ll disinfect it for you, okay?” you tell him. “I think I know how to do it, I mean, it should be something I know how to do.” you add.
“It’s not serious, leave it alone.” he tries to dismiss you.
“What do you mean, leave it alone? Lift it up,” you insist.
With a slight huff he lets himself fall into a chair.
“Did you know them?” you ask him.
“Unfortunately, yes, when you passed out in that underpass, some men welcomed us, but then others arrived who killed those who had given us hospitality and hunted us down.” Joel winces as you run the disinfectant over the wound. “Luckily it was just those two.” He adds as you gently dab the wound.
“You should have told me,” you scold him calmly.
“Why? You couldn’t have done anything,” he replies, watching how you take care of him.
“I know, but maybe I wouldn't have left you alone to face them.” You look up from the scratch on his face. “Please, from now on, don't lie to me to protect me, don't hide from me any dangers we might face together. Okay?”
“I just wanted to protect you.” he tries to justify his behavior.
You sigh, “I know, and I appreciate that. But I'm not a child you need to take care of. You protected me tonight, but things could have gone badly and we could have been dead by now. So from now on I want to be able to do my part too.” He sighs heavily “Swear to me.” You urge, looking him in the eyes.
“I swear, okay.” He gives up.
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JULY 2012
You and Kyle have been dating for almost a month now, so Charlotte can keep Joel and he can do whatever he wants, just away from you. You're just friends, he told you.
Since that night, in fact, you have done everything to forget what had happened between you at your house, his words, your mutual confessions, your kisses. Everything.
And for your sanity, you avoid thinking about it so you avoid feeling bad and wrong if you look at him or talk to him even just for work reasons.
Tommy, for his part, is deeply sorry that you will no longer be his sister-in-law, he would have liked that. The relationship between you and Tommy hasn't changed one bit: he comes to call you in the morning with coffee, you still organize pizza and movie nights, but without Joel. Sometimes he used to join in, now both you and his brother do everything you can to do it without his knowledge.
You feel guilty for shutting him out like this, but it still hurts a lot.
The Fourth of July is a holiday that you spend at the Millers' in Texas in their little house on the beach where every year they organize a barbecue, a bonfire on the beach waiting for the fireworks and then watching them from the beach itself.
This year is no exception, only this time you're not alone with the Millers and their — later they also became your — friends, you've brought Kyle in addition to the usual beers.
Tommy smiled furtively, giving you the look of someone who understood the real reason for the man's presence, as Joel's jaw tightened and his hazel eyes darkened and his expression went from relaxed to tense.
You greet, hug and kiss everyone a bit. Kyle follows you feeling a bit uncomfortable, but slowly he settles in and start participating in discussions now related to a work aspect now to various hobbies now to the fireworks that you will see later.
You're in the middle of the barbecue, when you make a gesture that changes everything: you sit next to Kyle like you've been doing for the past month, but this time you take his hand, intertwining your fingers with his, and then shyly kiss him. Kyle places a hand on the back of your neck, holding you close to him, and although it's a sweet, gentle kiss, you don't relax or feel the spark you were hoping to feel, just a cramp in your stomach. You feel watched, you know the moment has not escaped.
Joel is actually right behind you and can't help but clutch the beer you've brought in his hands, but then again, what did he expect after what he told you? It makes sense that you've moved on, but seeing it hurts. It hurts a lot.
The man observes that gesture, he can't help but remember when he kissed you, when you hugged him and how shyly you confessed your interest in him.
Will your boyfriend know? Will he know that you cared about him? But then Joel thinks that as your friend he should want the best for you and let you go.
The fireworks start, but his eyes are glazed over and he has to do everything to resist and show himself strong, Kyle wraps you in his arms, as you both watch the fireworks show. Joel feels like an idiot since he was the one who pushed you in that direction; when Joel looks down for a moment, you are watching him, but it is only for a moment, then you look back up at the sky.
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FEBRUARY 2014
Joel follows you a few steps behind, not knowing why he thought back to July almost two years ago. You are with him, but you still don't remember anything of what you experienced together, nor of Kyle, nor of the fleeting time you were together, you’ve blocked everything out. Maybe it's better this way! At least you don't even remember the anger you felt towards him or what led to your breakup or why you rushed to that bar just for Tommy.
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somewhereincairparavel · 11 months ago
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I think the reason Rick fumbled with writing Jason's abilities/personality is because he was too focused on Jason existing as Percy's rival to focus on Jason as an individual character. And the funniest thing is, in the end, Jason was not considered satisfactory rival to Percy by the fandom either, which is ironic since that was the whole point of his character.
Rick seemingly screwed up the whole rivalry thing because, though he wanted someone to challenge Percy's power, he didn't want that person (Jason) to be more powerful than Percy or more enjoyable than Percy either, in the fear that the audience might start enjoying Jason more.
When you write a rival, you have to make sure that the rival character has equally powerful personality and strength/abilities compared to the person that they're rivalled with.
But Rick? The way he wrote Jason was like a half done updo. He dumped all the cool power on Percy (like potentially implying that Percy has bloodbending,can control water inside of someone, making sure Percy wins ALMOST every fight (and i mean, almost, there is a very rare time Percy ever loses) while limiting his power with Jason in every way possible, making the stupid brick jokes to make sure Jason always passes out in a fight, the whole "I only get one lighting bolt a day from my father" (it's a dumbass logic too, Jason should've been able to summon that much power of lighting on his own, he does NOT need his dad for that shit c'mon now) like it's an obvious effort to make jason appear weaker. Rick did all of this while lazily trying to shoehorn Jason's achievements in the plot by implying it but not actually showing it, like a "yeah he did this cool shit once ig" which makes it less impressive compared to Percy's achievements, which is something we've actually witnessed firsthand. Rick intentionally never brought up or expanded upon Jason's achievements much. He only emphasized everyone's awe of him being the son of Jupiter, which made it seem like Jason had the 'big three child privilege' where people didn't give a fuck about his efforts but instead his position.
Alright Rick, don't give him power, but atleast give him a personality? Nope he isn't getting that either. Jason had the potential to make DARK jokes about his controlled millitary life in Rome, and explore his past. Like I badly wanted a passage of Jason getting his memories back in fragments, Rick could've added flashbacks of Jason's past in his pov in a way that he gets his memories back. Instead he went "yeah yeah jason got all his memories back, it's all good" like SHOW us that wtf?? sure let's make sure he's as stale as possible to the audience, we can't have anyone liking the underdog over Percy Jackson!
He also made sure that Jason had it super hard in life aswell but never emphasized it or gave him anything good compared to Percy.
Don't get me wrong, percy definitely had it rlly hard, but Atleast Rick made sure Percy had a loving mom and a stepdad, a loving girlfriend and a cute adorable sister that he could play and spend time with, he got to celebrate birthdays with Sally, he got to eat her tasty blue food, and he actually had an ambrosia taste. You mean to tell me that Jason's sister barely had time for him, that he hasn't had a single birthday and that ambrosia tastes like sawdust for him while you give the other members of the seven, delicious ambrosia taste? 😤
Jason Grace has gotten the worst life in his own story, he wasn't "powerful" enough for a child of Zeus, he was "boring" , nobody properly trusted him, he died painfully, he didn't have parents, he barely talked to his sister, he didn't have a childhood, he was abandoned to blood thirsty animals when he was TWO, he didn't have a birthday, he didn't have an ambrosia taste, his girlfriend dumped him, he never got to see his best friend before he died, and he is terribly hated by the fandom who are simply turning a blind eye to his struggles because "no Percy will always be better in every way" yeah. I could go on and on.
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the-winter-spider · 2 months ago
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Yours, Always | Part Six
Steve x reader, Bucky x reader AU
Word Count: 5.3k
Warnings: Grief, Angst, fluff
A/N: Lotta flashbacks in this one i wanted to showcase more of the relationship with bucky before hes finally here in present time
Masterpost
---
“Okay, so hear me out.”
Bucky’s voice was excited, certain, the way it always was when he was planning something.
You sat on the hood of his truck, swinging your legs as he paced in front of you, waving his hands dramatically.
“We get accepted to NYU, right? Full ride, obviously, because we’re geniuses.”
“Obviously.” You grinned, playing along, letting yourself believe in the dream.
“We rent some shitty little apartment in Brooklyn—”
“Shitty? I was thinking more… charming and affordable.”
“Okay, charming and affordable,” he corrected, rolling his eyes. “And we turn it into the best goddamn place to live in the city. Like, we deck it out with all our old movie posters, we get a couch that’s so comfy we never want to leave, and we just—”
He exhaled, shaking his head like he could already see it, already feel it.
“We make a life there, Y/N.”
And of course you wanted that.
You wanted to wake up in that tiny apartment, hear him making coffee in the kitchen, argue over who had to do the dishes, sneak onto the roof at night just to talk about everything and nothing.
“You’re gonna be the best goddamn writer that school’s ever seen,” Bucky continued, smirking.
You nudged him with your foot. “Damn right, I will.”
“And I’ll—” He hesitated, laughing a little. “Well, I’ll figure it out.”
“You’re gonna be great at whatever you set your mind to Bucky, you’re amazing.”
He had smiled, softer this time, more real. “Yeah?”
“Yeah.”
--
The summer before middle school, everything was changing. People were different, things weren’t as simple anymore. But Bucky wasn’t different, he was still your person and you were still his.
You were sitting on his bedroom floor, finishing up your second movie of the night, your legs stretched out, the empty popcorn bowl between you.
“You ever think about it?”
You turned your head toward him, confused. “Think about what?”
“Kissing.” He shrugged like it wasn’t a big deal, like it was just a casual thought and not something that made your stomach flip.
“I mean… I guess? Everyone’s talking about it lately.”
He made a face. “Yeah. Feels like we’re supposed to be experts already or something.”
You laughed. “Right? Like, did I miss the handbook?”
There was a brief pause then Bucky asked. “Wanna try it?”
Your breath caught. “What?”
“I mean, just to see what it’s like. No big deal.”
It should have been weird, it should have been awkward but instead, it was Bucky.
So, you shrugged. “Okay.”
He licked his lips, suddenly looking a little nervous. “Okay.”
Then it happened.
It was quick, barely a press of lips, but it left something behind. A heat, a curiosity, a shift.
You pulled back first, clearing your throat. “Well… that was… something.”
“Yeah.” He blinked, staring at you for a second longer than he probably should have.
He grinned. “You’re a terrible kisser, by the way.”
“What?! You take that back!”
“Nope. Worst first kiss of my life.”
“Bucky, I was your first kiss.”
“Exactly.”
You shoved him, laughing, trying to ignore the way your lips still tingled.
It didn’t mean anything.
Right?
---
It has been your tradition since you were twelve.
Every first Saturday of the month, no matter what, you and Bucky met at your spot, the small, quiet lake tucked away in the woods behind your neighborhood.
It wasn’t anything fancy. Just a patch of grass, a few flat rocks by the shore, a worn-out blanket you had left there years ago, faded by the seasons but never taken away.
It was yours.
Your place, your time together and yes the two saw each other everyday but this was different.
And Bucky had never, never, missed it, till today. You had been waiting for hours. You had checked your phone a hundred times, kicked at the dirt, skipped rocks across the lake until your arm ached.
And when the sun started to set he still wasn’t there. At first, you were mad because Bucky didn’t just forget things like this. He didn’t forget you, he would never forget you right? He swore he never would.
But then, the anger gave way to something else, something worse. Worry…what if something happened? What if he was hurt?
You shook your head, forcing the thoughts away, shoving your hands deep into your hoodie’s pockets to keep them from shaking.
He was probably just caught up in something. Probably just ran late, but he should have called, should have told you.
As you were walking home, you saw him. Through the window of the diner, sitting in your booth, in your spot.
With Stacy.
Your stomach plummeted because not only was he there but he was sharing a milkshake with her. Like he did with you, another tradition the two of you shared. It hurt, he was smiling, laughing, existing like you weren’t waiting for him, like you didn’t exist.
The hurt hit so fast, so hard, that you barely registered the burn in your eyes before the tears started to spill.
You turned on your heel and ran the rest of the way home. You swore you weren’t going to answer his texts or pick up if he called. You didn’t want to hear whatever excuse he had.
You just curled into yourself, let the tears come, and forced your aching heart to keep beating. You knew it was silly and you had to be overreacting but he was all you had besides your mom and the thought of not having him or having to share him with others did something to you.
You ignored him all weekend. It had been the longest since you two became friends that you went without seeing or speaking.
Your mom must have picked up on something because when Bucky knocked on the door Sunday afternoon, she answered, gave him a sympathetic smile, and told him you weren’t feeling well, which wasn’t a lie, not in the way that mattered.
It hurt even more when later that day when your Mom had knocked on your door handing you a take out bag. “You ordered soup?”
She shook her head. “No sweetheart, Bucky dropped it off for you.”
The next morning at school, you didn’t wait for him at your locker. You didn’t sit next to him in class. You didn’t let him catch up to you when the final bell rang.
When you finally made it home after taking the long way he was already waiting for you.
Sitting on your front steps, spinning his car keys around his finger, watching you like he was trying to figure out how much damage had been done.
You stopped in your tracks, your breath tight in your chest.
“Are you okay?” he said as soon as you got close enough. “What’s wrong? Did I do something?”
You let out a sharp, disbelieving laugh, crossing your arms. “Really?”
He stood up now, brow furrowing, shoulders tense. “Yes, really. How can I fix it if I don’t even know what I did?”
“What’s today’s date, Bucky?” The words were sharp, quiet, pointed.
He blinked at you, confused at first until realization hit.
You saw it, saw the exact moment it clicked. Saw the flicker of guilt in his expression before his jaw clenched, his face hardening.
“So what?” he scoffed, shrugging. “You expect us to spend the same day together every month for the rest of our lives?”
The words stung more than they should have.
“It was your idea Buck” Your throat tightened, swallowing around the lump in your throat. “I waited y’know?.”
His brows pulled together, eyes narrowing. “What do you mean?”
You let out a shaky breath, your voice breaking as you said, “I waited, Bucky. I waited for you all day! You never came, you never called. You never even told me you weren’t coming.”
His face fell, something flickering behind his eyes, hesitation, realization, regret. But he recovered too quickly. “I was busy—”
You shook your head, the tears already forming again. “Yeah, I know.”
“What do you mean you know?”
“I saw you.”
His entire body tensed. “What? Where?”
“Where do you think?”
He didn’t have an answer and that pissed you off even more.
“That’s our thing, Bucky. That’s our spot and you sat there, in our booth, sharing our milkshake, with her.”
His nostrils flared, his jaw tightening. “It’s just a diner, Y/N. It’s just a fucking booth. It’s just a milkshake.”
That was when your heart really cracked because if he didn’t care about those things..did he even care about you?
Your lip trembled, but you forced yourself to lift your chin.“Is that all it is to you, then?”
Bucky exhaled sharply, running a hand through his hair. “You know what I mean.”
“No,” you shot back, your voice trembling, cracking, breaking. “I don’t. Because my Bucky, he wouldn’t have done this to me!”
His eyes flashed. His fingers curled into fists. And then, quietly, sharply, like a knife between your ribs “Then maybe I’m not your Bucky.”
Silence.
Your breath hitched. “I guess you’re not.” You turned on your heel and stormed into your house, slamming the door behind you.
Leaving him standing there, alone. You had never gone this long without talking to Bucky before.
Six days.
Six days of ignoring each other in the halls.
Six days of pretending like he wasn’t looking at you when he thought you weren’t watching.
Six days of feeling like a piece of you was missing, you were still so angry.
But more than that you were hurt, because he forgot. Because he didn’t care enough to remember, because he replaced you for a night like you were nothing.
You had convinced yourself you weren’t going to cry about it anymore but on the sixth night, there was a knock at your window.
You turned over in bed, your heart lurching in your chest before you even saw him. But you knew it was him.
You hesitated, gripping your comforter tight, debating whether you should ignore him the way he ignored you.
But when you finally got up and lifted the window, the second you saw his face you knew you couldn’t stay mad.
Because he looked awful, dark circles under his eyes, his hair a mess, his expression ridden with guilt.
“Hi,” he said softly.
Your chest tightened. “What do you want, James?”
A pained look flickered across his face, you never called him that.
“I just.. I’m sorry” He swallowed hard. “Can I come in please?”
You stared at him for a long moment before finally stepping aside.
Bucky climbed in, running a nervous hand through his hair, his whole body tense, uneasy.
“I’m sorry,” he said immediately.
You exhaled sharply, crossing your arms. “You said that already.”
“Not like this.” His voice cracked just slightly, and you hated how it made your heart squeeze.
He took a shaky breath, his blue eyes searching yours, pleading.
“I never want to go that long without you in my life again,” he murmured. “I swear to God, Y/N, it felt like…I don’t know. Like I was missing a part of me, like I couldn’t breathe right without you around.”
Your throat tightened. “You really hurt me, Buck.”
He flinched, like you had physically hit him. “I know.”
“No, you don’t.” Your voice wavered, tears burning at the edges of your eyes. “You didn’t see me sitting there all day waiting for you. You didn’t feel how much it hurt to walk past that diner and see you sitting with her like I was nothing.”
“You are not nothing,” Bucky cut in, his voice fierce, desperate. “You are my everything.”
Your breath hitched. “I don’t have anyone but you and I know you could replace me at any given moment…” you whispered.
Bucky reeled back, his expression twisting with something close to pain. “Replace you?” he repeated, stunned, almost horrified.
You didn’t answer, you couldn’t. Your throat was too tight, your hands curling into fists at your sides as you tried to keep yourself together.
Bucky took a step closer, cautious, like he was afraid you might run. “Y/N, look at me.”
You stared at the floor, shaking your head.
“Please,” he whispered.
Slowly, you lifted your gaze, and when your eyes met his, yourchest ached, because he didn’t just look sorry he looked wrecked.
“There is no one in this world who could ever replace you.” His voice was raw, unsteady. “You are my best friend, my person. My whole damn world, Y/N and I hate myself for making you feel like you were anything less.”
A tear slipped down your cheek, but you didn’t move to wipe it away. “You weren’t there.” Your voice wavered. “You didn’t come, and you didn’t tell me you weren’t coming. You didn’t even think about me, Buck.”
“That’s not true.” He took another step closer, his hands shaking at his sides. “I thought about you the entire time.”
You let out a shaky breath, anger curling with the heartbreak. “Then why did you do it?”
Bucky exhaled sharply, running a hand through his hair, frustration written all over his face.
“I don’t know.” His voice cracked. “I wish I had an excuse. I wish I could say I wasn’t thinking, or I forgot, or…but I didn’t, Y/N. I knew what day it was. I knew where I was supposed to be and I still—” He broke off, inhaling sharply.
“And you still picked her,” you murmured.
His jaw clenched. “No.”
You let out a humorless laugh, shaking your head. “It sure felt like it.”
Bucky winced, stepping even closer, his hands finally reaching for you.
“I pick you, Y/N. Every time. I just—”he exhaled sharply, his voice breaking on the words. “I fucked up. I got caught up in this stupid thing with her, and I wasn’t thinking, and I—” he shook his head, defeated “I can’t lose you.”
Your breath shuddered, your body trembling with the weight of it all. “You really hurt me.”
“I know.” He swallowed, lifting a hand to your cheek, hesitating for just a second before brushing his thumb against your skin. “And I hate myself for it, I hate that I let you down. That I made you feel like anything other than the most important person in my life because you are, Y/N. You always have been, you always will be. It’ll always be you.”
Your eyes searched his, desperate for the truth, for something real.
“I can’t imagine my life without you.” Your voice was so quiet, so fragile. “It wouldn’t feel like a life at all.”
Bucky’s eyes burned, his hand cupping your cheek fully now, his fingers tangling in your hair, his other hand gripping your waist, grounding, steadying. “Then don’t.”
Your breath hitched. “Please, Y/N,” he whispered, his forehead pressing against yours. “Please don’t shut me out. Please don’t leave me. I don’t know who I am without you.”
The dam broke, tears slipped down your cheeks, and before you even realized it, your arms were wrapping around him, gripping his shirt, holding onto him for dear life and he held you just as tight.
“I’m so sorry,” he whispered into your hair. “I’ll never let you feel like that again. Never.”
You nodded against his chest, your tears soaking into the fabric, your heart slowly stitching itself back together in his arms.
Bucky let out a breath like he had been holding it for days.
His arms wrapped around you so tight, so warm, so familiar, like they His hot breath fanned over your neck, and you shivered, your skin breaking out in goosebumps.
Slowly, you pulled back, just slightly, enough to see his face, his hands found your cheeks, thumbs brushing away the tears. He was so close now, his blue eyes unwavering, intense.
His fingers traced the curve of your jaw, tucking a strand of hair behind your ear. “I can’t believe I get to have someone as amazing as you in my life forever,” he murmured.
Your heart stumbled, your breath caught. For a second you thought that maybe this was it, maybe he would finally ask you to be more than friends instead of teetering on the line but then, the moment passed.
And Bucky, your Bucky, smiled at you.
“Forever, huh?” you teased, your voice still thick with emotion.
“Forever,” he promised.
In that moment, you made a choice, one that settled deep in your bones, heavier than it should have been. If this was all you could have, you would take it. If fate had decided that now wasn’t your time, then you would wait.
---
The party had been loud, too much. The music pounded through the walls, the bass vibrating through your chest, and there were too many bodies, too much noise, too much everything.
So you and Bucky did what you always did, you ditched it. But not before grabbing a bottle of whiskey on the way out.
“They’re gonna notice that’s missing,” you had whispered, barely holding back a laugh as Bucky swiped the bottle off the counter.
He grinned, tucking it under his jacket. “Nah, you think Tony’s counting? He’s already three drinks past gone plus his parents are loaded.”
You snorted, shoving his arm. “You’re a bad influence, Barnes.”
“Sweetheart,” he smirked, leading you out the door, “you didn’t even try to stop me.”
You giggled, stumbling slightly as you made your way to his truck. It was parked on the outskirts of the field, away from the crowd, tucked beneath the stretch of dark sky.
The blankets were already in the bed of the truck, leftovers from the last time you did this because this was your thing.
You and Bucky, under the stars, away from the noise, away from everyone else just the way you liked it.
You crawled into the back, settling against the pillows as Bucky popped the bottle open, taking the first swig.
He winced, exhaling sharply. “God, that’s awful.”
You grinned, snatching the bottle from his hand. “Lightweight.”
“Excuse me?” He raised a brow, watching as you took a swig only to immediately cough, your face scrunching in disgust.
Bucky burst into laughter, shaking his head. “You were saying?”
You shoved his shoulder, still coughing. “Shut up.”
He grinned, taking the bottle back, but his gaze softened as he looked at you.
“This is nice,” he murmured, tilting his head toward the sky. “I like this better.”
You nodded, tucking your arms around your knees. “Me too.”
A moment of silence passed, just the two of you, breathing in the crisp night air, wrapped up in nothing but the moment.
“You ever think about the future?” Bucky asked suddenly.
You glanced at him. “What do you mean?”
He exhaled, running a hand through his hair.
“Like… where we’ll be in ten years. If we’ll still be doing this.”
Your heart twisted. “Of course we will.”
Bucky gave you a look. “Yeah?”
“Yeah.”
He didn’t look convinced. “Even when you’re living in some big fancy apartment in New York?”
You nudged his knee with yours. “Even then, wherever I am you are and vice versa right?
His expression softened, but there was something else there too, something distant, something heavy.
You frowned. “Buck, what’s going on?”
“Nothing.” He smiled, but it didn’t quite reach his eyes. “Just thinking.”
“About?”
He hesitated, then shrugged. “How lucky I am to have you.”
Your breath caught, you stared at him, at the way the stars reflected in his eyes, at the way the moonlight cast a glow over his face, highlighting every freckle, every sharp edge, every soft curve. “Bucky…”
“I mean it.” He took another sip, voice lower now, rougher. “You’re the best part of my life, Y/N. I don’t think I tell you that enough, I don’t know what I would do if you weren’t a part of my life.”
Your throat tightened. “You’re everything to me, Bucky, I don’t think my life would be worth living if I didn’t have you.”
He gave you a look “Don’t say that Y/N, your life—”
You swallowed, looking down at your lap cutting him off. “My life was meaningless before I met you, I had no friends, no one wanted anything to do with me, I was nothing…till you. There is no me without you."
Bucky went still the warmth of the whiskey lingered on his breath, but it wasn’t enough to chase away the sudden chill that settled between you.
His fingers tightened around the bottle, his jaw clenching as he looked at you really looked at you. “Y/N…” His voice was softer now, careful, hesitant. “You can’t mean that.”
You lifted your gaze, eyes shining under the pale glow of the stars.“I do.”
He exhaled sharply, setting the bottle aside, leaning forward, resting his elbows on his knees. “I hate that you felt like that, like you were nothing before me.” He shook his head, his hair falling into his eyes. “Because that’s just not true, you were always meant to be something incredible, with or without me.”
Your fingers curled into the blankets, your heartbeat loud, unsteady. “But there is no ‘without you,’ Bucky.” Your voice wavered. “I don’t even want to imagine a life where you’re not there.”
Bucky’s throat bobbed, and for the first time that night, he looked afraid. “Y/N, promise me something.”
You blinked, thrown off by his sudden shift in tone. “What?”
“Promise me that if—” He stopped, his breath shaky, like he couldn’t bring himself to say the words. Like the thought alone was too much, he swallowed hard, looking away for a second, gathering himself his eyes found yours again. “If there ever comes a time where I’m not around… you won’t let that stop you from living.”
The words felt like a punch to the stomach.
“Bucky—”
“Promise me.”
His voice wasn’t desperate, wasn’t demanding, It was just… pleading.
Like he needed to hear it, like he needed to believe it.
But you couldn’t, you wouldn’t.
So you did the only thing you could do. You leaned in, pressing your forehead to his, your fingers reaching out, grasping his. “You’ll always be around, Bucky.”
He didn’t respond right away, just squeezed your hands, his breath mingling with yours. “Yeah. Always.”
Silence settled between you but it felt different now, neither of you moved the space between you shifted.
Bucky’s eyes were heavy and searching, burning into you like they were looking for something only you had. “Y/N.”
Your breath hitched. “Yeah?”
He paused for just a moment then he kissed you and this time it didn’t feel like something you could laugh off.
It wasn’t quick, or innocent, or brushed aside.
It was slow, deep, consuming. Because this time you had both had practice, it wasn’t the first kiss you both shared years prior, you both had kissed other lips since then but still it was everything.
His hands traced the curve of your spine, pulling you closer, closer, closer, always closer. Your fingers tangled in his hair, your body pressing into his like this was supposed to happen.
Like it had been waiting to happen. The bottle was forgotten, the world forgotten. There was only you and him.
Only the way he touched you, the way he whispered your name like it was the only one he ever wanted to say, the way his lips traced every inch of skin he could reach like he was memorizing you, like he knew this could be the first and last time he’d ever have the chance.
The way he loved you without ever needing to say the words.
And the next morning? Nothing changed. Like you hadn’t crossed the line you both had drawn so carefully, like you hadn’t given each other something irreversible, something fragile, something more.
The sun had already climbed high, warming the metal of the truck as you stirred awake, tangled in blankets, tangled in him.
You didn’t talk about it, you just slid into the front seat, yawning as you rubbed at your eyes.
Bucky turned the key in the ignition, glancing at you with a knowing smirk. “Breakfast?”
You stretched, adjusting your sunglasses before flicking on the radio. “Brunch, now.”
He scoffed, shifting into drive. “Always a smart ass.”
You grinned, settling into the seat.“You love it.”
His hands tightened slightly on the wheel, he spoke so softly, barely above the hum of the engine “I do.”
---
The knock on the door comes sooner than expected, you barely register it at first, still curled up against Steve, your grip on his shirt tight, unrelenting.
“I got it,” Steve murmurs, pressing a quick kiss to your temple before standing.
You don’t move, don’t even look up until you hear your mother’s voice.
“Oh, sweetheart.”
Warm arms wrap around you, pulling you into a crushing hug.The second her scent, lavender and home and safety hits you, the dam breaks again.
A choked, broken sob escapes you, and suddenly you’re clutching onto her, fingers digging into the fabric of her coat as if she’s the only thing keeping you tethered to reality.
She just holds you, her hand smoothing over the back of your head, rocking you gently, soothingly.
“I know, baby,” she whispers. “I know.”
But she didn't, she couldn’t.
Because how could anyone possibly understand what this felt like? The ache, the confusion, the grief that never got to settle. Because he was gone and now he wasn’t.
Steve clears his throat softly, shifting on his feet. “Do you want me to stay?”
You barely let him finish before you’re gripping onto his arm like your life depends on it. “Stay.”
His eyes soften, and he nods without hesitation. “Okay, sweetheart. I’m here.”
You and Steve sink onto the couch, your mom sitting across from you, her expression full of something too heavy to name.
She exhales, pressing her lips together before saying, “I spoke to Winnie.”
Your stomach tightens.
“She’s on her way to him now. She called me, and wanted me to tell you what she knows.”
You nod quickly, fingers curling into Steve’s sleeve. “Okay.”
Your mom hesitates for a second like she’s trying to figure out how to say it. “His unit was captured.”
The words slam into you, stealing the breath from your lungs. “Captured?” you echo, voice barely above a whisper.
Your mom nods, swallowing thickly. “They were held hostage. They don’t know by who yet, possibly a militia group Winnie said they told her. But… they were prisoners for years.”
Steve curses under his breath, his grip on you tightening.
You can’t speak, can’t breathe. You shake your head, trying to process, trying to understand
“How long?” Steve asked quietly
Your mom’s lips part, but no words come out at first. “Almost eight years.”
“Oh my God, the whole time..” Your voice cracks as your hand comes up to your mouth, your entire body trembling.
Steve’s arm wraps around you, pulling you close, holding you together as you fall apart.
“No, no, no—” The words spill out, your mind racing, stomach twisting. “He…he was…eight years, Mom, eight—”
“I know, sweetheart.” Her own voice wavers, her eyes glassy. “I know.”
You try to breathe, but the air won’t come. You picture him alone in the dark, cold, in pain.
Did they hurt him? Did they break him?
Did he think about you? Did he wonder why you never wrote back?
Did he believe you had forgotten him?
A sob rips from your throat, and suddenly Steve is cupping your face, murmuring soft reassurances, grounding you. “Breathe, baby, just breathe. I’ve got you, I’ve got you.”
You squeeze your eyes shut, pressing your forehead against his shoulder, inhaling his scent, something familiar, something steady.
When you finally lift your head, your voice is barely there. “Do they know how he is?”
Your mom shakes her head. “All Winnie knows is that he’s alive. He and his team were found when an operation raided the sector where they were being held. They were airlifted to a military hospital. They’re stable, but… we won’t know more until she gets there.”
“Where is he?” Your voice is tight, raw, desperate.
“Bethesda,” she says softly. “In Maryland.”
You nod quickly, as if your body already knows what your mind hasn’t caught up to yet. You have to go, you have to see him.
But then a new fear creeps in. What if he’s different? What if he’s not the Bucky you remember? What if he doesn’t want to see you? You wouldn't want to see you.
You blink back fresh tears, trying to fight the spiral.
“I need to go,” you whisper, more to yourself than anyone else. “I need to.”
Steve doesn’t react not at first. But then he nods. “I’ll book the flights.”
---
It had been 48 hours since Winnie got there that much you knew. That Winnie looked him in the eyes and it was him. You hadn’t heard anything directly yet just secondhand updates from your mother.
You hadn’t asked, you couldn’t. Because if you heard her voice crack, if you heard even a hint of pain or uncertainty, you weren’t sure you’d be able to handle it.
So, you waited. Steve had been gentle, patient, steady. He had packed more of Lily’s things, taking them to his mom’s for the week while you paced and walked on the edge of your sanity.
He had kissed your forehead before leaving, promising to be right back.
You sat on the couch, numb, restless, barely breathing. Your phone rang, you still didn’t move.
Your mom’s voice was tight, urgent. “It’s Winnie.”
Your stomach lurched. Your fingers shook as you reached for the phone, pressing it to your ear, your pulse roaring in your head.
“Hello?”
There was a beat of silence, the sounds of her taking a deep breath. “Hi, beautiful.” Her voice was thick, unsteady, filled with too many emotions to name.
Your throat closed. “Hi,” you whispered, voice small, broken.
Another pause.
“He’s here.” A choked sob escaped her. “It’s him, it’s really him. He’s alive, darling. He’s alive.”
You gasped, pressing a hand over your mouth, your entire body trembling. Tears spilled before you could stop them, your vision blurring, your heart hammering against your ribs. Because you had been told this over the last 72 hours but hearing it from her, while she was in the same place as him made it real.
“Oh my God.”
Winnie was crying now too.
You clutched the phone tighter, your breath coming in shallow, uneven gasps. “How is he?”
Winnie sniffled, composing herself enough to answer. “Physically… he’s got a lot of scars. His left arm, at the shoulder—” She inhaled sharply. “It’s the worst. Almost like it was nearly taken off in an explosion or something. But they saved it.”
A fresh wave of nausea rolled through you.
“Mentally?” Your voice shook.
“I don’t know yet, sweetheart. He won’t talk about it, which they told me is normal. But I got to see him and it's really him, that's enough for me right now.”
She took another deep breath. “He asked for you.”
The breath you had been holding shattered inside your chest. A sound caught in your throat.
“He kept asking about you, over and over.” Winnie’s voice cracked. “Sweetheart, I don’t know what to tell him. You’re coming right?”
“We fly out tonight.” The words left you before you even processed them. “I’ll be there tomorrow.”
“Good, good,” Winnie breathed out, relief breaking through the grief.
And then, softer “I can’t believe our boy came home to us.”
You squeezed your eyes shut, a fresh sob tearing through you. “Me either.”
“I love you, sweetheart. I’ll see you tomorrow.”
“I love you too, Winnie.”
The call ended, and you were left sitting there, breathless, shaking, clutching the phone like it was the only thing keeping you tethered to this moment.
He was alive and in less than twenty-four hours after 10 years you were going to see him.
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