#because characters in good stories

[acowardinmordor]

Can’t stop thinking about how the best way to keep Eddie safe in most time travel fix its, whether it’s a loop or not, is to have the police arrest him and put him in a cell. Ideally before anyone dies, but if that’s not possible, before Patrick and Fred die. He can’t have killed them if he was sitting in custody at the time.

Mostly can’t stop this thought from bubbling up because of the idea that Steve is the one who brings the police after Chrissy, and stands there and watches while Eddie is arrested, watches it, knowing that he’s saving Eddie’s life, and ruining any chance of Steve ever finding out if the spark he felt the first time was real.

[novelconcepts]

I Saw the TV Glow is such a uniquely, devastatingly queer story. Two queer kids trapped in suburbia. Both of them sensing something isn’t quite right with their lives. Both of them knowing that wrongness could kill them. One of them getting out, trying on new names, new places, new ways of being. Trying to claw her way to fully understanding herself, trying to grasp the true reality of her existence. Succeeding. Going back to help the other, to try so desperately to rescue an old friend, to show the path forward. Being called crazy. Because, to someone who hasn’t gotten out, even trying seems crazy. Feels crazy. Looks, on the surface, like dying.

And to have that other queer kid be so terrified of the internal revolution that is accepting himself that he inadvertently stays buried. Stays in a situation that will suffocate him. Choke the life out of him. Choke the joy out of him. Have him so terrified of possibly being crazy that he, instead, lives with a repression so extreme, it quite literally is killing him. And still, still, he apologizes for it. Apologizes over and over and over, to people who don’t see him. Who never have. Who never will. Because it’s better than being crazy. Because it’s safer than digging his way out. Killing the image everyone sees to rise again as something free and true and authentic. My god. My god, this movie. It shattered me.

[lgbtlunaverse]

There's a version of the "don't go grocery shopping while hungry" rule specifically for writers where you should never under any circumstances be allowed to touch your draft within 3 hours of reading a really good story. Because sometimes when you read something great your head goes "fuck this is so much better than my stuff I should make that more like THIS instead!" Look at me. That's the devil talking and you should close the document NOW.

[egophiliac]

I don’t think we’ve ever seen you draw knight of dawn before 🤔 what are your thoughts about him? Or take?

I've drawn him a couple of times, just really little/in the background. but I should draw him more, I love this guy a lot! I have many, many thoughts about him and the way he parallels Silver...and also I think it is extremely funny that his ghost is stuck in a ring. especially considering where that ring has been for the last 16-ish years.

[koipepo]

That omake of little Kabru not being able to show off his howetown sweets because of Misril gets to me a lot so...

Here's a happier Kabru (and Lairu)

[infinitelystrangemachinex]

I could wax poetic about why Viktor's League backstory is inherently more interesting and more thematically resonant than where they went with him in Arcane season 2, but the cold hard truth is

a man covered in grease and probably blood who builds his own body out of scraps with his own two hands, can in fact build any contraption out of dinted metal sheets and a few screws including a deathray, performs deeply inadvisable operations on desperate but consenting people with his own tools, generates a cult following against his wishes because of his ability to inadvisably help people but the power's all his now anyway so he may as well, wants to clean up and save the undercity but is (only sort of) misunderstood as a walking Geneva Convention violation a freak and a supervillain, torments his arch-nemesis on at least a weekly basis and probably homoerotically hunts him for sport, had his life's work misattributed to people in the ruling class and is angry and tragic about it forever, tries to rip out his own emotions and is unsuccessful but pretends like he was not, is actually oddly kind to children, and is at the end of the day still just some guy,

is just hotter okay

[poorly-drawn-mdzs]

I'm a doctor, not a miracle worker.

[First] Prev <–-> Next

[purrvaire]

I'm having a moment

[durge-marzio]

Ohhh, I'm rereading Mystra's entry in the Sword Coast Adventurer's Guide... and this detail:

This means Gale was punished for trying to restore and preserve what he thought was a lost piece of Mystra's magic. Gale being Mystra's ex-lover put aside. He as her follower, she his goddess, was punished for attempting to do the one foundational rule of her faith.

I'm seething and so sad at the same time.

Edit: I used the word punish loosely, as in, toxic/abusive people will take any small mistake or action and twist it into something they can take advantage of. This post was also largely from the stand point of a toxic deity rather than a toxic partner, but both takes are valid here. Especially with the, “you didn’t stay compliant so now I’m giving you the silent treatment” part of it—from a god and a partner perspective.

[sparrowlucero]

this is the iconic dinosaur horror jurassic park wishes it was

[captain-astors]

The Crown Prince

[rosefires20]

My brainrot today is thinking about just how incredible for a character Eowyn is.

Genuinely. The series might not have many female characters but the ones we do get go so fucking hard.

To me, Eowyn is literally the definition of defining being a woman for oneself. She rejects the roles she is given despite acknlowdging the importance and its mostly because she knows part of the reason is that she is a woman.

The reason why she is obsessed with Aragorn isn't because she loves him but because she wants what he has. She wants the freedom and courage and bravery that Aragorn has at every turn. She literally has multiple conversations during the Two Towers about how what she fears most is a cage. All this girl wants is the freedom to be and not be forced into a role. The best thing is that she literally gets that.

The segment of Return of the King about Eowyn and Faramir is literally about her piecing together what she truly wants. She doesn't want Aragorn. She wants freedom and the ability to choose. Faramir does nothing but encourage that in her. Their love story is literally one of the healthiest love stories I've seen in a long time because at the heart of it, their love is a place to return home to for both parties. Both go off to lead and help their people for a considerable amount of time before returning to each other but that does not diminish their bond. Even Faramir, I believe, falls in love with her bravery and dedication to her loved ones. The reason she went to Pelenor Fields and Gondor with the troops of Rohan was because she had things she wanted to fight for. She wanted to fight for herself, her people, and her loved ones. She is the one who protects Theoden after he is killed so that his body gets the treatment it deserves. She encourages Merry and helps him go to the battle because she sees her struggle in Merry. They feel helpless standing around when there are things to be doing.

Let's also not forget the fact that she was around Grima Wormtounge just as much as the King was. She was exposed to the same poison and awful words that eroded the king. It's even implied that her care for him is part of the reason why Theoden was savable when Gandalf showed up. She had the same power and bravery as everyone else even if she didn't see it in herself.

Then at the end of the day, SHE decides where she wants to go and what path she wants to walk. She walked the path of a warrior. The path of a princess/ruler. The path of a caretaker. But in the end she decides which elements truly mean something to her outside of gender definitions. That is what makes her character so incredible to me. In this she literally kills one of the biggest enemies in that battle with such a badass line.

[qkmlh]

I’m a simple soul

I see a hot blooded trauma fueled man with an ego and daddy issues become an unwilling single mother who then steps up after multiple trials and errors to grow into a proper parent that fights tooth and nail for his daughter AND face said daddy issues head on for the betterment of his child thus reconciling and healing his own relationship with his father and bringing an enthusiastic grandpa into the mix

and I crumble

[synchodai]

When I say Tyland Lannister is my favorite character...

I am being 100% dead serious. Here is why I prefer this seemingly average nobleman over the many many many fan favorites in Fire and Blood.

Tyland Lannister is a second son in a story about second sons. Whether his feelings on this are as strong as Aemond's or Daemon's, we never know for sure in the books, but it's obvious that he's subservient to a mirror image of himself who only has more authority because of a few seconds separation between twins. It's a great display of both the arbitrariness and rigidity of succession.

His initial role in the Dance is as the master of coin for the greens. He's depicted as a typical Lannister: charming, comely, and cunning. He did what any savvy accountant would do and divided the crown's treasury amongst different allied regions for safe-keeping, ensuring that if King's Landing were sacked, their enemies wouldn't loot their coffers dry and they'd still have plenty of gold for their war efforts.

And of course, King's Landing gets sacked. Tyland is put in the black cells and ordered to be tortured by Rhaenyra to extract the gold's whereabouts. Winter is coming, people are starving and rioting, her army is dwindling, so she desperately needs that gold. Tyland is gelded, maimed, disfigured, and blinded but the torturers get nothing out of him.

Mind you, this man has been a rich, pampered bureaucrat all his life and he endured all that without breaking. When Aegon II releases Tyland from those cells, he has no fingernails, his eyes have been gouged out and/or sewn shut, this man who was once known for his good looks doesn't look human anymore — but he still manages to maintain his wits so much so that he plays an important role after the Dance.

Even with Rhaenyra dead, there are still armies raising their banners for her eldest surviving son, Aegon Trois. Tyland tells Adult Aegon to kill Child Aegon because obviously, the latter threatens the former's claim and Tyland's understandably angry over what his mom did. Aegon Dos is like, nah, I'll keep the boy hostage instead — that'll keep the armies at bay more than outright killing him.

So Tyland volunteers to go to Myr to hire sellswords for Aegon 2 since their armies are pretty much kaput after six years of this civil war. Tyland is blind at this point I remind you — there is a huge chance this man will never get to go home again. But he does it anyway, because even after years of fighting, he keeps his unwavering loyalty to the monarch he declared for.

Aegon II dies while Tyland is in Myr, and Tyland goes back to Westeros just in time to see Cregan Stark use his powers as the new Hand to marry Aegon III and Princess Jaehaera to unite the green and black sides. Cregan dusts off his hands, says my work here is done, warns the boy king not to trust anyone, then leaves for the North for everyone else to sort this mess out.

Now comes the part where Tyland shines as a character. He becomes the Hand of Aegon III and when you see his policies detailed in the book, it's clear that his goal is focused on repairs and renumerations. After what happened to him, he has every right to be spiteful and bitter against the blacks, but instead he "claimed a curious failure of memory, insisting that he could not recall who had been black and who had been green." He abolished the heavy taxes imposed on the smallfolk, sent out gold to lords whose holdings had been devastated during war, and set out to rebuild the Realm's granaries and fleet. Cleaning up is a tedious, unglamorous job — and because of his monstrous appearance and former allegiances, Tyland was looked upon with distrust.

And yet, while other regents grasped for power and tried taking advantage of the 13-year-old King Aegon III, Tyland seemed to be different. If he wanted power he could have married his twin brother's widow and convinced the boy-king to route more resources towards Casterly Rock and the Westerlands. But he didn't.

Instead, he genuinely seemed to be a father figure to Aegon III.

Tyland Lannister, blind and crippled, had always treated the king with deference, speaking to him gently, seeking to guide rather than command.

And for that, many lords saw him as a weak Hand. But Aegon, who cared for very little and never laughed and was always sullen, seemed to care for Tyland.

When the plague ravaged King's Landing, Tyland dutifully prioritized it over quashing the Ironborn raids at Lannisport. He was the last person to become afflicted with the Winter Fever, and the king sat by his Hand's side during his final hours. When the council starts discussing who should be the new Hand, Aegon (the boy who rarely ever speaks) says:

I would have Lord Rowan as my Hand. Ser Tyland thought well enough of him to offer him my sister’s hand in marriage, so I know he can be trusted.

This boy trusted Tyland, the man who only years ago wanted him dead.

So it's easy to imagine that this man saw Aegon III as the boy he was responsible for, as the son he could never have because of what the war had done to him. Tyland Lannister was a broken man who despite losing everything, his king and his brother and himself, kept a broken Realm and broken boy together when everyone else swarmed like vultures just trying to pick at carcasses.

What motivated this man's loyalty for a boy whose mother mutilated him? Did he regret pushing for the death of an innocent child and this was his penance? Did this man who gave everything for his cause think that this boy was something that could still give all that sacrifice and tragedy meaning? Was the mercy and kindness he afforded an apology for the horrifying trauma that scarred this boy — did he feel responsible for his mother's downfall and the failure to save his uncle? Did his disfigurement and blindness allow him to let go of the man he once was and become someone capable of seeing the folly of pride and power?

Here is his obituary in Fire and Blood:

Ser Tyland Lannister had never been beloved. After the death of Queen Rhaenyra, he had urged Aegon II to put her son Aegon to death as well, and certain blacks hated him for that. Yet after the death of Aegon II, he had remained to serve Aegon III, and certain greens hated him for that. Coming second from his mother’s womb, a few heartbeats after his twin brother, Jason, had denied him the glory of lordship and the gold of Casterly Rock, leaving him to make his own place in the world. Ser Tyland never married nor fathered children, so there were few to mourn him when he was carried off. The veil he wore to conceal his disfigured face gave rise to the tale that the visage underneath was monstrous and evil. Some called him craven for keeping Westeros out of the Daughters’ War and doing so little to curb the Greyjoys in the west. By moving three-quarters of the Crown’s gold from King’s Landing whilst Aegon II’s master of coin, Tyland Lannister had sown the seeds of Queen Rhaenyra’s downfall, a stroke of cunning that would in the end cost him his eyes, ears, and health, and cost the queen her throne and her very life. Yet it must be said that he served Rhaenyra’s son well and faithfully as Hand.

Tyland wasn't extraordinarily badass, noble, or even skilled. He was an excellent politician but no way the best. But I think that's what makes him compelling to me — that he's this down-to-earth depiction of a POW, a war veteran by all accounts, trying to pick up the pieces and slowly glue what remains of the Realm and himself back into something vaguely human.

We tell so many stories about the glory, the tragedy, and the losses of war. But I think it's important and beautiful to tell stories of those bravely and optimistically choosing to keep living in the aftermath as well.

[miraculouslbcnreactions]

Keep hearing people say maribug keep asking adricat if he's ok and he keep saying he's ok instead of telling her his problem but I don't remember it happened more than once in s4 in Rockettear but even then the circumstances of that episode did warrant the "nothing" answer he gave her unless he want to tell her that "nino tell me you let nino and alya know each other identity" which will reveal adricat identity. So when else did she ask? about the thing in hack-san, I think another credit goes to alya since she's the one who bring the topic to maribug who seems to be blissfully unaware that her leaving without telling adeicat that she send subtitute would be a problem.

I didn't get into this side of things in my other post because it was long and I wanted to focus on why Chat Noir's behavior was so frustrating, but this ask brings up the other big reason why the season four conflict was such a frustrating and terribly written plot line. Specifically, the part of your ask where you point out that Maribug seems blissfully unaware that her actions are having a negative impact on Chat Noir until someone points it out to her.

Yes, she is presented as blissfully unaware of this and every other interpersonal conflict we're given in season four. Your ask treats this as a failing on Maribug's part as if she should have obviously realized that she was in the wrong, but that's the whole problem. Telling kids - telling anyone really - that they should just magically know what others need is a frankly terrible life lesson as that's just not how the world works. You cannot just assume that everyone will have the same view of the world as you do and instantly pick up on the same issues as you do. That is the path to easily avoidable frustration and conflict. It also teaches people to assume that their view of the world is inherently correct when that is rarely the case. We often don't know the whole story and the other person's point of view may end up being equally or even more valid. This issue is extremely present in season four as Marinette has legitimate reasons to behave the way she does, which I'll get into in a bit.

If Marinette were written as feeling guilty about how she was treating Chat Noir, then this would be a different story. She'd be way more in the wrong and would shoulder a much greater portion of the blame. But as is? She has no idea that she's doing anything wrong. And until someone takes the time to tell her that her actions are causing harm, she is going to continue causing harm because she has no idea that she's causing harm.

In fact, I'd argue that the Alya thing in Hack San is a point in Maribug's favor. Throughout the episode, we see Marinette sending Alya messages on ways to be a good partner to Chat Noir, proving that she does in fact care about him. And then, as soon as Alya says, "You need to talk to Chat Noir," what does Maribug do?

She goes and talks to Chat Noir, giving him a pretty good apology for the problem she now knows she caused. Because, shockingly, Maribug doesn't actually want to hurt her partner. She also clearly cares about his feelings, making me want to take the season four conflict and tear it into itty bitty pieces because what is the conflict even supposed to be when you write shit like this?

I want to briefly step away from Miraculous and talk about this issue in a broader context via this YouTube short:

This short is from a Vietnamese woman who moved to Germany. Her YouTube channel is about her experiences there, including things like the short above which goes into the differences between what it means to be a dinner guest in Vietnam and what it means to be a dinner guest in Germany. In Vietnam, it's apparently standard for the guests to cook dinner with you where as, in Germany, you're expected to have the meal ready when the guests arrive, making this a situation where it's super easy to come across as rude just by doing what you think is normal.

Society is relatively aware that these types of culture clashes are a thing, but you don't have to be from different cultures to have these types of situations. Every person has their own unique needs and ideas of what "normal" is. The culture they were raised in will affect this, but so will their family, their personal needs, and many other factors. Two people can be raised on the same street and wind up with wildly different world views even though they supposedly share a culture. This is extra true when you add in compounding factors like neurodiversity, which is why it's an exercise in futility to say, "But Maribug should have realized..."

Well, she clearly didn't. And you can't change that she didn't realize whatever you're mad about. All you can do is have someone tell her what she's doing wrong. If she then continues the behavior, go ahead and judge away. But if she immediately corrects it like she did in Hack San? Doesn't that just prove that she truly didn't know that Chat Noir was hurting and would have probably fixed all of his problems if someone just pointed them out to her?

This is only exacerbated by the fact that Marinette's behavior in season four is largely unchanged from her behavior in previous seasons. The only major change is that she revealed her identity to Alya, but as soon as that's pointed out as a problem, she course corrects with an apology. After that, she thinks that everything is okay because why wouldn't she? Chat Noir said it was fine and everything else has been business as usual.

Bringing temp heroes into help as needed? That's been going on since season two. Having these additional members has been vital in multiple battles and there have been plenty of times where Chat Noir took a background role to the temp hero of the day like in Sapotis, Rena Rouge's season two debut. So why would Maribug suddenly think that this dynamic is a problem when it's been working fine for so long? We even had a whole episode about how Chat Noir was still needed in spite of the new heroes back in season three! Or, at least, I think that was Desperada's message? This show is shockingly bad at giving clear lessons.

Keeping guardian knowledge from Chat Noir? That's also been going on since season two and was even treated as a conflict that supposedly got resolved in the episode Syren which was the episode that ended with Master Fu coming to the mansion to talk to Adrien after everything was over.

When I watched that episode, I assumed this meant that Chat Noir was going to be more involved in things like picking the temp heroes. I actually thought this was how we were going to get Queen Bee because I knew she was going to be a thing, but it made no sense for Marinette to pick Chloe for a miraculous. Of course, I was wrong. Nothing changed after Syren. Chat Noir remained nothing more than the comic relief while Ladybug got all the insider info.

To be clear, I think that was a terrible move writing wise, but it doesn't change the fact that this is what they went with. This is the established dynamic. I can't even say that Alya learning Marinette's secret led to something new. She's just taken Marinette's old role while Marinette has taken on Master Fu's old role. This show loves it's status quo and Chat Noir has been at least tolerant of that status quo since Syren, so it's not surprising that Maribug doesn't register that this is a thing that should change and no one bothers to point it out to her even though she has a mentor in Tikki (and Su Han, I guess?) and a confidant in Alya and a whole slew of Kwamis who could also provide insight if they were allowed to do that sort of thing. (Sass and Wayzz were robbed of mentor roles.) Additional blame goes to Plagg because he should absolutely have told Adrien to talk to Ladybug. What is the point of giving these characters mentors who never mentor? It's aggravating in the extreme.

To circle back to the first part of your ask, outside of Hack San and Rocketear, I don't think there are any times when Ladybug invites feedback from Chat Noir unless you want to give credit to the end of Kuro Neko:

Cat Noir: (lands next to her) I've been a really temperamental kitty, m'lady. I didn't realize how much trouble I'd make for you by giving back my Miraculous. Ladybug: (sits closer to him) Just because I don't need you all the time doesn't mean that I don't need you at all, Cat Noir. No one could ever replace you.

Which isn't Maribug inviting him to tell her what's up, but she is clearly willing to listen to him and reassure him, further backing up my point about this conflict being some of the worst writing I've ever had to suffer through. If Maribug always fixes the issue as soon as she learns about it, you are not writing a situation where she's clearly in the wrong. You are writing an easily solved communication issue where she gets blamed for something she clearly doesn't realize she's doing wrong and it is so frustrating!!! I feel so bad for her. The next episode is Penalteam, btw, which starts the battle with this gem:

Ladybug: (laughs) Nice scare tactics, but it's not gonna work. Cat Noir and I are the best at soccer! Cat Noir: (Whispers to Ladybug) I don't know a thing about soccer M'lady. Maybe it's time to call the real team?

And basically just spends the whole episode making Chat Noir seems like a worthless partner while Maribug tries her best to make him - and everyone else - feel special.

Oh, and the episode before Kuro Neko? Well, it's technically Ephemeral, but that got magically overwritten so let's go one further back and we get to Dearest Family, which ends with this:

Cat Noir: (grabs a golden paper crown on the coffee table) Since I'm the king, (wears the crown on his head) would you be my queen, Ladybug? Ladybug: With pleasure, kitty cat! Tradition is tradition!

Oh yes, these two are in such conflict and Maribug does nothing to validate Chat Noir. He's in pain every episode and she's just totally oblivious to it.

If that was what they wrote, then I'd probably agree that we needed more instances of her asking if Chat Noir was okay. But it's not what they wrote. If you look through the list of season four episodes, you'll find that less than half of them deal with the supposed conflict of the season (by my count, only 8 of the 24 episodes before the final actually showcase the conflict and they are not in a logical order in terms of escalation as I tried to demonstrate above). The rest of the episodes flat out ignore it or even straight up work against the conflict like when Ladybug says this to Chat Noir in Guilttrip: "I probably don't tell you this enough, but I couldn't do this without you. And it'd be a lot less fun too."

Seriously, what even is this season? What is the conflict supposed to be? Because it sure as shit isn't Maribug undervaluing Chat Noir, if memory servers, season four sees her validate him more times than any other season. And it isn't her guiltily hiding things from him like so many fanfics claim because we have multiple points of evidence that prove that she's completely oblivious that there even is a conflict. So what conflict are the writers actually trying to write?

What's even more baffling is that none of this logically leads to the loss at the end of the season:

Maribug's new secrets didn't lead to her downfall. The only reason she lost was because of the secret that's always been there - a fact that's never revealed to her - and a freaking evil twin! So why did it matter that Maribug was keeping secrets? This is made even worse by season five maintaining all of the secrets, once again begging the question of what lesson were we trying to teach here???

Chat Noir wasn't needed for the final fight of the season, Maribug only needed the powers of a few of the temp heroes to win, a baffling ending to a season whose focus was Chat Noir feeling unimportant. You could scrap that conflict entirely and the ending would not change. In fact....

Adrien quitting to be nothing more than a good little boy who obeys his father would have actually saved the world from eventually being rewritten. If you think about it, the season four final actually punishes Adrien for being defiant. So does season five as, if Chat Noir had quit, his father would still be alive. I thought this show was supposed to be a romcom, not a tragedy. Why is Adrien being punished for being a hero? Is this supposed to be karma for lying to Ladybug with the whole Catwalker thing?

This shit is why I say I'm a writing salt, character sugar blog. I can't get mad at the characters when they're in such a nonsense story where things never logically tie together. They all deserve so much better.

None of this is meant to imply that ignorance is a blanket excuse for hurting others. Nor is it meant to imply that you have to forgive someone who hurt you just because they didn't mean to. There's a ton of nuance around these topics. But season four acknowledges none of that nuance while creating a situation that desperately needed nuance because there was no clear right and wrong here. Should Maribug work to be more aware of others feelings? Sure, but that journey can only start after she's made aware of her faults and no one ever points them out to her. Does Chat Noir need to work on clearly communicating his needs? Desperately, but no one is teaching him that lesson so he remains a terrible communicator who suffers in silence. What impressively bad writing.

[starbuck]

the thing is, i love The Narrative, but i also absolutely adore a truly character-focused tragedy where everyone’s downfall is caused not by larger narrative forces, but by hundreds of tiny decisions made by characters who, despite their best efforts, just suck.