#because I love those to idiots in love

[youchangedmedestiel]

I want to change my avatar pic. Don't get me wrong I love this one but I would like to put something unique and I'm not saying Cockles isn't unique. Because they are.

It's just that I'm thinking about putting something that I drew but for that I have to draw first and then be satisfied enough with it to put it there. So yeah, that's not for today.

[poorly-drawn-mdzs]

Tis but a flesh wound!

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[violetren]

Things that cannot defeat the TARDIS...

Being jettisoned into the Z-Neutrino energy core of the Dalek Crucible.

Being turned into a self cannibalising paradox machine by The Master.

Being shunted into a human body while it's own body gets possessed by a sentient TARDIS devouring asteroid.

Things that can defeat the TARDIS...

One cup of coffee with a splash of cold milk.

[marypsue]

So if you follow me (and aren't just stopping by because you saw one of my funney viralposts), you probably know that I've been writing a bunch of fanfiction for Stranger Things, which is set in rural Indiana in the early- to mid-eighties. I've been working on an AU where (among other things) Robin, a character confirmed queer in canon, gets integrated into a friend group made up of a number of main characters. And I got a comment that has been following me around in the back of my mind for a while. Amidst fairly usual talk about the show and the AU and what happens next, the commenter asked, apparently in genuine confusion, "why wouldn't Robin just come out to the rest of the group yet? They would be okay with it."

I did kind of assume, for a second or two, that this was a classic case of somebody confusing what the character knows with what the author/audience knows. But the more I think about it, the more I feel like it embodies a real generational shift in thinking that I hadn't even managed to fully comprehend until this comment threw it into sharp perspective.

Because, my knee-jerk reaction was to reply to the comment, "She hasn't come out to these people she's only sort-of known for less than a year because it's rural Indiana. In the nineteen-eighties." and let that speak for itself. Because for me and my peers, that would speak for itself. That would be an easy and obvious leap of logic. Because I grew up in a world where you assumed, until proven otherwise, that the general society and everyone around you was homophobic. That it was unsafe to be known to be queer, and to deliberately out yourself required intention and forethought and courage, because you would get negative reactions and you had to be prepared for the fallout. Not from everybody! There were always exceptions! But they were exceptions. And this wasn't something you consciously decided, it wasn't an individual choice, it wasn't an individual response to trauma, it wasn't individual. It was everybody. It was baked in, and you didn't question it because it was so inherently, demonstrably obvious. It was Just The Way The World Is. Everybody can safely be assumed to be homophobic until proven otherwise.

And what this comment really clarified for me, but I've seen in a million tiny clashing assumptions and disconnects and confusions I've run into with The Kids These Days, is that a lot of them have grown up into a world that is...the opposite. There are a lot of queer kids out there who are assuming, by default, that everybody is not homophobic, until proven otherwise. And by and large, the world is not punishing them harshly for making that assumption, the way it once would have.

The whole entire world I knew changed, somehow, very slowly and then all at once. And yes, it does make me feel like a complete space alien just arrived to Earth some days. But also, it makes me feel very hopeful. This is what we wanted for ourselves when we were young and raw and angrily shoving ourselves in everyone's faces to dare them to prove themselves the exception, and this is what I want for The Kids These Days.

(But also please, please, Kids These Days, do try to remember that it has only been this way since extremely recently, and no it is not crazy or pathetic or irrational or whatever to still want to protect yourself and be choosy about who you share important parts of yourself with.)

[shelleysmary]

sauron is so *sighing facepalm* frustrating. he crawled, walked, sailed across middle-earth, made up the halbrand identity, did a boomer in-person job application tour around númenor, didn't lie to galadriel and he has the mental gymnastics to prove it, sailed back to middle earth with an army, fought a whole ass battle, faced his murderer with a mostly straight face, got impaled... somehow, risked sepsis on a six-day ride to eregion, brainstormed magic rings with celebrimbor, wielded tools and operated heavy machinery after said mysterious injury, clocked that his would-be girlfriend was starting to get the ick around him, took radical action, asked her to be his non-platonic business partner (the business being mass-brainwashing and dictatoring), took the L, regrouped, rode back to the southlands (now mordor) to enact plan b wherein he faces his murderer again, gets beat up, goes on a hunger strike (rage and self-pity are his fuel), relives his murder trauma for The Master Plan, back on a horse, rides from mordor to eregion, sadface emoji because he's not allowed to go in, stands in the square, gets rained on, risks regency-era pneumonia, flatters celebrimbor, comes up with plan b part 2 wherein he is now a representative of the valar with a great haircare routine and possibly a stylist, begins his campaign to gaslight gatekeep manipulate everyone in eregion, balancing a full-time job with psychological warfare...

my guy. you could've lived on a nice farm somewhere. gone on vacation. adopted an elven dog. being "good" is too much effort for you??? what do you call THIS?

[kacievvbbbb]

I love this last snippet of all of them together with their groups. If this chapter did anything it was make me want a slice-of-life spin-off where we see these three idiots solving the stupidest low-level curse cases and somehow still fucking it up.

That truly would be my jujutsu kaisen

[antaripirate]

this scene always get me

because firstly, every interaction between kell and alucard is fucking gold, and the concept of them tolerating each other to find lila is perfect. (i could write essays about alucard and kell’s relationship in tftop because it is so fucking entertaining).

but also alucard trying to look after kell for lila’s sake and lila’s sake alone (because this isn’t a pain that could hurt rhy) is so funny to me.

because the implication that at some point lila sat alucard down and explicitly told him there would be hell to pay if he ever let kell hurt himself is gold.

the image of lila bard threatening her best friend over the idiot she loves (who he hates) is just so fucking funny. and i can see alucard thinking it’s hilarious how soft bard actually is, but also being mildly irritated because he knows she’s actually deadly serious and he now has to look out for kell.

and then there’s literally just the fact of how much lila worries in this book. she’s literally never not thinking about kell. i could talk for days about this. they’re so in love it hurts.

this scene is just such a perfect mix of tension and humour, which V always does perfectly.

[fromge]

Julian - Just a couple of chaps in the library~

Captain - :)

[invinciblerodent]

writing is a wild hobby because sometimes you put down the most poetic bullshit, the most beautiful, evocative imagery that feels like you tore it from your very soul

and sometimes you write "she opened her un-jizzed eye"

[ruvviks]

was vitali ever truly happy in his college years when he was together with nick? well, it's complicated.

taglist (opt in/out)

@shellibisshe, @florbelles, @ncytiri, @bialanwake, @stars-of-the-heart;

@lestatlioncunt, @katsigian, @radioactiveshitstorm, @estevnys, @adelaidedrubman;

@celticwoman, @rindemption, @carlosoliveiraa, @noirapocalypto, @dickytwister;

@killerspinal, @euryalex, @ri-a-rose, @velocitic, @thedeadthree;

@jacobseed, @swordcoasts, @ordinarymaine

[youchangedmedestiel]

You all know what? I don't know when Cas falls in love with Dean, nor when he starts realizing it and even less when he accepts it. And I don't have a fucking clue on the exact episode when Dean starts having feelings for Cas, if or when he realizes it neither when he accepts it.

My answers might change over time depending on I don't even know what.

I just know for sure like 200% that they love each other so much. I can't prove it to you by pointing at specific events but it's there. And that's what matters!

[rearranging-deck-chairs]

obligatory rock murder mention

[demigodofhoolemere]

I’ve been seeing this float around on Facebook lately and it’s bugging the crud out of me:

What is with everyone’s obsession with insisting it’s bad to need to be rescued? For as long as the human race has been on the planet, people have had problems that they needed other people’s help to resolve. Needing help is not a failing nor should it be the takeaway from these princesses’ stories as if it’s a bad thing that makes them weak. Yes, they do need help. Your point?

Snow White and Aurora were both under a curse that rendered each of them effectively dead. Were they supposed to magically wake themselves up? I’d want to be rescued if I were them. Plus, breaking it down to “she needed a prince” belittles the efforts of the Seven Dwarfs and the Three Good Fairies, who did most of the legwork in the resolution of their respective movie plots out of deep platonic love for the girls under their care. Then there’s Cinderella, who lived in an abusive household. It’s not a weakness that she wasn’t able to get out of that situation on her own, and once again, giving all the credit to the prince (and credit where credit is due, he did search far and wide for her and was able to take her away from that life in the end) detracts from the aid provided by the Fairy Godmother who enabled her to get out in the first place. All of these ladies had more helpers than just their princes, and it is because of the combined love and efforts of all of these people that our heroines were able to have their happy endings. There are plenty of great stories where the heroine is able to fight for herself, but these particular stories aren’t about that because these ladies are each in terrible circumstances where they simply don’t have the ability to do so. They do what they can, but in the end they can’t save themselves alone and there’s nothing wrong with that. These are beautiful stories about having people in your life that value you enough to fight for you when you can’t fight for yourself. Wouldn’t we all want someone to come to our rescue when there’s nothing we can do about our situation? Is it not a good and comforting moral to show that there are people in your corner who will show up for you no matter what the circumstances?

The other thing that’s bugging me about this:

Leia has to be rescued. By a man, and at that, one who could technically be seen as a prince. No one bats an eye at this, because it’s understood that she’s being held prisoner on the Death Star and couldn’t possibly be expected to get out of that on her own. It’s not seen as a weakness that someone had to come for her and take her away from there. Leia is awesome and is rightfully acknowledged as a great heroine, but she also needs help sometimes, because everybody does.

So WHY do people get so hung up on these princesses who also shouldn’t be expected to get out of their own prison cells of eternal sleep or abusive family by themselves? Why the strong negative reaction to girls needing outside help in such serious scenarios? For all that people say these stories teach girls to sit and wait for a man to save them, the stories themselves absolutely never try to say that, and frankly, with the opposite trend in recent years of fictional women who have to do everything on their own and can’t be shown to need help because they have to be the Strong Female Character, I’d be far more concerned about the impact that would have on girls. Far better to say you might need help at some point in your life than to instill the idea that you’re not a strong girl or not good enough if you can’t do everything by yourself.

Anyway. Justice for the classic Disney princesses.

[bluishfrog]

"Asking George if he wanted Dream to put his fingers in his mouth only felt like the next natural step, he supposed." — seashells by @sappymix1 (read on ao3)

[moongothic]

You know we all meme about how Luffy doesn't give a shit about his parents/Dragon, how he seemingly has no interest in learning about the man or meeting him at all, and like yeah that is a Luffyism

And for a long time I figured Baby Luffy would be the same too; that Luffy in his naïvete just accepted he must've spawned from the ocean itself into Garp's care or something, not realizing he should in fact have parents, thus Luffy's seeming disinterest in them

But you know what

Luffy did spend most of his early childhood alone

Sure, he had Garp, but it seems like Garp wasn't always there to look after him every day, he had his duties as a Marine too. Had Garp been there 24/7 all year then Garp would never have allowed Luffy to interact with Shanks (a filthy pirate) to begin with. So yes, Luffy had his grandpa, but not all the time. And sure, Luffy also had Shanks, but Shanks didn't spend all his time in Fuusha Village either, he came and went whenever he pleased too until his final departure when Luffy was just six years old. And yes, there was everyone else in the village too, people who cared about Luffy and were helping look after him. But Luffy's early childhood was one without a stable family.

It wasn't until Garp yeeted the child into Dadan's care that Luffy actually gained a proper family, where after months and months of trying Luffy managed to win Ace's trust and gained Sabo as a brother too. But as we know, by that point Luffy already hated being alone

All of this to say; Luffy growing up essentially orphaned would explain why he's so afraid to be alone, the way he clings onto people

In some ways Luffy's POV is meant to be the reader's POV, to some degree Luffy's feelings and thoughts are meant to be how we the readers feel and think about whaveter is happening in the story. Not a 100% by any means, but somewhat at the very least.

Perhaps Luffy's lack of interest in Dragon isn't just "Luffy not giving a damn about blood family because chosen families are better" nor "Luffy is too stupid to understand where babies come from". Perhaps Luffy, who may have assumed he didn't have parents at all (as in "might've assumed they were dead or had intentionally abandoned him"), doesn't know what to think about the fact that he does have a father out there, one whom he has never as much as met. Because yeah, Luffy doesn't know why Dragon left him with Garp, why he never got to be with his dad. Should he be angry at Dragon, hate him for being left alone? Or did Dragon have a good reason for it, does Dragon wish things could've been different?

Perhaps Luffy's seeming disinterest in Dragon isn't because he doesn't care about blood family, but because much like us the readers, Luffy doesn't quite know what to make of Dragon, and figuring those feelings out hasn't been relevant to the plot yet.

[laun-sina]

FRAN X C.C. || JUST BECAUSE - Lizzy McAlpine I know things that you don't know All my thoughts I'll never show Not because I'm unprepared Not because I'm somewhat scared Just because I love you AAAA this is a rather long edit but it makes my heart happy to make this for them :"> just because is a song i've associated with them for so long and i'm happy to finally make a video to it after so long. just the thought of them dancing around each other knowing that they harbor feelings for the other without saying anything (i know things that you don't know) is just GAH someone write a fic about this please uewihfksdj anyway, i hope you guys like this little video, enjoy! <3 disclaimer: i do not own any of the clips used in the video. the video is made for entertainment purposes only, no copyright infringement is intended. all rights belong to the nanny. :> audio credits: lizzy mcalpine