#because I know you're having a bad day

[ellies-little-gun]

Today is a good day, surprisingly. Usually, snow means nightmares and not eating enough, and worrying Joel into an early grave. But not today, today is a good day. Because today, Joel is off rotation, and school is canceled because the snow drifted and they can't get the doors open. That means spending the whole day with Joel, just the two of them.

Which lead them to where they are now. Be a shame to waste it, Joel tells her, helping her pull her hat onto her head. They march outside, bundled up against the nip in the air. Ellie starts the snowball fight, purely because she can. Nails him directly in the face too, she's pretty proud of it. She silently thanks Tommy, for showing her how to make one.

She takes cover behind the shed in the backyard, when she sees Joel making a snowball, no doubt to retaliate. Joel takes cover behind the big cottonwood. They spend who knows how long hucking snowballs at each other and laughing harder than Ellie thinks they ever have. Turns out Ellie has excellent aim when it comes to throwing snowballs. Joel, they discover, does not. A fact that Ellie spends a good ten minutes cackling about, bent over at the waist and face red.

Joel takes the opportunity to shove a handful of snow down the back of her shirt, and she will deny the shriek she lets out until the day she dies.

She tackles him, and he lets her. Falls to the side like she took him down when they both know she couldn't knock him over at all if he didn't allow it. She grabs handfuls of snow, pelts him with them, giggling the whole time. He retaliates, flips her to the side so she lands with a huff.

They stay like that, both laying on their sides and throwing handfuls of snow at one another. Joel laughs so hard no sound comes out and she knows he'd be clapping, if his hands weren't occupied. His seal laugh, as she calls it, is one of her favorite things in the whole world.

They stop after a while, stay on the ground panting to catch their breath and giggling together. They both roll onto their backs, snickering under their breath. She looks up at the sky, points out a cloud that looks like a butterfly. Looks like Sarah wanted to be involved, she tells him, just to see the way his eyes go soft and fond. He shifts in place, brings his arms up. Swooshes his arms and legs back and forth, eyes on the sky.

"Making a snow angel," he answers, when she asks him what the fuck he's doing.

He sighs when she tilts her head in confusion. Stands and pulls her to her feet, mumbles something about FEDRA doesn't teach shit do they under his breath. Introduces her to the fine art of making a snow angel. Shows her how by example, moves to a fresh area to start. She flops down next to his when it's done. Makes her own.

"What do you think, Kiddo?" Joel asks as he helps her dust the snow off her back, once she stands up again.

She turns to look at them. His is way better than hers is, she can admit that. But she doesn't think that hers is bad, just that Joel's is better. Which makes sense, given he's like a hundred and has been doing this for far longer than her.

It does something to her, though. Seeing them side by side like that. Makes something warm and gooey and soft spread through her chest, seeing his much larger angel next to her smaller one. Smiles when she notices that the "wings" of their angels are crossed over each other. She likes it, like they're holding hands or something. Like they're family.

"I think they're perfect," she tells him.

"So do I, Kiddo, so do I."

Ellie beams at him, and he grins back. She wants to tell him, how much this means to her. How much he means to her but isn't sure how to do it. How to get the words out. Because how could she ever put anything Joel means to her into words. Joel is her best friend, he's the best thing that ever happened to her. How can she possibly put that into words? There aren't any words big enough, to encapsulate everything Joel is to her, everything he does for her.

Settles for asking, "Cocoa?" with a lopsided smile, the one she knows is his favorite.

"Cocoa," he agrees, looping an arm over her shoulder to lead her back inside.

Her jacket is soaked through, and she’s absolutely freezing, but her heart feels warm because Joel is with her.

And, right now, that's all that matters. Joel is with her.

[poorly-drawn-mdzs]

Remember: The burning sensation is part of the process.

[yeonjune]

Yeonjun about the strain he felt while preparing for his debut solo project ✙ "GGUM" MAKING FILM

[gingermintpepper]

In my Zeus bag today so I'm just gonna put it out there that exactly none of the great Ancient Greek warrior-heroes stayed loyal and faithful and completely monogamous and yet none of them have their greatness questioned nor do we question why they had the cultural prominence that they did and still do.

Jason, the brilliant leader of the Argo, got cold feet when it came to Medea - already put off by some of her magic and then exiled from his birthland because of her political ploys, he took Creusa to bed and fully intended on marrying her despite not properly dissolving things with Medea.

Theseus was a fierce warrior and an incredibly talented king but he had a horrible temper and was almost fatally weak to women. This is the man who got imprisoned in the Underworld for trying to get a friend laid, the man who started the whole Attic War because he couldn't keep his legs closed.

And we cannot at all forget Heracles for whom a not inconsiderable amount of his joy in life was loving people then losing the people around him that he loved. Wives, children, serving boys, mentors, Heracles had a list of lovers - male and female - long enough to rival some gods and even after completing his labours and coming down to the end of his life, he did not have one wife but three.

And y'know what, just because he's a cultural darling, I'll put Achilles up here too because that man was a Theseus type where he was fantastic at the thing he was born to do (that is, fight whereas Theseus' was to rule) but that was not enough to eclipse his horrid temper and his weakness to young pretty things. This is the man that killed two of Apollo's sons because they wouldn't let him hit - Tenes because he refused to let Achilles have his sister and Troilus who refused Achilles so vehemently that he ran into Apollo's temple to avoid him and still couldn't escape.

All four of these men are still celebrated as great heroes and men. All four of these men are given the dignity of nuance, of having their flaws treated as just that, flaws which enrich their character and can be used to discuss the wider cultural point of what truly makes a hero heroic. All four of these men still have their legacies respected.

Why can that same mindset not be applied to Zeus? Zeus, who was a warrior-king raised in seclusion apart from his family. Zeus who must have learned to embrace the violence of thunder for every time he cried as a babe, the Corybantes would bang their shields to hide the sound. Zeus learned to be great because being good would not see the universe's affairs in its order.

The wonderful thing about sympathy is that we never run out of it. There's no rule stopping us from being sympathetic to multiple plights at once, there's no law that necessitate things always exist on the good-evil binary. Yes, Zeus sentenced Prometheus to sufferation in Tartarus for what (to us) seems like a cruel reason. Prometheus only wanted to help humans! But when you think about Prometheus' actions from a king's perspective, the narrative is completely different: Prometheus stole divine knowledge and gifted it to humans after Zeus explicitly told him not to. And this was after Prometheus cheated all the gods out of a huge portion of wealth by having humans keep the best part of a sacrifice's meat while the gods must delight themselves with bones, fat and skin. Yes, Zeus gave Persephone away to Hades without consulting Demeter but what king consults a woman who is not his wife about the arrangement of his daughter's marriage to another king? Yes, Zeus breaks the marriage vows he set with Hera despite his love of her but what is the Master of Fate if not its staunchest slave?

The nuance is there. Even in his most bizarre actions, the nuance and logic and reason is there. The Ancient Greeks weren't a daft people, they worshipped Zeus as their primary god for a reason and they did not associate him with half the vices modern audiences take issue with. Zeus was a father, a visitor, a protector, a fair judge of character, a guide for the lost, the arbiter of revenge for those that had been wronged, a pillar of strength for those who needed it and a shield to protect those who made their home among the biting snakes. His children were reflections of him, extensions of his will who acted both as his mercy and as his retribution, his brothers and sisters deferred to him because he was wise as well as powerful. Zeus didn't become king by accident and it is a damn shame he does not get more respect.

[eikichi-supremacy]

If nothing else Koenma is a Kuwabara stan and I'm right there with him o7 (I need to write the kuwameshi fic that goes with this fr)

[pa-pa-plasma]

hey i feel like we're really sleeping on that time Danny possessed Vlad & framed him for assaulting a minor

Editing with the clip because people don't believe me. Episode is 41: Eye for an Eye.

[shokveyv]

shut up

[dollypopup]

hm. idk, maybe the reason Luke Newton isn't announcing new projects or posting any Bridgerton content is because some of you demons treated him like hot trash instead of a creative that you wanted more work from and he decided fuck it, this isn't worth the stress. you know, like a lot of creatives who get mistreated do?

like this is a man who went from couch surfing in a friend's house and bartending to make ends meet, deciding that the Bridgerton audition was the last one he'd do before he quit, to suddenly being recognized on the street because that last audition propelled him to star in a global show where fans who have zero media comprehension blamed him for his character's actions and literally stalked him at any hotel he happens to stay at. he went from being a dude doing musical theatre and shopping at thrift stores and recording random songs with friends and posting silly memes on Twitter to being harassed on his only social media page and his friends insulted and his partners bullied by his supposed 'fans' and anything he posts being so microanalyzed that he can't do a damn thing without someone coming out the woodwork screaming about how he's the WORST and won't he think of the FANS!?

like damn he can't have a girlfriend without being harassed, he can't travel without being harassed, he can't like or not like social media posts without being harassed, he can't post a fucking MEME without being harassed, he can't take a vacation or cut his hair or hold someone's hand or just live his life without being blamed for some bullshit or another. but yeah, okay, 'when will Luke Newton come back?' as if it isn't your fault he's AWOL now

[transmechanicus]

Really fucked up that two ppl can care about each other and make their best efforts to communicate and still end up hurting each other so badly they cannot stand to be in the same room.

[telluricdog]

kingisle whenever they need to coax older players back: HEY YOU PERSON WITH A WALLET!!! REMEMBER DRAGONSPYRE?!? REMEMBER HOW SAD THE LAST ACT MADE YOU FEEL? HERE'S SOMETHING REFERENCING DRAGONSPYRE!! ISNT THAT YOUR FAVORITE?!

[stormyoceans]

LINE READING SO DEVASTATING I NEED TO DIE ABOUT IT

[hballegro]

i wasnt lying when i said henry was 85% done last night

file name is 'its MY hyperfixation and I decide who lives'

previous editions

lieutenant colonel henry blake here wearing pants that DEFINITELY arent swim trunks that he's pretending are normal shorts

hes wearing goldtoes for no reason i just didnt like how it looked with all one colour and didnt have the energy to give him funny socks. potter will probably have to wear horse socks to compensate 😔

i enjoyed completely Making Shit Up with the fishing lures. like i followed his hat in the show for most of them but for 2 they were literally just the first cool thing i saw looking up 'vintage fishing lures'

the group shot NOW WITH EDITS!

before long im gonna have to break this group shot into 2 sections. tumblr is getting PISSED at me.

breakdown of what all i changed + bts under the cut

the list is not long. most of the list is trapper.

everything is before/after, so first image is old and second image is new

smoothed stuff out for marg's skirt so it looks more like spandex or whatever

slightly nudged sidney's right eye [our left]. like its really slight but it makes my brain happy

bullied mulcahy's legs. AGAIN.

lessened hawkeye's stubble. just a tiny bit.

broadened radar's shoulders a little, made him have a bottom lip, messed with his neck

and for trapper. im just putting a fullbody; i changed his face. widened his shoulders a bit. fixed his head so its in the right place. changed his skintone by a degree of like .0001. i think i made his legs longer too. also his pants are a colour that makes my brain less mad.

there isnt much bts this time;

week 1 of college has kicked my ass but we stay winning. we stay drawing lieutenant colonel henry blake. we cant be stopped. we being I, myself, and Me

anyway. i need to go eat something.

three to go. we can DO THIS

also this IS field day, and im keeping with the red sweatbands/bandanas/other things but it also serves dual purpose as a beach episode at this point. Good Ending where instead of the chicken on the bus [or henry's plane] its all of them crawling back to the 4077th with sunburn

SHOUTOUT TO ME FOR NOT HAVING TOO MUCH OF A BLUE BIAS. WE ACTUALLY HAVE A DECENT BALANCE OF COLOURS. I REALLY LIKE BLUE SO THIS IS BIG FOR ME.

anyway if you scrolled this far and have any thoughts abt what potter, charles, and klinger should wear, including just colour speculation, leave a reply or something, i DO monitor my posts very closely

[souenkun]

I loooove the jp fandom's headcanon that geeta and larry are childhood friends who met during their time in the academy and, sometime in the future, geeta personally recruited larry to work for the paldean pokemon league, as she must be one of the first people who knew of his prowess in pokemon battling! Like yeah, the whole geeta being a "strict boss who is frustrated by larry's stubborn insistence to be an average worker that she has to assign him different workloads just to broaden his horizon" idea is intriguing, but stepping it up a notch by making geeta be the "best friend a.k.a the only one who has seen larry at his very best and his very worst, and knows for a fact that he could excel at anything he put his mind into if he steps out of his comfort zone, so she doesn't particularly drag him out of said zone, but pushes him out of it each time she can because she can't bear to see her best friend be unaware of the good chances and positive things that awaits him out there, not if she has a (small) say in it" is also downright hilarious 😭🤚

[spidersins]

welp my babes, i fought it for a while, but i'm going to have to implement drafts and inbox replies to be queued for a little bit. ( gonna add it to my pinned post ) this month i'm meant to be submitting my ethics proposal for my project and last minute my supervisor has been signed off after weeks of cancelling our meetings last minute so your girl has to get fucking focused because i have....less than nothing to work with other than my own concept of the project. this will mean i need to actually monitor my hours this month to divide my time, because otherwise i end up scrolling here for far too long - i'll still be around in the evenings but replies will all be queued until possibly the new year tbh thank you to everyone who is waiting on replies from me i promise i am Trying

[dimonds456-art]

Maladaptive daydreaming.

[shadystranger]

"The fandom unnecessarily villainizes sam and dean for choosing each other over strangers when it's literally how humans work" great critic but I actually think the fandom (those interested in the brothers' relationship) are reacting to it how they're meant to: in a negative light.

To trace things back, yes, it's a given, kind of an innate human nature to respond in situations by prioritizing the people you know over ones you don't. That is true. On an individual basis, each person would do this, I would do this, and anyone'd be crazy to villainize this act on my and your part. But sam and dean do it, and it's painted in this hyperbolic moral degeneration light both by the narrative (we could argue) and by the fandom. Because see, sam and dean are a little different than you and me.

They're positioned in their world as tragic heroes who, given the nature of their job, are expectedly deprived of things the normal person could enjoy. They don't get to lead normal lives, they don't die by natural causes, and they must navigate through life bearing more than they must know with soul-crippling responsibilities. "We're the people who save the world," sam and dean don't spend much time before they assume the token role of saviors in their world. Along with that role comes even more imposed limitations.

They are more viscerally equipped and knowledgeable. They have access to things randoms could never dream of having (like death and god). The more you know, the worse you sleep and comes with the mere knowing is the obligation to do something about it. Someone ignorant to the whole ordeal simply doesn't have to answer to it.

Basically, they're soldiers. Imagine samdean reporting for duty, they preserve peace of the public and their blind following to decision moral rightness is taken for granted. It comes with the job. You don't get to make ill-advised progress in your self-interest as a person (sth random ppl can enjoy) when several lives are at stake.

At some point, sam and dean themselves are metaphoricaly acting Gods: people's survival or death depends on them. Sometimes, it's a city's worth of population. Other times, it's the entire world. Their right to free-decision making stops depending only on its virtuous intent and starts being consequential. They're elevated to adhere to higher standards and criteria than normal people are held to.

The rightness of their actions will not be determined among a set of feasible options but instead assessed by whether they chose the option with the best consequences. Or not. The main decision-making factor for "heroes" like them should be putting the general welfare at its fore interest. Not one individual's. Especially not if it's one individual's.

When dean and/or sam sacrifices someone stranger to save his brother, it's a subjective good call I can relate and see myself in it, but given their position within the universe it's irresponsible and far objectively wrong; especially if at the cost of saving his brother, several others suffered.

There are criteria for judging the actions of the pivotal role they uphold. From a subjective moralness standpoint, sam and dean are only humans, and they can be cut some slack or even not at all villainized for doing what their instinct demands. On the other hand, moral objectiveness influenced by the world-setting's structure deems the goodness or badness of how they behave based on the particular consequences of their given actions and whether said actions affected people in good or bad ways. If sam and dean did something that brought peace to the world on the whole and reduced suffering, it's good and logical, whereas if said action caused suffering and threatened peace, it's bad.

dean grudgingly accepting sam’s plan to overtake lucifer even though it meant losing his brother is the objectively morally good choice to make. He had to sacrifice his precious family, but he ultimately was rational and responsible enough to know his brother's life is not a fair trade-off to millions. both sam and dean here act in accordance with their positions within the story/world: they're heroes. But by S8 dean doesn't let sam make a similar sacrifice. He prioritizes sam's life over the many who'll be possessed and will either kill others or be killed themselves. sam releases a world-ending evil to save his brother, and later on, both take turns facilitating the guy who practically promises them an apocalypse to once again save each other.

"The good of any one person is no more important from the point of view of the universe than the good of any other." sam or dean's lives aren't more important than someone else's, this was a point so base sam felt the need to make because it needed to be addressed, their lack of changing anything about it is another matter. Thing is they're the world's designated saviors be it by choice or not, the narrative views them as the fact, they're expected to value the well-being of all individuals equally, regardless of their personal closeness. Imagine a firefighter postponing saving you because someone he knows is more important even when the situation for them is not as grave as you. It'd be unethical and worthy of condemnation because in this line of work, and in general when your job is saving people and work towards the greater good, you do it indiscriminately, you don't get to privilege the well-being of yourself or your family over the well-being of distant others.

sam and dean hold a rightful consequentialist commitment to their actions being as good as possible: the basis on which one outcome is better than another is only if it contains a greater sum total of people's betterment. No impartiality.

Yes, it's his brother, his only family, but it's still morally wrong to prioritize him (in their case). Let's use a patriotism allegory. Imagine a general of a losing army. He catches wind of the enemy's secret bases or is exposed to confidentials enough to turn the tide to his side. However, he finds out his family at home is being held hostage. The moment he reveals what he knows, they get killed. A man has to save his family it's the most basic human instinct, yes, but you'd think it's irredeemably wrong for him to prioritize his family in this case. You'd think he doesn't even have the right to choose when it's a choice between two insignificant people and the entire country being infiltrated and invaded, with the deaths of million soldiers and citizens. It's not even a choosing matter. sam and dean are the general in this scenario, and instead of the country being at stake, it's sometimes the entire population they're throwing to the fire for each other. Anyone'd think it's messed up. You're supposed to.

There is a good reason to save your family (brother) over a stranger (or two, or hundred or million); but labeling both actions as right would risk ignoring the important moral difference between the two. And we need to draw an account of what a hero is obliged to do in order to meet minimal moral standards. sam and dean's constant moral failure to meet such standard despite their role in their universe paints them as flawed, sometimes as the story's designated antichrist.

Their ceaseless prioritizing of themselves marks their moral debauchery and decline as heroes. they get away with not fulfilling their obligations that are thrust upon them by design, they're using a cheat code acting not how they're supposed to and that's the characters/narrarive's grip with them. I don't blame corbin for what he did, while It’s extremely wrong that he tried killing sam, it was a call for survival. Your savior normally doesn’t come with conditions. He was faced with an oddity from the typical rescue mission. And he did what he had to ensure the more number of people survives. We sympathize with sam and dean, so we criminalize corbin immediately and side with dean. We're swept by emotions and our judgment is clouded you could say but from a utility standpoint, dean's decision to stay with a dying sam would've lead to four people's death, or three and one heavily wounded meanwhile corbin's leads to three people's survival and the loss of one. With corbin, more lives are saved, with one unfortunate but necessary sacrifice. Morally and objectively, corbin was more right in choking sam than dean was in staying.