#because I can be specific enough about it (and will be next year)

[tseecka]

It's also one of the absolute best ways to find MORE fic that will scratch whatever itch brought you to that author in the first place. Because if you click on an author (using one of my faves to demonstrate),

To go to their page,

You can click on this link here,

To find OTHER WORKS THAT AUTHOR ENJOYED READING.

I'm so fucking serious: this is like a Wikipedia rabbit hole but for fanfiction. Many of my absolute favourite fics or writers are ones I discovered by investigating what my current faves are reading and liking well enough to bookmark.

This isn't foolproof obviously. Not everyone uses bookmarks, many people make their bookmarks privately, but if you're stymied by the absolute glut of fic in your favourite tags and want to find something new to read, it's such an amazing place to start. Consider:

If you're finicky about writing style or quality, odds are your favorite fic writer is bookmarking works that jive with their own sensibilities.

You like how they write particular dynamics or tropes or kinks? They probably have their own favorites in those categories. Same goes for motifs or themes.

You want to know what other fandoms might be inspiring them, where you might find content you enjoy as well? Explore what fandoms they are reading fic for, and maybe discover something new! (Case in point; I first learned about Victoria Goddard's books specifically from exploring what @ariaste was reading, and now I LOVE THEM.)

Some tags for fandoms or pairings have tens, if not hundreds, of thousands of fics. Relying only on kudos or bookmark counts to sort through them all isn't a guaranteed way of finding your next fave fic, but washing through years or even decades of stories isn't necessarily feasible. This can also be a fantastic way to uncover hidden or forgotten gems and show older fics some love. You wanna know how you get authors gushing with excitement about someone commenting on their fic from 2007 that they thought had been entirely subsumed by the influx of reboot fans? You follow the rabbit hole!

It's not creepy. It's not stalking. It's not even weird. Users can make their bookmarks private if they choose to, or just bookmark through other means. Looking through what your faves loved enough to save for later is such a great way to replicate the old Internet communities of webrings and message boards, of making recommendations to one another.

And then, don't forget to make your own bookmarks--because you can also go down these rabbit holes by taking a look at who bookmarked that fic you love so much, and seeing what else THEY'VE liked enough to save; and people can do the same with you.

I am incredibly serious right now when I beg you all, please, and if you have Twitter or Tiktok or whatever to please spread the word: click on an author's profile on Ao3.

You want to know if an author has written more? Want to know if they're still writing? Want to see more from them? Want to know if they've written a trope or kink or sex scenario you enjoy?

Click on their name. And look at their profile.

I cannot tell you how many times in the last six months someone has read a new or newer fic of mine and said they (a new reader who has read nothing else I've done) "can't wait to see what you do next!" I've written 50+ fics and over a million words already.

"I don't know if you're still writing..." click on my profile. I am. I literally wrote a 128k+ fic for that ship last month.

"Would you ever do X?" "Please do Y!" I already did. Click on my name and look at my works.

Archive of our Own is a library. It's an archive. Not social media. It is your responsibility to fight back against the laziness that corporate algorithms have trained into you.

Click my author name. Just click it. Just click it.

Before you demand more, or ask if a writer will do XYZ, or wonder if the author still writing, or anything - click on their profile. Click on the author's profile.

I'm not trying to be mean or condescending or anything like that. I'm just exhausted. It's disheartening and frustrating to repeat myself ad nauseam, because someone couldn't take thirty seconds to do the tiniest bit of work to see if I've written lately, if I've written more for their ship, or scan my works to see if I've written what they're asking for. Please. Please. I'm begging.

Click the author's name, and explore before you ask.

[icewindandboringhorror]

I've referenced before how I have a big google document to keep track of every media I've ever seen in my entire life (just for reference because I like to track everything possible lol… I am the Data Collector), but recently as I was updating it, I thought of actually evaluating them to find out random percentages (like for example, out of Total Shows Watched, what percentage did I finish vs. stop watching, what percentage did I like or dislike, etc.)...

Evaluating these things is made easier by the fact that I already place everything on each subsection of the list into 6 broad ranking categories, so I don't have to go back and guess to figure out how I feel about them or anything. The categories are: Ranking 5 - overall best* (despite some criticisms of course because I'm too much of an Analyzer to ever find anything Perfect lol) Ranking 4 - more positive than neutral, but not good enough to be 5 Ranking 3 - either the good + bad negate each other, OR it's just not memorable/interesting in any way enough to be ranked higher or lower (this is the Default category ALL things are placed in if no other rank applies) Ranking 2 - maybe a few redeemable elements but largely more negatives than positives Ranking 1 - So bad that it circles around to being fascinating to observe in some way (not necessarily Funny, or Good, but just interesting somehow) Ranking 0 - Bad in a genuinely frustrating or obnoxious manner

*("best" primarily defined here as most interesting, rather than most good in a technical sense, or some other measure. I tend to value more highly whether there's something novel or thoughtful about the worldbuilding, tone, writing, base premise, etc - than about whether it's actually executed perfectly.)

And here's the amount of shows that have so far been placed into each category -

TV shows ~ Rank 5 (highest) - 20 shows ~ Rank 4 (mid-high) - 28 shows ~ Rank 3 (neutral/default/meh) - 114 shows ~ Rank 2 (mid low) -33 shows ~ Rank 1 (low low but intriguingly so) - 14 shows ~ Rank 0 (iredeemably low) - 2 shows

This would make for a total of 211 TV shows overall. However, there are 57 shows within these list marked as "didn't finish" (typically meaning I quit on the very first or second episode - but log them still to keep a record that I at least had a brief view of them).

So my total of genuinely fully watched shows would be more 154. 211 Total, but a More Accurate Total of 154.

Counting them all and using the Total Number Of The List (211) -- that means roughly 9.5% of all total shows I have ever watched (or at least attempted to watch) have been Mostly Good, 13% have been Moderately Okay, 54% have been either entirely Forgettable or some mix of good + bad that lands them right in the Neutral Middle, 15.6% have been Mostly Bad, 6.6% have been Bad (but in an interesting way), and 0.9% have been Terribly Bad.

Additionally, I didn't even get past the first two episodes of about 27% of the total.

Sooo, discounting ones I didn't finish, my total TV shows ever watched in my life would be about 154 (maybe give or take a few, assuming I might have forgotten some from very long ago).

But instead of entire life, let's just say this is the total for 'About 20 Years' (so, not counting very early childhood when I likely wouldn't remember things I saw/have no detailed recollection of them (like for example, I'm sure at some point when I was like 4yrs old I must have seen an episode of Spongebob or something, but I have zero distinct memories of it, can't quote anything of it, and barely recall the premise - so I don't count it on the list, etc.)).

In that case, 154 divided by 20 would be roughly 7.7 shows a year.

Which is actually surprisingly low considering that I often have stuff on in the background for hours whilst I make sculptures and do costumes and stuff (maybe I should have also marked some distinction between 'things I fully paid attention to' and 'things I kind of half listened to whilst sculpting', but that would further split the categories too much probably lol), but I guess a lot of that is youtube videos or random documentaries, so .. eh.. maybe I get it being lower.

Now, doing the same thing for movies-

Movies ~ Rank 5 (highest) - 4 movies (3.4% of total) ~ Rank 4 (mid-high) - 12 movies (10.3% of total) ~ Rank 3 (neutral/default/meh) - 91 movies (78.4% of total) ~ Rank 2 (mid low) - 8 movies (6.8% of total) ~ Rank 1 (low but interesting) - 1 movie (0.8% of total) ~ Rank 0 (irredeemably low) - none in this category (0%)

That makes 116 for a Total (Actually Remembered) Movies Watched In Lifetime (Or At Least In 20 Years).

116 divided by 20 is roughly 5 or 6 movies a year (I feel this has probably been skewed though by adding everything since like elementary school onwards, as I remember a lot more movies from child/teen years.. Whereas, the past 3 years I feel like I've barely seen maybe even 5 movies?? lol). I also have "Didn't Finish" marked on 18 of them. Which means I quit halfway through about 15% of the total movies.

So, a for broader summary stuff..

I seem to be less forgiving to movies than tv shows, by far. Which makes sense to me, I guess, because I love elaboration and details, so "short form" things that only last an hour or two are often lost on me a bit. My biggest complaint with movies is indeed usually walking away just wishing there had been more exposition, more scenes where characters are doing nothing, more "mindless bantering" conversations, more Quiet Downtime and Lore Elaboration and so on lol, so... of course most 1-2hr films end up feeling a bit Not Enough To Draw My Interest/Nothingy to me.

If you count 5 and 4 as "like" and rankings 2 to 0 as "dislike", then for TV shows I at least somewhat liked 48 of them, and at least somewhat disliked 47 of them.. So it's almost exactly the same lol. I'm just about equally as likely to find something bad as I am to find something redeeming about it. But overall, the largest chance is that I just won't really care much for it at all and it will be tossed into the 'neutral' pile, forgotten forever. Movies have a bit better of a balance, "liking" 16 of them, and "disliking" only 9 of them. So I'm slightly more likely to enjoy a movie than to find it annoying - though still VASTLY more likely to just not find it anything in particular, possibly not even finishing it.

ANYWAY.. this is vague and literally pointless, but like I said, I just really find information fun. Like my document where I've rated every apple flavor I've ever tried (like 40 of them now?), or reviewed every oreo flavor (32?), or ranking data from my entire 10 years of Trying To Make Friends process (out of 100 people, roughly 8% chance of a moderate compatibility, 3% chance of high), or etc. etc.. I love to have random pointless things to analyze I suppose lol.

I doubt anyone tracks things in their life in this same exact way, but I'd be interested in hearing any at least somewhat similar data !!! (like, how many TV shows you watch a year on average, and what percentage of those you like vs. dislike (if you keep track of that sort of thing), etc.)). I guess it might be easier with movies, since I think some people use those websites where you curate a list of movies you've seen and you can rate them or something, so maybe the numbers are already available on those places. :0

[mildcicada]

[midnightwind]

gods, do I try to dig up any info on the city of Salle in Antiva or do I just make up a bunch of shit and hope no one else tries to fact check me

[scrumpledorph]

Two points of preface. One, I like to talk in absolutes; 'never do this' 'always let this happen' etc. That's just a shorthand so I don't need to append a bunch of caveats to every sentence I write; in truth, there will be times where breaking the established rules will elevate your work. You kind of just need to get a sense for it, and I'm afraid I can't help you with that because it's also largely a matter of personal taste. Two, I'm not a professional, just a hobbyist with a couple friends who I solicit feedback from.

Likely the single biggest piece of advice I can give is: don't cut the tension. Marvel and its derivatives (henceforth referred to as capeshit for brevity) establish tense scenes, but they don't use them for tension - they use them as a punchline by having a character say or do something wacky right as things are getting good. Don't do that.

If you're establishing tension between two characters; an argument, a fistfight, what have you; play it out. Or, if you want that tension to linger; have an interruption that doesn't cut it, but denies them the ability to resolve it. Something more important than whatever they were fighting over comes up, and now they have to work together. This dovetails well into another piece of advice.

Have consequences for scenes. Capeshit more or less alternates between SNL bits and action scenes to make sure the audience doesn't get bored. Not much really matters. When two people shout at each other, have it mean something. Have an argument rise to blistering invective; make them want to genuinely hurt each other's feelings, and leave them raw after - towards each other and onlookers who try to make them feel better. Have a fist fight establish a power dynamic between two characters, have people lose or gain respect for the people involved based on whether they feel the attacker was justified or the loser is weak, things like that. A single interpersonal confrontation can loom over the story for chapters (scenes, episodes, etc.) if you do it right.

Treat your characters with sincerity. This is addressing lamp shading, and it's very closely linked to the first point. When capeshit has a character take themselves seriously, often the villain, other characters mock them in drawn out comedic sequences. While this can be done with intent - to show a lack of respect, goad someone into making mistakes, etc. the problem is the writers don't use it with intent: they always do this, because they're working with borrowed properties made to appeal to thirteen year old boys between twenty and seventy years ago, and think these characters are beneath them.

You should love your characters. You don't need to like them, maybe you think they're a weaselly piece of shit or an irredeemable monster, but you should be excited to flesh them out. You have to want the audience to feel things about them to elevate them above cardboard cutouts. This is a specific subset of the next point, but I felt it was a significant enough occurrence to warrant giving it its own paragraph.

Play it straight. Don't have your characters constantly questioning things if the only reason they're doing it is to signal to the audience that something is absurd. When confronted with the impossible, it becomes the possible, and the mind bends to accommodate it. No 'they fly now', no 'well that just happened'. Things are self evidently possible by virtue of them happening, and that's just how it is. If presented with enough confidence and follow through, the audience will accept it.

For an enduring example, JoJo's Bizarre Adventure constantly follows absurd leaps of logic, but Hirohiko Araki does it with such gusto and panache the reader simply can't question it in the moment, and even when they can later - they usually agree that it worked anyway.

As a closing piece, and I really believe this is arguably the progenitor of the entire problem: assume your audience likes your work. All of the things above are compromises made for a hypothetical reader, watcher, etc. who doesn't like your work, to make it more palatable to them. Cut that person out of your mind. You are creating art for yourself, and if they're lucky - a few close friends. Make your characters hyper competent and don't worry about the person saying it's unrealistic. Give your characters designs you think are cool without thinking about the Reddit dipshit who'll call it a donut steel. Let your characters give uninterrupted monologues at dramatic moments without imagining cinemasins dinging it because the other characters don't attack them while they're doing it.

To paraphrase a piece of advice from Mark Rosewater, the head designer of Magic: The Gathering; if everybody likes your work but nobody loves it, you will fail. It is better to alienate ninety people and make ten lifelong fans than it is to get one hundred fair weather fans. Capeshit ran out of steam the second the original set of characters were retired, because they were working off goodwill established back when they gave half a goddamn.

As I said at the start; every one of these points has caveats and exceptions that are too numerous to list. If I held you by the hand and told you exactly how to make every decision in your work, I can't imagine it would be very fun for either of us. But I hope I've established enough of a scaffolding for you to start building off of.

Few things I respect less than an artist or writer who lacks creative conviction. If your work is visibly self-conscious, how can you expect the reader to possibly engage with it with earnest? If even you don't believe in the work, how can the reader? Likewise I think that having artistic convictions is a boon that can guide a weak premise into a strong execution.

[itspileofgoodthings]

cause it wasn’t sexy once it wasn’t forbidden!!!!!!!!!!!!!!!!!!

[evilestscientist]

Her clueless ass really thought she could succeed in adult life!! She mad!!

[moinsbienquekaworu]

To counterbalance the sadness of that post I reblogged here's some positivity that hit me this evening: like someone said in the notes, I get to decide who I am now, and I get to do what I want and chase my dreams. And that's cool

[lilyannlilith]

.

[secondpersonpoetry]

hi! heard the released “Merry Christmas, Please Don’t Call” (which i’ve seen you’ve heard live, if i’m not mistaken!!) this morning and i don’t know if there’s really a particular vibe/dynamic/ship hrpf-wise (personally haven’t yet been able to put my finger on it) that quite relates but the lyrics have been rotating in my head all day and i was wondering if you had any thoughts? hope you have a good one! <3

OH ANON HAVE I EVER SEEN IT LIVE!!! and the second that song came out i zoomed it straight into my fic playlist and unfortunately there are so many guys this could be. right now the one that's resonating is, of course, the golden boy and his haunted ghost themselves: mcstrome.

i am thinking about connor, specifically, after the stanley cup final. that game seven. how angry he was, how loud the silence when they told him he won the conn smythe. how close he's come before and again and again lost. there's nobody else to blame but himself. he's in the empty room and he knows why (1)

at!! your best!!! you were magic!!! oh, golden boy. connor the anointed, of course. at the very beginning of his career we always knew he was something special and who wouldn't have fallen in love with him? weren't all of us a little bit dylan strome in awe of the generational talent? we were all bathed in radiant light just by being in the vicinity (2)

don't even tell 'em that you know me breaks my heart (3). in terms of building a narrative i think i've said before there is a universe where connor/dylan were together before the draft and to protect both of them, dylan breaks up with him. connor says i love you and dylan says i don't. because he doesn't, you know? he loved connor. he loved davo. he can't be in love with connor mcdavid, first overall pick of the edmonton oilers. i'd rather be hurt forever than have to watch us try to make this work and destroy us.

and after connor mcdavid left the otters, dylan strome captained them to a memorial cup win. what a haunted home, eh? to be captain of the team you and your best friend were on, only now he's left you? don't call me to tell me about your rookie season with the oilers--we both know about your broken collarbone. don't call me to tell about becoming the youngest captain in franchise history when i stepped into the shoes of your captaincy here. don't call me. (4)

narratively: dylan's the one who broke connor's heart and his own but by god it wasn't easy. we both know what happened, you went first overall. please don't make this harder on me. please don't call.

this verse can be about the weight of dylan having to live up to connor's standards and always being measured by him. i would just like to bring up the connor stepping stone chart for absolutely no reason as well (5)

we are, at long last, at the potential future of now: dylan strome, happy, smiling, thriving on the washington capitals. connor, on the oilers. i'm not yours, dylan can say. haven't been for a long time. it took some time but i made this. please don't call and ruin this for me, stay out of my life. i don't want you or need you (6)

[p.s. this took a while because when i received this ask i was a) immediately possessed to write this verse by verse breakdown i had never thought of before and then b) immediately plagued by the idea of making you a little graphic (above the read more) and finally got to do it after banging out all the actual lyric thoughts two (?) weeks ago. emerging two and a half hours later from the fugue state of GIMP with 37 layers in this bad boy hope you enjoy!!!]

[machveil]

ChildhoodBestFriend!Simon Riley who’s always played Simon Says. he wasn’t the most popular kid at school as a child, a little more quiet and reserved than his peers, but when the teacher introduced him to Simon Says? he felt so cool, all his classmates picking him because “Ma’am! Ma’am! Simon has to be it!”. that’s how he became friends with you - the last kid standing at the end of the game. you were so focused, delighted when you won, so happy you ran up to hug Simon

CBF!Simon Riley who never stopped playing Simon Says with you. he’d always use it to get what he wanted, it didn’t work half the time but it always made you smile. “Oi, Simon says give ‘im the remote.”, he’d chuckle when you groaned, whining about how, “You’re lucky I like you.”. it was cute, you had to give him that. even when he left for military service he gave you a hug, eyes closed as he pressed his face to the side of your head, “Simon says wait f’me, okay?”

CBF!Simon Riley that visits you on leave, luggage trailing behind him as he walks with you through Manchester. the weather is awful out - the air a little too cold, ugly grey clouds covering the sky. he hums, short and gruff, before wrapping his arm around your shoulders. straight faced and voice flat, you almost miss the way his lip quirks up briefly, “Simon says walk closer. S’cold out, don’t want you freezin’ t’death.”

CBF!Simon Riley that stays in your flat while he’s on leave. yeah, his apartment is a couple blocks away but your place feels more like home. you had bought a pull-out couch specifically for Simon a couple years back, something that wouldn’t hurt his back too much, something comfortable enough to rest on for the night. unfortunately, it doesn’t get much use other than acting as a normal couch. you’d make Simon use it if he wasn’t already comfortable in your bed, face mask discarded, a t-shirt and sweatpants keeping him comfortable. there’s not much you can do but smile and let your shoulders drop when he pats the sheets next to him, “C’mon, Simon says get in, love.”

[bohemiandeer]

You know what hits me hard? When 5 to 6 year old children, all the way in Southeast Asia, knows about what's happening in Palestine right now. That children their age is getting bombed, that they're starving to death, that they're getting shot at, and sniped in the head. Because, just this past 2 or so months, I heard some of the little ones in the Kindergarten classes I'm TAing in as an Intern talk about it. Hell, one of the little boys downright said he didn't like Israel, because Israel is bad, because they do scary things. Another was questioning whether Palestine was bad too, because, "why else would they shooting at them?". A little girl in one of my classes doesn't want to finish her food at all, because she wants to save at least half her meat and rice for kids in Palestine, because she heard that, they don't have food. And that's just the ones I remember. Namely the inciting cases before their classmates slowly follow suit. The littles are fricking SCARED. We had to sit these kids down, and tell them that the topic is too mature for them at the moment, that they shouldn't even be concerned because they're KINDERGARTNERS, they're not even old enough to properly understand. The one teacher I was TAing for had to make a class announcement saying that. What gets me is, these are 5 to 6 year olds, the youngest I've worked with in this specific age group is 4. 5 years old on average, and they've already been exposed to the worst horrors genocide has to offer through the news and snippets of conversation among adults and hell, considering how many of them say they like to play games on Mama's phone, or their IPad, even from fricking social media. And the fact that, these literal babies, from all the way in Cambodia, has more empathy in their entire body and soul, than full grown fricking adults have in the nail of their pinky finger, gets me. FFS we as adults could LEARN from them I feel sometimes. I honestly don't know what to feel about it anymore. On the one hand, this is the next generation I'm working with. And if the next generation's default response to a tragedy such as Palestine, is what I've seen come up on occasion so far? Perhaps there's some bloody hope for this world after all. At least in this country. Especially since a majority of them already come from families who survived a genocide. These are the 3rd - 4th generation descendants of those who survived the Khmer Rouge. They've got grandparents at home, who no doubt are more than intimately familiar with what Palestine is going through right now. And it shows.

But on the other, it makes my heart sink because these are CHILDREN, these are LITTLE KIDS, they should be playing with their toys and watching cartoons and talking to their friends about everything from Spiderman to Speakerman to Kuromi and her friends, and be worried about whether or not they can go to playground that day, guranteed they're well behaved, or if Mama remembered to pack in their costume for swimming lessons that week. NOT JUST MY KIDS. But the little ones in Palestine too. They deserve better. They all deserve, so much better. Hell, it's come to the point that whenever I look at my kiddos right now, whether they'd be working in class, playing, doing something as mundane as eating lunch or getting ready for their nap. I think of the children their age in Palestine that didn't even get the chance to survive. I think of the ones whose memories from this age, is nothing but absolute horror and pain, rather than what has slowly become my normal, who never got to experience what my littles do on a daily basis right now.

Children shouldn't even be concerned about "War", about a Genocide. The last thing that should be on a 5 year old's mind, is pain, and suffering, and the worst horrors imaginable ever to be inflicted on a human being. ESPECIALLY WHEN IT'S INFLICTED, ON OTHER CHILDREN THEIR AGE. And for that alone, the world has failed them. Especially the kids in Palestine who didn't ask for any of this. They just wanted to carry on with life as kids do, the same way as my littles do on a daily basis no doubt, learning, playing, chatting with friends over their favourite cartoons and characters, worrying about whether they'd get to go to the playground or not that day.

I apologize for talking about this on this blog. I know my blog tends to be lighter in feel, a lot more unhinged and light hearted typically. I mean, I'm just a fricking nerd who likes to draw and write, and lurk about her favourite fandoms to consume and support what is shared among other nerds who also like to draw and write. But I couldn't stop thinking about it. About contemplating it, especially since I'll be back on a roll tomorrow, working with my kiddos again after not seeing them for 5 days straight because of Holidays. And, I just had to talk about it. This is something I felt I couldn't keep to myself this time, I don't think my soul'd be able to carry it. I had to talk about it.

FREE PALESTINE. Our children deserve better.

[jjk4isen]

ꗃ 𝐎𝐍𝐄 𝐒𝐓𝐄𝐏 𝐅𝐎𝐑𝐖𝐀𝐑𝐃, 𝐓𝐖𝐎 𝐒𝐓𝐄𝐏𝐒 𝐁𝐀𝐂𝐊 .

❝ answer me. did you think of her when you're in bed with me? when you're kissing me and holding me— was she the one on your mind? ❞

summary: it's hard knowing you aren't really the person in toji's heart but loving him was something you still did regardless. as for toji, he thinks he's ready to give you his all.

desc: 2.8k words, f!reader (referred to as ‘mama’), canon compliant i think, takes place after mamaguro's death and before toji’s, age gap (early 20s reader, early 30s toji), baby gumi ahhhhh, sfw, angst to fluff to angst again lol, intended lowercase, think you're tsumiki’s mom but without tsumiki bc the relations would be too complicated and also the second wife erasure in the canon storyline?? yeah it's reserved specifically for this fic, not proof read i fear but pls read it's really interesting i can swear by it lmaoqhdhns

dating a widowed man with a son wasn't easy especially when the said man is still in love with his former wife, or rather, his wife who had died.

love is often beautiful but sometimes it's unfair. it can also be cruel. what other reason would make you still stay despite knowing you'll never measure upto the person who had been here before you?

and you've heard stories about her. she was sweet, so beautiful— not just in her appearance but her entire being was beautiful. there always was an ache in your heart upon just the mention of her name.

so how much more would it have ached for toji?

“mama” the spiky haired boy, barely two years old calls you and you realise the silence in the room. “not mama, i’m nana okay?” sick.

nana. not mama but close enough. it doesn't matter anyway, n and m are just letters and next to each other so how much difference would that make? you're the one that's here after all, are you not?

if there's a lump in your throat and your eyes are burning with unshed tears, you force yourself to ignore.

“okay nana” megumi nuzzles his face into your chest, slowly drifting away to sleep. the boy always liked cuddling with you and it melts your heart immensely.

your hands strand through his dark hair. people always said he's the carbon copy of his dad but you'd like to differ. megumi has his mother's eyes and his hair resembled hers more than it did his dad's.

the thought sends another ache in your chest but you push it away– as you always have.

you recall the last time toji had heard megumi call you “mama”. you had never seen toji that livid. he was never a gentle man to begin with but that night, there was nothing else you've been more scared of.

was he like that to his wife? maybe not.

does that matter though? it's not like toji treats you badly. he's decent and loves you an enough amount. you weren't crazy enough to stay when you're not wanted so that must mean you were something to him right?

you also recall the whispers of pity and condemnation thrown at you for just being with toji. him being a brute is one thing but the difference in age is what people seem to have a problem with. you're so much younger than him and have your whole life ahead of you so why are you entrapping yourself this way?

you disagree though. love doesn't know any age and you definitely aren't naive to be head over heels over a guy just because he's relatively older. no, this was real and genuine.

a faint knock disrupts your train of thoughts. “he sleepin’?” toji nods towards the small boy in your arms and you nod back in return.

taking care not to wake the sleeping kid, you slowly pry his hands away from you and pull over a blanket to cover his small body.

when you make your way towards toji, he wastes no time in pulling you closer “missed you” he mumbles, placing a kiss onto your forehead and suddenly all thoughts plaguing your mind disappears. that's all you could ask for, even if it was just for a moment.

“i missed you more” you whisper back, he only huffs out an amused chuckle.

“got bad news though” a frown finds itself on his lips, decorated by a single scar next to it.

“did you lose all your money again?” toji was a gambling addict, another thing you forced yourself to tolerate just for him.

“sorry, doll. thought i’d win this time” he rubs small circles on your back comfortingly and it makes you a bit uneasy to know that he has his way with you so easily.

“it's alright. i’ll just find another part time job”

“so good to me” toji pulls you into his chest and you let out a sigh— of exhaustion? relief? you couldn't really tell but that's not important, toji had you in his arms.

“i’ll try and think of something too. don't worry your pretty little head too much” he lifts you up with ease. while you're in his arms, you feel the safest.

toji really felt bad this time. he was confident he would win but that stupid horse had to trip and lose its lead, ending up last of all places. he knows luck never favoured him but that's didn't stop him from trying again and again and again.

he also knows how you didn't say anything more than necessary about it but he isn't that much of an idiot either. he sees how your expression falters and your shoulders slump a little more when he comes home with another news of his gambling loss.

this is also why he tries, or rather, tried to quit — one too many times, unbeknownst to you. however, old habits die hard and most of the time (everytime) toji gives into his urge and loses yet again. the cycle keeps happening.

maybe this isn't just about gambling.

with the way you're asleep so soundly next to him after putting his son to sleep and taking care of him too, he is overcomed with yet another feeling to be better for you and megumi alike.

toji isn't a gentle man; everyone knows that, you do too — even more than anybody else but he can't help the familiar pool of warm feelings surging through him the longer he stares at your peaceful state.

he remembers the last time he felt it, with another person. it felt like a lifetime ago.

he also remembers how painful it was when he lost it — the person, the feeling altogether. his hands that were making their way to caress your face stops mid air.

toji knows you deserve so much better. you've been nothing but patient to him, so amazing, so perfect to him. still, he just can't do it yet, just not yet.

he will eventually, he hopes you stay until then.

toji wakes up to an empty bed and his heart sinks a little but the creases and wrinkles on the sheets serve as a reminder that you were really here.

he makes his way towards the kitchen, only finding megumi sitting on a chair next to the dining table.

“hey kid, where's your mama?”

toji freezes. it came out so naturally he didn't realise he said it himself and almost thinks he didn't but megumi's wide eyes prove that he actually did.

“m…mama?” megumi says hesitantly and toji nods this time. “yes, your mama”.

“potty potty!” megumi points to the bathroom and giggles, toji follows suit. the man crouches to his son's eye level and pats his head.

“you love your mama, kid?” toji sees megumi's eyes sparkle as the boy nods enthusiastically “very very much!!”

“yeah? i love your mama too.”

toji smiles to himself, he can't wait to tell that to you.

the next time toji got his pay, he finds himself hesitating. instead of heading towards the race tracks, his feet takes him to a jewellery store.

instead of picking out a slot and testing his luck, he picks out a ring. it's not fancy by any means but he thinks it would be the most beautiful band of metal to exist if it slides into your ring finger.

the tiny ring carries all the heavy feelings he has for you.

──

it was one particular evening when you saw an old man lingering by the front gate. its particular because the warm sunset and the soft cool breeze contrasted the ground breaking truth you find out.

“can i help you?” you ask the old man who looks at you up and down, not making an attempt to hide his distaste of your sight.

“is this where toji zenin lives?” he stares down at you with his scrutinising gaze; it makes you feel small.

“zenin?” you ask, confused. is he referring to toji? but his last name is fushiguro is it not?

“yes toji zenin. i heard he has a son as well. you're not the mother are you?”

is it that obvious? you wonder how the old man figured it out. regardless, you're not about to give him his answers so you stood your ground.

“i’m sorry i don't know what you're talking about.” you turn around, about to head inside when his words make you stop short.

“are you fushiguro?”

that's toji’s last name isn't it? not zenin or whatever he called it. so why is he asking you that? is he implying that you're married to toji?

“no. you have the wrong person.”

“why? did he say not to get involved with anyone from his clan?” the old man draws closer, chucking to himself. you're just there unmoving, trying to comprehend the situation and the words coming from his mouth.

“or did he not tell you that either? did he tell you anything at all?” he stands tall in front of you, tearing away bits of yourself with every word he says.

“when he returns, tell him the clan wants to propose him an offer. you can do that much at least won't you?”

…

and when toji comes home that night with the ring cluched tightly in his fist and inside the pocket of his white pants, the world stills.

he finds you in a state he has never seen you before. you look completely and utterly defeated.

“hey, what's wrong?” his hands come to caress your face so effortlessly, the ring and prior nervousness long forgotten.

“talk to me what's going on?” he looks around and the house seems emptier than usual. your laundry that were usually hanging with his were gone.

your small trinkets you placed around the house to “make it more lively” were nowhere to be found.

and there's a bag in the corner of the room which toji prays and hopes he isn't what he thinks it is.

your hands push away his own that were cupping your face. you're not even looking at him.

“say something damn it!”

you flinch and toji takes a step back. he recalls the last time you trembled in fear — when he got mad megumi called you his mom. he punishes himself for it.

“im sorry. please talk to me.” he isn't touching you now but he wants to. he wants to reach out and pull you close, as he always had done. but now there's an unbearable silence and the small distance between you both felt like lightyears away.

“who's zenin” your voice was meek, barely a whisper but toji's eyes widen. how did you find out about that?

no fuck that, he was supposed to be the one telling you. in his own time.

“i can explain” was all that came out of him. he's nervous, he doesn't know where to start. there's a lot of information to unpack and he's not sure how to do it without hurting you too much.

when he doesn't elaborate, you ask another “who's fushiguro then?” your voice falters a bit and toji curses himself for it.

but he's done running away and keeping things from you. “my… my late wife” he says wryly.

your eyes close and a shaky breath leaves your body, as if he just confirmed your worst suspicions. damn life is so funny isn't it? everything you thought you knew apparently wasn't what it seemed to be after all.

opening them again, your vision blurs and you realise tears were escaping your eyes. fuck you didn't want to cry now of all times but they won't stop.

and the way toji was looking at you, it makes you want to throw up.

“i must've been so stupid to you” you let out a humourless chuckle. “did you pretend im her?”

your gaze was sharp and so were your words. maybe all your bottled up feelings were resurfacing. it doesn't make you feel better about it but that doesn't stop you though.

“answer me. did you think of her when you're in bed with me? when you're kissing me and when you're holding me, was she the one on your mind??” your voice was loud now. you should be afraid of waking up megumi who you cradled to sleep just a few hours ago but no, your thoughts are too clouded right now.

toji sighs. he has no excuse.

“i used to” he actually looks ashamed as if he wasn't the one who did it purely out of his will.

your scoff makes him wince “but not anymore.”

his words fall on deaf ears “you know… i knew you did. but i stayed regardless because i thought there would be a chance that maybe one day, you could open up your heart to me. im not even asking for all of it, just a little… i thought you'd let me in.”

you're blabbering and honestly, so distraught.

“but not a moment was there when it was me isn't it? it was always her in the first place.”

now toji should have said something, anything but he stays there planted in place. and maybe that was your breaking point.

you turn around, grabbing your bag and brushing past him towards the door. instead of holding onto you and stopping you, toji clutches the small box containing the ring — your ring in his pocket, almost crushing it in the process, as he hears the door slam.

you think it's funny how toji did not reach out after what happened. it's poetic even. very fitting of him, till the very end, he did not give two shits about you.

so then, why were you back here?

it's been four long years since the trajectory of your life changed. you still don't know if it was for the better or for the worse.

saying it has been hard would be an understatement. it took you a long time just to get back onto your own feet but you did it regardless. however, you left a part of you here long ago and now, you're here to take it back.

that and you missed megumi dearly. perhaps it was an excuse too because you won't deny a part of you still missed toji, despite everything that happened.

standing a few feet away from the place you used to call home, you hesitate.

maybe this was a bad idea. oh this was definitely a bad idea. you'll see them, and then what? what comes after that?

closure? don't make yourself laugh. you’ll just be reminded of how you couldn't be that person for toji— how you'll always come second. and what if they moved?? there's no reason they'd still be here right?

forget this, you don't need to do this. why must you still be the one who put effort? to reach out? four long years passed and still no news means they clearly moved on... right?

you were convinced enough and was about to go back when you saw little megumi carrying a backpack on his back, seemingly coming home from school.

your feet wouldn't move and your eyes wouldn't blink. he grew up so well.

the world pauses as your gaze follows the kid you used to consider your own, now as good as a stranger.

“do you know that kid?” a voice at your back makes you whip your head around. life really is full of surprises and this time, the surprise was in the form of a tall man, no a tall kid with white hair, looking at you curiously through his round tinted glasses.

“... no i don't” well you weren't exactly lying. you don't know the megumi you see now. perhaps if he asked whether you raised him since he was a baby till he was two, then your answer would've been different.

“oh okay” the boy shrugs. “poor guy though”

“why? whats up with him?” you turn to look at megumi again who was minding his business walking home and your heart aches a little.

“I'm here to recruit him. his dad died you see so he's–”

“wait what was that??”

“his dad. he's dead” the amused boy in front of you chuckles and you stare at him, horrified.

“what happened to him?” your voice was shaky and doesn't sound like your own. he leans down to meet your eye level and smirks “why? i thought you don't know that kid. why does that matter to you?”

your stomach churns as you stare at him, not even knowing what to say— the smug expression on his face only widens.

“so you do know him.”

'know' would be a weak word to use when it comes to toji. you knew of his habits, the simple things he does and also of the more complex ones — like the exact place his scar decorated his lips and how it felt to kiss it.

then again, you don't really know anything about him and maybe you never will.

and maybe that's really, the closure you needed.

[threadmonster]

Car dealership douchecanoe treated me like some unreasonable crazy person for inquiring about "why the fuck is there foam in the CD player. It is unusable. Inspect it and remove it." But I said it more professionally!

He was stuck on the mindset of "why do you care? No one cares about that stuff. CDs are not important. No one uses them. I'm middle-aged and I don't own any."

He'll take an actual look at it if I come back with a CD. Because using something with the same thickness just to show "yeah there is maybe a fraction of a mm of space in there." He is only doing this because I name dropped my dad (⁠-⁠_⁠-⁠;⁠)⁠・⁠・⁠・

[bloomzone]

2025 : #1 be disciplined

[ the 2025 glow up serie ? Click here !]

Motivation feels amazing, doesn’t it? It’s like a spark—a burst of energy that pushes you forward. But what happens when the spark fades? That’s where discipline steps in. It’s the routine you build, the habits you cultivate, and the consistency you stick to even on days you don’t feel like it.

So, instead of waiting to feel ready, discipline says, ‘Let’s go, regardless.’ It’s the engine that turns dreams into reality.

"Ask urself right now: What’s one thing I can commit to daily in 2025? Write it down. Small steps lead to giant leaps."

1.Building Your Disciplined

How do u stay disciplined? Start with these three small steps:

✒️.Growth is not supposed to feel good. You’re going to hate it. You’ll feel like quitting more times than you can count. That’s normal. Growth is built in the moments where you want to give up but don’t.

1. Create Clear Goals: Be specific. Instead of saying, ‘I’ll study more,’ say, ‘I’ll study history for 30 minutes every evening.’ BUY A SMALL NOTEBOOK AND WRITE ALL UR GOALS WITH SMALLER ONE TO BE MORE PRODUCTIVE

2. Track Progress: Whether it’s journaling or using an app, tracking helps you stay accountable.

3.Master Your Mindset: Stop waiting to "feel motivated." Understand that motivation is fleeting, but discipline is reliable. Every time your brain tells you to quit, remind yourself: your emotions don’t run the show—your goals do.

2.Excuses Are Lies

Excuses are lies you’ve sold yourself to stay comfortable. 'I’m too tired.' Lie. 'I don’t have time.' Lie. 'I’m just not motivated.' Biggest lie of all.

Here’s the truth: You’re scared. Scared of failure, scared of discomfort, scared of how much effort it takes to change. But let me tell you something: Fear is temporary. Regret is forever. Which one do you want to live with?

No more excuses. You don’t need more time. You need more discipline. You don’t need motivation. You need action. Stop talking about what you want and start doing the work to get it. Right now.

3.look at yourself in the mirror

Look yourself in the mirror tonight and ask: Am I proud of the choices I made today? If the answer is no, fix it tomorrow. And if the answer is still no, fix it the next day. Don’t let yourself off the hook.

2025 isn’t your year unless you make it your year. Stop expecting change to happen to you. You are the change. Get out of your head, get off the couch, and get to work. The only thing standing between you and the life you want is your own laziness. Crush it.

4.Action Plan for a Disciplined Life

Stop acting like you’re doing enough when you know you’re not. If you want that dream college, that perfect GPA, or that career you keep fantasizing about, you need to stop wasting time and follow a real plan. Get up the second your alarm goes off—no snooze, no excuses. Tackle the hardest, most uncomfortable task first thing in the morning because procrastination is for quitters. Create a non-negotiable schedule and stick to it like your life depends on it, because it does. Eliminate every distraction: delete the apps, unfollow the nonsense, and stop treating your phone like your best friend. Hold yourself accountable—write down your progress every day. If you didn’t do anything to move forward, face the fact that you’re the problem. Plan your next day before you sleep, so you wake up ready to win, not wander. And for the love of everything you want in life, stop choosing comfort over progress. Your excuses won’t get you that GPA, that acceptance letter, or that dream job—but discipline will.

breaking this into chunks

1. Kill the Snooze Button: Get out of bed the moment your alarm goes off. No "just 5 more minutes." Those 5 minutes are the difference between starting strong and losing the day.

2. Start With the Hard Stuff: Tackle your most challenging task first thing in the day. Procrastination is your enemy—eat the frog and move on.

3. Create a Non-Negotiable Schedule: Block out specific times for studying, working out, or any critical task. Treat these blocks like appointments with your future self—don’t cancel.

4. Cut Out Time-Wasters: Delete apps you waste time on. Unfollow distractions. If you spend hours scrolling or binge-watching, you’re digging your own grave.

5. Build Accountability: Tell someone your goals and have them call you out when you slack. Better yet, make it public—you’ll hate embarrassing yourself in front of others.

6. Track Progress Daily: Write down everything you’ve done that day to move closer to your goals. If you haven’t done anything, face the hard truth: you’re slacking.

7. Plan Tomorrow Tonight: Before you go to bed, write out your next day’s schedule. If you wake up without a plan, you’ve already lost.

8. Say No to Comfort: Skip the cozy excuses. If it’s not pushing you closer to your goals, it’s holding you back.

Discipline is the foundation of every success story. It’s not about luck, talent, or fleeting motivation—it’s about showing up, doing the hard work, and making the right choices every single day. If you want to achieve your dreams, you need to stop waiting for the perfect moment and start building habits that get you closer to your goals. Cut the excuses, own your failures, and take control of your life. The road to greatness isn’t easy, but every sacrifice, every uncomfortable moment, and every disciplined action will take you one step closer to the future you deserve. You either make it happen, or you watch someone else do it. The choice is yours. The clock is not waiting for u !

@bloomzone ✒️

[inkskinned]

in the time loop the only way out is to leave her there but you don't ever leave her there, never in the roughly one thousand years you have been in the same day. it is probably like "50 first dates" but you haven't stooped so low as to watch "50 first dates" yet. (but who is to say what another thousand years of the same media will bring to you, maybe you will develop a new taste).

you spent about 200 of these years sulking in a bathtub or on the couch or staring at the seaside. 300 of them have been spent slowly mapping the geographical distance you can actually get before the time loop restarts. you have a list of favorite places: one library in Western Massachusetts called "The Bookmill", which has weird hours and has never raised an eyebrow to you arriving out-of-breath and panting, asking to see a specific book on a specific shelf. There is one beach without a name in North Carolina; it is an accident of geography and ownership title disputes - and it is pristine, untouched, warm and cozy. you've taken her on a lot of picnics there. Acadia National Park. One specific birdhouse in the mountains.

you were stuck in the time loop with the money you entered it with: not enough to rent a private jet. you've robbed a bank a few times, you don't like the way it ends. maybe next century you'll get the hang of it. you don't like the look on her face when you say hang on i have to stop at the bank.

you just have to leave her, and you can go back to being a person again. you took 5 years just catching a flight and sitting in the Grand Canyon. if there's one thing you regret more than anything, it's that you hadn't gotten your passport renewed before this fucking time loop. maybe you should spend some time learning forgery - but also, like, you look like an english teacher. nobody is going to be cool about you asking to see their paper printing machines.

the world is very big. that is one of the things groundhog day gets wrong. there are no consequences, so you have literally all the time (or none of the time?) in the world. in groundhog day, he does a lot of very cool things, but in reality - your muscle memory never gets better. you can't necessarily learn how to play piano or sculpt ice, because your hands never remember the practice. but hey - maybe you'll try violin next. drums. synth.

you can open any door and walk into any conversation. money isn't really an object. you can try every meal off every menu, forever. take her on helicopter tours and into every museum and on every event that is happening right-now at-this-moment. parades and funerals and calligraphy classes.

but you are somewhat trapped by the limitations of your body. if you were reading a book, you still need to get up and go back to the library and find that book again when the day resets. (thank god for the internet). it still takes like 2 hours to board a plane, and then takeoff and landing and traffic. you've gotten off to run around on the freeway. one of the little thankful things: since your brain isn't actually developing (it's a muscle too), the days thankfully don't feel shorter to you. that would be agony.

all you have to do to leave the timeloop is let that man get away with it. that's all. in every version of yourself - forever - you have stopped him.

the problem is that this experience has convinced you of the existence of the human soul. after all, how else are you forming memories? your very cells reset. information has to be transferred somehow. and if timeloops are real, you can convince yourself other magic exists. so you have two choices here: this hell, or the next. there might be a millennia where you have been worn down to the point you can accept fate's decision. this is just not one of them. ironically - she is the one thing you have left.

and besides! if you can't always find something new in your partner, aren't you failing them? there is something new about her, every day with the same morning. every brutal day with the same orange sunset.

after all, you wanted to live with her in heaven, in eternity, and, well - isn't this second-best.