#because I basically never do battles

[batsplat]

following on from this. not to always bring marc into everything (sorry marc) but if assen 2015 had happened against jorge, valentino would have very likely pulled something similar again imo. rather than what he actually did, which is approach marc almost immediately for a nice normal friendly handshake and backing off during the podium celebrations. should be noted that during laguna seca '08, valentino was very much committed to yapping at casey on the podium with the world's biggest smuggest grin on his face

partly that disparity is because jorge not marc was the direct title rival, partly it's because valentino was treating marc with kid gloves right until the second that he wasn't, which marc was seemingly entirely oblivious to. if anyone other than marc had said what he said in that presser, had then continued on with similar rhetoric during sachsenring, valentino would quite likely have gone nuclear. he's done it over less than that. his fondness for marc made him continue to exhibit uncharacteristic restraint... except that fondness unfortunately is what left valentino feeling so very betrayed when (to his eyes) marc could not leave well enough alone

[dont-offend-the-bees]

Fuck I hate being an adult. I need a more adult adult to help with the volatile emotional situation.

[freebooter4ever]

geno front and center ^_^ also i asked the Coolest 90s animator ive ever met for critique on the geno renders and he called them 'drawings' and i havent decided if thats something i should correct or not yet. but if im fooling people into thinking they're drawings instead of 3D renders that's probably a good sign. but also a bad sign because does that mean recruiters will overlook it thinking its just concept art?

i hate computers.

but i think what i concluded was that instead of sending people just the one action render, i will send that PLUS a link to the turn around saved to my drive.

edit: just looking at it as its own image my portfolio as a whole still really screams 'girl' and 'colorful' doesnt it? sigh. people keep telling me i need to stop that but unfortunately unless i am being forced like in the case of following an art director i think its just gonna stay colorful.

[non-un-topo]

My brain: Dude how many times can you possibly write about the queer quartet being dirt poor travellers getting involved in some nefarious shit that doesn't concern them?

Also my brain: The limit does not exist.

[oceanwithouthermoon]

thinking about an au (or post-canon hc but really far-fetched) where saiki ends up joining a theatre troupe somehow

basically, he gets fed up with not having any sort of safe space and not having many people he can be himself around, especially since his own HOME was never the place for that no matter how much he wished it was and he gets too tired of his family not respecting his privacy and his friends ruining every moment he gets to himself

and he decides that no matter WHAT gets in his way, hes going to MAKE a safe(-ish, i mean he still cant just be psychic around people for fun but he can prob be a little more lenient and express himself) space for himself

so he considers a few things like joining a school sport or club, but he still sucks at controlling himself in sports and doesnt want to let himself get any sort of popular at school where people he KNOWS are, which he realizes is the biggest part of the issue and he really wants a place where he can almost have a new start i guess ? like a vigilante with a secret identity who only comes out at night except its just a teenage boy who wants to be himself for a few hours a day LMAO.. he wants somewhere where nobody has any preconceptions about him at all and he can't embarrass himself by being "out of character.." and can just wear his germanium without worrying, so he eventually picks up theatre outside of school

he finds a job probably somewhat of a commute away from hidariwakibara so he can be sure (bad move buddy, NEVER think youre "sure") that none of his pet nuisances will ever see any of the shows hes in.. maybe at a youth theatre or a theme park ?

he probably does mostly just singing and dancing because i would think hed be a little more anxious to actually ACT on stage.. singing is different than SPEAKING, especially for him..

he doesnt tell any of his friends he got a job and just says hes been busy whenever they ask where hes been, so they start getting suspicious/concerned when hes NEVER at home when they come to see him and is way more uncharacteristically stubborn about being too busy to hang out (i mean cmon, usually he cracks after like ONE "please")

somebody he works with probably happens to go to/transfer to PK and starts greeting him at school once he starts forming relationships with his coworkers, so some of his friends see and ask him who they are and he has to tell him he works with them.. (he cant lie cuz theyre literally at his school and someone could just ask them)

i imagine he would still refuse to tell them WHERE he works, so someone like aiura or teruhashi or both probably befriends his coworker and finds out stuff from them..

its basically pheonix wonderland/wonderlandsxshowtime im realizing LMFAO, thats what im picturing as the type of shows hes in and how he sings/dances.. okay nene kusanagi ! bro doing those silly ass songs with a straight ass face

[caffeinatedopossum]

I've come to the conclusion that I need weed and alcohol probably

[righteous-pines]

The last living relative of the great Pinestar. As his granddaughter, and as an extremely talented young warrior, in her own right, great things are expected of Alpineknoll. Only time will tell if she will fulfill this presumed destiny, but thanks to the careful rearing and training of her grandmother, Graypelt, she shows great promise towards her destiny.

[ranger-kellyn]

can't believe people """only"""" (bc we all know you can only talk about one singular thing and care about one thing at a time) want to talk about taylor's album and not the ever present horrors of the world. can't believe that so long as there is something bad happening in the world, we're not allowed to enjoy anything else or seek solace and refuge to give us the motivation to continue whatever fights we're fighting

[caravanlurker]

Hi I'm Lauren I'm new to this app, I'm just trying to make some friends. Can i be your friend?

Oh—sure! Cursory glance at your blog shows that we have a few interests in common. Who’re your top 3 Owl House characters?

[watchyourdigits]

I'm so sorry to anyone who follows me and was invested in Night Letter. I haven't updated it in over a month & I feel terrible about it!!! I wish there was a way to post updates like this on AO3, but whatever.

This temporary setback is partly because my life is in shambles, but it's mostly because I was struck by the hand of God with an alternative plot that I've been too busy MARINATING in to properly write the originally planned story.

Spoilers in tags~

[a-story-teller]

Had another dream story idea and it's BAD out here y'all. My subconscious said "you don't go for sad old white men yaoi? Well here's one and you have to care about it so much. Good luck"

[devotedlystrangewizard]

at least im not alone in my relapse

[zincbot]

beat undertale yellow!!

[fedao]

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[nope-body]

.

[fairuzfan]

But the other images I had was like a mass refugee camp. So basically at that point in time, two months ago, about 20,000 people had sought refuge both in the hospital and outside the hospital. And these weren’t tents. They’re still not tents. They’re makeshift shelters with bed sheets or plastic bag sheets. The ones outside sleep on the floor. They’re lucky [if] they get a carpet or a mat. There was one bathroom at the time for about 200 people that they have to share. And inside, the hallways of the hospital were also made into shelters. There was hardly any room to walk, and there’s children running around everywhere. It’s important to remember all these people were not homeless. They all had homes that were destroyed. They’re all displaced people that took shelter in the hospital.

So that’s the kind of mass chaos that I encountered initially, and then I was told that every time there’s a bomb, give it about 15 minutes and the mass casualties come. That was the other thing that at the time shocked me: What we’d been seeing livestreamed on Instagram, on social media or whatever, I actually saw myself and it was worse than I can imagine. I saw scenes that were horrific that I’d never witnessed before and I never want to see again. You have a mother walking in holding her 8, 9-year-old, skinny — because they’re all starving — boy who’s dead, he’s cold and dead and [the mother is] screaming, asking for someone to check his pulse and everybody’s busy in the mass chaos. So that was kind of my initial welcoming scene when I entered Khan Younis the first time.

{...}

What I saw — I’m an eye surgeon, an eye plastic surgeon, and so I saw the classic, what I penned “the Gaza shrapnel face,” because in an explosive scenario, you don’t know what’s coming. When there’s an explosion, you don’t go like this [cover your face], you kind of actually, in fact, open your eyes. And so shrapnel’s everywhere. It’s a well-known fact that the Israeli forces are experimenting [with] weapons in Gaza to boost their weapon manufacturing industry. Because if a weapon is battle-tested, it’s more valuable, isn’t it? It’s got a higher value. So basically they’re using these weapons, these missiles that purposely, intently create these large shrapnel fragments that go everywhere. And they cause amputations that are unusual.

Most amputations occur at the weak points, the elbow or the knee, and so they’re better tolerated. But these [shrapnel fragments] are causing mid-thigh, mid-arm amputations that are more difficult, more challenging, and also the rehabilitation afterward is also more challenging. Also these shrapnels [are] unlike a bullet wound. A bullet wound goes in and out; there’s an entry and exit point. Shrapnel stays there. So you gotta take it out. So the injuries I saw were — I mean, I saw people with their eyes blown apart. And when I was there, and this is my experience, I treated all children when I was there the first time. It was kids that [were aged] 2, 6, 9, 10, 13, 15, and 16, and 17 were the ones that I treated. And their eyes unfortunately had to be removed. They had shrapnel in their eye sockets that I had to remove and, of course, remove the eye. There’s many patients, many children who had shrapnel in both their eyes. And you can only do so much because right now, because of the aid blockade and because of the destruction of most of Gaza, there’s no equipment available to take shrapnel that’s in the eye out. And so we just leave them alone and they eventually go blind.

{...}

I was on the ground, I toured the refugee camps, I went around Rafah, I saw, and if there’s an Israeli invasion, I can’t emphasize enough how catastrophic it’s going to be. It’ll be mass killing, mass destruction, because all these figures come in, 50 dead, 100 wounded. But what people don’t realize is, being wounded is a death sentence. Being wounded in this environment with no health care system, completely collapsed, is a death sentence. And the wounded often will lose everybody, like all family members, so they have no supports, especially children, have nobody left to take care of them, not even aunts and uncles. It will be catastrophic. I don’t know what to say to the world to stop an impending invasion. You’ve got to rein this prime minister of Israel in. You got to do something to stop this stupid invasion that he still wants to do, because it’ll be catastrophic.

{...}

I had one young man, about 25 years old, he lost one eye that I took out myself. He spent about five, six, or seven years, basically spent thousands and thousands of dollars in IVF treatment because he got married young and they wanted to have a child and they couldn’t have one. So he spent years on IVF treatment and finally had a baby that was 3 months old. And there was a missile attack by Israel at his home. He lost his entire family, including his baby and his wife and his parents and family. He’s by himself, single guy. I took his one eye out, and he has nobody in this world. He just kind of walks around the tent structures, just kind of walking around with no home and trying to sleep wherever he can.