#beaux arts homes

[hometoursandotherstuff]

What do you think of the renovation of this 1892 home in Milwaukee, WI? I can't decide. It's like a combination of old/new and they did leave historic elements. 5bds, 4ba, asking $639K.

It's attractive, but if you're a purist, then you wouldn't like the wood painted white. Coffered ceiling is still here, so are the columns and arch, plus the fireplace. Looks like the original floor was sanded to make it lighter.

Original stairs, but they've been stripped and lightened.

Undeniably an attractive room, color wise.

Moving to the next sitting room, the color changes to greens. The crown molding is still intact. There's a window in the wall. Could this long room have been a sun room or porch?

Looks like a back porch/room was converted to a small office and mudroom.

Modernized guest powder room with wall niches.

Very nice dining room. Interesting architectural feature- the small area on the left. Wonder if that's original.

Beautiful archway to the kitchen.

Total kitchen revamp. There's a brick chimney. Like the counters and backsplash.

Don't particularly like the thing they made for the light fixture. Just hang the fixture, that frame isn't necessary, and it's off-center.

Whatever this is, is cute.

Going upstairs to the bedrooms.

Oh, here we go with the gray. This is the primary suite.

The en-suite bath is completely open.

Bedroom #2. The exposed brick looks like it was redone with new brick.

Completely redone bath. Nice tile.

Finished attic. boy, they hired a professional stager- look at the pillows in the baskets and the little seating area.

This is nice, a 2nd fl. terrace. The stager put up a shade.

The yard and garden are gorgeous.

The yard goes way back to the end of the .33 acre lot.

Gate and a long driveway.

The 2 car garage is around the block.

Beautiful Beaux Arts style home.

https://www.zillow.com/homedetails/2365-N-1st-St-Milwaukee-WI-53212/40455932_zpid/?

[evaskjew]

When we have time because our classes are on work experience (long live the vocational lycée), we keep busy as best we can 😅

[celebrityresidence]

Architectural Elegance of the Kompothecras Mansion in Sarasota

This captivating image showcases the grandeur of the Kompothecras mansion in Sarasota, a stunning example of Beaux-Arts architecture inspired by William Vanderbilt’s Marble House. The mansion, valued at an estimated $12 million, stands as a beacon of luxury and design mastery, featuring a harmonious blend of historical elegance and modern amenities. The photo captures the essence of the mansion's opulent design, reflecting the rich cultural tapestry and legacy of the Kompothecras family in Sarasota's vibrant real estate landscape. Visit: https://www.omnihomeideas.com/design/celebrity-homes/gary-and-alex-kompothecras-house-in-sarasota/

[icha-ichaparadise]

Transitional Home Office - Home Office An illustration of a mid-sized transitional freestanding desk in a room with a dark wood floor, a brown floor, and gray walls.

[hard--headed--woman]

I know I spent two days without posting any lesbian pride post lol but I swear I'm gonna post two posts per day in the following days to make up for it. I am again going to talk about an artist, but from a different period this time.

Rosa Bohneur !

(I love her name by the way... Bohneur means happiness in french and that's such a pretty name to have)

Marie-Rosalie Bonheur, known as Rosa Bonheur, was born in 1822 in Bordeaux and died in 1899 in Thomery. She was a French painter and sculptor specialising in representations of animals.

She has kind of an interesting family story (mother adopted by a rich guy who found out later who was her real father, siblings all artists, father who met a lot of interesting people, links with many famous people...) but it would be too long to talk about it and I want to focus on Rosa herself. Do check it up if you're interested!

During her youth, Rosa Bonheur had a reputation for being a tomboy, a reputation that followed her throughout her life and which she made no attempt to deny, wearing her hair short and later smoking cigarettes and cigars. Her emancipated lifestyle never caused a scandal, even though she lived in an era that was very concerned with convention. Like all women of her time, Rosa Bonheur had to apply to the Prefecture of Paris for a cross-dressing permit, renewable every six months, in order to wear trousers, in particular to attend livestock fairs, travel or ride horses.

Here's one of her permits, from 1857 :

And though many historians tried to deny the fact that she was a lesbian, she always refused to marry a man, has only ever had relationships with women and literally wrote that she never felt any sort of love, attraction or tenderness for men, "besides a frank and good friendship for those who had all my esteem". After the death of the woman she loved, she also wrote "If I'd been a man, I'd have married her, and they wouldn't have made up all those silly stories..." You got it : even if she didn't shout it from the rooftops, Rosa was very probaby a homosexual woman.

Rosa Bohneur grew up in a fairly wealthy family, thanks to the financial support of her mother's adoptive father. But when her mother's father died, the family was left without any such support, and fell into dire poverty. When Rosa was 11, her mother died, which deeply traumatised her. She kept a lifelong admiration for her mother.

In 1836, at the age of 14, she met Nathalie Micas, who became her lover. Only Nathalie's death 53 years later separated them.

Her father remarried in 1842 to Marguerite Peyrol, with whom he had a last son, Germain, who would also become a painter. Rosa Bonheur did not get on well with her stepmother and when her father died in 1849, she left the family home to live with the Micas.

After her mother's death, Rosa Bonheur went to primary schools, was apprenticed as a dressmaker and then went to boarding school. Eventually her father took her into his workshop, where her artistic talents were revealed. He was her one and only teacher. Gradually, she developed a passion for animal art, which became her speciality.

She exhibited for the first time, at the age of 19, at the Salon of 1841. She won a 3rd class medal at the Salon of 1845, and a 1st class medal (gold) at the Salon of 1848. This award enabled her, at the age of 26, to obtain a commission from the State to produce an agrarian painting (paid 3,000 francs). The painting resulting from this state commission, "Labourage nivernais" was supposed to go to the Musée des Beaux-Arts in Lyon. But it was so successful at the 1849 Salon that the Beaux-Arts department decided to keep it in Paris, at the Musée du Luxembourg. After Rosa Bonheur's death, the work went to the Louvre, before being transferred to the Musée d'Orsay in 1986.

When her father died in March 1849, Rosa Bonheur replaced him as director of the École impériale gratuite de dessin pour demoiselles (or École gratuite de dessin pour jeunes filles). She remained in this position until 1860: ‘Follow my advice and I'll turn you into Leonardo da Vinci in skirts’, she often told her pupils.

In 1860, she moved to a huge house in By, where she had a huge workshop built, and ample space for her animals. One of her relatives wrote: “She had a complete menagerie in her house: a lion and a lioness, a deer, a wild sheep, a gazelle, horses, etc. One of her pets was a young lion she let run around. My mind was freer when this leonine animal died".

In June 1864, Rosa was visited by Empress Eugenie, who invited her to lunch at the Château de Fontainebleau with her husband. The following year, Eugenie returned to see her, to present her with the Legion d'honneur herself. Rosa is the ninth woman and the first artist to receive this distinction. About this, The Empress said :

“At last, you've been knighted. I am delighted to be the godmother of the first woman artist to receive this high distinction. I wanted the last act of my regency to be devoted to showing that, in my eyes, genius has no sex."

She was also the first woman to be made an officer in this order, in April 1894 (first female officer of the Legion d'honneur).

Rosa traveled extensively with her lover Nathalie, herself a painter and mechanical enthusiast (she invented and patented a railway braking system), and painted many pictures inspired by her travels.

In 1889, Nathalie died after some 50 years together. It was then that Rosa expressed her regret at not having been able to marry her.

After Nathalie's death, Rosa met Anna Klumpe, a talented American painter. The two women moved in together some time later.

Rosa Bohneur died of pulmonary congestion in 1899, without having completed her last painting, “La foulaison du blé en Camargue”, a monumental canvas she had planned to exhibit at the 1900 Universal Exhibition.

She is buried in Père Lachaise cemetery, alongside Nathalie, her parents and Anna (who died years after her). She left her entire fortune to Anna, who, in 1908, published a biography of Rosa Bonheur and created a Rosa-Bonheur prize at the Société des artistes français. The Société des Artistes français posthumously awarded her the Medal of Honor shortly after her death.

Rosa could have had military honors at her funeral, but she specified in her will that she did not wish this.

There's a lot of interesting things to say about Rosa, her art and her history, so I suggest you do some research on her! She was a very talented and strong-willed woman who had a huge impact on French art and left a considerable cultural legacy.

Here are some of her paintings :

I personally love them ! I am not a painting expert, I just find them sooo pretty.

See you tomorrow :)

[foxglovefaun]

sparing the sob story, I have been very very unwell.

But today I went to the musée des beaux-arts downtown and woke up my spirit a bit. When we got home, I pulled my markers out, broke open a brand new sketchbook, and got my hands dirty for the first time in many many many weeks.

Idk.

It’s always a sign of good things when my desk looks this way, and it’s nice to feel some hope.

(´ω｀)

That’s all. ❤️ just wanted to share. Thanks for listening

[anastasiaoftheironwood]

"For more than a decade, the French city of Lille’s Palais des Beaux-Arts — which was inaugurated in 1892 and is home to France’s second largest collection behind only the Louvre — has deployed a kind of “museo-therapy” that uses the museum space and the treasures held within it to help treat patients from local hospitals.

But in September 2023, this initiative became a little more formal when it signed an agreement with the University Hospital Center of Lille (CHU) to offer 140 museum art therapy sessions over a year to patients who have been given a “museum prescription” by doctors, making it one of the most significant programs of its kind in the world.

The idea of a museum prescription, which fits under an umbrella of out-of-hospital, nonclinical treatment known as social prescribing, is that exposure to art and culture or history can complement, accelerate or potentially even displace some forms of medical care in traditional settings — in an effective, enjoyable and low-cost manner.

Further afield, the Montreal Museum of Fine Arts has worked with the Francophone Doctors of Canada association since 2018 to offer a form of museum prescriptions, albeit without Lille’s art therapy aspect. In Brussels, Belgium, doctors in one of the city’s largest hospitals have been prescribing museum visits to patients suffering from depression, stress and anxiety since 2022 — and this year that expanded to 18 “medical structures” and 13 museums in the city. Singapore has run an Arts for Healing Program connecting patients with offerings at local music schools and community gardens since 2021. The newly formed advocacy group Social Prescribing USA aims to make social prescribing available to every American by 2035, building on projects already running in Massachusetts and New Jersey."

[random-brushstrokes]

Maurice Cullen - The Bird Shop, St. Lawrence Street (ca. 1920)

Born in Newfoundland in 1866 and raised in Montreal, Cullen began his artistic career as a sculptor here in Canada before moving to Paris to study at the prestigious École des Beaux-Arts at the young age of 22. While there, he met artists from across Europe and North America and was exposed to the full breadth of 19th century French art – including the revolutionary style and techniques of the Impressionists. Inspired by these works, Cullen abandoned sculpture and took up landscape painting, eventually exhibiting his works at the Paris Salon in 1894. Shortly thereafter, Cullen returned to Canada and brought the Impressionists’ style of painting to the Canadian wilderness and the gritty cityscape of his new home, Montreal. Using a darker colour pallet than his French counterparts, Cullen became an expert at capturing snowy landscapes and the rosy, semi-haze of twilight – which can be seen in The Bird Shop, St. Lawrence Street. The piece shows the snow-covered St. Lawrence Street at dusk. In the foreground, a horse-drawn sleigh is pulled up a hill in front of a row of snow-covered shops. The sky is a gauzy, silvery grey with soft snowflakes blanketing several darkened figures hurriedly going about their evening. In contrast to the shadowy street, the shop windows are aglow with warm yellows and shimmering greens. Looking closely, the lights inside each shop seem to twinkle in the growing dusk, seemingly inviting viewers in for a warm drink. The bird shop depicted in this work was located on the east side of St. Lawrence Street, south of Sherbrooke Street and just above Ontario Street until its demolition in the early 1980s. While the bird shop may be gone, something about the twinkling lights and hurried snowfall walks feels familiar, even today. (source)

[the1920sinpictures]

1916 Aerial view taken between 73rd and 78th Streets, the Drive was all about man-made luxury set against natural beauty. High above the Hudson River was a chateau-like mansion taking up an entire block. This is the 86-room Schwab mansion, built in 1906 for steel magnate Charles Schwab. North of the Schwab mansion are dozens of Queen Anne and Beaux-Arts townhouses, separate homes joined together to form a sort of palace. From New York City-Vintage History, FB.

[harley-sunday]

Renaissance

Renaissance [noun]

re·​nais·​sance ˌren-ə-ˈsän(t)s  -ˈzän(t)s 

1. capitalized : the period of European history between the 14th and 17th centuries marked by a flourishing of art and literature inspired by ancient times and by the beginnings of modern science 2. often capitalized : a movement or period of great activity (as in literature, science, and the arts) 3. literal translation from French : re-birth

Summary: Charles wins the Monaco Grand Prix.

Pairing: Charles Leclerc x reader

Warnings: None.

Word count: 765 (a short one, I know)

AN: You know I had to come out of retirement after Charles winning his home Grand Prix. Hope you enjoy this little drabble. Please come yell at me in the comments ♥

Part of Rituals

Charles Leclerc, in 2021, when asked if he has any race rituals: “At every start of the season, until F2, my grandmother used to take my race suits, remove one of the sponsor logos and sew a little cross instead of it. Now grandma is gone, I can’t sew and the ritual is over. I was thinking about keeping a lucky charm in my pocket but then I thought to myself: if you need an object [to feel better], then you are missing something on the mental aspect, so I let it go.”

[Angel of God, my guardian dear,]

The ritual is not over.

You can sew and the ritual is not over. 

Charles took pole today, you can sew, and the ritual is not over.

[To whom God's love commits me here,]

It’s late. It’s late and with the rest of the world asleep you are wide awake, hunched over in a chair, with the red of the Ferrari race suit draped across your legs, and the floor lamp casting a golden glow over your lone figure. You caught a glimpse of yourself in the window earlier, the scene eerily reminiscent of a renaissance painting you saw in the Musée des Beaux-Arts in Nice last year. 

Freddy is sleeping at your feet, tired after spending yet another day barking at race cars from the safety of the balcony. The gray hairs around his nose are becoming more and more prominent, a cruel reminder of his upcoming sixth birthday next month. Except for Freddy’s soft snores, the house is quiet, and it almost feels like a sanctuary. 

[Ever this day, be at my side,]

Modern Formula One suits don’t have sponsor patches, everything is printed on, and so instead of having to decide which patch to remove, you try to find a piece of thread that matches the yellow of the Ferrari logo. There’s no exact match, everything you have is a slightly different shade, and after a few minutes you give up and take out a bobbin with black thread instead. 

It’s been years since you’ve last sewn something but your muscle memory makes feeding the thread through the eye of the needle easy. You pick up the fabric and set to work, using a simple back stitch to sew a cross in the black of the Ferrari horse. No one will even know it’s there, not unless they look closely, and people hardly ever do. It only takes a couple of minutes to finish and once you’re done you run your fingers over the stitches, while you say a quiet prayer. 

Careful not to disturb Freddy, you get up then and drape the suit back over the chair, making sure it looks untouched. You leave the light on, it’s almost morning anyway, and make your way back to the bedroom. 

Charles stirs when you lay down next to him and when you settle into him you can feel him press a kiss to your forehead, “Lucie is back to sleep?” 

For a moment you’re confused, not sure what he means, but then you remember you told him you’d go check on your daughter earlier. You nod and tilt your head back so he can let his lips ghost over yours, “She is. You should be as well, chéri. You’ve got a race to win tomorrow.” 

[To light and guard, Rule and guide.]

Charles takes it all in from the top step of the podium, lets his eyes wander over the sea of people below him, the water in Port Hercule glistening in the distance. He can feel his smile growing wider when he finds his family in the cheering crowd - his mom and his brothers looking at him with watery eyes and soft smiles, and her, with their daughter perched on her hip, biting her lip to keep from crying. He wants nothing more than to hug them, hold them close, and celebrate with them, but he knows that will come later, in the quiet hours after the public celebrations, back in the sanctity of their home.

It’s time for the national anthem and so Charles takes his cap off and places his hand over his heart. When his fingers graze over what he quickly realizes is a cross, embroidered onto the Ferrari horse, he has to swallow back tears. He didn’t see it before the race, doubt anyone has, but now that he knows it’s there he never wants to race without it ever again. 

The ritual is not over and Charles Leclerc is a Monaco Grand Prix race winner.

[hometoursandotherstuff]

Condo in this beautiful 1918 Beaux-Arts building in San Francisco, CA has 2bd, 2ba, and is listed for $729K + $900mo. HOA.

It's Unit 1, so I'm assuming it's on the 1st fl.

Isn't this beautiful? I love the blue. It's so pretty and cheerful.

Window seat and leaded glass window.

You enter this area, and according to the floorplan, it's the living room, although they don't have it set up as one. It's so small, but it will confuse buyers, they should at least put a couple of chairs in here.

The round room is the dining room.

It has a built-in china cabinet.

Several room are off of this central room.

Every time people paint, the details get less sharp.

There's a lovely mural on the round ceiling. Are those feathers? What the hell are they? Nice soft colors, though.

The small kitchen is listed as a gourmet kitchen, which just might be stretching it. What gourmet kitchen doesn't have a backsplash?

Off the kitchen is the 2nd, smaller bedroom. It's nice, though.

And, this is bath #2. Nice pedestal sinks and big shower.

And, off the entrance/living room there's the larger, primary bedroom. This is nice. Love the molding, the color, double doors open to a closet and the built-ins are wonderful.

Look at this guy hangin' out on the window seat. Whatchu lookin' at?

The primary bath has a jetted soaker tub.

I like it, but that is not a living room, that's an entrance hall. I think it's really a 1bd. and the primary is supposed to be the living room w/the built-in shelving. Actually, the 2nd bd. off the kitchen says "primary" on the floorplan.

https://www.zillow.com/homedetails/630-Leavenworth-St-APT-1-San-Francisco-CA-94109/2107366338_zpid/?

[ask-the-hws-immigrants]

Not to be rude or invasive or make y'all uncomfortable or anything, but where do y'all sleep? It's just that I know that Lithuania and America have slept in the same bed before.

Tolys: I'm used to sharing a space anyway, so I didn't mind when I moved in! It's convenient for everyone I suppose.

**Historical Note: Alfred has kept this home since the 1840s-1850s, a little before Molly came to the United States again. He did this because of the upheaval at the time near Washington D.C. and the personal convenience of living in New York. If D.C. is America's head, New York City is its heart after all.

There were a variety of architectural styles becoming popular at this time such as Italianate, Neoclassical, Georgian Revival, Beaux-Arts, and Gothic Revival. Many of the large homes built in New York City by the newly wealthy around this period were in the Beaux-Arts and Georgian Revival styles. I picture Alfred's home being in the Georgian Revival style like the Carnegie Mansion or the Willard D. Straight House.

Alfred's home is certainly downsized from the scale of these mansions, but has many of the rooms typical of an upper-class home of the late 19th-early 20th century. These homes were typically three to four floors, with the first floor being for entertaining company and for leisure. The reception room was for receiving guests and leaving calling cards if the homeowner was not available, while the drawing room was for entertaining guests or for the family to relax in. It was also typical for these homes to have a small-scale dining room for less formal family meals such as breakfast and a more formal dining room for entertaining guests in the evening. This smaller scale dining area was also typically where children ate when these evening events were held, and they were usually not permitted at the formal table until they reached their late teens.

Floors for guests to sleep and for the family were often separated, and in many cases the children slept on a separate floor from the adults. In very wealthy homes, there was usually a floor or space reserved for servants' quarters and passages for staff to move around the house in without being seen. In upper-class households, the husband and wife often had separate but connected rooms. This wasn't necessarily out of personal modesty, but more for the modesty of the servants who might be helping them dress. Here, Alfred and Tolys use it more for convenience. In lower-class households, it was still perfectly common and acceptable for a couple to share a room and bed.

There's certainly more that could be said about the layout of these homes, and I based these floor plans off of several historic homes I've visited and floor plans I researched online. Therefore, if there are inaccuracies or if there's anything I overlooked, my apologies!

[yourpicasso25]

The secret, part 2

Hey, I'm back!

Sorry about last week, but I was very, very sick? Very bad attack of flemmingite aigue!

Translated in English, I was feeling lazy as f*ck, so I just watched Youtuvideos. I'm sure you know how it goes. Feeling better now, but still have little to show to show for it.

Speaking of lazyness...

I know I waxed lyrical about food and markets and all that jazz, but one can't really live on the local production.

One can only do so much with fish, after all.

So we have Supermarchés Lapompe. Not Walmart, but the small chain (2 markets) does brsk business with both locals and tourits in both basic nececities... and about a ton of of junk food, let's be honest here. And that's the dirty little secret we're don't really like to talk about.

The Lapompe family also deal in fuel, gas, and electricity proction and storage. Their home lot is shaping to be something else!

I didn't upload that one because it's a very basic one, sure y'all can do just as well.

Otherwise, I had a CAS moment. I know, weird.

I made that quite big appartent building nect to the market last time, and the inhabitant just came to life in my head. Happens sometimes.

So, meet the Boucicaud family:

Bernard Boucicaud.

He is the reason the famijy is here, since the building they're residing in belonged to his grandparents. Bernard was born here,tail ending the boomer generation, but he grew up in Paris, since his parent hightailed out of Vogoel to make careers and a life as far away from anything fishy as possible.

Bernard had very nice vacation in his grandmother house as a boy.

However, as his parent fled Vogoel, Bernard fled Paris to traval the world, because he was an artist.

In Delhi, he met

Lucie

Then Dolman, now Boucicaud. Same kind of story except she's from Marseille.

They both liked to travel, so they did, Bernard managing some free-lance photographing to earn a little money and Lucy learning Yoga and stuff.

Both probably smoking funny stuf.

But time flies, and a baby girl was bord... and there is one day when you long for a nice bed and some creature comfort, so they came back to France.

Infortunately, neither were talented enough as artist to "make it" in the capital. So Bernard remembered his Mémé house, which his parent didn't really use and were quite happy to get rid of. It provide a far more luxurious accomodation than what they could afford in Paris, and it's would be a far better place for their girl to grow up in.

And here is said girl, Namaste Boucicaud.

Let's make it clear, not a happy bunny.

First, why did those idiot boomer parents she's saddled with had to name her Namaste? She hates it! honestly, Grertrude would be nicer!

And OMG the parents! Couldn't they be, I don't know, a little bit NORMAL once in a while? (well, they're both Avant Garde, so the teen may have a point here)

At least her father had some job with the local paper, so Namaste could forget the cheesy seagull photos to sell to tourists... and the paintings.

And her mother, still dressing like she was young, in jeans and exotic tops!

Honestly, Namaste can't wait to get her Bacalaureat and flee to Paris to her grand parents who are normal people and call her Nathalie.

"Where you will go to the Beaux Arts, dear. Not of that nonsense about being an accoundtant like your grandfather, do you hear me? Open your chakras, honey..."

But MOOOOMM!!!

[theartofmetal]

344. Antichrist Rise to Power - Departure Chandelier (Black Metal, 2019)

Art by Jean-Baptiste Mauzaisse: "Napoléon Ier sur son lit de mort, une heure avant son ensevelissement"(Napoléon on his deathbed, one hour before being shrouded), mid 19th century.

"Mauzaisse came from a modest background. His father was the organist at Corbeil Cathedral, and could not afford to pay for Jean-Baptiste's studies. At the age of nineteen, he left home and was able to find a position in the studios of François-André Vincent, at the École des Beaux-Arts in Paris."

[the-garbanzo-annex-jr]

NEW YORK (AP) — Hundreds of pro-Palestinian protesters marched to the Brooklyn Museum Friday afternoon, set up tents in the lobby and unfurled a “Free Palestine” banner from the building’s roof before police moved in to make arrests.

New York City police officers tackled and punched some protesters during scuffles that broke out in the crowd outside the museum while some demonstrators hurled plastic bottles at officers and shouted insults. Other protesters held banners, waved Palestinian flags and chanted boisterously on the steps of the grand, Beaux Arts museum, which is the city’s second largest.

The rally started Friday afternoon across the street from the Barclays Center, home of the NBA’s Brooklyn Nets. Marchers banging drums and chanting then made their way to the museum about a mile away.

Organizers, including the group Within Our Lifetime, called on supporters to “flood” and “de-occupy” the museum, saying they wanted to take over the building until officials “ disclose and divest ” from any investments linked to Israel’s actions in Gaza.

Videos posted on social media showed guards at the museum trying to secure its doors against the surging crowd, and demonstrators finding other ways inside.

Spokespersons for the museum didn’t respond to emails and phone messages seeking comment late Friday, but an NYPD spokesperson confirmed protesters had been taken into custody. The department didn’t immediately have an estimate for how many have been arrested or what charges they might face.

New York City has seen hundreds of street demonstrations since the conflict between Israel and Hamas began in October.

The Brooklyn Museum sits at the edge of Crown Heights, which is home to one of the city’s largest communities of Orthodox Jews.

[camisoledadparis]

THIS DAY IN GAY HISTORY

based on: The White Crane Institute's 'Gay Wisdom', Gay Birthdays, Gay For Today, Famous GLBT, glbt-Gay Encylopedia, Today in Gay History, Wikipedia, and more … November 16

42 BC – Tiberius, Roman emperor, born (d.37 AD); second Roman Emperor, from the death of Augustus in CE 14 until his own death in 37 AD. Tiberius was by birth a Claudian, son of Tiberius Claudius Nero and Livia Drusilla. His mother divorced his father and was remarried to Octavian Augustus in 39 BC. Tiberius would later marry Augustus' daughter Julia the Elder (from an earlier marriage) and even later be adopted by Augustus and by this act he became a Julian. The subsequent emperors after Tiberius would continue this blended dynasty of both families for the next forty years; historians have named it the Julio-Claudian dynasty.

Tiberius was the predecessor to Caligula and he was certainly the appropriate curtain-raiser. His sexual excesses were widely known, especially when he "retired" to Capri, governing Rome via correspondence, and becoming the patron saint of that future gay mecca. Suetonius reported that Tiberius trained young boys, whom he called his "minnows," to stay between his legs while he was swimming so they could lick and nibble him until he came. Suetonius reports that Tiberius can be credited with the "daisy chain" or spintriae - a conga line of people joined front and back in sexual congress.

1502 – Sandro Botticelli (c.1445- 1510) is accused of sodomy but the charges were dropped. The summary of the charge reads: "Botticelli keeps a boy." Botticelli was an Italian painter of the Early Renaissance. He belonged to the Florentine School under the patronage of Lorenzo de Medici. Botticelli’s posthumous reputation suffered until the late 19th century; since then, his work has been seen to represent the linear grace of Early Renaissance painting.

1942 – Barton Lidice Beneš, born in Hackensack, New Jersey (d.2012), was an artist who lived and worked in New York City. He studied at Pratt Institute, Brooklyn, New York and Beaux-Arts, Avignon, France.

His father, the son of Czech immigrants gave him his middle name in memory of Lidice, the Czech town destroyed by the Nazis that year. He grew up in Queens with Czech-born grandparents, who instilled in him a dedication to the Roman Catholic traditions of reliquaries and memorials to the dead.

Barton Beneš' art incorporated shadow boxes filled with bits and pieces that revealed the myths and ironies of life. The fragments in Beneš' work often involved famous people and events, from a piece of Elizabeth Taylor's shoe to a crumb from the wedding cake of the Prince of Wales. His travelling exhibition series about AIDS, "Lethal Weapons," was the focus of an independent documentary film released in 1997. "Lethal Weapons" consisted of 30 vessels such as a water pistol, an atomizer, and hollow darts, all filled with the artist's or other people's HIV-infected blood.

Another work, "Brenda," was a wall relief carpeted with red AIDS-awareness ribbons and slathered with a coat of gray paste made from the cremated remains of a woman who had died of AIDS. "I absolutely hate those [AIDS] ribbons," he said, contending that wearing them did nothing more than assuage people's consciences.

Although galleries and museums refused to show this work, they were displayed without incident at the North Dakota Museum of Art in 1993. Beneš did not forget the courage and commitment to art of this prairie institution. When he died he left instructions to be cremated and have his remains placed in a pillowcase on his bed. The bed was the central part Beneš last completed and most personal work, his 850-square-foot home in Greenwich Village containing thousands of objects including masks and religious relics and the mementoes and remains of his loved ones. This enormous piece with its thousands of contents will be moved to Grand Forks, North Dakota, where they will be exhibited in a replica of the apartment

Among the museums that have acquired his works are the Chicago Art Institute, the National Museum of American Art, the National Gallery of Australia, and most importantly the North Dakota Museum of Art.

Scott Wittman (L) with Marc Shaiman

1955 – Born: Lyricist and director Scott Wittman, who, with composer Marc Shaiman, his partner in life and collaborator in theater, film, and television projects, has a long list of credits in the entertainment industry. Their work on the musical version of John Waters' Hairspray earned Tony and Grammy awards in 2003.

Both Shaiman and Wittman grew up in the vicinity of New York City, the former in Scotch Plains, New Jersey, and the latter in Nyack, New York. Both were fascinated with musical theater from an early age and dreamed of careers on Broadway. Shaiman played piano with local community theater groups from the time that he was twelve, and Wittman apprenticed in summer stock in his hometown. Such was their love for the stage that they both cut high school classes to travel into New York for matinees.

Wittman attended Emerson College in Boston but left after two years to pursue a career as a writer and director in musical theater in New York. In the city's East Village he crossed paths with Shaiman, who had quit high school at sixteen to join the New York musical scene. Wittman was directing a show at a club in Greenwich Village when Shaiman came in and started playing the piano. Wittman promptly hired him. They subsequently fell in love and have been a couple since 1979.

The two soon began collaborating professionally, writing songs that Shaiman describes as "full of anarchy and joy."

Since 1997 Shaiman and Wittman have contributed and directed music for the Academy Awards presentation show. At the same time Wittman, who humorously calls himself "a great diva wrangler," has directed concerts. In addition to working with Bette Midler, he has had a long association with Patti LuPone and has worked with Christine Ebersole, Raquel Welch, Dame Edna Everage (Barry Humphries), and Lypsinka among many others.

Shaiman and Wittman's greatest triumph thus far is Hairspray, an adaptation of the 1988 John Waters movie for the musical stage. Shaiman and Wittman wrote the music, and Mark O'Donnell and Thomas Meehan the book for the play.

The show dominated the 2003 Tony Awards, winning eight, including best musical and best score. At the end of their acceptance speeches Shaiman declared to Wittman, "I love you, and I'd like to spend the rest of my life with you." The couple then embraced and shared a long and tender kiss. News outlets around the world took note of this affecting moment.

1964 – Waheed Alli, Baron Alli is a British multimillionaire media entrepreneur and politician. He was co-founder and managing director of Planet 24, a TV production company, and managing director at Carlton Television Productions. He was, until November 2012, chairman of ASOS.com. He is the chairman of Silvergate Media, which purchased two of the media rights previously held by Chorion Ltd, where Alli was former chairman. He is a Labour life peer and is described as one of only a few openly gay Muslim politicians in the world.

In British political terms he is considered Asian, though both of his parents are from the Caribbean. His mother, a nurse, is from Trinidad, and his estranged father, a mechanic, is from British Guiana (now Guyana). His mother was Hindu and his father Muslim; he has two brothers, one of each faith. He was named one of the 20 most important Asians in British media in 2005. At the same time, he maintains ties with his Caribbean roots, both with other British-Guyanese politicians such as Valerie Amos and Trevor Phillips, and with President Bharrat Jagdeo.

Alli joined the Labour Party at the persuasion of his neighbour Emily Thornberry, to whom he remains close. He is also close to Anji Hunter, Director of Government Relations in Tony Blair's first government. Prime Minister Blair used him for years as a means to help him reach out to a younger generation (aka "yoof culture"), and as such he is considered one of "Tony's Cronies". He was made a life peer as Baron Alli, of Norbury in the London Borough of Croydon, on 18 July 1998 at the age of 34, becoming the youngest and the first openly gay peer in Parliament. He sits on the Labour benches in the House of Lords. The BBC summarised his appointment as "the antithesis of the stereotypical 'establishment' peer – young, Asian and from the world of media and entertainment".

Alli has used his political position to argue for gay rights. He spearheaded the campaign to repeal Section 28. He advocated lowering the age of consent for homosexuals from 18 to 16, equal to heterosexuals; this eventually became law as the Sexual Offences (Amendment) Act 2000. It was during a heated exchange with conservative opponents, led by Baroness Young, that he informed his fellow peers that he was gay. In April 1999, he said in a speech, "I have never been confused about my sexuality. I have been confused about the way I am treated as a result of it. The only confusion lies in the prejudice shown, some of it tonight [i.e. in the House], and much of it enshrined in the law."

In 2009, he spearheaded an effort to repeal clauses in the Civil Partnership Act 2004 which prohibited religious institutions from conducting the ceremonies on their premises. This campaign culminated in a bipartisan amendment, which became part of the Equality Act 2010.

2007 – Breakfast With Scot - In 2006, straight Canadian actor Tom Cavanagh began filming Breakfast with Scot, in which he plays a gay retired hockey player who becomes an adoptive father to a young boy. The film, released on this day in 2007, drew attention as the first gay-themed film ever to win approval from a major league sports franchise to use its real name and logo; Cavanagh's character formerly played for the Toronto Maple Leafs.