#bc like pisses me off that they think i want to be here

[a-ikuoliver]

me vs over sharing

[feroluce]

“-and that's why I ain't allowed in Pier Point no more!” Boothill throws his head back and cackles, somehow completely comfortable on the bare floor of the archives. He's the very picture of ease, his arms behind his head, his legs bent and crossed.

Dan Heng barely looks up from his notebook, not much surprises him anymore after the first few tales of lawless exploits. “So they really have that many laws and restrictions there.” 

“And prob’ly a few more now that I've been through there! Heck, ya think they named any after me? I'm hopin’ so.” There's so much smug cockiness seeping through his voice Dan Heng could bottle it.

Silence settles in, stretches out. Dan Heng doodles pensive circles in the corner of his page.

He shouldn't ask. It's a private matter. It's none of his business. He of all people should know-

Something pokes his shoe, and when he looks up, Boothill has stretched one arm up to tap metallic fingertips against his foot. “Ain't like ya to hesitate.” With his head tipped back on the tiles and gazing at him upside down, Boothill's hair is out of his face and spooling out all over the floor, offering a rare view of his right side. His right eye is sealed over with a pitch-black patch, stark against his skin. Dan Heng wonders what he looks like behind it. “C'mon, then, out with it. Spill the beans, brother, just say it.”

“What does ‘Boothill’ mean?”

The man blinks at him, the crosshair in his cybernetic left eye flickering. Dan Heng shifts, smooths out his long coat. “I tried to look it up once. It's not in any database as a name...other than your wanted posters.” There's a thread beginning to fray near the hem, he should sew it up. “I couldn't find it anywhere.” 

He nearly takes it back, but- “Heh, ya that curious about me, darlin’?”

Dan Heng quickly levels his face into the most impassive, nonplussed expression he can muster, but Boothill has already turned away, head pillowed on his arms and face once again turned to the ceiling.

“But nah, ya wouldn't. Hah, like they'd allow any record of the language, fudgeheads.” One arm sweeps around blindly until it finds the edge of Boothill's hat, sets it back where it belongs on his head. Dan Heng shuffles around, scoots a little closer, but the brim is pulled too low to see his eyes anymore.

“It's ‘cause it's not a name. It's a noun.” All that's visible of his face is a sharp grin, pulled too tight at the edges.

“It's my people's word for a grave.”

Dan Heng's pencil stops.

“It's the kinda grave fer someone who died with their boots on. If ya catch my drift there.” Boothill's foot starts to bounce. “There was a war, and it got reeeeeal intense, yup. Folks started droppin’ like flies, ‘n’ there was bodies faster'n what we could bury ‘em.” A cooling fan kicks on somewhere. Dan Heng is pretty sure it's not any of the Express equipment.

“We lost some real good people there, real good. Mighty shame.” His hidden Vidyadhara ears detect a quiet metallic click, a whir, pressurized gas. Boothill's next words waft steam from his angry circuits into the air. “When I left, I decided to leave my name there, too. Didn't feel right otherwise. The life I lead now is a whole ‘nother existence.” And then Boothill turns his head, raises his hat, and Dan Heng suddenly feels pinned dead center, caught in that crosshair.

“Ya know what I mean, don'tcha?”

Dan Heng swallows.

Does Boothill know? Who he is and who came before him? There had been that moment in the Penacony Grand Theater, after he activated the Jade Abacus… Dan Heng had tried to shoo him out, keep him from seeing anything, but Boothill has the astounding ability to turn up exactly wherever people are trying to keep him away from.

If he did see, does he actually understand it? Does he know what a High Elder is? Does he know about the sedition of Imbibitor Lunae, the transmutation arcanum, everything Dan Feng had done and Dan Heng was punished for?

He doesn't want to explain it all. Not now. Possibly not ever, truth be told.

And it's not the same as Boothill leaving behind his old identity when whatever event happened that caused him to leave home. Not really. But…

But so far, Boothill has slid so easily into Dan Heng’s routine. His presence never feels like an intrusion. He's already figured out what he can push and when to back down. And even Dan Heng finds himself able to roll with whatever punches Boothill throws with baffling ease. They share too much in their methods and ideologies, and sometimes Dan Heng knows what Boothill will do seemingly before even Boothill himself knows.

“...Tell me about Talia and the Nailscrap Town.” Boothill must know he's avoiding the topic. He must. But the man just throws his head back and cackles, melting easily back into what they had been doing before, as he speaks fondly of a planet that Dan Heng has never visited.

Not today. But.

Dan Heng inches just a little closer, just enough to nudge his foot against a metal leg. Boothill doesn't pull away.

Maybe someday.

[biblically-accurate-dca]

@vanweek2024 day 4 - food

peep the vanny

[winteriron-trash]

rdj the (whitewashed) electric boogaloo

This is a reminder to everyone who's excited about RDJ's casting as Doctor Doom that this casting is whitewashing. Victor Von Doom is a Romani character and has been a Romani character since his introduction in the 1960s. (Fantastic Four Annual #2 [1964]) Not only that, but his Roma identity and the persecution he and his family faced due to it is integral to his character, it is what forms his identity. (Books of Doom by Ed Brubaker) Even if on the off chance this casting is meant to not be Victor but instead be some variant of Tony or whomever else becoming Doctor Doom, it is damaging to the character to rob him of that important cultural background. Doctor Doom does not exist without that history. Fans have been pushing hard to cast Doom as a Romani actor for years, especially since the MCU has whitewashed other Romani characters. (Wanda, Pietro, etc) This casting is not a celebration moment, it's fucking heartbreaking that the MCU repeatedly ignores the important and nuanced cultural backstories of characters.

I know I can't change anybody's mind on whether or not you want to be excited about RDJ's return to the MCU. But I do think at the very least you should be mad that the MCU is baiting us all and destroying nuanced and interesting characters for the sake of self-referential easter eggs and nostalgia bait. Because that's what it is. Feel how you'd like to feel about RDJ's return, but personally, this is soul-sucking. I had such a deep love for the MCU as a teenager, it was obviously something incredibly formative to me, especially Tony Stark. This isn't recreating what I fell in love with the MCU for. This is turning a well-planned and artistic storyline of adaptations into cheap cash grabs and fan service. Because, I think we're past the point of being able to call the MCU an adaptation of anything. They can use existing characters' names and powers, but to say they're being properly adapted is laughable.

This is not an adaptation of Doctor Doom. This is RDJ the Electric Boogaloo because Marvel's fear of losing the interest of dedicated MCU fans overrides their willingness to tell stories that are genuine to the characters. I don't know what there is to be excited about that. The MCU has lost its authenticity and aside from a few projects, feels heartless. Every movie is a copy of a copy. This announcement isn't something celebratory, it feels like a death knell of a cinematic universe that's so desperate to cling to relevancy it's resorting to nostalgia for a character/actor who hasn't even been dead for a decade. We're not getting anything new, we're just rinsing and repeating the same song and dance.

I get it. I love Tony Stark, his death destroyed me and I to this day, rue the ending he got in Endgame. It misunderstood his arc and it robbed him of a satisfying conclusion. But the solution to that isn't dragging the corpse out of the grave five years later to whitewash an existing character with rich and interesting nuance, just to forcibly tie his existence in the MCU to Tony. Whether he is a variant or not. Why would you want someone else's fave's legacy to be destroyed simply so your fave's legacy can go on? Hell, if we were really all so hellbent on the return of RDJ and/or Tony to the MCU, we have the multiverse for a reason. There were other ways to do it that didn't whitewash and ruin someone else. This just. Isn't something to be happy about.

[sunflowermp4]

karma's gotta come for all of us

i just hope she comes for you first

[danikatze]

Any Only Murders in the Building watchers here? I need to know if I'm the weird one here: Joy was the asshole, right?

So she's engaged to Charles, someone who has not so long ago been almost murdered by his previous girlfriend. And now he's found her lipstick has been used for a hate message to the most recent murder victim. He asks her "do you know anything about that?" And she goes "are you accusing me of murder?" and storms out.

When she comes back she finds that he has had a heart to heart with a good friend, because technically proposing to her was an accident and he had doubts. But now that he's talked it through, he wants to really go for it! He's absolutely sure! And she pushes cake in his face and walks out.

And all the while this seems to be presented like she's right to do so, because he's self absorbed.

[dreamspring]

im really not saying this with any real hate in my heart but. sanji pissed me off so bad for doing that to robin i literally don’t care... if the intention was meant to be ‘oh he relies on her and isn’t afraid to ask for help’ that would be sweet and cute if he literally had just called for her from the BEGINNING. instead of calling her only AFTER black maria beats his ass so bad he can’t bear it anymore and then out of desperation calls her for help. it just. does not make the point i think is trying to be made.

furthermore its just sooo hypocritical that it makes it impossible for me to like this. sanji refuses to fight black maria because of his chivalric code that he would never hurt a woman ok fine! (or not. whatever not the point). but he’s totally okay asking his female crewmate to enter into a life or death situation where she will have to fight for her life because HE got himself into a death trap he refuses to take care of himself because of… his ideology. his ideology that hurting women is bad. which is why he calls robin. a woman. to fight to the death for him. because he won’t take care of his own mess. which he only got into bc he entered a room upon seeing naked women. ok girl.

[lavellane]

finished rogue trader. so mad about it i had to take a nap and then start a whole new playthru again to cope <3

[fadeintoyou1993]

having to explain to people things like. if i have to go out to do something and run errands i need to have it all mapped out and planned w like. at least a week in advance. and if i go out that day i cannot do anything else because That will be it. if i have multiple commitments that cannot be put on the same day i need one full day in between those commitments so i can rest and be recharged for that next thing otherwise i might have a breakdown in the middle of the street (again) and then That will render me unable to function for like a whole three days. and then people look at me like i choose to live like this?

[tanicus-caesareth]

guarana drama, damage control

[carcarrot]

well that was a shortlived good feeling about my job

[starlooove]

Racist white ppl who don’t realize they’re racist getting mad about gojo is so funny

[caswlw]

the idea that they’re writing the season as they go so they’re seeing the reaction the audience has and that it (even in the smallest way possible) could have an impact on what happens this season (and in future seasons) is so wild to me. not saying that they’re seeing our response and saying “oh that sounds good, totally writing that in,” but it’s not impossible to say that they will see what the people want, realize the best way to generate buzz and excitement and increased viewership is to keep your fans happy, and then actually do something about it instead of killing characters/storylines just for kicks

911 has the opportunity to be that bitch even more than it already is and they shouldn’t squander it while they’re on top

[nothing-nothing454545]

no, i dont think im obligated to still small talk an hour into my meet up with a friend group ive been a part of for 2 years, and i dont think im overreacting or showing a lack of loyalty when im unsatisfied with such a conversation. As someone who hates small talk, that friend group isn't for me, and i get nothing from it, and i will choose not to feel like a weirdo (derogatory) or a traitor (..because we didn't promise each other we'd be together forever afaik), for being unsatisfied and leaving. ive shown them affection (that i didnt fully feel) for as long as i could

[hella1975]

just full force threw a shoe at my sister's face and when my mum got me alone after she was like 'you shouldn't clobber her. but i get it' 😭

[vanweezer]

very very personal, just insight into where im at w my family and things that bother me/have encouraged me to move out

"i know youre moving out so im just gonna say no ones kicking you out and if you feel like this is something you have to do then ok"

thanks! i know im not being kicked out! but yknow i kinda yet a weird vibe when your out of touch husband takes me to a cemetery to yell at me, tell me im just like my father/dont give my father "the time of day", and that im "mean to people who care about me" in front of his dead mother's grave in a poor attempt at guilting me out of speaking my mind. but no yeah thanks for stating the fucking obvious that im leaving on my own terms