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stylesnews · 4 years ago

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A year ago, the guitar was in dire straits. With songs like Travis Scott’s “Sicko Mode,” Ariana Grande’s “7 Rings,” Lizzo’s “Truth Hurts” and Panic! At the Disco’s “High Hopes” among the most consumed of 2019, programmed beats and horns were the sonic flavors of popular music. Sure, there were outliers — the Jonas Brothers’ “Sucker,” Maroon 5’s “Memories” and Post Malone’s “Circles” among them — but as the rock and alternative genres embraced artists like Billie Eilish, whose innovative music made the traditional band approach feel outdated, the days of chords and solos seemed numbered if not headed towards irrelevance.

Then came the coronavirus pandemic and things changed. Forced to perform from home or in rooms not intended for live music during lockdown, many artists went back to basics and out came the trusty six-string. For iHeartRadio’s “Living Room Concert for America” in March, Foo Fighters’ Dave Grohl played an acoustic Guild on “My Hero”; Billie Joe Armstrong from Green Day strummed to his band’s “Boulevard of Broken Dreams”; and even Eilish, with her collaborator brother Finneas, sang her hit “Bad Guy” accompanied by only a Fender acoustic. Other benefit livestreams like Global Citizen’s “One World Together At Home” event saw the Rolling Stones, Keith Urban and Shawn Mendes strip down their hit songs for unplugged versions. And in April, Miley Cyrus delivered an emotional cover of Pink Floyd’s “Wish You Were Here” on “Saturday Night Live” with Andrew Watt, himself a COVID survivor, on guitar.

At the same time, there was an electric guitar solo being heard on one of the most-played songs in the United States. Harry Styles’ “Adore You,” which has logged 1.1 million radio spins in 2020, according to Mediabase, and has been streamed more than 400 million times, per Alpha Data, features the playing of Kid Harpoon (real name: Tom Hull), Styles’ friend and producer, who handled the guitar parts for much of the Brit’s excellent “Fine Line” album, released in Dec. 2019. As it turns out, the melody of the solo, which also serves as the bridge to “Adore You,” was first hummed by Styles for Hull to emulate. “I did it with my mouth into a microphone,” Styles told Variety in October. “And then Tom sent me this video trying to get it to sound the same. He spent a couple of hours getting it.”

Why include a guitar solo when most pop songs would never dare? “I feel it’s kind of like ‘La La Land’ saving jazz — only for rock ‘n’ roll,” Styles cracked when posed with the question. But more seriously speaking, Variety‘s Hitmaker of the Year added: “I’m not a spearheader of the movement, like, ‘Let’s bring back guitars.’ There’s plenty of times when [a song] doesn’t sound better with a guitar, and you don’t use it. But a lot of the references I grew up with have guitars; and it’s the first instrument I played, so it makes sense that I would like the sound of them more. I don’t think the guitar is dying. Guitars are great and always have been.”

In fact, guitar sales in 2020 have been robust. Music retailer Sweetwater reports more than 50% year-over-year growth in guitar purchases, with even larger increases during the peak COVID months of April, May and June “when customers most likely hunkered down to practice and create music after watching all of the streaming video they could handle,” according to a rep for the Indiana-based company.

The spike extended to other string instruments as well, which saw growth of more than 70% year-over-year in the price range of $299 or lower. The metric indicates that “new players are joining the fold,” says Sweetwater, which has been in business for over four decades and operates online. (Competitor Guitar Center, with more than 250 physical locations in the U.S., did not fare as well, filing for Chapter 11 bankruptcy protection last month.)

Even in the virtual world, learning to play an instrument has taken off during lockdown. The platform Yousician, which provides interactive learning for guitar, bass, ukulele, piano and voice, currently reigns as the No. 1 app for music instruction while its sister product, GuitarTuna, is tops for guitar tuning.

Ask current writers and producers working in pop and hip-hop about their process and you soon learn that an acoustic guitar is often the beginning or the essence of a hit song. Among Variety‘s 2020 Hitmakers, the trio of Taz Taylor, Charlie Handsome and KC Supreme credited a guitar loop as the foundation for Trevor Daniel’s “Falling.” For Maren Morris’ “The Bones,” producer Greg Kurstin noted: “The first thing I noticed was Jimmy Robbins’ guitar hook; I wanted to keep the song rooted in that.”

“So many hit songs from 2020 started with a acoustic or electric guitar, whether it be a melody line or simple progression,” says songwriter and producer Jenna Andrews, whose recent credits include BTS’ “Dynamite” and Benee’s “Supalonely.”

And often, those guitar-based foundations remained through the finished product — for instance, 24KGoldn’s “Mood,” with its impossibly catchy sun-kissed guitar riff, and Powfu’s “death bed (coffee for your head).”

“I know it sounds kinda old school, but I love it when a well-recorded acoustic pops off on the radio,” says Sam Hollander, whose hits include the aforementioned “High Hopes” and Fitz and the Tantrums’ “HandClap.” “The bulk of my songs tend to be born on guitar. Without that foundation, the lyrics and melodies never really emote the heartbeat and emotion that I’m trying to dial in. There’s just a general warmth to it that’s hard to replicate. It’s like the warmest chocolate chip cookie.”

“I think the prevalence of guitar in 2020 has a lot to do with hip-hop producers using more emo and punk-rock influences,” offers Angie Pagano, whose AMP management company represents Tommy Brown (Ariana Grande, Blackpink) and Mr. Franks, among others. “Juice Wrld really helped bring this into the mainstream over the last few years. We’re seeing a great blend of emo and trap these days.”

Indeed, the year’s most-consumed hits leaned hip-hop — Roddy Ricch’s “The Box” landed at No. 1 on the Hitmakers list with Future and Drake, Jack Harlow and Megan Thee Stallion in the Top 10 — but even DaBaby’s “Rockstar,” the No. 3 song of the year, referenced a guitar in its chorus, albeit alongside mention of a Glock pistol. That visual may go against what Hollander calls “the Kumbaya vibe of the guitar,” but the song still features an acoustic strum at its core.

In the case of Styles’ 2020 successes, which also include the ubiquitous “Watermelon Sugar,” his producer further explained that, while aware of what was reacting on the charts at the time they were recording, Styles wasn’t about to chase the trends. Said Tom Hull: “We [thought], we can’t play the commercial game in terms of what’s happening right now. What we can do is make music that really resonates with us. There’s no blueprint. You just have faith. We love records from the ’70s and ’80s; weird prog rock music that might be a seven-minute instrumental; then you’re listening to Shania Twain, like, ‘This is awesome, too.’ The goal was to make something we will always love, and if it completely flops commercially, at least we know we love it. We have that.”

#harry styles #jan21 #variety21

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agentnico · 4 years ago

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Zack Snyder’s Justice League (2021) Review

It all started with Sonic’s teeth. Ever since fans successfully bullied a studio into reanimating their titular hedgehog character after the abomination shown in the first trailer, fans realised that rallying together (on Twitter) can make a difference. So you’d think it would mean we could all come together to restore world peace and get rid of racism, injustice, poverty, war and negativity of all kind? Nope, nope it does not. But at least we get a better version of a bad DC movie that came out in 2017. I mean, baby steps I guess.

Plot: Fuelled by his restored faith in humanity and inspired by Superman's selfless act, Bruce Wayne enlists newfound ally Diana Prince to face an even greater threat. Together, Batman and Wonder Woman work quickly to recruit a team to stand against this newly awakened enemy. Despite the formation of an unprecedented league of heroes -- Batman, Wonder Woman, Aquaman, Cyborg and the Flash -- it may be too late to save the planet from an assault of catastrophic proportions.

I recall my younger simpler self in 2017 at the early age of 20 soon to be 21, sitting down and watching the new Justice League film with zero to no expectations, as by that point the DC Extended Universe was a trainwreck and was a franchise that was literally falling apart before out unblinking red hay fever filled eyes. However, after watching Justice League I was baffled at the fact that I still managed to be disappointed after having zero expectations! With zero expectations this film took me into the minuses, and we all know I’m not great at mathematics so boy are we in the danger zone when we hit the minuses! Looking back at my review of the film back then, I used extreme yet fitting comments like “generic”, “predictable” “messy” and plain “dogsh*t”. Which is what it was. 2017′s Justice League is exactly how I’d imagine a dog’s poop would look if it was turned into an abstract film! It was truly abysmal. After that I thought I’d never have to talk about this film again. How wrong I was. But, in a rare turn of tables, I am glad that I was wrong...

A little history lesson first. Alright, settle down kids, settle down.... Rob, put the paper plane down, do not throw it, I said DON’T THROW IT! NO! Stop! Stupid child!! Headteacher’s office right now! Also, say hi to your mother for me, okay? I’m having brunch with her on Saturday and you better not be there as you should be doing your homework watching the 4 hour cut of Justice League and questioning your life choices!! Anyway, now let’s have ourselves a history lesson. The topic is - What In The Flying Fudge Happened Behind-The-Scenes Of Justice League For DUMMIES: Condensed Edition. A really condensed version as honestly none of us have the attention span to read loads and I’m probably losing the vast majority of you due to this overlong rambling session. So anyway, to the last couple of readers left, here we go! Following the success of Man of Steel, Warner Bros. gave Zack Snyder the reigns to oversee and create a DC cinematic universe to rival the success of Marvel. And so came Batman V Superman: Dawn of Justice, which turned out to be a bit of a hodgepodge, receiving mixed to negative reviews and though was a box office success, earned diminishing results to what Warner Bros. originally anticipated. However, by the time Batman V Superman released, Zack Snyder was already hard at work on the big superhero team up film Justice League (which was meant to set up many characters and future films for the DCEU) with a lot of filming already underway, so Warner Bros. couldn’t particularly pump the breaks on it by that point, even though they evidently lost trust in the Snyder formula. To be honest, at that point I too lost trust in Snyder’s vision and the DCEU as a whole, but my opinion doesn’t class for a single dime, whilst the opinions of Warner Bros. executives make millions, so there aren’t any hard feelings on my behalf for them not enquiring on my thoughts. Anyway, midway through production Zack Snyder was hit with a family tragedy with his daughter committing suicide, so Snyder naturally had to depart the project to be with his family during this grieving time. Warner Bros. had the option to pause production and await for Snyder’s return, or progress at their own accord. Naturally they decided to do their own thing cause they are a business and want that dollar dollar bill baby!! So they hired Joss Whedon who was riding fresh off the success of two Avengers movies and obviously had experience in cinematic universes and such, to rework the Justice League movie by condensing it into a 2 hour film (from the over 4 hour material that Snyder shot) and reshoot scenes to fit the smaller runtime. So you cannot particularly blame Whedon for taking out so many great scenes as he had a contract to fulfil with Warner Bros, but then you look at the many forced jokes and unnecessary reshot scenes and you realise how self-indulgent Joss Whedon was during filming, as he basically was spitting on everything Snyder did and was trying to do his own thing. Low and behold, the mess that is the 2017 movie is created, where its the visions and creative minds of two director with evidently different styles clashing and not really mixing well at all, and as such we have a messy movie that doesn’t really make sense and is a bit of a middle finger to DC fans and honestly everyone and all. Also, there was that little aspect of Henry Cavill’s deformed upper lip due to the fact that during reshoots he had a moustache that he’d grown and was contractually obligated to have for his Mission Impossible role, so the visual effects team had to digitally remove it in post production and the result is, well, see for yourself...

Yes, they made the dashing handsome my-sexuality-questioning Henry Cavill look stupid, and that is UNFORGIVABLE. Funny, yes, very funny but unforgivable!! So for this and many other reasons the 2017 film turned out horribly. Then after that many months later, Zack Snyder and cast and crew members began teasing of this mythical version of the movie that was befit of Snyder’s original vision. You see, apparently before he left the project, Snyder actually filmed everything he wanted and it was only awaiting to be reworked with visual effects and edited properly, but then Whedon came in with his scissors and cut everything mercilessly with a cheeky grin and his ginger beard. Speaking of his ginger beard, is Joss Whedon Irish? Or has Irish roots? Honestly, I would Google it, but wait, I don’t think I really care. So anyway, Snyder still had all of his filmed scenes saved on his ridiculously oversized hard drive just waiting to be looked at again. This is where the fandom did its magic by creating a Twitter hashtag #ReleaseTheSnyderCut and began spam posting for Warner Bros. to let Zack Snyder release what he originally intended to. Honestly, who would have thunk it, but this actually worked!! Warner Bros. allowed this, and not only that, but gave Snyder an additional $70 million to finish up the visual effects as well as to film a couple of additional sequences and gave it the prestigious honour to debut it on HBO Max, so as to boost the subscriber rating on Warner Bros. new streaming service. And here we are.

Honestly, I thought seeing this Director’s Cut of sorts wouldn’t bring much to the table as I didn’t believe that a film that was so broken had originally been in any way good. After finishing this 4 hour Snyder vision I must admit though that I was pleasantly surprised. Completely baffled by the studio and Joss Whedon, but really happy for Zack Snyder. The guy was fighting for it and finally was able to accomplish and bring out his true original vision, and though Zack Snyder’s Justice League has its flaws, its so much better than what we got in 2017, and in fact is a soaring science fiction sci-fi epic that literally feels epic!! It takes time establishing the characters and every single plot point as well as building out this rich mythology of this world of the DC Extended Universe, and so as you move into the second half of the film, there’s a feeling of pay off. You actually care about the characters and understand the plot points and it doesn’t feel rushed. Its truly astounding that there are producers out there who thought it was a good idea to get rid of all of that and instead bring out whatever the heck Joss Whedon did with the 2017 version. Look, I quite enjoy Joss Whedon’s work, from Buffy the Vampire Slayer and Angel to Cabin in the Woods and his work on Marvel, the guy obviously has a talent, but also he obviously does not belong to the dark and brooding style of DC. Zack Snyder on the other hand, though makes his mistakes, truly embraces the epic feel of the DC material. And it seems once you give Snyder enough time and space, he can actually bring out something like this:

The main characters are all given so much more to do, or at least those that got side-lined in the 2017 version are given more to do here. One of my complaints with the original was how pointless the League turns out to be. Basically in the theatrical version the main team all end up being useless and only once Superman shows up he saves everyone’s asses and literally does EVERYTHING. Might as well have called the film Man of Steel 2 (feat. Justice League). However in this new version, every main character serves a purpose. Well most of them do at least. Cyborg and Flash are much more compelling characters with more layers and backstory, and in fact are a prime reason to defeating the great evil in the end. You now understand why Cyborg actor Ray Fisher was pissed at Joss Whedon, as the guy literally got rid of his best stuff. Superman strikes a cool black suit and is still powerful, however as the finale shows, he isn’t all-powerful and does need the help of the rest of the team. Wonder Woman gets a lot more to do in this theatrical cut, and in fact this is probably Gal Gadot’s best performance as Wonder Woman and she really shows herself as a powerful female superhero! Aquaman’s role stays largely unchanged, however to be honest Jason Momoa’s character was one of the only ones who didn’t suffer in the theatrical cut. That’s unsurprising seeing as Jason Momoa is such a naturally cool dude! A big panda that is friendly in real life, but when necessary can turn into a roaring bear. To be honest, the only League member that ends up a bit pointless is actually Batman. He still serves a purpose in the film in that he’s the one who assembles the team, but otherwise the rest of the group is so overpowered compared to him that in the end you do kind of think that he doesn’t really belong there. Still, Ben Affleck is great in the role and it’s a shame we won’t see much of him past Flashpoint film that will be released in the next few years.

There are a lot of characters in this film and one can still say the movie is overstuffed, but also seeing as the movie was originally intended to spring board the DCEU properly, all these teases are actually welcome. There are an abundance of cameos, and to be honest so many characters are so well cast that you do end up wishing that Snyder was given the opportunity to make his entire Justice League planned trilogy, but nevertheless at least we have this. There are truly an abundance of cool appearances here, from the menacing villain Darkseid (played by Ray Porter) to Willem Dafoe doing what Dafoe does best, only in this case underwater and I’m certain that’s gonna span many comparison memes with The Lighthouse. Joe Morton as Cyborg’s dad is given a lot more to do here and in fact is pivotal towards building up Cyborg into the important character that he is. There’s also a cameo from Jared Leto’s Joker, who in some ways redeems himself after his appearance in Suicide Squad. Also, we need to talk about Steppenwolf, who’s the main baddie in this film. In the theatrical cut the guy was the most generic one-note villain who also looked like a PS2 character. It was honestly embarrassing the way he was animated. Luckily in this version he’s been put through enough Skyrim mods to looks much more intimidating and is also given a better motivation. As we find out, the reason he does what he does is because he wants to go home. He’s been banished and he simply wants to earn his place back home, so it’s actually kind of sweet. Steppenwolf is a sweetie. I mean, yeah, he wants to destroy half of the world to fulfil his dream, but hey, haven’t we all taken something extreme measures to get what we want?

The film is far from perfect though. At the end of the day, the movie is just about a guy hunting down a bunch of magical boxes. That was the premise of the theatrical cut and its the same here too. Yes, there is more substance and gravitas to the proceedings, but at the end of the day the story doesn’t really surprise much. And with the entire thing running at 4 hours, it is definitely too long and there is the element where there is simply too much in this thing. Also visually, though the movie has plenty of gorgeous shots and Zack Snyder’s signature slow motion sequences are on full display here, there are still many sequences where the CGI and green screen are super obvious and look really fake. That being said there’s still so much visual goodness in this, and also I have to mention Junkie XL’s new music score that does reiterate the epic feel of this movie, in comparison to Danny Elfman’s weak uninspiring notes in the theatrical cut.

Zack Snyder’s Justice League is a massive surprise and completely changes the perception of what we saw in the original 2017 theatrical cut. It’s a sprawling massive adventure that’s a dream come true for any comic book fan. It shows how vital film editing is, and how important it is to have a cohesive plan when making a movie. Gone too are the silly forced jokes, and though there is still some humour here, it feels more grounded and fit of the setting and scenario. This is Snyder’s vision through and through, and though at times it is clunky, it overall is incredible to behold, as it’s this one guy’s mind and his love for the DC lore. It’s a credible achievement, and I’m actually sentimentally happy for Snyder that he finally managed to complete this. He even during the credits dedicates this to his daughter Autumn that passed away, and I found that to be truly bittersweet. Justice has indeed been served.

Overall score: 7/10

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fortemelody · 4 months ago

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(this was my original comment)

you’re all good! i’ve posted things i regret and have since deleted, so i understand just posting that in the heat of the moment if you saw something you disagreed with (not saying you have to regret your own post; i thought your take was fair and not problematic whatsoever but i just felt it was lacking context so now i understand).

i think this generation gap thing is actually very interesting, seeing as though i only got into the fandom a couple years ago and i’m still a minor. i tend to forget that as the world got more and more progressive, so did the internet/fandom spaces. which means it definitely started on the not-so-excepting side. it reminds me of when people used to get so mad when you called rainbow dash a lesbian lmao.

at the same time though, i feel like it’s tough and odd to compare how much a ship “has it worse” than queer ships. to make up a random example, i’m sure like 60 - 70 ish % of the sonic fandom hates sonelise (not a real analytic just a guess based of stuff i’ve seen). so therefore people who like this ship would hypothetically get shit on way more than something like sonamy or sonadow because of the more interactions these two have and gained popularity throughout the years.

i don’t know if that example made any sense, but i’ll try to elaborate on the point i’m trying to make. queer ships have it worse when faced with actual discrimination, obviously (saying this as someone in the community). but if you’re just faced with someone who doesn’t like it, it usually comes down to reasoning, game events, and personal preference (unless therye just bein a jerk). basically, if someone is just super ruthless either for or against a ship, but it doesn’t involve homophobia, then it’s kinda hard to compare certain aspects.

going back to sonamy itself, i won’t bore you with the details of why i like the ship (as that could be a whole post itself). but i wanted to say that amy’s character is so all over the place that her narrative with sonic is, also, all over the place. like first people thought she was an insane stalker (which i think is definitely true in a select few games, like sonic free riders), and now people think she’s too boring and her only real character trait is being a girl. i think since sega finally warmed up to the idea that sonic might actually like her, they toned her down so this would be more believable for his sake. however, imo this makes her lose a lot of fun sass. i think right now the best example of what she could/should be in more games is a balance of both, like in the sonic idw riders arc (evan stanley’s writing). a lot of why i like sonamy actually is the same case for amy herself; fans are way better ar interpreting and expressing the little tidbits of lore and character traits that sega gives us.

lastly, the age thing. *shutters* i absolutely HATED how mfs on tiktok who knew nothing about sonic would be like “erm… 12 and 15…yikes!” or “erm technically shadow is 50 and sonic is 15…”. when will people learn that they took away official ages for an ACTUAL REASON. this was seen as some people just an excuse to ship whoever they wanted together, but in the context of the company, it’s simply just to make things less confusing and complicated. this is becus sega over the years couldn’t even get their characters ages straight. in some manuals, sonic was stated to be 15, and in others sonic was 16. in fact, i’m pretty sure at one point they really fucked up and made classic sonic older than modern sonic. i’m someone very against adding up characters just to simply make them sexualized and nothing else. and if you think about the fact that sonic is still a children’s property, obviously this is not the approach they wanted.

anyways, this rant got a bit derailed, apologies 😭 i get very passionate about sonic. this was more of just an analysis rather than an exact response. but i still hope OP and others enjoy!

Sonamy shippers act like they're oppressed as if Sonamy isn't the most popular Sonic ship ever

#sonic #sonamy #sonadow #sonic ships #ship analysis #sonic fandom #sth #sonic the hedgehog #queer #queer ships

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xcziel · 4 years ago

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get to know me

tagged by @vishcount (thank you!!) and i'll follow her format bc making two posts seems a little much - i'm not that interesting!!

(hilariously, this post shows up as blocked for me bc of the tag 'joker' which? tumblr?????)

Part I

name: i'm an internet old, so i never use my real name online, mainly because it's spelled in a very unique way (thanks mom & dad) - i mean like, if you googled it you could find my home address in a few seconds kind of unique - but also, though i do enjoy the spelling, i actually don't like it very much when it's said out loud? (is it weird that my name written down is 'me', but my name aloud has never felt like 'me'?) always wanted a nickname but never acquired one :/

at any rate, i've had the username xcziel forever and i go by that 😊 (pronounced ex-SEE-zee-el, similar to etc. or ex-SET-er-ah! thanks @xia-xueyi for pointing out that it can be confusing to guess!)

rest behind a cut because it got long!

pronouns: she/her

star sign: i don't ... really *do* astrology? but technically saggitarius

height: 5'4" (162.5cm for the intl folks)

time: 5:43pm but these thing take me forever to type out so ... ???

birthday: playing the 'internet old' card again .. but it floats around american Thanksgiving depending on the year

nationality: american

fave bands/groups/solo artists: lumping these together because i just .. don't really do music much anymore. if you had asked me this back in my 20s i'm sure i would have had all kinds of opinions and things to share, but these days i actually mostly prefer to listen music from when i was a kid. part of it is also that as an old, i prefer to buy my music, even digitally, and i don't really use spotify - which does so much to enable diverse music exploration i admit! but i mostly have earplugs in all the time and music does not work for me as background noise, so...

so i guess my answer would be 70s disco and classic rock and 80s new wave artists? i've never liked any artist's entire discography and prefer greatest hits-type compilations, but i guess duran duran and def leppard and depeche mode would be considered formative? i love new order but specifically late 80s new order, NOT joy division. the only concert t-shirt i've ever worn was the cult? i loved sonic temple but i can't listen to most of it anymore though i still adore love removal machine. i think maybe if you get old enough, for some of us there's TOO MUCH good music and we can't pare it down anymore

song stuck in your head: jamiroquai's canned heat

last movie you watched: re: the above, i re-watched center stage, the 2000 one with zoe saldana and the mandy moore soundtrack, bc it's a happy comfort movie and i just got a digital version

last show you binged: i can't really "binge" very often bc after a couple of hours i need a break, so i guess i'd say the tgcf donghua on netflix since it was short enough to get through all in one go

when you created your blog: in 2012 i stopped lurking so i could post about the avengers movie

the last thing you googled: 5'4" in cm? lol before that it was chinese wrapped street food

other blogs: everything is here! i discovered i compartmentalize about as well as i tag reliably (😓) but i do have several automated ao3feed-tag style sideblogs. and i did, very briefly, have a *winces* hockey sideblog too

why i chose my url: ooh i know i've done this before, sorry if it's repetitive, basically it was the username i picked back when my family first got aol: short, unique combo of letters - 14-year-old me really thought about it! and then it wouldn't let me use anything other than my name. thirty-some-odd years later, trying to come up with a livejournal username that wasn't already taken and getting fed up, i plugged it in and went: good enough!

how many people are you following: like 760-something last i checked? although many, many, many of them are deactivated

how many followers do you have: idk i don't like looking at that stuff, but way fewer than i am following

average hours of sleep: it varies too much day by day, my sleep schedule is too wonky, i have no idea what the average would be

lucky numbers: 7? cliché i know, and again not really buying into it, but somewhere in my hindbrain i like it that my first, middle, and last names all have seven letters

instruments: none. i like singing

what i'm currently wearing: giant black t-shirt and baggy black drawstring shorts, standard sitting around the house gear

dream job: don't have one. if i did it would give me something to be working towards *sigh* this is how you end up in retail for decades, kids! but also, to quote a random post i saw in true tumblr fashion "i simply do not dream of labor"

dream trip: covered this one before but: back to the uk and some railway daytrips, or a really fancy northern cruise, atlantic/pacific either one

fave food: uhhh, don't really have a favorite but i'm almost always in the mood for pizza

top three fictional universe you'd like to live in: none really, if i had to still be me..maybe some kind of actually utopian future? but the pandemic has confirmed for me that i do NOT like living in interesting times, so most fictional story universes are RIGHT out. my favorites to read about like discworld or diana wynne jones' worlds would be way to chaotic for my comfort. possibly diane duane's young wizards universe would be safe enough to be okay?

Part II

last song: watching center stage made me think of my dance playlist so sunrise by simply red

last movielast stream: i don't watch streams or youtube often, so it was the same as you, vish! liu chang's birthday stream was SO enjoyable i screenrecorded the entire thing just so i could play it back (and maybe gif sometime if i ever get the drive to actually do it)

currently reading: well i just finished the translated quan qiu gao kao or global university entrance exam novel, which was sparked purely from catching a single rec post here on tumblr and basically just *falling* into this 166 chapter epic that is *amazing* and not coming up for air until i got to the end, which is typical novel-reading behavior for me (yes i was the kid who read through lunch period and got hassled by people who kept pestering me with "what're you reading" questions and yes i realize probably a lot of you on tumblr were too) plus, the new murderbot novel is out tomorrow!!!!! so that'll be where i end up next!

currently watching: the entire dmbj verse (that i can get my hands on) but ... sporadically and stopping at random different parts because the thing is ... this type of show is not really the kind i enjoy so much? so since it's more for "research" and learning character arcs (and let's be honest: shots of liu sang), etc. it's easy to get distracted by other stuff. i'm also watching the sleuth of the ming dynasty, mr queen, bromance, the expanse, re-watching farscape and stargate sg-1, just finished the falcon and the winter soldier, and then anytime something new and short gets introduced it jumps the queue. there are just. so. many. things. to. watch! (now i have to look into anti-fraud league too!? you all are cruel ...)

what is antipoetry to you: i ... don't really think much about poetry? i know what i prefer is usually the more basic rhymed kind like lewis carroll, emily dickinson, poe, coleridge, etc. so i suppose i don't have much use for classifying non-rhyming verse? i can appreciate stuff like rupi kaur which i guess would qualify? or that william carlos williams plums poem? but it doesn't really stick with me the way lyric-like verse does

currently craving: i never know what exactly this is meant to be in reference to ... hmmm, i would love a new high-concept, high production-quality movie like say, pacific rim, to be released, just for that massive, excited energy that comes with something new that hasn't already got tons of disappointing or conflicting history behind it - that would be so fun!!

other than that, right now, i mostly kinda want some fried fish? but that will have to wait until i go to get my second vaccine shot on wednesday since it's on the way there. i'd also like my internal body parts to settle down and fly right but it's been more than a month and they don't seem inclined :(((( maybe once i'm fully vaxxed i'll think about consulting somebody about it

tagging @foxofninetales @xia-xueyi @momosandlemonsoda @memorydragon @thewindsofsong @elvencantation @mylastbraincql @hesayshesgotboyfriend @aurawolfgirl2000 @smaragdine-galaxy and anyone who wants to! but never feel obligated and if you don't get around to it for like half a year that's totally fine, i am still interested!!!

#xcedit #is my only like 'me' tag #tag game #long post #i wanna do one of these with more unusual questions but not like those themed ones ...#tell me if the cut doesn't work i'm still not used to having them on mobile!

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buzzkillzine · 4 years ago

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15/5/21

I was thinking recently about the music I like and how I got into it. And at risk of thins becoming a back-in-my-day-style boomer post, I'm not that old.

I grew up in the 90s (again, I'm not that old) and basically my music taste started with listening to the AM radio in the car while my mum drove me and my two siblings 45 minutes to work (he was the one working, we were like 2,4 and 6 years of age or something and wouldn't be working for another 10 years at least. We just stayed with our Grandma and went to kinder while she was at work) and basically the music on the radio was the golden oldies from the 50s 60s and 70s. It was my mum who took us to our first live music shows and we went to see Judith Durham of the Seekers and man who at the time I was obsessed with... Neil Diamond! We had a best of cassette in the car that got played over and over and I knew all the words to Cracklin Rosie, Cherry Cherry and Sweet Caroline.

As I got a little bit older I discovered some TV shows like Video Hits, which played top 40 pop stuff and a show titled simply 'rage'. Now for those that don't know, rage is possibly the simplest concept for music programming: it just plays music videos and because it's on the ABC there's no ads. It's this simplicity that is key to it's longevity. It used to be broadcast (and still is) Friday night into Saturday morning and Saturday night with a guest host. From this show I found so many great bands over the years because they played everything. Not just the top 40 stuff but weird, obscure indie bands, and if you stayed up late enough on the Friday night you could see clips from metal bands that would scare the fuck out of me at the time, Tool, Marilyn Manson, Sepultura, Korn and stuff like that.

One night (Saturday the 10th of July 2004) when I was in high school they played a full live set from The Dissociatives (great band made up of Daniel Johns from Silverchair, Paul Mac and The Presets) and afterwards they aired a special from when Silverchair guest hosts when they were still kids, possibly around the Freak Show era or maybe still Frogstomp era. Anyways just out of that one episode of rage I found the following bands: Alice in Chains, Primus, Black Sabbath, The Meanies, The Cosmic Psychos, Soundgarden, Helmet, Tool, Tumbleweed, Rollins Band, Sonic Youth, Magic Dirt, The Beastie Boys plus a heapnof others.

I basically discovered Grunge that night. Or rediscovered it but it was my first time hearing this stuff. These bands went on to form a lot of what I listened to for the next couple of years and from them I found bands they influenced and also found a great doco called Hype which also featured some amazing bands.

Staying up late Friday and Saturday nights to watch rage was a bit too hard while in high school so most of the time I would set the VCR to record it on long play and I could get about 5 and a halfish hours onto one tape (again, I'm not that old) I would watch it back in the morning, then throughout the week and then would be ready to either tape over it or save the tape if it was a ripper playlist.

I still have the video tapes in a box somewhere.

I'll have to pull them out and have a squizz sometime.

Anyways. That'll do. I'll write more soon.

#grunge #reminiscing #vhs #just my random thoughts #music #90s rock #journalling #writing #silverchair

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trevorbarre · 4 years ago

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Shane McGowan: Part the Second

I was always of the opinion that Spider Stacey’s tea tray head-bashing was as much a part of The Pogues’ magic as MacGowan’s poetese. The band’s subject matter could be boiled down to (i) London and an accompanying nostalgie de la boue (ii) The immigrant Irish experience and identity (iii) Booze. The melding of these three was the particular genius of the band and MacGowan’s lyrics. It undoubtedly filled the vacuum after the demise of post-punk and the musical non-event of ‘New Romanticism’. The Pogues, The Fall and The Smiths (the ‘The’ bands?) offered us hope in the mid-80s (as did, to a greater extent, Americans such as Sonic Youth, Big Black, REM, Big Black, The Replacements, Husker Du and The Butthole Surfers).

The Crock of Gold goes some way to explaining Shame McGowan’s pathology: the film starts with him being unconscionably rude to the film maker, boorish, spoiled and out of it (natch). Like it’s meant to be somehow pathognomonic of Shane’s essential ‘honesty’ and ‘telling it as it is(n’t)’? A great start to the film, and nothing after this made me alter my opinion as to his essential smallness of spirit, whatever the ass-kissers say. The first part is possibly the most interesting: I found it noteworthy that there was a lot of hand-held video film of the MacGowan family available, very unusual in the early 70s, and somewhat contradictory to the narrative of noble rural poverty that is being actively promoted in the narrative; the young Shane’s proud boast of being introduced to booze and fags at a very early age is left unquestioned (it obviously adds to the epater la bourgeoisie de l’angleterre image?); the admissions of bullying at school (clearly designed to avoid being bullied himself) leave a nasty taste in the mouth, delivered as they are with the typical MacGowan snickering, aversive cackle / ‘death rattle’. Punk basically validated his antisocial tendencies and gave them shape and purpose. (Even if only to form the entirely forgettable Nipple Erectors, the ‘controversial’ name of which was entirely in accord with the ‘headline grabbing’ shot of our hero with his ear being compromised by a female fellow attention-seeker., the point at which most of us became aware of ‘Shane O’Hooligan.) But Punk did, for a very brief time, offer misfits like our Shane a way in.

The Pogues, like The Libertines and The White Stripes later, are very much a ‘Greatest Hits’ band. 1984′s Red Roses for Me remains, for me at least, the quintessential original Pogues vinyl product. It has the most solely MacGowan -composed songs (six in all), more than on any subsequent Pogues album. In Temple’s film, Bono and Depp slaughter ‘Rainy Night in Soho’, as does Cave with, of all songs, ‘Summer in Siam’, one of MacGowan’s lesser songs. It all goes to show how fragile the magic was. His later band, The Popes, were mediocre in the extreme (with The Pogues’ essential spirit being leeched out in favour of a mere ’rock band’), only a shadow of The Pogues’ essence, i.e rock syncretic with Gaelic music, bonded by a ‘punk attitude’. By my reckoning, MacGowan was responsible for 16 songs on the first three albums, only half of the total tracks. Without the input of Spider, Jem et al, the magic was gone. As the man himself opined, after releasing such rubbish as ‘Fiesta’ on the third album, “I hated what we were doing - we became what we hated, the basis of my self-hatred” (apparently the excuse needed to get fully into Siam’s most popular exported product).

I’d have more sympathy for Shane MacGowan if he wasn’t so clearly a rather unpleasant individual. However, judging from the fawning below the line comments about the film, I’m very much in the minority. Full credit to Julian Temple for making a typically generous account of the man, with a mix of family shots, those of Irish life in general, and of vintage live material across the years. As he did with The Sex Pistols, revealing the the less ‘rotten’ side of John Lydon and the less ‘vicious’ side of John Beverley. Temple is surely the true artist here.

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thedoctornumber11 · 4 years ago

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Munday post

I figured maybe this week I’d do a different type of Munday. Most of my long time roleplay partners already know me quite a bit and I also try to introduce myself to newer partners as well, however I figured this could be a good chance for everyone to really get to know me. I’m including everything under a read more not because long post and also because I know not everyone likes seeing this type of thing. It’s just a bunch of random facts about me and my favorite things along with a munday pic under the cut. I didn’t want to just throw out a munday picture like most would do. I’ve done that plenty of times before and there’s nothing wrong with it, I just felt like doing something a bit more unique and different this time that might really give people a chance to get to know me :D

So long post under the cut.

So, first off, my name is Derek. I’m the mun. I just recently turned 30 and I’m from Indiana. I work in a preschool, essentially as a glorified baby sitter. I help the teachers get their breaks.

I’ve been interacting on here since November of 2013 and I’ve had this exact blog with this exact URL the entire time. I wanted something really generic and not just a quote or something like that. I first tried TheEleventhDoctor, but obviously that was taken so this ended up being what I went with. As for the theme, it too was made a VERY long time ago. The TARDIS theme with the opening doors on the TARDIS actually used to be quite popular when I first started interacting on here, particularly with the Doctor Who RP fandom. Although I’m the only one I see with it these days, if you go looking for older Doctor Who blogs that have gone inactive you are actually likely to find a few other blogs with it. As for the background picture, I found that one myself except for the part with Matt Smith/The Eleventh Doctor edited on. That part was done by someone I used to interact with who just surprised me with it one day and unfortunately isn’t on Tumblr anymore :( Having been on this platform for so long I’ve obviously seen a lot of blogs come and go and I miss every single last one of them :( However I also enjoy everyone I currently interact with and would recommend almost any of them. Seriously, if anyone is looking for new people to interact with, let me know you are looking for people and what fandoms you enjoy and I can probably recommend a few blogs!

Outside of Tumblr RP, I enjoy video games, yugioh, reading comics, general super hero related stuff, watching movies, playing Pokemon Go (I help run the local PoGo community) general board games, watching my shows, figure collecting, and cosplay, most of which I’m sure is stuff many of you also enjoy. My fandoms include Doctor Who (obviously), DC, Star Wars, The Legend of Korra/ATLA (I’m one of the few that likes LoK more than ATLA), Marvel, Star Trek, Firefly, Power Rangers, The Walking Dead, Yugioh, Pokemon, Sherlock, general Nintendo fandom, Digimon and Harry Potter.

Here’s a few things about me in list form.

My favorite musician is Weird Al Yankovic.

My favorite book is Look Me in the Eye by John Elder Robbison. As someone who’s been diagnosed with aspergers syndrome myself, this book really spoke to me in my original read through and since then I’ve purchased it multiple times. I own at least three or four different copies of this book, partially because I kept loaning it out to people.

My favorite book series is the Harry Potter series. Don’t ask me for a favorite book in the series, I love them all about equally.

As for comics, right now my favorite thing I’m reading is the Power Rangers series that Boom is putting out. Some of my favorites of all time include Power Ranger Soul of the Dragon, the Star Trek TNG/Doctor Who crossover, the Power Rangers/Justice League Crossover, the original Spider-Gwen series, Poison Ivy Cycle of Life and Death, The Dark Knight Returns (I know anything Frank Miller related is a bit controversial but I enjoy it for what it is) and Batman: Hush.

Favorite movies include UHF, Scott Pilgrim VS the World, Captain America The Winter Soldier, Captain America the First Avenger, Avengers End Game, the Justice League movie, anything and everything DC animated, anything and everything Spider-Man related (yes, I even like Spider-Man 3 although it wasn’t as good as the others), anything Star Wars related although I’d say Force Awakens is my favorite one, the 2017 Power Rangers movie, Serenity, The Lego movie and it’s sequel, Yugioh Bonds Beyond Time, Mystery Men, Galaxy Quest, all the Star Trek movies, the corny 90′s Mario movie, the Doctor Who movie, and Detective Pikachu. Really, any of the Marvel and DC movies could probably make this list as well, I’m not super picky when it comes to movies.

Favorite TV shows is something I am a bit pickier about. Doctor Who is obviously on the list, and I’ve watched and enjoyed most of the Marvel and DC live action stuff although I have a huge preference for the arrowverse and 70′s Wonder Woman. Animated stuff tends to vary but a lot of the older stuff from the early and mid 90′s seems to be best for that. Power Rangers is obviously on the list as well, along with The Walking Dead, Digimon, Avatar the Last Airbender, The Legend of Korra, Sherlock, Yugioh, Firefly, and off the top of my head that’s about it. Everyone always assumes I’m huge into anime as well, but I’m not actually that into it. Just not my thing.

Now video games has potential to be my longest list as it’s easily my favorite medium of story telling due to the interactivity. First off, Nintendo and Playstation are my general consoles of choice. Nothing against Xbox, I have a lot of respect for the brand but I can’t really afford to have three consoles (even though I wish I could) and Nintendo and Sony have more offerings for me personally. I also do dabble on PC a bit, but I don’t really have a high end PC and it’s mostly just for Sims. That being said, my favorite games and game series include Watch_Dogs, The Sims, Mario (mostly the “main series,” 3D games and 2D platformers but I do enjoy some of the off series stuff like Mario Kart and Mario Party as well) , Pokemon, Super Smash Brothers, The Force Unleashed series, Injustice, most of the Spider-Man games, The Last of Us, Tomb Raider, most of the Batman games, Wario Ware, The Last of Us (still haven’t played the sequel yet. Waiting to get it for cheap after seeing reviews), Days Gone, Control, Horizon Zero Dawn, No Man’s Sky, 51 Worldwide Classics for Switch, No Man’s Sky, the Tony Hawk Games (still haven’t played the new one yet), Time Splitters, The Movies, Hulk Ultimate Destruction, Zombies Ate My Neighbhors, Kirby, The Legend of Korra game (the 3d one, not the really bad one for 3DS), Donkey Kong, Street Fighter 2, Punch Out, Metal Gear Solid 5 the Phantom Pain, Sonic Heroes, and the list could go on and on.

My favorite drink is root beer or chocolate milkshakes if that counts

My favorite alcoholic drink is probably just a basic screwdriver tbh

My favorite food is Cheeseburgers, although Chicken Pot Pie is also a top contender tbh

My favorite color is green

My favorite Doctor is Eleventh obviously, but Thirteen, Two and Twelve are tied for second

Favorite companions are Amy, River (if she counts), and Donna

Favorite New Who episode is The Eleventh Hour

Favorite Classic Who story is Genesis of the Daleks

Since I’ve mentioned super heroes a lot, my favorites are Batman, Wonder Woman and Spider-Man, although Supergirl, Batgirl, Captain America, Scarlet Witch and Black Widow are also pretty high on the list.

Favorite game in the Pokemon series is X and Y

Dragonite is my favorite Pokemon

Favorite 3D Mario game is Odyssey although Sunshine would be next up on the list.

This is my only Tumblr RP blog. I also have an ask meme blog and I used to have a personal but I haven’t logged onto it in years.

I’m on discord and I do add people from Tumblr on there, but I mostly only use it for Pokemon Go tbh

I spend every Wednesday and Sunday at the local comic book shop playing Yugioh

For anyone wondering in relation to that last fact, my current competitive deck Barrier Stun. Some of my favorite casual decks that I play or have played in the past are Lightsworn, Blue-Eyes, E-Heroes, Greed, Sacred Beasts, Penguins and Six Samurai.

In the last decade I’ve moved about 3 times

I own pets! I have one dog and one cat currently, but a few years back when we lived in a more country like setting, we owned 7 cats and 2 dogs at maximum. Most of them died of old age over the last few years.

Before my current job I used to work at Walmart. Long time followers of the blog may remember that I hated it there.

I don’t have a whole lot of writing experience outside of Tumblr tbh. While I do enjoy writing on here, it’s the interactions itself that makes it fun for me and while I’ve tried to write a few things myself, it’s just not the same as roleplay.

Anyway, I just sort of wanted to do something different for munday besides just posting pictures of myself so I hope anyone who read this enjoyed it. Here’s a pic of the mun to go with it.

#munday #ooc #long post #Honestly I just felt like writing this all out for some reason

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randomvarious · 2 years ago

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Today’s compilation:

Super Bad Is Back: Soul Love 1991 Soul / R&B

Yesterday, I posted about an amazing funk, soul, and R&B release that was put out in 1973 by the prolific Canadian budget compilation label K-tel called Super Bad Is Back. K-tel was a multifaceted company that became a fixture of middle-America in the 70s and was synonymous with cheapness and disposability because of the many albums it released that were pretty much just reproductions of big chart hits. There was no originality to their albums, no serious work done by its compilers to feature slept-on gems; just pure record shop discount bin stuff. But that Super Bad Is Back album was a *stellar* exception to their own rule.

And this release, Super Bad Is Back: Soul Love, which came out 18 years later, isn't. This is just a short set of ten straight-up 70s soul classics that are *mostly* fit for making some love to (more on that later). A bunch of special songs on an unremarkable cheat-code comp; K-tel's wheelhouse, as it were.

So, on here you'll find signature songs from a number of acts whose work defined the surface of 70s soul and R&B: Al Green's "Let's Stay Together," Al Wilson's "Show and Tell," The Chi-Lites' "Oh Girl," Luther Ingram's "If Loving You Is Wrong, I Don't Want to Be Right," and Barry White's sex-blaxploitational "I'm Gonna Love You Just a Little Bit More Baby." All huge 70s hits. In fact, the most obscure song on this CD is Tower of Power's great "So Very Hard to Go," which was their most commercially successful single, but only hit #17 on Billboard's Hot 100 and #11 on its R&B chart. A good showing for any song, sure, but based on how this one sounds, it definitely deserved more spins and sales.

And now, here's the part where I ruin part of your day by talking about Marvin Gaye's "Let's Get It On." I'll never fault anyone for thinking that this is a fantastic song, because, sonically, it definitely is. But keep in mind what the impetus behind this tune originally was: Marvin Gaye made it with his then-17 year-old crush, Janis Hunter, in mind. She would go on to marry him for a brief period of time afterwards, and they'd have two kids together, but she was only about half of Gaye's age when they first met. Not accusing Gaye of any legal wrongdoing in this regard and I'm not going to painstakingly research 1970s age of consent laws to figure it out, but listening to those lyrics, and knowing who it was that served as his inspiration for writing them, is definitely unsettling, to say the least. Really not trying to apply today's standards to a song from 50 years ago either—the social mores and what was deemed acceptable back then were obviously very different! How many hit songs have there been of grown-ass men singing about underage girls?!—but I also can't say that I really derive much enjoyment from this one anymore, knowing what I've known about it for some time now. Hard to not think about what he was thinking about when he made it, y'know?

This is all out in the open too, by the way. One need look no further than the liner notes for the 2001 deluxe CD edition of Let's Get It On. I promise you I'm not misinterpreting anything here, and I'm not even getting into the turbulence that Marvin and Janis' marriage suffered through, which was allegedly rife with domestic abuse (he wasn’t a great guy!). I'm just honing in on who and what drove Marvin Gaye to record "Let's Get It On" in the first place, a song that successfully transformed him from a righteous, politically conscious musician into an international sex symbol as well.

Hopefully I didn't ruin any special memories you may have that are associated with this song, but, maybe, let's leave this one off the sex playlists going forward, hmm? 🤷‍♂️

And I'm still including it in the list of highlights below, because, despite not really wanting to listen to it again, it is, undoubtedly, a very well-made song.

So, normally when I find an album like this that's comprised of some of your most basic, essential hits, I call it "Baby's first 'x' compilation." But given that this CD is filled with a bunch of sexual soul songs, I can't call it that. So, we'll call this "Consenting adult's first sex-soul compilation" instead, okay?😅. A wholly unremarkable CD if you're already familiar with these songs, but I guess it's also a sweet release for when you need some of...well...exactly that...except for, of course, that one big Marvin Gaye hit....😬

Highlights:

Al Green - "Let's Stay Together" Marvin Gaye - "Let's Get It On" Dorothy Moore - "Misty Blue" Barry White - "I'm Gonna Love You Just a Little Bit More Baby" Al Wilson - "Show and Tell" Tower of Power - "So Very Hard to Go" The Chi-Lites - "Oh Girl" Luther Ingram - “If Loving You Is Wrong, I Don’t Want to Be Right”

#soul #soul music #r&b #r & b #rhythm & blues #rhythm and blues #music #70s #70s music #70's #70's music

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deadcactuswalking · 4 years ago

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REVIEWING THE CHARTS: 15/05/2021 (Coldplay, J. Cole, Trippie Redd & Playboi Carti)

I’m awful at predicting this chart, I really am, but most of that is probably down to how I only make vague predictions at the end of each episode without even considering most releases that’ll actually chart. Let’s just say I didn’t expect nine new arrivals this week. At the top, however, little has changed as the absolutely huge “Body” by Russ Millions and Tion Wayne with a remix featuring whoever the hell is spending its second week at #1. The rest of the chart, however, gets a bit more interesting. Welcome back to REVIEWING THE CHARTS.

Rundown

The biggest story to effect the chart this week is of course 2021’s BRIT Awards happening this Tuesday, which I’m sure boosted a lot of songs during the mid-week. I also actually covered the awards show on that day if you’re curious, with some of my observations, predictions and opinions. We can very clear see – or hear, for that matter – the impact of the BRIT Awards in this week’s chart, as it did cause a lot of gains and new arrivals that shook up the chart right in the middle of the tracking week. Firstly, we do have some drop-outs from the UK Top 75, which is what I cover, only one of them, “Paradise” by MEDUZA and Dermot Kennedy, being all that important given it was a top five hit but we do have a handful that lasted five or more weeks or peaked in the top 40, like “Medicine” by James Arthur flopping embarrassingly, “Addicted” by Jorja Smith dropping out to prepare for the rebound next week given her album release and “Solid” by Young Stoner Life, Young Thug and Gunna featuring Drake.

Speaking of Drake, he also provides the singular returning entry as “Wants and Needs” featuring Lil Baby is proving to be the actual hit from that three-pack from March, coming back to #65. Scaling down the chart, we also have some notable losses, songs that dropped at least five spots on this week’s chart. Those that fell include “Your Power” by Billie Eilish dropping harshly to #15 off of the debut, as well as “Your Love (9PM)” by ATB, Topic and A7S at #18, “Confetti” by Little Mix to #21 off of the return (with Saweetie, the artist quite literally solely the reason it’s had this second wind, still bizarrely left without a credit by the UK Singles Chart), “My Head & My Heart” by Ava Max at #27, “Titanium” by Dave at #31, “Wellerman” by Nathan Evans and remixed by 220 KID and Billen Ted (yes, THEY’RE credited) at #36, “Patience” by KSI featuring YUNGBLUD and Polo G at #42, “Heartbreak Anniversary” by Giveon at #44, “We’re Good” by Dua Lipa at #47, “Way Too Long” by Nathan Dawe, Anne-Marie and MoStack at #49, “Head & Heart” by Joel Corry and MNEK at #51, “Beautiful Mistakes” by Maroon 5 and Megan Thee Stallion at #55, “Don’t Play” by Anne-Marie, KSI and Digital Farm Animals at #56, “Calling My Phone” by Lil Tjay and 6LACK at #59, “Commitment Issues” by Central Cee at #67, “You” by Regard, Troye Sivan and Tate McRae at #69, “Get Out My Head” by Shane Codd at #70, “Hold On” by Justin Bieber getting ACR’d at #71, “Streets” by Doja Cat at #73 and finally, “6 for 6” by Central Cee at #75.

Filling up the room for those losses, however, are the gains, always a tad more interesting, as the songs that rose at least five spots on this week’s chart – or make their first appearance in the top 40, 20 or 10 – are usually having the BRITs to thank to some capacity. The climbers include “Summer 91 (Looking Back)” giving Noizu his first top 40 hit at #31 (and I’ll admit, the song is growing on me), Griff also getting her first with “Black Hole” at #35 thanks to her win and performance at the BRITs, “WITHOUT YOU” by The Kid LAROI rebounding to #13 thanks to that once-again uncredited remix with Miley Cyrus and finally, entering the top 10 for the first time is “Anywhere Away from Here” by Rag’n’Bone Man and P!nk at #9, getting the boost from a perfect trifecta of gains: Rag’n’Bone Man released his album on Friday then on Tuesday had the closing performance of this song at the BRIT Awards with additional vocals from the Lewisham and Greenwich NHS choir, who are also now appearing on a new release of the song the day after, prompting a whole lot of sales, of which I assume and hope are going to charity. It’s Rag’n’Bone Man’s third top 10 hit, P!nk’s 21st(!) and interestingly enough, the NHS choir’s second top 10 hit as they had the Christmas #1 back in 2015. With all of that out of the way, I suppose it’s time to get to our varied array of new arrivals.

NEW ARRIVALS

#74 – “Dick” – Starboi3 featuring Doja Cat

Produced by Nius and SoFLY

This week is kind of a weird week if that wasn’t immediately obvious as our new arrivals are kind of all over the place, starting with... well, I think I could say less about the song than the title does. Starboi3 is this SoundCloud rapper from New Jersey who made a song with Doja back in 2019 – I assume she was more accessible for features back then –and it didn’t blow up at all, really, giving Starboi3 some additional traction but not until 2020, in which Doja Cat got her #1 hit and TikTok picked up this explicit single as a new sound. Sadly – or thankfully – the song was never released officially onto streaming until very recently, meaning, surely, the hype’s over by now? The answer to that is no, as it’s climbing up charts in both the UK and the Bubbling Under in the US... so there’s got to be something good about this song, right? Well, no. Not at all. Of course, that is subjective, but I do question your sanity if you’re honestly enjoying this unlikeable nobody shout “Dick!” over a basic, no-melody trap instrumental with heavy 808s not too dissimilar to drill, before going into a beyond basic chorus and verse about, well, you can guess, with rhymes sounding either like an awful freestyle or a kid with a rhyming dictionary. “She not with him tonight, she not with Jim tonight”? Of course, that’s in the post-chorus because if there’s one thing this song needs, it’s a freaking post-chorus. I also don’t think Starboi3 realises that making her scream for her parents is quite the opposite of sexy – or even raunchy and mindless, as it’s actually just creepy and terrifying. Speaking of terrifying, Doja Cat is here and not even she can add a less basic flow with a verse that just ends up going in one ear and out the other, even if I do like the seductive backing vocals that at least try to make this not a slow, joyless slog. However, I do NOT like the Pickle Rick reference. To be fair, this was 2019, but also to be fair, never reference that again, I am begging you. This is a disaster on all fronts and probably one of the worst tracks I’ve had to review in this series. Good start!

#64 – “Freaks” – Surf Curse

Produced by Surf Curse

This new song is actually even older, being released initially as a deep cut from this Nevada duo’s 2013 album. As you’ll probably tell, this is charting off of people streaming after hearing the song on TikTok and, I mean, at least the song’s actually good this time, careening off of a clearly surf-inspired clean riff surrounded by some basic drumming and a good bassline. It’s not great as it does feel increasingly basic as I said, almost like one of those local bands that don’t get much national attention or traction but do play some gigs and get some love at those places, to the point where it’s kind of big if they play shows outside of their region... which makes sense because that is exactly what they are. This is just some band from Reno but here it is charting on the UK Singles Chart and while it’s here, I should say whilst there’s not much here to discuss given how minimal it is, Nick Rattigan’s vocals are fittingly desperate for the theme of social alienation and particularly rejection as it’s pretty obvious he’s aiming venom at himself for a bad break-up, although given the sound and tone of the song, probably his first, with that double meaning of the mantra in the outro, “I won’t wake up this time”, potentially being a crushing line for someone in similar circumstances. That’s not me, exactly, so this doesn’t hit, but I’m glad that Machine Gun Kelly song from last week got replaced with some actually decent alternative rock on the chart. I hope this does well.

#60 – “One Day” – Lovejoy

Produced by Cameron Nesbitt

“One Day” is the biggest track from new English rock band Lovejoy’s debut EP, Are You Alright?, and whilst I was planning on not mentioning the fact that the band is fronted by Minecraft YouTuber Wilbur Soot, that is the only reason it’s charting – and he’s charted with “Your New Boyfriend” a couple months back, a song that I actually kind of liked. It’s also immediately obvious in the writing that this comes from an Internet personality, with some not-so-well-woven detail and increasingly gratuitous self-awareness that eventually cycles back and ends up as seeming like they have none at all... okay, like most indie bands but that’s beside the point. This happens to be Wilbur’s least favourite song on the release – one that I haven’t listened to because even if I’m not too old for mindless pop music, Minecraft YouTuber alt-rock may be where I draw the line – and I can completely understand the distaste for this given that it starts with the line, “Why’d you have to kill my cat?” I also have some qualms with the song sonically as it may be the most derivative rock single I’ve heard on this series, given how obviously it rips from indie rock bands of the 2000s, with an oddly clean mix that doesn’t exactly fit the obvious stream-of-consciousness lyrics and Wilbur’s erratic delivery. Also, there’s a whole lot of trumpet on this song, which I guess is a surprise, but that doesn’t make up for a drummer who can clearly play very well but has to chaotically play over a song with practically no groove. I do like that second chorus in how it builds up to a somewhat anti-climactic guitar solo but as a full song I do not really get the appeal of this that I don’t get out of other post-punk revival bands from decades back who are still pumping out music. This isn’t bad – I swear, don’t dox me – but I just want something more compelling from this. I will always be glad regardless of the quality that we have more rock on the chart, though, even if this’ll be gone by next week.

#57 – “It’s a sin” – Years & Years and Elton John

Produced by Stuart Price and the Pet Shop Boys

One of my favourite performance from the BRIT Awards this year was Olly Alexander of Years & Years sharing the stage with the iconic Elton John to cover Pet Shop Boys’ “It’s a Sin” which had renewed interest from last year as it was the namesake for a hit TV series about HIV/AIDS, for which this fittingly played a role and has kind of been recontextualised as a gay anthem, which makes complete sense if you look at its lyrics about the Church telling Neil Tennant “how to be”. It’s also one of the Pet Shop Boys’ most camp and theatrical songs, so giving it to Years & Years and Elton John to cover for the BRIT Awards make all too much sense. No, they’re not able to live up to the theatricality of the original, especially if Alexander’s vocals are going to be this clearly manipulated at points, but with Elton John’s piano laying a perfect foundation for the rising intensity of the track, we do get a sense of that original melodrama, with the synth-work and house groove coming in before Elton John’s voice, sounding smokier and wiser with age, and in my opinion, more compelling as a vocalist, especially if they’re both going to sell this song with the most convicted of deliveries. I don’t think a cover could ever live up to that original iconic track but if anyone’s going to get close, it’s Elton John. Expect this to rise next week.

#50 – “Never Left” – Lil Tecca

Produced by ThankYouWill, Taz Taylor and Cxdy

I’ll always be annoyed that Lil Tecca blew up as a rapper instead of a producer, as I don’t think this guy has any likeability or charisma about his flow, cadence or delivery, and that’s only after you get over how dry and whiny his voice can get. However, he can make some great and incredibly infectious beats for other rappers, including a song I see becoming a hit soon in SoFaygo’s “Knock Knock”, which I will bet on at least making the Billboard Hot 100 if not the UK Singles Chart. It’s unbelievably catchy. With that said, Tecca is here in the form of some SoundCloud raps over a boring synth pluck and vaguely tropical Internet Money trap beat, sounding and flowing way too much like Gunna for his own benefit, or Gunna’s benefit, if we’re honest, as this shows how easily he can be replaced. I usually don’t write off this type of rap and will absolutely defend it, but this song isn’t even catchy or unique. I mean, I don’t like “Ransom” either but at least it was kind of fun and I still know the lines in the chorus a couple years later. I’ll forget all about this by next week if it doesn’t stick around. At least he shouts out Chief Keef. God, I hope he charts sometime, that’d be funny.

#45 – “All I Know So Far” – P!nk

Produced by Greg Kurstin

So, P!nk is back but not with a studio album, rather an upcoming live album in which the two new, original songs are about or featuring her daughter. This is the second single from said album and is probably coasting off her appearance at the BRITs in terms of a relatively high chart debut. I’ve never been that big a fan of P!nk but she has her classics, none of which are in the past 15 years but that’s beside the point. This single in particular is an acoustic ballad dedicated to her daughter in which P!nk provides a rapid intensity alongside pretty great-sounding acoustic guitars, pounding drums and strings that sells the content about empowering yourself, with some nice lyrical detail about always being yourself, basically, which would come off as cliché and preachy if it weren’t for some oddly specific lyrics in those verses and the chorus that basically just tell her daughter that despite the fact the world will constantly try to crack down on her and everything she does much like life does to anyone but especially women, she should stand up for herself and what she believes in. However, none of that cuts deep when she’s being raised by a millionaire, huh? There’s little Hell to be put through when you’re born with a silver spoon, huh, Willow? Regardless, this isn’t a bad pop song and its content isn’t as misguided as it is just sang by the wrong singer, although I’d find it hard to get a singer with as much rasp and wisdom in the mainstream to sell this as convincingly as P!nk does – vocally, not lyrically. This is a couple steps above that last single, “Cover Me in Sunshine” at least, which was just insidious. Next.

#32 – “Miss the Rage” – Trippie Redd featuring Playboi Carti

Produced by Loesoe

Okay, so all of our last three new arrivals are in the top 40 and we start with... o-okay, well, it’s 2021, anything can and will chart and I should know this by now, but it’s still surprising to see a song by these two guys debut so high, especially since Whole Lotta Red produced absolutely no charting hits in the UK outside of “@ MEH”, which doesn’t really count. This is Trippie’s highest-charting song ever in the UK that isn’t fronted by KSI, so I guess streaming must have been that good – also, the charts are still weak. For what it’s worth, I do like both Trippie and Carti to their respective extents, and I am aware that this is only as big as it was because of the hype from the leak, which also featured Mario Judah, and that in itself was a big song but it took years for Carti’s feature to be cleared by the label, as is infamously true for much of Carti’s work and even his last official collaboration with Trippie that was actually deleted after release. I’m still hoping on an official release for his verse on Yung Lean’s “Yayo”, but whilst we have this instead, I might as well talk about it and... Well, let me explain to you what I see as the appeal of these two rappers. That appeal is, mostly, that they don’t rap even though they both very much can. Trippie yells, moans, growls, screams and spends most of his work singing in his typical raspy, venomous voice, whilst Playboi Cart spits and coughs his way through substance-less ad-libs to the point where any actual wordplay or lyrical detail gets you excited for that brief moment. In this song, Trippie and Carti don’t eschew the typical role of a rapper and both just... rap normally, which would not be a complaint if they weren’t so bland in that role, which is the whole point of their unique, phlegm-filled deliveries in the first place. As a result, this song just ends up feeling empty, even if this awfully-mixed, bass-boosted beat with some lovely distorted video-game synths and hardly audible trap skitters does go incredibly hard. Don’t get me wrong: this is still catchy and Trippie flows very well over a beat that sounds made for him and Carti. Hell, Carti has grown on me so much recently that my fondness for this might just be me eating anything he releases up. With that said, he’s the worst part of the song as his baby-voice style emphasises how lacking this song is in just anything. I do like the wordplay at the tail-end of the verse as, yes, that happens, perhaps not as iconic as some of his other oddly profound or clever lines on his last record but at least it’s something. At least this is some interesting American trap, unlike...

#25 – “i n t e r l u d e” – J. Cole

Produced by J. Cole, Tommy Parker and T-Minus

The pandemic has affected the music industry to the point where big-name rappers release album interludes as lead singles. Said album has songs shorter than this interlude, with most of its dull filler feeling like additional interludes, quite unbefitting for such a big and hyped-up album from Cole which frankly is just another boring addition to an already consistently dull catalogue. I’m just not interested in what Cole has to say because he’s never been likeable and I feel like there’s better rappers that bridge the gap between old and new like how Cole sees himself as doing, the “MIDDLE CHILD”, perhaps, like, you know, Drake? If we want to go for a more direct comparison from lesser-known rappers, the direct comparison I use for this new record is Aminé’s latest, also made up of a variation of trap bangers featuring massive, charting names versus introspective, conscious lyrics, yet Aminé is an interesting character with quotable lyrics that aren’t embarrassing, knows how to write an actual hook and whilst he also brings on both classic and modern features, he’s never out-done by them, creating an actual bridge rather than just some guy who thinks he can write his own role in the industry and culture without his own music backing his case. Unfortunately for me, it works – every freaking time – largely because of his continually loyal fanbase but also a general public interest in the guy that I do not understand, especially when more than a decade into his career, he’s still pushing out mediocre projects. He cuts his album’s length by a ton and still ends up with a bloated record. I barely need to talk about the track itself, right? Even if it has as much structure and effort put into it as his normal songs do, it’s labelled quite literally as an interlude. Sigh, well, in this interlude, Jermaine raps over a drowned-out soul sample and admittedly, sticks to the topic of reminiscing on where he came from, the violence in Fayetteville, a similar violence of which was what killed Nipsey Hussle, who he compares amongst Pimp C and Jesus as they all died at 33. Cole himself is 36 so I guess for once he doesn’t think he’s Jesus. It took him a while to realise.

#12 – “Higher Power” – Coldplay

Produced by Max Martin, Oscar Holter and Bill Rahko

I assumed this would debut at #3 until the BRIT Awards performance gave it a boost to debut at the top but I guess everyone else had the same opinion of that awful opening performance as I did, because here it is at #12. Well, that doesn’t matter, right? Coldplay’s last album similarly underperformed... but at least that time, they had a genuinely ambitious album for once in their careers with some genuine experimentation and themes I did not expect to come out of Coldplay. It was a better album but not an accessible one, with its only pop single being a bittersweet anti-war anthem which trivialises bombing in the Middle East to onomatopoeia. It’s a great song but it wasn’t going anywhere, so it’s no surprise that their next lead single is a soulless synth-pop track produced by Max Martin. Admittedly, the synth tone in the intro is kind of unique in all its nasal 80s nostalgia, but, man, I thought we moved past just rehashing for a hit, Coldplay. This is pretty obviously just a crap attempt at being “Blinding Lights” which trades in its machine-gun loco-motive drum pattern for one that is a lot more stiff, and its iconic, memorable lyrics for a forgettable set of love-struck laziness. Oh, yeah, and Chris Martin is far from the Weeknd both in the studio and live at the BRIT Awards – seriously, dude sounded half-alive. This isn’t offensive, just a bore that is clearly a desperate label move ready for when they can tour again, and if their last record proved anything it was that Coldplay seemed like they were finally above that.

Conclusion

Well, that’s our week – again, a questionable one at best and kind of a bad one at worst. Either way, this is a strange array of songs and I do like how the UK Singles Chart subverts everything you’d expect of it so often that chaos becomes the trend, even if not all of it is any good. I guess Best of the Week goes to “Freaks” by Surf Curse, with an Honourable Mention to Elton John’s cover of “It’s a sin” with Years & Years. Surprisingly enough, J. Cole actually doesn’t get Worst of the Week as the album gets a lot worse than that interlude, so he gets a Dishonourable Mention alongside Starboi3’s “Dick” being crowned Worst of the Week, and honestly probably Worst of the Year so far, not that I’m keeping track of that. Here’s this week’s top 10:

What’s coming next week? More J. Cole, Olivia Rodrigo’s newest single and probably – and hopefully – some album tracks from Jorja Smith and Nicki Minaj. For now, though, thanks for reading. It’s a big week next week, and I’ll see you then!

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naylor · 4 years ago

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Hayden I just read ur niall analysis cause it got rb'd and I thought it was rlly interesting and true and well articulated and im curious if u have anymore thots on niall as a country artist that u wanna share?!

oh, i always have thoughts about niall as a country artist! this blog has always been a yeehaw!niall positive zone so I wrote you a whole essay:

i grew up on country, you know? and not like, post-9/11, conservative propaganda, "i love my country and my truck!" country but the good ol' country from the 50s-70s so i kinda romanticise that music a little bit. and because of that i still think of that music as the "real country music" even tho in the past couple years there's been a lot of new artists trying to go back to the basics.

so anyway, because i grew up on old country and folk i am really familiar with the writing style and the instrumentation (country music is one of my special interests) so when flicker came out i was like "holy shit, this is some country-folk shit!" because of those things, and i'm really mad whenever niall goes on and say he's not a country artist because like, technically he's right but he writes like one, and nashville loves him so i truly don't understand why he refuses to even try and crossover to country radio.

i understand that he's trying to chase and replicate the success he had with one direction, but i personally think that's a foolish endeavour. he's never gonna be as big as one direction was, not on his own, and him trying to do that is stalling him and his creativity because he insist on making pop music

flicker was so good because you can tell it was born out of love for the music he was writing and the style he was writing in, you can tell he wasn't trying to do anything but make music he loved; and i'm not saying he didn't love heartbreak weather, you can hear that love too, but you also can hear in the album that he was thinking about making it commercial more than making music. which is okay! he's a musician and that's his job and he's allowed to want to sell it, but my point is that selling was a factor that was considered while making this album.

the best song in the album are the songs where he was the most true to himself and the music he loves (everywhere, san francisco, still, put a little love on me, dress, dear patience, bend the rules) and there's songs where you can tell he was experimenting with sound without caring much about selling it (heartbreak weather, black and white, cross your mind) but there's songs that are there to sell, and to be singles, and even tho they lyrically stay true to who he is as a writer, sonically they could be anyone's (no judgement, nice to meet ya).

at least have the songs in heartbreak weather could be arranged in a country style and they would sound like country songs and not pop songs made to sound country, because he has a lot of country and folk influences in his writing style and that's why country artists love him so much and i think that if he stopped caring about being a pop star he would smash it as a country artist. he's got the songwriting, the guitar playing, the voice! (if you listen to country you know male country artists have the one voice register that just works perfectly and if you listen to niall you know he's got it)

if he stopped sabotaging himself and truly just going where the music is taking him he would have more success than the one he has now because he would be entering a whole new market, a market that still primarily buys music instead of streaming it, too. and also he would bring people who aren't into country to the genre so it's a win-win! he already got country fans following his music so it's not like he doesn't know if he could make it in that market. and also it's not like he's a struggling artist, he's rich so he can afford an experiment like this.

i think folklore and evermore are gonna be very good examples for him because in them taylor made music without caring for much else other than the music, but i'm excited about what NH3 might sound like and i think we're getting something before the summer so I'm gonna wait and see, and even if it's pop I'm gonna love it because he's an amazing artist and songwriter so 🤷‍♀️🤷‍♀️ I just hope he stops feeling like he's got to be better than because he's incredible already.

#hayden replies #anonymous #about niall #yeehaw!niall #this is way too long and i don't say anything good cjzncjsmndnf

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lynxalon · 5 years ago

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all the even numbers 🤗

You are a BlessingTM 🙏

2. Chocolate bars or lollipops?

4. How did your elementary school teachers describe you? - Quiet, head either in the clouds or in a book.

6. Pastel, boho, tomboy, preppy, goth, grunge, formal, or sportswear? - Consider, grunge boho... Either that or formal grunge lol.

8. Movies or tv shows?

10. Game you were best at in p.e.? - Volleyball.

12. Name of your favorite playlist? - BTS paved the way lolol

14. Favorite non-chocolate candy? - Pop rocks.

16. Most comfortable position to sit in? - Cross-legged.

18. Ideal weather? - Stormy weather 😍😍😍 Lightning and thunder and rain are so calming to me

20. Preferred place to write? (I.e., in a notebook, on your laptop, sketchpad, post-it notes, etc.) - My laptop, my hands cramp really easily so I usually write there or occassionally on myphone if I'm not around my laptop or have a Sudden Important Idea.

22. Role model? - In order: My nana, then BTS. I was gonna add more but. Idk who else I would want to add.

24. Favorite crystal? - Probably onyx.

26. Favorite activity to do in warm weather? - Swim!!!

28. Five songs to describe you? - Awake by BTS Jin, Epiphany by BTS Jin, Tonight by BTS Jin, Promise by BTS Jimin, and 19 by Stray Kids. Bonus: First Love by BTS Suga.

30. Places that your find sacred? - The very top of the magnolia tree in my front yard.

32. Top five favorite vines? - 'Look at all those chickens!', 'T-T-T-T-T-T-T-T-T-T-T-TARGET,' 'I won't hesitate, b i t c h,' 'What up I'm Jared I'm 19 and I never fucking learned how to read,' and 'Ha ha ha, I do that.'

34. Advertisements you have stuck in head? - '1-800-CONTACTS!'

36. What is the first meme you remember ever seeing? - I was gonna say the 'keep calm' things but. Then I thought about those cat memes, you know the one's. Like the 'Aliens' cat. Idk if that counts but I'm putting that cause anything else I can think of is Cursed fandom memes.

38. Lemonade or tea? - Tea, specifically sweet tea, but no one's tea but mine. Everyone else's tea is disgusting, even in Louisiana you go to fucking Sonic and they don't know how to make basic fucking sweet tea like? This is the south? Make it right???

40. Weirdest thing to ever happen at your school? - Okay so the school built this massive fucking ventilator system for the gym cause it was always balls hot in there or freezer burn cold, so that was fine. Well, lots of students smoked weed in the back of the gym where no one can see you unless they're Looking for you. I'm sure you can tell where this is going already. So, one day after the ventilators are finished and everything is back to normal, some kids smoked weed in the gym and well... It ended up reaching Every Goddamn Part of the school. The smell of weed was fucking everywhere. It Stunk. It was so bad that school was cancelled for the rest of the day and we all went home.

42. Jacket pockets of pants pockets?

44. Favorite scent for soap? - Okay so my sense of smell is pretty sensitive, so some smells are really triggering in that they can trigger horrible headches, panic attacks, dizziness, etc. Uaually, I'm around a lot of neutral scents so I'm fine, but lots of shampoos, conditioners, and soaps have extreme scents. So, either a subdued floral scent or a really plain and basic unscented soap.

46. Most comfortable outfit to sleep in? - Pants/shorts and a shirt or nothing.

48. If you were a fruit, what kind would you be? - I don't know what a fruit is, but I think a lemon is a fruit. Even if it's not, that's what I'm choosing lol

50. What made you laugh the hardest you ever have? - Tbh, some things really easily set me off laughing for like 20 minutes so idk. Maybe the inside 'Spoon' joke with my friend.

52. Favorite font? - Word's High Tower Text is really nice. Or Papyrus. Or Tempus Sans.

54. What did you learn from your first job? - Technically, my first job was with my family and helping them at funerals. I learned that because I was afab that I wouldn't get to help with the manual labor. So, I didn't work much and eventually quit going with them after I got fed up with it.

56. Favorite tradition? - I'm not sure if there are any traditions I like. Most of them like Christmas gatherings, Thanksgiving meals, and things like that had me surrounded by racist, homophobic, transphobic people. People that I barely knew and was forced to be around and hug and talk to despite my being perfectly fine with only talking to close family or to no one at all. If I had to choose one, I'd say my family's tradition of yearly crawfish boils with the family. That was actually fun, and plus crawfish... Yum. We haven't done crawfish boils as much since my aunt died, but I hope we do more in the future.

58. Four talents you're peoud of having? - Writing! I'm not sure what else lol. Ig, I can play chess well. I can Google search anything and 96% of the time find what I'm looking for. I can find any movie or tv show, as well as any music.

60. If you were a character in an anime, what kind of anime would you want it to be? - Ooh, definitely fantasy with powers and stuff like that!!!

62. Seven characters you relate to? - Dickon Sowerby from The Secret Garden, Luna Lovegood, Wednesday Addams, the ninth doctor, Alice from Alice in wonderland, Eeyore, and probably Inigo Montoya from The Princess Bride.

64. Favorite website from your childhood? - Poptropica and Cool Math.

66. Favorite flowers? - Honeysuckle, gardenias, carnations, balloon flowers, and zinnias.

68. Worst flavor of any food or drink you've ever tried? - Bubblegum slushie. Tbh it was alright but the aftertaste... Yuck.

70. Left handed or right handed? - Mixed-handed. If you don't know what that is, it's just favoring one hand for certain tasks, and the other for others whereas ambidextrous is beinf able to use either hand effeciently for the same task. For example, I write with my right hand, but I can use my mouse better eith my left. Though, I tend to use my right for that too.

72. Worst subject? - P.e. I have very limited energy as it is so. Being graded on that shit? Yuck.

74. At what pain level out of ten (1 through 10) do you have to be at before yiu take an advil or ibuprofen? - So, I'm in pain All the Time. That's just a thing. My average daily pain level is always at 3-4. On a bad day, I can get up to 7. But, I generally don't take anything until I'm at 9. It just seems pointless, because I'll still be in paib regardless. And, I don't want to use certain meds so much that they stop working as well.

76. What's your favorite potato food? (I.e. tater tots, baked potatoes, fries, chips, etc.) - Literally, ALL potato foods. I fucking love potatoes.

78. Coffee from a gas station or sushi from a groxery store? - I don't like sushi period so... Coffee from a gas station.

80. Earth tones or jewel tones?

82. Pc or console? - Console because pcs Confuse me.

84. Podcasts or talk radio? - Lol, neither. I can't process things I hear for Shit even on a good day so. Ye.

86. Cookies of cupcakes?

88. Your greatest wish? - Financial stability.

90. Luckiest mistake? - Tbh, I have a complex about mistakes and try to make 0 mistakes so. Idk. I can't think of any mistake that was lucky. Plenty of ordinary events that turned out really nice, like wearing my pentagram necklace and meeting my friend Brook because of it. But yeah, no mistake I've made has been a lucky one.

92. Lamps, overhead lights, sunlight, or fairy lights? - Ig lamps? I have a salt lamp that's really nice.

94. Favorite season? - Spring!

96. Desktop background? - Uh. I never got around to changing it lol... If I ever do get around to changing it, it'll either be Taehyung or Jungwoo.

98. Favorite historical era? - The 1860s, strictly for the dresses and nothing else.

Thank you for asking these! They took a Hot Minute to do but it was so much fun!!!

weird asks that say a lot

#kris speaks #answered asks #you are a blessing! an angel!!! thank you for asking these!!!!!

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