#based after that post you know the one

[barakock]

Osamu: Sorry about him.

Kiyoomi: YOU HEARD?!

Osamu: No, I just assume whenever ‘Sumu opens his mouth something horrible comes out.

[chiropteracupola]

"Are you finished with my portrait yet? Show me!" "Cipacton, I can't draw you if you keep moving!"

[runetallem]

first non fanart/oc art i’ve done in 2 years

[tekatonic]

a special treat : big MS Paint Guy Collection to end the year !

plus bonus uncompressed ms-paint colored sonic sticker

[sergle]

yall are about to piss me off by not having any PASSING basic knowledge of the way the u.s. military manipulates its recruits into joining by typing up one of your uninformed, unresearched, unempathetic, individualistic, unbelievably annoying posts about how 100% of the people in the military ended up there because they just Love America So Damn Much! they're extremely mature and informed at time of recruitment, they can totally leave anytime they want, they totally had tons of other avenues in life they could've taken, there was no rush at all to get income as fast as possible, and everyone in the military also totally is part of the combat divisions and personally enjoys being IN the military very much, big believers of violence. everyone in the military is shooting guns all day, that's how that works. they LOVE BLOODSHED. also I love the "amewicans haha" twang to this type of shit because you're actually TOTALLY stealing our Thing, which is turning systemic issues into Individual Issues. Instead of talking about the powers that be, it's so Personal Choice up in here. It's, "well you shouldn't have done it then. I totally wouldn't because I know better." you don't wanna talk about the military industrial complex as a whole, and you don't want to talk about recruiters, you just want to pin the blame on Specific Individual People one-by-one, as if they're responsible for the system that they're being ground up in. someone was in the military? bad person, no matter what. it's easier to believe that, I guess, than to acknowledge that Normal People (with high school educations) are manipulated and incentivized into joining a system that is Bad. at like age 18. but yeah no that 18 year old should have just been smarter lol haha anyway here are some screenshots for no particular reason

side note this reply of someone going "umm just get loans and go into a high paying field it's easy XD" as a direct response to someone trying to explain how most americans joining the military are being funneled in that direction out of a need for money.

and another person who Decided that americans join the military just CLENCHING their teeth thinking of other people, and not thinking completely selfishly about their own selves and their own income/housing/healthcare.

[poorly-drawn-mdzs]

Smell Check [Easy: Failure]

MDZS Disco Elysium AU part 1 (part 2 - part 3)

[ender1821]

shinyduo/gempearl post-SL is sooo funny because before SL they were the typical "friends who like to do pranks with and against each other, partners in crime, really adorable sometimes" and then SL happened and they became OBSESSED with each other (really obvious from pearl's side since gem was more subtle) and innuendos started to appear left and right. now after WL they are not only obsessed they are also 10x times freakier and flirty. it's gem's fault a lot of the time but pearl enables it and digs herself into a deeper hole so she gets a wack too.

i am pleading to the sky for the fated shiny duo alliance to happen this year because 1) i am sure gem's possessiveness would get multiplied by 20 even if she tried to not show it and that'd be really fun + pearl would like it 2) their dynamic is so complex that they could be anything (codependent or healthy or possessive or die for each other or kill for each other or-) and 3) the aftermath of them teaming would be funny asf and the streams would be horrendous

thank you for coming to my ted talk 🙏

the freakier being in bold and italic is really getting to me for some reason lmao. anyway

you are right in the shift of them pre and post-SL, like, they are STILL giving cute partners in crime but also they’re. so. abnormal about each other??? thats not to say they weren’t flirty/making innuendos before the life series but god did all of that get worse after. also, it has kinda been shown how Gem is the one saying most of the questionable things, but Pearl definitely contributes a lot as well. lets not forget the pickles

of course we’re all manifesting for them to properly team up. its not even subtle at this point they both know that. the only things stopping it from happening really are luck and Gem’s homophobia (/j) cough. i mean. they would definitely get time to resolve what they failed to address back in WL if they’re allied together and can have time to talk. it could also make things worse but we’ll be seated either way. and then we’ll be questioning our existence again when the streams inevitably come

BUT. imo the alliance i really want is them + any other player. yep. i want a third wheel. it can literally be any other player because i think having someone else to affect/witness their dynamic is always entertaining, allows for exploration of new potentially fun dynamics between Pearl/Gem and another player while still offering plenty of opportunity for them to be. weird (/aff), and generally just gives the team a new spin instead of just Murder Camel 2.0. like. i’ve put way too much thought into this so there’s a whole ramble under cut about some of the potential trios and why i think they could be cool for a new life series

Jimmy: originally my life series s6 team predictions was pearl/gem/jimmy </3 mainly out of wanting more pearl + jimmy interactions, but i think having gem there helps just keep the team together. i thought they would be a nice team for jimmy in terms of support (think the SL scene where jimmy finds out he’s not the first out and they’re the ones there cheering him on) but well. thankfully we still had bamboozlers… anyway gem’s ego will get even worse if she had this team, and don’t we all wanna see that

Lizzie: PLEASE. impossible minecraft sent me to the point of no return because now i’m BEGGING for more pearl/gem/lizzie interactions. please. the girlies. we just need more gem + lizzie interactions in the life series imo, and we’ve already seen what happens when pearl + lizzie are together. i can’t tell you for sure if i think any betrayal will happen in this team but it would be really funny if there was, mainly just so lizzie and gem can bicker while pearl is just. There like a sad puppy. it’s cool if there isn’t though, i can see them thriving straight to the finale. cmon. think of the yuri

Ren: hey. hey. remember that one ren stream? you know the one. the wedding. do you see where i’m getting at. do you see the dynamic. it’s so funny to me ok. and we haven’t even mentioned the times where ren has mixed them up. i think it would be a horrible time for him to have to deal with these two and that’s so entertaining. if i picked jimmy because i thought he would have a nice time then for ren it’s for the complete opposite reason. make him suffer with these weirdos

Martyn: HE is the one who’s going to make them suffer. HE will be the one to make it worse. and it will be hilarious. let the man get some form of revenge for them terrorising him back in SL. they’re going to be insufferable and it’s going to be great. you might as well start the “hump duo” counter now …also i may just have a personal preference of wanting to see more pearl + martyn and gem + martyn interactions

Cleo: i mean. cmon. this one doesn’t need that much explanation. the people want a pearl/gem/cleo team

Impulse: same as cleo— SOUP GROUP ASSEMBLE!!!

Etho: pearl + etho interactions are great. gem + etho interactions are great. boom. gem gets to bully them both, then they either make a really successful trap or perform the greatest fumble ever! i see nothing but wins here

BigB: nosy neighbours… what if we tried again… plus i’m pretty sure there was a temporary gem + bigb team in RL, so why not give them a whole season. i think it would be fun. it’d be interesting to see how this team shifts with bigb’s general play style in the life series. i wonder how the base(s?) would turn out

Mumbo: listen to me. they have the funniest opportunity here to fluster this man to the high heavens. think about SL ep 5. think about it

Scar: so like. remember that 2v1? yeah. crazy, right? no but okay i don’t think if they teamed up there would be that much more emphasis on the 2v1 after all that in WL, but there WOULD be good times. i know this deep in my heart. the pearl/gem/scar interactions would go crazy. i hope they go on a hunting spree

Joel: i think this one is the least likely (on account of the fact that pearl has teamed with him in SL, and then gem doing the same in WL) but there could be beautiful world where pearl and joel build an even bigger and better car and gem just watches and sighs

Scott: insert manic laughter here. Pearlescentmoon you are about to have the worst time of your life ever

[alienglowgarden]

Im bad at writing coherent things but I need to get this concept out of my head so it stops haunting me.

I had this idea for another fic called The Undine Colony.

The setting would be the second colony by the sea- started when Sol is in their forties- the story taking place an unknown time after that.

It starts with the alarm that the original Stratospheric colony has gone silent. Collapsed all its networks, killed every signal, spirited away every colonist. As it still houses much of humanity's most advanced tech, like the servers for their holonet, essential parts of the power grid, this is an issue of extreme urgency.

And who better to turn to in their moment of need than Sol? So here they are suddenly jolted into wakefulness.

Their first thought is that they cannot feel their body. They quickly learn they are not in fact the real Sol, but only an AI copy made of their brain-scan from many decades ago. Though they cannot access the future vision as an ephemeral bit of software, they have superior computing on their side.

The gist of it being that AI Sol is now in charge of the 2nd colony to replace the hole left by Congruence, all while being tasked to figure out whats happening to the og colony & trying to reestablish contact. Aaand trying to piece together their own existence on top of it. Trying to find out what even happened to the original Sol. If they have something to do with this blackout.

So yeah, itd be slowly unfurling that mystery, piecing together the gap in their memory & issues of personhood.

[thefallenangel2008]

Stan would be Dipper's totally-legal testosterone supplier and Ford would give him the top surgery when he turned 18.

[moongothic]

...I... I do not know what on earth compelled me to make this nor why, but I will not be taking criticism at this time

[mrpenguinpants]

Hypothetical question but are we still into windbreaker (nii satoru)? Y'all cool if I put my hyper fixation on center stage?

[ashipiko]

<3 post sleepover mornings

[flow2024]

I wish you would write a fic about irreconcilable artistic differences on a movie set between Joe and Nicky.

not really irreconciliable as in not solvable at all but you know i had fun with this

Joe squeezes his eyes shut, covering his face with both hands, and leans forward. His shoulders tremble uncontrollably. He takes a short, sharp breath, and another, and another, but he can’t quite seem to get enough into his lungs. There’s a lump in his throat and a weight in his stomach. He leans forward with a low, wounded sound and–

“Cut,” Nicky says softly. Then, because it takes Joe a second to hear him: “Joe, stop.”

Slowly, Joe raises his head. Wipes at his eyes and takes a few deep breaths to steady himself. Nicky’s already up, frowning ever so slightly as he looks at the camera. 

“What is it this time?” Joe manages. His voice is hoarse; he has to clear his throat once or twice. Nicky doesn’t look up. The clock on the nightstand reads 01.34, but Nicky’s changed it a few times over the course of the shoot. He has no clue what time it really is, only that it’s dark outside.

It’s just the two of them in the room. Nicky had wanted to keep this one small, just him and Joe and the camera. The apartment they’re in is nice, if a little empty, though Joe supposes that’s the point. They’re in the bedroom, Joe sitting cross-legged on the bed, shirtless, sheets bunched up over his lap, a phone lying on the nightstand behind him. One entire wall of the room is taken up by a floor-to-ceiling window which lets the moonlight in, though there’s a few low lights set up behind Nicky to send bars of silver light across the bed, because the natural light hadn’t quite been strong enough for the effect Nicky wanted. It’s otherworldly; it’s beautiful. 

Nicky still isn’t looking at him, so Joe says again, “What?” It comes out a little harsher than he means it to, but it gets Nicky’s attention.

Nicky runs one hand through his hair. Joe can’t see him well, not with the light behind him and the shadows in the room. “I don’t know,” Nicky says. “It’s missing something.”

Joe has worked with Nicky enough times before. It’s not that he doesn’t like working with him - they’re friends - but he can’t fucking read him, and so after the sixth take of the same scene he can’t help but take it a little personally. 

Joe reaches for the bottle of water hidden just under the bed and takes a long drink, mostly to keep himself from snapping. What time is it? “I can try again, but I can’t do this indefinitely, Nicky.”

“I know, I know,” Nicky says, fidgeting again with the camera, “it’s not you, it’s just–” 

“What else could it be?” Joe interrupts. He’s not stupid. This scene doesn’t work if he can’t get it right, which means the entire film doesn’t work if he can’t get it right. More than anything else, this one depends on him. No music, no camera movement, no dialogue, nothing but him and the camera. And he wants to do it right, he loves this project almost as much as Nicky does, but there’s a hollow feeling in his chest and he’s spent the last however-many-hours having a near-complete breakdown over and over again and it’s still not right. And Joe doesn’t know what it is he’s doing wrong.

“I don’t know,” Nicky says quietly. Now he is looking at Joe, and Joe can’t tell if he’s disappointed, or angry, or – or what. He’s perfectly expressionless, as always. 

Joe loves this job. And he wants to get this right. But it doesn’t mean it’s not one of the hardest things he’s ever had to do, and he’s tired.

“I don’t have much more left in me, Nicky,” he says, and this time he does snap. He wipes at his eyes again, can’t look at Nicky. He’s supposed to be making himself vulnerable, above all in this scene, but suddenly he can’t stand the way Nicky’s looking at him. “Pass me my hoodie.”

“Joe–”

“I can’t. I can’t keep doing this.” He kicks the sheets off and gets tangled trying to do it, grabs his hoodie when Nicky offers it, pulls it over his head in one fluid motion and gets out of there as soon as he can. Thankfully, there’s only Andy and Nile in the other room, Andy lying back on the couch with her feet up and Nile perched on the arm of it. They both look up at Joe as he enters, both look like they’re about to ask, and Joe can’t stand it, can’t be in here a second longer, can’t–

“We are done for the day, I think,” Nicky says behind him, startling Joe. He hadn’t realised Nicky was there.

Andy raises an eyebrow, but doesn’t argue. It’s already the second day of trying to shoot this scene: they’re running the risk of falling behind schedule. 

“We’ll find something else to do tomorrow,” Nicky says. “I’ll look over everything tonight. We will try this again on Monday.”

Andy and Nile look at each other. Nile shrugs. 

“Get some rest, Joe,” Nicky says. 

Joe shoves his hands in his pockets and doesn’t say a word.

–--------------------------------

He doesn’t get called in the next day at all, and he doesn’t interrogate it too closely. Takes the day off, pretty much, because they’ve only really got one scene left to film, and there’s not much more he can do for that. Nicky had wanted to leave it to the last, and Joe had agreed, at the time.

At about nine pm, someone knocks on his hotel room door, which is unusual on a day where they don’t have a night shoot to do. When he opens it, Nicky is on the other side. Joe lets him in without a word. 

“I wanted to apologise,” Nicky says, standing in the middle of the room and looking as uncomfortable as Joe’s ever seen him. “For last night. I was pushing you too hard, and I should not have done.”

Joe closes the door behind him. Nicky fidgets with the sleeve of his hoodie. 

“Sit down,” Joe says. 

Nicky does, settling himself on the edge of Joe’s bed, not quite looking him in the eye. Joe joins him, after a moment. 

“At the risk of sounding cliche,” Nicky says, “it’s not you, it’s me.”

Joe laughs, mostly because the phrase sounds so strange coming from Nicky and also because out of everything he’d thought Nicky might say, he hadn’t expected that. 

Nicky smiles slightly, too. Then he gets up and heads for the minibar. “Mind if I have a drink?”

Joe shakes his head. Nicky gets out a little bottle of wine, glances at the label, and takes a swig straight from the bottle without bothering to get a glass. 

“I can’t seem to get it right,” Nicky says. “You know I wrote almost fifteen different versions of that scene?”

The scene in the script itself is barely a page long. “No,” Joe says. 

Nicky nods. Rubs a hand over his face. “I wanted it to feel real. I thought if I could get it right, it would… help, somehow. I don’t know.”

It’s the exact same reason Joe said yes before he even read the script, when the whole thing was just an idea in Nicky’s head, when they were talking about it over drinks at Andy’s and Joe was in love with the idea almost immediately. He knew exactly why Nicky was writing it; he knows, now, exactly why it needs to be right. But at the same time – “I don’t know if that’s possible, Nicky.”

Nicky sighs. “I know.” He crosses back over to sit beside Joe again, takes another drink from the bottle. “But there is something missing, and I cannot seem to find it. And so it does not feel real. And I know this is not easy for you.”

“It’s not,” Joe says plainly. 

“But you know,” Nicky continues, “I could not have trusted anyone with this but you. If you had not said yes, I would not have done this.”

That, Joe didn’t know: he knows he’d been Nicky’s first choice, but he’d assumed that’s because they know each other well enough already. But it makes sense: the reason Nicky wrote the script is the same thing they’d bonded over. 

Even still, it’s a lot. “I don’t know if I can do it the way you want,” Joe says. 

Nicky looks up at him from where he’s been running his fingers over the label on the bottle absentmindedly. “If you want to stop, I can–”

“No,” Joe says quickly. “But I don’t think it’s ever going to be exactly the way you felt.”

Nicky looks away. “It is a lot to ask,” he says. “I know this.”

Joe doesn’t think; just reaches over and takes Nicky’s hand. “I know,” he says. “Trust me.”

Nicky takes a deep breath. Then he nods. "Okay."

[tvntheatre]

Tossing out scraps of my concept for that AU I have a definite amount of ideas for (I have no idea how to make a solid design!)

[makotonaegiunderstander]

something I’ve been thinking abt is how many people think Makoto is immune to despair. I don’t think he is. I think becoming the ultimate Hope was BECAUSE he felt despair. He wouldn’t have fully reached that point without Junko. Makoto becoming such a beacon was his last attempt to avoid completely falling and it wasn’t because he didn’t feel despair, it was because he was too damn stubborn to allow everything to go to waste and he refused to sacrifice his beliefs for someone else’s. His inner monologue tells me he DID experience the same new low the other suvivors did in the final trial, but at the point where he had the choice to give up and die, he looked at the others and he looked at Junko and he couldn’t allow it to happen, not out of self preservation, but because the idea that Junko would have control over their lives made him FURIOUS. and that utter refusal to die kicked in, wether luck or otherwise, and he made the concious effort for one last push while something in him was breaking. He had to be broken in order for the Ultimate Hope to come through so aggressively, bc it could only exist in the face of the Ultimate Despair. He snapped the same way she did, but in the other direction. In what could have been his final moments he chose to embody everything Junko wasn’t, and every single optimistic and luck fueled ideal in him suddenly charged forward and pushed him. It was a combination of the final straw and a choice. Makoto isn’t immune to feeling despair, he’s just too stubborn to fall into it of his own volition. I think that’s why I like that scene in DR3 so much. People were SO SHOCKED Makoto actually fell for the tape, that he actually became despair for a moment. I saw people getting mad or disappointed, saying it was pathetic and Makoto seemed to fall from some sort of pedestal for them. Honestly part of me wonders if that sort of mentality, which clearly people had in universe, affected Makoto a bit. Like he started to see himself as less of a person, subconsciously. Prompting him to take more risks, less self preservation, act way more bold. It seems he has to be reminded a lot not to put himself in danger by his friends, to not do something too reckless. All over the place I would see in regards to that scene either this frivolous ‘oh this was just angst drama with no meaning behind it’ or ‘he can do better than that. he’s so weak’ or ‘come on, there’s no way he’d fall into despair, he’s the Ultimate Hope!’ This kind of mentality, which was kind of ironic considering Ryota was there the entire time saying the same thing and treating Makoto the same way. Like Makoto was superhuman. Like Makoto didn’t feel despair the same way ‘normal people’ did. In a way that was also how Munakata saw Makoto. Makoto stopped being a PERSON to the world when he became Ultimate Hope, he became a concept, a belief system, much the same way Junko ascended beyond herself. But the difference is that treating Makoto that way is the opposite of the reason Makoto became such a representative for hope. He wasn’t doing something no one else could. He was doing something everyone had the chance to, he just… was a little more optimistic, a little more stubborn, a little more ‘gung-ho’ about things. He just took the lead where no one else did, where no one else knew they even COULD in the face of Junko’s unstoppable force. She had overcome the biggest threats and obstacles in the world, what could one person do? And the answer Makoto found was, anything. Everything. It doesn’t all rest on Makoto, he’s just the one that was inspired to try to do what seemed like the impossible. But as evidenced by the change in his friends after that trial, it’s clearly not something only Makoto is capable of. The others pulled out of despair thanks to Makoto, but it was their choice to do so.

“But… this world is so huge, and we’re so small. What can we do…? No, we can probably do anything. Yeah! We can do anything!”

[wonder-worker]

"[Elizabeth Woodville] was the only member of [Crown Prince Edward of Westminster's] original 1471 council not already on the king’s council and her name headed the list of those appointed as administrators in Wales during Edward’s minority. [She remained on the council after it was expanded in 1473 and granted additional governing and judicial powers]."

"In 1478 Prince Richard married the Mowbray heiress. Like his elder brother he had a chancellor, seal, household and council to manage his estates. His council, like that of Prince Edward, comprised the queen [Elizabeth Woodville] and a group of magnates and bishops, few of whom were Woodville supporters. [...] It was Elizabeth who mattered, for Richard resided with her and Rivers treated his affairs as their own."

— J.L. Laynesmith, The Last Medieval Queens: English Queenship 1445-1503 / Michael Hicks, Richard III and his Rivals: Magnates and their Motives in the Wars of the Roses