#ballet AU

[catneylang]

These are from a caejose ballet au fic called “Pas De Deux” by @somerandomauthorrr ! (Also I’m so sorry Caesar I forgot your birthmarks in the last panel)

[timmydraker]

Tim Drakes parents were very traditional and overly proud of the fact that they came from old money.

They boasted about this in many ways for several years, but once their son was born they decided they would use him as a prime example of how they would continue the old ways they learnt.

Tim learnt things like piano and proper dinner etiquette before he was four, and learnt old Latin and French as a means to showcase his wealth and knowledge. They made him learn many things and luckily he enjoyed most of them, especially when it came to STEM and reading.

They also valued the arts and wanted him to learn as much as he could about architecture and literature.

When he showcased some knowledge for waltz and ballroom dancing, they decided he should do dance lessons.

This is where Tim discovered Ballet and fell deeply in love with the artistic and passionate form of dance. He began to study it around the same time he grew an interest in Batman, though he had yet to try get photos of the man.

Tim talked to his instructor and asked the older man about male dancers in Ballet and Mr Volkov was more that happy to help. Tim’s parents weren’t very in tuned with their son by that point and only cared that he was attending classes that were traditional, so they payed no mind to him learning ballet.

The skills he learnt regarding balance and core strength was greatly appreciated when he began to stalk Batman and Robin. He would do his warm up stretches while thinking about what patrol route the two would make that night, considering why Bruce Wayne chose to become The Bat while he counted each step 1, 2, 3, 4 with the music. He wondered to himself why Jason Todd became Robin when Dick Graysons motivations were much more obvious as he practiced and perfected sauté and focused on how his hands were placed, something he often forget was important.

By the time he became Robin he had been allowed to do several permanences, and was practicing for his role as Prince Siegfried in Swan Lake in just a few months.

It was one of his biggest dreams to play as the Prince in such an iconic performance, especially when he got along well with both Odettes dancer and Odile’s.

Bruce and Dick are excited for him, though Dick shows it better, and Tim is overjoyed to know that his parents will be in town when the opening night is. They say they’ll come and are proud of him for being in such a well known play and doing so in the traditional manner that the play was once made in.

Tim does wonderfully and Alfred organises for it to be recorded for them all to watch later.

Tim is greeted by them back stage after it ends and excitedly runs up to Dick to receive a huge hug. Dick is loudly saying how proud he is and that he’s so impressed his brother can do such an amazing dance. It’s the first time they’ve seen him perform and they were enamoured.

But Bruce looks tense.

“Bruce? Did… did you not like-“

Bruce cuts him off with a hug, “Of course I like it. Loved it even. It’s just…”

It’s then that Tim looks around and notices his parents aren’t there. They could have just gone home, but they wouldn’t give up a chance to boast about their money and successful heir.

Unless…

Tim looks down and tries to hold back his tears, “they didn’t show, huh?”

Tim can’t help but break down once Dick moves in to hug him, yet as Mr Volkov and some of his costars who are his friends come up and join them, he feels okay.

It’s not Janet and Jack, but it’s nice. It’s warm and kind and maybe that’s all that matters.

[calolily]

Flu induced ballet AU

[valexarts]

I couldn’t stop thinking of Gwen as a ballerina… so I made this 🕷🩰

I also drew her with the colors of her dimension.

[swift-strix]

Ballet Dancer Crowley, anyone?

It’s been a hot minute, but I’m back😀. Also, if y’all want, you should check out my Bluesky account @shelba-larsen.bsky.social cause I am also posting my artwork there.

[angelpuns]

Lil Hater doodles plus some more ballet au doodles. I actually thought of like..real ideas for it but no. I shan't. Also they wouldn;t make sense timeline wise anyway teehee

The second lil hater doodle is rtheir wedding and the third is future Lil Hater, but it's PROBABLY not canon. Said because idk this is a pretty fucking cool idea.

And then the ballet doodles are just Lee and yuichi looking graceful and arguing again :)

First ballet doodle transcript:

L: your thumb is in my rib!

Y: get smaller ribs

second transcript:

Y: oh no..she's dead...

Someone else: more emotion please, Yuichi

[glitterfang]

Pas de deux, /ˌpä də ˈdə/ noun: In ballet, a pas de deux is a dance duet in which two dancers perform ballet steps together.

Eddie "the Freak" Munson and "King" Steve Harrington were irrevocably bound by dance, shared family and a genuine, unexpected, happy accident of a friendship for which Eddie was grateful every single day.

Even if Eddie was also desperately, laughably, head over heels in love with him.

A Steddie Ballet AU by Malikat22 my ST RBB partner!

[theprongspotter]

*ballet au*

James: I saw your performance. You dance beautifully.

Regulus: I don’t recall inviting you.

-

c: @prompts-in-a-barrel

[vimeddiee]

My ballet YeeHan comic is now out!

Paid members of my patreon can download the 30-page PDF at no extra cost from my creator page.

This is my last bow to the Overwatch and YeeHan fandom, and it couldn't be a more appropriate theme 🥺

It's been a pleasure 🫡

[gh0stbeeee]

Thinking about ballet dancer Light.

Preteen Light choosing a sport and taking up ballet because he's always loved the grace, the power, and the emotion in the way the dancers move, because maybe this could be a momentary freedom for him, from the pointless competition that is his life.

Light being asked hundreds of times if he's sure, if he wants this, if this will distract him, if he can work hard enough to catch up to the other kids that have been doing this for years.

Light walking into a ballet class for the first time, one of the few boys, and leaving at the end ashamed at how clumsy he was in comparison.

Light working himself to the bone to catch up, for the first time determined to finish his homework as fast as he could because he found something he wants to really do, staying for hours at the little studio every day and leaving with screaming muscles and blisters on his feet.

Barely able to feel the pain in comparison to this burning passion he felt for the first time.

Quickly catching the attention of the teachers, they tell him if he keeps at it he will have a very promising future ahead of him.

He never tells Soichiro this might be more than just an extracurricular for university.

His first recital goes spectacularly, even though he was only a supporting role, he caught the eye of a recruiter from a prestigious ballet company who told his mother they would keep an eye on him, as his future was bound to be successful (his father was too busy to come.)

The drive home his silent, his face rubbed raw from removing the stage makeup in the bathroom before leaving, when Sachiko says she can talk with his father, if this is what he really wants to do.

Light smiles, saying he'll think about it more before they commit in the future.

The girls start learning on pointe, and Light is intrigued. His instructor says the boys can learn as well, and it would make them better dancers for it.

Light and one other boy agree.

It's an extra layer of work, the stiff shoes feel somehow too much and too little as he stands in a pair for his first fitting, alone as he hadn't told his parents.

But he feels a warm flutter in his chest when he sees himself in the mirror, on his toes like Odette in Swan Lake, his first ballet.

He takes to it even faster than when he'd started. Even when the basic lessons ended, he continued to dance on pointe in his own time. He learns the girls' lead choreography alongside the boys, who were mostly supports for the lead ballerina.

He adds his own twists on it, every movement he makes sharp yet graceful, makes it look effortless yet full of power.

His instructor is amazed, watches as he dances better than the girl who got the lead.

"It's such a shame," she says slightly regretfully, "if you were a girl, I think you would've had a real chance at being made a prima ballerina. That being said, at this rate, if you get picked up by a professional company, I'm sure you'd make premier danseur in no time." She laughs as she says it, a kind joke to highlight his incredible skills and potential, and Light laughs too.

When Light is fifteen, his school is putting on a production of Swan Lake.

And for a brief moment, his heart is over the moon, it has always been a dream of his to dance the ballet. It sinks immediately the next moment, when they call only for girls to audition for Odette and Odile.

He still puts his name in to audition for Prince Siegfried, he learns the choreography, but he can't stop himself from putting his pointe shoes back on and dancing Odettes parts when he is alone. Male point dancers were only used as a joke in classical ballet, he had no hope for the part, but for a while, he dreamed.

He danced Odette, and he danced Odile's Variation, twirled with more grace than a human should have, and he felt like he was flying.

It was after he'd perfected Prince Siegfried's parts to know, and danced Odette's death as his last run for the night, that as his fluttering wings stilled for the last time, he felt trapped again.

The audition was in a day. If he got the part, he was nearly guaranteed a spot in the nationally top company. And he would dance as a man was expected, and he would never dance on pointe on a stage.

He packed away his pointe shoes for the last time.

The next morning, the day before the auditions, he handed them his resignation from the school. He would never forget the despair on their faces when they looked into his eyes and saw that his passion had died. (He'd murdered it in cold blood.)

"Good." His father had said. "A healthy phase, but it was time to get serious about school. You made the right choice."

Light just smiled blankly. His mother pretended not to notice the tear stains on his face when she brought him some apples that night.

(It wasn't until midnight eyes, raven hair, and a chain that he danced again, twirling gleefully to hide the blood stains on his feathers as he showed the detective his old passion.)

[burntheedges]

Pas de Deux Chapter 1

Din Djarin x f!reader | 2.9k | fic masterlist | main masterlist | ao3

fic summary: When Din Djarin – principal dancer at Concordia Ballet Company and generational talent in the classical style – suddenly left CBC and joined the Nevarro Ballet Theater mid-season, it shocked the ballet world. You never would have guessed that he would change your life, too.

a/n: here we go! Chapter 1 starts sometime in late fall, November-ish. See my notes on the masterlist about reader in this fic and ballet in general. Thank you @katareyoudrilling for being the best beta, as always!!

chapter tags/warnings: gen, ballet terms (see end notes and the masterlist for definitions), a bit of angst

Chapter 1

“‘In a surprise move that shook the dance world, the Concordia Ballet Company announced yesterday that they have parted ways with principal dancer Din Djarin.’”

You could hear the sudden gasps through the open door of the large studio as you walked towards it. You recognized Clara’s voice as she read the news aloud, you assumed from her phone. 

“‘Djarin, 27, who trained at the rigorous Concordia Ballet School from a young age, has been with CBC for 10 years and is in the prime of his career. He was promoted from soloist to principal two years ago, as is the norm at CBC, where they do not promote dancers younger than 25 to principal. His performances have been highlights on the CBC schedule over the last two seasons, earning many rave reviews.’” 

You turned the corner to enter the studio and found most of the company class crowded around Clara as she looked down at her phone.

“‘The CBC press release did not indicate the reason for the split, which only makes this mid-season decision more disconcerting for fans and donors alike.’”

The group around Clara murmured and shifted their weight. You had just read the article on the bus and knew what was coming next. You slid down to sit against the wall by the door, watching.

“‘This decision comes amidst the company’s preparation for spring and for the last show on their fall schedule, Don Quixote, with no explanation as to how their roster of principals and other dancers may be adjusted to compensate for this enormous loss. Djarin is well known for his powerful physique, technical mastery, and classically perfect performances.’” Clara paused, and then continued, “then it talks about some of his work, we know all of that already, blah blah blah, ok whoa!” She gasped. “Ok. Listen to this – ‘Djarin has not been available for comment, but was seen boarding a flight to Nevarro two days ago before the announcement was made public!'”

You started to put on your shoes for barre and watched as everyone else in the room started to completely freak out.

“Here?!” Owen exclaimed, hand thrown over his mouth. “Is he coming here here?” He gestured around the studio as he asked.

Clara shrugged. “It doesn’t say, look, that’s the end of the article.”

Sophie had started rising up and down on the balls of her feet by one of the barres and you weren’t sure if she was aware she was doing it. Her tone was excited as she asked, “would he come here? Why? We’re, like, not his style.”

The room broke down into several noisy conversations at that point, and you felt your friend Adrian slip down the wall to sit next to you. “So, what do you think?” he asked, nudging your shoulder. 

You shrugged. “No idea. I can’t see any reason he’d even want to come here. CBC is so…” You trailed off, but he knew what you meant.

“Yeah. Traditional. Rigid. Not like us at all.” Adrian waved his hand towards the mismatched group of dancers in front of you and you both smiled. The Nevarro Ballet Theater was different from the Concordia Ballet Company in many ways, and the diversity of dancers in the company was one of the things that set NBT apart the most.

You nodded. “Right. If his flight destination even means anything.”

“If it does, what would that mean for us?” Adrian looked around the room. “We already have a full roster of soloists and principals.” He bit his lip. He looked nervous, and he wasn’t the only one — you noticed Sasha, Lu, Carlos, and Isaac were huddled around the bar, clearly worried. All principals, you assumed they were nervous about losing out on parts. For Adrian, you knew it was because he had just made soloist at the start of the season. A new superstar coming in might shake things up too much.

You nudged his shoulder with your own. “I was thinking about that when I read it on the bus. I don’t think you have anything to worry about. I heard what Karga said, about how good you are.”

He nodded, but didn’t look reassured. “At least you don’t have anything to worry about, Ms. Soon-To-Be-Principal.” 

You rolled your eyes and shoved down the anxiety lurking in your stomach. You’d made soloist a couple of years ago, and then first soloist this season. There were some people (including Adrian) who seemed to think you’d be promoted soon, as early as the end of the current season. But there were at least a few critics who disagreed, and for months you’d been having trouble putting the words of one in particular out of your mind. You could quote it from memory:

“While her lyricism and skill are undeniable, one wonders if she has the artistry or stage presence to carry a narrative. She more than deserves the promotion to first soloist, but is this her ceiling?” 

You wished you’d never read the article, but it had seemed to be the usual season preview and you hadn’t been expecting the targeted commentary. You’d spent the last few months trying not to think about it too much, or you knew you would get all in your head about it.

“Shut up.” You nudged him again and he laughed.

He opened his mouth to respond, but he was interrupted by the door opening next to you. It wasn’t your teacher who walked in, though, and once you saw who it was you both leapt to your feet.

Greef Karga, director of the Nevarro Ballet Theater, looked happy, but then he usually did. 

“Good morning, dancers!’ His voice was deep and loud and you all scrambled into a semi-circle facing him at the door, where your ballet instructor, Alexa, followed him in. You chorused a “good morning” in response.

“I’m sure you’ve all seen the news,” Karga continued, with a knowing smile on his face. “And you must be wondering why I’m here!” You glanced in the mirror and noted that everyone did indeed look both curious and a little wary. “Well, I am very pleased to confirm that Din Djarin will be joining us for the rest of the season here at NBT.”

There was some general murmuring and shock in response, but he was not deterred.

“I know we’re in the middle of the season, with many roles already planned. Din and I have agreed to try not to disrupt that too much this year. We’ll be adding some things to the anniversary gala and the mixed programs.” That made sense — the latter were showcases of the work of different composers and choreographers and could be more easily rearranged to include a new dancer. “We won’t be making any changes to Midsummer, Swan Lake, or Cinderella, which I know we’re already planning for and rehearsing.” You felt Adrian take a deep, relieved breath beside you. He was supposed to be Puck this year for the first time and it sounded like that wasn’t going to change. 

“Din will start joining your classes and the rehearsals for the gala and other programs over the course of the next two weeks. Please introduce yourself and welcome him — we are very excited to have him join us.”

You all nodded, of course, even though you knew a lot of your fellow dancers would be wary of the newcomer. 

“Well!” Karga clapped his hands together and smiled. “I’ll let you get started. Continue with your rehearsals as normal unless you hear otherwise. Have a wonderful day, everyone!”

Alexa moved towards the stereo system in the corner as Karga swept out of the room, and you turned to look at Adrian. 

“Well,” he said, turning towards his usual place at the barre. “This should be interesting.”

You nodded as Alexa turned on the music and you took your usual spot next to him at the barre. It definitely would be.

…

After all that excitement, you didn’t even see Djarin for a few days. He didn’t join the morning company classes right away, but you couldn’t really blame him — moving suddenly across the country wasn’t easy. It didn’t stop you from glancing around every room as you entered, trying to catch sight of your elusive new company member. 

You heard from the others that he’d dropped by a couple of rehearsals, and they’d overheard him talking about plans for the mixed programs with some of the choreographers and other staff, including Talia and Jee. You wondered if he’d ever met Kuiil, the current guest choreographer in residence, who traveled and usually worked with different companies every few years. You somehow doubted it — Kuiil’s style was much too contemporary for CBC.

You’d been in rehearsals for Nutcracker and Midsummer all week, though, so you weren’t really surprised that you hadn’t run into him yet. 

Finally, on Friday morning, you arrived early for class to find a group of your fellow company members huddled by the mirror and staring awkwardly across the room. You followed their gaze and found Din Djarin, in the flesh, warming up at the barre. For a moment you couldn’t reconcile the sight of him in your familiar space. He was tall and imposing, and dressed all in black — black ballet shoes, black tights, black sweats that cut off below his knees, and a tight black long sleeve shirt that showcased the breadth of his shoulders and just how strong he was. His curly brown hair was tousled. His signature mustache, somewhat uncommon in ballet, was in place, though you knew he often shaved for performances — there had been articles about his daring breach of the Concordia status quo when he didn’t. At least at NBT he’d be allowed to keep it, you thought. His face was blank, completely expressionless as he stretched. 

You knew he had to know the rest of the group was watching him, and when you glanced back and found them still huddled you sighed. You felt someone step into the room behind you and turned to find Adrian taking in the standoff. 

He shook his head. “Great start.” His tone was dry, and you laughed under your breath. 

“Should we say hello?” You sat to put on your ballet shoes and Adrian sank down beside you.

“Who, us?” Adrian raised an eyebrow at you. “Do I look brave to you?” 

You laughed again, and were about to suggest going together for moral support when Alexa walked in. She took in the situation and sighed, shaking her head as she crossed the room to where Djarin was still warming up alone.

“Look! Alexa took care of it.” Adrian nudged you and smiled. “No need for us to take one for the team after all.”

The two of you watched as she spoke with him, though you couldn’t hear what they were saying. He nodded at her, and she smiled before walking towards the stereo.

“Alright, let’s get started!” She called out without looking to see if anyone listened, but you all did. You realized as you took your normal spot that you were diagonal from Djarin across the space between two of the barres in the middle of the floor. You’d be able to see him whenever you were working your left side, and somewhat in the mirror on your right. You resolved not to stare.

You only sort of succeeded.

The problem, you quickly realized, was that his movements were beautiful. Even while doing simple pliés or tendus you could see the power in his body, the strength in his muscles, the rigor of his training. Every movement was precise, clean, and perfectly placed. The elegant line of his arm and the curve of his hip drew your gaze like a magnet, over and over again. His effortless coordination and control were mesmerizing. You watched the slow extension of his leg into grand battement until you had to force yourself to tear your eyes away.

Well, you thought, he certainly lives up to all of the hype about technique. CBC had a reputation and he more than exceeded it.

It made you painfully aware of the limits of your own abilities. You knew you were good – you’d made it this far, of course, and now you were first soloist, despite having what was seen as a late start in ballet (at age 7). And despite what the critics said, you were considered to be one of the better technicians at NBT. But you were no match for his level of skill, for the rigorous training you’d heard about at CBC. That much was obvious just from looking at him. 

You tried to clear your mind as the class continued, knowing your worries would start to show in your movements if you let them. It was hard to do that when so much strength and technical perfection stood only five feet away from you, demonstrating the ideal version of every move and transition that you attempted.

As you finished at the barre and quickly put on your pointe shoes to work in the center of the room, you finally put it out of your mind. There was no use in comparison, you’d learned that a long time ago. In the end, the only dancer you could compete with was yourself. And NBT was not a company that encouraged that kind of competition among dancers anyway.

You found your feet going across the floor, letting yourself sink into it as you moved through some jumps and short combinations. You tried to feel nothing but the pull in your muscles and pattern of your breath. By the end of the class you felt a little steadier, a little more centered.

Alexa dismissed the class, and you started to gather your things. As you slipped off your pointe shoes, you felt someone brush past you, heading for the door — Djarin didn’t look back as he crossed the threshold into the hall. You realized as he did that he hadn’t spoken a single word for the entire class. You wondered if he was unhappy to be here, after all. 

By the time you stepped into the hallway, he was nowhere to be seen.

Adrian fell into step next to you as you walked towards the larger rehearsal studios at the other end of the building. He hooked your arms together and looked around quickly to see if anyone was nearby. He leaned in to whisper, “did you see that? He was amazing!”

You nodded. “I know. I didn’t think anyone could live up to all that hype, but he does.”

Adrian shook his head, looking dismayed. “I know they said some roles wouldn’t change but, ugh. I wouldn’t blame them.”

“Hey,” you elbowed him lightly. “Don’t. You’re going to be amazing as Puck. And you know that role plays to your strengths. I don’t see him taking that one from you. It’s not really his style.”

He sighed. “Yeah, I guess. Ok, let’s hurry, I need to tape my knee before Nutcracker.” You winced in sympathy, knowing how much he’d be jumping in practice for both the Russian dance and the jack-in-the-box roles. But his words jogged your memory.

“Shit.” You froze in the hallway. “I left my tape in the studio. Go ahead, I’ll meet you there.”

He nodded, but you were already turning as you said it, waving him on.

You heard him jog off towards the rehearsal rooms behind you as you walked quickly back the way you’d come, turning past the bathrooms and the administrative offices. It didn’t take long and your tape was right where you’d left it. 

Tape in hand, you turned around again and started walking back down the long hall. 

As you approached the offices, though, the sound of Karga’s raised voice stopped you in your tracks, just around the corner from his office door.

“We talked about this, Din. It's part of this company’s identity. You want to break away from them? You need to make a statement.” You heard the slapping sound of one hand against another and imagined Karga hitting his hand with his fist for emphasis. 

“No, Greef, listen. I don’t—“ You startled. It was the first time you’d heard Djarin’s voice and it was much deeper and more pleasant than you would have imagined. 

Karga interrupted him. “No, you listen. Din, you can do this. I know you can. And it will show them everything they’re missing, everything they let slip through their fingers. They are so stuck in their ways, they have no idea what you can really do. What you’re capable of. Let me help you get there.”

You heard Djarin sigh. “This will go badly and I’m going to blame you.”

Karga chuckled. You tried to picture Djarin looking amused, too, and failed. All you could conjure was the expressionless mask he’d kept in place for all of class that morning. Karga continued, “I’ll take it happily. This is going to be great, don’t you worry! We’ll ease you into it. Now, let’s go share the news.”

You heard them start to move around in the office and startled into motion. As you turned the corner, the door to Karga’s office swung open in front of you and Din Djarin stepped out of it. He was moving quickly, shoulders hunched, brow furrowed. He barely glanced in your direction, but when he did, you took a surprised step back at the fierceness of his glare. It was the most emotion you’d seen from him so far, and it wasn’t exactly pleasant. He didn’t stop, though, and quickly turned away from you to move down the hall towards rehearsal. You blinked, frozen mid-step, unable to shake the look he’d just given you. What was that about?

...

| next

a/n: sooo what do you think? ballet terms in this chapter:

see the masterlist for principal, soloist, class vs. rehearsal, season

plié - a bending of the needs (you've probably seen dancers standing at the barre and bending their knees -- that's a plié)

tendu - tight or stretched out - stretching one leg out long, often in brushes along the floor

grand battement - the leg is raised from the hip into the air and brought down again, both knees straight (with apparent ease)

barre - the rail that ballet dancers use in class (don't lean on it!). usually you'd wear normal ballet shoes at the barre and switch into pointe shoes (toe shoes) to do exercises in the center or go across the floor

and if you'd like a visual aid, one of the dancers I'm mentally modeling Din after is Carlos Acosta, who you can see in this compilation (~6:49) doing a variation from Don Quixote.

tag list coming in a reblog!

[deklo]

BALLET!ANDREIL YEAAHHHHHHHHHHHH

bonus/refs below :)

BONUS: might revisit this guy in the future i don’t love how it’s turning out but i did work on it for a while hehe

OTHER BONUS: dance class andreil :) andrew is a mess :)

REFERENCES:

solo neil was all references from @/_angelogreco_ on instagram

solo andrew was all references from @/julienmackay on instagram

duo ref: intimate lens studio, dancers - taylor bradshaw/vinicius vasconcelos

cute lil chibi ref:

muah ♡

[chrysalismandtea]

ATTENTION LES MIS FANDOM!!!!!!

i just finished reading liberte egalite demi-plies on ao3 and i LOVED it but i haven’t read any other enjoltaire fics. PLEASE recommend me some because i’m going feral and i don’t know where to start from lol

[ovrarches]

no context ballet au dump 💖✨🩰

[captainneedsnosleep]

A heap of ballet dancer grace

A good portion of big and strong physical therapist

A pitcher thirst

A healthy spoonfull of emotions

Stirred by some completely deranged Gremlins. -- Pas De Deux --

@giddy-goblin lemme hug you real tight <3

[swift-strix]

Pianist Aziraphale + Ballet Crowley

Okay, I’ve finally drawn Aziraphale in this! I realize he looks really unhappy while playing in my drawing, but I was just concentrating on drawing his face lol😭 I imagine aziraphale plays music for the ballet studios classes. Lemme know what you guys think!