#bad song description

[lookninjas]

Pick a Cure song from a bad description! You do not have to recognize the song to choose it. Go with whichever description tickles your fancy. Maybe you like it when Robert sings about his Bad Domme Experiences (kind of a Cure subgenre, tbh). Maybe you still fucking hate Bush and Blair. Maybe you just want to set something on fire and make out with someone.

At the end of a week, I will make a playlist out of the results of the poll, going from the song with the least amount of votes to the song with the highest amount of votes. If you would like to hear the playlist, let me know in the comments or in the tags on your reblog, and I will tag you at the end.

And please reblog the post! I mean, we're all listening to the Cure this week to prep for the new album, right? Why not listen to a curated list of some weirdo's favorite semi-deep cuts?

(new album this week you guys oh my god oh my god I never thought this day would come)

[thenoman-sland]

For the summer fest, hosted by @gtafest.

[dailykugisaki]

Day 223 | id in alt

Maki thinking some very unsorcererly things over a piece of damn cheesecake.

(Read from right to left💥)

[why-bless-your-heart]

Okay, but no. I’m sorry. My mom tried so hard to find me a different fantasy book series to redirect my somewhat worrying Redwall obsession, and she couldn’t. It’s not that the Redwall books are inimitable, they’re actually very imitable. But it is that Brian Jacques wasn’t setting out to write fantasy, he was setting out to write a story that kids would enjoy and that he would enjoy telling to them. I wasn’t reading 350-page novels in one sitting because I loved fantasy, I was reading them because I loved Redwall. Obviously I can’t speak for every kid, but I didn’t branch out by being handed more books in the same genre, I branched out by being given books that were written with the same genuinity.

[dogsliampaynedoesntinstagram]

I've also been thinking a lot about closeted pop stars (including Harry) in the time of Chappel Roan. Mostly unformed thoughts but very eager to see what's next for all of them

You sent this a while back anon - and I keep thinking of answering it and each time what 'in the time of Chappell Roan' has shifted slightly and so my answer has got more complicated and the fundamental differences between Chappell Roan and Harry have become more obvious.

I think there's an emotional landscape question about what it means to be a closeted pop star in this moment. I don't know if we can imagine the complexity of this answer - and when we try it's important to include the push back against the fan gaze that is coming from queer artists.

The other side of this question is what it means for his career. And here I think it's worth asking what does it mean that Harry is going to be making pop music in this moment. It's been a time of these massive, interesting, female pop acts. All of whom in their own particular ways say something about themselves and something about pop with their art. It's been a time that Taylor Swift, who has baked cookies for her fans in the past, has told fans to fuck off in songs.

None of this is very Harry Styles. One of the things that has been really interesting to me watching the pop landscape shift this year - is that has really made me define what Harry does. These are I think the key elements to his proposition:

With each album he has had a very big song that spoke to the moment we're in

His aesthetic is striking, interesting and playful (thanks Harry L - but also thanks to hiring strong artists with a point of view for key tasks such as album photography)

In his music there's a lot of space for people to project onto, with particular space for fantasies

The core of the fantasy is the live show and its place of joy

And certainly there's a huge gap between that - and what we've been seeing from other artists recently.

I was listening to a recent episode of Every Single Album and Nora and Nathan were talking about Harry Styles for a while (I can't remember which one and would welcome pointers, because it's not clear from the episode description). And Nathan in particular was suggesting that Harry would need to think carefully about how he presented himself in this space and it wouldn't be enough to be projected onto - he needed to share something of himself. Here Dua Lipa is used as sort of a cautionary tale of what happens if you don't have enough Lore.

It's not that I entirely disagree. I think there's a lot that Harry address in his music that would be thrilling, if he was interested in sharing. When you think of songs like 'But Daddy I love him' or the 'Girl, So Confusing' remix - and imagine what would happen if Harry was interested in playing even near that playground - that's something I'd look forward to. I also think the most effective way to address the way people do and don't talk about his sexuality - would be a song that had an element of fuck you in it.

But I think there are multiple dangers here - and not having enough lore is only one of them. I also think there's a worry of losing what people want from you, by trying to be what people love in other people. (I think this, far more than anything, has been Katy Perry's problem. She's trying and failing to be a more relevant version of herself - but she'd be far more relevant if she'd kept doing what people love from her.

I really think the 'if he's interested in sharing' is the key point. If he has any interest in writing any music that comments on his life in a way that is intelligible to listeners - then I think there's real potential. But I think nothing could be more fatal than doing it for the lore.

To come back to Chappell Roan - I just listened to the popcast episode about touring, and read Jon Caramanica's review of Chappell Roan's show in Tennessee. In that he compares the show with the on-line discourse - and basically argues that the way forward, the way to build a career that matters - is to ignore the people who want to talk about you and focus on those who want to be part of the collective experience when you make music.

I hope that this, more than anything else, is the message that Harry takes forward. If he has anything to say, then I'm all for him saying it (although I think the response to Chappell clearly shows that people don't really want popstars to say things). But I think the most important thing for his career will be him continuing to do what he does well.

[noonbeam17]

ive never been so unreasonably angry with an album before oh my god

[killjoy-prince]

That scientist should not be 18 years old are you kidding me???

[avocado-frog]

Happy STS. Okay, hear me out. Your story becomes a musical. *grandly presents you with the opportunity to turn this into literally whatever you want* (Who knows all the choreography? Who is pissed? Who somehow escapes singing?) (What scene has the best song? What your story's musical sound like? Does it being a musical make any sense at all?)

I am HEARING you out. happy sts

I'm not sure about the others, but all I know is Leo gets a very theatrical disney villain type song. They would still be very branch trolls or eugene fitzherbert tangled core. I am Not singing and you Can't make me (someone will) (jaxon most likely) (poor leo)

Jaxon is THRILLED. He sings wherever he goes anyways. He knows all the choreography. He makes everyone else join. Same with Sam and probably Lily

Logan and Cass are secretly really good singers in my head. I feel like they would both have a sort of lullaby song. something soft

Dylan gets out of it. "ohh sorry guys. i didn't realize it was a musical :| my bad you guys have fun though" Ryan also gets out of it. Elliot TRIES but he falls victim to Jaxon making him

[m-a-d-e-l-e-i-n-e]

Wild how Spotify, the most popular music streaming service in the world, does not have a single fucking clue what genres are

[actual-corpse]

...

The Vivziepop fandom is really dense...

Like, totally media illiterate, and it's sometimes really frustrating.

[olympusrox]

no stronger bond than between two people who were online friends and then lost touch

she deleted her tumblr in 2022

i hope she knows i still think about her

[lookninjas]

Oh, wait, part II:

'Cause I felt like doing a metal one too.

So none of this is Pure Moods! Most of it is pretty metal, though.

Pick a song from a bad description! You do not need to recognize the song from the description. Go by vibes. Listen to your gut. At the end of a week, I will make a playlist out of all the songs from the song with the least votes to the song with the most votes. If you would like to listen to the playlist when it's done, leave a comment or put it in the tags when you reblog, and I will tag you! If you really want to know what a song is, shoot me an ask and I will answer.

And please reblog the poll! Reblogs make it fun.

[devilsskettle]

whenever i hear a song that i would like if it weren’t for the fact that it was too long, i think about this:

like you can afford to write tangentially if you/your music is already popular and you know that people are going to listen to you no matter what and in fact laud your longer pieces as being genius etc but can you really be releasing 5+ minute long songs without a built-in audience?

[oflgtfol]

its like that one time i asked my friends for songs that go absolutely apeshit sounding like a rabid animal. and my friends recommended me halsey. like okay

[rainbowcoloredpalmtrees]

Comfort Movies

tagged by: @ramonaflow 💛

post 7 comfort movies & tag 7 people

The Polar Express

Mulan

The Breakfast Club

Encanto

Coco

Booksmart

Barbie of Swan Lake

tagging: @senor-hoberto @raplinenthusiasts @longlegsnamjoon420 @froggierboy @spindogs 🫶

[unavailable-fan]

The second opening of BLUELOCK singlehandedly moved this show from “not interested in this at all” list to “might watch in free time” list it’s in the bottom of the list, but still the opening song is g o o d