#backing vocals in live performances

[lyrasky]

Red Hot Chili Peppers【Can't Stop】和訳詳しい解説 東京ドーム1曲目 Tokyo Dome Opening Song

Red Hot Chili Peppers【Can't Stop】和訳詳しい解説 東京ドーム1曲目 Tokyo Dome Opening Song Lyraのブログへ #redhotchilipeppers #cantstop #rhcp #chilipeppers #unlimitedlove #レッチリ #レッドホットチリペッパーズ #bytheway #redhotchilipeppers #johnfrusciante #anthonykiedis #chadsmith #flea #ReturnoftheDreamCanteen #rhcp #レッチリ東京ドーム #レッチリ大阪城ホール

Welcome Back Japan, Red Hot Chili Peppers!! 🇯🇵🇯🇵🇯🇵🇯🇵🇯🇵🇯🇵 ってことでレッド・ホット・チリ・ぺッパーズを愛してきた者達には、長年の夢が叶った２日間でしたね。 こちらの写真はJohn Fruscianteの東京ドームでの、うっふん❤️ギター&コーラス on stage の写真です〜(にしていましたが、メンバー全員の写真に変えました)。 LyraがRHCPの大ファンと言うのは、フォロワーさんも(そう��ゃない人達も)ご存知(説明なしでOKだと思うのでお先に…) 去年から始まったUnlimited Love…

[akkivee]

you don't understand how good it feels to be drawing an unhinged kuukou again lmao

[hymnostic]

ariana fans need to calm down and accept that they’ve auto tuned the shit out of her vocals on popular and it sounds horrific. and on that subject hate to break it to you but 99% of studio produced songs will have some form of vocal correction/autotune on them. and yes that includes every single one of your favourite artists

[fuchsea]

uk and european besties let's all just hold two mins silence and say rest in peace to the live versions of lights up, little freak, cherry, falling, sunflower vol. 6 and to be so lonely, gone but never forgotten, forever beefing with harry styles

[arabela25]

The Liverpool Songbook | Eurovision Song Contest 2023

[wavesoutbeingtossed]

So here I was assuming the anthology vinyl acoustic tracks were Eras live recordings and @claudiajcregg just pointed out they’re probably the “acoustic” remixes singles she’s released and that makes more sense oops I can’t read apparently

[235uranium]

it's bp complaining hours. how the fuck does yg continously fumble genuinely talented idols. it's so obvious they put zero effort into giving bp anything to work with and just coast on name recognition. "they don't even try!" lisa is known to be one of the hardest working idols and yet yg can't give her a fucking comeback. don't get me started on their choreography. what the fuck is going on there. it's worse than how all their songs are now just "teddy and bekah boom"

[cryptidapprentice]

fellow babymetal fans pls help does momoko sing?? or like. i guess i mean has she been singing audibly??? bc i know back before she was the offical new member moa was covering the 'scream' in 'scream and dance' (iirc back during the avengers days, the avengers didnt have mics)

but now tht shes officially momometal, i havent really been able to tell if im hearing her or if moas still covering the 'scream' parts :V

i want to be clear though i dont mean this in a rude way or anything im genuinely just curious!!!

[echoesofadream]

backtracks are so weird. like yes I can hear you singing live wow so good of you but literally the studio version is playing if not over you than at least with you as loudly like? two people singing at once? when and why did this become so normalized like. did bts use to do this on their concert I cant remember id be so disappointed if they did but I cant remember that they did and pang in my chest I miss them

[bonetools]

atsushi sakurai is soooooooo. so. every concert video i see from him he’s so much more aggressive in his vocals than he is recorded

[lilidawnonthemoon]

💫🌃✨

[shatterthefragments]

(It was a lovely show and I’m glad I went :))

[binary5tar1117]

If a company doesn't trust their idols to sing live wtf is even the point?

[sugaggukkie]

watched the new jeans lolla performance and CHEESED through literally every second of it!!! congrats to the funnest cutest sweetest baby girls on an excellent american debut

[jongace]

jongdae…………………………

[thewaltcrew]

Director Kirk Wise, screenwriter Linda Woolverton, and actor Robby Benson on casting the Beast [x]

They gave me an incredible amount of freedom. I didn't want Beast to be a cartoon character. I played it as though I were doing a Broadway show. As if this was a living person. And I wanted him to be funny. By funny, I don't mean shtick or one-liners. I am talking about real comedy. When real comedy works, and is truthful, especially with the Beast, it comes out of the fact that he is so pathetic. For some reason, I really understood that. Ha! Because of that, they gave me a lot of leeway. [x]

My first audition was recorded on, of all things, a Sony Walkman. As a musician, I had branched out into recording engineer and loved to play with sound. When I saw the Sony Walkman I knew it had a little condenser microphone in it, and if I were to get too loud, the automatic compressor and built-in limiter would 'squash' the voice— and there would be very little dynamic range to the performance. I did a quick assessment and wondered how many people who had come in to audition for the part were making that error: playing the Beast with overwhelming decibels, compressing the vocal waveforms. I decided to give the Beast 'range.' Because of my microphone technique, and an understanding of who I wanted Beast to be, they kept asking me to come back and read different dialogue. After my fifth audition, Jeffrey Katzenberg the hands-on guardian of the film, said the part was mine…

Beauty and the Beast was so refreshingly fun and inventively creative to work on that I couldn't wait to try new approaches to every line of dialogue. Don Hahn is one of the best creative producers I have ever worked with. The two young directors, Kirk Wise and Gary Trousdale, were fantastic and their enthusiasm was contagious. I not only was allowed to improvise, but they encouraged it. It never entered my mind that I was playing an animated creature. I understood the torment that Beast was going through: he felt ugly; had a horrible opinion of himself, and had a trigger-temper. Those are things that, if done right, are the perfect ingredients for comedy. Painful and pathetic comedy— but honest. The kind of comedy I understood...

In the feature world of Disney animation, the actors always recorded their dialogue alone in a big studio, with only a microphone and the faint images of the producers, writers, directors and engineer through a double-paned set of acoustic glass. Paige O'Hara and I became good friends; it was her idea that for certain very intimate scenes, such as when Beast is dying, we record together. We were able to play these scenes with an honest conviction that is often absent in the voice-over world...

The success of this film was the culmination of a team effort but I must say, the honors go to the animators— and for me (Beast), that's Glen Keane — and to Howard Ashman and Alan Menken. This was the perfect example of a crew who 'cared'. And the final results (every frame) of the film represent that sentiment. [x]