#babytron

[myvinylplaylist]

Eminem: The Death Of Slim Shady (Coup De Grâce) 2024

Limited Edition Blue Opaque & Red Opaque Vinyl

Interscope Records

[saintmxrtin]

Babytron by me

[100mgzoloftscript]

[cheese-in-space]

Weekly Album Poll

Ignore the fact I missed the last two weeks

If you don’t know any of the albums, pick at random. All votes are appreciated!

Previous poll here

[afrotumble]

Eminem - Tobey feat. Big Sean & BabyTron (Official Music Video)

[rabbitechoes]

so i'm doing these songs posts weekly now instead of monthly to hopefully, 1. make things feel a bit more fresh and relevant and 2. cover more songs!! chose a pretty uneventful week to start doing this tho!! i also threw in two songs from the tail-end of last month at the start of this because they rule and i wanted to shout them out. anyways, enjoy!!! also feel free to follow me on rate your music and twitter <3

"HEATDEATH" - NOISE ARTIFACT

◇ released: June 28, 2024 ◇ genres: electronica, indietronica

I was going to add this to my post from last month, but I hit the image limit!!! I had to shout this out somewhere on here though, so I'm doing it now. I found out about this song and NOISE ARTIFACT on Twitter. This is some really solid, furry, indietronica with some incredible synth-work. Also some really raw and confessional songwriting which sounds suffocating under all of the electronic instrumentation. Really digging this song, definitely gonna keep an eye out for more of her stuff in the future!

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"Lift You Up" - Jessie Ware & Romy

◇ released: June 30, 2024 ◇ genres: diva house, dance-pop

This was also released at the tail-end of June, but I'm counting it here! Jessie Ware teams up with The xx's Romy for a sleek diva house cut. I've loved Ware's last two records and I've recently been going through The xx's catalog - in which Romy is always a highlight. These two just have such a fun dynamic. That chorus is also electric. This just makes you want to move!!!

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"Ever Seen" - beabadoobee

◇ released: July 1, 2024 ◇ featured on This is How Tomorrow Moves (not yet released) ◇ genres: indie pop, folk pop

This is fine! Nothing too exciting about this track unfortunately. This shift into more folk stylings has kinda proven to be a bit of a detriment to beabadoobee, although I did enjoy "Take a Bite" a good bit. These songs just sort of make her feel like another face in the crowd. The unique presence she had across her last album isn't here on a lot of these new tracks. Guess we'll just have to wait and see how the album plays out!

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"Lithonia" - Childish Gambino

◇ released: July 2, 2024 ◇ featured on Bando Stone & the New World (not yet released) ◇ genres: psychedelic rock, alternative rock, psychedelic soul

I'm of two minds on this new Childish Gambino single. In one mind, I feel like this song is overdramatic and suffocating to its detriment. In the other, imagining this in the context of his new album and film on the way it could be a very climactic high. I guess we will see, but for now I'll just say I like it. I never really dove into his last album, nor its re-release, but I've been waiting for Donald Glover to make more wild, psychedelic stuff like Awaken, My Love so this is definitely a step in the direction I want.

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"Tobey" - Eminem, Big Sean, & Babytron

◇ released: July 2, 2024 ◇ featured on The Death of Slim Shady (not yet released) ◇ genre: pop rap

Irritating in different, a bit more tolerable ways, than "Houdini," which had all of the millennials doing cartwheels, but I'm still not really wowed by this. Eminem is usually the worst thing about an Eminem song so having him obscured by both Big Sean and Babytron, two other Detroit rappers, does make this a better listen. Still nothing remarkable, they sound awkward as hell over this beat. My hopes for this album are not high at all, but such is the case for Eminem past the 2000s.

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"HUMBLE ME" - Killer Mike

◇ released: July 2, 2024 ◇ genre: southern hip hop

Killer Mike is frustrating. He's a good rapper and a razor-sharp writer who occasionally has precision many of his contemporaries do not - but then he'll do something totally contradictory and dumb. Anyways, this new song has him tackling his arrest at the Grammy Awards a few months ago after he won Rap Album of the Year among other things, it's just a general hype-up song. It's fine, nothing too special.

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"Tough" - Quavo & Lana Del Rey

◇ released: July 3, 2024 ◇ genres: trap, alt-pop, alternative r&b

Quavo and Lana Del Rey collab for the second time in their careers, the first time being on Lana's Lust for Life record, for a song that is pretty decent. Lana has been teasing her country era following her wonderful album from last year, which was my second favorite album of the year, leaving me with a lot of trepidation. She slides on this track, cowgirl boots and all, to do her thing - or maybe "thang" depending on how country she goes from here. Quavo also delivers a decent performance and the two have better chemistry than you would expect. The bridge and the chorus towards the end are easily the highlight of the song, I love that part even if the song on the whole doesn't fully grab me. Not sure where this leads for either artist, this could just be a fun one-off!

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"Overture" - The Voidz

◇ released: July 4, 2024 ◇ featured on Like All Before You (not yet released) ◇ genres: ambient, neo-psychedelia, chillsynth

Not much to say about this song, it's basically a minute-long teaser, but The Voidz are returning for a new album soon! This single is kinda pointless so I hope we get something a bit more substantial in the weeks to come. Reminds me that I also need to revisit their last album, I remember liking a good bit of it.

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"JOYRIDE" - Kesha

◇ released: July 4, 2024 ◇ genres: romanian popcorn?, dance-pop, dutch house

Kesha has been embroiled, unfortunately, in more drama surrounding her and Dr. Luke as he seems to have produced a washed-up popstar's comeback single about women empowerment that is set to drop in a few weeks. Sorry, didn't mean to get involved myself. Kesha cuts through all the noise with this crazy dance-pop, house cut with accordions and whatnot. It's ... a lot. I'm not sure if everything works, but it certainly sounds interesting. She carries herself like a diva here, but it's over this goofy house beat. Y'know what? It kinda rules. You go girl!!! The accordion is making a comeback!!! Be on the lookout!!

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"Worldwid3" - femtanyl feat. zombAe

◇ released: July 4, 2024 ◇ genres: industrial hip hop, digital hardcore

In celebration of hitting 100k subscribers on her YouTube channel, rising digital hardcore artist femtanyl dropped a new song with zombAe. This is a fun little song with some cool production moments, which is to be expected given her past work. The main focus is zombAe's rapping and she does a good job, although I do wish there was a better balance between the two artists. This mostly just feels like a fun one-off.

━━━━━━━━━━━━━━━━━━━━━━━━━━━ thanks for reading :3

psssst. i made a discord server called COSMIACORD ... if u wanna join and have fun, talk about music, play fortnite, or whatever here's the invite :3 https://discord.gg/rsHMenTU

[hiphopvibe1]

Eminem to release "Tobey" single with Big Sean and BabyTron on July 2

Eminem to release “Tobey” single with Big Sean and BabyTron Eminem has set the music world abuzz with news of his forthcoming studio album, “The Death Of Slim Shady.” Announced in late April as his final full-length release, this album marks a poignant milestone in Eminem’s journey and promises to be a culmination of his unparalleled impact on hip-hop. The announcement follows the immediate…

[juhnkit]

Eminem - Slim Shady - Marshall Mathers

[hallee-ig]

fuck you

[devdhxc]

i dont fw anybody by myself

fuck the world, fuck the people

[babytronsb]

𝐚𝐮𝐠𝐮𝐬𝐭 𝟐𝟐𝐧𝐝, 𝟐𝟎𝟏𝟗 — NYC 🗽

(source: @_trdee)

[100mgzoloftscript]

[playsies]

!!

Ask how much sauce is like it depends 🤣

ii can't have you around if you won't bend witme

[l0ser-nicolaz]

BUFFED UP LIKE A JOCK

GEEKED UP LIKE A NERD

BUFFED UP LIKE A JOCK

GEEKED UP LIKE A NERD

[shezanenigma]

THE DEATH OF SLIM SHADY

Eminem Album Review

💎💎💎💎💎

5 Diamond Review

By ShezAnEnigma

Eminem's newest album, "The Death of Slim Shady," is not just another collection of tracks; it's a reflection on his legacy, his inner battles, and the persona that has both defined and haunted him for decades. As always, Eminem draws from his own feelings and inner battles, creating a narrative that is both compelling and raw.

Since his debut album "The Slim Shady LP" in 1999, Eminem has been known for his sharp, often controversial lyrics and his alter ego, Slim Shady. Albums like "The Marshall Mathers LP" (2000)  and "The Eminem Show" (2002) showed us the provocative, unfiltered side of Eminem, with tracks that were intense and filled with intricate wordplay, dark humor, and brutally honest storytelling. 

Over the years, Eminem has consistently pushed boundaries and confronted personal demons, from addiction and mental health struggles to family conflicts and industry pressures. Albums like "Recovery" (2010) and "The Marshall Mathers LP 2" (2013) saw him addressing his battles  and seeking redemption, while "Kamikaze" (2018) and "Music to Be Murdered By" (2020) showcased his relentless lyrical skill and unyielding defiance against critics.

In "The Death of Slim Shady," Eminem takes us on a ride through the chaotic mind of Marshall Mathers, where Slim Shady's influence is still strong. The first two-thirds of the album hit hard with that familiar, in-your-face style. Songs like "Lucifer," (produced by Dr. Dre) "Evil," and, "Antichrist" bring back that vintage Slim Shady vibe, full of biting commentary and controversial takes. Eminem doesn't hold back, targeting everyone from Lizzo to MAGA pundit Candace Owens, with some particularly pointed jabs at Caitlyn Jenner and the late Christopher Reeve.

But the real turning point comes with "Guilty Conscience 2," a powerful sequel where Eminem faces off against his alter ego. This track feels like a climactic moment where Marshall Mathers finally confronts Slim Shady, leading to a symbolic "murder-suicide." It's a moment of catharsis, marking the end of an era for Eminem.

As the album progresses, the tone shifts dramatically from aggressive shock rap to more introspective tracks like "Temporary" and "Somebody Save Me," a poignant duet with Jelly Roll. These two songs are my favorites because they have a deeper emotional pull and feel incredibly personal. Eminem is known for writing from his heart, and you can sense how difficult these tracks must have been for him to create. In "Temporary," he includes snippets of audio featuring him and his daughter Hailie, reflecting on how she will feel when he dies. In "Somebody Save Me," Eminem opens up about his struggles with addiction and his regrets as a father and uncle. These songs are slower, more reflective, and deeply emotional, painting a vivid picture of a man who has missed out on significant moments in his life and is filled with remorse.

While "The Death of Slim Shady" has echoes of "The Eminem Show" and "Encore," it's not a throwback. The production and the wordplay is as sharp as ever, and Eminem's flow is versatile and confident. He may be 51 now, a long way from that kid who broke out in the 1990’s but this album proves he still has the same lyrical prowess.

Overall, "The Death of Slim Shady" is an album that demands to be listened to from start to finish. Eminem's ability to balance the raw, controversial edge of Slim Shady with his personal reflections on regret and redemption makes this a standout in his career. This album isn't just about saying goodbye to Slim Shady; it's about Marshall Mathers coming to terms with his past and looking forward to his future. It’s an emotional, powerful journey that leaves a lasting impact.