#avoid that old man

[viric-dreams]

Since the topic's been going around and getting me thinking:

Ockham enjoys the typical shows of romance, particularly those expressed physically. Heshethey does struggle though to be the only person in a relationship and the only means of physical/emotional intimacy or support for someone because of hishertheir transitory nature and personal priorities overriding romance. The Greater London Polycule is a good fit for himherthem. Emotional intimacy might be a bit more difficult because of the current identity crisis happening, but heshethey wouldn't turn down sex or any kind of physical intimacy. That's something that Ockham doesn't really have any hangups about, possibly related to living in close quarters with people most of hishertheir life and seeing it as something mundane and relatively normalised. Especially with hishertheir eclectic set of memories and experiences (many of them serpentine), Ockham finds the sexual mores of Victorian Londoners particularly inane at times. These elements also makes Ockham open to trying pretty much anything a partner may suggest, at least once.

On the other side of the spectrum is Roberts, who's actively irked by any overt signs of romance on Grand Geode, usually because that means said sequencers are distracted or shirking duties. Realistically, the negativity comes from it being something that he feels that he could never have as a consequence of both his sexuality and position (though it's not something he's self-aware enough to know, nor wants to think about). Anyone making romantic overtures at this point would be pushed away out of a mixture of him not believing that he deserves it, that said person is after some sort of advantage because of his position, and that it would be a distraction from The Work, with a healthy bit of fear of the unknown thrown in for good measure. He's built up a ridiculous amount of intricate rituals around physical contact with people that make sense only to him. Having any sort of a sex life is a nightmare when you're almost everyone's superior officer and instantly recognisable, and come with enough emotional baggage to hold every piece of sentient clothing in Polythreme, and thus regulated to quick and faceless encounters, often in foreign ports. Even then, the intricate rules persist: sex is sex, direct and perfunctory. Kissing is off limits, absolutely no lingering touches, nothing that feels too much like intimacy or involves giving up control or trusting someone. Get what you're here for and go.

Nite's lack of memory has made everything a novel option and possibility. This is not necessarily a good thing. His strong streak for showmanship and craving attention lead to some somewhat extreme behaviour. Those grand gestures that only seem to work in romance novels are exactly what appeals to his sensibilities and he's convinced that they would work in real life, and is apt to try. If boomboxes and romcoms existed in this era, he would be that guy. It clearly seems to work in the films, so absolutely worth attempting in real life. Because a lot of what he imagines romantic behaviour is comes from stories and not real life experience, he starts with the idea that this is what romance and seduction should look like. Many of these things are things he doesn't even necessarily enjoy, but he tries anyway because what does he know, maybe that's just how things are done. This does eventually modulate over time, when he gets a better sense for his own preferences, and the flair for the dramatic remains, but tempered. He is also very quick to emotionally open up and try to deepen a relationship (either romantic or otherwise), often faster than the other person is comfortable with. After a handful of negative experiences he's gotten better at this. Unlike Ockham, whose sexual tastes generally tend to be broader and has a fairly solid sense of hishertheir boundaries, Nite has the same "I'll try anything" approach, albeit it closer to an "I have to try everything to know what I like" outlook, and no moderation or sense of pacing. This has led to a handful of upsetting experiences (both for himself and any partner(s) involved) when he inevitably discovers far too late that this was not a good idea. His lack of knowledge of his own boundaries makes him dangerous to both himself and others.

Tamara's been on dates with some of her peers back in Varchas, but it was never something that intensely interested her, nor did she ever have a serious relationship. It was expected that she would eventually settle down, either with someone of her choosing from a similar class background, or through a suitable suitor introduced through her family. She did enjoy the attention that flirtation brought, but would be the first to tell you that she doesn't really know what she wants out of a partner either romantically or sexually, but of course has plenty of time to figure it out. In London, she has far more important priorities at the moment and isn't even entertaining the idea. Her initial suspicion surrounding Ockham's kindness was quickly assuaged upon realising that heshethey doesn't necessarily want anything from her at all and offering her a place to stay was simply an act of one outsider recognising another and offering a helping hand. Of course, there's plenty more regarding Ockham about which to be suspicious, but that's a different topic.

The Rubbery Barber Surgeon is in a healthy and loving butch/femme relationship with The Tentaclar Surgeoness. He enjoys filling the traditional masculine role that the Surgeoness, a huge fan of pulpy romance novels, seeks in a partner. Thus far, things have gone well for them, and they seem perfectly compatible. She might just be the one. He may have visited a particular jeweler on Flute Street a couple of times. He's slowly planning a very special date night for them in the near future.

[muzsmocsing]

Hua Cheng: Uhm... My Lord, Jun Wu is coming we should probabl-

Mei Nianqing, rhythmically hitting Xie Lian on the head with a fan: WHAT *smack* THE FUCK *smack* DID I *smack* LITERALLY *smack* JUST *smack* TELL YOU *smack* ABOUT *smack* DATING A CALAMITY??? *smack* *smack* *smack*

[astral-herald]

Uncritically Enjoying Mage Viktor

sometimes when i turn off my angry (logical) brain, i achieve some very sentimental mage viktor clarity that i would like to share <3

this is a lot different from my other Thoughtful "Analysis" Posts. my plan is as follows: address my understanding, slim though it may be, of mage viktor; bullet-point all the less than critical/theory driven reasons why he makes me happy; make a somewhat melodramatic point about reading/viewing for fulfillment over critique. mage-tor enjoyers, unite!

What is Mage Viktor's Purpose?

Try as I might to turn off my thoughtfulness, I am typically critical of the media I enjoy, so I'll be among the first to admit that Mage Viktor was certainly a retcon. That seems to be the fandom consensus, so I won't reiterate too much on that point. It makes shots like this especially funny, though, because that is simply not the Viktor we know, interdimensional or otherwise:

But something I would like to push back on is a pervasive "favorable" read on Mage Viktor as we come to know him in season 2. I fully disagree with the idea that Mage Viktor sought Jayce out in every timeline because he loved Jayce, rather than as a means of saving the countless innocents Viktor in other timelines would inevitably kill thanks to Hextech, the Glorious Evolution, etc. Hear me out for a second!

Bestie @arowyn-m pointed out to me that Necrit confirmed that Hextech is THE canonical event, the linchpin, so to speak, that ignites the chain of events we see culminate in season 2. These are the same events that Mage Viktor seeks to prevent. It takes however many lifetimes and iterations of mass destruction for Mage Viktor to gather two vital facts about the universe: Hextech is the inciting, inevitable incident, and Jayce is the complementary indelible constant. Hextech is inevitable, but only Jayce can show Viktor how to stop it.

Viktor's love for Jayce is not what motivates Mage Viktor to seek him out - it is the inevitable result of their being "inextricably bound." Reducing Mage Viktor's manipulation of time/space/what have you to his desperate need to protect Jayce in every timeline morphs him into a very out-of-character Genocidal Eldritch Being when he's supposed to be the antithesis of OUR Machine Herald Viktor. By taking up Mage Viktor's quest to kill Machine Herald Viktor under these very specific circumstances - acceleration rune in hand - Jayce can end the cycle. He trumps the inciting incident. His love for Viktor reigns supreme.

The fact that this is so awkward to explain speaks to the severity of the retcon. I guess what I'm getting at is that Mage Viktor was not acting out of selfish, obsessive love (as romantic as that may seem to some); he was searching for a way to right his wrongs and found it in Jayce, his inseparable other half.

"Only you could show me this."

MORE TO THIS POINT: even Mage Viktor, for all his implied wisdom, having seen countless lifetimes wherein they failed to stop Hextech, still does not anticipate the depth of Jayce's love for him. He (presumably, because don't see this exchange, because Riot made egregious cuts) tells Jayce that the Viktor of this world must die. Jayce "can't fail." As far as I can tell, he never tells Jayce that he has to die along with him. Jayce rejected Viktor's bid to be partners again, after all...

Mage Viktor, like the true Viktor that lurks within the Machine Herald, still believes that Hextech is fully his fault. He still believes in his own weakness and his shortcomings and is so reliant, obsessed with independence that he refuses to share this responsibility. When Mage Viktor reveals himself to Machine Herald Viktor, and he's confronted with the depths of his own feelings, he shoves Jayce away in a last-ditch attempt to preserve his isolation.

Jayce does not allow this.

The love that keeps Viktor "inextricably bound" to Jayce is not one-sided. Viktor, in all iterations and timelines, does not bear the responsibility for Hextech alone. In his dying moments, when he finally understands that LOVE is what has kept he and Jayce together all this time, his humanity returns to him. They save the world - literally. Love literally conquered all. No Viktor, not even Mage Viktor, anticipated this. All Jayce really had to do was kill this Viktor, but he couldn't bear to part ways.

TLDR: Mage Viktor found a way to save the world, but Jayce found a way to reignite Viktor's humanity. Neither of things could coexist without the other.

Smaller, Less Important Reasons Why I Like Mage Viktor

I'll never forget the breathless whiplash I felt upon Mage Viktor's reveal. I feel pretty alone in that experience - oh well! I'll be the pariah! - but here are the reasons why he's made such an impression on me.

Seeing an aged Viktor hit me like a bus. I know he's still stricken with the arcane, but there's so much wisdom and kindness and life experience in his expression. I never thought we'd see that. I doubt he did, either.

BEARD VIKTOR TRUTHER.

It gives Viktor some agency back. I wrote in an earlier post that Mage Viktor being the one to liberate Viktor from his own tragic narrative is pretty awesome, and I stand by that.

Mage Viktor's vulnerability. I feel like Mage Viktor, finally realizing that this Jayce is the right one, that this moment is the pivotal one, says a lot of what Viktor in all timelines longs to say to Jayce.

The question of lifetimes - how many times did Viktor search for Jayce? How many times did he watch a timeline go by without him? How much loneliness did he endure (for the greater good?). What was it like seeing that in-universe Viktor had killed Jayce?

Reading Uncritically (I Swear This is Relevant)

Rita Felski, a very cool literary critic who we all should read, said the following about reading critically (the way that lots of us engage with Arcane on tumblr): "It is a mode of interpretation that adopts a distrustful attitude toward texts...that remain inaccessible to their authors as well as to ordinary readers" ("Suspicious Minds" 216). Even though she's writing about academia/literary criticism, I think her point still stands. We engage with media with the intent to expose, unearth, and problematize. We eagerly search for moments where the text fails us at the expense of the "superficial" that would otherwise uplift us. We are practicing the "hermeneutic of suspicion," which can be exceptionally draining.

It's pretty melodramatic of me to apply this kind of theoretical work to Arcane, of all things, but this story means a great deal to me. It is deeply flawed - the Mage Viktor retcon is kind of appalling if you stare down the barrel of suspicion. But, in looking through a reparative lens (Eve Sedgwick's word, not mine), I see Mage Viktor as a agency-ridden Viktor, an aged Viktor, a vision of the future Jayce and Viktor together make possible. I'm enriched by that.

Felski asks us: "How else might we venture to read, if we were not ordained to read suspiciously?" (232). What can we derive from Arcane by putting the pieces together with the goal of harmony and fulfillment? In the smallest sense, we may feel a bit better about the ways in which season 2 seriously let us down. In a larger, more hopeful sense, moments like Viktor confessing an ultimate love and attachment to Jayce, and Jayce returning it in kind, may fill us with an even deeper appreciation for unconditional love as the culmination of human connection, a world-ending and world-renewing thing that stares down the BBEG of Arcane and wins.

You could probably read all of this as my apology for enjoying what so much of the fandom has condemned. That's alright. There are so many pieces of Mage Viktor that fragment under the critical microscope, but I can't shake the emotional impact of his reveal, so I'll live in that space for the time being. Had Arcane allotted for any explanatory conversations, flashbacks, and/or given up their soft world build to account for Mage Viktor, we'd be in a better place plot-wise. Alas, here we are instead. Everyone can point and laugh at me if they did all this just to bring back God/Made/Eldritch Being/Whatever The Fuck Viktor in future projects. That'll be my penance!

And, finally, if you really didn't like Mage Viktor, I fully respect that, but this is my self-indulgent post and I'm not overly interested in debating...there's little anyone could say that I wouldn't agree with. I'm just avoiding the suspicion of it all :)

[marciaillust]

the patrician is just a guy to me

[luckynumberthreed]

Happy Thanksgiving, kings 🩵

[wandering-pirate]

Daisuke: I know Swansea's having a bad time. We have telepathy. It's like my brain is receiving phone calls from him.

Y/N: Well, you have a bad connection, Dai. Hang up.

Daisuke: Nuh-uh. I can sense these things. Remember when he broke his arm and I sensed it?

Y/N: ....That's because you fell on him and broke it.

[mechieonu]

i know that disney is too big to boycott effectively but that shouldn't translate to "and so we should keep buying their products like normal" but rather "at the very least we should try"

[mossy-paws]

Get in the fucking biograft, Shuriken. (EVANGELION/PHIGHTING!)

(og screenshot’s/cover under text!) Why hello there to my tumblr followers, it’s been a awhile /silly

ANYWAYS!!! Guess who recently finished the EVA franchise minus the rebuilds and has been in a horrible chokehold over it, this anime ruined my life but hey at least its intro theme is nice……

Well, I wanted to draw some stuff for it! All together these pieces took exactly 48 hours and 20 minutes… with the cover-piece taking ~35(?) of those hours. These were… very, VERY time costly safe to say LOL,,, I am super, SUPER proud of how the cover came out though, everything on it was drawn, colored, rendered, edited, whatever, BY HAND stroke by stroke (as you can see below)

The text, the lineart, the shadows, the colors, the snowflakes on the bio and Shuri, EVERYTHING was done by hand, it was horribly time costly but it did come out very, VERY well in the end I would say (fun fact! I also didn’t originally have the textless version of the cover, and I had to trace all of the lineart for bio’s tophalf by just guessing what line when where and what the hell was going on /silly)

this was a very, very hard project to do all together, but it was also a really nice learning experience too, I’m happy i did it that’s for sure :3!

(og screenies + cover)

[kacievvbbbb]

I think it’d be funny if at some point Mihawk and Perona actually tried making their own wine and it was so terrible and Mihawk just won’t talk about it

Next time Shanks, as they are drinking, jokingly brings up the idea that Mihawk should probably make his own wine since he’s gone full farmer core and Mihawk, almost combusting in shame, attempts to drown him with alcohol to avoide the question

[fatedroses]

Some body type references and notes I wanted to make, especially before I redraw some of my old pieces (plus, a bit of him as an adventurer having a crisis of a realization), and also just personally how I HC the change between stormblood to now based on some in game refs I've been looking at.

[jonsnowunemploymentera]

And remember kids, the next time someone tells you, "George R. R. Martin wouldn't make Jon Snow the typical fantasy hero because that's cliche".....

Oh yes he would!

One viewer wants to know what character would you play (on the show)? GRRM: If I could magically clap my hands and become a different person, it would be cool to play Jon Snow who's much more of the classic hero. Everybody wants to be the classic hero! ABC Interview, 2014

GRRM: And the character I’d want to be? Well who wouldn’t want to be Jon Snow — the brooding, Byronic, romantic hero whom all the girls love. Meduza Interview, 2017

In fact he already has ☺️

[grogumaximus]

Max is a fighter. He's a bear and before you get in the ring with a bear, you make sure you're prepared for it. And to go one side and the other side, and then play this. You know the actual incident itself could have been so easily avoided. When you are defending and you are in the lead, it's no different to the road rules, the person in front has the right of way. He has propelled himself to the front. He has made it either through qualifying or guile or racing speed or whatever. He's leading the Grand Prix. The guy behind has to find a way around it.

[romatito]

its been literally like. six months since i started this comic about the bft showing up in drag to support feli at his first pride dressing fem (nonbinary feliciano my love) but im never gonna finish it so. take the few panels of roma being aggressively bisexual that still make me laugh.

[just-an-enby-lemon]

"The kid seems scared.

Tip had always been a little nervous. Or at least that was the reality when the two had met.

It was fairly obvious for everyone that met them that the child had not been treated well by their formar guardian and in a way that Elphaba sadly recognized still seemed to afraid of facing the same pain and rejection again.

Still lately the kid seemed more relaxed and open, treating her with the same easiness and earnest they did Jack. More determined to learn than eager to please. Following her around with questions and vibrating with excitement as she turned wooden sticks into dolls and toy swords alike. It made her think of Nessa in a very bittersweet way.

She failed her sister and she would not allow herself to fail another young person she became responsable for.

That's to say Tip's strange turn to the same scared kid she met soon after leaving her behind and being declared and enemy of Oz scared her.

"Miss Elphaba, I have something very serius to tell you."

Maybe they want to leave. They are not in fact different in the same way Elphaba is. Tip is a normal if deeply magical child who just ended up in the care of a horrible woman. Being her aprenticce is actually the only thing turning them into a dangerous and hated figure.

"I understand."

The kid takes a deep breath. Elphaba tries to think on the best words to explain that of course they can leave if they want to and that they can take as many provisions as they need. Tip will never again be a prisioner.

"I don't think I am a boy? Wait no. I know I'm not a boy. Like the idea of it is still a bit scary because it seems like it will be a big deal but I'm fairly sure I'm a girl actually. I just never though about it before but Jack called me she accidentaly and it just makes sense. I am still the same Tip and please let me keep being your aprentice." She says in a single breath.

"What?"

The girl looked scared. "I'm a girl." She says. Than in a smaller voice. "I can try to be a boy if you want?" It does not appear to be something she wants and the fact she still sugests it breaks Elphaba's heart a little.

"Oh! Oh. No, no, that's fine. Do you want to be called something else?"

Her eyes go huge and she stops deep in thought before answring.

"Uh. I guess so, but I'm still thinking on it. I don't mind Tip for now."

"Okay, tell me when it changes?"

"Will do."

"Anything else?"

Tip looks a bit shy for half a second before a excited smile covers her face. "Could you let me borrow a dress?"

Elphaba laughts.

"You are too tiny for my dresses, kid. But I can help you magic one for yourself. "

Her eyes shine. "Cool!"

[...]

"Morrible says you'll marry some prince soon." Dorothy says making a face.

"I don't see why you are soo distraught, my dear, I'm pretty sure she'll find me a great prince." Glinda says with false cheer.

"I doubt it. Princes are all very dull."

"Met many princes did you?" She jokes lightly, trying to find a way to change the subject. She loves the kid dearly and for all it's bleak consequences will always be glad the tornado ended up bringing the girl into her life but she would preffer not to discuss those subjects. Specially not in her own bedroom in a rare moment of relaxation.

"Well no." The girl pouts. "But most boys are dull and I can't imagine liking to marry even the ones that aren't. I guess I just thought you were the same? I'm sorry."

"No need to apologize. And I sure hope marriage is unimaginable for you, you are way to young for it."

The girl smiles a tiny bit before frowning.

"I can imagine myself marrying a girl one day."

"Oh!" Is all Glinda says.

"I told Aunt Em once she told me to never say it again, she told me I was too young. But I'm ten now and I feel the same. " Dorothy rarely talks about home, sometimes Glinda tricks herself into beliving it is because her the kid just loves Oz better, that she forgot all about it, but she knows deep down that Dorothy will always miss Kansas, always miss her uncle and aunt and Toto, she just accepted home as a place she'll never return to. In the good days Glinda knows Dorothy would also miss Oz, would miss her munchkin friends and mostly would miss being Glinda's apprentice. In the better days she thinks about bringing Dorothy's family here. After all Kansas always seems sad and hungry. "Girls don't marry each other in Kansas." She continues. "But I though maybe they did here. "

"I think they do everywhere, Dorothy, is just some people pretend they don't because the different scares them."

"Like the Wizard and the animals?"

Glinda had only recently convinced Dorothy to only speak her very dangerous beliefs on the Wizard in private and even there she sometimes corrected the kid. But right now it felt too much like liying to Elphaba she couldn't do it, not when she knew Dorothy to be right.

"Yeah. Just like that."

And after a second she adds.

"Between us, I would also like to marry a woman".

Dorothy smiles, just a little bit.

[...]

She knows she should not be here.

But it's fun, she likes the dancing and the food and the small chance of going back home with something that can actually help Elphie. Maybe a magical item or even just some usefull information.

Besides the girl she is talking to is very pretty and fun and smart and she is not open about it but she's definitivaly not the biggest fan of the Wizard either. Oh and a great dancer.

"I'm sorry" the girl says "but I think I did not catch your name?"

Now it's the moment to say something clever like 'i never gave it to you' or maybe just invent some fake name. She can't say her name. It's too easy of a conection to make. But she doesn't need to lie. After all it was never really her name. And she has a name now. Has had it for days and just keept it a secret in some weird form of fear. But it felt like time. She would tell it to Elphie and Jack when she went back.

"Ozma. I'm Ozma. What's yours?"

[...]

Dorothy had never had so much fun at a party before. Her new friend was the most beutifull girl she ever met and the funniest and cleverest and it had never felt so easy to talk to someone before. In fact the only thing Ozma didn't appear to be was a good dancer but Glinda had teached Dorothy well and she found herself leading the other girl steps into the best dance she ever had.

She noticed Ozma did not gave any surname but it was not her place to pry. She just hoped to mert the girl again.

"Dorothy." She says and takes the hand. For a second she considers continuing in the way she was instructed to (Dorothy Upland at your pleasure and a kiss to the hand) but while she loves Glinda that's not really her. And she somehow trusts Ozma enough to be honest. "Dorothy Gale." She shakes the hand just like Uncle Henry used to.

[thankstothe]

[just-another-colin-kinnie]

love these guys the juuls

ALSO THAT LAST POSE SKELETON DOODLE W ZANE AND CRYPTOR! IS FOR AN AU THINGGG IM WORKIN ON 😛