#at the end of the episode he's like “is this the right thing to do”

[lichfucker]

[video description: a clip from season 2 episode 4 of Black Sails. Flint and Silver sit in the captain's cabin aboard the warship, talking.

Silver: "It's possible this has nothing to do with the fort. Nor with Vane. Perhaps it's just them expressing their opinions about you."

Flint, not making eye contact, trying to sound casual: "So you think that they see me as the villain in this particular story?"

Silver: "I think that would explain their decision, yes."

Flint: "And you? What do you think? You see me as the villain here?"

Silver chuckles, then hesitates for a moment as he tries to find the right words.

Silver: "I see you as the agent most likely of securing my share of the gold on that beach. As long as that remains true, I am not bothered in the least by whatever labels anyone else decides to affix to you."

Flint seems disappointed by this answer.

Silver, suspicious: "Why? What do you think about it?"

Flint, frowning: "I'm sorry?"

Silver leans back like he's having an epiphany.

Silver: "It bothers you, doesn't it? What they think?"

Flint gives him a vulnerable look.

Silver: "With the things you've done..." [he scoffs] "My God. It must be awful being you."

Flint, forcibly turning his hurt into stony anger: "Time is short. You'd better be off."

Silver slowly gets up to leave, and Flint looks terrified. end vd]

stuck in a timeloop where i just rewatch this scene over and over and over and over x1million

[azaharinflames]

Well, hello my fellow and beloved BuckTommies. I come here with a new theory - not quite or what will happen, but on what did.

Let me put my tin hat firmly on my head for a second, alright? Because we have been talking about all kinds of possibilities, and have theorized about BTS, and even budget cuts, but.

We are all missing one thing.

What happened during the summer that has repercussions in the series right now? Or that will have in the immediate future, but we’re only seeing the start of...?

An ‘I Know What You Did Last Summer’ reboot was officially announced.

It is set to be filmed in Australia come the New Year. And JLH, famously having been in the first one, is going to Australia to film for this one as well. 

This means that, just like they did in Season 5, they will have to take JLH’s absence and other compromises into consideration. In Season 5 she was on maternity leave, this time around she has a movie to shoot. And it just hit me that it might be the reason why things got moved around, and why perhaps they did what they did with BuckTommy.

(Disclaimer: I am not putting this on JLH, and I don’t want anyone to do it either. If this is something that clashed with the initial plan, what the writers and Tim came up with it’s on them, never Jennifer)

We know Tim is not someone who writes his stuff in advance. He’s flying by the seat of his pants; he writes as he goes, and this is something he has said before. So now he has to write and plan in advance because Jennifer will be somewhat absent. The direct result of this is, in my opinion, Madney.

The storyline of them having a second child at home, having her go back to her family, having Jee notice her absence, and then starting to debate on whether to have a second kid… had the potential to be more than one episode. Or, at the very least, to end the episode with them deciding that, yeah, they want to try, they want to expand their family. Maddie’s mentality on PPD could’ve been an episode in itself (Lord knows we don’t get enough Maddie episodes, especially lately), instead of a throwaway line on how she doesn’t want PPD to define her. I do think it’s amazing she’s at that point in her life and on her journey, but I can’t help but think this could’ve also been a really nice episode arc to have. Chimney’s doubts were also gone pretty quickly, with not even needing to talk to anyone about it. All in all - the storyline felt rushed and a bit anticlimactic. And at this point, I can only imagine they will somehow try to create some drama surrounding the pregnancy in 808 (807 perhaps, but it feels like it’s busy enough) so that Jennifer’s absence is justified. We don’t know if, just like in Season 5, Kenny will also be absent (Chim going with Maddie wherever she goes, I don’t know). People weren’t happy with him having to be off the show in Season 5, so I hope he stays, but we don’t know just yet. 

A side result of this could’ve also been BuckTommy. If there is something I’ve gathered from Oliver and Lou’s interviews is that both were a bit surprised it happened this soon. Now, we don’t know if this means they were breaking up for good later on in the season, if this was supposed to be a longer arc, or if they knew there were talks of break-up-make-up, once they were more established. As it is, this happened now.

And in my mind there are two possible theories. Let me present first why I have them:

-They need some substantial drama to go on for 8b. Bathena went through it in S7 and now are rebuilding their life, so it would be a bit of an overkill to have them go through it in S8 as well. Eddie is going through his own stuff and is going on a journey of discovering and enjoying himself (that, personally, I hope deals with actually dealing with it and having deep conversations with Chris). Hen and Karen have just gone over the drama of the adoption and, to be honest, they need a breather. Give them SLs that don’t involve them somewhat losing their kids (be it adoption, or an accident). 

-So… that leaves Buck. Buck, whom we all joked was the only one doing fine in Season 7. Whom we all said was going to go through it in Season 8 to compensate for his happiness in 7. Well. The joke’s on us. He’s had such a drama-free period of his life (yes, affected by what was happening around him, but not directly involved in it) that I think we forgot they enjoy making him suffer. We barely saw a thing with Gerard, and nothing to last the whole season, so… now this. 

So. From this, I see two options:

-They always knew they wanted to have BT have issues, that they didn’t want them to be easy or smooth-sailing, because has a couple in this show been that? No, right? So why would they? So they wanted a break-up arc, potentially ending in making up. Perhaps things moved around a little bit, we don’t know. But maybe they want 8b to deal with Buck trying to see what Tommy meant, yet realizing he still wants Tommy, thus starting the make-up arc. Meaning, they decided to have BT bear the weight of the heavy drama of this second half. People are already invested, clearly, and with JLH gone for a bit, they need people interested in what will happen next.

-Sort of the same, but different results - they just want Buck dating around and having drama with that. Admittedly weaker than the other option, but it is one I don’t necessarily eliminate just yet. Mostly because I’ve learned to be skeptical of 911’s intentions. 

Previous to 806, I fully expected 8b to have more Buck/BT, Madney stories as A plot, as they haven’t had one in 8A. But now that I think about it all, I can’t help but wonder if those last minutes decisions were to accomodate what will happen, just like it happened in Season 5 (which, I will remind you, dealt with her absence by having a lot more of Taylor than we were expecting. Her appearances went down quite a bit once JLH and Kenny were back, and shortly after, she was gone).

Again, I am aware I might be delulu right now. But for the first time in days, something has fully made sense to me. In conclusion:

[rootspiral]

AGATHA ALL ALONG DEEP DIVE: episode 1 part 1

(Wandavision entries: [1][2][3])

(AAA entries: ep1 [1][2][3])

IT'S TIME TO REWATCH AGATHA ALL ALONG, WITCHES! And as usual, spoilers below.

episode 1, Seekest Thou The Road

Wanda is dead (no she ain't). As a result, her spell is weakened and Agatha has changed from her nosy neighbor character to detective Agnes (or caught the true crime bug, as Herb will put it.)

Stinky grimy Agnes, so serious and depressed. As soon as she appears onscreen she's humming the Ballad.

Detective Agnes has just been recalled to action after being off duty for a while. She was punished for "punching a suspect", which is code for going after Wanda. Agnes points out that now the suspect is a convicted felon, i.e. that she was right after all and Wanda is dangerous and evil. "I can't be right and wrong" she says. "Yes, you can" says Herb, because both Agatha and Wanda are villain and victim. And lol at the police tape symbolizing Herb's fence. You know the poor guy is in his garden looking down at Agnes in her Bonher family tshirt, wondering what the hell is going on.

oh that's a seriously good shot

Agatha looks heartbroken when she sees Wanda's body, doesn't she? She looks so sorry.

Herb (the real Herb behind the illusion) confirms that Agatha is acting different than usual.

THIRD TIME SHE DISCREETLY DRIES HER TEARS

There is nothing funny about Detective Agnes. Or rather, it's funny to watch her because she's so intense, but we laugh at her, she's not being a clown on purpose like Agatha usually is. And Agatha right now is in a lot of pain, even more than usual having completely lost her agency. This character so unkempt, so sad, so doggedly searching for answers, is more true to Agatha's real self than what she usually lets people see. Deep down she's just a tragic lesbian wet rat.

Somebody called in to have the body found, and I think that somebody was Rio. Why would the body be next to the water otherwise? It's like the River of Life laid her gently where Agatha could find her. In other words, Wanda's death brought her to Agatha. I'm curious about these woods too, we know they don't actually exist as this is all in Agatha's head, but where did the idea come from? Are these the woods where she killed the Salemites? Where she gave birth to Nicky? Or where she buried him?

Agatha's victims from the finale flashing throughout the opening. Wherever it may bend, I'll see you at the end.

"based on the danish series WANDAVISDYEN" never fails to destroy me. and it's so clever too, it's like they're telling first time watchers that yes, this seems like a grim detective show, but you clever audiences know that things are not as they seem and this is a parody, right?? this is not serious at all, it's funny! Laugh! Except. It's not funny. It's not funny at all. And you're going to realize only when it's too late. It's the same thing they do with Sharon/Mrs. Hart, they lure you in with laughs only to hit you with heartbreak. This show is not a comedy at all. It's at its very core a senseless tragedy.

Sarah/Dottie lives next door too, was Agatha talking to her through a window, or does the library desk symbolize another fence? This poor woman, hasn't she suffered enough? But they all more or less try to help Agnes, that's sweet. Has anyone from SWORD or whomever dropped in to talk to them, did the Avengers just decide to leave Agatha there? Did Monica (or Ralph) even explain to the poor people of Westview that she's a witch, or do they just think she's a random neighbor who couldn't be saved from Wanda's Hex?

THE MAILMAN CONTINUES BEING SUSPICIOUS. Is Agatha putting words in his mouth, or was he (the "messanger") sent by someone to warn her about the Darkhold being destroyed???

her FACE when she sees Rio

and the way Rio just stares and stares. When you rewatch this scene knowing that this is the first time she gets to see Agatha in centuries... and she has to be cool and she has to be gentle. I think it's deliberate that they put Phil/Harold/Ross Geller in here, because he's one of the funniest people in Westview and it's suggesting a first time viewer to read this scene as a comedy. Except it's a cosmic tale of tragedy and heartbreak, but you're not supposed to notice yet, even if it's right there under your nose.

Stop being such a lone wolf, Agnes. Or rather, stop being such a sad and lonely covenless witch, Agatha.

Rio laughs her delighted little laugh, licks her lips, looks out the window for a moment as if overwhelmed, then goes back looking at Agatha and basically devouring her with her eyes. ("te veo.") (thank you for my life aubrey plaza.) Agatha stares daggers back, but her body language stars getting defensive. She feels very vulnerable.

Yep, defensive. And wistful.

She is doing her job, like always. But she's also going above and beyond. There is technically no need for her to wake Agatha up, but here she is, dropping gentle clues, guiding her with such patience and care.

"If you wanna be in control you can be" is said in such a kind tone, but it's also sexy?? I think Rio really likes for Agatha to take control, in a lot of ways. Her body language is the opposite of what Agatha is doing too.

Oh noes she's making herself so small now. She's like, intrigued and angry and happy and scared to see Rio. They're both being so tentative!! And she doesn't actually know who Rio is because she's under the damn spell, so her body language and feelings are pure instinct. They come from somewhere very very true and deep. (and LOL that mug says "get a clue")

Is this who you are now, Agatha? the intense but lonely detective? she's genuinely interested, because Rio investigates Agatha just as Agatha investigates everybody else. Rio simply cannot get enough of her. and she keeps talking with this gentle, warm, understated tone.

Gains personal space. Keeps staring and staring.

oh now we're leaning. they do this every scene they are together, they keep getting closer and closer even if they don't mean to, like magnets.

Agatha literally bolts to the door and tells her to leave. Rio's presence is so overwhelming in so many different and complicated ways, and she doesn't even understand why that is at the moment. Kathryn Hahn is playing this perfectly straight (no pun intended), there is genuine pain in her voice.

"Te veo", which is not "see you," but I see you, I'm always looking for you, I'm always watching. And I finally see you, after all this time.

Oh, honey.

I'm running out of space again, but I promise I'll continue this tomorrow. Thank you for all the notes you guys, I was not expecting so many! I'm doing this mostly to amuse myself, but it's nice to know that the brainrot is collective 🙃🙃🙃

go to the next entry

[korrasera]

Yes, we had a vote at the last leftist meeting and I got appointed head explainer, so it was my turn to pick a way to refer to people who pretend to be leftists but don't actually adhere to any leftist values.

No leftist worth their salt would be spreading propaganda and despair. And anyone who gets serious about being a leftist starts by educating themselves about politics, so they wouldn't be repeating nonsense that's debunked by the google equivalent of a single episode of Schoolhouse Rocks.

That said, let's talk about some of your specific points:

I just see you saying “the right isn’t getting stronger” and all I wanna ask is what kinda Kool-Aid you’re on, because I look around the world and see a generational trend towards authoritarianism and fascism.

That's your fear talking.

No, really. It just looks that way to you because they frighten you.

I live in a country where people used to consider it a fine day out, a sunday best clothes kinda day, to wander down to the tree to watch someone lynch a black man. I live in a country that inspired Hitler's policies towards the Jewish people. I live in a country that has been responsible for genocide many many times.

I also live in a country where a man said "I have a dream" and helped bring about the end of a century of racist terror. A place where pride has become a nationwide celebration of diversity and strength. A place where people want to live up to the ambitions of the New Colossus.

So yeah, the authoritarians have been losing for a long time, but social change takes a long time. Politically, they were almost sunk in the 50s, with the way the Republican party was set to collapse. Sadly, we hadn't made as much social progress, so the Republicans rebuilt their base of power and started with new policies to try to undo progress. Every surge they've made to try to reclaim their position has gotten weaker and weaker.

Here's what the electoral map looked like for Reagan:

This is the first time in something like 20 years that the Republicans have won the popular vote for president and it required not just a colossal mistake on the part of the Democrats but also an unprecedented time of economic inequality across the entire planet.

What you see as a generational trend towards authoritarianism and fascism is just a reactionary surge. The trend is going the other direction. They're thrashing that much harder knowing that their way of life is dying out. It means they're dangerous, but it also means they're dying.

Maybe you're too young to know this from experience, maybe you don't have the broad picture yet, but they are getting weaker. A party known for being able to mobilize and unify wasn't able to pickup any additional support when they really needed it.

If the Democrats had really supported the working class, if they'd really tried to allay fears about the ongoing economic woes? The Republicans won by a hair in a year when the Democrats made big mistakes.

In closing, Re: Israel

Yes I can say both of those things at the same time.

Biden doesn't have the ability to dictate Netanyahu's behavior *and* he also should have made it policy to end offensive aid to Israel, not just slow roll it. I'm not sure why you think Israel is only able to do what they do because of US aid, especially because they currently aren't even getting that aid. They're a developed country with a large GDP and a completely modern military. They aren't another arm of the US military that can be disarmed at a whim.

If you don't know all of the things that the Biden administration did to put pressure on the Israeli government to end the genocide, you should go do some research, it's a decent list.

We tried to warn you, and you wouldn’t listen to us over the sound of your own self-righteousness. You must be so proud of yourselves.

[bengiyo]

Ben’s Big BL Blurb 2: Fall is Finally Here

I am simply too busy with worth, family, other hobbies, and life to write about every show in real time anymore. I’m sorry to all the Stray Thoughts readers who’ve reached out about whether I would pick that back up, and I simply just do not have the time to do them anymore. Instead, I’ll try to do one of these as often as I can to catch up on things.

First, let’s go over some shows I finished recently that I don’t think I wrote much about.

First Note of Love

I was so happy to see Michael back on screen, and I was glad to see that he’s still able to get great chemistry with his co-star. Unfortunately, I don’t think this show was very coherent, so I didn’t get a lot out of it emotionally. It was a pretty inoffensive watch overall, and thus an easy show to put on without having to work through too much. I liked the work between everyone, and Mei Lei was such a fun character. Probably won’t return to this one, though. 

Let Free the Curse of Taekwondo

This is probably the show of the year for me. There’s so much I loved about this show. I loved that the characters had sex, but were neither rewarded nor punished for it; their sex didn’t solve any problems. I also really love how this show explored how childhood trauma expresses in two different kinds of boys, and I love that we got to see a bully reckon with his actions and get closure. I love that this show ended with them being kinda poor, but happy together. I love how messed up they both were about everything. I loved that Juyeong wasn’t stupid, and could read what was going on.

I clearly need to write a separate post to unpack everything I felt in this show.

Let’s move on to what I’m watching currently, in no particular order…starting with the lesbians, and then the worst BLs.

Apple My Love

Genuinely having fun with this GL. I like how quickly most of the drama plays out. It’s giving me quite a bit of secondhand embarrassment, but I like the characterizations in this show. This new production house brought us Knock Knock, Boys! and Monster Next Door this year. We need to keep an eyes on them. 

Haunted Hearts

I’m so fascinated by Oxin Films teaming up with Regal Entertainment. The leads are very attractive, but the cinematography is really boring. I’m trying to stay invested, but it’s kind of a sleepy watch. Also amused that they started airing a ghost romance right after Halloween ended. I’ve kind of moved on emotionally from the season.

My Damn Business

This show could be good, but it’s not. I struggled with episode 5 because our lead looked more relaxed and happier with his senior than the guy he’s getting into a romance with. There’s something missing here in this one, but I can’t exactly put my finger on it. I think it’s primarily a side effect of the short run time, but I think the boss’s interest isn’t landing properly for the employee to respond to. 

Eccentric Romance

This show could be good, but it’s not. Still, I am obsessed with a murder mystery being the primary source of confusion between our leads. I was willing to forgive this show a lot of its rough edges, but it failed to handle the turn from friendship to sexual/romance really well. I feel like our guys just started dating and having sex, and I’m a bit frustrated that they didn’t talk about it really at all, particularly since this show features two different languages spoken on screen. Genuinely looking forward to seeing how this one finishes. 

See Your Love

I’m not sure this show is exactly working that well, but everyone is very pretty and I’m having a decent time watching it. I like the way Shao Peng stands up for himself, and I like that nothing that’s happened has been totally unbelievable or unreasonable (at least with the mains). I’ll be curious how the hard of hearing and deaf viewers respond to this one once it’s complete. 

Love is Like a Poison

This show is actually so funny. I love that Shiba is in his own lawyer genre separate from everyone else, and I really like how the two of these guys have become a team. I’m curious how they manage to resolve the scamming next week, but this has been the most unexpected dynamic of the year. 

Love in the Air: Koi no Yukon

MAME won this year, y’all. We all have complicated feelings about her, but she’s secured a loving adaptation from a Japanese team that’s put solid effort into bringing her characters to life. Every character feels correct compared to their Thai counterpart we saw on screen, and that’s a strong sign that the writing behind MAME’s work is strong, even if we all have issues with the way she tackles certain themes. I’m really impressed with this adaptation, and really like this version of Rain.I also feel like this show is doing a better job blending the forthcoming couple focus shift.

Our Youth

We just got this show, but damn does it feel sharp! I’m always going to be a sucker for a cinephile character, and I’m so compelled by the way Minase is drawn to Hirukawa. The scene in episode 2 where Minase has to leave Hirukawa’s house might be one of the most impressive sequences we’ve had in a while, requiring a great deal of choreography and effort from the actors and the camera crew to pull off, and I’m excited to see how these characters split and then come back together. 

Smells Like Green Spirit

Let me just say that I need another Abe Alan appearance when he isn’t playing a character doing horrible things to his students. I’ve enjoyed meditating on the 90s with this show and what that era felt like. I’ve liked how the show has tried to focus on how different parents (especially the moms) have responded to their kids coming to terms with themselves. I’ve also really enjoyed the friendship that’s grown between Mishima and Kirino. I’m struggling with Yumeno a lot, because I’m really not a friend of bully romances. Still, I feel like this is one of those shows I’ll remember for a long time because of its focus on the 90s. 

Blue Canvas of Youthful Days

I think @lurkingshan covered reactions to episode 5 and episode 6 better than I could, and I loved @twig-tea giving context for the film history moment in episode 6. I remember screaming into the chat for friends to show up for this when I got to that moment. This show has two great pairs of dynamics going on that mirror well. It’s got such a strong handle on its characters’ motivations and how they would respond to the actions from each other. It’s probably the tightest thing I’m watching now, backed by extremely dialed-in performances. I will be thinking about Qi Lu organizing his potential first kiss with Qin Xiao, and how unapologetic he’s been about the entire affair. He’s being selfish here, but I kinda like it. I’m so thankful that we are somehow still getting this show, because goddamn do the Chinese actors deliver on chemistry sometimes.

Interview With the Vampire Season 2

I finished this with a friend last week, and holy fuck is this show still so, so good. We watch a lot of gay romance because of BL, and I am having so much fun watching the show about gay divorce. I loved the time we spent in Paris, Daniel’s shifting role in the narrative, and the new insights we got into Lestat this season. I will miss Claudia so much, and I have to give a standing ovation to Delainey Hayles stepping into the role of Claudia and doing the damn thing this season. I just love seeing my little fucked up gay people torment each other on screen.

I'm still thinking about Louis and Lestat reuniting in a hurricane after Claudia derided this as yet another chapter in their stormy romance.

Dropped Shows

Unfortunately, everyone can’t win. Some of these shows are just too long for me to keep up with them, and oftentimes I get bored. I’ve currently dropped:

Lovesick 2024 - I may go back. We’ll see

Jack & Joker - It’s just too long, and they just killed Jennie and a kid. I’m good.

Fourever You - I’m bored with Earth always playing this character type.

Pluto - Namtam and Film are beautiful, but this looks too messy right now.

Every You, Every Me - Wasn’t intrigued after episode 1, but the commentary may draw me back.

Kidnap - Ohm is not enough to keep me invested in this show. 

Uncle Unknown - How did they make a 6 minute show feel slow?

I’m genuinely not trying to be harsh to Thai shows out here, but I just do not have the time to keep up with all of them when they’re this long and dragging.

Thanks for stopping by, and let me know if there’s something I missed that I should check out.

[canonicallyobserving911]

Bobby, Buck and Brad: In 8x7 Brad will be one of the “Wannabes”

He's obsessed with Bobby; he wants to be like Buck and his antics will likely lead to another Buddie and Bathena Parallel

I believe he's going to be the reason for the above call that will mimic when Buck was struck by lightning in 6x10 and I've included my speculation underneath the cut.

Before continuing, I need to make a point about the "Hotshots" storyline. Reminder, it's Bobby's arc therefore, whatever happens with it will be centered around him. However, Buck was enthralled in his own problems with Bobby's replacement (Gerrard) after Bobby left the 118 at the end of season 7. At the time, it was difficult to see how these things would be related later on but I think I figured out how things might play out.

Please note: these are my interpretations and observations and it's completely ok if someone doesn't agree because everyone interprets media differently. Two opposing opinions can coexist.

Now back to the regularly scheduled program...

Brad is a “fake” fire captain on the TV show “Hotshots” and he idolizes Bobby. Based on everything that was included in episodes 1-4, it's evident he didn't want Bobby to leave the show and go back to firefighting. It appears he has a "Hero Complex" and it's possible he's the one who fixed it so an actor will be hanging from the aerial like Buck was in 6x10.  He reminds me of Jonah but I don’t think he’ll be after everyone at the 118, just Bobby and Buck.

I did a post yesterday (linked here) about the similarities between 6x10 and 8x7 with regards to the lightning strike and I believe Brad is the one who's continued to STUDY Bobby’s past (he said he was going to do it in 8x1 while they were sitting at the same table) and he considers Bobby to be a "hero."

In episodes 1, 2, 3, and 4, he proved how mesmerized and captivated he was along with his fixation on Bobby and it was kind of weird.  He asked him to do a bootcamp with him and his friends in the mountains or at his house in Malibu but Bobby’s facial expression said, “Hell No” but Bobby always treated Brad with dignity and respect. He never belittled him and this fact will be reviewed again below. 

Furthermore, when Brad saw Bobby and Buck working together in 8x2 and 8x3, he was IMPRESSED and he tried to be like them during the airplane rescue. When he saw Buck commandeer that motorcycle and ride it to stop traffic, he called Buck, Bobby's boy.

He lied to the soccer player and said he was a firefighter but when she showed him her injured leg, he fainted.

Two things happened that intrigued me and reminded me of things that happened in previous seasons and they led to my speculation about him.

5x18 8x2

First, when I saw the way Brad followed Buck in the sneak peek video for 8x2 and the way he positioned himself right behind him, I figured he was crazy since he was already fixated on Bobby (related post linked here). And it reminded me of something I saw in 5x18 but it happened with Bobby and Buck. At the end of 5x18, after Eddie returned to the 118, Buck was walking in step with Eddie and within seconds, he was behind Bobby and you couldn’t even see Buck anymore (I did a post about what I believed it meant back then [linked here] and I still believe LD was there to do something to Buck but they changed her storyline and tried to make her a good person 🙄. Reminder she was friends with Jonah). But now it’s Brad who wants to be like Buck because Buck is Bobby's protégé and mentee and he will be captain of the 118 one day and it's been foreshadowed since season 1.  In 8x2, Brad did the same thing Buck did in 5x18 except Brad walked behind Buck and he was almost invisible until Buck stepped away and Brad got in the truck behind them.

5x3 8x3

Second, in 5x3, Buck was sitting in the captain’s seat when Bobby and the 118 went to go and help Athena so she could arrest Jeffrey.  In 8x2 and 8x3, Bobby and Buck were sitting exactly like they were in 5x3 with Buck in the captain’s seat and Bobby driving but reminder, they were in a FAKE fire engine.

Brad HATES Gerrard and in 8x4 it was easy to see especially when Gerrard told him that he doesn’t watch firefighter shows. He said, “ALL I SEE IS WHAT THEY DO WRONG.”   Also, he likes doing things the old school way and it was proven in 8x1 when he was talking to Buck and he doesn’t do things the way Bobby does them.  Therefore, it’s likely things on the “Hotshots” set aren’t going well and Brad wants Gerrard gone and he wants Bobby to come back.  I’ve included a video so the things Bobby, Brad, Buck and Gerrard said can be heard (GIFs are great but IMO, sometimes it's better to hear what's being said than to read it). 

Additionally, Brad thinks Bobby’s like “God” on set and he wants to be like him, so if Gerrard is pulling the same $hit he was pulling with the 118, it's likely Brad will try to get him fired.

In 8x7, I believe Brad will be the one to stage the scene to be like the one from the lightning strike and I think he’s doing it so that Bobby will go back to “Hotshots” and so that Gerrard will leave.  But I also think something’s going to happen and based on the narrative, Buck will be the one to get hurt and Eddie’s going to be the one to save him.

Bathena and Buddie have been paralleling each other for years but in season 7, Bobby and Athena had an NDE on the cruise ship and they had another one at the end of the season when their house burned down and Bobby died for 14 minutes.  But that was before TM (showrunner) changed the scripts after they got an early renewal for season 8.  I think if things would have remained the way they were supposed to, Buddie would've had an NDE too but it would have been both of them at the end of the season so they could have told each other, "I love you" like Bathena did when they were trapped inside of that room on the ship. 

Fast forward to season 8 and the opening disaster was of Bathena again but this time, Bobby was on the ground and Athena was in danger.  I think whatever’s going to happen at the end of 8A, it’ll be Buck in danger because of something Brad did and Eddie will have to use his medic skills and remain cool under pressure like Bobby had to use his firefighting captain’s skills to save Athena by shutting down the I-110 to create a runway for her.  Now all of this could change but reminder, Buck and Athena always parallel each other the same way Eddie and Bobby do so if this holds true then, Buck’s next up for another NDE with Eddie set to save him like Bobby saved Athena.  Bathena and Buddie Parallel posts linked here and here.

The purpose of this post is to offer speculation on why I believe Brad and the “Hotshots” are still around.  They’re there so that Brad can cause chaos to get Gerrard fired so Bobby can go back to the TV show but it’s going to end up in a cluster f~ck and Buck will be the one to get hurt.

[lilia-calderus-pet-goat]

Found-Family headcanons for a³'s coven of chaos, part 5: (because they all deserved more time with each other)

(part 4, here) - (part 3, here) - (part 2 - here) - (part 1, here)

Lilia once had a fling with Carmilla, from the lesbian vampire novel. She absent-mindedly mentioned it one time while Billy was browsing 'queer classics' and he looked at her in absolute shock. “What? I wasn't *always* a hermit—” “That's not what I'm shocked a b o u t—”

Lilia is very irresponsible with what she eats, sometimes forgetting food all-together, never checking for expiration dates, etc. (“I don't mind a *lapsed* expiration date-”)

Jen has taken it upon herself to fix that. She won't let her go grocery shopping alone and she won't let her eat whatever. Your girl makes shopping lists and schedules specific meals for every day each week, to make sure her resident scatter-brain stays healthy.

Jen and Alice vent to each other a lot. Mainly because they provide each other with very different, but also always very honest and objective perspectives. Jen reminds Alice to put herself first on occasion and Alice reminds Jen to give others the benefit of the doubt sometimes.

One day, the Kaplans asked to have coffee with the coven, which made Billy incredibly nervous. Mainly because Agatha wasn't making it easy in the slightest.

Sharon managed to save the day, against all odds. She took them to the side for a bit and comforted them, explaining that she herself is just a regular lady, but she's grown to love the others regardless. And so the Kaplans gave the coven a second chance and ended up finding them rather endearing despite their constant quarrels.

Rebecca Kaplan gets a private moment with Agatha. She tells her that she's sorry about Nicholas, and that she almost knows what that feels like, because she almost lost her son. Then there's a pause, and she adds, “... well, not almost, was it?” by herself. Because a mother always knows.

If it was about anything else, Agatha woulf have mocked her. She didn't. She looked at this woman who's lost her son, but can't mourn him, because he's right there with her—and she nodded empatheticaly. There they stood, two mothers of boys who died, filling the void in their hearts with Wanda's son. And they don't love him any less.

“I'm glad he has you ladies in his life. At first I was... Apprehensive, worried, I guess. But at least he has some people who can relate to him more, understand him, mentor him. Because his father and I—he needs more than what we can give him.” — “Well, you're doing something right. You've already given him the most valuable thing. And for that you are his parents, you always will be.”

When Rebecca Kaplan realises Alice is Lorna Wu's daughter she freaks out completely (since we know she was a fan, having gone to her last concert.) She hadn't made the connection before meeting her personally, despite hearing about her a lot from Billy.

The fake car that Agatha distractedly entered in the first episode was built by John Collins (Herb) at Sharon's request, as 'Agnes' had been trying to break into Sharon's car and use it for her crazy episodes. They got worried that she'd get herself hurt, so they made her the fake car to make sure she wouldn't leave her house.

[goldenwitherphoenix13]

Throwing in my two pence here. This might get a little extensive and confusing, since I'm not great with words, so bear with me and trust me, ok?

First pence goes to this. Small thing on this being a non scripted series, yes, this is very true. None of the "curses" and stuff are planned, any references are usualy just thrown in for fun because the creators love watching us make our own stories and art, and Martyns lore is mostly his own AU that isn't connected to the main series.

But fandoms love making their own interpretations of stories, like Martyn does. It's why I have no problem with the "blessings and curses" of each participant. It's just the fan interpretations of funny coincidencs. The AUs we make. The fan content, artwork and stories, we make with the sturdy base of the life series. Jimmy and Martyn love reacting to fan made content, angsty or silly. They are loving it for the craft that it is! But they aren't canon, and never will be. Both sides know this. Scott's blessing won't always work, Grians widow curse won't always happen, and Jimmy's canary curse won't always play out quite the same as others expect it to do. Speaking of...

Time for that second penny. My interpretation of the Canary curse.

To me, the canary curse was NEVER about Jimmy being out first. It was NEVER about how he is bad at minecraft. It was NEVER about his permadeath being the the first one every time.

It was always about the chaos that came afterwards.

He wasn't cursed to die first, he was just the catalyst of disaster. When players would start to die left, right and center. It was a moment in every series where the red names would stack up and start to kill more and more, because now that a player had fallen, a sense of desperation falls across everyone. Dying first 4 times was just an unfortunate coincidence.

Jimmy is not awful at the game, he has some good skills. We can talk about that in a bit though.

The Canary in the coalmine might sometimes die to warn the coal miners of the poisons, but their silence without death speaks the exact same message.

Jimmy isn't cursed to die. Jimmy is blessed with a warning to everyone else that the end ic coming and discord wii be upon them soon.

And that warning is just his silence, through life and death.

He does not need to die for the Canary curse to come calling. Not to him. But to everyone.

Chucking in one extra penny, I would like to say that I very much think he can win. Genuinly, not having a laugh, not mocking it, and i'm not listening to anyone else. Session 3 gave me a scare, and i started doubting it, but i told myself (and Jimmy in chat) that i believe, and I was right to. Session 4 was amazing for him.

Jimmy is not bad at the game by any means. He can just be very unlucky. Events don't always line up for him so he ends up looking more incompetent than he is.

But when they do, well, just look at his 1v3 in dodgebolt and how he won the tournament for the crown in empires season 1, and remember how he spent the majority of Last life on YELLOW. And even episode 4 of wild life with how well he did in that session. I'm not saying he's the greatest minecraft player of all time because he does have his moments of lacking braincells like we all get, but he has got some skills. He just likes to mess about a bit to make things a little more entertaining for his viewers, he plays with his viewers in mind, but when he locks in, he very much locks in. And I love it.

I do still think he can win a life series. If not this one, maybe another one in the future. But I think he can do it. And if only one person in this universe believes that, then I am that one person.

Right, sorry if anything came off rude, im not the best at phrasing stuff so i might of misworded somethings here and there by accident. Again sorry if i did. I'm not here to change opinions, just to share my own. I'll leave now.

cries because everybody in this fandom sees the thought of Jimmy winning as a laughable impossibility and even people who say they're rooting for him only mean it as a joke and whenever you mention that he's doing good people have to let you know that it won't last long and inevitably he will die first because of some stupid self-fulfilling prophecy that got turned into my least favorite fanon ever. why can't he just be like a player who has a chance just like everyone else does. have you stopped to consider WHY he dies first so often? it's not a curse. this isn't a scripted series. it's because he's incredibly pacifistic and because people generally don't want to help him because they consider him a weak player. both of these things have been done away with this season, he has a taste for blood and an ally who is both incredibly underrated in his strength and has said he would never betray him. jimmy has as much a chance as anyone else.

[fumifooms]

Jinx’s eyes and lost innocence

This sequence.

A bomb like she made in her youth. Except that unlike then, this one works, this one explodes… With paint and glitter and powder, instead of intending to kill or hurt.

The man who shielded himself from it sure that it would be his end, surprised, checking himself for wounds with disbelief, covered in paint, as if it was just some harmless prank. Relief. But the second surprise comes with the sound of the gun behind him. We see their eyes shift, both of them, her steeling and readying her shot without urgency and him understanding with urgency that yes, he is going to die, at her hand, and the bomb was just a fluke, a cruel prank, a distraction at best.

And this. These are the seconds that interest me, what ties it all together. The way we linger. The way she lingers. To, during a fight scene, slow down the pace to watch her face as she pulls the trigger and feels the recoil of her gun, watch her take in how she just took another life, watch her mouth part and her eyelids flutter when she notices the kid.

There are not enough emotions on her face for someone who just killed, but also there are more than there should be for a cold-blooded killer showing as much practice ease as she is. Does she always have this moment when killing someone? Did seeing her paint bomb go off, shooting someone covered in her paint and glitter of it, make her feel anything? Did she see the change in her that empowered her that she both loathes and clings onto in that split moment, too? Why did she even remake that first bomb? Why make it work and make it work to shoot off harmless fun showy things? Why indulge in this remnant of her past, why with that innocent intent intact stills if it didn’t get warped with the use of distracting an enemy to better sneak attack? Why taint that memory? Is the reaction only when she sees the kid?

Why does the camera linger, why does she linger? We’re not sure, and I’m sure she herself doesn’t know, but what we know is that she’s changed, and yeah, we’re low.

The kid, watching the fresh corpse fall, with curiosity more than anything.

Jinx with the gun gesture, reflecting their earlier conversation, referencing it. A shared secret, shared smirks, a relationship forming. Complicity. Jinx is knowingly or not taking her under her wing, shaping her by example like mentorship. A little girl that she resembled once getting desensitized to violence at her hand, encouraged to see killing positively. Empowering.

Episode 2 explores her past and upbringing in many ways, talking about Silco, her many mistakes, seeking out Sevika the last remnant of a person of her life with him and sticking with her, doing something for her despite knowing she should be betraying her any minute now. But fast forward to episode 3, the next time she has to confront it and herself.

Jinx praises Vi for finally using the right name for her, Jinx, and Vi talks about how she’ll kill her so she stops sullying the memory of Powder, blahblahblah. They exchange some punches and rows of bullets, we see Jinx’s eyes take in and calculate and shift here too, react and then react. Vi using the same mirror Caitlyn shot into intending to kill Jinx to shield herself from Jinx’s shot.

But this is it. When Vi uses her huge metal hextech fists to rip her invention, her gun, apart. Jinx is not the only one sullying memories, Vi is here, as an enforcer for Piltover, using Vander’s choice of weapon, and she uses it to hurt her, destroy her things, her inventions whose worth was such a source of insecurity and identity growing up.

This is when Jinx sees so very closely, at the other end of it, her sister’s rage and murderous intent as she rips metal apart.

We see her expression shift again and again during these few shots and the ones before and after. Her face as she watches Vi’s through the wires of her gun. As Vi roars. She grows less confident, less sure, more nervous, dare I say more fearful.

The music kicking up. Jinx’s face right then cutting to Jayce’s with a very similar expression, staring at something he doesn’t understand. "What have we done" he says.

Vi has always always been stronger than Jinx, inventions were how she made herself strong, and Vi can destroy them, Vi can rip metal apart.

And oh. Oh. This is truly really for real now. A fight to the death. No punches pulled.

She crawls away from Vi and it’s only the hextech malfunction that saves her.

Sevika smiles at Caitlyn biting her hand, with newfound respect as she draws blood. At her will, her bloodthirst, how far she’ll lower herself to hurt and fight. This is a scene about corruption arcs.

Jinx stands before Vi whose symbol of corruption just failed her, chained her to the ground vulnerable, and Jinx pulls the trigger just like Caitlyn, just like Vi was ready to do. No punches pulled.

Except they are. Jinx has steeled herself but Vi is softening. Vi is strong but she is vulnerable too and she can be made weak with Jinx’s guns and bombs.

And despite this when Jinx falls from her own weapon misfiring at a shot meant to kill her Vi is reaching out to catch, not hurt. Hold, not claw. Deflect, not counter.

Push, not punch.

Jinx’s eye shines pink like shimmer and this is when Vi shifts on the offensive, just before Jinx fires the shot that barelly misses her as she throws Jinx roughly at a wall.

And now they’ve fully switched places. The longer Vi has to fight Jinx the more she’s conflicted, the more Jinx loses herself to the fight the more she rages.

The chorus swells. "Just when you’ve done it all / you will turn it all / to ashes and blood" No words left to say, nothing left to mend.

She’s ready to die when she lunges at Vi with only her fists, she expects to die, hopes so. Knows from experience their respective results in that punching arcade game full well, even if she were to try with all her might, having tried all her might. She’s felt cursed by fate for a long time and she accepts it, just wants to go out with the most fireworks, to have been seen, to have mattered one way or another.

Vi punches the altar next to Jinx even as she’s got her pinned down defenseless and she readies her fist. And she has all the time to do it, she could have done it, except she couldn’t. And it costs them the chance to killl her.

The scene as a whole has a split focus on Jayce, Jinx and Vi centrally, and the song lyrics match that quite well. The full ones lyrics are worth looking at but to keep it quick: "How does it feel to reach the line that no one ever got to cross? Does it make you a god now?" A rethoric question of course, the song spells it out like it’s a damning wake-up call. The scene is all about regret. Our choices have led us here, it says. Jayce is dreading and afraid of what he’s done, Jinx is empty and as self-loathing as ever, Vi wants to stop blaming herself and is still conflicted on what side she should be on. "Catch the fire burning out your soul / Just make it die or you will turn it all / To ashes and blood" Jinx, accepting this is where she dies. She’s said in episode two she wants to kill the last of her family, but we all know it’s a lie, she’s never wanted to destroy and break things, never wanted to cause ashes and blood. She wants to fix things. She wants things to fix. She just wanted glitter bombs and arcade games. She wants there to be something left she can fix, but it’s all just dust now.

Jinx has never been in that place before, she took the time to draw all those Powders and Vis on pillars while waiting for her to show up so they can kill each other. She’s lingering on the past again, bringing it into the now to use it as a stage for battle.

Jayce is reckoning with the consequences of what he’s created and done, that he might cause a lot of ashes and blood. Vi being corrupted too, by Piltover, by rage, by Jinx, by Powder. Vi is being turned to ashes and blood, this is what jinx has made of her, what she’s made of herself. Vi is being corrupted too, by Piltover, by rage, by Jinx, by Powder. Vi has changed, too. Their whole society, their whole lives, their world figuratively and literally, it’s all crumbling.

"Every sin will be forgiven / If you lay down your weapons to the ground" But that’s not really how this works, is it. Jayce or Jinx can’t fix what they’ve done. Vi can’t say this, can’t fix her. No, they’ve dug their graves and the ground is where they’ll all be. Powder is dead.

Just when you think you’ve lost everything. Everything can get ruined and marred a little more, always. The past is not only in the past, it’s here and it’s haunting. Jinx will keep sullying the memory of Powder for Vi and Vi will keep tainting Jinx’s memories of her sister and their childhood.

[befuddledcinnamonroll]

As much as I was not emotionally prepared for the end of episode 10 after the utter hell that was last week irl, I keep thinking about how well they constructed this episode.

I know there's a lot of varying opinions out there, but to me, when it came to the core themes, what happened made so much sense, and was crafted really, really well.

Like I couldn't give less of a shit about the ring and how it works, because it doesn't matter - there's always some bastard with power that he's abusing, and how he got it and who is going to get it from him next is irrelevant to those of us just trying to survive. They already spent plenty of time showing it's all a game, the ball has just changed hands. It very well could be a magic ring - just look at how people in real life worship and obey money, which is a creation of humanity, not an inherent truth. The point isn't for us to understand how the system works overall, but to see the ways that those of us lower down get manipulated into exhaustion and despair and self-punishment. That's what we need to know about the system - how it breaks us down.

What mattered with the episode was the escalation, the throwing of the crabs into the bucket where they start to pull and tear each other - and themselves - apart.

And it started early. It started when Jack & Joke saw Jennie's character being harassed, and did nothing. Because they thought they were ok, in their little couple bubble. But that's the whole point. It's not just about the two of them, it's about all of them, the collective community, and how none of them are safe even when it feels that way. How none of us are safe.

Jack and Joke both did things we didn't want to see them do, but those are the things the system is designed to draw out of them. Just look at those of us in the U.S. right now. We live in a country that was founded as a white supremacist patriarchal institution, and last week it worked exactly as it was designed to.

Yes, the angst in this episode hurt, but it had purpose here. Because this shit is insidious and horrible and devastating, and even our heroes are not immune to it.

But you know who is immune? Who sees what's truly happening? Who understands what needs to happen?

Hoy. Sweet innocent, baby Hoy.

Hoy gets it, and he convinced his cougar girlfriend, and she convinced the people in the temple. Because as horrific and insurmountable as it all feels sometimes, it is possible for holds of power to be broken, for an oppressor to be brought down.

But it has to be collective. It has to be community.

Jack and Joke are suffering because they are not special, they are not perfect. They are us.

But they will get there, because of what they've built in the community up to this point. And the community will come back for them.

[diangelodork]

DBDA (fuck it i’m calling it) nightly analysis #20!

tonight’s topic: does edwin understand that monty sees him romantically and when?

in opposition to the beliefs that i’ve seen many have, i think edwin understands the romantic implications that monty has for him from the beginning. he is repressed and likely has lots of guilt for being queer, yes, but he’s not an idiot. he knows that queer people exist, he just can’t accept that he is one. he probably actively avoided thinking about homosexuality in the thirty+ years of his afterlife pre-cannon because “yes, that’s a thing, but not for me.”

he is flustered by tck’s advances, of course, but he doesn’t seem surprised that they worked for him. he is a little ashamed and embarrassed, but i sincerely believe that he knew this about himself in the very v e r y y y far parts of his mind. he knew why the boys at school called him a mary anne, he just refuses to accept that they were right. he refuses to think about it.

when he runs into monty (pun intended) for the first time in E3 and monty flirts with him, he looks taken aback, not because it’s a man flirting with him, but because it’s a man flirting with him. he knows that this is flirting, on paper, and he would be able to recognize this were it someone else, but flirting among men is shameful and even if it weren’t, it is reserved for decidedly Not Him (tm). it is a thing for him to avert his eyes at. he is less than convincing when he tells niko that he doesn’t believe that monty was flirting simply because they’re both boys. he doesn’t believe that. queerness was no longer seen as a crime in the uk in 1967, well before he even escaped hell. gay marriage was legalized in 2013 so he would’ve been there when it became legal. he knows that being gay is a thing, it’s just not a thing that he, specifically, is allowed.

he does not seem all that surprised when niko tells him that two boys can “like-like” each other, because it’s something he already KNOWS. he’s using the fact that he’s from a time where it was illegal to be queer to pretend to be unaware. he cannot be held liable for liking men and cannot be questioned about liking monty if he plays dumb.

the next time they meet, he can understand that monty is flirting- that he took the time out of his day to chart his astrology specifically and is sitting with him to explain it. he knows that this is him expressing romantic interest. this is part of the reason that he’s not taken by much surprise when he asks him out in the next episode. truly, edwin hardly even flusters. he tells him he can’t go out with him because of the case, but reschedules a date for later.

he knows this is a date. again, he is not dumb. he knows that monty is and has been sending him major fucking signals this whole time and he is just now choosing to engage back fully.

when they eventually do go on that “walk” and end up at the swingset, he tells monty that they should “stop seeing each other.” this is an interesting choice of words because it is him verbally admitting that this is romantic. to stop seeing each other, you must first BE seeing each other. he knows these interactions to be modern day courting. monty has been actively flirtatious the entire time, but this is the first time he’s verbalizing that this is anything of the sort. he is rejecting him here. he is admitting that they should stop courting because he has been made aware of his feelings for charles and it wouldn’t be right to anyone involved if he were to keep pursuing monty. it wouldn’t be fair to monty because he would be entertaining romance despite being wholly in love with someone else, it wouldn’t be fair to himself because he would be living a lie, and it wouldn’t be fair to charles because he would be blindsided by all of it. he’s surprised that monty kisses him, not because he thinks that monty was just being a Good Pal (tm) this whole time, but because he was actively trying to reject him.

all this to say, my mans knows what gay is, he’s just been forced to pretend that he wasn’t all his life and that happened to stay with him into his afterlife. bro’s repressed and filled with guilt, not unaware.

[doodler16]

“Loser, Baby” should’ve been a heart to heart conversation between Husk and Angel Dust instead of a song. I understand both sides regarding fans and critics. The song is supposed to inspire Angel dust to open up, that he is not alone, and embracing his qualities in a healthy manner. Which is fine, the problem is the execution.

Husk starts off “Loser, Baby” by being honest and stating the obvious: how things are hopeless and how Angel’s life is wrecked, not sugar coating things like Charlie would throughout most of the show. But things take a turn when Husk surprises Angel Dust and getting his attention when Husk is like, “yeah you are correct, not only does your life suck but you are a loser.”

Things go immediately downhill when Husk continues to call him a fucked up little whiny bitch, a loser again, screws loose boozer, an only one star reviews-er (reference to Angel Dust showing his porn film earlier in the same episode that won him a sex award), and power bottom at rock bottom. Near the end of that sequence, Husk mentions to Angel that he has company.

All the things Husk said, that I listed sounds like something Valentino would say to Angel Dust to demean, mock, and emotionally abuse him. Imagine Valentino saying all this exactly how Husk is doing right now. It changes everything. Understandably, Angel Dust is annoyed and even questions how this is supposed to make him feel better.

Husk continues the song and we, the audience see a more vulnerable side of him. Husk mentions how he thought no one could relate and how damaged he is. Husk says that you should let walls down and how Angel Dust is not the only one who is suffering.

There are other positive messages in the song like: “it time to lose your self-loathing excuse yourself, let hope in.” “Play your card, be who you are.” Which is great! The problem is the positive words featured aren’t the complete main focus and felt they added near the end, it’s mainly negative words like how Husk and Angel are both losers, Angel calling himself a coked up dick sucking’ ho, a schmoozer, and a dummy. Both demeaning themselves in the process.

If all those small positive words sprinkled in the song got completely removed, would anyone still think it’s empowering? So, I don’t blame anyone for thinking Husk was/is victim-blaming Angel Dust when most of the song featured negative words. And, I’m not surprised that it got lost in translation and many are still fighting about this song till this day.

Also Husk’s wording in specific parts of the song makes him sound dismissive. For example: when Angel says how sold his soul to Val’s weirdo ass. Husk says, “Haha, and you think that makes you unique?” I get what Vivziepop and the writers were going for but his wording was so awful.

[almayver]

Dome decided to share a bit of the PP Bible!!! (All the text is thanks to google translate, sorry) (This is LONG)

Part I - What is the Bible? This is what Phi O taught Dome. It is a tool that helps the team see the overall picture of the project. Sometimes, just the script may not be enough for the team to see the picture or see the direction of the work that Dome will direct. So this was created. It will consist of many things, from mood & tone, color scheme, cinematography style, etc., which are quite detailed. For example, the color scheme, Dome has to divide it. In the actual film and the promotional work or graphic work, they must have different colors. This is due to communication reasons and the chosen direction. But the main thing is mostly personal preference.

PART II 📒 Storytelling - To make it easier for the team to understand the 12 episodes of ON SALE within 10 minutes during the first meeting (if we read the script ourselves, it would take at least a day or two), Dome summarized the whole story for the team to see.

📒 Genre - What type of movie is Haunted House? Phi O forced us to choose only 3 types. At that time, Dome chose Heartwarming Spooky Comedy. At first, he used the word Scary, but Phi O said, "Isn't it that scary?" Let's change the word. — The main reason for dividing the movie types clearly was so that the team could understand each other that, "Hey, Phi, this movie actually has many more genres than that." So we had to divide the percentages. When writing a script or working on different parts and feeling confused about the mood and tone, try to look back at this pie chart so that you can find the right path. The actual result was not exactly the same. Drama 5% like this, is that right? 5555

📒 Logline - The synopsis or you can call it a plot. In the Thai film industry, it is used in a confusing way in each place. The assignment that Dome gave himself was How to tell it concisely, to make it understandable. After reading it, I felt like I wanted to watch this movie. I can tell the type of movie completely in one logline.

📒 Archetype - Brother O asked me to summarize the haunted house in 3 concrete ways, which must tell the story of the movie as much as possible and also have some abstract meanings hidden in it. Dome ended up summarizing 3 things. The first is Haunted House, which I argued with Brother O again about what kind of haunted house you have, a real haunted house or a haunted house in an amusement park. Well, it must be a haunted house in an amusement park. It meets the comedy requirement more. — The next is Bro, Homie. When our main characters are Home and Peach, it is a relationship between men who are not romantically in love like a couple. But that's it. When it is done, it becomes a male friendship that is suspicious until it ends up like that. I blame Brother Taynew too. 5555 Just kidding. — The last one is Dinner Table because it feels like a concrete, warm Asian style.

📒 Story Arc - The act of the movie. How many acts will this movie have that clearly divide the proportions of where the story is going now? And where will it end? Dome divides it into 4 main lines — the first line is Outer, what is the story, which property, what ghosts did you encounter? — The next line is Inner, going into a bit more detail, adding in the character's feelings, what is the main mission of the episode, what is the end result of the episode? — The last two lines are a summary of the act of the film, what is the Theme and which direction is the film taking the audience?

PART III 📒 Character - Who are our 4 main characters? What do they do? What kind of people are they? Dome has summarized them briefly and clearly. Plus, as a nerd (pretending to be smart), I happened to read The Eight Characters of Comedy by Scott Sedita. The summary is that he teaches how to write 8 types of comedy characters. No matter what situation or equation you put in, if there are characters like this together, there should be some comedy. If you are a nerd, try reading it. Dome has used this until it became a muscle for the 7 years since he started this career.

📒 Chemistry - Once we saw the images of the 4 main characters, let's summarize the chemical equation of this ghostbusting gang a bit. Use the principles of MBTI and Cognitive Function to make it easier to understand. This slide was used since the pilot was filmed because Dome and the actors did not have the opportunity to workshop before filming. At that time, I showed it to P'Ten, New, Muk, and Jan so that they could understand each other immediately in the limited time.

📒 Costume - Make a rough guide for the costume team to see that How does Dome see the characters dress? What kind of look do they wear? Do they wear accessories? What are their personal items? What color do they like to wear? When the costumers see it, they can develop it further. On the costume side, they will continue to make something called a Costume book, which is a costume bible specifically. It goes into great detail. For example, today Home will wear this outfit and this color because Home feels this way right now. It is consistent with the story in this episode. And there is also an overview of each EP. Do they go together? — The real Costume book takes many days to make, choosing the details of each outfit and each episode. And there are many outfits that were not used in the story because there was no place to put them. What a shame, lol.

All of these are just examples from the 4 main characters. We haven’t included supporting characters, guest characters, and ghosts in the story. So, multiply the three topics above. How many more characters are there? How many more pages do we need to make? (Bragging again)

PART IV 📒 Episode bible - If you have read this far, everyone should understand the benefits of making a bible. Each episode needs to make a separate bible for each episode. That means you have to go back and do it from PART I to PART III for each episode. It is not strange that there are more than a hundred slides. In conclusion, the team that criticizes is tired. 5555 Just kidding.

Apart from the Direction bible, other teams also have their own separate bibles, such as the Ghost bible, which is a bible that is purely about ghosts in the story. For example, who the ghosts are, what they look like, what is the cause of death? — The Food bible is a bible of all the food in the story, what menus are there, how to cook the food, etc. — Each team makes their own bible in detail so that everyone can understand and see the same picture as much as possible. This doesn't even mention the Cinematography, Art Direction, Location, Extra characters, etc. There are so many more. It is so detailed. Just thinking about it makes me discouraged. 5555

That's all for bragging. Anyway, thank you very much to everyone who read up to this point 🥳

PS. Recorded on NOV 14, 2024. If any knowledge is wrong, I'll be honest. It's Dome's knowledge and understanding at this time. If it causes anyone any inconvenience, I apologize. 🙏🏽

[austenpoppy]

Guys, I love both Dickory and Dickbabs. Everybody hates Annual 2 because, 1) it spits on Dick's character, 2) it spits at us in the face, 3) it makes a mockery of all ships, 4) the timing doesn't make any freaking sense. If you read New Titans, there is just no way Dick would or could have cheated in that moment in time, not after what happened with Mirage, when he was blaming himself for being raped and not recognizing Mirage was posing as Kory, when he was holding on to his relationship with Kory so tightly as his last source of happiness after losing Joey, Raven, Danny, Arabella, Vic in many ways, and there was also something going on with Clark (was he believed dead ?).

But let's not stump on poor Dick during that time in New Titans. Please. Let's not make up things that weren't there. And let me convince you there was no domestic abuse involved.

The images I put below are, at least the way I interpreted them, a dream sequence imagined by Kory in her sleep, which we know because right after, before the scene itself ends, there's an image of Kory waking up in her bed in the middle of the night due to Dick's incessant ringing. Plus, the very tone of that sequence seems off, exaggerated - like a dream would be.

New Titans #99

And if you're wondering about Dick's tattered costume when he comes in Kory's flat, let's just say the art is inconsistent - Dick had, as you can see, no visible hole in his costume after Kory blasted him if that sequence were real, so I don't see why we should consider this a real scene on that basis alone.

As for the random strangers, they're...not random strangers ? The guy Dick punches in the face is a paparazzi who was photographing him along with other paparazzi right after Kory broke up with him, and were harassing him and taunting him/making fun of him - they heard Dick shouting after Kory.

New Titans #97

Yeah, if you look at it I guess it's still assault under US law, but frankly you'd have to be a saint not to punch one of those slimy buggers in the face after everything that went down. Also, Dick doesn't seem to like paparazzi much - years later, he was less than pleasant to the people harassing Alfred in the Vesper Fairchild murder.

Part of the Bruce Wayne: murderer ? story arc

Do I hate that Kory broke up with Dick that way and blamed him for what went on with Mirage ? Heck yeah. Do I hate that Dick proposed to Kory as a last resort not to lose her ? Also yes. But I wouldn't say those issues were worse than Annual 2. It goes downhill after (you can guess I'm still fuming about many things that went on after that wedding, including but not limited to Kory's character progression being erased, and Dick shouldering the entire blame of their relationship's end and thinking he was too "self-absorbed" in the whole Mirage episode).

Thinking about shipping problematic pairs from last night…

Something that really annoys me is how everyone goes off on Nightwing Annual 2, but mention Dick and Kory’s wedding as a shitstorm of epic proportions, and you get crickets.

I own Nightwing Annual 2. In print. I paid above the cover price for it. (And I read comics digitally. I don’t own single issues in print much at all - couldn’t even fill a short box with my collection. Trades, yes, issues no.) Yes, it is heinously out of character for Dick to have cheated on Kory with Babs, no question. And the scene when Babs comes to the door to see Dick and is lied to by Kory, and leaves in tears and then Kory lies to Dick about it? Also very out of character for both of those women. Both of those moments are really serious missteps of writing, that is for sure.

Aside from those two parts, which I pretty much skip over when I read it anyway, I really like the book. Joe Bennett and Jack Jadson’s art is beautiful. It always is, but Bennett’s Babs is extra stunning and an A+ to them for remembering how tall Kory is. (Their run on Birds of Prey is also my favorite art on that book.) In terms of story, I love the rest of the memories Dick and Babs recount - getting locked in the safe together, Babs POV of when Dick tried to tell her how he felt about her, and the ending is heartbreaking and beautiful.

But, I mean, really. To like this book publicly is to rain down a storm of fandom haterade on yourself. Which, to be honest, fine. That kind of thing doesn’t really bother me in and of itself. It’s just the hypocrisy of it all. New Teen Titans 97-101 is at least as bad - worse, IMO - in terms of characterization for Dick and Kory and no one ever says boo about it. Dick hits total random strangers because fighting with Kory makes him angry. He gets physical with her, and she blasts him with starbolts. Straight up domestic violence. And still, crickets! I have a 13-page NOVEL about how many problems I have with the way DickKory has been written, at least half of which revolves around that engagement/wedding… (a lot of which is really angry and I hesitate to publish but had to write out for myself.)

But why? Is it because - other than TT!RobStar - there aren’t many real DickKory shippers left to either excuse or renounce it? Is it that DickBabs is an “actively sailing ship” and all of us shippers feel like we have to trip all over ourselves to make an exception of Nightwing Annual 2 so that people won’t hate our ship?

Like, what’s the deal here?

[herefortarlos]

Just some takeaways from these interviews that feature Ronen, Gina and Brianna!

Enzo will be back in episode 5x08! "We'll probably have to see Enzo in some orange colors, a jumpsuit perhaps because he's in big trouble right now."

Ronen gushing over how cute Jonah was when he says, "Hi, big brother."

Could this be leading to TK and Carlos taking in Jonah? And Ronen's deflecting response of, "I have no idea, that would just, I don't know, I just, I just work here." And looking away from the camera.

Ronen talking about the karaoke scene and having "no idea it was going to be Freddie Mercury, you know one of the most incredible singers of all time. Really talk about under pressure because of course they gave me the Freddie parts. So I was a little nervous because it's one thing to sing karaoke in front of people but this is gonna be watched by millions of people, so I hope I did a good job, and to sing with Henry and then Rob was so iconic... because it's TK and his two dads and how important they both are to him and just crucial to who TK has become as a man...." "They picked Under Pressure for us for a reason, I think the lyrics are very telling."

Talking about the Tarlos photos! "That's gonna be a recurring gif for the rest of time for sure! They knew what they were doing with that one."

Gina does not think Tommy would have stepped away if she had not been hurt like that for her to realize she had to take care of herself.

Brianna and Gina talk about filming the hospital scene! Tommy having to come to terms with leaving a job that means the world to her. "It had so little to do with trusting who I'm going to pass the torch along to and so much more to do with the trust and belief in the woman that's in front of me. And so it was bittersweet...but I know you've (Nancy) got this!"

Ronen saying, "Tommy is Nancy and TK's mama bird. Especially after 5x05." "That scene at the end of 5x07 is so beautifully heart breaking between Gina and Brianna, I just rewatched it again and just started crying on my own, and oh my god, when she asks her to become the temporary Captain..." "But that leads to some really fun stuff for Brianna and I. It's like the kids get to go out on their own now, so you'll see a lot of paramedic calls with just us, which is really fun. But Brianna really holds it down as Captain and we'll see what that leads to Tommy if she can come back or not. There's a lot of intense stuff for Tommy."

Brianna saying, "It's gonna be just TN." "Ronen and I had a lot of fun with the TN dynamic. The kids are taking the car!"

Ronen saying, "TK and Nancy are so close, especially this season, and Brianna and I got really close this season, and I just love her so much and I think you start to see that when we go out on the calls ourselves, and they're gonna be silly little kids, but still professional and so good at what they do and I think that dynamic is going to be really fun to see." "I'm so excited for people to see Brianna really shine and get her moment especially as Paramedic Captain, that's such a huge honor."

Gina talking about the story line Rashad wrote for Tommy this season, "Sometimes it's triumphant and sometimes you don't want to be there... If you're invested in Tommy, it's gonna hurt."

Ronen talking about Carlos' father's murder. "Carlos starts making more progress in the case...and then there's gonna be a few other questions that are going to be brought up that are really going to challenge TK and Carlos."

"Some of the questions are, "Are we ready to take the next step in our relationship?"

"TK fears for his husband's life because Carlos is getting involved with some really bad people, and I think TK vividly remembers seeing his husband almost die when he was kidnapped and I think that's probably an image that plays in his head and I think that's something he never wants to see again. His actions are coming from caring and fear..."

Ronen says TK has at least one scene with Campbell.

Ronen was asked about Judd drinking at his party and if TK will notice with his addiction, and Ronen said, "That leads to an incredible scene between Judd and TK. I think it opens the door for Jim to really shine and another side of Judd we may not have known. It's also just beautiful because Jim in real life is sober and it's a beautiful way for Jim to put his own experiences into that character."

[akirathedramaqueen]

CBT and Exposure Therapy: Blitzø Showcase

An important (really, don't skip) disclaimer

If you are contemplating whether or not you would benefit from any kind of therapy, consider consulting with your medical provider first. While I did my best to validate all the points made using publicly available resources, I am not a medical professional. At the very least, I strongly advise that you do your own research and not take some amateur's opinion about a character from a silly demon show for granted.

"Everyone in this show needs fucking therapy STAT!"

We hear fans screaming into the void every now and then. Me too. I plead guilty and I willingly put myself in custody. But I am not taking these words back.

Especially often it is being said with Blitzø in mind, who, as hinted earlier and clearly shown in the latest episode, Ghostfuckers, is not doing okay. Not in the slightest.

Which is . . . yes. Indeed, trauma-ridden Blitzø is a major problem for both him and those around him. Yes, we see him reaching his lowest point now exactly because he left these gaping wounds untreated for so long.

But the tricky question is—how, though? What to do? Will a good talking to a confidante help? Or, maybe, some kind of shock would snap him out of the spiral?

I've been pondering on this topic for more than 4 months, and, as the Ghostfuckers came out, I finally got all the data I need to prove a point. The show did all the job for me and effectively made Blitzø go through improvised versions of two popular therapy techniques. And, before I even start, I want to say—I am so glad with what we ended up with. What they did, and, more importantly, didn't do, aligns well with how it would likely happen in real life.

So buckle up, and let's see where it gets us!

Therapy # 1. Cognitive-behavioral therapy, or CBT

This is, in essence and with some corrections, your good old talking. Here you can find more information about it, so, if you're not familiar with the topic, I recommend following the link first.

But, very shortly: CBT is an extremely common approach to be tried while you're dealing with anxiety, depression, and a number of other mental disorders. What it aims to do is to help you get past unhelpful thinking (distortions) and learn not to act on it.

Looks like it fits the bill, right? Blitzø has a lot of issues with self-fulfilling prophecies, infuriatingly stupid assumptions, poorly thought-out actions . . .

But he's not like, you know . . . w-we're not, like . . . we're not doing a . . . w-we . . . what's betw— It's a transactional fucking, you see.

If you don't feel like coming, that's OK! I'm sure I can do without it for one month. :)

Stolas only cares about having a rugged peasant raw-dog him into his matress! It's nothing, ya know . . . it's nothing else.

You . . . no longer have any obligation to see me, to touch me, to bed me . . . You are— you are free of me.

He sees things which aren't truly there.

It's not Stolas giving him space after the disaster in the 'Ozzie's.' It must be Stolas not needing him anymore, getting tired of him.

It's not Stolas caring about Blitzø. He is a royal, why would he care how an imp's day he happened to be fucking was?

It's not Stolas setting Blitzø free and putting an end to a problematic transaction they had with the hope for it to grow into something more. It's him getting rid of Blitzø.

As a result, he ends up hurting himself and the relationship he had with that one sad gay bird he happened to fall deeply for but literally trashed in his own house twice, acting on nothing more than frenetic fear of losing Stolas, but in reality, driving him away even more . . . for good.

I mean, you royal fucks think you can do this every time, like you can just play with our feelings because we're smaller and not as important!

Ha! I'm right, aren't I? You get off getting plowed by people you look down on!

And I can sorry more people, everyone but you! 'Cause I don't owe you dick! Everyone, but you . . .

So, the case's closed? Let someone—say, Millie—talk to him and tell him how wrong he was about himself and the others?

Well, here's the thing. Despite him being infinitely wrong about Stolas's intentions, we can't deny the fact that every one of his beliefs was not, in fact, a distortion. It'd led him to wrong conclusions, yes, but it was built on the information he received and legitimate experiences he had in his life. Here are only some of the facts connected to only this situation with Stolas, but there are other problematic behaviors and other reasons for him acting the way he does.

Fact # 1. The circus fire did happen, and Blitzø was the reason for it. Unintentional, and of course it wasn't his fault, but it still ruined the lives of many people—him included. Blitzø cannot act like it never occurred.

Fact # 2. Hell is divided by class and race. Their situationship with the grimoire was an embodiment of that inequality. A lot of Blitzø's outburst during the Full Moon and later in the Apology Tour was connected to it, to his beliefs that Stolas is the same as the rest of the privileged circle. Beliefs, I stress, justified by the real world. Stolas is more of an exception, and even then, his behavior is only different when it comes to Blitzø. He still acts the same toward other imps.

Fact # 3. We knew about Stolas's intentions all along, but before that fateful Full Moon, what Blitzø saw was Stolas avoiding him and not communicating the issue the Ozzie's date had raised. And before Ozzie's? Stolas did act entitled and inappropriate. He was baby-talking to Blitzø and used derogatory terms while addressing him. The dude literally called him an impish plaything in the Truth Seekers.

Fact # 4. Blitzø's heavily implied (though not officially confirmed by the show) existing conditions—ADHD*, BPD**, PTSD, and dyslexia/dyscalculia***—do affect his life, and while Hell seems to be somewhat receptive of neurodivergence, he still has to deal with it every single fucking day. He is going to be avoidant and afraid to be abandoned at the same time. He is going to hate himself. His learning disabilities are going to make his life harder. No way around it.

Note: *, **, and *** contain links to separate meta-analyses from @timkontheunsure and @tealvenetianmask about the respective conditions and how they show themselves in Blitzø's case.

And my beef with CBT here is exactly that. CBT's goal is to gaslight you into believing your distortions hold no water and suggests you just ignore them. And, as I've shown with Blitzø, these reactions and assumptions aren't baseless. They are legitimate, and, in fact, sometimes help to get by. Even though it's a crooked crutch, you can't learn to walk properly by just throwing that crutch away. You're still going to limp, and oh, will it be painful.

This is oversimplistic and dismissive. Anxiety and depression don't come out of the blue, and with mental disabilities, it's even deeper. The class/disability stigma is alive and strong, and just slapping a "you're fine" bandaid on your traumatized self isn't going to help.

Therapy # 2. Exposure therapy.

Exposure therapy is another approach commonly used while dealing with traumatic past and its aftermath—PTSD, anxiety, phobias, and such. Again, if you're not familiar, there's the link for you, but very shortly—the therapist puts the patient in a safe environment and 'exposes' them to the feared object in question for limited periods of time. The goal is to eventually get rid of the targeted fear and decrease avoidance.

And Blitzø has got some phobias for sure.

The fear of letting everyone down. Again.

And the fear of abandonment. Again.

All of it is a result of self-hatred, sitting so deeply it rules his life and his vision of how others perceive him. Said it himself. Almost.

So, where and how does the show expose Blitzø to his traumatic past?

First, the most recent, and the most obvious one—Rolando and his slideshow of all traumatic events Blitzø ever had in his life.

Second—Blitzø's drug trip in the Truth Seekers. While it does not contain the events of the past as they were, it does force him to face his fears.

Are you worried I might have enough of it one day as well? . . . You're going to die alone! . . . You're going to die alone, Blitzo!

With some stretch, the third one is Verosika's 'Blitzo sucks' party. Where Blitzø was forced to see the consequences of his avoidance and rejection.

Note: to be clear, I do think the party does not show the true extent of Blitzø's actions and how much he'd hurt people. It was exaggerated by Verosika, and here I explain why this is the case.

So, what gives? Or, rather, what gives it not?

It might sound funny now, considering I brought it up myself, but I, once again, say this is not therapeutic, just as CBT kind of 'talking.' If anything, all these three events did more harm than good.

The D.H.O.R.K.S.'s goal in the Truth Seekers was to torture the information out of Blitzø. He was not supposed to overcome it. He was supposed to crack.

The Verosika's goal was to ruin Blitzø's reputation. She was working her ass off to prove he's just a heartless freak.

The Rolando's goal was to fucking kill Blitzø.

And okay, their motivations had nothing to do with helping him, but maybe it did, in its own twisted way?

No. The writers added this to push Blitzø past the breaking point, not to heal him, and to show us more of his lore. Each time he was forced to face his past or fears or consequences, he was only spiraling more.

The only thing which did him some good was . . . well, Millie finally seeing his bravado mask falling off. But the cost of it was way too high. Not worth it.

To the therapy's defense, some points why it would never work in the way it was done in the show:

Blitzø had never given his consent and was not ready to face it. I might be very rude right now, but go and try producing some explosion-like sounds in front of war veterans without letting them know first and see what happens.

The amount of fearful experience exposed was way too overboard. He couldn't possibly digest it in a healthy way.

The environment was not safe. It was straight-up retraumatizing, an intentional one.

So there's that.

But what helped then?

We've briefly brushed over the fact Millie did talk to Blitzø. While I did imply this might be an example of CBT, here are some key deviations from the classic therapy which made all the difference.

Millie didn't sugarcoat all the shit Blitzø did. He was hurting their business. He didn't pay her. He was reduced to Bethanie. It showed her opinion can be trusted.

Millie apologized for not being there for him sooner. She admitted she relied too much on Blitzø being bulletproof, unbothered by everything. She admitted she didn't support him in a way he always did.

While proving she could never hate Blitzø, she used their common story, one he knows and can recall. She used evidence to prove him wrong, not a "it's all in your head" bandaid. And more than that, later she proved it with action—not for one second did she believe Rolando and his shittalk about what Blitzø supposedly was thinking about her. Her unwavering faith spoke more than any words ever could.

Getting back to exposure therapy . . . Metaphorically, she reminded Blitzø he can handle a beating or two. And physically beat the infestor demon out of him, which, as we can see later, didn't really affect Blitzø that much. He wasn't even battered. So, apparently, when the said exposure is done by someone who genuinely tries to make you feel better and knows your limits well, it might just work?

And finally, Millie acknowledged Blitzø's pain. She didn't brush it away. She validated him.

What all of this is about?

Like every treatment, too much of a medicine can become poisonous. So are CBT and exposure therapy.

They might help, and lots of research shows they do in certain cases. But there are limitations to what they can and cannot achieve, and they have to be adjusted to each individual story, to each trauma, and they should not be applied as a way to mend the outcome of the trauma without taking into account the story it comes with. Again, legitimate concerns and experiences cannot be brushed away or ignored.

Actualy . . . we've seen where it leads in the show too. In the beginning, Millie was quite dismissive of Blitzø's worries—all of this over a . . . breakup?

And here it comes full circle.

Only when Millie started taking Blitzø seriously, did it help them progress. And look how quickly we've switched from a complete despair to a glimmer of hope! Isn't that a beautiful closing scene?

As a closing note—we do not need to 'fix' Blitzø. After all this shit he went through, there won't be a day where he wakes up and be like, "Hey, I don't hate myself anymore! And look, I'm not afraid to be abandoned or misunderstood!"

I'm sorry to break it to you, but this is a lifelong battle. Being mentally whole, healthy, and constantly happy is no more than a myth, and everyone has their own demons and skeletons to deal with.

What Blitzø needs is some good support system to pull him back when he's down.

And boy, do I hope that one particular owl will fill in that role of unyielding pillar for Blitzø each time our lizard will fall into that pit again. Look, I love Millie, but there's only so much she can do. She can't be always present, she has her own life . . . and her own disaster of a husband to look after (affectionate <3). Here and here @lost-romantique talks about Stolas's capacity of loving, with me occasionally nodding, ha-ha. But to be short—it's fucking immense. And since he loves words, I do believe he has all the energy to tell again and again and again how awesome Blitzø is. Even if Blitzø wouldn't believe it himself.