#at the beginning. in reference to HER SPECIFICALLY

[lambilegs]

THE TENDER SANCTUARY BETWEEN MONSTER AND HUMAN

contains: vampire!lee, 18.5K words, cursing, graphic descriptions of blood and violence, detailed killing of animals for vampire feeding needs, lots of self-shame and existentialism about being a vampire on lee's end, lee drinking blood from reader (becomes quite sexual in nature), sexual content (so minors dni!!) (+ specifically, making out and dry humping), mentions of shooting + gun usage, injuries (+ a bullet wound described in great detail), internalized shame about kink, religious trauma, reader's genitals are spoken of but aren't referred to w/ any direct terminology

inspired by the following asks: ask #1, ask #2, ask #3, ask #4 (thank you SO much to you guys, you're the ones who really planted the seeds of this story and gave me the ideas + inspo for it mwah mwah)

soundtrack: night shift by lucy dacus, 505 by arctic monkeys, apocalypse by cigarettes after sex, k. by cigarettes after sex, romance in f minor, op. 5 by tchaikovsky, swan lake act 1, no. 5, pas de deux: ii. andante by tchaikovsky, romeo & juliet, balcony scene by tchaikovsky

divider by: @faeberrywine

taglist: @2jewelz, @sillysillyparty, @jinxvex

lee is never going to trust carter's judgement ever again. that's the first thought she has when she's suddenly yanked back into reality, into the throes of life, when she was certain that she was on the edge of death just moments ago.

she had warned him that something seemed off about this case, something bent from reality. but, just like always, he refused to believe her, claiming she was just being paranoid and there were no supernatural ongoings. but, lee felt it. the history of the family they were investigating was seeped with mystery and unexplainable occurrences. people who looked the exact same for years upon years, a tendency to only be witnessed publicly at night, an intense beauty. 

she had known something was off, and now, because of her superior's stubbornness, here she is: convulsing and writhing, tears leaking from her eyes as the daughter of the family, a woman who looked close to her age, but whom she lee suspected of being alive for two hundred and twenty three years, presses a fresh cut on her palm to lee's gun wound, intermingling their blood together. she feels the effects immediately, her body surging with an energy that soaks into her veins and drenches her nerves.

carter witnesses it all from where he was shooting the mother of the family, but to no avail. all she does is cackle, watching him with a wicked gleam in her eye. she makes no move to chase him, or attack him, which is only more unnerving. it implies that even if he gave chase, and had the advantage of her lingering at the back, she's certain she'd still win. carter seems to realize this, for his eyes are wide, desperately flicking to lee. it seems like he finally understands. 

but, it's too late. lee can feel the tight ball of anxiety wedging into her stomach as a new feeling wraps around her body, making her feel lighter and easier to move, as though her limbs no longer weigh anything, as though her bones are made of plastic. it's terrifying, and she finds herself paralyzed to the floor, overwhelmed by the flow of power beginning to push through her body.

"I didn't think you deserved to die," the woman by her side whispers, pressing a kiss to lee's cheek before slinking back to her mother.

the two women let carter and lee go, taking advantage of the vulnerable position the latter is in. lee knows that in their mercy, they're silently telling them to keep to themselves about this and that they won't be so lucky if they pursue this case again. lee hates to leave a case, especially one right at her fingertips, unresolved. but, she knows in her weakening state, body flooded by all the new sensations and unable to cope, along with the abilities both women possess, her and carter will never reasonably be able to arrest them. and even if they did, what would happen then? they'd spend an eternity in prison?

there are too many questions, and lee's mind is a bit too numb to answer all of them. and so, despite her internal protests, she lets carter wind his arm around her waist and help her stumble out of the home. it looks like any other suburban house. if only people knew.

carter insists on keeping her at his family home in the guest room, and lee knows it's not just care for a partner that's driving him, but an acute sense of guilt too. she could detect it in the shaky way he tried to explain what happened to his wife upon the two of them tripping past the threshold, bloodied and bruised.

lee doesn't exactly like it. she's appreciative, sure, but she'd prefer time away from carter after what happened. time by herself, where she can research as to what happened and if it'll result in what she fears most. she felt a change, some change, in her body, that's for certain, but a part of her weighs heavy with the desperate, bottomless hope that it's not what she thinks it is. 

she wants to deal with all of that alone. but, carter is still her boss, so she lets him bring her soup everyday, and she comes down for family dinner with him, anna and ruby. and in the evenings, she talks to ruby about the child's day. if it were under any circumstances, these conditions might be tolerable, nice even. lee doesn't exactly enjoy the constant stimulation of being around people, but here, the carters give her space due to what she's been through (not that anna even knows the whole story). so, it's not too bad. the first day, it's actually surprising to her. it's been years since she's actually had a taste of a family dinner with so much laughter and affection. not since she was a child before her ninth birthday.

on the third day, though, all of her neutrality towards the situation shatters. she wakes up with a ravenous hunger, her stomach wretched with a deep, grumbling pain from how badly she needs it. the back of her mind whispers what it is -- the answer is right there, but lee's always been good at compartmentalizing, and she practically drains that ability of its use through her denial of what she's become. 

that is, until anna comes in with her kind smiles and soft eyes, and lee nearly lunges at her. her mind is screaming for her to sink her teeth into anna's neck, grip her body and let it go pliant as she drinks and drinks. her hands are itching with it, her stomach is rumbling in desire for it, and by the time anna leaves the room, lee nearly throws up at how hard she had kept her body stiff in order to control the urge. 

she leaves that night. carter presses that she doesn't, but all it takes is for lee to say, "carter, I'm becoming what they are. it's not safe."

the firmness of her tone, or more likely, the underlying threat to his family that hides within the words, is what finally has his lips pursing. after some moments of contemplation, he nods and drives her back to her cottage.

the entire ride is torturous, and lee, very unlike herself, slams the door without a goodbye and runs into her home. 

at nighttime, it worsens. exponentially. her gums ache and bleed, and a choked sob bursts from her mouth at the sight of fangs protruding from her teeth. her nose starts capturing everything. every musky leaf amongst the trees surrounding her, every mineral and rock, every animal--

her head whips up when it's near. the blood. 

she makes her first kill that night. a rabbit, a poor creature who froze upon seeing lee leave her door. but, the hunger was too much, too consuming, lacing her body in ropes of it and tugging, too tight. on her porch, her hands rolled into fists, nails digging into her palms, her stomach sunk with guilt and horror for the urges pulsing through her. and she tried, so hard, to go back in. she almost made it, one step in. 

but, then it moves, and lee catches a whiff of the scent again. her legs move faster than she can process, and seconds later, her teeth are sinking into its small, innocent body.

that night, she can't even sleep, mind whirring with memories of what happened. the way the animal's eyes widened, flashing in the darkness, before she gripped it so brutally, biting into it. it barely even resisted, just squirming before accepting its death to lee's mouth. 

the reminder of it makes her sob into her pillow, her chest aching with the weight of what she’s done, the sin she’s committed. what's worst is the fact that her stomach no longer growls and tempts her -- it's satisfied. she's satisfied. 

she knows what she is now. logically, there's no denying it. these urges, these primitive wants -- they've never existed within her until that woman pressed their wounds together, sending their bloodstreams intermingling. she's a vampire. or if not one yet, she's becoming it. 

lee, for days, ignores the revelation, an irrational part of her hoping this is all a nightmare she'll shudder to a brutal awakening from. or that maybe these symptoms are temporary. but, the more she compulsively researches her conditions, sneaks into libraries at night to dive into literature about it (because, yes, the morning after her first kill, she found herself writhing in pain, her skin stinging from all the open windows), and observes her own behaviours, she can't ignore it. this is a part of her now, if not who she entirely is. a horrible, disgusting part she tries to ignore, she tries to shove aside as much as she can.

for months, she isolates herself, sunk into a complete abyss of melancholy and devastation over what's happened to her. she doesn't know what she'll do, how she'll cope with all of this. some days, she throws herself into books and readings, filling her mind with all the information so that she does not have to linger on the more tender, emotional and difficult parts of the situation -- a tendency she approached almost everything in life with. but, other days, when a new facet of her condition rears its ugly head, like the thought of will I outlive mom? after one of their daily phone calls, or will I watch all these people die? when carter talks to her on the phone about their coworkers, she forgoes the rationality and pretense. she cries, screams, tears at branches of trees, disgusted with what she's become and hating herself, carter, and the entire family they investigated, for that horrific day.

she even resorts to praying and reading the bible again. it only lasts a month, for that’s how long it takes for her to reconcile with the fact that she can’t convince herself of the religion even if she’s desperate to do so for the sake of an answer. but, for a while before that, she truly wonders if what she is is linked to the devil – if her mother’s warnings and skeptical tones of evil did indeed have some place in reality. for if vampires exist, maybe all of it does. and so, she prays to the god she gave up on years ago, pleading and begging for something to change. she goes back to wearing her cross, and sleeping with her bible. an irrational part of her, a part desperate to do anything to go back to how things were, even if it means sacrificing her true beliefs, hisses that maybe all this has occurred because she gave up on her faith. maybe all of this is punishment and she needs to earn forgiveness to be released from this horrific state.

but, just as before, when she was a teenager teetering on the edge of disbelief, god doesn’t answer her. and it doesn’t take long for her to lose her hope in him again.

she continues feeding. she soon learns that she needs to do it every three days, lest her body become a rotted vessel for broken reservations and pure instinct. and so, she shamefully lurks in the woods on those days, kills an animal, and uses it to satisfy herself. she whispers an apology to the animal each time. she hopes the practice will help her retain some sense of humanity, a bit more of control.

in a matter of months, she's back to her life before the incident. well, not entirely so, but enough to keep her satisfied. she no longer visits the bureau unless it's at nighttime, and in the daytime, she works on cases from the shadows of her home, only dimly lit by lamps. her and carter spend many long hours reviewing cases and witnesses together at bars or his home, and they only explore places in relation to a case after nightfall. all of this is something lee grasps onto desperately – the normalcy of work, as well as having something less existentialist to devote her attention and skills to, is akin to a cool sip of water on a hot, suffocating day.

what surprises her most is how much she misses the pump of people, of life. she's never enjoyed being in crowds, and has always preferred her solitude, only talking to people when it's necessary of her or when it'd be disrespectful not to. but, having the choice removed from her, being left with no option other than visiting the bureau when the amount of people there is cut by half, being so much more restricted in her interactions from all the late-night grocery runs and unoccupied spaces she visits, feels off. after a while, she actually misses the buzz of people around her, of having faces and bodies to observe. she hated being subjected to conversation, yes, but it was always somewhat comforting to have the option of doing so, especially in the rare moments of longing for something more than herself. maybe a companion.

carter urges her on the one night she confesses to missing going places less isolated, smacking her back and telling her she's young (a sentiment that makes a small part of her stab with hurt, knowing she most likely won't be aging now), and ought to go out and enjoy some night life. when lee asks what constitutes as night life, already having a tentative, and frankly, unappealing, idea of it in mind, carter does nothing to ease her suspicions by saying, "you know, bars, clubs."

which is how lee finds herself exiting a club later that night after a mere half an hour inside, her mouth twisted in disgust over how pungent it smelled in there. she rubs her neck, eyes observing down the rest of the street, trying to capture any sign of life within the other shops. she shortly gives up, walking to a creaking table and chair outside a convenience store still lit up, sitting there and pulling out a book from her backpack.

despite everything, the moment gives her some relief. the quiet of the night, not completely removed from humanity with the hoots and howls coming from drunk inhabitants of the club, the low thrum of music pounding from the building, and the murmurs of conversation from people still lingering upon the pavement, up for whatever reason. if lee listens closely enough, she can capture the content of distanced conversations, but she refrains from doing so for privacy's sake.

"hey."

her eyes snap up, widening at the sight of you. whoever you are, lee's sure the two of you have never met, and her eyes flick away hesitantly before returning your greeting. "hi."

"are you here alone?"

her eye twitches at the question, suspicions immediately swimming in her mind. "yes."

you sit yourself opposite to her, and lee tenses up. she's not sure who you are, and she knows better than to trust a random stranger making conversation with her. she watches you, awaiting some sort of explanation. 

"I just came from the club," you explain, thumb jutting in the direction of it. "it was kind of overwhelming, I needed some air."

"okay.” it’s a sensible explanation. but, it doesn’t account for why needing some air includes sitting with a stranger. “why talk to me, though?"

you flinch, but lee doesn’t apologize. it's a valid question for her to ask, considering you're strangers. and it's not rude, it's simply honest. but, still, the twist of your mouth has her feeling a twinge of regret for how bluntly she worded it. she always struggles with that.

"well, I don't know, you seemed kind of alone out here, and I just thought you might like some company." your gaze drifts from her, head ducking down momentarily before lifting back to her. "did you?"

"not really." lee places her book on the table. at this point in the night, after the torture she endured in the club, she had been happy to resign from anymore efforts to talk to people. but, your company isn't entirely unwelcome. you seem nice, she supposes. "but, it's fine. you can stay."

"no, no, I can go. seriously, it's okay."

lee shakes her head. "I wouldn't offer it unless I was okay with it. really, it's fine."

you shift, shoulders rolling. "you sure?"

"mhm."

you nod, and turn your head to the expanse of the street stretching beyond you two. lee takes the moment to observe your features. you're clearly dressed up for the night, but under your eyes are dark circles, and your mouth seems dry, lips cracking. it's apparent you need some rest. 

you lick your lips, and she looks away from the peak of the pink muscle.

after a quiet moment lingers between you both, you say, "it's a pretty night, isn't it?"

lee's eyes raise to the star-studded sky. "it's peaceful."

"do you prefer the night or morning?"

lee blinks at the unexpected question. "um, night. I'm more productive then." in a way, the transformation actually aligns with the schedule she held prior to it, for she's always stayed up late into the night to do her work. "you?"

"does afternoon count?" you ask, the corner of your lip quirking up. 

"it was your question, not mine."

"mm, true. what do you like about nighttime?"

"it's quiet. easier to unwind and hear my own thoughts."

you nod slowly. "why, what kind of stuff is on your mind that you need quiet for?"

lee's stomach squeezes in discomfort from the question. it's a bit too personal for her liking, but she tries to answer it, vaguely tip-toeing around reality. "I don't know. there's been a big change in my life. so, I guess dealing with that." she pauses right after, wondering if a lie would’ve been safer.

"I see, that sounds rough. I hope you get to figure it out soon."

lee nods, appreciative of your lack of prying. she picks at the corner of her book. "why do you like afternoon?"

"the sun is out, it makes everything bright -- and, you know, it's a period of time in the day where there's still, like, hope."

that catches lee's attention. "hope?"

"hope to be more productive, to do more in the day. to still, you know, take any chances and seize at something you wanted to do that day."

she swallows, a bit intimidated by how open you've become to her. you two barely know each other, and yet your words have taken on a note that feels so private, so exposing to your thought process. 

"that, um, sounds like a good outlook to have. good for productivity."

"I mean, not just productivity. good for any life choices made, really."

lee's mouth twitches. "so, all important life choices should be reserved for the afternoon?"

"yes, of course," you say with a smile. "not too tired, then."

she hums, eyes resting on the table. 

"so, what brings you out at this time?"

"my boss."

your eyes flicker about. "I thought you said you came alone?"

"he's the one that suggested I try coming out and socializing."

you raise an eyebrow at her, your mouth stretching into a grin. "and how's that going?"

she feels a bit self-conscious under your knowing gaze. you both are aware it's not going anywhere. but, she'd rather dismiss that fact than admit it out loud. "you're here."

"I am, aren't I? see, you're pretty lucky -- now, you can tell him you did make a friend."

"friend?" she asks, fingers tapping on her book. "that wouldn't be accurate. I don't even know your name."

"wow," you chuckle, and lee would probably blush at it if not for her bodily conditions. "smooth. was that your way of trying to subtly ask?"

lee nearly laughs. if only she were that cognizant about the ins and outs of conversation. "no, it wasn't." after a beat, she swallows, curiosity beginning to swarm in her. "but, you can tell me it nonetheless."

"if I tell you mine, will you tell me yours?"

her eyebrows furrow. "sure. why wouldn't I?"

"well, you know, mysterious woman, out at night, all by herself."

"except you know why I'm out," she points out flatly. "regarding names and basic information, my name is lee and I'm a special agent."

"special agent?" you shoot back, eyebrows zapping up. "wow, and the mysteries only persist."

lee's lips crack into a smile -- she can't help it. her life isn't exciting enough for her to be considered mysterious. and if it is, it's only because of what she is now. before that, everything in her life was designated into orderly, neat categories. work, home, work, home. that was her life. there was the occasional visit to her mother's, which she supposes was one complicated part of her life. but, it was a part she often avoided and didn't touch. honestly, most complicated aspects of her life received such treatment. both due to a lack of time with how immersed she was in work, as well as an absence of courage.

"it's not that mysterious." she shrugs, drawing her nail along the edges of her book, gaze following the path it makes. 

"yeah, but you seem pretty private."

"'private' and 'mysterious' aren't the same. one is about secrecy, another is about simply wanting things to yourself."

"but, why would you want things to yourself?" you ask, perching your cheek on your open palm, leaning in.

lee clears her throat, shifting in discomfort from the proximity. "what do you mean?"

"it can help so much to share with people."

lee's face twitches. "I think we can disagree on that." not that she would know, really. when she was a child, she barely spoke at all, and her mother was the only one she leaned on in that way. as she grew up, and became more surrounded by peers and co-workers, she was no longer forced to spending most of her days with her mother. but, the privacy stayed, and the isolated feelings made a home in her. she had no desire to burden others with her pain, nor undergo the humiliation of baring herself naked in all of her secrets and dark thoughts. she'd prefer to handle it in her own solitude, where no one can judge her and where she doesn't have to grapple with the weight of unloading things she can barely handle thinking about, let alone giving permission to transform into words.

"and why's that? or would telling me also count as sharing?"

lee's eyes narrow on you, feeling a spark of defensiveness spring to life in her stomach. "I don't because... I don't--" shit, you were right. even admitting the reason why she doesn't share things that are vulnerable is a vulnerable act of sharing in and of itself. "I don't feel comfortable with it."

"why, because you're scared people will judge or something?"

she blinks at you, sighing. she's already kicked the door down. might as well humour you for a bit more. she doesn't expect you two will see each other again, anyways. "amongst other things." at your prodding eyes, she gulps. "well, it's hard for me -- to, you know, communicate sometimes. the topic being one that's serious makes it feel all the more difficult."

"yeah, but if it makes you feel better, it's hard to a degree for everyone, you know? and anyone who cares for you would be patient when listening to you. plus, the comfort you'd receive -- well, it'd make the temporary discomfort worthwhile, you know?"

lee fidgets, her stomach tight with tension at the gentleness your tone takes on. it's smooth and soft, like sand that's been coated by the ocean, so fragile that it just slips through a person's fingers. she'd maybe appreciate it more if it weren't for the embarrassment at feeling so cornered. "why does it matter to you?" she asks, her tone more timid than she wishes it was. "I'm just a stranger to you."

"still a person."

just barely. if only you knew the kind of temptations that raged within her, the violent impulses she needed to lean on in order to survive. she's certain your sympathy wouldn't be so present if so. 

"but, a stranger."

you roll your eyes, and lee might've felt insecure if not for the way your lips still curl up. you don't seem irritated with her, so at least there's that. "my point is that even if you don't share with me, you can still do it with someone else, you know? just take the chance, it'll feel good with the right person."

her lips purse. you seem insistent, but still, she's not entirely convinced that the pros outweigh any potentially harmful repercussions. but, you certainly seem sure of it. and what reason do you have to lie to her? unless you were the kind of person to go around, deceiving strangers. with lee's line of work, she can't say she'd be surprised if you are. 

"I'll think about it."

your face beams as you laugh, and lee feels ambushed by the lifted cheeks glowing from the moonlight, the teeth that flash in the darkness, the lips that crack at the center from the cold. she licks her own, suddenly hyperaware of the direction her thoughts have gone in. she tries to will them back to your words -- which, despite their openness, contain a safer, more comfortable territory than attraction. 

"I suppose that's the best I'll get out of you for tonight?"

"yeah, pretty much."

"then, we'll just have to work harder next time, huh?"

lee's eyes tentatively raise to you, uncertain of what you mean. "next time?"

"yeah." you pluck out a notebook and pen from your bag, and rip a corner off her page (much to lee's alarm) before scrawling something on it. "this is my number and name. why don't we, um, hang out again?"

lee's body jerks a bit in surprise. the last thing she expected was that. she knows she's far from entertaining, or even pleasant, when it comes to conversation. any interaction with a stranger is something she anticipates to be short-lived and reserved to one day only. "uh, why?"

"why?" your lips pinch down.

lee's caught off guard, again, at the onslaught of panic that slams into her at your expression. she tries to pick out her words carefully before clarifying, "I just mean, you were kind of doing the leg work in this conversation."

"yeah, and you entertained it, and didn't shy away." you shrug, and lee's relieved to see the frown melting away. "that's good enough for me."

lee would like to be considered a bit more than good enough, and to be subjected to those words sting, but she supposes it's a natural result of her own reservations. besides, it's surely not the worst thing someone has said about her conversational skills before.

she lifts her hand up to take the paper from your hand, eyes immediately catching the way yours trembles. her eyes flick between the digits and your face. you hadn't seemed nervous, but maybe you were just talented at hiding it. or maybe lee was just unable to detect it. the thought is rather humanizing, and it makes lee ache with the sudden guilt that she hadn’t been more forthcoming.

you stand from your seat, glancing warily at the night club, which continues to pulse with life compared to the deadly stillness of the rest of the street. "so, call me. I should be free, like, saturday morning if you're cool to hang out."

surprisingly, lee is. you didn't overwhelm her, despite the insistent questions, and your perspective was enough to pique her interest. something in her is craving to know more -- a rare sensation on her end, unless it's applied to an investigation. "sure. but, let's meet at night." she licks her lips, trying to keep her voice steady and deprived of any trembles of hesitation. she can't lie for the life of her. "I, um, work a lot during the day, so, yeah." and she's surely not about to invite you into her home during a mere second meeting.

"ah, running on the nocturnal schedule, I see."

lee nearly laughs. you don't even know the half of it.

and so, begins the routine you two weave together through: nightly meetings, talks until the earliest hours of the morning, then an abrupt quiet thrusted upon lee when you depart. you two usually walk through parks, frequent gas stations and convenience stores, and on some occasions, lee picks you up and you two drive around for hours, stopping to walk through the measly, dead grass of fields on the outskirts of town, or to visit abandoned stables and houses. 

for two or three nights a week, lee lets herself forget everything, falling into whatever adventure you drag her into, and becomes surrounded by nothing but the stars, the chirps of the crickets and your laughter at the things she says, even when lee's convinced it isn't funny at all. 

but, she likes your smile, so she’s glad that you laugh. and with time, and more evenings spent with no one to focus or gaze upon but you, she comes to like many things about you.

despite that, it takes weeks before she shares something secretive with you. she doesn't know what coaxes it out. if it's the stress of the case her and carter have been working on, the nervousness derived from wandering along the creaking floorboards of the half-destroyed home, or your eyes, which are so wide, so curious, almost begging for her to give you something. and lee can't find it in her to refuse you. that's what she learned three weeks into your company. she can evade, she can gently deny -- but, if you want something bad enough, there's little chance she has it in her to shut you down.

"my mom collects trinkets like these," she muses to you, fingers brushing against the dusty head of an angel. "even I used to have some in my bedroom."

"does she still?"

lee tenses, rubbing the dust off her fingers -- the only motion her body makes, grounding in its repetition. "yes. but, well... she collects lots of things. she hoards."

"oh." your voice goes soft, faintly echoing in the empty room. "why?"

"I think to have a sense of control after she dealt with some difficult things." she hesitates, a pierce of guilt stabbing in her as she voices out her next thought. it takes her a minute or so to select the words she wants to express herself with. she could only hope her face doesn't come off as so neutral that you think her heartless. she signs in frustration -- this is why it's so hard to open up. "I dislike visiting home because of it. but, I know I should, especially because..." she might die, and I'll be left to mourn her for decades upon decades. "because, you know, anything can happen."

"I'm sorry, lee." you're far, but she can hear your voice, crystal clear. "that must be hard. but, it's okay to step away from it sometimes, you know? better than forcing yourself and getting resentful, you know? the fact that you're already visiting her is admirable."

lee's ears pick up on your approaching step, as well as the way your jacket makes a scratching noise when you lift your arm, then lower it back down in hesitation. after a moment, you reach up again, and lee tenses as you rub her back through the blazer she had on from work. your palm is so, so warm, even through the fabric. lee can't even remember the last time she felt such warmth, her own body more of a freezing corpse above anything else. 

"thanks." she wishes she could be stronger, and visit her mom more. avoid the cowardly decision of staying away just so she doesn't have to face the ruins of their home, and the longing face of her mother. but, your words ease the shame some. it makes her feel like perhaps she isn't too terrible of a daughter after all.

maybe your words from that first night had some merit.

"you're welcome."

lee gulps at how low your voice sounds, quiet and laced with velvet in the silence of this night. she breathes in shakily, before forcing her gaze to lift to yours. your eyes are latched onto her, tracing every inch of her face, and lee feels her skin itch from the focus of it, almost as though your gaze is your finger, dancing along her features and connecting your skin to hers. or as though it's your tongue.

lee clenches her jaw at the thought, unwanted thoughts now flooding her mind of your tongue stroking her cheek as you press wet, slippery kisses down her neck. 

"why are you staring at me?" she forces out, just for the sake of breaking this tension between the two of you. she doesn't know how to handle something that weighs so much despite being intangible. and even if she did, she wouldn't want to subject you to any pursuit of her. no matter how much she dislikes thinking of it, she will outlive you. you'll age, continue to grow, and she'll be stuck here, just as she is. in a matter of years, she'll probably have to leave oregon in order to avoid arousing suspicions over her unaltered appearance. she suspects she'll need to do so every ten or twenty years. and you don't deserve that. a life so utterly detached from normalcy, comfort and the intimate closeness of moving through the years together.

"I just..." you trail off, your hand sliding down her back. lee nearly sags in relief before she stiffens right back up upon your fingers tenderly cradling her wrist.

"you just?"

"I want to, um..."

lee's body thrums under your touch. it's interesting -- her body is drained of life, nothing but a cold, walking stitch of limbs. but, still, your eyes resting upon her is enough to make her feel revived to life, pumped with energy and heat that makes her feel alive. almost as though she's right back at the moment at having been turned, except this time, she's brought back to the depths, the humiliation, and the fleetingness of humanity and impassioned moments that will die in a mere second, that one could choose to seize, lest they face death without having ever really lived with bravery.

but, she doesn't have the luxury of death being a source of encouragement. 

tugging her wrist from your grasp, she mutters, "let's get going," walking through the door, and heading back outside to her car.

something in her aches when she hears you sniffle from inside the house, but she tries to ignore it. you deserve at least a moment to yourself after what she's done.

she can sense your embarrassment and anger during the next week. you handle her less delicately than usual, and even though she didn't think she needed the special treatment in the first place, to lose it after weeks of being on the receiving end makes her feel a bit emptier. 

she's not sure if you're upset that she dismissed your attempt to -- well, touch her, whatever it was, or if it's because she did it so cruelly and without any later mentions of it. she supposes she could've been gentler. at least give you an explanation as to why she didn't want you doing what you did. but, what would she even say? that she doesn't want it, too? that would be a complete lie. there's a smouldering desire that's been burning these past few weeks, flaming to life when you touch her or get close. to deny all of that, and lie straight to your face, makes her feel wrenched with anxiety. 

but, maybe a lie is permissible in this situation. maybe it's not so immoral when it's to avoid hurting you or allowing you to be tied down to an unknown monster for life. and even if she was known to you, exposed for what she is, she still wouldn't want you to suffer through a life with her.

though, it's hard to convince herself of doing the right thing when she's in your bedroom, watching you recall the date you went on as you undress behind a screen. lee fidgets, a burning jealousy scraping at her stomach, fused with discomfort. when the shadow of your figure lowers the straps of your top behind the screen, she can't help but bite down on her lip, her self-control slowly waning with every new glimpse you give her into the map of your body. lee feels like you're unlocking a new secret to her attention with every new spot revealed, it only causes her thoughts to stray to one specific to her interests. would it be coated in wetness? would it be swollen and thick and weeping for some attention?

she nearly releases a small groan at the mere mental image. she's not sure if the vampirism has stirred her desires to a stronger degree. after all, she did always have wants, fantasies and ideas she played into when between her sheets at night, worn out from a long day at the bureau. but, beyond those private moments, she often did a good job at forcing that lust dormant, pushing it to exist in a deep, hidden nook in her mind that was guarded by shame and hesitation from just how depraved her mental wanderings were. in other words, she was good at reserving those kinds of musings for when she was alone, even if there was someone she was attracted to close by. but, now, all it took was a flash of skin, and her mind was whirring with thoughts of bending you over the bed she's seated on, and ravishing you, over and over, until you're so pliant and drained that any dates are the last thing on your mind. 

when you bend over, and her eyes stray to the shape of your ass then flick away immediately, she sucks in a shuddering breath. she can't do this. even if she knows she can't, and wouldn't, act on those desires, there's no need to sit here and undergo this torturous form of voyeurism. especially paired with the frustration that swarms inside when you tell her how the girl you went out with opened every door for you. she can do that too, don’t you know that?

"listen, I'm, um, glad it went well, but maybe you’re tired, so I think I'll just--"

"but we said we'd hang out," you whine, poking your head from the screen.

lee grits her teeth together. she can't tell if you're doing this innocently, or with the intention of riling her up. her romantic experience is both too limited and too lacking in an understanding of social cues to know. frankly, though, as much as she's entertained your petty words and pitiful looks this week, she's not interested in having to go through the frustrating ordeal of this. "yes, under the impression we'd actually be doing something. not just me watching you relay a date."

"I just wanted your opinion on how it went!"

"is that really all there is to it?" lee snaps back, her voice steady and hard. she's not interested in the petty little games. at least her dishonesty and avoidance is rooted in actual care for you. yours is simply spite. "or are you upset because of what happened last week?"

your eyes widen, lips flapping like a fish. she has her answer.

she sighs at your spluttering. "well?"

"no!"

lee feels her eye twitch. from here, she could hear how hard your heart is thumping. you're nervous, and she's tired. might as well call it a night.

when she moves to leave, you slip out from behind the screen, grabbing onto her arm and tugging hard. but, lee has always been strong, and the changes in her body have only emphasized that even more. she stands there, completely unamused as you try pulling her forward, trying hard not to let her eyes stray down to the trimmings of your bra that are revealed from your shirt’s straps hanging off.

"jesus, you're like a rock."

she hums, simply watching you for a few moments before saying, "can I leave now? is the yanking all you had intended to do?"

you huff loudly, planting your hands on your hips. "I was going to say that you shouldn't just leave in the middle of us talking."

"I wouldn't if you'd just be honest."

"I am!"

"you're not," lee hisses, stepping forward to you. immediately, your back presses against the screen, eyes wide as she leans in closer. she's not sure what's gotten into her, but arousal and irritation make for an ugly combination, sending an urge through her to shut you up but also do it in the most filthy way her mind can think of. "you're upset I left when you were doing whatever it is you were doing in the house. and now, you're trying to… get back at me or something?”

your eyes stray down at that, lashes fanning your cheeks. lee watches you quietly. you look so sweet, so pure, like this. fingers fidgeting at the material of your sweats, the warmth on your face flowing right from your skin to hers. eyes, so shiny in the faint coat of light, casted down in embarrassment. lee grits her teeth. something in her goes slack at the sight of you like this, wanting nothing more than to draw out more humiliation from you. she immediately retracts the thought back. what’s wrong with her?

“fine, I– you’re right.” you sigh, a deep frown planted on your face. “I’m sorry, okay? but, you should’ve been more clear about what you were thinking at that moment when it happened. rather than just leave. that’s what hurt me. not that you didn’t want it, but that you left so… coldly.”

she sighs, wincing at the hurt in your voice. even if she has a good reason for avoiding your advances, she never wants to cause you such pain. she makes a silent vow to tread more carefully next time. not that you’ll make another move after this occasion, most likely. rather than reassure her, the thought only stings lee. it’s selfish, but she doesn’t want the sweet gazes and light touches to reside. “fine. I’m sorry, too. I should’ve actually spoken in that moment. rather than just leave.” she gulps hard. “I’m sorry.”

your throat bobs as you swallow, and lee watches the smooth skin of it roll. it looks soft to the touch, so delicate. lee can imagine how easily you’d bruise, how her teeth would sink in so easily. lee blinks hard, forcing her gaze to shift back up, her center beginning to pulse at the thoughts running through her brain. 

“do you wanna go home?”

honestly? “yeah.” she’s tired of the little games and secrecy, and would prefer to go home and devise a plan as to how to handle this new state of your guys’ friendship.

“okay.” your voice is low and meek, like you’re a wounded child, lee hates it, guilt stabbing at her. maybe she should just stay. “can you unzip this before going, though? really, I can’t do it.” with your gaze slid to the ground, you turn your back to her.

“um, sure.” with trembling fingers, lee raises her hand to the zip, tugging it down. when it doesn’t give on her first two tries, she uses her other hand to pinch the fabric and hold it taut, finally getting the zipper down. as more and more of your back gets revealed, a sprinkle of spots and pimples painted upon it, lee feels her breaths shorten. it doesn’t make sense. she doesn’t even need to breathe in the first place. but, habit is a hard thing to let go of, her body all too accustomed to the little rituals its been wound up for since birth.

she can hear and feel every little puzzle piece of your body’s reactions. your increase in heart rate, the heat sinking into every morsel of skin on your neck and face, your breathing shattering into tiny pants. it’s overwhelming, to say the least – she’s always been observant of these things, but ever since she got turned, they’re now thrusted onto her, relentlessly. it stimulates her without limitation, especially considering most of the time, she doesn’t even know what to do with these cues and hints.

when her blunt nails brush against your back, she tenses up at the sight of you squirming, her grip tightening on the fabric on instinct. to know she has this effect on you makes her head spin. she never thought she’d be capable of such a thing.

you lean back against her, your shoulder blades brushing her chest, and she nearly gasps, fingers twisting into the fabric of your top. when your head dips back to lean on her shoulder, her eyes flutter shut. god, she can smell your skin. forget that, she can smell your blood. it smells sweet, the aroma filling her nostrils to the brim and almost making her feel drunk in the way it tips her entire world over. animal’s blood only satisfies so much, she knows that. when she works too many hours, and forgets to feed, she needs to zoom past everyone when leaving the bureau, for close contact makes her muscles seize, her eyes burn, and her gums ache with the fangs itching to lash out and sink. it’s a human’s blood she craves the most. but, she has no desire to put anyone in that position. 

and so, for now, she settles for inhaling a deep whiff of your scent, her nose brushing against your jaw. her eyes squeeze shut as she sucks it in, greedy for it. so achingly greedy. she wants to shove you on that bed, strip you naked so she can push the tip of her nose into every plush point of your body and just breathe you in until it’s as close to drinking as she can get. her hands begin to shake with the want of it. 

you must feel it, for you ask, “you okay?”

god, lee shouldn’t be doing this. she can’t tell you what she is – it’s too much of a burden and responsibility on you, and for her own sake, she swore she’d keep it secret to prevent any complications. and even if she did, in a hypothetical and non-existent future, tell you what she was, she’d have no intention of letting you be with her, nor being on the receiving end of her obligatory feeding. she doesn’t want to hold you responsible for that. she can’t. 

with a jolt, she releases you, backing away. “I–I should go.” her voice is like stone, steady and hard with the way she forces it to be drained of any ounce of arousal or excitement. 

“okay, I–” you swallow, slowly turning to her. lee can’t even meet your eyes. but, she can pick up on the way your fingers rub together. “I’ll see you later?”

she nods. she can’t imagine staying away.

as she turns the doorknob to your bedroom door, you whisper, “lee?” 

she stills herself. “yeah?” 

“do you– did you want what I wanted? last week, at the house?”

she remains silent, her body feeling like it’s been webbed into stone.

“I’m guessing that’s a no.”

the hurt in your voice slams into her like ice, and she continues to freeze in its midst. she doesn’t want you feeling such pain, not in her hands. and lying was an option, but now that she’s faced with the decision of doing so, she finds herself speechless. how can she lie, when you’re so open and waiting? monster she is, she’s too human to resist fibbing under your gaze. she braces herself, choosing her words cautiously. vague enough that she can take time alone to figure things out afterwards, but enough of a confirmation to sate you for now. she could always admit her feelings, then later tell you she’s simply not in a position for a relationship.

and so, she leaves you with, “‘no’ would be the easier answer.”

she leaves before you can say anything.

and in a cruel twist of irony, the next time she sees you is during a moment where most people would expect her to be close to dying. if there is a god, her mom was right about him having a sense of humor. we plan, god laughs.

her and carter hadn’t seen him fast enough, and in a blow to her ears and a jolting tumble to the ground, she was shot in the arm. 

carter had managed to get him in the knee and disarm him, but they couldn’t wait for backup to come. both of them knew if their coworkers arrived, they’d insist on taking lee to a hospital. and if that happened, her secret would be unveiled.

and so, carter had carried her to his car, letting her lie in the back seat, and drove her home quickly, muttering breathless apologies everytime a speed bump sent her lurching, bile rising in her throat. 

she supposed it was a comfort, to know she wasn’t going to die. it ought to have been. but, the fear she first felt when the bullet struck her, seeping into her skin and lodging its way through, had actually been a relief. for a split second, she had been fooled into thinking her life was a fragile thing, the temporary nature of which resurfaces in life-or-death moments like these. she had actually felt human, like she belongs with the people she used to share the label of species with. it felt nice, to feel human again.

but, then, the pain settled in. and it only flashes hotter in her arm when her and carter arrive, and you’re sitting on the steps of her porch, waiting upon her return. 

all she remembers is the deep creases embedded into your forehead as you rushed to her side, shakily gripping the uninjured arm that slings as carter helps her to the door. and the way your voice reaches an inconceivably high pitch as you screech, “what are you doing? we need to take her to a fucking hospital!”

“you should leave,” carter grunts as he kicks down the door to lee’s home, immediately setting her down on the couch. “I’ll look after her here.”

“no, no, but I should help–”

“let me handle this, you can visit her tomo–”

“it’s okay,” lee mutters, her eyes half-lidded, the stinging ache in her arm seizing every inch with a death grip. “it’s okay. I trust…” she nods in your direction, too exhausted to explain your presence to carter. she’s only mentioned you as the someone she met during her night out, but kept it to herself afterwards. as she did with most things when it came to carter or anyone else at work. she probably would’ve never confided in carter about her true nature had it not been for him bearing witness to it. but, in a way, she’s glad. she doesn’t know how she would’ve managed juggling every other part of her life without his help and commitment to keeping her secret safe. even now, he’s still eyeing you warily, as though debating as to whether or not you can be trusted.

and she’s not so sure, either. you two have only known each other for a few months, and maybe that’s not a reasonable amount of time to measure up to trusting you with a secret this gave. but, in the throes of pain, the nonsensical reach for survival, she knows in her guts that she trusts you. and feelings don’t measure to fact, so yeah, maybe she shouldn’t act on this notion. but, she can’t find it in herself to care about turning over and inspecting every possible outcome of having this revealed to you. it’s not like you’ll actually agree to leave, and lee needs to heal herself. now. you’ll see her in her true state, using her powers, no matter what. the worries of burdening you, of you letting the truth out – lee can deal with it later.

“really, it’s okay,” lee murmurs, rolling her head onto her shoulder, panting heavily. “I just… help me.” the words taste new and unfamiliar on her tongue, feeling open and almost childlike in the small plea laced into them. she needs you both right now.

with some shuffling movements and awkward hands, you and carter manage to slide off her work jacket and unbutton her shirt so that one side is draped down her arm, the wound revealed. it’s a gaping hole with metal lodged in, smeared with blood and ripped flesh, searing with pain. she knows it’s not nearly as bad as what a full human would experience upon a gun wound, but jesus, it hurts.

carter turns his back to her for privacy’s sake. “take your time.”

she first did it when she got cut when cooking. she did it again when she had gotten badly bruised during an investigation of an old farmhouse with carter. she’s managed success every time, and she’s certain this time won’t be any different. 

her eyes flicker to you. she doesn’t want to show you this part of her. but, she knows you don’t intend to leave her side. and if you do abide by her wishes and look away, then turn back to see her magically healed, you’ll never believe her if she makes up an excuse or tells you the truth. and she’s not exactly in the right state to come up with a lie, anyways, for the healing process will be exhausting. it’s the truth on display, even in spite of the protest raging in her, the worries that you’ll leave upon realizing how monstrous she is. it’s now or never. 

she clears her throat and wordlessly gathers up spit in her mouth while raising her uninjured arm, hand cupped and ready to gather the wetness that comes dribbling from her mouth. she avoids eye contact with you the entire time, entirely conscious of just how… feral and unappealing this must all look to you. but, she can tell you’re perplexed, disgusted maybe, due to the still silence surrounding the two of you. 

the spilled saliva in her palm is delicately pressed to her wound, and she hisses at the contact. but, immediately, her body begins to run into overdrive, the inner-workings of it churning and rolling to push energy to the tender bit of pierced skin. immediately, her skin starts crawling in on itself, weaving back together and meeting at the center, the bullet slowly getting pushed out of the gaping hole as it sews itself back together.

she drinks in a deep breath, then wills herself to meet your gaze. in another circumstance, she would’ve smiled at the way your eyes bulge out in wonder, mouth agape as your gaze wildly runs up and down her body.

“lee, what the actual fuck?”

at first, you leave, much to carter and lee’s concern, the two of them exchanging questioning stares, which are alert with the question of: will you tell? but, then, in a matter of twenty minutes, you return, and sit right down in front of lee, demanding she tell you everything.

and so, she does. she explains how it happened without mincing words (which may account for why carter winces a bit), how she’s been managing since, and some features of her vampirism, trying to keep the more bloody ones tucked away under vague explanations, such as, “every few days, I need to, um, feed.” but, when your eyes widen imperceptibly, her stomach sinks, and she hastily adds, “not humans. animals.”

your silent question makes her feel slightly sick. did you not trust her at all? though, she couldn’t fault you. she herself doubts her humanity and goodness everyday, and she’s the one living in this lifeless host. the host that would be unfurling and rotting if not for the powers she’s so repulsed by.

that night, you send carter off, insisting you’ll take care of lee. she wishes, privately, that you’d let her be, for it’s only a matter of time until her body will demand replenishment. then, again, she hasn’t suffered from an injury this serious since she was turned. she doesn’t even know if she has it in herself to hunt for prey, not when her body is so depleted and weak. but, what choice does that lead her then?

as you change the sheets to her bed, for she drenches them every evening from over-sweating, her eyes roam over your figure, languidly skimming over every dip or curve. there’s a solution to her problems right in front of her. but, she refuses to engage in it. she can’t help but fear the addiction human blood might trade to her in order to have the sweet taste of it filling her mouth and coating her gums. she can’t put herself in that position, not when it might lead to this happening more than once. she doesn’t want you tethered to that. sure, it may not happen – it may just be a one-time thing and she’ll manage. but, the possibility of an alternative path is too much.

you help her back to the bed with an arm hugging at her waist, warm and soft even though the fabric of her old t-shirt. when you lower her, she’s reminded of past memories, kinder ones, of her mother looking after her like this. she doesn’t enjoy the vulnerability that comes with being taken care of, but every other part of it – the tenderness in your hands, the way you’re alert to all her needs, the brief touches… those feel nice.

by the second day you’ve stayed with her, lee feels it edging on. her stomach is beginning to faintly grumble, the craving beginning to set into its motion. she’d resist it, ignore it, if it weren’t for the fact that she needs it in order to regain energy and complete the final stage of her healing. otherwise, she will continue to be weakened by the exertion it took her body to heal itself.

and, so, she tentatively brings it up with you, mouth twitching in half-amusement when you raise an eyebrow and say, “hunt? I can’t do that for shit.”

“well, I need you to,” she mutters. “carter’s swamped at the bureau right now for his trip to washington, so this is the only option.”

“ah, well, I do love being a last resort,” you drawl.

she rolls her eyes. “it’s not about being a last resort. this is just the situation we’re in.”

you sigh, glancing down at the gun she had handed to you. “but, I don’t know if I have it in me to, you know, do that.”

lee’s lips fold in, guilt piercing through her stomach. she hates to ask this of you. she hates doing it herself in the first place, and she needs it for sustenance. she can’t imagine how it must feel for you, whose life does not depend on it. but, she doesn’t know what else to do. she rummages through ideas for a few seconds, anything that can make this easier. 

“maybe, um, you can drive my car out deeper into the forest. and we park there, wait, then I can shoot it.”

you wince at the proposition, and lee chews her bottom lip, wishing she had been more delicate in the vocalization of it.

but, ultimately, you agree, saying if it’s for her health, you’d do anything. lee supposes it was meant to be a comforting sentiment, but it only makes her feel embarrassed and ashamed. for even when she is at a state where she ought to be stronger, she still needs assistance from someone else. and the worst of it is the fact that in this instance, your assistance requires you to sacrifice your morals.

and so, you drive her car to the woods. you wedge your eyes shut, crinkles and all, as she aims and shoots a rabbit. as per her request, you look away and turn up the music as she weakly crawls to it and drains it of its blood. lee wipes her hands and mouth clean of the sin, her stomach squeezing in hot, curdling shame as she returns to the car. she could only hope you stuck to your word and didn’t look. when she looks at herself in the door’s side mirror and sees a spot of blood remaining splattered on her chin, she feels her eyes burn in humiliation.

you two go back, and she waits for her energy to be fully replenished.

something that never comes.

the blood helps, but only some. she waits, hours and hours, and still, she cannot walk or stand for long before needing to sit down. when you two separate for the night, you resting on her couch just as you’ve been for the past two nights despite her protests that you should take the bed, she can’t help but feel a sense of dread wash over her. this isn’t how animal feeding is supposed to work. this isn’t how it ever works. it usually sustains lee and provides her with enough energy and strength for three days, maybe four if she stretches it out. but, then again, she’s never relied on said diet after receiving such a harsh injury. 

she reconciles the situation by deciding that upping the dosage might be the required course of action. and so, you two repeat the same line of events the next day, and she feeds. and again, she returns home, hands fiddling in her lap as she sits up in her bed. but, still, it doesn’t go away – the light-headedness, the exhaustion, the inability to move for long.

she knows you pick up on it too, for the next morning, you sit on the edge of her bed, shooting her a soft, wary smile. “do vampires have special doctors or something?”

“not that I know of.” she sighs, resting back on the headboard. while your question was spoken light-heartedly, she truly has been meaning to get back into contact with the family that turned her. though part of her, a huge one at that, still despises what she’s turned into, she knows being acquainted with other creatures like herself will make situations like this, ones where she’s still untrained and, therefore, at risk, easier to understand. 

your smile slowly fades, and lee’s lips pinch in, wishing she had joked back with you. “I’m worried about you, lee. you still seem really weak.”

“you don’t have to worry,” she mutters, eyes downcast. “it’s not your responsibility.”

“stop that,” you interject, shifting your body closer, lee instinctively flinching from the proximity. when she feels you move back, she swallows down the protest, waiting for you to continue. “I’m not doing this out of obligation. I’m doing this because I care about you.”

that’s the problem. if you were doing it out of obligation, lee could at least assure herself that you’re deriving some self-satisfaction from doing something that fulfills a responsibility on your end. but, when it’s all dependent on pure care, it feels burdensome for you. you’re doing this all for her. and she isn’t certain how to deal with that. beneath it all, though, is gratitude, warm and comforting. she doesn’t like being anything other than self-sufficient, but if she has to be, you’re one of the only people she’d feel at least mildly comfortable doing so with.

“I know,” she responds, forcing her eyes to meet yours. “but, at this point, our options are limited. and soon, I’ll get too hungry, and it won’t be safe for you here.”

you lick your lips, blinking hard at her. she feels uneasy with the possibility that you’re growing to fear her, now that you’ve borne witness to the uncontrollable nature of her desire for blood.

which is why she freezes when you say, “well, why don’t you take my blood then?”

her eyes, wide and straining, are fixed on the blanket, a flash of thoughts blasting through her mind. why would you ask such a thing? where did you even get that idea from? sure, like most people, you’ve probably always been aware about vampires’ tendencies to feed on humans. but, what could’ve caused you to get the idea that you and her should do that?

worse than her lack of answers is the stirring in her stomach, the quiet rumbling. it’s like an ugly beast has turned its head, reminding her of what she is, what she needs. she sucks in a shaky breath, trying to tame it.

at her pained silence, you continue, your voice slow with what she senses is trepidation, as though she’s a wounded animal. “listen, lee, I did some research with the books in here – the ones you bought on vampires and all that. and human blood is more reviving for you guys than animal blood. so, like, maybe you just–”

“no.”

you blow a puff of air, sharp and hard. “lee, now’s not the time to be stubborn.”

she shakes her head. “no. I won’t let it happen. you can’t– no, we don’t do it.”

“lee!” you scoff, your voice rising to a borderline squeak. “what the hell is the alternative?”

her jaw clenches. she racks her mind for something, anything, other than trying this – especially when this includes something that she’s never done before and therefore isn’t sure how much restraint she’ll have with it, as well as how desirous she’ll be for more afterwards. “I-I don’t know. maybe I’ll continue trying with animals, and it’s just a matter of time until it works. and if it doesn’t, I’ll, I don’t know, call carter. he’ll be back in two days, and–”

“and what? you’ll drink from him, but not me?”

lee’s eyes flick up at your wayward tone. “yes.” 

you splutter, eyes burning into her. “why?” 

“because I–” I know that carter won’t continue giving me his blood if he believes it’s going too far. I know he doesn’t care for me in the same way as you do, so he won’t give up too much of himself. I’m scared for you in a way that’s incomparable. I think your blood will be all the more tempting because it’s yours. “I just think it’s riskier for you.”

“why, because you think I can’t handle it? or, like, it’ll be less effective to drink from me?”

she can hear the way your voice breaks, and inhales a steadying breath to keep her own levelled, firm – rational. “no. it’s not a competition, okay? I just don’t want to do that to you.”

“but, why?”

“because, carter won’t give in if he feels it’s going too far. but, you will.”

you flinch, and lee hisses quietly at the sight. “what, so you think I’m just gonna be, like, stupid and let you do anything to me?”

“I never said that.” she ponders on her phrasing for a few seconds, before slowly saying, “I just– you and I share a… personal relationship. more than I do with carter. because of that, I’m worried you’ll be more lenient about how much or how often I can, well, drink from you. especially considering I may ask for more, or too much, once I get a taste. I’ve never had human blood, so my first taste might make me more prone to requesting for more. but, if this injury really does demand human blood, I want to drink it once, then never again so long as I can help it.”

“okay, so then I’ll leave for a few hours after you feed once, so that there’s no chance I give you more. or, I don’t know, I leave for a few hours, and you call to let me know if you feel energized afterwards so you have to digest it before taking more blood. and if you don’t feel better, we can deal with the situation then.”

she shifts. could that work? no, no – not a chance. even if it could work, that’s only by chance. “still, I don’t want to.”

“why?” you cry out, shifting further to peer into lee’s eyes, which flicker about. “if the difference between carter versus me is that he’ll ensure you stop, and I promise to do the same, then what difference does it make?”

her eyes widen, something in her chest twisting. you care so deeply, so effortlessly, without bounds. lee can’t help but admire it, even if it’s to her own detriment right now. you’re just too good.

“because I–” she turns away, gritting her teeth. “I’m more scared for you.” her voice lowers at the vulnerable admission.

“but, why?”

she says nothing, her fingers curling tighter into the sheet. she trusts in you to put the pieces together. she had already indicated her feelings last week, and has suspected since that you must, at least vaguely, know of them. and so, she doesn’t imagine it’ll take long for you to figure out her meaning.

after a moment, you quietly say, “oh.”

she nods. “so, no. we won’t do it.”

“lee.” your tone softens, breaking at the edges into something delicate and fragile. you shift closer, your hand resting on hers. she jerks in surprise from the contact, feeling her breath still when your other hand slides to her face, turning her gaze towards yours. your eyes are wide and imploring, eyebrows drawn in what she suspects is concern. “please. you need this. and I want to do this because I care for you. and I know that you’ll be extra careful because you… care for me.” you hesitate at the word “care,” and lee wishes you knew just how much she cares, and wants, and needs. “I trust you, okay? we can take preventative measures to be careful. and, wouldn’t you prefer to do it for the first time with someone who’s, um, a friend?”

her eye twitches at that word, but she shakes it off, trying to resist the part of her that is beginning to lean into your proposition. it’s hard to do so, though, considering the rules and regulations you’re laying on the line, which even she has to admit is giving the situation a more comforting level of structure. it’s making her mind wander, wondering if the measures you speak of are enough to secure a safe exchange. she’s aching for it, her bones weary and her insides deprived of the hot, strong energy usually surging through it. and with each argument you put out, her stomach pulsates stronger for it.

“no. I-I might be too tempted to keep going, to keep drinking if I…” she clears her throat, voice lowering. “... like it.”

“then, we’ll tie you up or something!”

that gives lee pause. her lips purse together, mind running a mile a minute. what if that’s the solution? she’s certain she could, eventually, undo anything you could tie or lock her with. but, if it’s something strong, like her handcuffs, it’d take her enough time to undo it to secure your departure if she’s tempted to do anything particularly… depraved.

at her pondering, you seem to realize that she’s considering it. “c’mon, lee, just do it.”

her eyes flutter close. it’s almost as though you think she needs to be coaxed into drinking your blood. but, that’s not true at all. what scares her most is the fact that every cell in her body is pinched and stretched with the desire to lean into you, bury her face in your skin and sink her teeth in until warm, wet splashes of your blood burst in her mouth. the only thing she needs convincing of is how safe it is to give into that desire, how she can ensure you won’t be burdened or pained.

“I– I don’t want you doing it just for me,” she murmurs, her chest still tugging with resistance. “it’s an… intimate process, and you don’t have to do it just for me. we can find another way, or, well, I can and–”

“lee,” you say, your voice hardened with a stern undertone. “I want to, okay? and I am comfortable. a bit anxious, yeah, about how it’ll feel. but, we can stop if it hurts, right?”

“that’s what I mean – what if I’m not able to stop?”

“lee, you just fed yesterday – I don’t think you’re desperate enough to not stop right as we start.”

she shakes her head. you’re too trusting – she can barely stomach herself and how unkempt her desire is. and you’re here, plainly talking about it, declaring the faith you have in her as though she’s not more beast than human. as though you see and know of these monstrous, dark wants in her and are so hopeful of the person she is that you do not notice them. or worst, that you do acknowledge them and have an easier time embracing them than herself. she doesn’t know if it’s a testament to naivete on your part, or proof of self-loathing on hers. “I don’t know.”

“well, I know. and I’m willing to try if it means you’ll get better.” you cup her jaw, tilting her face up. “please?” 

her breath shudders. she shouldn’t she knows she shouldn’t, but you’re going to keep coming up with solutions because you’re sweet. and her resolve is going to keep breaking with each one you serve, the hunger getting too strong. so, with eyes squeezed shut, she gives you a curt nod. 

you go with the handcuffs, chaining lee to her bed post. doing it requires you to sit in her lap, and lee needs to intentionally keep her breathing steady from the warmth of your body so intimately close to hers. but, as you wind your arms around her torso, perching your chin on her shoulder to get a good sight of the handcuffs, she becomes hyper-aware of everything about you. the plush of your thighs entrapping hers, the tickle of your hair brushing her cheek, how your breathing is stuttering and your heart is pounding. you’re just as nervous as she is. it only deepens her own fear, sending it plummeting into the hollow of her stomach. you guys also set an alarm for ten minutes – according to her calculations, it’s not nearly enough time to drain you of a harmful amount of blood, so it works.

when you lean back, your nose brushes past the lobe of her ear and a small shiver snakes down her spine. she prays for some refuge from this desire hanging around her neck and tightening with no relent. but, instead you remain where you are. her eyes remain stuck to your neck to avoid your gaze, which she can feel the weight of resting upon her.

“lee, should we start?”

she licks her lips, anxiety beginning to tie her body into twists and knots, tight and nauseating. slowly. she has to go slowly, cautiously and while paying close attention to how your body responds to her touch. she vows to do that, devoted to ensuring your safety and comfort. 

“mm, okay,” she quietly affirms.

“look at me,” you mutter, voice so breathy and low that it’s almost as though it’s a tangible object on the brink of shattering.

she abides by your request. she’d do anything you ask at this moment, really. anything to make this easier, anything to translate the gratitude that pools beneath the disbelief and fear at what you’re letting her do to you.

you watch her with eyes that are relaxed, steady. nothing like lee, who wishes to break away from the stare as soon as possible. it’s unnerving, yet lee holds onto it as an anchor. your courage and trust in this situation is what’s propelling it forward, what’s holding it at the seams. she wants to rely on it, just as you’re relying on herself to handle you with care. 

“it’ll be okay.”

three words and it makes lee’s mouth twist in emotion, her eyes beginning to burn faintly. but, she doesn’t give herself over to the urge. not like this, not when she needs to remain level-headed.

“I just…” she’s close enough to count your lashes, and she almost does – anything to distract her from the next words she utters. “I don’t want to hurt you. I want you safe.”

your lips slowly curl up, and it makes the skin by your eyes crinkle. how you have it in you to smile in this moment, she doesn’t know. “and you’re sweet for that. but, I trust you to keep to that, okay?”

“why?” she asks. “you’ve only just found out what I am.”

“and? I’ve known for months who you are. and that, to me, matters more. in fact, part of who you are is the fact that you’re this. and I don’t think that that, like, exists separately from the parts of you that are loyal, just and smart. I think it coincides with them. it’s just who you are, and so it wouldn’t make me distrust you. because, well, I trust all of you. not just parts.”

lee’s teeth make a soft click as they crash together and grind, trying to keep her emotions at bay. maybe she could set some time aside to think about this and cry later, but not now. now, the two of you had a goal to complete. but, still, compartmentalizing is easy only in theory after what you just said. for months, she has experienced a range of emotions, from discomfort to complete disgust, with what she’s transformed into, considering it a part of herself that she cannot bear to accept as being infused with her core being. rather, she’s seen it as a faraway facet of her existence, something she was forced into, and may have to adjust her life to, but that she wants bearing no significance in the long run. like a sort of parasite. so, for you to emphasize how infused that part is within her makes her feel not only uncomfortable, but unnerved, because she knows that in the union of these parts, you don’t turn away. you don’t look at her the way she sees herself. you see her as a whole, entirely filled figment that you will openly embrace. because you trust who she is beyond the division of human and monster. 

“thank you,” she manages to force out, not wanting your words to go unacknowledged. one day, she’ll tell you what they mean to her. she has to.

you two lock eyes after that, yours boring into hers with a focus that makes her shift underneath you. instinctually, your hands raise, gripping her shoulders tightly. she swallows hard, the sting of your nails digging past the fabric of her sweater making her body strain with the urge to squirm. and there’s something about knowing you’re depending on her to stay balanced that forms a warm pleasure in her abdomen. 

“of course.” after a moment, you shuffle closer on her lap, and lee nearly groans. you only stop once you two are nearly chest to chest, her eyes levelled with your nose. after a moment, you raise your chin up, revealing the slope of your neck to her. “we can start.”

her breaths begin to tremble, the momentum of the occasion feeling heavy on her mind. she can do this. you can do this. she doesn’t believe herself, of course, but she hopes with enough repetition it’ll absorb into her brain, even if just barely.

she leans in, her warm breath coating your skin. this close to you, she can hear the faint tremors of your breath, and she shuts her eyes in guilt. god, what is wrong with her? you’ve tried so hard to reassure her this entire time, and she’s barely done the same for you, too clouded by her self-doubt and anxieties to do so.

“hey,” she murmurs, raising her mouth to your ear. “it’s me. it’s us. I’ll take care of you, okay? I’ll be careful, and I, um, may not know how I’ll react. but, I’m going to try my hardest to make sure you’re safe. okay?” 

your fingertips press harder into her shoulders, which flex automatically. “I know you will.”

she gulps. “still, I wanted you to hear it from me.” just to emphasize it, she leans back, her eyes locking onto yours, which gleam prettily from the orange light of her bedside table. she forces the thought away – now’s not the time. “I’m sorry I didn’t say it before. but, I’m gonna make sure you’re okay.”

you nod, your lips curling into a gentle smile. “just–just go slow, okay? so, I can call it quits if it hurts too much.”

she nods immediately. “yeah.” after a pause, she adds, “we really don’t have to–”

“lee, I want to,” you repeat, once again, grip tightening on her. “trust me on this.”

she sucks in a shaky breath. she supposes that’s all there is to this. her trusting your strength, you trusting her fragility. “okay.” 

when you give her one more affirmative nod, she lowers her head back to your neck, slowly, carefully. the sight of the spot, different freckles and pimples sprinkled about it, has her stomach shifting with longing, the ache for a taste beginning to stir stronger. it hisses at her, makes her feel like your neck is beckoning her forward. 

your arms envelope her neck. “is this okay? can I… can I hold you, lee?”

surprisingly, she finds that she doesn’t want to deny you. your arms around her feel steadying, something to focus on and absorb the sensation of when the entire world seems to be spinning. something to focus her thoughts on momentarily, sink into the feel of so that not every single sense of hers is anxiously pinpointed onto the impending bite. something to shudder against and find a bit of comfort and solace in when she’s about to expose to you the horrors of what she’s become. 

“it’s okay,” she breathes, her head dipped against your shoulder. your hands smooth over the fabric of her sweater, easing into gentle, rhythmic circles that loosen the tension in her body. it feels as though this touch translates your support, your affection, and is another way of reminding her that you are here for her despite the horrific display she’s about to put on. and it means so much to her – that kind of unwavering loyalty, especially coming from you, the one she holds in such esteem. the one a stray part of her has been wanting to be held by for an aching number of months right now. your touch is so unfamiliar, and it feels so solid and real against lee. something finally flung out of her dreams. it makes her want to pull away, put distance so that she can reside in the familiar place of physical isolation. but, she knows it’s just her own stumbles and struggles with intimacy causing this strain. because if she closes her eyes, and pretends this is something you two have done before, something she’s good at, she’s able to sag against you, sigh as your fingers dip into the strands of her hair.

finally, she leans back, her breath ghosting against your neck once more. she marvels at your sensitivity, goosebumps immediately breaking over your skin at the cool puff. she can hear your breaths growing shorter, faster, and she repeats, once more, “it’ll be okay.”

your grip in her hair tightens slightly, and her eyes squeeze shut at the slight pain. “I know. I just keep telling myself it’s like a piercing, or a shot.”

her lips twitch, fondness breaking through. “yeah.” she opts to say nothing else, not wanting to shatter your self-assurance.

with a heavy breath, she closes her eyes, letting her fangs protrude out of her gums, the act sending a slight ache into her mouth. once she adjusts to the newly extended teeth, she leans forward, grazing them against the tender skin of your neck, wanting you to get a sense of what’s to come. 

you suddenly shiver against her, and lee swallows down a noise at the indication of how sensitive you are. when she does it again, she knows it’s a lie to say it’s solely to help you adjust, her body feeling completely on edge when you softly gasp again, your fingers wound tight in her brown streams of hair.

“still okay?”

“yeah,” you heave, the nails of your other hand digging into lee’s back. she nearly groans at the sensation, the hunger beginning to grow stronger in her guts, mixing with arousal at having you so close to her, so pliant and waiting. it’s to help her feed and survive, but she can’t help but wonder just how submissive you’d be in other contexts.

“are you sure?”

“mhm,” you hum, the noise slightly squeaky. that, paired with the flush of heat crawling along your skin, which lee catches onto as soon as it snakes over you, are indicators enough that the intimacy of the moment isn’t lost on you.

“I’m gonna do it now,” she whispers. the declaration is for both you and herself. she’s never been a person of words, but in this moment, she believes that her announcement of the act is the only thing that’ll push her forward to go through with it. 

you tense against her, and lee suddenly wishes she wasn’t handcuffed, that maybe she could comfort you too. it’s an unfamiliar urge. “okay.” 

you trust her. you trust her more than she trusts herself. lee reminds herself of this, focused on the fact that even if she doesn’t like herself in this form, nor has a lot of faith in herself in it, you do. and even if you didn’t, she took it upon herself to care for and protect you the moment she first called you to meet again all those months ago. and for those reasons, she owes it to you to store some certainty in herself that she won’t hurt you and won’t lose control. she’ll trust herself, at least for you.

her eyes are wide and focused, her breaths still as her teeth easily give way into your skin, piercing the surface of it, which is soft and taut. it’s almost like biting into a soft, creamy dish, easily breakable and so much more delicate than one ever anticipates. she goes slowly, willing herself with repetitive mantras to take her time and listen closely for signs of anxiety or discomfort from you. while your grip on her tightens, heart continuing to thud fast and hard against the confines of your chest, you say nothing.

her fangs sink in a bit deeper, totally breaking the barrier of skin as the thin tip of them dip in, and lee finds herself entranced by the feeling. becoming a vampire has taught her of the fragility of the human body she encompassed before she was turned. the kind of energy and strength that ran through her body after being turned, the capabilities she possessed in her everyday experience, were unmatched to anything she was physically capable of prior. so, she’s well-aware of the weakness of the human body. but, she never thought your skin would be this soft, this tender.

“ah,” you suddenly wince, gripping onto lee’s head tighter.

she stills her movements, torn between pulling back to ask if you’re okay or remaining frozen. if it turns out you are okay and want her to continue, then she’ll have to undergo the process of re-inserting her fangs, which may cause you more pain. but, maybe you’re in so much pain you need her to stop and take them out now. she racks her mind for a few moments, before humming lightly, hoping that probes you for a response.

“I’m okay, I just,” you softly gasp. “it just hurts a bit, but I think it’s getting better. just keep still.”

lee’s stomach tightens with the knowledge of you in pain, the fact that’s caused by her only making the guilt pierce harder. she takes your words diligently, remaining frozen, tongue still locked into her mouth, not daring to taste your blood until you’ve confirmed you’re okay. god knows what she’ll do if she lets herself taste it right now.

after a few more soft pants, lee can hear your heartbeat slow down, your hands beginning to stroke her hair, nails lightly scratching against her scalp. lee’s eyes flutter shut at the sensation, feeling utterly doted on, the itching sensation giving her an unexpected wash of satisfaction. it’s almost embarrassing – she’s right on the edge of tasting your blood, and head scratches are what have her sagging in your arms. that, paired with your other hand continuing to rub between her shoulder blades, feels like the closest she’s gotten to a massage in years. even in spite of carter urging her to go to one after she spends hours in all sorts of positions and contortions on the ground when sorting out evidence.

“it feels better,” you slowly say, your tone low and hesitant, as though you’re confused. “it just stings now, I don’t know why.”

lee wonders if her saliva is already helping you prematurely before she even heals the wound. maybe it falling from her open mouth, and mixing in with the process of biting, is helping you handle the injury. lee can’t help but desperately hope for that, wanting to eliminate as much pain as she can.

“you can keep going.”

she blinks, her stomach flaring to life at your permission. with her nose digging into the soft skin of your neck, she can smell the sweet nectar of your blood. her limbs stiffen in anticipation for it, shoulder straining as she lets her teeth sink in further. as she enters you, the curve of her teeth curling just right into your flesh, her breaths get shallow, hitching in excitement as she finally feels that first, warm splash along her tongue.

she can’t help it. she immediately moans, eyes squeezing shut as the first drops of your blood, leaking from the puncture wounds of your skin, smear along her lips and run onto her tongue. it’s so warm, sharp in how utterly sweet it tastes, and as it slithers down the length of the muscle, she trembles against you. her stomach twists, begging for more. to let these few measly droplets be the only tastes she gets of you seems impossible, but she scrunches her eyebrows together in focus, tensing as she gives you a moment to feel your way through her first sip. she wishes she could see your face, know what you’re thinking. 

“was that enough?” you whisper softly, stroking through her hair. “hum once for yes, twice for no.”

lee hesitates, then gives her honest answer. the blood she took from you was so little that it hasn’t even slid down her throat.

“take more,” you say, your voice hard with determination and surety.

lee’s head is whirring so much with the first brief taste of you, her entire body shaking in your arms for more, tight at the mere lick of euphoria. she can’t wait for another confirmation from you and immediately presses her lips against your neck in an open-mouthed kiss, teeth fully embedding into your skin. your blood bursts from the two small stabs, gushing into her mouth and sliding down the slope of her teeth and down her tongue. when it travels through her throat, lee whimpers at how easily it runs down, smooth and slippery, burying itself into her guts and infusing with the raging hunger that she’s forced to lay dormant for months. 

she gets so lost in the milky sensation of it, flowing so easily through her body and feeling like a dunk of ice cold water on a steaming hot day. so lost that she nearly misses a soft noise that comes from you. just nearly. but, as her mind registers it, and she hears another, her body tenses with the realization that you’re – you’re moaning.

though her insides wail for her not to, she forces herself to remain still, content to continue swallowing down the gulps of blood already pooled at the center of her tongue as she awaits something, anything, from you. though the spot between her legs is throbbing from the quiet, high noise that had drifted from your lips, she tells herself to focus, listen in for any signs of your discomfort.

but, then, you’re tugging on her hair, and you sound like you’re pleading for mercy when you say, “lee, don’t stop. ah, it feels nice.”

lee’s eyes bulge at that, the news taking her several long moments to fully absorb before she begins to suck again. but, even as she does, her mind is seized by equal measures of curiosity and confusion. why does it feel good? how does it feel good? could it be her saliva?

but, then, more of your warm, velvety blood seeps into her mouth, sliding between the gaps and curves of her teeth, filling the cavern of her mouth with fresh honey that has her feeling nearly drunk off of ecstasy the more she hungrily tightens and gulps down more. and, then, god, you make that fucking noise again – a high pitched, broaken little whine that has lee’s fingers tightening into the metal of the handcuffs still chained to her. you tug hard on her hair, and lee groans at the sting of it, the sensation pulling her out of the chains of logic and rationality and into the hot, burning throes of pleasure. her mind is wrapped in the silks of hunger satiated, the pure delight and high of it softening every sensible truth she’s ever known.

she pushes her mouth harder, teeth pushing in with a fervour her first bite didn’t possess before. she’s about to pause, fear springing into her that she went too far, but then you jerk in her lap, crying out, your arms tightening around her neck. 

“oh,” you mewl out, “do that again.”

fuck. lee will do it a thousand times if it means she gets to become surrounded with more of those noises.

she pushes in harder and you instinctively grind on her crotch again, inciting a grunt from lee. she doesn’t feel much from the friction of it, but the mere fact that your pleasure is so great to stir up movement like this has her tipping into something akin to hazy obsession. 

“sorry,” you gasp, “was that okay? one hum for yes–”

lee gives a firm, short hum. somewhere in the back of her mind, there’s the nagging voice that this can be precarious for your friendship, but she doesn’t care. she can’t care, not when you’re writhing on her lap, pliant for the taking, lost in pleasure just like her. when will she ever have the nerve to do this again? when will lee harker, in any other moment of her life, let herself fling into such reckless abandon, with her reservations crumbled by sheer arousal?

she shoves her face into the warm slope of your neck, prodding her teeth in deeper, your blood gushing into her mouth and coating it as she continues drinking. she whines loudly, her arms straining with the stretch of being handcuffed, rattling her wrists against the metal loops desperately. they pinch into her skin, but she doesn’t care, her fingers itching with the urge to burrow into your hair, your skin, your clothes, anything.

your restraint seems to dissipate just as fast as hers, for moments later, she feels your arms envelop her as you shakily plug in the key, setting her arms free. they immediately fling up to encircle your body, and she keeps you wedged against her as she continues slurping your blood, one hand on your hip digging in and pushing you back and forth on her lap. you cry out, hugging her close. in a string of dissolved moans and squeaky breaths, you say, “lee, yes, please, like that.”

she grips tightly onto your body, helping you continue to move as she keeps her eyes clenched shut. the taste of your blood staining her mouth has her enthralled, adrenaline pumping through her body relentlessly. 

when her nails dig into the dips of your back, you release a choked out, raspy noise, your hips stilling from their motions, letting her drink and drink and drink. she can’t even imagine how this can get better until you’re suddenly convulsing on her lap, entire body jerking wildly as a loud wail flies from your lips, bouncing off the walls of her empty bedroom. lee’s fingers sink deeper into your skin, short, rounded nails pressing into the strip of skin right above your ass as she continues to eat you up, relishing in your warm blood as you shudder in her arms, which grip onto you with a sudden blast of protectiveness. you clutch on just as tightly, hugging her to you with soft coos, shivers racking your body.

the next string of moments unfold too fast before lee’s alarm suddenly goes off, yanking her from her trance. the blaring noise, which stills her movements in shock, are followed by you tugging on her head, urging her to pull away. her mouth is longing for more, but her stomach feels full, sated, and she knows anymore of your blood would be for greed’s sake only. but, god, she wishes she can remain with more and more of it resurfacing on your tongue, but she doesn’t know if your urgency is due to wanting to remain on track or because you’re in genuine discomfort. and that’s enough to have her pulling away, her teeth slowly slipping out of the warm clamp of your body. you let out a soft noise, jolting on her lap as the points slide out, and lee nearly groans at the loss of being so close to your neck.

which, now that she opens her eyes, adjusting back to the orange light of her room, is coated in smears and dried drops of blood, leaking from the two incisions wedged near your pulse point. lee’s stomach flares at the sight of it, a deep, dark part of her relishing in seeing you physically marked as hers. but, when another drop of blood slips from it, she’s reminded of your own sense of comfort, and murmurs, “does it hurt?”

your voice is quiet, fingers still curled in her hair. “a little.”

she sucks in a sharp sigh, before leaning in and pushing out a wad of spit onto the marks. her tongue darts out, spreading it along the patch of skin, trying to ignore the way you gasp from above. when she pulls back, she whispers, “that should take care of it.”

“yeah.” 

she swallows hard, her tongue itching to lick up your dried blood. but, you’ve seen enough of her depravity today, and her hunger is quelled for now. 

which only leaves her to now face you, the heat of the moment dissipated, the goal accomplished, and motive no longer pushing you two to remain in such an intimate embrace. but, she can’t find it in herself to coax you off her lap. and she needs to know what you’re thinking. if you hate her, think less of her, never want to see her agaon. she knows those may not be logical possibilities, considering how much you seemed to enjoy the feeding (a fact which she still is having a difficult time deciphering), but still. maybe the impassioned moment wearing off will reveal to you the grim reality of who – what – she is.

she pulls back, eyes roving from your neck to your chin to your nose before finally setting upon your eyes, which are wide, pupils dilated. lee feels struck from the lack of anger or despair they hold, your eyebrows relaxed and face absent from creases of tension. 

“that was nice,” you half-laugh, head ducking down in what seems like… embarrassment?

lee’s clears her throat. “nice? really?” 

“yeah, I, um…” you trail off, the hand in her hair straying to pick at her sweater. she takes notice of the nervous tic – it’s something she herself would do. “I don’t know why, but it felt, like, so good after the pain subsided. I, um… I came.”

“came where?”

you give her a pointed look, as though you’re silently urging her to piece it together.

which she does a second later, lips parting as a shock pulses through her, stunning her into moments of silence before she quietly splutters, “you, uh – you had an orgasm?” so, that’s what the shaking was.

you bite your lip. “yeah.” 

lee’s eyes flick to the way your teeth sink into your bottom lip, an impulsive thought bursting through her mind about latching her fangs into it and watching the skin split. she shakes it off. she’s demanded enough of that of you today, and now has an unexpected orgasm to deal with. god, even the sentiment has her feeling secondhand embarrassment. how did you come from this? she skims through the possibilities, the only sensical one being that the bite actually felt good enough to cause, or contribute, to you coming. but, how?

“I don’t get it,” she flatly says. “how did you, um… you know?”

“I don’t know. it just felt so good,” you say, your tone lowering to something husky that has lee nearly shivering.

“it–it did?” she quietly confirms, her voice becoming a quiet murmur to match yours. when she looks up, her breath hitches at how close you are, your eyes entrancing, just as tempting as your neck had been just moments ago. similarly to the hunger, something in her throbs to get closer and inch in for a taste. 

but, she can’t, she shouldn’t. your friendship is already hanging on a thread that grows thinner with every new breach of intimacy you two embark on this evening. you guys haven’t even spoken of what occurred when she fed from you and what it means. another intimate act is not the answer. besides, even if she throws caution to the wind, what then? she can’t ask you to be with her, not when it’d succumb you to a lifetime of temporary living situations and outgrowing her. she can’t–

god, you’re moving closer, your eyes half-lidded, so similar to that one time you got high with her. “it felt really good.” 

you’re so close that your moist breath tickles her nose, hot and heady. your lips, a bit chipped from the cold, glisten as you rove your tongue around them to smooth them over. lee nearly whines at the sight, her center beginning to throb as your warmth wraps around her.

your eyes flicker down to her lips, and she immediately shakes her head, her breaths embarrassingly raspy when she says, “no, we shouldn’t.”

“please,” you plead gently, the tip of your tongue hanging out as you gasp softly. “please, lee.”

her teeth grind together at how you say her voice, a little whine lingering at the edge of it. “I– we can’t, you’d suffer for your entire life.”

“I won’t if it’s with you,” you interject, your voice raised in what sounds like broken desperation. “please, we can talk about this, figure out a way to be together.”

it sounds so good, too good. but, she knows it’d only end in pain, and she can’t do that to you. she won’t. “you would get hurt. I can’t do that to you.”

“I’d rather have you and get hurt than not have you at all,” you whisper, your fingers sliding up to softly grip her face, coaxing her to stare into your eyes, which are glossy with tears and earnestly sharp. “please, lee.”

could that really be good enough? having you for just a few years within the long, long life she’s going to live? is the heartbreak and agony that’d result from those years ending better than the emptiness of never having had a chance with you? lee really doesn’t know – both feel like a unique kind of hell, except one is of loss and the other is of an unlived possibility. but, at least the first would give her memories to warm by her side for the rest of her life, no matter how lonely it may be.

that tender thought is only heightened when you chew on your bottom lip, looking like the encapsulation of innocence and purity as you watch her carefully. “lee?” 

can’t she let herself have this with you? just once, have something based on pure want rather than need and efficiency? the prospect feels so goddamn tempting the more it whirls around in her mind. without realizing, she feels an invisible string, hanging between the two of you, tugging her towards you. her eyes are honed in on your pretty lips, so inviting, so ready for the taking with your small pants and excited little sweeps of your tongue.

“we–we shouldn’t,” she whispers as she leans in, eyes hooded as they remain trained on your mouth. 

“please, please,” you plead under your breath, the two meek words making lee’s head spin with thoughts of how else you’d beg under different contexts. “we can talk about it after. let’s just have this now.”

you’re right – you guys should talk about it. but, maybe before you kiss. doing it after seems risky, for the act will have been done by then, already shoving you two past the threshold dividing friendship from romance. it’s not a good idea, it’s not–

lee lunges forward, capturing your lips in hers. her arms are immediately hooked around your torso, shoving you close to her. she’s greedy, so damn greedy for every inch of you, her hands running along your back, nails tracing mindless shapes over the slip of skin revealed from your shirt riding up. you shiver from the cold of her touch, and she adores how your body moulds with hers. you’re so soft, so real, so good for her. a sentiment that only becomes more apparent as the raw taste of your blood swaps between your mouths as the tip of your tongue desperately curls along her teeth, prodding for the bits and pieces of your dried blood staining them. she doesn’t know why you’re so desperate for it, why you want to taste yourself in her mouth so bad. maybe having a part of yourself in her mouth drives you as insane as it does her. though, the notion only sends lee’s thoughts to a much more shameless place, and she finds herself sinking her fingers harder into the plush of your thigh, forcing you to be wedged tighter against her body. your chests press together as you two lick, suck and devour, the union feeling downright feral.

spit begins to leak from your mouth as your lips hang open to release all the noises pent up in you. lee’s mind feels hazy from knowing she’s causing those noises, and she worms her tongue into your mouth. she’s had your blood, and now, she wants to taste every other part of you possible. she wants to suck your chest, bite your lip and lick off all the slithering arousal from that spot between your legs. she wants you all, completely. 

“I wanna do so much,” she mumbles right before wrapping her lips around your tongue and sucking, more of your spit bursting onto her mouth and down your chin. she releases with you a pop to lap at the skin, starving for more of you. 

“then, do it,” you moan.

“some of it is wrong,” she rasps, her mind flooded with all the shameful desires she’s held in her chest for months. 

you pull back from her, resting your forehead upon hers. “trust me, none of it is.” after a pause where nothing rings through the rooms but your little pants, you whisper, “I want you to do so many things to me. things I’m so embarrassed of. but, wanting it must mean it’s not too bad, right?”

still hung up on your admission of wanting her to do things to you, she takes a few long moments to fully digest your words. she’d hate to ever contribute to making you feel ashamed of the fantasies you have, and she’s sure she’d want them all just as much as you. the realization gives her pause – will you be that for her? someone whom she can share with all of these secretive wants she’s always kept buried within, only allowing it to have rare glimpses against the light of day. 

with the way you’re staring at her, so desirous and trusting in your touches and gazes, she feels that just maybe, you can be that for her. you’ve already seen her at her most primal state of necessity and survival. if you can accept her in her desperate, graceless, thoughtless need, maybe you can accept her in all the desires she’s kept hidden for so long. 

“right,” she breathes, her nose rubbing against yours as she pushes her lips against yours again, dragging her nails down your back as you wrap your hands into her hair. 

maybe for a moment in her great span of life, she can let herself fall into the sanctuary of being with you. maybe, for some time, she can be drained of shame with you. maybe, if she hopes hard enough, she can feel human with you. or, even stranger of a possibility, she can be anything but human with you. she can stop pretending.

it seems like a faraway, impossible dream. but, as you seize at her with unfiltered desire, holding her close as though she’s something pure and good and precious, her chest splits open with a flood of hope. a flood that whispers maybe you’ll hold her tenderly as a creature that, yes, is still stuck between monster and human, but just as deserving of a life. despite the coldness of her skin, the breaths she only takes out of habit, perhaps this kiss is a vow that you’ll keep her alive through something beyond physicality, something deep in her that still sparks tears and laughter and empathy. something like a soul.

she lets you write the promise upon her skin that night, drinking and drinking it up, and letting it wash all over her. and she continues to for many years to come.

[kwondotcom]

finally, finally built the emotional capacity to annotate something in the orange. on bsk's birthday, i said "the best thing you can do for yourself today is to read this fic." over a week later, it still stands true. this is one of the best pieces of work you will find not only on svtblr, but on the internet as a whole. i believed it then; i believe it now. 🍊 spoilers under the cut.

an anonymous assumption that was made about viv some days ago was whether she has a background as a film major, and her answer was no; she's just recently read the past lives script (lol). could've fooled me. this was a stellar device used for getting into the characters' head and describing them, and the eventual payoff of it just makes the story all the more heart-wrenching. on a more personal note: as a communication major who spent four years writing movie scripts? this shit was good.

the mark of a good apocalypse fic. how deep does the lore go? naming the phenomenon 'the Blight' and establishing it throughout is insane work. the information is bread crumbed. enough to keep you guessing. but in this first paragraph alone— extinction, famine, inflation— the domino effect of everything feels ominous. having seungkwan and the MC discussing [shotgun] marriage afterwards feels like a smoke screen. 'look, the world may be ending, but there is a young couple asking hypothetical questions and falling in love.'

absolutely devastating, by the way. i'm a big believer of love in the small moments, and there's just. something distinctly tender in how this is navigated. the images of walks home, shaky confessions, button exchanges. and the hints of what's happening, what's to come: mild dust storms, a barren world. this is a masterclass in writing, and it is genuinely so insane to me that i am getting to read this for free.

there's much to love in this passage. MC being right about the wires being good for barter. the passages that explain how the camera came to be. and just— all the premise in the world for why their love is so beautiful, how their affection persists. MC being a 'former writer' prepared for the zombie apocalypse is a nice touch.

[CAR CRASH] [GLASS SHATTERING] [EXPLOSION] “OH MY GOD” [BABY CRYING] “WAAAHH WAHH” [YELLING] “HELP MEE” [POLICE SIRENS] WEE WOO WEE WOEOO [YELLING] [HELICOPTERS] ‘WE’RE REPORTING LIVE-‘ [EXPLOSION] ‘MY LEG... MY LEG!!’ [BABY CRYING] “AHFUCKK SOMEONE HELP US” [REPORTER REPORTING]

both of the translations i found absolutely wrecked me. the first translation offers a specific kind of pain. the thought of the newlywed; longing for someone; a crying heart; if he cannot come, i will send my heart instead— after knowing MC is referred to as 'my heart'? and the second translation gives us tears of farewell; the trace of someone; how can old wounds be renewed? i'm a believer that everything is intentional, that nothing is left up to chance, especially when it comes to writing, and viv just bowls you over with the sheer thoughtfulness of a detail like this. i can't even begin to discuss the juxtaposition of a beach ruined by things like plastic and trash vs. bullet shells and shrapnel. the couple then running to be in the water together; the footage, partially obscured? i can't help but wonder how much of this is intentional. we've been privy to their romance so far, but this moment— what might be considered A Last Good Day, even, since this is d-4— isn't even perceivable in its entirety. there is only so much that we can see about their relationship on-/off-screen, both in a literal and metaphorical sense. i compound a couple of later scenes here. direction to hold an image of joy, in a mokpo beach (my god, viv; you are vicious) that is untouched by tragedy; uncertainty of whether the filming was accidental or intentional.

anticipatory loss, only for the loss to be one so unexpected. once again, i'm amazed by the amount of detail in the world-building— how viv outlines the conscription and the emotional aspects of it. how do we even begin to prepare for loss? and how do we live with the knowledge of how much we're about to lose? isn't that just the entirety of life, really? knowing that we are always going to lose one thing or another. in response: we hold things tight. we look, and memorize, and catalogue. it reminds me of the popular quote: "everything i've ever let go of has claw marks on it."

i was struck between the eyes by the violence of that act [cutting any scenes], because this very much feels like the crux of reconstruction/memory/narrative. seungkwan is in charge of what will be remembered; how the MC will be remembered. i adore the ambiguity of whether the scenes reflect a stitched-together film or whether we're following along seungkwan's review. equally, there's just something gutting about this playing out in some perverted version of what MC and seungkwan joked about i.e. a world with electricity, where seungkwan had free reign to do what he wanted with all the gathered clips.

not thieves, just travelers. expecting last words and getting the ghost of a kiss instead. your eyes, only ever kind. there is so much to love here, so much to adore in the stylistic, technical sense, but what comes to fore for me is this: viv's respect for the dead/dying. an honorable death in its own right. unjustified, still. devastating, always.

i will be honest. it's nearing 4 a.m. as i wrap this up (annotations were done in non-chronological order lmao), and i feel my coherency waning. i know enough to say that these were some lines that felt like a literal gut punch. the idea that our writer!MC and filmmaker!seungkwan can still nurture creativity. to love and be loved. the thought that MC always smiled at seungwkan over the camera. love. loss. a heart's a heavy burden. and you were seungkwan's heart, weren't you?

i think, in my initial read— struck by grief of the fic lol— i'd skipped over seungkwan's line here. twice as many stars as usual. let's look up together. this scene takes place in a corn field, presumably the night before the Incident. two-headed calves don't survive for very long; most pass away in less than 24 hours, their deformities taking a toll on their lifespan. the poem has always tugged at my heart, because at its core it talks about finding so much hope, and light, and love, in a short lifespan. and is that not the case of seungkwan and MC? twice as many stars. some beauty and peace despite being doomed from the beginning. all any of us have is however long we have.

ending this with two of my favorite poems on grief. a discussion i've had time and time again is whether a person can be complimented on their ability to write grief. is it a insult, to be told that you write about grief well, when it takes an acute understanding of loss to be able to pull it off? i haven't figured that out yet. and so i conclude, instead, with this. grief's familiar rooms and how it reminded me of the scenes wherein seungkwan is rewatching the clips (pulling at its buttons / that are not answers); poem and how, by and by, it reminds me of this gorgeous piece as a whole. i'm changed in inexplicable ways because of something in the orange, and i'm not exaggerating. how lucky are we to be in a time where writing like this is free to read; how grateful am i to exist in viv's orbit, under the same starry skies. the poem story ends, soft as it began, —

something in the orange

summary. remembrance is also reconstruction. reconstruction presupposes loss. a meditation on memory, narrative, and grief. and, of course, love. pairing. boo seungkwan x gn!reader genre/tags. ANGST, (semi-graphic) major character death, interstellar au-ish (just the blight), non-linear narrative, blurred fiction and reality if you squint (sorry I reread goodbye eri while writing), unbeta’d (mistakes are my own) wc. 5k suggested listening. love wins all, iu // 消費期限, seventeen // triassic love song, paris paloma // eight, iu prod. & ft. suga // yawn, seventeen // something in the orange, zach bryan (or niall's cover)

notes. midnight in korea now; happy birthday kwannie! this is very experimental, and admittedly i'm not fully satisfied w it, but I didn't know how to change it atp. sorry boo, it's your birthday but i give you pain. as always, reblogs are appreciated and come say hi if you're so inclined 🫶🏼

D-17 EXT. SEOUL TRAIN STATION – KOREA – DAWN The sun rises over the ruins of Seoul Station. The air is clear of smoke and fog. A shot of the sun peeking over the heap of steel, glass, and cement that once served as the station’s framing. The train tracks run to the far horizon, to the left and right of the frame. Pan to YOU (young-looking though age is ambiguous, former writer, love of SEUNGKWAN’S life) squinting at an old, battered map of Korea’s train lines, and a compass. You’re wearing battered jeans that are slightly too big, boots, and a sturdy leather jacket. Behind the camera, SEUNGKWAN (male, young-sounding though age is ambiguous, former video producer) narrates.                 SEUNGKWAN (O.S.)         BOO-log number 529. We’re now figuring out how to get to Mokpo. Neither of us are any good with directions, but my partner decided that we could try following train lines since the none of them are running anyway. You look up at the sound of his voice, noticing the camera.

                YOU             (exasperated, but fond)         Kwannie, are you filming again? We have 30 batteries, but not all of them might be working. You might need to save battery and memory if you want to video the view of Jeju Island.                 SEUNGKWAN (O.S.)         It’s okay, I really just wanted to record us before we start. Once we’re walking, I won’t use the camera as much. And I have twenty other SD Cards!                 YOU             (not surprised)         Okay, we’ll definitely figure something out for the batteries, then.                 SEUNGKWAN (O.S.)         Yeah. Now— Seungkwan’s voice changes to a more formal tone, as though he were imitating a newscaster.                 SEUNGKWAN (O.S., CONT’D)         What are your thoughts as we start our newest adventure? The camera catches your grin. You follow along, changing your tone to an impression of those backpackers in TV documentaries.                  YOU         Um, I’m excited to see Jeju-do, even from afar, because it’s part of Seungkwannie, and we had our honeymoon there. As long as we’re careful, I know we can do it. If we’re lucky, we may even find someone who can bring us across. Beat. You look ever so slightly awkward in front of the camera.                 YOU (CONT’D) Wait, here, give me the camera. I’ll record you this time. The footage shakes, briefly showing a tiled floor, then train tracks, before panning to a blurry face. The camera shakes for a moment before the image comes into focus, revealing a beautiful young man with dark hair. Seungkwan does a better job at the “interviewer voice”, but you’re no slouch either.                 YOU (O.S., CONT’D)         So, Seungkwan-ssi, what are your thoughts as we embark on a new adventure?                 SEUNGKWAN             (genuine)         I think it’s about to be wonderful.

D–2183

When the Blight started, both you and Seungkwan were in high school. Though only having known you since that start of your third year, you’ve quickly wormed his way into his life—visiting his house, having dinners with your family, and he even managed to force you into joining the badminton club with him.

Bees now officially extinct, the news proclaims, an effect of the ravaging of nearly all plant life. Asia in particular has suffered; the widespread rice shortages due to it becoming impossible to grow resulted in widespread famine. The extinction of plants used for feed, made food prices across the board skyrocket. Corn, it seems, is the only crop that can resist the Blight—and the rest of the world now has to adjust its staple food to mimic the old Americas.

“Seungkwan.” You prod his ribs.

“Mm?”

“What would you do if the world ends tomorrow?”

“Marry you.” You laugh, until you realize he isn’t joking.

“What?” Your voice pitches to an incredulous squeak.

“Marry you,” he repeats.

“Why, though?”

“I always wanted to get married,” Seungkwan replies, after a moment of pondering. “And if the world ends tomorrow, as of today you’d be my best candidate for marriage.” 

For a moment, you just look at him, eyes tracing over his features. Your steady gaze makes him shift, uncomfortable, wondering if he said something wrong. Eventually, you shrug, though there’s a twinkle in your eye as you quirk a smile at him.

“While I don’t support shotgun marriages, I’d make an exception for you and the end of the world.”

His breath catches, heart stuttering as he tries to parse your answer in his head. “Wha—you—”

“Come on, Seungkwan, don’t dish it if you can’t take it,” you groan, flopping sideways to plop your head against the armrest. Your legs tilt as you do, your foot brushing against his calf. He tries not to jolt at the contact.

“I’m sorry!” He pouts, trying to calm the uneven fluttering of his heart. You laugh, shifting your lean in the opposite direction, so your head lands on his lap. Despite having done it a thousand times before, he traces softly the way your hair falls, admiring the way its color contrasts with the color of his pants.

(Looking back, he’ll think about how that day changed things, even just by a little bit; how his gazes grew longer, noticing more how the sunsets glowed against your face as you walked home together every day, painting you golden. How you’d both gotten used to creative ways of shelter when mild dust storms come, thanking your luck each time that you had gotten home before it truly began.

He’ll think about how, a year from that day, he kissed you as he walked you home for the last time before you enter your separate colleges, swallowing the teasing took you long enough from your lips as he finished his shaky confession. 

He’ll think of how you exchanged second buttons like those characters from that anime you liked did, and the quiet promises to make things work even as the world seems to turn more barren than both of you can follow.

He’ll think of how three years from then, he gets on one knee, to your tearful yes and salty kisses. Your small marriage, with just your families, batchmates, and some professors, followed by a beautiful honeymoon in Jeju. Despite it all.

None of these decisions had anything to do with the end of the world, but you and Seungkwan made them, nonetheless.)

D-9 INT. A TENT – A TRAIN STATION SOMEWHERE BETWEEN SEOUL AND MOKPO – NIGHT The footage is grainy due to the lack of proper lighting; the camera shakes as Seungkwan seems to be trying to balance it on something. The tent is quite cramped; the inside is sparse, with only two sleeping bags and your knapsacks—Seungkwan’s with two camping pans attached with a carabiner.  The leather jacket you were wearing is now resting on one of the bags. You have both swapped your sturdy day pants for more comfortable, albeit worn, sweatpants. Out of context, it looks like a vlog filmed by two campers on a hike. The camera steadies as Seungkwan moves away. He moves to sit beside you. There is an easy intimacy as you thread your fingers together, almost mindlessly.                 SEUNGKWAN         BOO-log number 531. We passed by a sign that said Nonsan. That means we’re probably halfway there.                 YOU         We made progress better than expected, didn’t we? I estimated at least two weeks.                 SEUNGKWAN             (nodding, excited)         I thought the train tracks would have been ruined, since the stations are, but they’re surprisingly reliable.                 YOU         It’s true; of course there were times when we had to find our way around the tracks, or climb above anything that fell down over it, or go through some cornfields, but mostly, it seems we’ve been lucky.                 SEUNGKWAN         By the way—everyone, it looks like we’re in a tent in the middle of nowhere, doesn’t it? Don’t be fooled, we set this up in a convenience store.                 YOU             (laughing)         You ruined it! Now we can’t be funky backpackers with a tent on the train tracks.                 SEUNGKWAN             (playfully lecturing)         It’s good to be truthful, you know. What if kids watch this someday? We have to be good moral people.                 YOU             (with the remnants of a laugh)         Okay, okay. We set this up in the Seven Eleven inside one of the train stations. Abandoned, obviously. We made it in right before the dust storm hit.                 SEUNGKWAN         Another good news today is that we managed to barter something for food.                 YOU         Yeah. This one engineer or something—I think he’s a veteran? But we saw him tinkering on his porch and offered a trade, his corn for our cables, and now we have dinner.                 SEUNGKWAN             (joking)         It’s not jokbal, but it’ll do, I suppose.                 YOU             (groaning)         Oh my God, what I’d give for some jokbal right now. With bossam. And soju. SEUNGKWAN         I’ll be dreaming of that tonight.                 YOU         Anyway, everyone, we’ll end the log here, so we have enough batteries for a nice long BOO-log at Mokpo. Both you and Seungkwan wave your corn (dinner) at the camera. You reach forward, covering the lens with your palm. The clip ends.

D–20

Seungkwan walks around the house. He’s doing his last checks, checking between what’s in his bag and what’s in the rooms to parse if he’s missed anything—batteries, your wallets, matches, passports, birth certificates, first aid kit, water bottles, toothbrushes, all the canned food in the pantry, the sturdiest kitchen knife you both owned (wrapped in two layers of cloth), the Swiss knife he was gifted a few years back, flashlights, a whistle, and all the carabiners and hard cash you had were already packed.

He finds you in your shared bedroom. There are a bunch of wires there, evidently cut from various appliances. You’ve wrapped the cables as neatly as you could manage. On the bed, you’ve laid all your dry-fit shirts and the sturdiest pairs of pants you both have. Then, from the dresser, you’ve collected the most expensive jewelry the both of you own—well, all of them, but you separated the expensive ones in another pile. He points to the latter.

“What’s that for?”

“If cash fails, maybe gold won’t. I don’t know, just in case the currency collapses. But they’re worth bringing all the same.” Also, you hold out copies of both your health insurances. He opens his knapsack and quickly stuffs them in the same place as your other documents.

“Last resort kindling?” Seungkwan offers, showing the cluster of documents in his compartment. The remark draws a quick breath of a laugh from you.

“Probably.”

“How about the wires?”

“You never know when we’ll need some emergency engineer bullshit; plus, if it comes to it, the wires will probably be better barter material. Before you ask,” you hold up one hand, “I edited a zombie novel a few years back. But if that kid was pulling out of his ass, we’re fucked.”

Despite your disclaimer, the no-nonsense, matter-of-fact way you’re handling the situation makes something settle in him, as though all he needed was an anchor amid the chaos. He pulls you close, placing a kiss to your temple. The tension in your body melts as you press against him. For a moment, Seungkwan just holds you. A temporary anchor before you need to move.

Turning to him, you offer a quick peck to his lips before holding up his trusted camera bag, worn as it is. “Bring it,” you tell him firmly. “We need a little bit of happiness. Get all the SD cards you have, too. In case we just never leave Mokpo. It’s small enough to stuff in our pockets.”

Seungkwan can’t help it; he grabs your face and kisses you. The camera bag sits between you awkwardly, but he doesn’t care. He savors this, the familiar taste of it, the contours of your face that his hands have long since memorized. You pull away, but not before kissing his lips again, then his nose. He’ll never quite get used to the way you look at him, as though there is something new to love each time.

“We’re gonna be okay, my heart.”

D-4 EXT – A LONG STRETCH OF BEACH – MOKPO, SOUTH KOREA – SUNSET The camera captures a breathtaking sunset. The sky is a wash of oranges and pinks, the clouds purple yet lined in the light of the sun. Mokpo is on the southwest side of Korea; the view of the sunset is particularly beautiful, as the sun sinks down into the sea. There are faint silhouettes of islands both near and far from the shore. The waters are tranquil, and there are no sounds except for the steady wash of the waves on the shore.

The shot slowly pans to you. Your expression is tranquil, despite the dirt and tears across your clothes.                 SEUNGKWAN (O.S.)             (soft, so soft you don’t hear)         Pretty.                 YOU             (clueless)         Hm?                 SEUNGKWAN (O.S.)         Nothing. Can you see Jeju Island from here?

He already knows where it is.                 YOU             (laughing softly, a little sad)         To be honest, I don’t know which piece of land I’m seeing is Jeju. A finger appears at the edge of the screen.                 SEUNGKWAN (O.S.)         There, that’s Jeju. Right behind the blob that looks like a hat.                 YOU             (squinting)         Oh! Right, that’s what it looks like. Beat.                 YOU (CONT’D) The view is beautiful. It’s been so long since I’ve seen the sea. Seungkwan hums the opening to Tears of Mokpo. You don’t recognize it until he softly begins to sing the opening lyrics.                 SEUNGKWAN (O.S.)             (singing)         사공의 뱃노래 가물거리면…                 YOU             (laughing outright)         That doesn’t have anything to do with Jeju! He sings louder just to spite you. You playfully roll your eyes. Bending down, you unlace your boots and take off your socks, sinking your bare feet into the sand with barely-concealed relish. Seungkwan stops singing as he knows what you’re about to do.                 SEUNGKWAN         Careful; don’t step on anything sharp. As you move forward, the camera follows you. It is revealed that the beach is not so picturesque. The sea seems to have dried up some, and even here, bits and bobs of life float on the surface and linger in the sand.

There are the usual culprits: plastic bags, empty cans of alcohol and soda, and snack wrappers. Yet visible also on the camera are the following: bullet shells, shrapnel, a chair leg, a ragged pillow, and a cracked desktop monitor. As all this is visible, the camera centers on you laughing, splashing in the saltwater and enjoying the breeze in your hair.                 YOU             (calling; audio faint)         Kwannie! Come here! A beat. The camera zooms in on your face.                 YOU         Kwannie, come on! Hurry up!                 SEUNGKWAN             (proximity makes his voice loud)         Okay! A rustle. The camera is laid down, cloth (Seungkwan’s jacket) obscuring part of the footage. After a nudge, the cloth disappears from frame. Another figure, barefoot, joins you.

D–119

Jeju has officially been declared abandoned, lost for some other country to use as farmland. The radio announced the treaty ratification today. Seungkwan is a spectre around the house, listless and heartbroken. 

Months ago, when the conflict began to escalate in earnest, he began whatever arrangements he could to ensure his family was safe, moving them as near to the farming areas as he could manage and encouraging them to share whatever techniques they knew could help former cities now learning how to farm. The news does not make the sharp pang of grief dull any less.

He is at the age when he is to receive a conscription notice; Korea has since shifted its system to split soldiers into those who will either fight on the front lines of the Resource Wars, or serve by tilling the land and ensuring that there is enough corn for the population, however dwindling. There is no guarantee on which one he is to get, even if he did register himself as head of household (and should hypothetically be assigned the latter), but he is due to receive news in a few months’ time.

The promise of the notice hangs over both your heads. In the mornings, you spend ten more minutes just looking at him, as though you were memorizing the shapes and contours of his features. At night, he curls into you more tightly than before; once you’d have complained that it was too hot, now, you simply wrap your arms around him and let him sink his face into your hair.

“Hey, Seungkwannie.”

“Mm?”

“Let’s go on a trip.” The hand mindlessly running through your hair falters. 

He pulls away, looking at you with a furrowed brow. You keep your head low, pressed against his chest. “What?”

“Let’s go south. Yeosu, Mokpo, whatever, just near the beach, as close as possible to Jeju. Just…just see it, even from afar.” At his silence, you barrel on. “If we walk enough, we can make it in two weeks—a week if we can hitch a ride with one of those crop trucks or something—and then just another two weeks back, if we don’t settle in Mokpo outright.” 

“Food—”

“I can pack us as much as I can. We’ll need to ration, and possibly trade, but we can do it. The treaty is in place, and it’s most dangerous up north right now. Going south isn’t as big of a risk, and the weather has been looking good lately.” Finally looking up, you cup his cheek, tracing the skin with your thumb. He presses his lips to your wrist.

“It’s okay if you don’t want to Kwannie. I just thought you might want to say goodbye.”

“I…” he falters. It’s tempting. Unbearably so, despite the nagging at the back of his head that it would be better to leave it at that, keep his memory limited to the days you spent there dodging dust storms and falling in love. He doesn’t know how much it’s changed. How much the ocean might have even dried up. He doesn’t know if he can stomach to see it. “Give me a few days to think about it?”

“Of course, Kwannie. All the time you need.”

D+29

Seungkwan’s life has been demarcated into two. Before, and after. He goes through the motions of the government-run fields: waking up, clocking in, eating breakfast, tilling the soil, weeding, lunch, the occasional drills in case they were still expected to fight, transporting corn from one warehouse to another, dinner, sleep. Repeat.

Not a lot of people are here; many prefer to till fields they own, or collectively own; for once, agrarian reform straightened itself out at the start of the Blight. Yet with the dwindling population—slowly withering family trees—those lands acquired by the government grew.

Sometimes, Seungkwan thinks of home. He was lucky enough that the head of the center, Seungcheol, was kind enough to register his name as part of the deployed cadets under his supervision, despite the incomplete paperwork he had when he stumbled into his field, frail and dehydrated from lack of food and water.

Home remains now only in his memory, and in every replay of the Christmases he captured on camera. The soil is more unforgiving than before; it distracts from the loneliness.

EXT. A SMALL FIELD, WEDDING VENUE – DAY The wedding is humbly decorated with dried corn leaves fashioned into flowers, as there are no real ones anymore (none within the budget, anyway). Guests came as they are, though everyone has made an effort to clean up more than usual. It is currently the reception, and the speakers are playing a quick beat. The guests are dancing, laughing, and cheering, though their movements are blurry and almost smeared onscreen (step-printing effect). In the middle of it, you stand, the only still figure in the frame. You’re smiling softly to someone behind the camera, very clearly in love. Cut to Seungkwan, in a similar position, the guests around him dancing as but blurs. He is wearing a similar expression. He begins to walk forward.

You meet in the middle, still the only clear figures to the camera, and begin to dance.  As though the dance were a spell, the surroundings cut to: INT. A MEDIUM-SIZED LIVING ROOM – NIGHT EXT. SEOUL STATION, IN RUINS – DAY INT. YOUR TENT (MAGICALLY ENLARGED) – NIGHT EXT. LONG STRETCH OF BEACH (UNPOLLUTED) – MOKPO – SUNSET Hold this image for a moment. The sea laps at your ankles. The bottom of both your garments brushes against the saltwater, but neither of you seem to notice. Both you and Seungkwan close the gap to meet in a tender kiss. Suddenly, cheers. You part, and are back to: EXT. A SMALL FIELD, WEDDING VENUE – DAY The newly-married couple smiles and waves. The bottom of their garments are damp.

D+167

It seems surreal to have all the batteries he wants, and even a computer where he can replay all his footage—more than 4000 hours’ worth of it. It took a few months of work to earn enough credits and rank to access it, but Seungkwan pursued the goal with single-minded purpose. There is enough electricity in this center to run a few computers, and Seungkwan is its most regular customer, painstakingly going through each clip on the dozens of SD cards he has.

For footage so far back, from when you had just been married, there are parts where he no longer remembers what happened after the clips end. They remain in his memory as but colored ghosts, warm-tinged with nostalgia. Cabinets that would never be opened again, now filled, in his dreams, with infinities.

The house of his memories blurs with the house of his oneirism. In both, he subsists on sleep and daydreams. But memory will betray; it won’t tell him if the house he remembers has been altered by each remembrance. So he watches his videos. He walks through his house, now only alive in video and reconstructed by memory. He sees himself and he sees you, in all the different iterations you both were. Wonders if he could stitch both into narrative. Wonders if he could even bear to cut any scenes. He’s never thought about the violence of that act until now.

Inventories do not just catalogue possession; they also measure the potential of loss. It was a quote from one of your writing workshops, discussed over a late dinner. You could still afford some meat then; Seungkwan had saved just enough for a small slab of cured pork, which you would cut tiny slabs from for both of you to enjoy before bed.

He has five minutes left of his designated slot with the computer.

Seungkwan watches, and he catalogues.

D=0

Seungkwan only remembers in flashes—a gunshot. A scream. It’s only when he replays that moment in his mind that he realizes it was his voice. Barely a thud as your body is cushioned by the corn leaves. Dark red liquid, somehow both grainy and slippery on his hands as he drags you into the thick of the field, away from the path, trying desperately to stem the blood while minimizing your trail. Until finally, he collapses, feet unable to bring him a step further.

More flashes—your eyes, only ever kind. Even at your last moments. The way you hold his hand and place it over the pocket you keep his SD cards, as though reminding him one last time. The way your eyes search his face, first desperate, and then resigned. The way he leaned in when you opened your mouth, to hear your final words, only to feel the ghost of chapped lips brush against his ear. The gush of blood that dribbles past your mouth that tells him you’re gone.

(The Resource Wars felt like more a backdrop than anything else; you had come this far without any altercation. Yet even as you screamed that you were not thieves, just travellers, the gunshot rang. 

The cornfields weep with him as he leaves you behind, SD cards clutched in his bloody hand.)

D–4

TIME CUT TO: It is twilight, now. The camera is trained on the horizon. The sun has fully set, and night is beginning to settle in the sky. Only the barest hints of orange remain. The footage has already become slightly grainy due to the lighting. Neither you nor Seungkwan are on the camera. Instead, voices are heard while the darkness arrives. It is not evident whether the footage was taken accidentally, or on purpose.                 SEUNGKWAN (O.S.)             (softly)         I’m glad we came. Really, even if we couldn’t get to Jeju. I’m glad. I’m glad it’s with you.                 YOU (O.S.)             (just as softly)         I’m glad too, my heart. You filmed the whole sunset, didn’t you? Start to finish?                 SEUNGKWAN (O.S.)         Yeah. Yesterday and today. I have so much footage that I don’t know what to do with.

Breath.                 SEUNGKWAN (O.S., CONT’D)         Actually, that goes for all the BOO-logs. Even the ones from high school and college.                 YOU (O.S.)             (surprised)         You never tried editing them?                  SEUNGKWAN (O.S.)         I have, but what then? There are hardly any theaters now. Nowhere else to post. And electricity is expensive.                 YOU (O.S.)         Okay, but if we both die, what do you think’s gonna happen to this camera? Seungkwan is many things; a prideful badminton player (before the Wars stopped sports events), a videographer, casual vlogger, and a corn field worker. You are also many things; an editor (before your company closed from too little employees), author, copywriter, and occasional tiller.

Both of you still enjoy nurturing sparks of creativity when they come.                 SEUNGKWAN (O.S.)         Mm. someone picks it up and it gets immortalized in a post-war museum. And our videos will be a special feature.                 YOU (O.S.)         Oooh. And the war museum would be on a spaceship, with funky gravity and new plants and meat the astronauts domesticated from a different planet.                 SEUNGKWAN (O.S.)         And there’s a new jokbal. Call that out of this world delicious.                 YOU         Stop! Despite the terrible joke, you both laugh, then let the conversation drift into comfortable silence. The sun has fully set. Nothing much can be discerned visually from the footage.                 YOU (O.S., CONT’D)         Hey, Seungkwannie.                 SEUNGKWAN (O.S.)         Mm?                 YOU (O.S.)         If you had the chance, like computers and steady electricity, would you edit all the BOO-logs into a short film?                  SEUNGKWAN (O.S.)             (skeptical, but thinks about it seriously)         What would the plot even be? A married couple traveling to Mokpo, dodging dust storms and chasing each other through cornfields? Watching the stars at night?                 YOU (O.S.)             (earnest)         Yeah! Or, y’know, make it semi-autobiographic, like two lovers wanting to visit where they first had their honeymoon. Or maybe I’m sick and you want to take me to the sea one last time? The footage earlier could fit with that storyline.                 SEUNGKWAN (O.S.)         Don’t even say that!                 YOU (O.S.)             (laughing softly, apologetic)         Sorry, sorry. But if you do make a short film, I want to be the first to see it. It’s been so long since I’ve seen you work.                 SEUNGKWAN (O.S.)         What about you, then? Would you write a book about us?                 YOU (O.S.)         Oh, definitely. And you’d be the first to read it. The footage cuts.

D+182

Seungkwan replays the footage again. Beside him, Vernon fiddles with a pen.

“What do you think about making this a short film?” Seungkwan asks. 

Vernon stops. 

Seungkwan may be their newest addition, but the rest of the crew has grown protective. He brings light to their conversations, effortless in his ability to entertain and bring laughter. Mingyu asks him of his favorite foods, especially the ones he misses from Jeju, even if recreating them is near impossible. Seungcheol reprimands anyone who tries to bully him into giving up his share of rations. Junhui has begun to joke more, noticing how Seungkwan seems to be particularly into his humor. 

Yet everyone recognizes the sadness that still clings to his heels.

Vernon looks, for a long moment, at the monitor, frozen with a picture of a smiling face he’s never known—never personally, only ever through the screen and Seungkwan’s stories, always shared in quiet whispers in the privacy of his room.

He knows, though. Knows that this person was real. They loved, and were loved. It speaks in how the camera follows whoever is in the frame. The cuts of certain clips, as though either the person behind the camera joined their partner or had a moment that could not be captured in film. Most of all, it was the way whoever was in the frame would, without fail, smile at the person behind it. 

“I think,” he replies, choosing his words deliberately, “that you are in a unique position to dictate how someone is to be remembered by those who never knew them. And…” he hesitates, wondering if two months of these quiet conversations is still too little to be so candid with his friend, especially when talking of loss.

So, so much loss.

Seungkwan answers that question for him. “It’s okay, Vernon-ah.”

“…Well, I just wanted to say that it’s a burden to bear, is all.”

EXT – A CORNFIELD UNDER THE STARS – NIGHTTIME The stars have emerged, visible in all their glory. After the start of the Blight, when the population began to dwindle, electricity and many other resources became scarce. Much of the light pollution that was once a problem has disappeared. Brilliant dots twinkle overhead. To you and Seungkwan, it could pass for the Milky Way. The POV seems to be at a low point; stalks of corn are visible at the edges of the frame. Yet the stars are bright, captured exceedingly well.

You’re softly speaking aloud Laura Gilpin’s The Two-Headed Calf. It was one of the poems you memorized in college, as a creative writing major. YOU (O.S.)             (as though from far away)         Tomorrow when the farm boys find this freak of nature, they will wrap his body in newspaper and carry him to the museum.

But tonight he is alive and in the north field with his mother. It is a perfect summer evening: the moon rising over the orchard, the wind in the grass. And as he stares into the sky, there are twice as many stars as usual. Long beat.                 SEUNGKWAN (O.S.)         Twice as many stars as usual…let’s look up together.                 YOU (O.S.)         I see the stars, my heart, but I’m tired…

A breath hangs in the air. Some rustle of cloth, as though someone had adjusted so you fit together. A soft sigh.                 YOU (O.S.) Good night, Kwannie.                 SEUNGKWAN (O.S.)         …Good night, darling. End.

note. are the screenplay bits from the short film? the raw sd card clips? his memories? distorted memories? guess we'll never know. nonlinear bc grief is nonlinear. pls tell me your thoughts (even/esp if u didn't get the story lol) take care of yourselves always <3

[the-psychopathist]

Is Agatha Harkness a sociopath?

I wanted to make this post ever since I finished Agatha All Along, specifically after Agatha was referred to as a “sociopath” in the series. Now, “sociopath” is not an actual diagnosis and most of the time, what people refer to when it comes to sociopathy and psychopathy is actually anti-social personality disorder (ASPD). In this post, I’ll attempt to “diagnose” Agatha with ASPD and see if she fits the criteria for a diagnosis.

Disclaimer: I am not a professional, I’m only “diagnosing” Agatha because she’s a fictional character. Do not attempt to do the same for any real person. This post isn’t meant to stigmatize any real person with that condition, this is simply a character study. None of what I’m writing should be used in a real-life context. 

1) Failure to obey laws and norms by engaging in behavior which results in criminal arrest, or would warrant criminal arrest

Agatha is quite literally a serial killer. She has been luring witches to their early graves for centuries. We don't know exactly how many people she has killed, but her body count is definitely quite large. I don't think she was ever arrested for her crimes but it definitely warrants a criminal arrest. If it wasn't for Wanda trapping her in the Agnes persona at the end of WandaVision, she would have most likely been arrested, especially since she attempted to kill multiple S.W.O.R.D. soldiers. 

2) Deceitfulness, indicated by continuously lying, using aliases, or conning others for personal gain and pleasure.

This one is a given. Her primary means to steal magic was through a con. She deceived and manipulated unsuspecting witches who trusted her with the intent of stealing their magic and killing them. And even before that, she used her own son to lure witches and do the same. She does it primarily for profit, to get more magic, but she does seem to genuinely enjoy deceiving others and gaining pleasure out of it.

In both WV and AAA she was lying, deceiving and manipulating the rest of the cast from the very beginning for her own benefit. She infiltrated Wanda’s hex and posed as her nosy neighbour “Agnes”, graining Wanda's trust with the intent of stealing her magic from the start. She did it primarily for profit but there was also some enjoyment for her when she revealed the truth to Wanda, so much so that she created her own intro song. She was enjoying putting up a show almost as much as getting Wanda's magic.

This pattern of behaviors is seen throughout AAA too, especially upon rewatch. On your first watch, you might not notice but after rewatching a second time fully knowing the end, you can notice how much Agatha has been lying the entire time. Not only did she lie about the road and always intended to murder the cover in her basement, but when the hex road appeared she kept the lie that she went to the road before going. One could say that she had to keep the lie going because she never intended for the road to appear, so those weren’t lies she intended to tell, but at the same time, we can see how easily she can lie and deceive others. She knew all along that Billy created the road and that said road was deadly, yet made no attempt at stopping him. She knew people would die but she kept the lie going because she hoped that she could get back her powers at the end. So she lied, deceived and manipulated the group the entire time for her own gain.

3) Exhibiting impulsivity or failing to plan ahead.

Agatha is someone who likes to be in control, and does give off the illusion of being in control. But the truth is, she isn’t as much in control as she thinks she is, and is quite impulsive. Lots of her shortcomings are a direct consequence of an impulsive decision (fuck around and find out). Being impulsive doesn’t mean she can’t make elaborate schemes, because she sure does. But a lot of those are made impulsively. She sensed Wanda’s magic and decided to join her hex without knowing exactly how Wanda’s magic worked. She even started messing with her without knowing how Wanda’s magic would respond. Then in AAA we see more of her impulsive nature. She doesn’t think through whenever she makes a decision and ends up needing to improvise in order to compensate for her reckless decisions. She told Lilia about how her ability to steal magic worked, she picked a bound witch to be part of her coven, as well as a non-magical woman. The only one in the group that seemed to have the ability to blast was Alice. Not the greatest group if she needed to steal as much magic as possible. On the road, she made a lot of impulsive decisions that were quite reckless, like attempting to break the window and throwing her wine glass during the first trial, suggesting to summon another green witch, pretending to be possessed by Sharon, or messing with the tarot cards. There’s also the way she provoked Billy right after he nearly killed her. Those were all decisions she took without thinking about the consequences, out of impulsivity. But she’s not only impulsive when it comes to being reckless with others’ safety. She was also shown to be impulsive when it comes to helping some of her coven members. When Rio first emerged from Sharon’s grave, Agatha’s first instinct was to get in front of the coven as if she wanted to protect them. When Billy got thrown into the window, Agatha rushed to go check on him, or when Lilia was about to get impaled she jumped to push her out of the sword’s trajectory. 

4) Irritability and aggressiveness, indicated by repeatedly getting into fights or physically assaulting others.

Once again, this one is a given. Agatha is easily irritated and very aggressive, she’s quick to anger, losing her patience and snapping at people. She had no issue hurting Wanda when she had her captive in her basement, slamming her against the wall when she got irritated with her. I’d argue that the mass murdering she did over centuries also count as frequent assaults. She’s also quick to engage in physical fights with Rio (although those are mutual on both sides), and there was a moment at the end of episode 3 where Agatha randomly kicked Jen when she was already down after they all went through the water slide. 

5) Reckless behaviors that disregard the safety of others.

Agatha did not care how her actions affected the resident of Westview when she was purposefully messing around with the hex. She did not care either on the road. She knew from the beginning that it was a hex and even after seeing they could actually die in the trials, she made no attempt to try telling the others the road was fake. She could have tried to let Billy know he made the road but she didn’t. Because she didn’t care if some of them might die. She had no concern for their safety. She endangered the coven in the first trial by trying to break the window and by refusing to drink the wine. She did so too in the third trial by pretending to be possessed, making the group lose precious time. Same with the fourth trial by messing with the tarot cards and not stopping even when the swords were dangerous dropping on both her and Billy. 

6) A pattern of irresponsibility

This is probably the only criteria I’m not sure would apply. There are instances of Agatha being irresponsible, but I don’t think we have seen enough of her personal life to establish a pattern. So until further notice, I’ll consider this criteria doesn’t particularly fit. 

7) Lack of remorse after hurting or mistreating another person.

Agatha does not seem to have any remorse for all the people she murdered. She may have some remorse regarding her original coven, including her mother, but that was a much younger Agatha. The Agatha we know now does not seem to feel bad for the people she had killed for centuries. It’s even something she will be really flippant about whenever she talks about how many people she has killed.

She didn’t feel remorse when Sharon died either. Agatha might not have directly killed her, she is still responsible for her death by recruiting her into the coven. And it’s not like Agatha didn’t intend from the start to put Sharon in harm’s way. If her initial intention was to kill the coven, it’s very likely she would have killed Sharon too, or Sharon would have been killed by the Salem Seven. Billy may be indirectly responsible for Sharon’s death because he created the road, he was not aware of that nor did he intend for this to happen. Agatha on the other hand always intended for Sharon to die and did not feel bad when she actually did die. She acted extremely callous after Sharon’s death and never bothered to learn her name, even forgetting who she was later on.

And it’s not just about murder. She didn’t feel bad when she got Alice fired, nor did she feel bad when she learned she was the person who got Jen bound for a hundred years. She didn’t feel bad either about attempting to kill the coven from the beginning and had no qualms about using them to get to the end of the road even if it meant sacrificing them.

The coven’s members aren’t the only people who suffer because of Agatha’s actions. If we go back to WandaVision, Agatha orchestrated Sparky’s death. And she seemed pretty proud about causing a dog to die. It may have been revealed in AAA that Ralph poisoned the dog, but it was under Agatha’s order. He was under her magical control, so the blame is entirely on her. She did not feel bad at all for killing a dog. Speaking of Ralph, as much as his character is played for laughs, what she did to him was also pretty atrocious. She took control of his life, stole his house, and forced him to commit awful acts, causing psychological damage to him to the point he is completely paranoid now. It’s unlikely Agatha knows how Ralph ended up after what she did to him, I highly doubt she’d feel an ounce of remorse for that. 

Now, lack of remorse does not mean lack of regrets. Agatha does not feel bad for hurting others and how her actions affected them, but she does have regrets. She does feel bad if her actions negatively affect her, like personal loss or missed opportunity. She did seem to feel regret about killing Alice, but I don’t think she felt remorse. She did not feel bad for Alice, she felt bad because of the consequences she had to face after. She did not intend to kill Alice at that time, and now she has lost any potential trust she could gain from the coven. Not only that, we know Agatha became a ghost because she couldn’t face Nicky in the afterlife, so the regret might also be that she thought her son had seen her kill Alice. I don’t think she felt remorse for what she did to Jen either. When Jen did the unbinding ritual, getting told over and over that she “holds nothing” worked on Agatha possibly because deep down, Agatha knew it was true. She no longer has her son, she has no magic, and she has driven away Rio. She did hold nothing anymore. 

Having ASPD does not mean Agatha is incapable of love, or caring about others. She undoubtedly loved and cared about her son. So much so that she developed a soft spot for Billy because he reminded her of Nicky. She loved Rio too. Same for her pet rabbit. Unlike popular belief, lack of empathy is not a criteria for ASPD. It does usually result in low empathy, and that can vary from person to person. Agatha probably has little to no empathy for most people except the rare people she does manage to bond with. You can see it as a selective empathy for those she did love and care about, which included Nicky, Rio, Señor Scratchy and later possibly Billy.

If Agatha does have ASPD, how did it start? Even if sometimes genetics can play a role in developing that personality disorder, you aren’t born with it. Most of the time, it’s caused by the environment, mostly trauma experienced as a child. We know Agatha’s mother hated her. She thought she was born evil. She, with her coven, attempted to have her executed when Agatha was only 18. I do believe the accusations made at her were mostly true. She probably did steal knowledge and practiced dark magic. But Agatha did beg her coven to teach her, so I think it’s very likely that since her mother thought she was born evil, she didn’t allow Agatha to properly learn magic. If Agatha wasn’t taught magic and had this power she couldn’t control (siphoning), it’s not surprising that she would have to steal knowledge in order to learn. Agatha learned from a young age to break the rules in order to get what she wants or needs. And without proper guidance, it’s reasonable to think she might have practiced dark magic.

So yes, even if the accusations were true, her coven and mother are not blameless. Agatha is the way she is because of how she was raised, how she was treated as a child and growing up, and what she had to do in order to learn magic. She never had a healthy support system growing up, there was no possibility for therapy at that time, she was a witch living in the worst era for her kind, and she couldn’t even rely on her fellow witches to protect herself. After accidentally killing her original coven (including her own mother), which was definitely a traumatic event for her regardless if it was self-defence, she kept doing what she did so far to survive; steal, lie, deceive, kill. All the antisocial traits she exhibits as an adult are learned behaviours. Of course, it does not justify her crimes and horrific actions she later committed, but it does explain why she is that way. She wasn’t born evil, she became evil. She’s the product of her environment, experiences, circumstances and era.

[lesbianpegbar]

ayane you need to get a grip. ayane please. for me

[clegfly]

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Okay I’ve been posting too much silly Puter stuff lately. Party’s over people

[thepandalion]

help I'm going insane over deltarune and Undertale stuff again

[80s-prometheus]

decided to throw my hat in the ring and try making a playlist

it's mostly made up of songs i think lisa and creature would like, songs that I think would fit them, and songs I think fit the vibe of the film

[misericordel]

"Lady Veyle."

He was torn. She had gotten badly injured after their last conversation—the very thing he worried about when she told him, so earnestly, that she wished to take action with her own hands, for the people of Lilium. All he could do was respect her wishes at the time, and the unwavering resolve she had shown.

And yet, part of him wonders: would she have ended up in this state, had he decided to accompany her? To join the fight as well?

Those questions continued to hound him even now. As he considers leaving again, to search for a truth that seemed so close, yet well beyond their reach.

"I'll be going to look for more information on the Upright Man. To try and get to the root of all... this." A pause, and then, "Please. Take care of yourself? Don't risk your health—don't do anything too dangerous."

He doesn't mean to coddle, or tell her what to do. But surely, she would remember their promise. Remember that she also had loved ones waiting for her back home.

"diamant." she regards him wearily in return. she is happy to see him alive and well of course, but she knows far too well that she has betrayed the promise she made with him. certainly she had come back like she said she would.

but sitting in the infirmary with a blanket on her lap, she recognizes that she had come far closer to death than she should have chanced. she had broken their promise, to an extent. "mm." she nods softly with her hands in her lap, pressing her thumbs against each other. he has the right to be angrier with her, but there is none of that frustration she expects in his voice.

veyle does not address her own shortcomings, avoiding speaking of them entirely. he does not ask, so she does not answer.

"be careful." she looks up at him with a worried gaze, inquiring of his safety instead. "pasithee is more of a threat than any of us could have first thought so just…" she pauses, considering how to word this. "don't do anything without thinking about it first. you have to come back again."

[fayevalcntine]

Since I already pissed off enough people, I would also like to add that using Anne Rice's reason for writing Interview With The Vampire as a way to process her grief over her deceased daughter isn't a solid argument to make for even book!Louis' position as a mother when within the book itself, Louis highlights having had romantic feelings for Claudia. The book specifies them kissing on the lips multiple times, some very weird descriptions whenever they both hold each other near, and even Louis repeatedly lamenting on whether or not Claudia is his child given his own complicated feelings towards her in the second half of the book. Louis' feelings for Claudia never start off or develop as maternal, either. He's honest in saying how he and Lestat treated her like a doll to dress up and play with for their own entertainment.

Interview With The Vampire is a Gothic novel, with all the weirdness that comes with it. The show itself takes to blurring the lines between Claudia, Louis and Lestat: Claudia insists on being referred to as their sister once she matures mentally past her young age, despite the other two still having a responsibility to her as her parents and failing at that. Louis refers to Lestat as "the father" and he and Claudia as his children. Louis and Claudia have practically no boundaries with each other despite being parent and child. Louis enters her mind and talks to her repeatedly despite never asking for permission to even do that, to the point where Claudia has to block him out. Claudia listens in on him and Lestat having sex. In the early years when she was with them it's even hinted at her having slept in the same room with them for several years before getting her own room, despite the two being so comfortable to sneak into each other's coffins and canoodle while Claudia listens in on them.

[aroaessidhe]

2023 reads // twitter thread  

Song Of Silver Flame like Night

YA wuxia/xianxia inspired fantasy

a girl in a colonised country with a mysterious seal on her arm left by her mother before she was killed

when a state magician finds her, she escapes with a boy to his school of secret traditional magic practitioners, and discover the secrets her mother left her

powerful demon gods

[arolesbianism]

There's smth rly fun abt having stories based off of dreams because you just have a bunch of dream based worldbuilding that you just sorta have to work with now. Like oh a ring of infinite dragons run through the earth eternally consuming eachother? Guess I have to explain that now. Also that's sick as hell why didn't I think of that while awake

[writers-potion]

Writing Character Accents in Fiction

Hey there, thanks for the question! I speak English as a second language; most English speakers I encounter aren’t native (yes, including fictional people); thus, this is a concern I’ve explored personally when I write. 

I think the core principle regarding accent writing is this: it shouldn’t be distracting. 

For the same reasons why Stephen King prescribes the basic dialogue tag “said” rather than fancier alternatives like “whispered”, “shouted” or “screeched”, dialogue must be first and foremost easy to read. It must flow like a real conversation – the pace and tone are a lot more important than how specific words are being pronounced by the character. 

Focus on what effect the accent has:

Using adjectives to describe their voice in general. Different types of English (American, British, Australian, etc.) will give off a different vibe, also partly dependent on how your character speaks in general:

Lilting: Having a smooth rise and falling quality; sing-song like. Welsh accent is often described as singing. 

Posh: from a high social class. This is the term generally used to describe the upper-class British accent.

Nasal: this happens when the sound goes through somebody’s nose when they’re speaking. North American accents are more nasal than, say, British pronunciations. 

Brash: harsh, loud, indicative of sounding a little rude. 

Slur: speaking indistinctly; words merging into one another.

Using metaphors.

Her voice was cotton and fluffy clouds. 

When he spoke, the ‘r’s scratched the insides of his throat. 

Mentioning their accent with a brief example(s). 

“Would you like to drink some wine?” she said, though her Indian accent gave extra vibration to her ‘w’s and ‘r’s, making the words sound more like ‘vould you like to drrrink some vine’.

“I want some chocolate.” His syllables were choppy and ‘l’s rather flat, saying ‘cho-ko-lit’. 

Some Tips:

Don’t phonically spell out everything. Perhaps give a few examples in the beginning, but stick to standard English spellings. 

Pay attention to word choice, slang, and colloquialisms. 

An Australian person would say “tram”, not “trolley; “runners” instead of “sneakers”

A Canadian may refer to a “fire hall” – what Americans call a firehouse or fire station

If your character comes from a non-Enligsh background:

Use vocabulary from other languages. 

“What time was the exam, ah? Two o’clock? Jiayou!” → putting “ah” or “la” at the end of sentences + Jiayou means “break a leg” in Singlish. 

“I can’t believe that 4-year-olds have their own SNS accounts now.” → “SNS” is short for “social networking service”, a term used to refer to social media in Korea. This would a subtle difference – even though it isn’t technically Korean at all!

Transpose grammar from different languages. 

For example, in French, plural nouns take plural adjectives (whereas in English, you would speak of ��white cars’, not ‘whites cars’).

─── ･ ｡ﾟ☆: *.☽ .* . ───

💎If you like my blog, buy me a coffee☕ and find me on instagram! Also, join my Tumblr writing community for some more fun.

💎Before you ask, check out my masterpost part 1 and part 2 

[jjk4isen]

ꗃ 𝐎𝐍𝐄 𝐒𝐓𝐄𝐏 𝐅𝐎𝐑𝐖𝐀𝐑𝐃, 𝐓𝐖𝐎 𝐒𝐓𝐄𝐏𝐒 𝐁𝐀𝐂𝐊 .

❝ answer me. did you think of her when you're in bed with me? when you're kissing me and holding me— was she the one on your mind? ❞

summary: it's hard knowing you aren't really the person in toji's heart but loving him was something you still did regardless. as for toji, he thinks he's ready to give you his all.

desc: 2.8k words, f!reader (referred to as ‘mama’), canon compliant i think, takes place after mamaguro's death and before toji’s, age gap (early 20s reader, early 30s toji), baby gumi ahhhhh, sfw, angst to fluff to angst again lol, intended lowercase, think you're tsumiki’s mom but without tsumiki bc the relations would be too complicated and also the second wife erasure in the canon storyline?? yeah it's reserved specifically for this fic, not proof read i fear but pls read it's really interesting i can swear by it lmaoqhdhns

dating a widowed man with a son wasn't easy especially when the said man is still in love with his former wife, or rather, his wife who had died.

love is often beautiful but sometimes it's unfair. it can also be cruel. what other reason would make you still stay despite knowing you'll never measure upto the person who had been here before you?

and you've heard stories about her. she was sweet, so beautiful— not just in her appearance but her entire being was beautiful. there always was an ache in your heart upon just the mention of her name.

so how much more would it have ached for toji?

“mama” the spiky haired boy, barely two years old calls you and you realise the silence in the room. “not mama, i’m nana okay?” sick.

nana. not mama but close enough. it doesn't matter anyway, n and m are just letters and next to each other so how much difference would that make? you're the one that's here after all, are you not?

if there's a lump in your throat and your eyes are burning with unshed tears, you force yourself to ignore.

“okay nana” megumi nuzzles his face into your chest, slowly drifting away to sleep. the boy always liked cuddling with you and it melts your heart immensely.

your hands strand through his dark hair. people always said he's the carbon copy of his dad but you'd like to differ. megumi has his mother's eyes and his hair resembled hers more than it did his dad's.

the thought sends another ache in your chest but you push it away– as you always have.

you recall the last time toji had heard megumi call you “mama”. you had never seen toji that livid. he was never a gentle man to begin with but that night, there was nothing else you've been more scared of.

was he like that to his wife? maybe not.

does that matter though? it's not like toji treats you badly. he's decent and loves you an enough amount. you weren't crazy enough to stay when you're not wanted so that must mean you were something to him right?

you also recall the whispers of pity and condemnation thrown at you for just being with toji. him being a brute is one thing but the difference in age is what people seem to have a problem with. you're so much younger than him and have your whole life ahead of you so why are you entrapping yourself this way?

you disagree though. love doesn't know any age and you definitely aren't naive to be head over heels over a guy just because he's relatively older. no, this was real and genuine.

a faint knock disrupts your train of thoughts. “he sleepin’?” toji nods towards the small boy in your arms and you nod back in return.

taking care not to wake the sleeping kid, you slowly pry his hands away from you and pull over a blanket to cover his small body.

when you make your way towards toji, he wastes no time in pulling you closer “missed you” he mumbles, placing a kiss onto your forehead and suddenly all thoughts plaguing your mind disappears. that's all you could ask for, even if it was just for a moment.

“i missed you more” you whisper back, he only huffs out an amused chuckle.

“got bad news though” a frown finds itself on his lips, decorated by a single scar next to it.

“did you lose all your money again?” toji was a gambling addict, another thing you forced yourself to tolerate just for him.

“sorry, doll. thought i’d win this time” he rubs small circles on your back comfortingly and it makes you a bit uneasy to know that he has his way with you so easily.

“it's alright. i’ll just find another part time job”

“so good to me” toji pulls you into his chest and you let out a sigh— of exhaustion? relief? you couldn't really tell but that's not important, toji had you in his arms.

“i’ll try and think of something too. don't worry your pretty little head too much” he lifts you up with ease. while you're in his arms, you feel the safest.

toji really felt bad this time. he was confident he would win but that stupid horse had to trip and lose its lead, ending up last of all places. he knows luck never favoured him but that's didn't stop him from trying again and again and again.

he also knows how you didn't say anything more than necessary about it but he isn't that much of an idiot either. he sees how your expression falters and your shoulders slump a little more when he comes home with another news of his gambling loss.

this is also why he tries, or rather, tried to quit — one too many times, unbeknownst to you. however, old habits die hard and most of the time (everytime) toji gives into his urge and loses yet again. the cycle keeps happening.

maybe this isn't just about gambling.

with the way you're asleep so soundly next to him after putting his son to sleep and taking care of him too, he is overcomed with yet another feeling to be better for you and megumi alike.

toji isn't a gentle man; everyone knows that, you do too — even more than anybody else but he can't help the familiar pool of warm feelings surging through him the longer he stares at your peaceful state.

he remembers the last time he felt it, with another person. it felt like a lifetime ago.

he also remembers how painful it was when he lost it — the person, the feeling altogether. his hands that were making their way to caress your face stops mid air.

toji knows you deserve so much better. you've been nothing but patient to him, so amazing, so perfect to him. still, he just can't do it yet, just not yet.

he will eventually, he hopes you stay until then.

toji wakes up to an empty bed and his heart sinks a little but the creases and wrinkles on the sheets serve as a reminder that you were really here.

he makes his way towards the kitchen, only finding megumi sitting on a chair next to the dining table.

“hey kid, where's your mama?”

toji freezes. it came out so naturally he didn't realise he said it himself and almost thinks he didn't but megumi's wide eyes prove that he actually did.

“m…mama?” megumi says hesitantly and toji nods this time. “yes, your mama”.

“potty potty!” megumi points to the bathroom and giggles, toji follows suit. the man crouches to his son's eye level and pats his head.

“you love your mama, kid?” toji sees megumi's eyes sparkle as the boy nods enthusiastically “very very much!!”

“yeah? i love your mama too.”

toji smiles to himself, he can't wait to tell that to you.

the next time toji got his pay, he finds himself hesitating. instead of heading towards the race tracks, his feet takes him to a jewellery store.

instead of picking out a slot and testing his luck, he picks out a ring. it's not fancy by any means but he thinks it would be the most beautiful band of metal to exist if it slides into your ring finger.

the tiny ring carries all the heavy feelings he has for you.

──

it was one particular evening when you saw an old man lingering by the front gate. its particular because the warm sunset and the soft cool breeze contrasted the ground breaking truth you find out.

“can i help you?” you ask the old man who looks at you up and down, not making an attempt to hide his distaste of your sight.

“is this where toji zenin lives?” he stares down at you with his scrutinising gaze; it makes you feel small.

“zenin?” you ask, confused. is he referring to toji? but his last name is fushiguro is it not?

“yes toji zenin. i heard he has a son as well. you're not the mother are you?”

is it that obvious? you wonder how the old man figured it out. regardless, you're not about to give him his answers so you stood your ground.

“i’m sorry i don't know what you're talking about.” you turn around, about to head inside when his words make you stop short.

“are you fushiguro?”

that's toji’s last name isn't it? not zenin or whatever he called it. so why is he asking you that? is he implying that you're married to toji?

“no. you have the wrong person.”

“why? did he say not to get involved with anyone from his clan?” the old man draws closer, chucking to himself. you're just there unmoving, trying to comprehend the situation and the words coming from his mouth.

“or did he not tell you that either? did he tell you anything at all?” he stands tall in front of you, tearing away bits of yourself with every word he says.

“when he returns, tell him the clan wants to propose him an offer. you can do that much at least won't you?”

…

and when toji comes home that night with the ring cluched tightly in his fist and inside the pocket of his white pants, the world stills.

he finds you in a state he has never seen you before. you look completely and utterly defeated.

“hey, what's wrong?” his hands come to caress your face so effortlessly, the ring and prior nervousness long forgotten.

“talk to me what's going on?” he looks around and the house seems emptier than usual. your laundry that were usually hanging with his were gone.

your small trinkets you placed around the house to “make it more lively” were nowhere to be found.

and there's a bag in the corner of the room which toji prays and hopes he isn't what he thinks it is.

your hands push away his own that were cupping your face. you're not even looking at him.

“say something damn it!”

you flinch and toji takes a step back. he recalls the last time you trembled in fear — when he got mad megumi called you his mom. he punishes himself for it.

“im sorry. please talk to me.” he isn't touching you now but he wants to. he wants to reach out and pull you close, as he always had done. but now there's an unbearable silence and the small distance between you both felt like lightyears away.

“who's zenin” your voice was meek, barely a whisper but toji's eyes widen. how did you find out about that?

no fuck that, he was supposed to be the one telling you. in his own time.

“i can explain” was all that came out of him. he's nervous, he doesn't know where to start. there's a lot of information to unpack and he's not sure how to do it without hurting you too much.

when he doesn't elaborate, you ask another “who's fushiguro then?” your voice falters a bit and toji curses himself for it.

but he's done running away and keeping things from you. “my… my late wife” he says wryly.

your eyes close and a shaky breath leaves your body, as if he just confirmed your worst suspicions. damn life is so funny isn't it? everything you thought you knew apparently wasn't what it seemed to be after all.

opening them again, your vision blurs and you realise tears were escaping your eyes. fuck you didn't want to cry now of all times but they won't stop.

and the way toji was looking at you, it makes you want to throw up.

“i must've been so stupid to you” you let out a humourless chuckle. “did you pretend im her?”

your gaze was sharp and so were your words. maybe all your bottled up feelings were resurfacing. it doesn't make you feel better about it but that doesn't stop you though.

“answer me. did you think of her when you're in bed with me? when you're kissing me and when you're holding me, was she the one on your mind??” your voice was loud now. you should be afraid of waking up megumi who you cradled to sleep just a few hours ago but no, your thoughts are too clouded right now.

toji sighs. he has no excuse.

“i used to” he actually looks ashamed as if he wasn't the one who did it purely out of his will.

your scoff makes him wince “but not anymore.”

his words fall on deaf ears “you know… i knew you did. but i stayed regardless because i thought there would be a chance that maybe one day, you could open up your heart to me. im not even asking for all of it, just a little… i thought you'd let me in.”

you're blabbering and honestly, so distraught.

“but not a moment was there when it was me isn't it? it was always her in the first place.”

now toji should have said something, anything but he stays there planted in place. and maybe that was your breaking point.

you turn around, grabbing your bag and brushing past him towards the door. instead of holding onto you and stopping you, toji clutches the small box containing the ring — your ring in his pocket, almost crushing it in the process, as he hears the door slam.

you think it's funny how toji did not reach out after what happened. it's poetic even. very fitting of him, till the very end, he did not give two shits about you.

so then, why were you back here?

it's been four long years since the trajectory of your life changed. you still don't know if it was for the better or for the worse.

saying it has been hard would be an understatement. it took you a long time just to get back onto your own feet but you did it regardless. however, you left a part of you here long ago and now, you're here to take it back.

that and you missed megumi dearly. perhaps it was an excuse too because you won't deny a part of you still missed toji, despite everything that happened.

standing a few feet away from the place you used to call home, you hesitate.

maybe this was a bad idea. oh this was definitely a bad idea. you'll see them, and then what? what comes after that?

closure? don't make yourself laugh. you’ll just be reminded of how you couldn't be that person for toji— how you'll always come second. and what if they moved?? there's no reason they'd still be here right?

forget this, you don't need to do this. why must you still be the one who put effort? to reach out? four long years passed and still no news means they clearly moved on... right?

you were convinced enough and was about to go back when you saw little megumi carrying a backpack on his back, seemingly coming home from school.

your feet wouldn't move and your eyes wouldn't blink. he grew up so well.

the world pauses as your gaze follows the kid you used to consider your own, now as good as a stranger.

“do you know that kid?” a voice at your back makes you whip your head around. life really is full of surprises and this time, the surprise was in the form of a tall man, no a tall kid with white hair, looking at you curiously through his round tinted glasses.

“... no i don't” well you weren't exactly lying. you don't know the megumi you see now. perhaps if he asked whether you raised him since he was a baby till he was two, then your answer would've been different.

“oh okay” the boy shrugs. “poor guy though”

“why? whats up with him?” you turn to look at megumi again who was minding his business walking home and your heart aches a little.

“I'm here to recruit him. his dad died you see so he's–”

“wait what was that??”

“his dad. he's dead” the amused boy in front of you chuckles and you stare at him, horrified.

“what happened to him?” your voice was shaky and doesn't sound like your own. he leans down to meet your eye level and smirks “why? i thought you don't know that kid. why does that matter to you?”

your stomach churns as you stare at him, not even knowing what to say— the smug expression on his face only widens.

“so you do know him.”

'know' would be a weak word to use when it comes to toji. you knew of his habits, the simple things he does and also of the more complex ones — like the exact place his scar decorated his lips and how it felt to kiss it.

then again, you don't really know anything about him and maybe you never will.

and maybe that's really, the closure you needed.

[ssahotchnerr]

aaron’s wife going into labor on his birthday or the day before and gives birth on his birthday?

only more reasons to celebrate

happy birthday aaron 🥰 & the abridged version of ellie's debut!! (now it's official she and aaron share a birthday <3) cw; fem pregnant!reader, (sad) references to 9x5 and takes place end of 9x6, vague childbirth talk with no specific details, fluff!!! wc; 1.3k

"Happy almost birthday. I'll keep it on the DL." You heard Penelope utter to Aaron, faintly as she walked past him.

"Thank you." He replied, finding your eyes and offering a wink.

Come tomorrow, he was confident it would be anything but on the down low. He knew you, and although you were about ready to pop, you would go all out for him as much as you possibly could.

And he was right - you and Jack had already planned his day out to a T, beginning with a birthday banner and all.

"Okay everybody, I guess it's time-" Penelope spoke to the group, embracing her role as hostess, holding the team's very first Day of the Dead party.

You smiled to yourself at their brief exchange, your eyes flicking between the two of them. Your heart warmed, especially when Aaron sidled alongside you, a hand finding your lower back.

After the last few weeks, after what Aaron had endured, there was only more of a reason to celebrate. His close proximity; the heat radiating from his body, the smell of his cologne, choked you up immediately.

Sole reminders he was in fact, here.

Undergoing emergency surgery, fighting for his life - all of which nearly sent you into an early labor - once again he had defied all odds. It could've been very likely you could've been celebrating his birthday without him, talking to him through a candle as he and Jack did to Haley.

You immediately pushed the thought from your mind. It petrified you. Losing him. Bringing your baby into the world without him. Jack losing another parent. Life without Aaron. You couldn't afford to think like that.

And now, with that in the past, it finally felt as if life were settling back down. As much as it could, at least. The newest Hotchner addition soon to make their arrival into your family.

"Hey," You said softly, mumbling underneath Penelope's spiel. "I love you."

His hand moved from your back to your shoulder, offering a comforting squeeze. "I love you."

But despite your want for a bit of normalcy, it was interrupted by twinge erupting in your body. It wasn't your first little pang either, but you figured - it couldn't be. Not yet.

JJ, on the other hand, was keyed in onto you. She's been studying you all night long, throughout all of Penelope's planned extravaganzas - appetizers, the remembrances, enjoying the party. From every movement, reaction, facial expression.

It wasn't until the strongest contraction hit, and when you were beginning to seriously question it. She, out of all people, would know. She nearly did the same thing herself.

"What?" You innocently asked, despite the fact you knew, as her intensifying stare hadn't lifted from you in a fair few minutes. You flinched slightly, pain written across your face. You lowered your hand, deciding against the hors d'oeuvres you had been reaching for.

"How far apart are they?"

That was all JJ had to say, causing an instant standstill in the room. Aaron's eyes widened as they shot to you, realization filling them within a second. The rest of the team's conversations came to a halt, anticipating eyes on you. An excited squeal escaped Penelope.

Everything after that was a blur. Aaron getting you to the car in a frenzy; a very calm, and collected frenzy. Getting to the hospital, checking in, and experiencing the highs and lows of childbirth. At one point, you certainly cut off the circulation in Aaron's hand.

Come mid morning and an epidural later, she was here.

"Sorry for overshadowing your birthday." You took a break from admiring the little one swaddled in your arms to glance at your husband. It was hard to tear your gaze away. She was perfect.

And not only did you feel an outpouring amount of love for her, but Aaron as well. Viewing him in a different, lovingly light. It felt as if your chest could burst with infatuation. She was half you, half him. The two of you brought this bundle of joy into the world, together.

"Are you kidding?" Aaron gave you an almost offended look from where he was seated beside you, before a smile overtook his face. He pressed a kiss to your temple, gazing at your daughter too. "This is easily, easily the best birthday I could ever imagine. You've given me the greatest gift. Thank you for making it even more special, sweetheart."

The happiness on your face grew, and he immediately gave you a kiss. You could feel his smile.

"Thank you for making me a Dad again."

Later in the day, Jack's head poked through the crack of the door, a grinning Jessica behind him.

"Hey," Aaron beckoned the two of them in, both entering slowly. Jess had a plastic tray of cupcakes in hand. Celebrations were in order, times two.

"Hi Mom, Dad."

Jack hesitantly approached, surprisingly shy. You imagined Jessica had given him the quiet talk on the way up. Either that, or maybe he was still a bit weary from when he visited Aaron in the hospital a few weeks ago - there was the smallest bit of worrisome furrowed in his brows.

Jess stepped off to the side, allowing the four of you to have your moment.

"Hi buddy." You greeted as your eyes immediately welled up, the emotion clear in your voice; overwhelmed from enduring childbirth, your hormones everywhere, and the pure happiness coursing through your veins. "Wanna meet your sister?"

It was surreal too; Jack finally meeting his little sibling. After months of excitement, preparation, talks of what life would be like with a new addition. The time had finally arrived.

Right now. Right now was the beginning of their bond that was sure to be the most special thing.

"Sister?" His face lit up, any remaining hesitations aside as he made it to your bedside, attempting to lean over to get a clearer view. "She's a girl?"

"Here, careful." Aaron's hands extended forward, helping him onto the hospital bed. You were sore, multiple IVs were poking into you, and to make certain the baby wasn't disrupted by any of the movement.

Jack nestled gently into your side, peering at her in absolute awe. The smallest of breaths left him, you could feel his exhale on your arm. "I can't believe that's really her. She's so tiny."

"Isn't she? Can you believe you were this small once?" You asked, adjusting the blanket to expose a bit more of her face. At the action, Aaron's posture straightened, ready to assist if needed, or to simply do it for you. He was definitely worried you'd somehow overexert yourself. "Are you up for holding her?"

Jack's expression widened, nodding vigorously as Aaron did help this time - moving her from your arms to his, and ensuring the back of her head was supported. The classic pillow-under-the elbow strategy.

Once settled, her eyes opened for a moment, blinking up at her big brother, as if she knew she was being held by him. Jack's gaze lifted in shock, glancing between you and Aaron. Once again, cue your tears.

"What's her name?"

"Eleanor." Aaron answered proudly, another smile tugging on his lips. You met his gaze, grinning.

"She shares a birthday with you Dad." Jack stated, using the side of his index finger to brush her cheek. "That's so cool. You guys are like twins."

"Yeah well, we'll see how much Eleanor likes it as she gets older."

You playfully rolled your eyes, your reaction causing a chuckle to exit Aaron. His hand found the back of your head, lovingly smoothing your hair down.

"It's very cool." Aaron still confirmed, his heart full. "I was just telling Mom, this is one the best presents I could ever receive."

"And two birthdays mean two birthday cakes." Jack looked up at his father, grinning from ear to ear. "Ellie will love it."

[femimation]

Jax and Ragatha are both eachother’s antithesis and parallel.

That is to say: They’re doing the same thing in opposite ways.

In the Jax post I made I mentioned at the end that I think Episode 4’s mask theming goes beyond the main focus of Gangle, specifically that it also applies and is shown through Ragatha and Jax’s storylines.

Let’s dive into that more! The episode literally starts with an interaction between these three.

Obviously Gangle’s comedy mask would have to break to kickstart this episode, and obviously Jax would probably be involved in that, but I still think it’s very deliberate that this scene only contains these 3. They’re the characters the episode is about and that you’re supposed to pay the most attention to. They’re the ones wearing masks, (literal or metaphorical) following the episode’s main theme.

But focusing on Ragatha and Jax, the both have very notable behavior changes in this episode for different reasons. Ragatha acting different because of the stupid sauce and Jax after the training/employee reevaluation/torture thing.

Heeeere’s where I may lose some people: I think their behavior changes are meant to evoke the typical behavior of the other in some subtle ways.

Some specific examples before I generalize: On the stupid sauce, Ragatha essentially repeats a sentiment Jax made earlier in the episode.

She isn’t “acting like Jax,” she says it in a bit of a nicer Ragatha-y like way. She even acknowledges that she was being rude.

On the other hand, once Jax is mellowed out, he asks Pomni how she is. The past three episodes have had Ragatha constantly doting over Pomni and asking her how she’s doing.

Which again, is not to say Jax is “acting like Ragatha” exactly, he’s nowhere near as interested or overbearing as Ragatha typically is.

But that’s all still part of my point, they aren’t mirroring the other one to one, not even close, but their roles are swapped regardless.

Ragatha speaking her mind to everyone however rude it may be: Telling Gangle she’s annoying, Zooble that they’re grouchy, Jax that she hates him, complaining about Pomni’s connection with Gummigoo.

Jax being calm and even downright friendly: Exchanging pleasantries with Pomni, not messing with Ragatha in her… state, (barely even reacting to her) going along with the adventure until it’s over.

Not exactly like the other, but evoking the other. I think this is written purposefully.

Why? Refer to the title of this post. I don’t think it’s a coincidence that these two’s own respective focus episodes are going to be back to back as episode 5 and 6. They’re the same and they’re opposites.

Ragatha’s “mask” is being overbearingly caring, wanting everyone to like her and think of her as nice or even motherly. She will act like this regardless of how she really feels about something.

Jax’s “mask” is being unbearably antagonistic, wanting everyone to think he only cares about his own entertainment and that their wellbeing never even crosses his mind. He will act this way regardless of how he really feels about something.

Their swapped roles in this episode is a display of these masks beginning to slip, making their parallels abundantly clear.

Gangle’s drawing posted on Glitch’s social media really runs this all home for me.

Gangle draws herself with Pomni and Zooble, all happy and talking with eachother. Pomni and Zooble are upfront with the other characters, they aren’t wearing masks. The both make effort throughout the episode to be there for and help Gangle. Therefore, they can be connected with. Their care is always genuine because they’re always honest.

Ragatha and Jax can’t be connected with. Ragatha, despite probably being a genuinely sweet person, is too far behind her mask to reach and tell what of her is genuine and what is a performance. Jax… acts like Jax. Even though he’s probably quite an average person behind the mask.

Jax and Ragatha are both unreachable to the other characters for the same reason, despite their typical behavior being so opposite. Their true selves are both hidden behind opposite masks.

[colormepurplex2]

Shatter With Me | JJK

▻ Shatter With Me ↳ Model!Jungkook x Surrogate!f.Reader ⤜ Surrogacy AU ⤜ Best Friend’s Husband | smut, fluff, heavy angst ⤜ Rating: MA ⤜ WC: ~46,420 (ongoing) ⤜ Summary: Your best friend, Jiyoon, and her husband, Jungkook, have faced years of hardship trying to start a family. In a last-ditch effort to have their dream life, they seek solace in surrogacy. Wanting to see your best friend smile, you offer to become the bright beacon at the end of the tunnel, giving them what they have always wanted. But what happens when you begin to shine your light on their darkness? Things aren’t always as they seem—happiness can be a façade, shattering under the lightest pressure. ⚠️ Crass language, talk of infertility, drinking, very mild bullying and references to cruel behavior/words, talk of surrogacy, at-home medical procedure, genital touching (non-sexual), planned pregnancy, talk of pregnancy termination/abortion, BIG hurt feelings, open palm slapping, accusations of infidelity, rejected/unwanted drunken kissing that could be viewed as dubious infidelity, lies/deceit about fertility, broken marriage, infidelity, talk of divorce/filing for divorce, legal separation, kissing, fingering, cunnilingus, mild dirty talk, mild begging, sex while pregnant, creampie Each chapter will have specific warnings listed as they're posted.

Chapter 1: Waving The White Flag

Chapter 2: Please, Let Me

Epilogue: Room 613

Wretched Heart: Jiyoon's POV (bonus chapter ongoing)

This story will be completed with the bonus POV chapter.

A/N: Part of the @btsfests Daddy's Home writing fest!

A/N: A special thank you to @hisunshiine @downbad4yoongi @lo1k-diamonds and @lunarelle1013 for their unfailing beta services!

Can also be found on: Ao3 | Wattpad

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