#at least the new comic style looks good

[frosty-tian]

Even if it’s something you said out of anger, it’s still something you can never take back.

[english-history-trip]

Ever see a depiction of St. George and the Dragon? It's pretty fair to say if you've seen one, you've seen them all: Georgie on a horse stabbing a flailing dragon creature, princess piously kneeling in the background, vague landscape alluding to the homeland of the artist's patron.

The most varied part is the dragons. No one had a real definition for the thing, it seemed. For your pleasure and entertainment, I have ranked some medieval depictions based on how impressive George's feat seems once you see the dragon.

Paolo Uccello, 1456

This is a terrifying beast. The hell is that. Uccello was one of the first experimenters with perspective, so the thing also looks surreal, like it's taking place on Mars, or a Windows 95 screensaver. I would not want to fight that, I would not want to be tied to that. (Sometimes the princess is tied to the dragon for some reason.) 10/10

Horse thoughts: Maybe if I look at the ground it will be gone when I look up

Unknown artist, c. 1505

This is a rare change of form for the dragon; it's the only one I've seen actually flying (or at least falling with style). It doesn't look particularly deterred by the spear through its throat, either. Also, George looks appropriately nervous. On the other hand, it hasn't got teeth, it seems to be fuzzy rather than having scaly armor, and George is bolstered by his army of Henry VII and his children, most of whom definitely didn't actually die in infancy. Still, wouldn't want to fight it, wouldn't want my pet sheep near it. (Sometimes the princess has a pet sheep for some reason.) 9/10

Horse thoughts: I am so glad I wore my mightiest feather helmet for this

Raphael, 1505

We are coming to Dragons With Problems. This guy looks about comparable in size to George, and does have wings, but doesn't seem to be using these things to his advantage (and has he only got one wing?) And how does he deal with the neck? He does have a comically small head, but holding it up with such a twisty neck seems complicated at best. But most egregiously, he is doing the shitty superheroine pose where he is somehow simultaneously showcasing his chest and his butt, with its unnecessarily defined butthole (more on this later) (regrettably). 8/10 bc it's Raphael

Horse thoughts: AM I THE BESTEST BOI? AM I DOING SUCH A GOOD JOB? WE R DRAGON SLAYING BUDDIEZ

The Beauchamp Hours, c. 1401

We had a spirited debate about this one at work. Again, the dragon has gotten smaller, and this one hasn't got even one wing. He's basically a crocodile. So the debate became: would you want to fight a crocodile if you had a horse and a pointy stick? Would the horse trample the animal, who can't get on its hind legs, or freak out and throw its rider? Would the pointy stick be enough to pierce the croc's thick hide? In this case, George seems to be controlling his horse and putting his pointy stick in the dragon's weak spot, so we can be impressed by his skill and strategy. However, his hat is dumb. 7/10

Horse thoughts: Dehhhh

Book of Hours, c. 1480

Here we have the same kind of croco-dragon, but George's focus on his strategy has gone out the window. He's flailing around, not even looking at his target, he's about to lose his pointy stick, he hasn't got a hand on the reins, and his sword seems to only be poking the invisible dragon over his shoulder. All he's got going for him is that his hat is slightly less dumb. 6/10

Horse thoughts: Yay, new friend! Come play with me, new fr- what is happening

Final dragons put behind this Read More for your safety:

Rogier van der Weyden, c. 1432

I'm thinking this guy is at least semi-aquatic. Webbed feet, wings that seem more like fins, bipedal but top-heavy, jaws that seem more for scooping than biting. Maybe she's crawled up here from the nearby body of water to lay her eggs, and this is all a big misunderstanding. Moreover, George's dagged sleeves seem entirely impractical for the situation. 5/10

Horse thoughts: i got my hed stuk in a jar and now it is this way forever

Unknown artist, c. 15th century

I hate this. I hate everything about it. Why has it got human eyes and teeth. Why is its nose melting. Why has it got a dick on its face and balls under its chin. The fin/wings are back but they look even more useless. Also, George is shifty as hell, schlumped over in his saddle with his bowler hat thing over his eyes. The baby dragon at the bottom eating some hapless would-be rescuer is kind of metal. 4/10 at least the thing is gonna die

Horse thoughts: I Have Smoked So Much Crack

Book of Hours, c. 1450

Remember what I said about the buttholes? First, sorry. Second, yeah, we're back to that. I'll admit this one is less about the danger from the dragon itself than the very specific choices the artist has made. They didn't need to do that. It's a lizard. They don't even have. And it's like they had an orifice budget and they skipped an exit wound for the spear to focus. Elsewhere. It's so detailed. And George had an even dumber hat. 2/10 take it away

Horse thoughts: I Have Smoked So Much Weed

Book of Hours, c. 1415

This is just bullying. There isn't even a princess. That is clearly an infant. Look at that smug look on George's face as he swings his sword that's bigger than the whole little guy. This is the equivalent of when DJT Jr. hunted those sleeping endangered sheep. 1/10

Horse thoughts: ....yikes

And this is the previous one, but now the baby dragon is cute. He's chubby. He's got toe beans. He's Puff the Magic Dragon. His eyes have already gone white, implying that George is just kicking its corpse around for funsies. What's the difference between the dragon and the lamb in the background? That the dragon is dead, like our innocence. This George is truly deserving of the dumbest hat of all. 0/10 plus one more butthole for the road

Horse thoughts: Perhaps it is we who are the buttholes.

[twitter-sakuranokaze]

FF14 Battle Portrait Tutorial

For the past few weeks I was trying to find a way to recreate the battle portrait from FF14 as there was a few characters that I want to see in that style but don't officially have one yet. I think I got it down more or less (see image below) so I thought it's a good time to share what I did.

First of all, I made a few files that would help make life a little easier. They can be grabbed here .

Note: I did use Reshade to do a bit of work at the screenshot stage to help speed up the process but the same effect can be recreated in Photoshop with a vanilla screenshot. There are a lot of tutorials on how to do comic/cartoon effect in photoshop and those would make good bases to work off of.

Step 1: Take the screenshot with the PortraitBase Shader on. I usually take two screenshots. One with "Comic" on and one with it turned off. This is so that I have more to work with if needed.

Step 2: Drag all the screenshots into photoshop and remove the background. In photoshop, arrange the layer so that the screenshot with the Comic lines visible is on top of the one with the effect off.

Step 3: Duplicate the the layer with the "comic" effect and apply Blur->Gaussian blur (radius 0.5)

Step 4: Take a look at the hair. In Eric's case, It still doesn't look blur enough to me so I used the blur tool and blurred it a bit more

Step 5: Create a new layer above the layer in the previous step and use the brush tool to start outlining the edges. Where to outline is up to you but the idea is to make edges defined so that it looks more like a drawing.

Step 6: Duplicate the outline layer and then hide that layer. Step 7: Merge everything under the outline layer. Step 8: Drag and drop the "Texture.png" into the project and Clip it to your character layer. Set the blending of the texture to "soft light". Step 9: Drag and drop the "stroke Texture.png" into the project and Clip it to your character layer. Adjust the size till you are happy then set the blending to "overlay". Step 10: Adjust the opacity settings of both texture layers until it looks good to you.

Step 11: Click on your character layer and go to image->Adjustments->Hue/Saturation (note: you will see I dragged in the official Hades portrait as a point of reference to work off of). Adjust the saturation till you are happy.

Step 12: Go to image->Adjustments->Color Balance and adjust the color till you are happy. In this example, since Eric is also wearing the Sophist robe, I tried to match that color to Hades' Sophist robe color.

Step 13: Once you are happy, drag the "Template.png" into the project and scale that to the size you want. Make sure it is completely covering the character. If it's not, you can just use paint more of it with the brush tool to extend it till it covers everything.

Step 14: Hide the "template.png" layer and select your character layer. Use the magic wand tool to select the outside of the character.

Step 15: With the selection still selected, click on the "Template.png" layer and press delete on your keyboard. You should now be left with a blank in the shape of your character.

Step 16: Drag the"Template.png" layer to be below your character layer. Then click on your character layer and clip it.

Step 17: Click on the "Template.png" layer and add a 2px stroke and shadow to it.

Step 18: Drag "Back_Deco.png" into the project and place it behind your character. Scale it till you are happy with it.

And that's it! Now you can recreate portraits for any NPCs that you want (in theory). A lot of it is also fine tuning to what you want but this should at least give you a decent base to work off of :)

[forwards-beckon-rebound]

dick grayson instagram hcs

basics

we are pretending dick is not a cop in this because i said so!

he's a professional model but also does perform at a local circus as a special guest

he's not actually going to the olympics (yet) but the american team has been trying to contact him for the better part of the decade so maybe you can convince him to go

he's kind of like one of your friends who you think is chill and normal but then you go to their ig and you find out they're something of a local celebrity?

everybody in gotham already knew him as bruce wayne's son but also he went semi viral on tiktok and got a bunch of new fans (and some edits) out of it

he used to have a less serious pfp but his management convinced him to use this one instead

followers + following

obviously you're there

as well as his friends and family

he manages to get away with following the superheroes since i mean, basically everybody else does as well

also a lot of industry people that he meets, both for modeling and gymnastics/trapeze

highlights

he is an abuser of the story function

will spend any opportunity to brag about his pretty girlfriend and all of the dates and trips you guys go on

he is weirdly good at taking photos, will give you tips on how to pose to get your best angles

also he has a lot of fans so he likes to post a photo of you every once in a while to remind everyone that he's happily taken

will also repost your work related stuff to be like hey look at how cool my gf is at her job!

dude has a million highlights that he updates for the fashion weeks each year

a lot of photos of his looks, him meeting with certain designers, it's mostly his team who posts this

same thing with his shows in the sense that it's usually other people (including you) taking photos of him while he's performing

but this is a more personal venture of his so he asks everyone to send him the pics and he decides which ones to post

will also repost stories from fans who came to the show!

oooh this man posts the most jaw dropping photos of himself

he will have just woken up and post a photo that makes you think it's so unfair how perfect somebody can be

he just likes to post when he feels good about himself and i support!

haley and (i did not come up with a name for your guys' cat so you guys can have fun with that!) also have their own dedicated highlight

it is exactly as cute and wholesome as you would think it is

there are even more highlights if you keep on scrolling. he has highlights for each year's fashion weeks, as mentioned, as well as trips you guys have been on (the most recent is a trip to greece and italy!)

posts

once again he's one of those infuriating sort of famous people who are like fine as hell but they post just enough cute and relatable content that he actually seems like a real and very nice guy (fun fact, he is!)

you can tell immediately when he's been on a trip because he'll have at least 3 posts up and they're all of the same place

you guys are like the photo taking couple

if you weren't good at taking pics before you started dating, his skills definitely rub off on you

he'll do the thing where he gets you to pose for him so he can take a photo of you and then you take the same style of photo for him

it's disgusting you guys have matching photos on your feeds of each other

if it wasn't already common knowledge that you guys are dating, i can imagine the conspiracy theory videos being like guys they were in the same place? at the same time? and they took the same type of pics? i think they're dating

he loves cooking with you (while i personally think it would be really funny if he can't cook, in some of the comics they do mention that he can cook, but either way he enjoys cooking with you)

you guys are like the parent friends who host dinner at their place and there's usually a theme surrounding seasonal ingredients and everything's plated really well

you probably watch cooking shows together and are now you can't serve a dish without some microgreens or sliced radish on top or something

also yes he did plan the picnic and he's quite proud of it

he watched all of those charcuterie board hacks to make the flowers and fancy cheese arrangements

and there were chocolate dipped strawberries, champagne with glasses, and freshly baked cookies (alfred might have helped with that one)

also yes he does wear glasses!!!! only at home when he's reading or staring at a screen too long. his prescription's not that bad

jason ver.

[neverheroes]

Here’s a bunch of stuff in the MM Tales of the TMNT comic-con sneak-peek I thought about too much!

They’ve cared so much about showing how differently they each react to and process the same situation.

Through the scene Raph is excited to tear things up and true to every iteration ever tries things his way until it doesn’t work, Don’s flight response pings into analyst mode and you just know he’s figuring out how to break stuff, Mike is thriving in team-mode and keeping them all on track, and Leo flails around like a giant ball of chronic anxiety before figuring out a plan. They’re original formula with gently new toppings and I’m ready for this slice.

Raphael

This guy! We get so much. He’s rearing to do some fighting that isn’t sparring and be free to do some actual damage. So we know he’s bored fighting is brothers and wants a challenge. He can’t handle this one and in figuring that out is “open to suggestions” which is quite the overlooked Raph quality, he’ll listen he just has to work through that impulsive reactive streak first. He’s strong and knows it, and that robot gets a harder fight. The Raph highlight for me was taking time while fighting to honour the time-old tradition of making fun of Michelangelo. <Sobs in last ronin.>

Donatello

This kid, man! It’s a long standing opinion of mine that everyone should be more scared of Donatello. His interest in understanding the threat overrides most of his fear. Cerebral af. This is his face most of the time while a robot programmed to obliterate him is directly behind him. On the surface it looks like he’s running away a lot, but he can’t exactly press pause on it to figure out how they work. His gentle heart characterisation is well intact, apologising to the robot when he damages it having already personified the thing. I honestly believe he would take it home like he’d found a new pet if that were an option.

Michelangelo

What a show of Mikey magic. He’s got the comedy relief on a casual setting with subtle jokes and unintentionally antagonistic observation style. Mike has a tiny attention span but is 100% in every moment and they draw a lot of attention to his speed and agility. He shines doing what Mikey is known so well for; keeping the family together. It was awesome to see him effectively orienting his brothers into the situation, and see them listen to him so readily. He still calls to Leo for guidance when he feels out of control, but we might be in for a more surprising personal arc than ~nobody takes me seriously~ this time around.

Leonardo

This is a blessing for Leo fans because MM Tales Leo sucks /srs. Not in the way Raph fans say it on Instagram posts, in the way that his flaws are so disparate from other versions that a mastery arc is screaming his nervous muppet name. The giftedness is still sewn in; even flailing around he has more advanced weapon control, is observant enough to be the right level of stressed when a threat shows up, and jumps into strategy finding a vantage point to make a plan like a good little Leo, but instead of our usual Leo trauma ball we (at least for now) get to watch a Leo with the confidence of a processed cheese slice be terrible at things because he’s just some kid���

Pfffffffahahhhahhahba

The Mutant Mayhem kids are the most realistically green (and by that I mean inexperienced) we've ever seen them and it's continued into Tales. With detaching from source origin and establishing a much more grounded reflection of teen life in the current world, the growth arcs over Tales and the next MM movie have such immense unburdened potential that it really could lead anywhere and I don’t know what to expect.

(Tales of the Teenage Mutant Ninja Turtles will air in August 9th 2024 on Paramount+)

[genericpuff]

Rachel's art regression actually makes me so sad because yeah she always had problems with anatomy but at least her style used to have personality back then

It's actually so fascinating to look at her older art because on the one hand, to her credit, she was INCREDIBLY prolific, she made SO MUCH STUFF to the point that we're STILL finding new stuff all the time, it's actually really impressive; but on the other hand, she also clearly didn't really have a focused direction, she was kind of just trying different things waiting to see what would stick, and eventually LO was what won the lotto. But unlike previous works where she could pick them up and drop them at her own time, she was contractually obligated to LO and it forced her to meet crazy strict deadlines, so I think in a way (at least in my opinion from what I've been able to glean looking at her work from the past several years) she almost lost a lot of what she was capable of doing back then because she proceeded to spend all of her time for YEARS working on LO.

I do think she'd be fully capable of returning to that older art style, but the reality is that that style also, like LO, existed through inconsistency. She was always trying and doing different things and you can tell a lot of it was rooted in both trial and error + indecisiveness. As much as she's talked about "streamlining" the production process of LO in previous interviews, it's also very clear in its inconsistencies - as well as her older work which was also inconsistent, for better and for worse - that she never actually learned how to streamline. Unlike artists who you can at least look at and understand they have a "process" that they follow every single time, she just does not seem to have that.

And that's not necessarily a bad thing, I think it worked well for her when she was doing freelance and standalone illustrations / conceptual art. The "personality" in her work back then was her just messing around with things and doing whatever looked good, and it often paid off through beautiful illustrations and concept designs.

But that sort of approach doesn't work so well when you're trying to do a long-form comic with unique characters and a distinctive art style which is being worked on by multiple different people. Something like LO demands workflow consistency and a production pipeline with steps to follow and standards to practice, and that's not something that Rachel has ever really been good at, even before she started LO.

[mr-tsuyo]

i love the style of that 3d render of your character! may i ask how you animated the outline and made the whole thing pixel-y? :0

Very glad you asked!

There isn't many tutorials on how to make this kind of stuff so I am totally glad to be the first one.

BLENDER 2.5D TUTORIAL

First of all

Get your model ready and steady, that part is what I ain't explaing, however if you want it to have these colors, you will have to put this nodes in your texture shader

`[ This is for her red jacket, the lower nodes is for her primary colour and the upper nodes are for her shadows, which also has some extra nodes to give it a comic texture. ]

Quick reminder to give the model some lineart yourself to the parts that don't form its sihlouette, for example her shoes.

Now for the lineart, first of all make sure you have created a black Emissive material and that it has Backface Culling activated

After that go to the Modifier Properties and add a Solidify modifier

Make sure to Flip the Normals, set the Material Offset to where the Lineart material is, and adjust a little bit the Thickness of the mesh, then you will get some natural good-looking lineart like hers.

Now, you could easily be satisfied like this, but now we are going to make it feel like each frame is a new drawing by making her model lineart jiggly

First of all create a Displacement Modifier and give it a cloud texture

Make sure to lower the strenght and midlevel, otherwise it will look like this

Now, create an Empty Plain Axes and go to the Displace modifier, change the coordinates from Local to Object and focus the object on the Empty

And thanks to this adjustments, if you move the empty around, it will create a slight jiggle

Now what we want is for this empty to automatically move around without you having to do anything

Create a new screen and go to the Graph Editor section

In here we will be making the empty move with a modifier

Select the empty and press "I" of Italy and select Location, this will create a keyframe for the empty that we will be able to manipulate

Go to the Editor and ONLY SELECT THE Z POSITION, and then go to the Modifiers tab and add a Noise modifier

Make sure to adjust the Scale and the Strength so that it looks more proper for the jiggle effect, make it look like a rollercoaster!

And now, if you did everything right, your empty will be moving up and down and all around by its own

WHICH also means, the model displacement will follow the path of the empty to create that jiggly effect we crave so so much

However...

The model is indeed jiggling, but it's doing it the wrong way, we are trying to make it look like a cartoon not a gosh darnit gelatin

So to make it jiggle the right way we are going to make its noise feel more STEPPED

Go back to the modifiers of the Graph Editor and add a Stepped Interpolation, and make sure it has a Step Size of 5

And now we finally get the choppy jiggle effect!!

Now you can play around the Displace and the Noise to make it more or less jiggly

But nonetheless, if you followed the tutorial right, you will be gifted with the perfect looking 2.5D effect!!!

Now you can go ahead and try to fool everyone into thinking a 3D animation is 2D

And before we wrap up, one more extra for the one who asked how this is made,

We are going to make the render feel pixel-y!

Go to Render Properties, make sure you are using Eevee, and in Sampling put the Render on 1 and the Viewport on 0

Then go to Output Properties and you can do two things:

1) Change the X n Y to a size lower than 1000 px

2) Change the Resolution % to these numbers (8, 16, 32, 64) This way if you wanna do pixel art you are more accurate

For this render I used the 1st option

And last but not least, in the Output Properties make sure you save your files in the right way with these settings

THen render animation, make an image sequence with all the pngs, and TA-DAH

You get a pixel-y 2.5D animation!!!

Thank you so much for checking, I hope this is useful for anyone who wants to do this stuff, if anyone has any questions don't be afraid to ask, I may have explained some stuff badly.

Anyways have a very jolly day

Tsuyo OUT

[melzula]

North and South

part three

pairing: zuko x princess!reader

notes: we’re finally at the end! i hope you guys like some of the changes i made to the original comic storyline :)

summary: with Gilak in jail and the Northerners gone you assume the worst is over, but the festival incident was just the tip of the iceberg when it comes to how far the man is willing to go

~ part of the fire lilies series ~

You don’t understand how everything has gotten so out of control.

What was meant to be a wonderful celebration of your friends’ return home had quickly been ruined Gilak’s ambush, and if not for Katara’s ability to heal Hakoda woukd have lost his life tonight. Tensions are high in the South, and you find yourself overwhelmed with worry for the future of the Water Tribe. If your people can’t even get along with each other, how will you ever be able to connect with the other nations?

“I don’t know what to do,” you admit in defeat as Zuko watches you pace back and forth from his place on your bed. “I know Gilak doesn’t speak for everyone, and for the most part everyone has been onboard with the changes we’ve made to the South, but there are still some Southerners who share his sentiment, and I don’t know how to fix it so that everyone is happy.”

“That’s the thing, y/n,” Zuko corrects you gently, being sure to phrase his words carefully so as to not upset you, “you can’t make everyone happy. It’s impossible. As leader you have to do what’s best for the majority, even if it means not everyone will like it. Just look at the New Ozai Society. They’ll never be happy no matter what I do as Fire Lord, but I don’t let their dislike for my decisions influence how I lead the Fire Nation.”

“I suppose you’re right,” you relent with a dejected sigh, flopping down beside him in defeat and sprawling out onto the blankets. “I just can’t help but feel like I should be doing more as Chief. I didn’t know about Gilak and his army, and I certainly didn’t know about Maliq’s ulterior motives regarding the oil refinery. Shouldn’t I have known?”

“You can’t be everywhere at once. You have to remember you’ve been busy rebuilding an entire tribe from the ground up while also trying to restore a part of your culture that was almost lost forever. You’re doing more than enough, and your people are grateful for all you do,” he assures you with a careful smile as he gently pushes back the hair from your face. “Maliq and his crew are leaving by morning and Gilak is in jail. Tomorrow will be better.”

“I’m so glad you’re here,” you express earnestly as you pull yourself up and press a kiss to his cheek. “I don’t know how I’d get through all of this without you.”

“Well it’s a good thing you don’t have to,” he smiles before sweetly brushing his nose against your own. After the chaos of the day, it’s nice to finally have a moment to settle down with your boyfriend, and you’re appreciative of the comfort Zuko always manages to bring you no matter how stressful the situation.

“Did you at least have fun at the festival? You know, before the whole drill incident,” you ask with a sheepish smile as you begin to carefully remove the braids you’d styled into Zuko’s hair for the party.

“I did,” he breathes out in a laugh, immediately melting at the sensation of your careful fingers combing through his hair. “It was a wonderful festival.”

He says nothing more as you continue to brush through his locks; it’s gotten longer since the last time you’ve seen him, and you enjoy the change. You’ve always loved his hair, and you appreciate the fact that he allows you the intimacy of brushing it for him.

“Do you think the conference will go well tomorrow? I’m afraid it might be too soon to start our work with the Earth Kingdom and Fire Nation if we can’t even seem to get along with the North.”

“You can’t wait for progress,” Zuko notes thoughtfully. “Making connections will only improve the South’s rebuilding process.”

You hum thoughtfully in response, but your mind begins to wander. You’re trying to see things from an open perspective, making changes that will benefit your people without forgetting about their past, but you haven’t been completely open to Hakoda’s suggestions. You were quick to shut down the idea of the oil rig despite its benefits, and though you’d been proven right about the problems such a project could cause, you also knew that not using available resources would also stunt the tribe’s growth. Zuko says you can’t wait for progress, but how do you know when the time is right?

“We should rest,” you suggest after finishing your work. “We have a long day ahead of us tomorrow.”

“I guess you’re right,” he relents with a sigh before rising from his seat on your bed. “I’ll see you in the morning?”

“You will,” you assure him before gifting him a kiss goodnight and watching him exit your room. Now alone, you collapse back onto your bed with an exhausted sigh.

“Tomorrow will be better,” you try to remind yourself.

But you’re not sure if you entirely believe that.

~~~

The day is calmer now that the construction crew is gone and Gilak is locked away. There are a handful of protestors outside the palace gates who demand that all foreigners leave the South, but they don’t seem to speak for the majority of your people, and for that you are grateful. Sokka and Toph manage crowd control while you prepare for the arrival of King Kue and the conference that is to take place today. Things are normal for the most part and your plans are back on track, so you try to remain positive and focused on the tasks at hand.

“Are you sure this conference is a good idea, y/n?” Katara asks after pulling you aside to express her concerns with you privately, the uncertainty clear on her features. “After everything that’s happened maybe the South just needs to handle things on its own first before starting to work with other nations.”

“I understand your concern, but with most of the Northerners gone we basically are on our own now. There are just some things the South can’t do by itself, so collaborating with other countries will not only give us connections but possible resources as well. I have to look at the bigger picture here.”

Katara is silent for a moment as she digests your words, but after a few moments of contemplation she finally gives you a nod. “I trust you’ll do what’s best for the tribe. I just don’t want us to end up becoming a cheap imitation of the North or lose our identity by inviting other Nations into our home.”

“Do you remember the conflict that arose during the Harmony Restoration Movement when the Earth King tried to separate the colonies?” You ask her with a faint smile, continuing when she gives you a puzzled yes as an answer. “We realized keeping the Fire and Earth people apart would do more harm than good for the future of the world and decided we needed to work together to build peace. Our entire friend group is composed of different nations, and our relationships too. My future with Zuko is dependent on our homes working together, on our people connecting with one another, and so I ask that you try to view this situation the same way you viewed it then.”

“I guess I never thought of it that way,” the water bender admits guiltily, your words obviously having struck a nerve with her. Who was she to pick and choose who got to work together and who didn’t? You had a point, and it was making her question how she truly felt about the changes occurring in her home.

“Chief y/n,” Hakoda calls from the doorway, promptly ending your discussion with Katara, “King Kue has arrived.”

The Earth King enters the meeting room with a look of awe as he observes the interior of the chamber and admires the Southern architecture of the building, and you promptly bow in respect in his presence before offering him your hand to shake.

“King Kue, it’s my honor to have you here in the South. We greatly appreciate you taking the time to attend this conference.”

“I’ve been wanting to visit the South Pole for years since meeting you all! It’s wonderful albeit freezing,” he admits with a sheepish chuckle while taking your hand.

“We’re happy to have you here, and after the conference I’d be glad to give you a tour,” you sincerely assure him before guiding him to his seat.

With all of your friends and the king present, you’re able to begin your presentation alongside Hakoda. You let him and Malina take the reins for the first half as they detail their plans to create an updated harbor for the South. They explain the logistics and the benefits of the project before allowing you to take over and explain the diplomatic prospects.

“Our hope is that this harbor will give the world a chance to visit our home and partake in our commerce as well as educate themselves on our history. Through outreach we hope to build stronger connections with our neighboring nations and establish an era of harmony and peace,” you explain with a pleased smile, eager to convey your ideas for the other leaders to hear. This is definitely the biggest thing you’ve done as Chief so far, and you briefly wonder if your father would be proud to see how far you’ve come.

“Chief y/n also came up with the idea of establishing embassies in both of your nations as well as allowing you to do the same here to further outreach between our people. However, as advisor I must note we don’t necessarily have the funds to enact this plan,” Hakoda states plainly, exchanging glances with you before looking to Zuko and Kue, “and that is why we’ve invited you here. We would be thrilled to have your partnership to make this vision a reality and strengthen the bond between our homes.”

You hopefully scan the room to gauge their reactions, and for the most part everyone seems to be open to your plan- well, everyone but Katara. It isn’t easy to ignore the subtle disapproval on her features and her obvious hesitance to opening up the South to the world, and it diminishes your optimistic mood. You recall what Zuko had said about not being to make everyone happy, but it’s hard to do when it’s one of your closest friends that seems to disapprove of your choices.

“You can count the Fire Nation in,” Zuko says proudly while directing his gaze from Hakoda to you. “Your people have suffered so much destruction at our hands, and we are grateful for the opportunity to help you rebuild.”

“Thank you, Fire Lord Zuko. Your efforts are greatly appreciated,” you express sincerely, taking extra care to be professional when speaking to your boyfriend in front of your peers.

“I’m sorry that the Earth Kingdom can’t offer our support so readily. We have so many of our own needs at home,” King Kue states sullenly with obvious disappointment clear in his tone. “But if I could show my advisers that the Southern Water Tribe is going to make measurable, concrete progress toward civilization-“

“Excuse me?!” Katara butts in harshly. The offense is clear in her tone, and her outburst takes everyone by surprise.

“Oh dear, please forgive the clumsiness of my words, Katara! I should have phrased it differently,” he quickly interjects in a panic. “We would simply want you to achieve a higher form where the South becomes a cleaner, safer, nicer-“

“King Kue,” you interrupt gently as you do your best to remain calm despite your displeasure at his words, “please be mindful when speaking about our home. You are a guest here, and just as we treat you with respect we expect the same.”

“Of course! What I meant to say was-“

“Chief y/n!” A voice interrupts as one of your guards bursts into the room. His tone and features are full of urgency as he approaches. “We’ve just received an alert from the prison! Gilak and his army-“

You cry out in horror as the man is swiftly knocked unconscious by a boomerang, and all your friends quickly jump up from the table in preparation to defend themselves from the oncoming threat. Zuko is by your side in an instant, guarding your figure with his own so that you’re kept away from the danger. He knows you can handle yourself, but after what happened with Koa he isn’t taking any chances this time.

Gilak and his men flood through the doorway, his malicious gaze focused on Hakoda who stands in the center of the room and protectively shields Malina from the group.

“Look at you, Hakoda. So eager to sell our tribe to foreign masters! And you,” he says in disdain as he points his boomerang in your direction, “so easy to be brainwashed by your advisor and your ash maker boyfriend. So easy to manipulate and fool. Perhaps Koa was right about you, y/n. What does a little girl know about running a tribe?”

“You watch your mouth!” Sokka cries out harshly in defense of you and his father.

“You watch it, boy. We’re taking over this meeting.”

“For the tribe!” Gilak’s soldiers cry out before all chaos breaks loose. Two of his men charge towards you only for Zuko to shoot flames towards them in retaliation.

“Stay back!” He commands fiercely, but your own safety is the least of your worries at the moment.

“Protect the Earth King!” You call out as you send a blast of snow into the gut of an attacker before they can reach Kue. Another soldier tries to strike you from behind, but you’re able to quickly dodge their attack before encasing their feet in ice so they can longer attempt an attack on you or your friends. “You swore an oath to serve the royal family and the people of this tribe! How dare you turn against me?!”

“It’s not us you should be worrying about, Chief,” the woman glowers scornfully. “It’s that no good Hakoda and your Fire Lord boyfriend you should be looking out for. They’ve made you forget who you are.”

“I know who I am,” you utter lowly before raising your hands to lift the ice so it encases her entire body. “Maybe you should think about who you are while you wait for the ice to melt.”

Your attention is pulled away from the guard at the sound of a loud crash, and you barely manage to catch a glimpse of Gilak narrowly missing Zuko as he brings his whale tooth blade down into the table. Gasping, you quickly maneuver the water around your arms to form tentacles that wrap around the man’s torso and lift him into the air before slamming him back down again. The impact is forceful enough to disable him of his weapon, and Zuko quickly kicks it away from his grasp.

“Thank you,” he breathes out in relief, clearly overwhelmed from the sudden chaos. You don’t have time to reply as more of Gilak’s army begin to break through the windows and wreak havoc on the palace. You’re completely surrounded, and despite your best efforts to fight them off you can’t ignore the fact that you’re outnumbered. You briefly remember to thank the spirits for the fact that your mother is out visiting Kanna and Pakku and not here in the midst of the danger.

Gilak gets a hold of Hakoda while the rest of you are distracted fighting his warriors, and your friends are quick to rush out after him. You follow in suit only to hesitate when you realize someone must stay behind to guard Kue. You trust in your group’s ability to handle Gilak on their own, but you don’t exactly trust the King to take care of himself. Without anyone noticing, you slip back into the meeting room in search of the monarch.

“Your highness! Your highness, we have to get you out of here!” You call out while frantically scanning the room for him. The chamber is dead silent and questioningly empty considering it had just been teeming with invaders, and there isn’t a single sign of Kue.

You hear the crunching of glass behind you and quickly pivot your body towards the noise, and the sound is enough of a distraction for you to be ambushed by chi-blockers who quickly disarm you of your bending and let your body fall to the floor with a thud.

“Not so high and mighty now, are you, ‘Chief’?” One of them taunts before moving out of the way so another can scoop your limp figure off the ground.

“Where is King Kue?!” You demand as you your eyes look around the room in a panicked hunt for the man.

“Relax, that oaf is fine,” the girl brushes you off with a dismissive wave of her hands. “He’s hiding in a closet somewhere like the coward he is. Besides, it was never about him. We knew you’d be stupid enough to come back for him, and you took the bait.”

“What do you mean?” You say in disbelief as they begin to sneak you out through one of the hallways before your friends can notice.

“You’re the problem with this place, you’re the one who let the outsiders in. We need someone new in charge, but we can’t do that until we get rid of you and Hakoda first.”

Dread fills your stomach at her explanation, and you’re able to do nothing but hang limply over the man’s shoulder as they take you to their hideout. For the sake of the tribe you hope Hakoda and your friends are okay, and you hope they can find you before it’s too late.

Outside of the palace, Gilak and his men have vanished and Hakoda has been returned safely to his children. It seems the chaos is over until Zuko looks to his side and notices his Princess is nowhere to be seen. Panic immediately fills his gut as he rushes back into the palace and begins his feverish search for her.

“Y/n! My love, where are you?!” He calls out, and after finding no sign of you anywhere his worry begins to morph into anger. “No… No!”

“What’s wrong, Zuko?” Toph demands after hearing his enraged roars. The group looks to Zuko with concern in their gazes as he lets out a vengeful blast of flames from his mouth. The Fire Lord is seething, and there’s only one cause for his fury.

“They took y/n.”

~~~

You sit in an empty room tied to a chair with Gilak as your only form of company. For a long while neither of you speak, both of you locked into a staring contest as his eyes of contempt meet your own indignant ones.

“It didn’t have to be this way,” he finally says to break the silence, slowly beginning to circle around your chair like a shark. “I tried to get you to see things from our perspective, but you were just too stubborn. You didn’t want to see the danger in front of you, and even when Maliq disrespected you in front of the entire tribe you still went ahead and invited outsiders into the South.”

“What is so wrong about working with others?” You demand fruitlessly, unable to comprehend how he can be filled with so much hatred. “Not every outsider is bad, but you’re too full of resentment to see that! We’ve been able to accomplish great things because of the help of our sister tribe, and with the help of the Fire Nation-“

“The Fire Nation?!” Gilak bellows angrily, and you can’t help but to flinch in fear at his outburst. “They burned down our outer villages, desecrated our water benders, took our Chief from us! They are the reason we must rebuild in the first place! And yet you invite the Fire Lord onto our land simply because you let your love for him blind you of his true nature.”

“The Fire Nation did horrible things, yes. But Zuko is trying to right the wrongs of the past. There is good in his heart as there is in the hearts of other Fire Nation citizens. I’ve witnessed it firsthand. We cannot remain stuck in the past if we wish to build a future.”

“There is no future for the Southern Water Tribe with you and Hakoda in charge, and that’s why I’m taking matters into my own hands,” he says menacingly before signaling for two of his guards to remove you from the chair and bind your limbs together so you can be transported out of the tunnels.

“What are you going to do?”

“I’ve sent a letter to Hakoda asking him to meet me at the Bridge of No Return. He’s under the impression he’ll be trading his life for yours, but once he sets foot on that bridge and meets you in the center I’ll cut the line before either of you can make it safely across.”

“No…” you utter in disbelief, panic beginning to settle in your gut.

“The South will finally be rid of its problem, and then we can truly begin to strengthen our tribe.”

You’re able to say nothing more as a cloth is tied around your mouth to keep you from speaking. The last thing they want is for you to try and warn the others of their plan once you get to the bridge.

The guards carry you away, and you desperately try to come up with a plan of escape before it’s too late.

~~~

Zuko is anxious as he makes his way up the mountains. While fruitlessly searching endless tunnels hadn’t brought you back to him, receiving the letter from Gilak detailing your whereabouts didn’t exactly ease his nerves either. You were in danger, and if for some reason Sokka’s plan failed your life could be lost tonight. The thought almost sends him reeling, but he reminds himself to stay focused on the task at hand. He needs to be at his best if he plans to get you back safely- he promised your distraught mother he’d return you to her alive, and that’s what he planned to do.

“There she is!” Sokka exclaims as he points to your sullen figure across the way. Your arms are completely bound and a cloth is wrapped around your mouth to keep you quiet, and the sight has Zuko fuming. How dare they treat you so disrespectfully? He begins to rush forward only for Sokka to halt his efforts. “Hold on, buddy. I know you want her back safe but we can’t make any rash decisions or this plan won’t work.”

Zuko falters, huffing out a breath of smoke through his nose in protest before backing off. His eyes meet your desperate ones from across the way and his chest aches at the sight. He’d failed to protect you, and now you were a captive being used as bait for Gilak’s plan. He shouldn’t have left you behind, he shouldn’t have taken his eyes off of you, and he shouldn’t have let this happen.

You watch helplessly from across the way as Gilak sends his chi-blockers towards your friends and wince on their behalf as they receive the paralyzing blows. You let out a muffled cry of alarm as one by one they collapse to the ground, but you’re unable to do anything as the man gives you a harsh shove from behind.

“Get moving, Princess. Your time is up.”

You stumble forward onto the rickety bridge and take cautious steps in fear the wood falling out from beneath you. Hakoda meets you halfway before carefully pulling down the cloth from your mouth. Your features are frantic as you immediately utter jumbled pleas for him to leave.

“Hakoda, they’re going to cut the bridge! You have to get off,” you urge him desperately, tears welling in your eyes as you try to shove him back. The man rests his hands upon your shoulders to stop your movements before reaching down to remove your binds.

“I know,” he says softly as he gives you a reassuring smile before looking across the way. “I promise you we’re going to be okay.”

You follow his gaze to see Malina using her bending to stop Gilak from cutting the bridge. On the other side, your friends have risen from the ground and are busy taking out his army of soldiers. His plan has failed, and Hakoda quickly begins to usher you across the unstable structure.

The bridge begin to tremble as more weight is added onto it, and behind you Gilak angrily chases after you and Hakoda with a torch in hand. He doesn’t plan to give up so easily, so consumed by hatred that it’s made him crazed.

“I’m not letting either of you get away with this! You need to be punished for what you’ve done!” He roars angrily before charging at you both. “I’m going to take you down even if it means I have to go with you.”

“Are you mad?!” Hakoda cries before shoving you behind him to keep you out of Gilak’s reach. Another jolt shoots through the structure as Malina attempts to stop your attacker, but her efforts only cause him to involuntarily light the bridge aflame with his torch. As the two struggle for control over one another, Zuko dashes onto the bridge and uses his bending to put the fire before it can spread.

“Zuko!” You cry out in relief at the sight of him, only wanting his comfort after everything you’ve been through in the last twenty four hours. He meets your eyes and smiles in relief at the fact that you’re okay, but his features quickly morph into ones of dread as the burnt rope snaps and the bridge collapses. Your stomach drops as your feet lose contact with the ground beneath you, but the Fire Lord is quick to reach out and capture you by the wrist before you can fall.

“Hold on tight!” He tells you, making sure your hold on his forearm is secure before he propels the two of you upward using the streams of flames he releases from his feet. You land safely on the fresh snow below you, and you’re more than grateful to finally feel the ground beneath you again.

“Oh, Zuko!” You breathe out in relief before throwing yourself into his arms and holding him tight. His warmth soothes the chill in your bones from being so close to death, and he’s quick to return your embrace.

“I’m here,” he assures you as he carefully strokes your back. “I’ve got you.”

“Where’s King Kue?” You ask as you rapidly scan the area in search of the man. “Is he alright?”

“He’s fine, Pakku and your mother are looking after him. Are you okay?” He reiterates before pulling out of the hug to get a look at you. Indents have been left behind on your cheeks from the cloth that had been tightly wrapped around your head, and Zuko carefully looks you over for any other signs of hurt.

“I’m okay,” you promise him with a quick nod. “The chi-blocking wore off, I just feel tingly from being tied up is all.”

“They tied you up?!” Zuko exclaims angrily only to calm down when he sees the abashed look on your face. “I’m sorry, I didn’t mean to raise my voice. It just makes me so upset to think that someone would want to hurt you. I’m sorry I didn’t protect you.”

“It’s not your fault, Zuko,” you correct him with a slight frown. “If it weren’t for you I would have fallen of that bridge.”

“Speaking of which,” Sokka interrupts urgently as he directs your attention to the collapsing structure, “it’s about to give! How are we gonna get them back up here!”

“I can go back down and get them,” Zuko insists only for Sokka to wave him off.

“Your weight would make it collapse before we could save anyone.”

“I’ll try to keep it stable!” Toph offers as she uses her earth bending to support the structure. “You guys are gonna have to work fast, I’m not sure how long this will hold.”

You watch as Katara and Aang spring into action to gather the others, and the Avatar is able to grab hold of them right as the bridge finally falls apart. He struggles to bring them up, and you watch anxiously as he flies his guider back towards the cliff top. Gilak isn’t making it an easy task he makes a last ditch attempt to lash at Hakoda, but the man only succeeds in losing his grip in the process and falling towards the bottom of the cliff.

“Gilak!” You cry out in horror, turning away so you don’t have to watch the man plummet to his death. Despite all he’s done, you’d never wish for death on anyone, and so you’re torn at the fact that this is how the conflict will end.

“There was nothing Aang could do,” Zuko says in an attempt to comfort you, but you’re not sure if it helps. Hakoda and Malina are brought to safety, and you’re left to deal with the aftermath of all that’s occurred.

“How did you all overcome the chi-blocking?” You ask as your mind begins to process all that’s occurred. You couldn’t compute how your friends hadn’t been susceptible to the blocks like you had.

“Metal armor!” Sokka explains proudly while showcasing you his invention. “It was my idea, but Toph made it a reality.”

“Sokka, you genius!” You laugh, throwing your arms around him in a hug full of gratitude for his help. “I can always count on you to figure out a solution to every problem.”

“Thank you, y/n, I am a genius.”

“Please don’t make his ego any bigger than it needs to be,” Katara teases before taking your hands in her own and giving them a gentle squeeze. “I’m glad you’re okay, and I’ve been thinking about what you said, about changing my perspective. I think you’re right.”

“I’m happy you see it that way,” you tell her with a careful smile before looking to her father and Malina. “And I think it’s time I did the same. If you both can come up with a revised proposal for an ecofriendly oil refinery that will benefit the South, I’d be happy to give it another look.”

“Thank you, Chief y/n,” Hakoda says gratefully, sharing an excited glance with Malina, “we appreciate your openness.”

“We need to get you back to the palace,” Zuko tells you while resting a careful hand on your back. “Your mother is probably worried sick waiting for you, and I promised I’d bring you home safely.”

“Spirits, you’re right,” your murmur fretfully before taking hold of his hand and quickly beginning your descent down the mountain.

“They’re good for each other, aren’t they?” Hakoda notes to your friends as he watches your figures disappear over the hill.

“They are,” Katara agrees with a faint smile, her mind beginning to imagine what your future will look like. The embassies will provide a good foundation for the relationship of the Water Tribe and Fire Nation, and the project will be a testament to what you and Zuko had proved long ago.

The fate of the nations are in good hands.

~~~

The South has settled back into its normal routine. With the death of Gilak and arrests of his army came the end of the protests, and reconstruction was able to resume without the threat of unrest or discontent among your people.

You stand inside the museum with Zuko by your side, your hands interlocked as you stare at the wall before you. You’re in the hall of royal families, an area full of photos and relics of all the people from the past and present. You’d ventured into the Princess exhibit and were now staring at your wanted poster hanging on the wall of your section. You’d swiped the scroll from a Fire Nation market place while in disguise with the Avatar and his friends, and you felt it was an important piece of history to include in your exhibit.

“That’s the prettiest wanted poster I’ve seen,” Zuko comments with a small smile. “It’s strange to think how much has changed since this poster was made.”

“The past is a strange place,” you agree quietly before looking to your boyfriend. “Now that the war is over, do you ever find yourself thinking about the future?”

“Always,” he says, a familiar spark in his eyes as he stares down at you.

“We’re living proof that a strong connection between nations is possible. We always have been, and yet it scares people like Gilak.”

“People like Gilak fear change,” he murmurs lowly, the mere mention of the main leaving a bad taste in his mouth. “They fear going against tradition, and we are far from being a traditional couple.”

“Yeah, but I like it that way,” you say with a smile before reaching up to press a tender kiss to his lips. Zuko’s hands find their place on your hips as he pulls you in close to savor the feeling.

With peace in the South having been reestablished, you now have a good feeling about what awaits you in the future. It’s going to be complicated, there’s no arguing that, but you’re willing to face whatever challenges arise if it means getting to be with the boy you love.

You and Zuko are the hope for the future of your nations, and if your relationship has been able to withstand all the difficulties and heartaches that have come over the years, then there’s no doubt in your mind that your people will be able to do the same.

Water and fire are opposing elements, and yet you both work so well together. You’re two halves of a whole, and no one will ever be able to break you apart again.

| zuko tags: @ilovespideyyy @yiyibetch @eridanuswave @lammello @a-monsters-love @taeeemin @livelaughlovekuni @lovialy

| fire lilies tags: @emberislandplayers @kikaninchen-2 @music-geek19 @thia-aep @thyunnamed @haylaansmi @nataliahaslosthershit @idkdude776 @aangsupremacy @thirstyforsometea @ihaveaproblem98 @brown-eyed-thang @xapham @misnmatchedsox @chewymoustachio @that-bucket-hat-gal @chilifrylizard2 @kyomihann @kaylove12 @kiwihoee @freggietale @moon-spirit-yue @bubblegum-bee-otch @cipheress-to-k-pop @potato87123

| atla tags: @sirkekselord @niktwazny303

[iamgonnagetyouback]

𝟷.𝟹𝚔 || 𝐀𝐍𝐍𝐄'𝐒 𝐓𝐄𝐀𝐒𝐈𝐍𝐆

♡ ︎ꜱᴜᴍᴍᴀʀʏ: Anne embarrasses Harry in front of you, which somehow turns out better than expected.

♡ ︎ᴡᴀʀɴɪɴɢꜱ: None

♡ ︎ꜱʜɪᴘ: Harry Styles x reader

The boys – Zayn, Louis, and Niall – were gathered around, casually lounging in Harry’s living room, doing a surprise Instagram live. Liam had wandered off to grab a snack, and Harry, being Harry, was mysteriously absent from the camera’s view, sitting offscreen on the couch, likely scrolling through his phone.

“Alright, what are people saying?” Zayn mumbled, his eyes squinting as he leaned closer to Louis, who was holding the phone.

Louis grinned, reading out comments. “’We love you, boys!’ Aww, cute. ‘Niall, play the guitar!’ No. ‘Where’s Harry?’ Good question.”

Niall snickered, glancing over at Harry, who waved lazily from the edge of the couch, not bothering to lean into the frame.

Suddenly, Louis’s eyebrows shot up, and he laughed, reading aloud a new comment. “Oh, this one’s from… Anne? Harry’s mum! She says, ‘Where’s Y/N?’”

Harry, who had been completely oblivious, suddenly shot upright. “Wait, what?”

Louis cackled. “Oh, mate. Look at this!” He turned the screen so Harry could see, and Harry facepalmed, groaning loudly. His face flushed as red as his shirt.

“Your mum’s calling you out, Haz,” Zayn teased, grinning widely.

Harry mumbled under his breath, “Mum… really?” He sighed, standing up and ruffling his hair awkwardly.

Louis, eyes gleaming with mischief, suddenly jumped to his feet. “Let’s find Y/N, shall we? She’s probably in her room.”

Before Harry could stop him, Louis had grabbed the phone and bolted down the hallway, heading towards your room. Harry shouted after him, “Louis, don’t you dare!”

Louis ignored him, dramatically tiptoeing toward your door as if he were sneaking up on a wild animal. He pushed the door open to reveal you, sitting cross-legged on your bed, chatting with Liam.

Both of you looked up, startled. “Louis?” you asked, blinking in confusion.

Louis leaned in, whispering with an exaggerated grin, “It’s Anne.”

Your eyes widened, and you sighed, a small smile creeping onto your face. “Oh!” You quickly fixed your hair and waved at the camera with a soft smile. “Hi, guys!” you greeted, your voice cheerful as the live chat exploded with excitement.

Zayn smirked as he looked over at the phone from over your shoulder. “Oh, what’s this?” He squinted at a comment. “Anne says, ‘Y/N, isn’t Harry just adorable when he’s all flustered?’”

You chuckled, glancing over your shoulder just in time to see Harry standing in the doorway, his face a mix of embarrassment and horror. He groaned loudly, striding forward to take the phone from you. “Mum, I swear…” he muttered, glaring at the screen. He quickly said, “Alright, that’s enough for today! Bye, guys!” before promptly ending the live.

The room erupted in laughter, and Harry flopped down on the bed beside you, dramatically burying his face in your lap. “Why does she always do this to me?” he mumbled, his voice muffled by your jeans.

You laughed, running your fingers through his curls absentmindedly. “Because she loves you, duh.”

The boys gathered around, smirking at Harry’s misery. Niall nudged Zayn, grinning. “At least Anne didn’t mention Harry’s massive crush on Y/N, right?”

The room fell silent.

Your fingers froze in Harry’s hair, and you blinked, slowly processing what Niall had just said. “Wait… what?”

All eyes turned to you, wide and frozen. Harry shot up from your lap, eyes panicked. “Uh… no, that’s… that’s not what he meant.”

Niall’s eyes were wide with horror as he slapped a hand over his mouth. “Oh, shi—”

“What did you just say?” you asked, your heart racing. “Crush? Harry has a crush on me?”

Louis’s face went pale. Zayn immediately sat up straight. Niall’s eyes grew comically wide as he realized what he’d accidentally revealed.

Harry, now tense, slowly sat up from Y/N’s lap, his heart hammering in his chest. “Uh…”

The awkward silence hung in the air for what felt like an eternity. The boys started mumbling excuses, trying to make a quick exit.

"Right, um, I think my tea's ready," Louis said, scrambling off the bed.

“Yeah, and I’ve got that, uh, thing to do,” Zayn added, rushing after him.

Liam rushed after him too, saying, "Me too!"

Niall, looking absolutely mortified, offered a weak smile before bolting. “Sorry, Haz! Good luck, mate!”

The door closed, leaving you and Harry sitting there, staring at each other. Your heart was pounding, and you could barely breathe. “Is… is that true?” you asked quietly.

Harry sighed, rubbing the back of his neck. “Yeah… it’s true.”

You blinked at him, eyes wide. “Harry, you—why didn’t you say anything?”

He shrugged, giving you a sheepish smile. “I didn’t want to make things weird. I didn’t know if you… if you felt the same.”

You hesitated for a moment before reaching out, taking his hand in yours. “I— I do. I feel the same.”

Harry’s eyes lit up, his smile softening as he squeezed your hand gently. “You do?”

Before you could answer, Harry leaned in, and you met him halfway, your lips pressing softly together in a sweet, tentative kiss.

When you pulled away, you both laughed nervously, the awkward tension between you finally breaking. “Well,” you said, “Anne’s gonna have a field day with this.”

Harry groaned but smiled, pulling you close. “Don’t remind me.”

“Hey, Haz,” Louis called from the door. “Anne says you’re welcome.”

Harry groaned, but this time, he was smiling.

[themyscirah]

What runs/stories do you recommend for someone starting WW? Could you please be specific (/nicely)

Yeah ofc!

My Wonder Woman Starter Recs (specific style 😎)

First stops: for an initial introduction to Wonder Woman, I'd generally recommend going to at least one of three places first. These three are:

Wonder Woman: Historia: The Amazons by Kelly Sue DeConnick

Wonder Woman: Year One by Greg Rucka

Wonder Woman: the Hiketeia by Greg Rucka

Of these I generally recommend reading Historia first, as it's a retelling of the origin of the Amazons as a race and how Diana came to be (so it essentially starts from the beginning) and is also the most recent of the them (if that means anything). Something to note about Historia though is that it's a DC Black Label book, so it's events aren't strictly canon in the main DCU and there are some changes and new elements present. I don't think this is something that should discourage anyone from reading it though, it's the best WW origin story out there, and even in strict main canon over the years her origin is one that has had many fluctuations and small (& sometimes big) changes. WW:Historia is three prestige format (longer) issues.

You'll notice the third book there is WW: The Hiketeia. Hiketeia is a great book if you're looking for a view into Diana as a professional and experienced hero. It's a graphic novel so standalone and not too long, and has a great Diana and really interesting plot (Diana vows to protect a young woman and finds herself pressed against the wheels of Greek Tragedy). This is also the first work with Diana done by Greg Rucka, one of her most prolific and loved writers. A sampling of this work (and also Historia) I think gives a good guide to where to go next in terms of runs on her main title.

Wonder Woman: Year One is the second book on the list up there, but I'm mentioning it last here as it's a bit more complicated in terms of format. Unlike other year one books, WW: Year One is actually a series of issues on her main title, showcasing Diana's arrival to man's world in Rebirth (and also current p sure) continuity. The issue numbering for this one is strange (only the even issues 2-14 on WW (2016)) so I recommend looking for this in trade form if possible.

These 3 books I think give a taste of some of the best standalone stuff in the Wonder Woman mythos, and give the reader a good idea of where they may want to go next in terms of longer runs on the title. So I'll break that down here as a Step 2.

STEP 2: WHERE NEXT?

Here I break down some highly recommended runs based on what they have in common with the standalone books from step 1. As a rule, these runs are going to be much longer than the above and generally more connected to the wider DCU and other books. Look for the italics to see the introduction to each new work. Explanation paragraphs follow after each italic/bold rec.

Curious about Greek mythology in WW and the Amazons' origins after reading Historia? Liked the prescence of a supporting cast and Diana learning about Man's World from Year One? Willing to read a longer run? I recommend: Wonder Woman by George Pérez

George Pérez's time on Wonder Woman totally reinvented the character after Crisis on Infinite Earths, and is fundamental in establishing many core concepts of her lore. At 62 issues, 2 annuals, and a 4-issue crossover event at the end (War of the Gods), it's definitely a commitment to read, but it's the most enduring and well-loved run on Wonder Woman for a reason--it's just that damn good. Lots of focus on mythology (although with a lighter tone than Historia) alongside Diana learning her role in relation to Man's World & establishing herself as a hero and ambassador. Pérez's run also has almost-certainly the most expansive and developed supporting cast in WW comics, something that really drives the emotional core of the series, especially in later issues. Obligatory note that this series was written between 1987 and 1992 and contains some very occasional aspects that I thought were in some way dated/uncomfortable etc. while reading (details of Cheetah's origin, depiction of the Bana-Mighdall, Hercules) but despite that I still highly, highly recommend this run. The word fundamental cannot begin to describe it.

Liked the experienced Diana of the Hiketeia? Interested to see her attempt to balance the high stakes responsibilities of an ambassador and superhero? Looking for some really badass moments and fights? Haven't read enough terrible tragedy? I suggest: Wonder Woman by Greg Rucka 2003 EDITION.

Some of Diana's coolest moments of all time are collected here. Also one of her most controversial. The 1st Rucka run is very much the story for anyone who liked the Diana of the Hiketeia and the tragedy of that and Historia. 2003 Rucka Diana is a Diana tested, forced to make decisions that are anything but easy, and live with the consequences. She's extraordinarily capable, but her enemies know that and are prepared to that end. This run, along with the Pérez run, rank among my favorite Wondy comics of all time (those and Historia are my top 3). This run is such peak Diana, especially in terms of sheer badassery. Her final confrontation with Medusa is in my opinion perhaps the greatest Wonder Woman fight scene of all time. Her encounter with Athena in the second-to-last issue breaks me every time. Cannot recommend this book more.

*a note abt this run is that it is more context-dependent than the other ones listed here, as it's the run that finishes out the Wonder Woman vol. 2 book and so has some guest appearances from characters introduced in other prior runs (Artemis of Bana-Mighdall, Cassie Sandsmark, and Vanessa Kapatelis, to name a few). I read this run before knowing much (if anything) about any of them, and still enjoyed it a lot, so I wouldn't be worried about this really but just thought I'd mention it.

Rucka's 2003 run is published from Wonder Woman (1987) #195-226. You can also find it in trade and I believe(?) omnibus. Sometimes the Hiketeia is included in collections of this series, as the 03 run is thematically similar in many places, just with a much deeper look at Diana and the world & with higher stakes.

Liked the specific characters and plot threads of Wonder Woman: Year One? Want to see what happens with Diana's exile, or learn more about Barbara Ann? Want a Diana in between the extremes of young and highly experienced? Wonder Woman by Greg Rucka 2016 EDITION may be for you.

...yes I'm putting ANOTHER Rucka book on here. He writes a great Diana, what can I say. This run is the same one that Year One came out of, just the follow ups to that story and versions of the characters. I have this run listed as separate from Year One though, as there's some really big time skips since the events of that first volume. A lot of time has passed since then, and there's more history between the characters, not all of it without drama. This run continues to be weird with the numbering, as well as some artist changes, so I definitely recommend looking into reading this in trade format (physical or digital) if at all possible. My recommended reading order is WW 2016 by Rucka vol. 2 "The Lies" (Wonder Woman: Rebirth Special #1, followed by 2016 main title odd numbered issues 1-11), then Rucka 16 vol. 3 "The Truth" (odds 13-23) then Godwatch (evens 16 through 24) followed by 25? But The Truth and Godwatch combine near the end so that doesn't really work either. This run is so good but recommending it is such a pain because the numbering is so all over the place. On God I never know which order to read this in. Going to revoke my previous statement and say read it as Rebirth Special 1, then only odds 1 through 11, then from 13 through 25 normally. That may lead to some weirdness as you read because the two stories take place at different times and have different art styles, but they come together at the end pretty dramatically so I think it's less confusing to read it this way? Maybe? So strange bc this is one of the go to good starter runs and yet it's set up so unintuitively. If someone has a better way to read this then let me know and ill edit, ik this explanation is super confusing bc neither way to read it is totally ideal imo and I feel I definitely read it in a weird order.

Going to call that a good rundown of some of my greatest recommendations in terms of Wonder Woman comics. If anything wasn't fully clear here or anyone (not just anon) has questions or wants to talk abt WW comics/my choices feel free to send as many asks or dms as you want. Have a good day everybody, & as Diana says, may the glory of Gaea be with you <3

[pickled0ctopus]

No spoiler personal and honest opinion about Dragon Age the Veilguard

[😀]

Battle is really fun. Even though I love DAO, I’m not typically a fan of tactical combat, and this might be the first DA game where I actually enjoyed the battle.

I like the expanded companion quests. I loved Lucanis' the most.

Semi-realistic comic style works better than I’d expected. The visuals and animations were solid overall, at least for me (still thinking about how Lucanis looked at Rook in that romance scene 👁️👁️). Except for the heavy filters and flashy effects; those were a bit much.

[😐]

Too much repetition. The game recaps constantly, which becomes dull. Like they worried old DA fans won’t remember what just happened a minute ago.

Romance isn’t big compare to previous games. Honestly feels like the weakest romance content of any DA game (well I only remember how much I loved and giggled so much in the old games). Maybe it’s because events in this game unfold so quickly? Just don't expect the same level of content as in DAI. Though, this is just my issue—if you don’t care about romance, it’s fine.

Unfinished story potential. There’s good material here, but it feels half-done. A shame... really.

Choices feel fake. You get three dialogue options, but they’re just slight tone variations of the same line. If you like to playing a jerk in BioWare games, you might be disappointed.

Inconsistent story details. I’m not a lore expert and don’t remember all the characters, but even I noticed some parts didn’t add up well—almost like the writers forgot details from past games too so they just brushed them off. Also removing many choices from earlier games didn’t help; it only made things more questionable.

It’s a fun game that I enjoyed a lot and will replay it just to see Solas again, but do I love it as a DA? I'm not sure.

It’s not about new setting or tone. I was fine with a fresh protag. But now, after finishing this, keeping the Inquisitor as the protag for this end of the Dread Wolf saga would’ve made much more sense to me. I would’ve loved to see the old, ragged Inquisitor raging again like in Trespasser, and give a proper farewell to both the Inquisitor and Solas, whether you swore to save him or not. The writing in this game seems just lacking. In any case, I was just glad to see Solas again and listen to him talking💓 Gareth really nailed it again. The emotion in his voice, I just 😭 I swear Garrus and Solas can send me with their voice alone. Now, I'll just go and sobbing in the corner👍

[artbyblastweave]

If youre still doing it, heroify Lex Luthor

The fish-in-a-barrel answer is Tony Stark, but the intuitive answer, not to mention the version I've actually seen executed at least twice- is that you ask the question- what if he's right, about Superman being bad news?- and then you go from there.

I'm actually going to take this opportunity to talk up one of the few Mark Millar comics that I recommend wholeheartedly, Jupiter's Circle, which is interesting in that the setting's Luthor analogue, Jack Hobbes, is essentially playing Luthor's cope-and-seethe angle completely straight, as a thing which he legitimately believes and which he's ultimately basically correct to believe in spite of most superheroes being at least decent people.

What was interesting to me about this portrayal is that Hobbes eventually decides that he miscalculated, that he can do more good by working with the Utopian as his friend and confidant than by fighting him every step of the way. It's a straight-up Lex Luthor redemption story. But the thing is that the setting of the comic as a whole is predicated on the idea that he was actually completely correct- although he doesn't live to see it, although he dies thinking he was initially misguided, the long-term trajectory of the setting is that superheroes eat the world, politics and activism alike subordinated to their petty grievances and soap opera idiocy. A major plot point of the second volume of this was that Not!Batman's turn towards militant leftism gets completely written off by his 1960s contemporaries because they're so used to reading his behavior through the lens of whiny rich-kid superhero interpersonal drama that they just can't parse it correctly. The comic advances that there's a self-centeredness and egotism inherent to the superhero that makes them suck ass at effecting long term positive change, but they also aren't going away, and they can blow up skyscrapers. At the point where I stopped reading, the setting was implied to be caught in a kind of boom-and-bust doom cycle where the superheroes gradually create a singular hegemony, then collapse into hyperdestructive infighting over what to do with that hegemony once they run out of conventional supervillains to fight- the aftermath of which clears the board for a new wave of the classic silver age cops-and-robbers game, which then gradually hegemonizes, ad infinitum. (This is a line of thinking that crops up in a lot of Millar's capepunk work once you know what to look for- Wanted, Old Man Logan, and to some extent The Ultimates all being examples.)

Another example of Heroic Lex Luthor, which I've written about before, is the comic Edison Rex, a comic whose pitchline is that the setting's Luthor analogue, the titular Edison Rex, turns out to have been completely correct that the setting's Superman analogue was an unwitting sleeper agent for an alien invasion, and steps up to replace him as Earth's foremost protector after finally neutralizing him- but since all he really knows how to be is a supervillain, his management style and problem-solving methodology from his time as an ends-justify-the-means anti-superman crusader translate to the new job with extremely mixed results. The comic ran 18 issues and remains unfinished, but it was pretty good.

[lunawagner]

Couples of Linkon High School

Freshmen: Rafayel x MC

MC is the class president, with Rafayel as her deputy. He calls out, "Miss Class President!" throughout the day.

MC has good grades, —not the top student, but definitely in the top ten.

Of course, Rafayel draws and doodles during classes. But his grades are not bad either thanks to his drive to outperform his possible rivals in love.

His notebooks are filled with sketches of MC.

MC teaches math to Rafayel and Rafayel teaches English to MC.

They are both bad at physics and spend class time drawing short comics together. However, if nobody listens and the teacher seems down, they would listen and nod along even though they don't understand a word.

The chemistry teacher is unsure if they like or fear Rafayel.

Overall, teachers love them 'cause they treat their teachers as real people and genuinely care about them.

Sometimes they lock their pinky fingers under the desk and keep them that way until the class is over, even though they both get a bit embarrassed.

Rafayel is determined not to kiss her on the lips until both become adults.

Their music teacher is Rafayel's aunt. MC loves her classes and is learning to play piano. Rafayel always complains but still can play at least one decent piece on every instrument you have in the music room.

The art teacher is Thomas. He and Rafayel always argue as Rafayel doesn’t want his art to be just another mass product produced for exhibitions and competitions

MC grew up in a government institution. Although she doesn't remember, she met Rafayel when he was placed there after losing his parents. His relatives quickly took him in, but MC looked out for him, saving him from the bigger kids who tried to bully him. Eventually, they became friends.

MC is tomboy-ish and can't process her emotions properly.

MC's fashion sense is minimal, so Rafayel goes to shopping with her on weekends. Thanks to that they have some matching couple clothes.

Sophomores: Xavier x MC

They have average grades but excel in sports, making them the school's hidden assets in tournaments.

The school coach would love to have them join every team if he could.

Xavier is popular among other boys and has a considerable number of fans.

They nap together during lunch breaks.

They are members of the literature club and student librarians. So they regularly visit the library to read books or organize shelves and help others.

Literature teacher loves them.

Xavier tends to sleep through STEM classes, so MC shares her notes with him later in exchange for snacks or chocolate milk.

When Xavier gets bored during lectures or breaks, he secretly plays with MC's hair.

Despite skipping classes for extracurricular activities, they absorb information quickly, allowing them to pull all-nighters before exams and still perform well.

Some boys claim they got beaten up in the dark when they went down to the basement. Everyone's suspicious of Sylus, but it’s actually Xavier who’s taking care of anyone who messes with MC.

They hang out with a large friend group that includes Tara, Jenna, Jeremiah, and Bella.

Tara enjoys styling MC’s and Bella’s hair with cute hairpins to see how Xavier and Jeremiah will react.

Xavier wears one of MC's hair ties as a bracelet, believing it brings him luck.

They use all of their stationery together, so their pencils and erasers frequently end up in each other’s pencil cases.

MC's dad is a police officer and her mom is a nurse. Xavier's parents are both politicians.

Xavier doesn't get along with his own father but they are on good terms with MC's dad. They play board games, go fishing, or jog on weekends. MC doesn't have the foggiest idea of how it happened.

Juniors: Zayne x MC

Zayne is the top student and MC is right behind him in second place.

People often think MC is just an airhead who gets good grades just because she’s dating Zayne.

But while she is cheerful and active, she’s also super diligent. She pays attention in class, reviews her notes, and makes new ones before exams to make sure she’s on top of things.

She doesn't want to fall behind Zayne and secretly worries about how he would react in case she fails and gets bad grades.

All the teachers are fond of them with some even treating them like their own kids.

MC’s family trusts Zayne more than they trust her, so they’re quicker to say yes to events if they know Zayne will be there with her.

MC has a cute habit of drawing little hearts on the random pages of Zayne's textbooks. Once Zayne noticed it, he started drawing jasmine flowers on hers.

They tend to avoid skinship at school, except for the times MC is sick. During those times, Zayne stays close to her all day, ensuring she is hydrated and consuming warm drinks. He hugs MC and lets her rest on his chest, and he holds her hand during classes.

Seniors: Sylus x MC

One word: Trouble

But no they're not your typical troublemaker brats. They are also top-notch in nearly every class, so teachers don't know what to do with them.

At first, they were pretty low-key about their relationship, keeping it a secret. But once they went public, they became all about PDA with Sylus' hand always around MC's waist whenever they managed to take a break from holding hands.

Science teachers would love to exempt Sylus from taking their classes so that he can never ever set foot in their labs.

Chemistry, physics, and biology teachers change their way when they see Sylus in corridors, lest he ask them about things that would lead to a global catastrophe.

The music teacher gets goosebumps whenever they see Sylus.

Most of the girls don't like MC and there is always gossip and slander surrounding her. But for some, she is like a protective big sis.

MC and Sylus's families have been business partners since the time of MC's grandma.

Sylus' family makes huge donations to the school, so the administration is unusually lenient with him.

They play truant regularly. For what? Nobody knows.

It’s hard for others to actually mess with MC. But, when they do, Luke and Kieran are quick to pull pranks on them even before MC or Sylus can react.

Luke and Kieran look so similar that teachers often can’t figure out who’s at fault. Their innocent expressions after causing trouble don’t make things any easier.

Sylus and MC are chosen school representatives. They are intimidating and cunning so it is easier for them to negotiate with and win over teachers and the local student union.

People come to them with problems to be solved. MC is willing to help them without any immediate material return but Sylus always turns it into a business deal with specific terms.

MC doesn't have many close friends, but she occasionally lunches with the MCs of Xavier, Zayne, and Rafayel.

[notartisticdraw]

I wanted to let you know keep up the good work!! We're around the same age and was into PJs Daycare around the same age the first time around, so it's very good to see someone redoing it how it *should have* been done the first time around. Never will forgive Blog for putting all of that in their works knowing their fanbase was 11-13.

GASP!!! WE WERE TRAUMATIZED AT THE SAME TIME YIPPEE YIPPEE

AND THANK YOU SO MUCH. I'm actually really surprised by the amount of support I received. My first posts on TikTok actually got a fair amount of---I don't think they were exactly hate comments(???), but they definitely didn't sound supportive of my art due to the style and the connotations behind it. Which is entirely fine btw, you don't have to like me or my art, but just by the amount, I assumed my recent PJs Daycare 10 Years Later comic would get an insane amount of pushback since not only is it drawn relatively close to the original style, but its a controversial au. Anyway, I'm so glad people know I do not support the original author and want to better it. I loved PJs Daycare so much, and I seriously wanna rekindle that old whimsical feeling I had reading it as a kid---except for the community bc I can't surprise myself apparently being the author :(

anyway merry Christmas you get a WIP drawing of cross for a height/reference sheet I'm making for an upcoming comic that is in no way related to pjs daycare (fresh is the mc are we shocked no we aren't) (URGG IT FEATURES A LOT OF GOOBY CHARACTERS I NEVER DRAW AND I WANT PANELS TO LOOK AT LEAST SEMI-COHERENT)

also sorry side note but I JUST FOUND OUT ABOUT THE WEIRD ASS TRANS CROSS CONTROVERSY???? LIKE I WAS LOOKING HIM UP FOR REFERENCES AND JUST SAW A MILLION TRANS CROSS ART LMAOOO

for a hot minute, I thought he was like canonly trans and was gonna lose my mind bc that'd be so friggin cool. but then I learned it was bc some sweat flake thought it'd be a good idea to be hella transphobic on tumblr of all places---and over a popular headcanon about an alternate version of sans undertale. crazy brahs.

anyway i now headcanon cross as trans

(im genuinely so sorry for getting so off-topic I just love rambling like an insane person whenever I learn something new)

[beatcroc]

a year!!! as of today i have now been drawing these funny little pizza freaks, to the exclusion of almost everything else, for!!! an entire year!!! i wanted to do a nice group shot/lineup of everybody to compare to when i first started trying to draw them because oh boy were they bad. i never even posted most of them anywhere because they were so bad. but im posting them here, now, to see how everything's changed/evolved.

this is probably the hardest time i've ever had trying to figure out how to work with a style, but we got there eventually; i'm pretty happy with the handle i've got on everybody now...dont let ur memes be dreams. lots of unimportant journaling and idle thoughts abt it below.

older pics

the first one is the VERY first time i drew them, before i thought i was going to actually have any interest in drawing them [lmao]; it was just the one isolated image, for my friendserver, to illustrate the funney message, so there was no attempt to make it Good or actually understand anything going on w/ the designs or style.

second is the original run of practices sketches to start trying to figure them out for real; done after i started having ideas for the comics and such and realized oh god maybe i am actually gonna draw fanart for this. [again, lol, and lmao.]

third one is the first pt art thing i posted on here. there were a couple weeks of sprite studies between this one and the previous image. the one on the top right wasn't part of that post i just threw it on as space filler; i'd intended to shift to doing Sprite Redraws But Stylized to explore tings more, but that was the only one i did. ¯\_(ツ)_/¯

individual characters

peppino: by far the hardest dear god. bro what ARE your shapes how DOES your face work. jesus christ. everything i have trouble with this style for, peppino has it in excess. i draw in polygons! i need consistency! and that is the last thing this kind of style is concerned with. they are made of squarshy clay and i do not understand how to mold them. i was really hoping trying to learn this game's style would GIVE me that kind of flexibility for fun exaggerated facial expression but i don't think much came of it in the end 😔. anyway on the bright side all this means once i got peppino figured out a little bit everybody else clicked way easier.

fake peppino: honestly i never did anything with him on purpose except for how his eyes work + the perma-smile thing. i figured ok hes supposed to look weird and off model so whatever happens with him happens. and it did. and it kept happening. it is still, in fact, happening.

noise/ette: somehow, for every bit that peppino was the least natural thing i've ever tried, these two worked pretty much right off the bat. i still don't understand it, seeing as pretty much all the things at play for peppino are also at work for them. i think the new sketches are actually a little worse than older ones but not enough that i care.

gustavo: really funny bc i drew him on model twice and just went 'okay, cool nice, easy, um. he doesn't have any fucking legs?' fortunately he was the only one i had a strong idea for how to stylize him [square] and it worked exactly as i was hoping so wahoo.

brick: is an animal and therefore 5000x easier and more natural for me to draw/stylize than anything else in the cast. that is Just a rat bro. i can draw a rat.

gerome: i think the funniest one here. the most drastic and least necessary change imo. i was gonna have him be really small at first, like smaller than the noises, but then i just... didn't. he's just peppino-sized now. also i gave him like. actual human facial structure, which is funny bc in most cases i'd do anything to avoid, but it works well for his being A Rock to give him some angles and definition like that+ to differentiate his vibe from the rest of the cast who are all very squishy. also since he is essentially Just A Head it's good to emphasize that too ig.

john: i only drew john a couple times but he gets to be here because i like him. and because most of the stuff i applied to gerome was readily applicable to john, though i did try to keep him a little more uncanny because he is a Huge And Lanky Freak. i hate that he is barefoot btw but idk how to make his color balance look right with shoes.

pizzahead: i did not want to put him on here honestly but i Have drawn him a handful of times and more importantly i didn't know what i was gonna do with john's pose if i didn't have him there to be glared at. the only thing that's different with him is giving him wider-bottomed pants, which i got from when i tried to draw these guys in clone high style [i never posted that one either][i will eventually]

snick: he gets to be here because 1. he's like 6 lines 2. i like him and 3. ive scribbled him a few times offhand and it went pretty well

misc

there are some guys missing because those are guys i didn't draw enough [or at all] to have gotten comfortable with them. sorry

i would have Liked to shade these but for the time being i have accepted that my grasp of light/shadow has decayed to the point im not going to be happy with anything i try there, so For Now i am working on my presentation with flats i guess. gerome has a shadow only because he's shaded like that ingame and looks naked without it

anyway if you are still reading [hi?] i get to shamelessly plug now. i'm over the hill of my pizza run now, and while i still have plenty of things i want to make here, most of the bigger more in-depth ones have passed. pizza tower was the first thing in THREE YEARS to get me out of my oc groove to doing fanart, and once i am done with my ideas here i will be going right back to it. if you like my art or how i write characters/interactions you should check out my oc/webcomic blog @jamverse . i can't promise people who like pizza stuff will be terribly into my designs, but i can guarantee i treat my guys with the exact same sort of tone i handle the pt guys with. and hell, i've mentioned it a few times before, but like 70% of my characterization for fake pep is just copied off one of my characters, so if u are going to miss him... he will still be there in spirit >;p

and if you dont care about any of that and are still reading thank you anyway. actually making these comics + seeing how shockingly well-received they've been has done a lot for my confidence, and for seeing that my kind of stuff IS something people enjoy :')

[malenjoyer]

CACKLING. The whole “spoilers are the least of your worries, NW solo runs are actual ass” thing is so true. My boy cannot catch a break.

Bruno Redondo, I love your art, but I canNOT for the life of me get into Devin Grayson’s Nightwing.

That last anon made me curious, do you have any favorite eras/stories with Nightwing in it? Obviously doesn’t have to be a NW solo run. I was thinking within the DC continuity in general (if that makes sense).

if we’re asking just generally, most of the comics that I prefer are where nightwing are more decentered and often the support/mentor of the story. Like when he becomes Batman in Batman and Robin or he comes back to gotham to bond with new robins. These are all one shots that fall into dixon’s nightwing, I think. Probably, idk. There’s that specific art style of the era where he looked kinda ugly.

Most of my favorites are early nightwing/disco wing. My reading preferences tend to be on the goofy comics side.

Off the top of my head, I was recommended Batman prodigal by an anon here. I liked the dynamic between Tim and Dick and it was a good entry for someone who didn’t really know Tim that well before this. When they did laundry together, it was really nice. I like that mundane closed off world stuff. I do like it more than Grant Morrison’s Batman and Robin (I know. Tomato, tomato, tomato. Damian traitor🍅🍅🍅).

I think my other favorite ones are the two stories of Dick riding on top of trains. Dick not only rode on top of trains once, but twice. Each time with a different robin. It should be under Nightwing but I don’t remember the numbers of the issue.

Here’s Jason:

And here’s Tim:

At least Jason wasn’t blindfolded. Tim was just like yeah, whatever.

I did like the era of shot in the leg dick (Nightwing vol 2, ~108) because he found a family outside of the bats and dealing with not being nightwing anymore. Then the story fell off…. many such cases. I’m not a big romance reader despite (waves) everything. Especially if they choose to throw brainless love interests at nightwing for plot. I’ve become some kind of single life activist for him. I don’t want romance!