#at least make it clear what the images Are even if i can't be specific about what's in them

[blackpearlblast]

i really love the art on the magical witches vpet packaging it's so cool lookong

[fallinforgyu]

ateez reaction to riling them up in public? like maybe with other ppl around n you tryna feel em up under the table or sumn or like, in a movie theater, that sort of thing...

anon i will kiss u on the forehead... bless u

hongjoong doesn't like pda. he wants to keep intimate moments intimate and would give you NO reaction if you tried to feel him up in public. he might even shoot you a look or directly tell you to stop. you'd think he's mad at you until the moment the door closes behind him and you're alone. "What exactly were you trying to do?" he'd ask, walking closer and closing in on you, "Start something you couldn't finish?" And then, just to remind you who's in charge, he'd tie you up. You're excited just to feel his hands on you, but don't get your hopes up - you're not gonna get to cum for at LEAST an hour. "How does it feel to be teased? It's not fun, huh baby?"

seonghwa... i actually think he would really love this. first of all i think he might be a bit of an exhibitionist so if you feel him up in front of one of the other members that's a HUGE plus. idk idk i have this very clear image in my head of seonghwa making eye contact with and smirking at the members while he's getting his neck kissed idk idk... anyway. as an aries mars this man probably LOVES quickies, so feeling him up in public would almost always lead to you bent over a sink in some sleazy public restroom, his hands all over you and his lips against your ear, saying shit like "This is what you wanted, hm? Pretty little slut." God and then he LOVES putting your panties back on and making you go about the rest of your day with his cum dripping out of you.

yunho plays along with it. the second he feels your hand brushing against his thigh at the movie theater, he leans over and presses his lips directly to your ear. "What are you doing, pretty girl?" He'd smirk, knowing damn well what you're doing. Well, two can play at that game. he'd put his arm around you, starting by stroking your hair and ear, then brushing the back of his fingertips down your neck. once you're nice and covered in chills, he'd gently grope the side of your breast, smirking and kissing the side of your head when you squirm. by the end of the movie, you're so worked up that you forgot the whole thing was your idea. but don't worry, yunho's gonna remind you of that every few minutes when he's overstimulating you at home later. "Come on, sweetie. You can cum one more time for me, can't you? You were so needy for me earlier."

i'm picturing a very specific scenario with yeosang. walk with me. you're at the mall with him and when you walk past a lingerie store, you think it's the perfect opportunity to tease him. you ask him to go to the store with you and he nods, trying to act as chill as possible about it. that is until you're holding up pretty sets against your body, asking yeosang if he thinks they'd look good on you. he'd be pretty quiet but he'd give you his honest opinion, blushing through the whole ordeal. your mall trip ends shortly after that because yeosang is suddenly in a huge rush to get home, begging you "Please put that red one on for me" as soon as you're home. have i mentioned i think yeosang loves lingerie? bc i do. "Drove me crazy to think about you wearing all of those pretty things for me," he'd breathe, biting your neck, "Just so I can make a mess of you in them."

god there's something so romantic about san. i really think teasing touches and stolen kisses are just things that come with loving him. even if you're just at a cafe having coffee and chatting, your fingertips brushing up and down his arm while you talk to him just feels so comfortable and right. he's the type to pull you into an empty alley and press you to the wall and kiss you with everything he has in his body just because he felt like it. i'm telling yall... post date sex with san goes CRAZY because you will have spent the entire date subconsciously working each other up. "You know just how i like it, baby. You know just how to make me feel good," he'd groan through slow, passionate strokes and deep kissing </3

mingi's first reaction is to get giggly. i think his body is so sensitive and he's a little bit ticklish, so feeling your hands on particularly sensitive parts of his body might make him a little squirmy. but just be patient, be gentle and keep going because in a few minutes he'll mellow out and really allow himself to feel your touches. his eyelids might get a little heavy, his eyes might glaze over a bit but he's in heaven allowing himself to be loved on. "Doing okay, handsome?" you'd ask and he'd snap out of it a bit. "That feels nice." he'd nod, a dopey smile on his face. ask him if he wants more and he'll be home and underneath you in a matter of minutes - a moaning, panting mess who loves nothing more than being the center of your attention.

we're kidding ourselves if we say that wooyoung is anything other than the one who would be teasing you. this man is THE teaser. was quite literally born to tease. he'd constantly be coming up with excuses to try to rile you up - sucking ice cream off your fingers after it dripped down the cone and onto your hand, running his hand up your thigh while you're trying to watch tv, slapping your ass when he walks past you, the list goes on. he wants to see just how far he can push you before you break. "What are you gonna do about it, huh? You gonna punish me? Or are you gonna admit to yourself that you liked it, hm?" yeah that's wooyoung.

jongho just wants to make sure your needs are taken care of </3 as soon as you start trying to feel him up it's "Hm? What's gotten into you, baby? Do you need me?" and best believe he will prioritize your needs over ANY function he's at. the minute you nod your head or give him that desperate look, he has you in the passenger seat of his car with his hand on your thigh. "I'm gonna turn you into a brat if I keep giving you whatever you want whenever you want it," he'd smirk, kissing you and sliding his hands up your skirt, "But how am I supposed to say no to you when you're this damn cute all the time?"

[felassan]

John Epler in the BioWare Discord (August 7th, again) -

User: "Since the dialogue wheel is coming back, will our choices set our Rook as diplomatic/humorous/aggressive with varying tone and voice lines similar to Hawke being able to be blue/purple/red?" John: "Not to the same degree - we want to give you the freedom to play your Rook differently depending on who they're talking to (you might be kinder to your companions and brusque with authority figures, for example), but your tone choices will have an impact within a conversation and, sometimes, with specific characters across multiple conversations." --- User: "I have to ask: how muscular can we make the elves?" John: "Reasonably so. You won't be making any massive bodybuilders but like... Timothy Olyphant?" User: "As a follow up what about humans and qunari? Quite muscular a la arnold or big viking type? Or not so much that lvl?" John: "Larger lineages (Qunari, esp) are bigger by default so the upper bounds are going to be bigger, but for modeling and animation we did want to put some limits on it. But your Rook can look pretty reasonably muscled, regardless of lineage choice." --- User: "Are there any time-sensitive quests (in terms of gameplay time, that will fail automatically if not addressed in a timely manner), and if there are please tell me they're at least indicated as such in some way?" John: "There are quests that can go away and technically 'fail' if you don't address them - but, to be VERY clear, this is not an in-game timer, but rather as you progress the game's story forward. That said, we do try to sign post them as much as possible." --- User: "Does Rook ever get the choice to cuss?" John: "Yes. You'll know when you're doing it, and we leave it up to you to make the choice, but sometimes, cursing is exactly what the situation demands."

[character limit text break!]

User: "Does the bioware team read the other channels and if so do they think we're unhinged or endearing?" John: "Little of column A, little of column B. But I mean, I've been online for 27 years, the internet has ruined me as much as anyone." --- User: "all the Rooks we've seen so far are wearing purple, please tell me we dont have to wear purple" John: "Everyone else can wear whatever colour they want but you, specifically, must always wear purple." --- User: "All the games have had unique faction symbols for our protagonist (Warden, Champion of Kirkwall, Inquisition) I assume there will be one for the Veilguard Will the symbol for it get released before the game or is this something that will be revealed in-game/after it’s launched?" John: "Every faction has their own symbol - including the Veilguard themselves! You may have noticed it in some of the art out there." --- John: "As a general comment - one thing I want to be super clear on - even as creative director there are things I can say, and things we're not ready to talk about. I'd rather spend my time answering what I can instead of a dozen 'sorry I can't talk about that yet' - especially since this channel is on slow mode." --- User: "There are blood effects in combat after Rook hits an enemy. And I think a developer shared images of the blood effects on hit after the reveal. Will characters be covered in blood or other environmental effects? Like getting wet from walking in puddles or muddy from running on dirt?" John: "There are environmental effects that persist on characters, depending on the environment you're traversing. They're subtle, but they're there!" --- User: "how many tattoos can we choose from? are there also full bodied ones too?" John: "I don't know the exact number, but there are quite a few. Some are full body as well, though you have control over colours and opacity on a more granular basis."

[character limit text break!]

User: "Of the zones/areas revealed what was the most challenging to design?" John: "Each has its own unique challenges. Arlathan seems simple because - well, it's a forest, right? But what about Arlathan makes it different than places you've been before? How does it fit into the established lore? Minrathous is a different kettle of fish because we've talked about it extensively and in a way that meant it HAD to be grander and more impressive than anything we've built before, which can be a tall order. The team did a fantastic job on all the areas, though." --- User: "which faction has the best fashion, in your opinion?" John: "Crows. Largely because 'black leather and feathers' isn't a look I could pull off in the real world but I am glad my Rook can." --- John: "Alright folks. I've gotta head back to work, but please keep asking questions and I'll answer what I can as soon as I can!"

[source: the official BioWare Discord]

There was also this question and answer:

User: "Can we name our saves like in Origins?" John: "I had to double check because I was about 95% sure on the answer, but also, I've been on this project for its entirety and sometimes I remember features that we had to cut (or never actually built) - yes. You can name your saves to reduce confusion."

but the answer may have now been deleted.

[lokideservesahug]

A Taste Of Victory

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Pairing: Jenson Button x reader (implied), Mark Webber x reader (implied).

Warnings: Jenson is a bit of a dick to reporters, sexism,

Notes: This isn't even the big peice of writing that started all of this but that is coming soon... And the photos may not be aesthetic but they sure as anything are time accurate (even using photos from the specific days). I tried to make sure of it (as well as the dates) to give you good visuals so I hope at least someone appreciates it. Also I tried a new header format. Please tell me your thoughts

Summary: Y/N Y/L/N, the newest 2009 rookie who's also...a woman? The media are desperate to pick her apart and see how well she'll do so let's have a look:

Series Masterlist

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Y/L/N residence, 7th September 2008

You sit back and sip happily on your coke bottle. Any minute now. Any minute and your phone will be blowing up. Or at least that's what Frank had told you (you still can't get over the fact that THE Frank Williams insists that you call him that, or that you'll be working for him next year). You focus back on the image on your screen,

Lewis Hamilton in his McLaren. Of course a favourite to win this season especially after his incredible performances even from his rookie season. And despite trying to clear your mind of all bias for next year, you can't help but wish that he might win. He seems like a nice guy and it's a better him than some of the others. As Hamilton reaches the ever famous, ever gorgeous Eau Rouge, the image changes, the camera focuses on the white, green and red Honda of Jenson Button. He swerves slightly, performing a certainly showy move especially for just FP2.

Despite the numbers not being as much as Hamilton supporters, some F1 fans are putting their money on Button winning the championship instead. You scoff at the thought alone. Goodness knows Formula 1 doesn't need another cocky playboy as the world champion and goodness knows Jenson Button appears to be exactly that. Gosh why couldn't a more sensible seeming driver win say Mark webber or even Fernando Alonso again. You internally scold yourself, these men will be your co workers in only a matter of months. Just the thought makes you feel a matter of emotions; which you are quickly pulled out of as the commentators voice grows louder. You watch as Fernando Alonso puts in a particularly fast lap and the more you think, you can't help but feel almost a bit...nervous.

☆-☆-☆-☆-☆

Albert Park paddock, 27th March 2009

You hold your head up high as you enter the paddock. Bright flashes of cameras shine in your peripheral but you try your hardest to just keep your head down and focus on getting to the Williams hospitality. You glance up, taking in the sights surrounding you. The bright Australian sun paints the paddock? that you've been so long awaiting, in such a light, that you finally feel a sense if fulfilment- and you're not even in the car yet.

Too entranced by the sights around you, you fail to notice the person just in front of you. You're met with the sight of a crisp yet untucked shirt. You panick, instantly going to apologise when you meet the eyes of the person you bumped into. "Woah, careful there." Jenson Button. Oh gosh. "Someone needs to slow down." He laughs and you assume his enjoyment is coming from your misfortune. Now you'd never thought you were the type to become speechless but as you're finally met with the first driver on your official Formula 1 debut, you can't help but panick even more, squeak out an apology and speed walk towards Williams.

Gosh, you wanted today to be perfect and here you are crashing into people already. What a clumsy fool you must look like. You groan as you realise what you've done.

Now, like any unfamiliar place, you find that it was pretty easy to get yourself lost, even in place with such an easy concept (curse Melbourne event planners for trying to make too much go on at once and make it confusing). Most people also don't expect to get recognised in an unfamiliar place even if it's where you work (and your hiring was widely broadcast).

"Hey, are you alright?" You turn to look at the Autralian man whose voice, up until now, you'd only heard through a screen. You meet the eyes of Mark Webber and smile shyly. "Hi, sorry to be a bother but do you know how to get to the Williams hospitality." He just gives you a small grin, clearly not seeing your lack of knowledge as incompetence or anything like that "Of course, follow me and welcome to the paddock by the way." And as Mark leads you away, you can't help hut feel glad you'll be seeing more of him (and not just for how polite and kind he is).

☆-☆-☆-☆-☆

Post race interviews, 29th March 2009

After you step down from the podium, and your team has dispersed (after all congratulating you, some even with tears in their eyes). You walk away to a quieter part of the paddock to gather your thoughts. You go behind the tows of hospitalities only to find Mark Webber hunched over. You aobseve him, he's sporting a serious, disappointed and almost worried looking expression as he looks out into the distance. You walk up to him and place a soft hand on his shoulder in an attempt to gently coax him out of his thoughts and to try and offer some comfort

Without a word, he turns to look at you and his shoulders raise slightly. You give him a small smile and sit down next to him. You both sit next to each other in silence, sharing a comforting moment, silently offering support and understanding to one and other.

The air shifts (and you try to not get to excited at the prospect that your presence alone may have somewhat comforted him). The air shifts, this time it isn't tainted by negative emotions but rather fatigue and acoplmisent on your part. The both of you probably look like a true sight, disheveled, tired and sweaty, however there's a warmth between you both as you share a brief moment of tranquility amongst the chaos.

Someone calls your name and the moment is broken. You nod to Mark who gives you a small smile back and a short "Well done for today." As you smile at him and walk off to go to interviews.

You pass some fans, signing their Williams caps and exchanging excited "Well done!" And "Thank you." Pleasantries. You revel in the post win glow. It's one thing to win in your rookie season, but to win your first race? Now that's just unheard of. You hurriedly sit down in the assigned seat for you and wait for the other few straglers to arrive. You look down, placing your hands on your lap in an attempt to thwart the nerves threatening to bubble.

Brawn driver, Rubens Barrichello is the second to arrive followed not long after by Jenson Button. Rubens gives you an easy smile and yet another congratulations. You feel incredibly fortunate to have you welcomed so quickly and easily by him over the past few days of testing. You return his smile with one of your own and a small wave.

When Jenson finally sits down, an FiA representative gives the 3 of you a short introduction and then begins. Quite a few people had warned you before you entered this room that many people would want to speak to you, but you didn't expect such an onslaught.

A short, bald man stands up and adresses you. "So Miss Y/L/N, you just managed to win your debut race, which is an incredible feat but how much of it do you think is down to the car." You try not to take offence to the question, it was a pretty basic question afterall (even if it was worded a bit harshly.) You let out a small laugh. "I think it's a joint effort really. The car was looking really good this weekend but I also have a history of running fairly well at this track." The reporter nods his head and continues. "So do you think this victory will encourage other women to become involved in F1?" You nod excitedly at him. "Oh I hope so. I hope it's encouragement to all women out there that weren't sure if they could." The reported thanks you and sits down.

A few more reporters ask questions. 90% of which are adressesdfor you and a few others adresses to the men beside you (mainly to Rubens and Jenson about Braen and its last minute establishment).

This time, a slightly more lean, dark haired reporter speaks up, once again directing his questions towards you. "Y/N, how did your fellow drivers perceive your and your entrance into F1?" You nearly furrow your brows at the biazzre question (Well it's possibly bizzare that it's adressed to you). "I uh don't know. Why don't you ask them." You gesture to the drivers either side of you as the reporter repeats his question to the other pilots. "Gentlemen, your thoughts on the newest addition to the paddock?" Rubens gives you an encouraging pat on the shoulder mid sentence "She's obviously fast and I think she's managed to impress us all." The reporter nods to Jenson; and despite your belief that he's he's too cocky for his own good, you can't help but feel a bit excited and a bit anxious to hear his repsonse. "Her lap times were phenomenal during the race." You smile at his words, maybe he wasn't as bad as you thought. However, he continues "I think my only criticism I have of her is that she seems to smile less than Kimi." The reporter smirks as you lower your eyeline slighty. "Yeah and she's much easier on the eyes than Kimi." The room erupts into low laughs as you feel shame and embarrassment pool in your gut.

The reporters continue to ask a few questions that you don't pay too much attention to as you nearly get complety lost in your thoughts. One asks Jenson if he thinks you have the potential for the championship. He laughs as he awnsers "There's no denying that she's fast. But she's in a Williams, she's not going to win the championship." You bite your tongue at Jenson's words and what you think is a jab at you (not realising the true intention if insulting his old team).

Yet another reporter asks you a familiar question along the lines if how exactly you think you managed to win. Fed up being in a room with a bunch of old men, trying to pick you apart and insult you with the same few questions just worded differently, your resolve finally snaps.

"Well not that anyone is caring to ask, but I've done this track a million times over. I've practised again and again and again to get my performance perfect yet no one is congratulating me on how well I went around that track. Brawn were amazing today and I'm sure they will be in the future as well but please dont let that take away from what I've done today." You shuffle back in your chair slightly, feeling a bit uncomfortable under the stares but stay strong, unbreaking (and not noticing the stare of admiration coming from the British driver to your left and never knowing the love filled look of another Australian pilot, watching on a screen not far away).

☆-☆-☆-☆-☆

Top Gear Studio, May 2009

You listen anxiously as Jeremy Clarkson introduces you. Yes, Jeremy Clarkson. As he shouts your name, the camera pans to you and you walk forward, shaking Jeremy's hand and sitting down in the green, faux leather sofa.

"Now obviously I want to ask the obvious..." He speaks over the crowd's quietening bustle and you expect the next question to be one you've hears bwfore. About your gender, you- "What on Earth have you done to that Williams to make it so good?" You laugh, the familiar humour of the Top Gear host you've only ever seen on a screen putting you at ease.

"Well I don't know but maybe its because I'm far more polite to the car than other drivers." Jeremy smiles at your words and invites you into light conversation about you finally being viewed as a serious title contender. The two of you continue until you hit more general off-track talk "So, how much do you train and have you managed to find enough time to see your friends and family. Because some people have such an odd view on things like that." You let out a dramatic sigh. "Gosh they're making me train so much. More than just once a day and there are so many regimes that I can't keep track of anymore. But family wise, well I spend far less time with them than I do do training, I can tell you that much." The audience laughs which encourages you to continue. "I see my friends and family in-between weekends when I can and sometimes they'll even come to races. But gosh. I feel awful saying this." Jeremy leans forward slightly "No, go on..." Your smile becomes a bit embarrassed as your cheeks warm. "Well even on free weekends, with how crowded the paddock can be, I'll come home and just want to be alone." Jetemy shakes his head. "Well that makes sense. But you're in a very crowded space all weekend, does that mean that you've you've asked out by a lot of guys throughout the season so far?" Your eyes widen widen the insinuation. At your lack of instant response, Jeremy clarifies, "Come on! Gorgeous girl such as yourself in such a male dominated sport, I bet loads of men and probably even some drivers too have asked you out." You quickly deny the claims and the two of you move on to your lap times in their old car but you don't miss the way your mind flashed with the image of a certain dark haired Red Bull driver as Jeremy asked his previous question.

>To be aired 28 June<

☆-☆-☆-☆-☆

You huff out a low sigh. If you overthink today anymore, you think you might be sick. Your phone pings. You know you shouldn't have it on you but it has helped to keep you entertained as you wait. You look down and see a text from Mark. His text, wishing you good luck makes you smile and you shoot him a small thanks and silence your phone as you hear footsteps behind you.

"Are you ready?" You turn you head and nod to your future teammate as Michael Schumacher steps forward. "Question is, are you old man?" Your words make him smile and your nerves ease slightly. "I don't think I can ever be ready for something like this. But the more important thing is you." He places a caring hand on your shoulder.

If you told your child self, or heck even yourself a year ago that you're friends and future teammates with 7-time world Champion Michael Schumacher, you think you'd have laughed at yourself until tears streamed down your face. But in recent months and more specifically recent weeks, the two of you have been getting much closer. Michael offering you advice, you offering great support on current drivers habits firsthand as a warning for next season. And you even met Michael's family a month or so ago; them nearly adopting you into their clan.

A woman with headset approaches you both and taps you on the shoulder, "A minute to go." She gives you a small thumbs up and walks away, mumbling into her headset. You give her an uncertain nod as Michael pats your shoulder again. "Go out and show them what you've got kid and I'll see you out there." You give him a nervous smile and as you hear a distant shout of your name, you pull yourself together and pull your face into an excited expression, ready for the reaction to your announcement and overjoyed to have a front row seat to people's reactions to your teammate.

☆-☆-☆-☆-☆

You sit alone in a booth of a bustling club. Loud music nearly deafening but you'd take it any day over the continuous commentary you heard at track. You don't know how many time you can hear "It looks like the title fight is over. Y/L/N's engine is overheating and she's slowing down. It looks like Jenson Button may be champion." Without feeling sick especially when it's directly followed by your voice on the team radio, voice cracking during an apology as your mechanics tell me to back off to cool the engine.

You think of the image of Jenson's Brawn overtaking you and pulling futher into the distance; the sight of not one but two Red Bulls overtaking to fight a battle that should be yours. A voice cuts through your thoughts. You look up, meeting the eyes of the person speaking. "Are you alright?" You're surprised that Jenson came to speak to you, especially after his victory. Gosh in your vulnerable state, you even think that he might not be too bad. How silly of you. You give him a gentle nod (clearly not enough to convince him). He gestures towards the seat next to you "Is it alright if I sit here?" You nod, not Trusting your voice in this moment. "Well-" "You w-" You finally crack a smile as you speak at the same moment. He gestures to you "Sorry, you go." You smile at him. "Well done Jenson you gave a great drive this season." You expect him to smirk, to revel in your compliments but instead he just gives you a soft smile and a shake of his head. "Don't be silly. That championship would be yours if Williams ever learnt how to build cars properly. But thank you." You look down at his words, all of your emotions finally coming to the forefront. "Hey, you look like you need to be cheered up. You don't need to feel like this going into next season..." He passes and his brows furrow. You look up at Jenson who is now standing and for the first time all year, allow yourself to admire him. The way that his still slightly hair drops as some strands stick to his forehead. "You-" He furrows his brows again and then laughs freely. "Oh yeah, you're taking my job. Well Miss Y/L/N, he grabs your hand and pulls you up from your seat, Elliciting a small noise from you. "Then we need to dance to celebrate and to cheer you up." You just shake your head and follow him, finally smiling as you follow his foolish adrenaline (and probably slightly alcohol-fueled) giggly nature; placing down your phone and missing the texts.

Mark Webber: Hey Well done on today and I'm sorry what happened. Hoping to speak to you at some point later...

M.S: Hey Hase, well done on today, you drove so well I hope you know that. Corinna and I wanted to invite you to our...

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Thank you for reading! I hope you enjoyed it.

As always, likes, reblogs and especially feedback is always welcome!

Taglist: @nikfigueiredo @mysoulispainted @leclercings @d3kstar @hiireadstuff @a-beaverhausen @nichmeddar @lozzamez3 @stinkyjax @marymustdie @littlesatanicassholebitch @mehrmonga @insanedeathwish @ems-alexandra @a-disturbing-self-reflection @cherry-piee @thatgirlmj

[python-nebula]

Uh. SAF lighting/staging(/whatever else happens to come up) analysis be upon ye. This is a very loose definition of 'analysis' and is more like 'I wrote this with the power of Autism, Being a Film Student, and 'Song 2' by Blur', enjoy :)

^ These are the images I'm gonna be referencing, but I'm talking about the scene in general too. I'm gonna keep the main body of the text in white and my notes in pink :)

Ough okay so. The staging + body language. Owen is specifically placed higher than Curt because in his eyes, he has the upper hand. The slight low angle also lends weight to this and aids in making him look powerful. Because of this, his gun arm isn't raised higher than his shoulder level as it doesn't need to be, giving him a casual air, along with his pulled-back, loose posture and his head lolling slightly to the side.

Despite his body language, we can see from his face and words that he is actually very tense internally. This is probably a very deliberate choice on the director's part, as it emphasises Owen's demeanour of laid-back power (or at least, that's what he tries to present himself as).

This all contrasts directly to Curt. His gun arm has to be at a very high angle because of his positioning in relation to Owen, meaning his posture is very tense and his head is held rigidly upwards. Owen has been planning this meeting for (presumably) years, but Curt obviously hasn't. This is reflected in how they stand (as just explained).

He looks up to Owen, both literally and metaphorically. When they were together, they looked up to each other, and therefore were on equal footing because of their mutual respect and love. But now that Owen feels betrayed and scorned, that resect and love has become one-sided (but half-buried by Curt).

(A detail I like is that even though both actors are (I assume bc it's more common) right-handed, Owen holds his gun in his left hand, meaning the guns are level with each other, creating nice symmetry).

//

LIGHTING TIME. Oh boy, the lighting. Owen stands not only shrouded in stage smoke (giving him an etherial appearance), but also severe white light. This separates him and Curt, showing the now-clear stark contrast between them (whereas before they were both in normal light levels together).

It also represents how Owen has essentially become a ghost; he doesn't exist in his own identity to anybody other than Curt now (and Tati but she isn't in this scene). He isn't part of this world anymore, and exists outside of ever being in Curt's life again.

The light from around Owen casts down on Curt, almost invoking religious imagery. From both perspectives, it represents Curt's adoration and idolisation for Owen (both from being in love with him and from building a version of Owen in his head for four years), and need to 'save' him (his quote unquote 'Messiah complex' that his mother describes).

From Curt's perspective, he is gazing up at Owen, and is bathed in some of his light (he moves closer to Owen later in the scene, more into his light, symbolising his resignation to, and acceptance of, the fact that he can't save Owen. He moves past his memory of, and built-up mental image of, Owen). Up the stairs is Owen, the man he loves, and the light. Back down the stairs is his life without him; darkness.

From Owen's perspective, he knows that Curt feels this way about him - hell, he probably felt the same way about Curt, before the accident - but he keeps his distance. The light, for him, isn't holy light, but a barrier he has put up. In the scene, he doesn't move closer to Curt, he stays high up where he doesn't have to face the man he loves (loved?) and see the pain on his face from up close, see the tears (of anger, or heartbreak? Both, I'd say) that are probably forming in his eyes. Does he feel guilty or regret it? Possibly, considering he apologises several times to Curt in 'One Step Ahead'.

Either way, the stark white light isn't healthy for either of them. So they leave the light, together, when the shot rings out and the stage falls into darkness.

Okay!! This has been my over-the-top, unhinged, accidentally-a-character-study ''''analysis'''' of a single fucking scene from a spy musical that I've been a fan of for a grand total of 24 hours!! :D Please let me know if I made any mistakes, I'm not as knowledgeable about staging as I'd like to be, and as said, I also haven't been a fan for very long.

(I'm gonna post this now and stop adding more to it lmao)

Tagging @kairithemang0 @venomousray @consumingthecheese

[invinciblerodent]

While I'm on the topic of being hopelessly in my feelings about these characters, I just finished the last part of the Gloom Howler quest, and I'm thinking about Davrin and names at the moment.

I really, really love how, once we learn the truth about her, Davrin seems to make a point of always referring to Isseya by her name (mostly on its own, but sometimes in conjunction with calling her "The Gloom Howler" when necessary), and even correcting others who would refer to her only by the latter name. (Which, honestly, both Solas and the Inquisitor could also talk at length about a title that all but replaces your name- it definitely feels significant that Davrin would pointedly reject the thought of doing that to someone, but I digress.)

And that reminded me of how I previously made an idle, kind of shitposty little post about how nice I found that during his recruitment mission, Davrin calls out the specific names of each griffon if you interact with their cages, and he attempts to comfort them like that- by reminding them who they are, that he's there, and promising that he'll be back for them.

In retrospect, I think that's so interesting, how his core story seems to boil in part down to... well, in part to the burden of duty, the questioning of tradition and authority (he questions both Dalish- and Warden traditions from very early on, one by joining the Wardens and the other by joining Rook) and, yes, living past what one thought to be their purpose, but also... to these moments, that invite some contrasting of his elven-, and his Grey Warden identities.

Isseya being an elven Warden is a very direct parallel, and a very clear image- it, I think, is meant to show what happens when authority goes unquestioned, and one side (the Warden) triumphs over the other (the person). His uncle then acts as a counterpoint and a thread of connection to the past- he shows what happens when tradition goes unquestioned, and while peaceful, how that existence is not one Davrin wishes for himself.

This all comes to a head in the final choice concerning the griffons... which, I can't say what a "correct" choice is, but I find it really cool how one option embraces a more rigid tradition and acts as a vow for reforms within them, honoring them, while the other embraces a different tradition, one born of fluidity, choice, and change- a more personal freedom.

Purpose and nature, respect for the past and hope for the future, all strain against each other sometimes (in multiple companions' stories, I feel), and it's often a name that represents the complicated harmony between two halves.

Be that Assan, noble descendant of a hero Warden's griffon wearing an Elvish name, Isseya, the monster and mage brought to peace, the idea of "turlum", harmony and understanding forged between vastly different minds, or just... Davrin, the Dalish Grey Warden, who is not more one than the other.

Maybe that's why calling people (and animals, and feelings) by their proper names seems so casually important to him. Because if you give something complex, messy, and muddled up a name, it's easier to just live it.

(.......... and yeah, that makes it a bit ironic how so far he's been calling Rook, "Rook", but, yknow, technological limitations. I've a feeling I've at least one important scene to go still, but honestly, the name "Rook" does also kind of represent a similarly complex matrix of ideas condensed into a person. It could be that "Rook" feels more accurate than any "friend", or "love", or "boss", or even "vhenan", for what they are to him, or it could be that he's still looking for the right name, but either way, I'm looking forward to seeing how it all ends.)

[evilminji]

Okay but >.> continuing my Marvel thoughts?

I got two of um?

First being? Don't Orange and Green go together? *looks it up* Aaaaaay~ "Direct harmony, also known as complementary colors, means pairing your key color with the color sitting on the opposite side of the color wheel." They DO!!! They're a classic example, in fact!

The Orange Soul Stone? Probably looks REAL good, real NATURAL even, against that Green sky! Bet it REALLY pops! Very stand out statement piece, you know? But? More importantly? That thing is sentient. All of those Pillars of Reality across the various Verses are.

And?

I bet it thought Pariah was a lil bitch.

Rank Vibes. Negative ris. Pick your words for it, the man was NASTY. He was too keep his filthy, filthy World's Conquering hands OFF of this Soul Stone. Something, I imagine? That ALL the Soul Stones agreed with.

Yes, I said all of um.

Because the various Realities each need their own. But! They can and DO work from the Zone, which is the PERFECT place to hide. And honestly? They like to get together and do this thing? Where they're all "oooh~ look at US! We are SUPER IMPRESSIVE Kingly Jewelry~☆! Definitely no important reality bending Rocks Of Great Power HERE! No SIR! We're just tooootally rad jeeeeewelryyyyy~~~☆! Oooooooh~☆"

They like to have fun. :3

Hope Danny likes Orange. Ha ha... trick question. He doesn't have a CHOICE! All SORTS of Death based Reality Pillars are rocking up, in their metaphorical Gucci sweat suits and shades with a margarita, going "oh thank ME, babe. The last guy was AWFUL! You're soooo much better? Now let me rub myself all over you. It's been ages and baby needs to recharge on Death Energy."

Danny hates it? So? So much?

He looks like a GAUDY PIRATE. *nnnnnnyooom!* *THWAP!* *Another reality shaking, highly sacred, Godly Staff of Death or whatever they decided to call it, flys in through a nearby window and nearly concusses him as it smacks itself against his upper back and sticks there*

He looks like a walking junk heap of sacred artifacts.

You ever been pelted by rocks? He has! Little orange rocks! Like fucked up hail! Welcome to kinghood, Danny, have a CONCUSSION! D:< he hates it!

But... but, I mean... At Least It's Not The SWORDS. (Panicked scream of "hit the deck!" from the other room.) (Holy sword number 15 wants to CUDDLE! Bare blade first! Dodge, your Majesty! DODGE!)

So yeah.

Danny? In A MOOD. Not feeling particularly FRIENDLY. It's not anyone's fault, really. But... well... you can't exactly negotiate with these fuckers, you know? Rocks are by NATURE, kinda stubborn.

So he's sitting there. Buried. With what he's pretty sure is a sacred text digging into his side. When a... glowing? Mist? Shows up? Huh. That's new. They don't seem to have a very clear image of "Self". Yet it's crystal clear? Just not... PHYSICAL? It's more... code? He thinks?

TECHNUS! Get over here! And behave!

There is much cooing and delight from Technus. The baby is a marvel. A wonder! Danny waits patiently for Technus to get to the point.

Ah.

He would like to "go back". His Obsession is demanding it.

IS it now? You're what? Maybe a day or so dead? You've been busy, if you've already gathered enough information to make your case like this. Alright, let's hear it, little guy.

It boils down to this. His obsession in death is the same as his primary directive was in life. Protect Mr Stark. Which is especially difficult to do from HERE. Even MORE so when there is a known threat, coming too...

WAIT, WHAT!?

The Souls Stones back him up. Oh yeah. Thanos' a lil bitchbaby loser. He's trying to make Death fall in love with him. Or "balance the universe". Depends on the reality. Totally throwing EVERYTHING out of whack.

And? Look. Danny's job? Isn't to interfere if countries kill each other. Or even planets. Nor entire galaxies, as much as he'd like too. But when you get too "I'm messing with Entire Realities or all of a Singular Reality at once in the specific depart of Death and its subsidiaries" territory? THAT is his job.

Might not be a "I personally have to show up" issue. But it still IS very much his job at that point. He has to delegate. Order the appropriate steps be taken. Cause yeah, there may be countless millions every day of such instances? But it IS his job to metaphorically order the roads repaired and the building inspected.

Sudden MASS "immigration"?

That causes Lair disputes. Confusion. Too many ghosts in too small an area. And WORSE, if people start playing with Death Pillars? The Zone might get dragged into whatever nonsense they're up too! It's like children playing with heavy machinery! Put that DOWN! Cease! Desist!!

And then? Clockwork shows up looking Mildly Miffed(TM). O:> dear lord. What madness has he stumbled upon? Oh. Oh of COURSE. First the "balancing" dude and now they're going to be playing with time travel. THATS IT. Someone unburying me!

I'm gonna go menace some humans that might actually believe I'm scary! Frighty! Pack up and shine your armor! Your coming too! We're escorting the baby home then have a Talk(tm) with the local Grape Ceral!

@hypewinter @lolottes @mutable-manifestation @nerdpoe @hdgnj

[reflections-in-a-critical-eye]

This will be more of a personal post sprinkled with some thoughts on AYS?!, so for those interested strictly in shipping content, you can skip this.

I couldn't help myself yesterday to wait until my work schedule was done. So I watched the first two episodes during lunch break and work, while using the keyboard from time to time to not appear offline.

And then a second time in the evening, without as many interruptions. I even texted my sister to remind her that the episodes have been released (she has JK's songs on her playlists and that's where it stops). My tone was very casual, as if I just remembered it was already up. As if I haven't actually been thinking and obsessing about that show for a year now. But that's because I can't let this online, fandom "life" seep through my other, "real" one. I've always struggled with my feelings of shame over being part of such spaces. Which is why I avoided them completely. Up until four years ago. I'm still dealing with it. I don't want to tell people that I have an interest in a kpop ship and that it's been ongoing for a few years now. It feels to foreign to the image I allow others to have of me and this kpop stuff is childish to say the least. I've fallen victim to the talking points I've argued against intellectually. But life doesn't work that way. My rational brain doesn't get along with my feelings.

So I keep my thoughts about shipping, fandoms, jikook here. And I share them with friends and people that have a connection to it. It's why I have a blog. So I can post a photo of jikook holding hands at the beginning of their journey and at least 10 people will understand it cause they like the same thing. I'm not a loser on my own here so the thought feels comforting.

I didn't have specific expectations about AYS?!, but I felt happy watching it. It was different, but a good different. Having the opporrtunity to witness them from morning till evening without any interruptions painted an interesting picture and it's the first time to see some parts of their dynamic.

They bicker, they flirt, they get lovingly annoyed, they get bored, they get silent, they get touchy. It feels more real than any 2-min clip from a Memories DVD could possibly show us. I don't want picture perfect jikook because it doesn't exist. Being in stan spaces, all I see everyday is worship, a mentality that is then transfered to the people surrounding the idol. But I don't want JK to worship Jimin 24/7 or vice versa. That's not a real relationship of any kind. I want to see them treat each other like they're just people. Which is what they did. Too bad that some have interpreted that as negative when in fact all we got were clear signs of actual closeness. And nothing beats it like Jungkook's attitude towards Jimin being sick. Shippers/supporters have clips and endless arguments on hand to explain the closeness between jikook, but honestly? That first evening in the cabin when JM was in the bathroom and subsequently the next morning should be the sole argument from now on. It can't be more obvious if it hit us in the head.

It's not about needing confirmation at every step of them being a couple. At least I don't need that. In the long run, it wouldn't even matter if they're not. What's noticeable is that they appear to be one and that doesn't come out of thin air.

Is my mood volatile these days? Yes. Actually these past few months. Do I need this show as one of those feel good series? Definitely, because there's nothing else out there to catch my attention in terms of tv content. I don't want to pick apart and poke holes and question every single line to make myself feel miserable. Everything else is too bad and I am too lame so I rely on this show for a short, temporary thing that improves my mood. I don't care about other things, doubts or worries. I really really just want to enjoy jikook doing whatever they want. I don't have high standards.

[pikatrainer99]

Kieran is autistic and you can't change my mind!

Okay, I KNOW that I'm not the only one who holds this headcanon...but I wanted to do an analysis on Kieran anyway, especially since my best friend @sinnohanvulpix said she'd love to see me do one. Credit to her for all the screenshots used btw. The GIFs on the other hand were either found on Google Images or created by me using gifrun.com and these YouTube videos:

I did not use my own footage for this at all...as proof here's what MY character in the game looks like...he has my real name but I tried to make him look like Orange which is why he has the orange eyes 😅

(Sorry for the bad quality btw...taking pictures of my Switch screen is hard 😅)

Okay, now without further ado, let's get started with the analysis!

First, Kieran has a CLEAR special interest in Ogerpon, he admires and looks up to her, he was obsessed with the story of the ogre, he was always trying to go to her den and meet her, he has a meltdown when Ogerpon chooses the player over him, etc. Carmine even says that Kieran "really really REALLY likes the ogre" and that made me think, "Ah! Special interest!"

And then at the end of the Teal Mask he gains a new special interest in getting stronger to beat the player...and he hyperfocuses HARD on that...to the point of it being detrimental to both his physical and mental health, as he was doing nothing but training during that time...he barely ate, barely slept, just trained...and that is not healthy. It's a rare example of media showcasing a special interest being unhealthy and absolutely CONSUMING one's life, and the consequences do actually show for it.

Kieran is very introverted and doesn't know how to make friends very well. I actually think the player is his first friend considering his surprised reaction when the player says they consider him a friend, and following this, he quickly becomes a bit...too attached to the player, as he doesn't quite understand how friendships work.

(This is also such a neurodivergent way to say "I'm so happy I finally have a friend")

He also struggles socially, as is a requirement for autistic people to qualify for a diagnosis. Kieran specifically has a hard time reading social cues, he struggles with making eye contact, he has clear anxiety when talking to people as proven by his little stutter he has at times.

(This is an adorable screenshot 🥺)

He also struggles with social and emotional processing (and might have alexithymia as well due to his sudden huge outbursts of emotion), and he also struggles with initiating conversation as well, as seen when he tries to talk to Penny at the League Club. They both have no idea how to even start a conversation with each other and it's honestly pretty adorable seeing the two quiet adorkable kids trying their best to hold conversation. I get it, you two, initiating conversation is really difficult for me too.

Also the way they try to start the conversation by talking about the weather...that's really funny and ironic to me because that's what NTs do all the time. NTs always use the weather as a small-talk conversation starter but NDs like me (and Kieran and Penny too apparently) just don't get that stuff.

(These two are so neurodivergent it's great and I love them both 🥺)

Kieran also has four in-game animations that I personally see as stimming. The first one is him tapping his fist against his hip when he's thinking or nervous.

(Focus your attention to his hand here and you'll see it.)

The second one is him playing with a strand of loose hair, usually when he's nervous.

(The little nervous side glance at the player is relatable and adorable 🥺)

The third one is a more agitated stim that he only does ONCE in the entire game...and that is tapping the front of his foot on the ground. I do that myself when I'm agitated or impatient, somehow it's comforting, especially since for some reason I really like the way my shoes sound when I tap them on the ground... especially since I got my brand new Infernape-themed shoes, they sound extra satisfying because they're brand new.

(This is not the way most people tap their foot...I've never seen an NT do it like this...only other NDs such as myself and one of my brothers)

The fourth and final one is, unfortunately, a stress stim...Kieran runs his hands very fast through his hair and it also looks like, to me anyway as someone who has self-injurious stims myself, that he is digging his nails into his scalp as well while doing that. I do something similar myself, though on top of running my hands through my hair and digging my nails into my scalp, I also pull at my hair...yeah... self-injurious stims are no joke...and I'm kinda glad Kieran's autism coding brings attention to that aspect of autism...at least in my eyes as someone who does those things myself.

(He's in so much stress here, poor kid 😔)

Another aspect of autism that I'm surprised and kinda glad that Kieran exhibits as an autistic-coded character is meltdowns and shutdowns. Kieran has actual meltdowns in the game! This is something we have never seen in such an in-your-face way in any Pokémon game, and as someone who regularly has meltdowns myself, it hit me in the feels whenever I saw him having them. His first meltdown is in the Teal Mask when he steals the Teal Mask and runs off to Loyalty Plaza where he battles the player. He yells at Carmine and the player for treating him like an outcast...which is unfortunately something that happens to a lot of autistic people, myself included. Kieran screams at the player and Carmine for for lying to him while doing his stress stim, before running up to the Lousy Three's shrine and punching it, without any regard for his safety, which is also something autistic people may do during meltdowns...I know I have no regard for my safety during mine. After that's all over he gives the mask back to the player and goes home, leaving the player to talk to Carmine alone, who says that she's worried and thinks it's just "teen angst". When I saw that I was like, "...Uh, Carmine...I don't think it's just that, I think your brother is neurodivergent and really needs a lot of help and support because he's struggling a lot right now..."

His second meltdown is also in the Teal Mask, when he wants Ogerpon to go with him but Ogerpon wants to go with the player...Kieran can't process that and doesn't understand how to take Ogerpon's feelings into account, instead demanding the player to battle him for the right to be Ogerpon's partner. He collapses on all fours after being defeated again, and it gets worse...he looks like he's crying while the player battles Ogerpon in order to catch her. After the player catches her, Kieran wonders why he can't be like the player, and runs off crying, locking himself in his room for the rest of the story. The end of the Teal Mask has him doing his stress stim while being consumed by a new special interest in a very detrimental way...that interest being becoming so strong that no one can defeat him...including the player.

Kieran's third meltdown is in the Indigo Disk, after the player defeats him in the championship match. That meltdown is a full-on cutscene, where it is CLEAR to see his spiraling mental state through the visuals, and he holds his hands on his head like he has a headache while trying to process the fact that he lost to the player AGAIN (which is also relatable as someone who struggles with processing difficulties myself...it really does give headaches and it is one of the worst feelings when I just can't process what's going on around me or the emotions I feel or anything really)...he collapses to his knees and looks like he's breathing very hard as he is so upset and distressed at this loss. It is definitely one of the most heartbreaking scenes for me because this is a CLEAR CUT MELTDOWN in my eyes and it hits me in the feels like a TRUCK to watch that cutscene.

Also, in the Terapagos fight, Kieran has a bit of a shutdown for a bit, standing there frozen, thinking he's useless and can't do anything right (which is relatable as I have regular shutdowns as well, and I also constantly feel like I'm a failure of a human being who can't do anything right)...but let me tell you, when the player finally gets him to snap out of it and convinces him to help and he opens his eyes revealing that the light is back in his eyes as well as visible tears...I cheered (and teared up myself). My boy was back, and I was so happy.

(When I first saw the tears I was like, "NOOOO don't cry Kieran! 😢)

Also in the Indigo Disk, Kieran seems completely different and "no longer like his usual self". His autistic traits are (mostly) nowhere to be seen as he becomes much more serious, angry, assertive,and aggressive. I personally see this as a persona he puts on by masking, which is common for autistic people to do. I myself can't mask, but Kieran definitely seems to be masking here by putting on this persona in order to get stronger and seem stronger as a person as well. This is NOT his real self, this is a FACADE!

We see him start to drop the mask again in Area Zero when he says it seems like they're in a spy movie or something and how cool that is, but once the crack in his mask is pointed out he immediately puts it back on.

After everything in the under depths ends, and you go back to Blueberry Academy, he drops the mask again completely, and goes back to his real, adorkable, relatable self...and stays that way from then on, which made me so relieved and happy.

(This is my favorite cutscene in the entire DLC because of how adorable it is and also how neurodivergent Kieran is being here while apologizing for all he did 🥺)

In conclusion, I think Kieran is a great example of an autistic-coded character who has many relatable traits, and also does a good job showcasing some of the more "unpleasant and challenging behaviors and traits" (NTs use that terminology a lot, not me... that's how NTs unfortunately view NDs a lot of the time) of autism. I used to be afraid of him during the post-Teal Mask pre-Indigo Disk era but that was my trauma and PTSD talking (I talked about the emotional rollercoaster Kieran's story arc took me on in another post from last year after I finally worked up the courage to play the Indigo Disk...feel free to check that out too if you'd like). Now though I can wholeheartedly say that I love and appreciate Kieran a lot as a character, and his relatability is definitely a big part of why he is a big comfort character for me now (please Pokémon put him in Pokémon Masters EX, PLEASE I will literally cry from joy if he gets added to the game)!

Hope you all enjoyed this autistic person's analysis of yet ANOTHER autistic-coded character in Pokémon! I know I had A LOT to say but that just proves how relatable Kieran is, and I love him for that. Let me know what you think and if I missed anything in the comments below!

[dragonnnerdd]

Things I wish more people would talk about in Lego Monkie Kid

(Prepare for a rant longer than the bible /silly)

Spoilers for LMK seasons 2, 3 and 5 (also a brief mention of emotional abuse, and trauma)

Li Jing's terrible parenting

First of all, can we acknowledge that Nezha was CRYING when he had to go against his father??

LOOK AT HIM

How are we supposed to forgive Li Jing so quickly when all he does is talk down to Nezha? And you could argue that Li Jing said he was always proud of Nezha, but all he did was treat him terribly, and as an expert on horrible parents (*cough* my dad *cough*), if they're in a situation where they have to say the right words, 👏 THEY 👏 MOST 👏 LIKELY 👏 WON'T 👏 MEAN IT 👏, especially if they don't change after that. Li Jing could possibly change his treatment of Nezha, that still doesn't forgive what emotional trauma he could've given Nezha to make him CRY AT THE THOUGHT OF GOING AGAINST HIS ORDERS. Now, you could say that Nezha just didn't want to betray his father, and that's what made him cry, but the evidence still points to Li Jing being a horrible father. And I might have a bias towards Nezha, since he is one of my favorite characters, but I know for a fact I'm not the only one who thinks at least one of these things, because I learned one of these things from a post I saw (I can't find it tho, but if anyone might know what I'm talking about, please tell me). Keep in mind I'm not in any way a psychiatric professional, but I do know about what emotional abuse can do to a person, and how the way a parent treats their child can really effect the child's mental health.

Summary: It is implied that Li Jing is a terrible father.

Did I really make a giant paragraph on how Li Jing sucks? Oh, girl (gender neutral), we ain't even done yet.

How Possessed Sun Wukong is actually really creepy, and how he is the perfect temporary antagonist

I hardly think the first part needs explaining. LOOK AT HIM

Now, we all know how Wukong is, like, one of the most powerful guys in the world. Which makes it even more shocking when he is turned against the protagonist, whom he cares about like a son/brother/whatever you prefer (as long as it's not proship-y), by someone who is thought to be less powerful than him. Usually, Wukong makes a lot of noises while fighting, which is something really intimidating about the absence of any grunts or yells when he is possessed. I will use this scene for example

And there is just something about the zero hesitation to attack anyone, up until the end of the special when he slowly walks up to MK, showing that he is fighting LBD's control. And, may I just add, that scene is REALLY CREEPY

LOOK AT HIM

Anyway, as I said in the title of this rant, Wukong is a perfect temporary antagonist. He is extremely powerful (so powerful that he literally punched the lotus out of Nezha)

He caused a crater in the ground from punching Nezha one time, and he took one step and caused a dent in the ground. The protagonist (MK) clearly doesn't want to fight him, and Wukong is immortal. He LITERALLY WALKED THE UNIVERSE-ENDING FLAME

NOTHING CAN KILL HIM! (I apologize for the quality of some of these images, my tablet sucks)

This next thing ties into Wukong's possession--

LOOK AT THE PURE FEAR ON MACAQUE'S FACE WHEN HE IS FACE-TO-FACE WITH WUKONG

That is the face of a guy who is reliving trauma. And let's not forget the scene in the Shadow Play episode where MK charges at Macaque, and the flashback to Wukong flying at him makes it very clear what this moment reminds him of. And in the Benched episode, he tries to convince Tang that his friends (and specifically Wukong) are better off without him, and I bet that's how Macaque felt when Wukong had killed him. I really hope that season 6 touches more on Macaque's trauma.

Now, onto my last topic (finally, I spent so long writing this overanalysis about Legos)

Wukong apologized to MK

If you remember, in season 3, Wukong actually apologized to MK. This is mainly something I'm just really happy about, because he finally admitted he made a mistake. Throughout the first two seasons, Wukong is known to be a silly guy, not taking things seriously, and not admitting his mistakes, so for him to actually apologize for something he did, and actually look guilty for it, is something that just really is nice. LOOK AT HIM (fourth "LOOK AT HIM" of this rant)

He is genuinely sorry. Now if he could APOLOGIZE TO ALL THE OTHER HUNDREDS OF PEOPLE HE HAS MADE ANGRY, THAT'D BE GREAT

Wukong, I love you, you're my babygirl, but MACAQUE IS MY OTHER BABYGIRL, APOLOGIZE TO HIM

Now, finally, my rant is done (for now)

Did I really just make the longest post I've ever made to say what I wish more people would talk about, which turned into an in-depth analysis of Lego monkeys, and a Lego prince whose whole thing is pink flowers? Yes, yes I did. I have no shame

Now, to quote a great man...

MONKEY KING DRAGON NERD OUT!

[lxikobsd]

Maybe I'm just grasping at straws here being in denial about Kunikida's significance to the story of BSD, but I do believe the theories that he might have some connection to "The Book" hold a bit more weight than what I think most BSD fans realize. For two main reasons.

The first reason being the obvious, his ability functions incredibly similar to how we know "The Book" functions. Whatever is written down becomes reality.

of course if you want to get technical about translations, this is what they say in Japanese

Ranpo's English translation is fairly accurate, but what Katsura says is more like "You materialize objects you write in this notebook"

Small side tangent, when talking about "The Book" I often see the word 現実 (reality) being translated into meaning "truth" which is not entirely wrong but can be very misleading. I feel like most people see the word truth and think "truth/lies" when its not that kind of truth. Its more accurate to translate it as reality.

Actually if we're getting into it, another clear distinction to why this isn't "truth" as in "truth/lies", the inverse of 現実 is 理想 (Ideal)... which is interesting to say the least.

But back to the topic at hand, even if the two powers are described differently in Japanese its still a similarity that exists and even Japanese fans have noticed. There's a JP analysis that someone made in 2022 about Kunikida/The Book that I think is interesting, I'll link it here

From what I see, their main reason for thinking the two are different is that the power level is different, being Dazai can nullify objects created by The Matchless Poet, but nothing happened when he touched Sigma. However they do seem to say that the structural similarities between The Matchless Poet and "The Book" can't be ignored.

Now the regulations on Kunikida's ability vs "The Book" are distinct, however its hard to say how much of Kunikida's restrictions are caused by Fukuzawa. Fukuzawa's ability adjusts the power output of people's abilities and allows for them to change the activation requirements. For example, Kenji goes from being an unstoppable force of nature when he's angry, to being just superhuman levels of strong when he's hungry.

Its hard to estimate just how much restrictions Kunikida puts on his own ability, but considering he's one of the only characters who actively avoids relying on his ability, prefers to fight with martial arts, and even teaches Atsushi to fight without his ability, its easy to assume he could be purposely making his ability only mildly convenient in order to avoid over reliance on it. This also aligns with how his Ideals notebooks are limited edition with only 100 copies of it being made a year, he'd prefer to save them as much as possible.

I've seen one or two people claim on other sites that Kuni's ability likely isn't being suppressed by Fukuzawa, but this isn't true since there's evidence to support that he's the reason Fuku learned he had an ability in the first place.

We know this should be the time when Kunikida first joined because the outfit he's wearing is specific, he's only been shown wearing that black striped vest before Dazai joined. Also Ranpo and Yosano's outfits also line up.

I'm getting sidetracked, moving on.

The second reason I think that adds weight to Kunikida's ability likely being more significant than we realize is his ability name.

Kunikida is the only ability user so far who's ability name is not a reference to any work the IRL author wrote and instead taken from the IRL author himself, that being a pen name Kunikida used.

The only other "ability" that's not named in reference to real work the author wrote is Super Deduction, which we all know isn't an ability at all.

A decent amount of people are sometimes under the impression that his ability name is in reference to his works that are called "Doppo poetry", I'm just gonna dis-spell those ideas right now with this image of what the anime Guidebook says about his ability

"能力名の「独歩吟客」はいくつもある独歩のペンネームのーつ"

Rough translation: “The name of his ability “Doppo Ginkaku” comes from one of Doppo’s many pen names”

None of what I said is 100% hard proof of anything, its just something to think about.

While I don't believe in those theories that are like "what if this character IS THE BOOK", I don't think the topics I brought up should be ignored either, they feel too intentional to not be potentially significant, and Kunikida is looking to be the last character of the ADA we're gonna learn about his life pre-Agency since we only know he's been friend with Katai for 10 years.

I think his ability uniqueness, and how he actively doesn't want to talk about his past, would be a bigger topic of discussions and theories if he was a more popular character. Sadly we do not live in that timeline.

Also disclaimer, I am not fluent in Japanese, I did ask my friends who are actually decent in Japanese questions but if I mistranslated anything that is why. I also have not read every single piece of BSD content available, nor do I have access to all the raw Japanese content.

If I missed anything important, or said something wrong please let me know! Or if you have anything you want to add I'd absolutely love to read it and have a discussion.

[bibibbon]

Hello another art to prove my point, I hope

Mr sexyman

The biggest possum

His big victory here is handed to him. And it's odd how no one talks about Izu. "Duh izu is not the center of the universe" ok, fair. He isn't. But Izu is the reason for why overhaul is defeated and shig managed to get revenge (it's not for Magne, it's for his ego) here where I find odd....

They didnt saw Izu fighting a overhaul as if is a boss fight? No one saw shit? And even if there a valid excuse as "oh they didn't saw the fight bc X" ok fine....and the rest?

Ochako was there, she saw...and what Izu get is.... nothing!

Look not saying Ochako owns him anything. She doesn't. And the tiring idea "izu gets no bitches" is annoying. Making girls date Izu wouldn't change a damn thing ...but is too much to imagine after such boss fight ...his "friends" would be more appreciate of him?

Ofc. This is MHA write by hori. Fuck you Izu.

What makes me go 😬 is how Iida looked down on Izu and called him criminal.

(Yes, the house arrest happened before the overhaul arc just to clarify here)

But what Izu got after is nothing.

We had nigheye dying and still holding on his beliefs. Am did nothing.

Mirio does nothing bc he doesn't know and never will.

And again, heroes should work to help and not to get fame but why the whole shit "hero can't get fame" applies only to Izu...when all the others heroes do get fame and still do their jobs ?

Back to the image. Overhaul was defeated by Izu and shig got his revenge (for his ego) and that's it....we lost a great villain for absolutely nothing.

And Shig does nothing to this.

Shiga doesn't even mention Izu's fight

He is a husk

Izu is underveloped and underappreciated to insane degree.

And all of that...for absolutely nothing.

This manga does piss me off sometimes.

Hi @mikeellee 👋

The overhaul arc had some solid ideas but I do wish that the execution was better.

The arc is supposed to be a big first step for both izuku and shigaraki. There is clear symbolism of this. This is the first dark and proper arc for mha.

The overhaul arc is also the first arc where there is a clear loss for the heroes. In the end we see two hero deaths in this arc and the fact that they weren't able to successfully capture and stop the villains. The arc also seemed like it would end with them NOT being able to save Eri which would of been a worse loss for them.

This is all symbolic as we see all mights retirement and reign of peace end and an era of uncertainty and imbalance begins. We see straight from the beginning how this is negatively effecting the heroes.

Izuku is urged to step up to his role to use the image that he created for himself in the sports festival and develop it even further. We see Izuku's heroism and what he stands for up close in this arc and it's futher emphasised as its contrasted by mirio's own heroism.

Izuku and mirio are supposed to be contrasts in this arc.

Overhaul and shigaraki are also supposed to be contrasts in this arc.

Izuku and shigaraki are also supposed to be contrasts but these are contrasts that don't heavily interact this arc. I actually don't mind them not having major interactions in this arc but I do think there needed to be minor ones at least shigaraki and izuku acknowledging one another in this arc.

This can be done with izuku making small connections between eri and shigaraki. This can also be done with shigaraki acknowledging izuku's strengths and maybe thinking of recruiting izuku onto his ranks.

Izuku actually does receive some acknowledgement in this arc of how smooth his take down of overhaul is and this is done by nejire. However, the way izuku seems to receive rewards and praise within the series seems idk lacking and somewhat hidden (while yes this is supposed to be a point) I do think that a lot of his efforts usually go unnoticed specifically by those close to him.

Ultimately the arc fails in properly convincing me that both izuku and shigaraki are

1) worthy of their positions

2) that they have outgrown their foils and have started to become the new good and evil

Now moving onto the second point, the house arrest issue is a weird case.

After all of the development iida went through in the hosu arc you would think it would properly effect him as intended so it's incredibly annoying to have iida point fingers at izuku and label him a criminal.

What's even weirder is that no one not even izuku objected to the house arrest. I assume that house arrest will be a big mark on ones record so someone like izuku should of protested it since he only started to fight in the name of self defense and even went to actually ack bakugo's emotions and allowing him to take them out on him which he didn't need to do and he shouldn't of done that.

It's incredibly weird that iida and ochako who are aware of bakugo's aggressive and outright bullying towards midoriya whether that be name calling or aggression let this slide without a comment and without fighting for him once they find out what happens.

The reason that they look like such bad friends is because of a multitude of things like:

Lack of screentime between them and izuku

The way their behaviour magically changes towards bakugo

The lack of give there is in the friendship which also falls to the first point

[matan4il]

911 ep 705 first watch reactions

Of course 911 would "punish" the "You are the boss of you!" guy with an alien hand that attacks him, and does what it wants. Pooor Buck and Eddie paying the price for that...

Okay, love the storyline with Hen and Karen possibly eventually adopting an older girl. Too many shows just find easy, unrealistic ways to give their same sex couples kids, and I am really glad that 911 shows the reality of it, and that it is a more complex struggle for many, that it's an act of continuously choosing to be parents. That's actually an amazing, difficult thing, and it should be faithfully depicted and respected, for all of its heartache, and the little moments of triumph.

Buck and Tommy on a date, and Eddie comes along with Marisol? Love how Buck's bisexual awakening and coming out continues to involve Eddie so much. Tell me they're end game, even if they're not gonna get together right now, without telling me they're...

I did not need to learn Marisol is moving in with Eddie like this, with any build up, or even any sort of insight into the relationship, and nope, that does not bode well for them. IDK how 911 managed to do it, but they have somehow managed to give Eddie a love interest the show is even less invested in than Ana.

And the funniest bit, is that Marisol and Eddie's big development is only there to further Buck's journey anyway.

"You can never have too much closet space" LMAO the way 911 both made me laugh, and feel sorry for poor, baby bi Buck. XD

Hmmm. Were parts of this scene cut out? We don't get to see Eddie on his own date with Marisol, but constantly looking over at Tommy and Buck? Boo. I'm glad we at least got the BTS photos, then. But seriously, why!? That was gonna be so delicious.

Oh, Tommy's breaking up with Buck. I mean, good for him, and he ain't wrong after Buck's "after this, we're gonna go out looking for chicks" reaction, but man do I feel sorry for Buck. Him and Tommy might not be my end game (Buddie forever will be), but I do think this relationship could be good for our baby bi. Tommy being in the same profession, knowing what it's like to have this gap between who you are and the image of guys in your line of work, plus he's got more experience than Buck, is sure of himself, can help our boy figure himself out, and also Buck obviously does like his vibe. He deserves to be with someone he actually likes, not just the first woman willing to be with him that the plot pushed in his way.

Oh, baby Buck. :( You didn't even tell Maddie about Tommy. You really aren't ready it. But also (and as a Buddie shipper, more importantly), Tommy broke things off with Buck, but what is eating him up, is that he lied to Eddie. XD Yeah, this gonna end with wedding bells, sooner or later. On screen, off screen after the show ends with canon Buddie, or only in my head if 911 never dares make Buddie canon, I don't care. That kind of emotional devotion is not something that my hopelessly romantic heart can ignore.

OMG, this is how Buck comes out to Maddie? XD Via random pronoun mention, and as a by product of trying to figure out how to tell Eddie the truth? This is hilarious. lol It really makes it clear that, after all, the issue for Buck really isn't people knowing he is also dating guys (or checking their asses), even when it's the other closest person in the world for him, it's Eddie. Specifically. Buck's ready, even if he doesn't have the exact clear words yet, he's just not ready to tell Eddie. Can't imagine why. XDDD

What was that awkward post-sex scene with Eddie and Marisol? And the issues with her moving in are popping up a second after she has. But yeah, we have no idea who this woman is as a person, she's been a cardboard cut out so far, and then one of the first things we do learn about her, is that she would call her stuff better than Eddie's? Once again, this is not the stuff great romance is made of. Or... even just the stuff any kind of romance is made of.

Wait, Marisol was a nun, and Eddie didn't even know!? This whole ep is telegraphing in the news of how weird and awkward and underdeveloped this r/s is, not just for us as viewers who know nothing about Marisol, but apparently for Eddie as well.

And of course his Catholic guilt is gonna kick in now. I'd care, except 911 has given me absolutely no reason to. Seriously, I care more about Buck and Tommy after just 2 eps, than Eddie and Marisol, even though this is technically her 2nd season on the show.

Of course Buck went to find Eddie, and spotted him at the gym. Forever 201 vibes, with Eddie being the focus of Buck's attention. ^u^

I couldn't care less about Eddie's Catholic guilt crisis, and how it's actually a projection of what his real issues are with Marisol, but it's nice to see that as always, Buck's the one who can tell when something's off, and offer Eddie exactly what he needs (even when that's to talk to someone else, but Buck figures out immediately who the right person to address is), and then they just very naturally switch, because Eddie can also tell when something's off with Buck, and he wants to tell him something. Soulmates. THAT is the stuff that great romance IS made of.

:/ The imagery of Catholic nuns has not been around for over 2,000 years, please stop being ignorant about your own religion, and the very different way it looked in its early days.

Bobby is forgiven, he does give good advice, and his "her ex, the Lord" bit, which prompted that reaction from Eddie, is hilarious. XD

So... when Eddie is having issues with Marisol, he already knows he has to figure out how he feels about her, but instead of doing so, he goes to his safe place... Buck's loft.

Man, Eddie being into Tommy's choice of avoidning relationships with women, and hanging out with boys, after in the past, Eddie had dealt with his Shannon issues by running away from her, and re-enlisting in the army, where he gets to hang out with boys, when we all (Buck included) know why Tommy's "hanging out with boys"... I do like that if they want to (and hopefully they do), this further lays the groundwork for Eddie's own queer realization.

Buck and Eddie helping each other with their respective romantic problems, without realizing they are each other's respective romantic solution is gonna make me chew on my own fists. Again. But I'm not even a little bit surprised that Eddie was totally fine and accepting of Buck being bi, or that the first thing he thought of is how this reflects on them. Because their friendship IS way deeper and closer than normal for platonic friends, and Eddie's little reassurance is also an admission of that.

Man, for a second I was worried they also cut out Eddie in the loft, once more putting his thumb on Buck's pulse point possessively, in a perfect parallel to 303. I would have sued for emotional damages. But yeah, it says so much that the peak of emotional meaningfulness for Buck when coming out is in relation to Eddie, and that the scene itself peaks with Eddie, instead of finishing rushing out to take care of his own romantic business, hurries back to Buck first, to hug him, place his hand on Buck and give him orders. "Sure, you're gonna be dating this guy, but I'm still your real husband."

Well, at least Eddie amitted to himself and Marisol that he doesn't actually know her. But... I have never seen two people being both being so happy about not moving in together, and I'm supposed to think this r/s has a chance? Okay. Suuuure.

The scene with Buck going to Tommy to set things straight ready for something was lovely, it was nice seeing him excited, and get to choose, and hear he's wanted. But since the note Tommy and Buck's storyline in this ep should have ended on, is Buck showing Tommy he's ready enough to let others know he's dating a guy by inviting Tommy to come with Buck to Madney's wedding, then why is the very next scene playing the romantic switch again, making us think Buck's car just arrived at the wedding with him and Tommy, only for Buck and Eddie to walk in together? I see what you did there, 911.

Thank you for reading! If you're looking for more, you can find my s7 reactions tag here, and more of my Buddie meta and content in my pinned post. xoxox

[positivelybeastly]

Goats Gremlin Gibber-Jabber part 2:

Oh we’re so back baby

Ahem ahem. First thing on the itinerary: Welcome back! Missed youuuu <3

Second thing:

HANK PUT EMMA BACK TOGETHER WHEN SHE WAS SHATTERED????

Hi in this session of my gibberish thoughts, my friend and I with our blogs made hank and Emma a thing, and there was something about them that made us so ill for them together. Granted my hank isn’t exclusive, but something with Emma clicked. And then. AND THEN

The fucking shattering of Emma, Hank discovering it after he had planned to try and cheer her up?

And then him DEDICATING himself to put her back together. And like like he got so far???

HE GOT CRAZY FAR BEFORE JEAN INTERVENED WITH THE PHEONIX.

I’ve been lost in the sauce from that moment on.

The fact that when someone said “Oh nobody liked her.” So everyone was a suspect, and he went “I liked her.” And then the fact he was convinced she couldn’t actually be dead, and then spent that time putting her back together even when the pieces were in the hundreds of THOUSANDS.

I’ve become ill from this (/pos) and I wanna hear your take on this section cause I just aaaagh.

Sincerely,

that weird fucking goat that keeps popping up and biting people.

Adding your addendum here so I can answer all in one go. :)

So, like . . . okay.

Hank and Emma's friendship is really special to me, and it all ties back to the way that Grant Morrison conceptualised Hank, when they came on to write New X-Men. It's worth noting that neither Hank, or Emma, were actually meant to be on the team when Morrison first pitched their story, they were originally going to be Colossus and Moira MacTaggert, but both had recently died. This is why Emma gets her diamond form secondary mutation - she's acting as the bruiser of the team in absence of Colossus.

So, how does Grant Morrison conceptualise Hank?

No dark secrets. Nothing to hide. The sweetest guy. The best heart.

These are the architects of modern X-Men, by the way. Morrison and Hickman. This is how they see Hank McCoy, and though they may have many flaws in their writing styles and their stories may fumble certain things, I think that they have an opinion worth noting. Their effect on modern X-Men is undeniable.

So, Emma and Hank meet, and they already have chemistry. They are both incredibly sharp, incredibly brilliant, incredibly witty, incredibly cultured individuals, and though they may (at this time) have very different moral compasses, it's very clear that there's a spark of friendship already, especially when you compare Hank's immediate sympathy to how Jean treats her literally a page later.

Something that's underrated about Morrison's Jean is that she's kind of not very nice a lot of the time, but you understand why. She's going through some shit in this series, and she has a very, very, very valid reason to hate Emma after Dark Phoenix, so her trying to reach out is what she thinks she should do, but calling her a bitch is what she wants to do, really - and Emma doesn't give a fuck. Or at the very least, she's very good at making it look like she doesn't give a fuck.

This is another aspect of why I think Hank and Emma have such good chemistry: they are both masters of control and appearance. They both spend so, so, so much time cultivating a specific image so that they can't be hurt - Hank obfuscates and hides behind big words, big concepts, big gestures, while Emma snarks and affects cool, sniping at anyone who might dare get close.

Like recognises like. I almost think it's a sort of game for them, to perform and poke at one another, knowing that they each know each other's secrets, but with an unspoken agreement that they won't go too far.

Emma jabs and pokes and prods, and Hank shuts her down in three sentences. If there were any malice or anger in this interaction, it wouldn't stop the way it does. There's no lingering animosity between them, there's no heat. It's two theatrical bitches in superhero clothes pretending that their personal lives aren't a mess by being extra bitchy at one another, and I think that they love that.

It's also worth noting that Hank, at this stage, is still an extremely moral presence, an unquestionable good guy (Threnody revisionism notwithstanding, don't at me, I've heard it before), and Emma is very much not. She's still the woman who was part of the Hellfire Club, who worked against the X-Men, who was part of Genosha, Magneto's regime - but Hank doesn't browbeat her with it. It only ever comes up when he's convinced that she's turned on them.

A moment of panic, but Emma doesn't take him to task for it - if anything, I like to think she might have actually been a bit grateful, because it made her plan seem all the more authentic, to have someone screaming that she can't do this. He then immediately apologises, and compliments her. It doesn't come up again. He judges her by her current actions, not by her past, and this is something that's very consistent with Hank, if you look at the wider tapestry of his life, because who else does he judge by his current actions and not his past?

Oh yeah. Hank forgives. Hank understands.

And I always find it interesting how he takes Scott and Emma's affair. He doesn't criticise Emma for it, but he does take Scott to task. Why? Well, it could be Morrison's take on who's responsible for the affair bleeding through, but I think it's more that Hank knows that Emma is still working on herself, still improving her behaviour, still in the process of becoming better, and he's willing to give her the space to do that, but Scott?

Scott, I think Hank believes has less of an excuse. But again, he doesn't make a thing of it until it comes to a boiling point. He warns Scott, and Scott doesn't listen. And when it's all said and done, Hank makes it clear that Scott and Emma's lives may be their own, but he has his own feelings on it, and he's capable of holding multiple emotional viewpoints at once.

Like, this is a lot of leeway and a lot of grace that Hank is affording Emma here, considering she was just as guilty of initiating the affair as Scott was, if not more so - but again. He expects better of Scott. He knows Scott knows right from wrong, and where his obligations lie, and he expects him to be faithful to his wife. Hank knows Emma is flirting, being very sexually open, but he knows that that is partly affectation, partly bait, partly exploration, and partly a fuck you aimed at Jean, who she just plain doesn't like. Harping on at her about it will not make her stop, and will only drive her not to trust Hank. And it becomes increasingly clear, as the series goes on, that Emma does trust and value Hank, quite a lot, actually.

Now, it's not like Emma needs an excuse to be cruel and to make a scene, but that's not really what this is, is it? Look at the order in which she addresses the journalist. She's offended - "I beg your pardon!" - but what at? "This man is a world-renowned scientist!"

She doesn't take offence to the idea that people hate mutants because trouble follows them where they go. She takes offence to her being insulting to Hank specifically. She elevates Hank, and degrades her opponent. This is not something Emma does often, she usually just skips to the degradation! Hank doesn't even expect it! Look at the little lines around his head in the panel with Emma blown up large in the psychic landscape! He was absolutely going to let that comment go by, and not make a thing of it, and Emma chose to make the moment about standing up for him, and he did not expect it.

But he values it, nonetheless. And he puts his paw on her, and thanks her.

Reminder, this is how she reacted to another man putting his hands on her just a few issues before.

Now, granted, we don't see where Logan's hand is, but the man's generally a gentleman, despite his reputation, so I think she just doesn't like to be touched . . . generally. But she doesn't mind it when Hank touches her, and thanks her for standing up for him. Something which she does not do for many people. Reminder, this is how she reacts to Jean having a straight up psychic fit in front of her.

Like, there's a degree to which this is bravado and humour, because Emma is tending to Jean here, but I guarantee you that this is not how she would have acted if Hank had been the one to fall in distress.

And going back to the panels where Logan is helping her up - I don't know if it's just me, but there's something very purposeful in the fact that Emma and Hank are both on the right hand side of the page, with Emma engaging her diamond form so that she doesn't have to feel, denying her own compassion, while Hank stands in shadow, looking mournful, defeated, quietly furious, unable to do anything but feel his compassion.

Perhaps that's something that Emma admires in Hank. The fact that he has no dark secrets, that he does, in at least some ways, wear his heart on his sleeve; that he has no choice but to feel. He is a good man. And it's easy to forget, in a world where cynical media and cynical people surround us, but there is something charismatic and likeable and warm about good people. Even if you might consider them foolish, people who fail to be good often envy those who try, even though they might face insurmountable odds.

Hank's refusal to accept that the world has to be a place of cruelty and disbelief and skepticism and fear has a way of rankling the cynics around him. It's one of my favourite things about him.

It has a way of paying off.

How often does Emma Frost listen to someone again . . ?

And then . . . yeah. We come to the assembly.

"Fuck you, I liked her."

She listened. She laughed. She spoke Byron back to him. Do you ever think about just how often Hank gets that? Fucking never, I bet!! It must just be so refreshing to quote, and for the other person to know.

There is a pleasure in the pathless woods, There is a rapture on the lonely shore, There is society where none intrudes, By the deep Sea, and music in its roar: I love not Man the less, but Nature more, From these our interviews, in which I steal From all I may be, or have been before, To mingle with the Universe, and feel What I can ne’er express, yet cannot all conceal.

Of course it's a romantic poet. Of course it's Byron.

And then, the assembly . . . ouuuuuuaghhh . . .

Like, people love for their characters to have feats, right? People love that Storm was the Regent of Arakko, and faced down the Horsemen. People love that Cyclops put the Void in a little box in his mind and told it no. People love that Jean chased down Enigma all the way through space and time and destroyed him. People love it when all the things that epitomise a character come together in a moment that speaks to the truth of them - their strength, their control, their refusal to give up. It's not just about power, it's about what that moment says about their personality, right?

What's Hank's?

It's putting together a 11,100,277 piece puzzle of a human body. Not with textbooks and screens around him, but by memory - and why? He says it's because he always loved jigsaw puzzles as a child, but that's not the real reason, is it? It's because it's important to him that she be complete, that she be afforded respect. It's important to him that someone showed that they cared.

It's because he thinks that there's a chance.

It's hope. It's sheer, bloody minded hope. 11 million pieces. It's insane. And yet. He did it, and it worked, and she was whole again.

Roses and wine and a good book and a baritone rendition of Gluck's Orpheus and Eurydice . . . oh, Hank. He even calls himself la bete, the Beast - a codename we know he doesn't really care for all that much, especially in light of his recent mutation - just so that he can affect playfulness and brightness and infectious good mood.

He really cared for her. And she really cared for him.

I seriously miss this dynamic. It was really very beautiful.

And thank you for the welcome back! It's good to be back!

[writing-oof]

Mouthwashing Drabbles - What If #A

CW: mentioned Jimmy, past/implied sexual assault, pregnancy mention

------

You don't know what comes over you. Maybe it's the look on his face, soft and eager and so desperate for the approval of everyone on the ship. It's a weeping wound of vulnerability you recognize, and it's one Jimmy can smell like a shark.

You don't think he would do anything to Daisuke. Or, at least, you don't think he would do what he did to you to Daisuke. It wouldn't really make sense. Jimmy went for you specifically, because you're beneath him and because you're a woman. Hell, you're beneath him because you're a woman.

But, Daisuke's beneath Jimmy too.

You've gotten a pretty good feel for the hierarchy of the ship, over the past few weeks. Swansea's a beast Jimmy's too afraid to touch, and for good reason. The man isn't friendly with anyone, but making an enemy out of him isn't something anyone wants to do, not even Jimmy.

Curly…the Captain is Jimmy's friend--he's made that clear--and he's the Captain. He's at the very top of the pecking order, and you're at the very bottom. Still, Daisuke is only just above you, and he's decidedly below Jimmy.

You don't know what comes over you. Maybe it's the fact that even thinking of Jimmy alone in a room with someone who can't see what he could do makes your gut twist with nausea. You don't know what Jimmy could do; you never know what Jimmy could do.

It doesn't really matter why you do it. The fact is, Daisuke tells you Jimmy's going to teach him a bit of piloting, looking like he thinks the man hung every star in the sky, and the truth puddles on the floor by your feet like blood.

This isn't the first time you've been here, crying in the medbay with the truth on display. It isn't even the second.

"Anya," Daisuke says, stricken. He's visibly shaken and almost…enraged, on your behalf. "You have to tell the Captain."

Just like that, all the air rushes from your lungs. Daisuke; sweet, stupid Daisuke. He sounds so sure of himself, is the worst of it. He sounds as if every wrong in the world can be set to rights if only the Captain is made aware.

You swallow the bitterness like a pill, rough and painful as it slides down your throat.

"Anya?" Daisuke tries. Your hands twist the sides of your shirt in a white-knuckle grip. Your uniform wrinkles beneath your fingers, but creases are easier to wash out than other things.

"...Anya?" Daisuke asks, his voice as quiet as the air blowing through the vents. Your pulse beats in your throat, a steady reminder of life. Thump, thump, thump. If you're still, you swear you can feel it in your gut.

"I did," you say, your voice even quieter than his. You're barely a whisper on this ship. "He knows."

Daisuke's face twists. 'No,' you can see he's thinking, the truth incompatible with the image he's built in his head, 'No, that can't be true.'

You wish it weren't.

[youmaycallmeyourhighness]

What if mirabel gets a gift that is connected to demeter Gia and persephone? Basically, since the candle and Casita like her more, they gave her something like that. I know that Isabella has a gift like that, but the magic isn't happy that she was just not growing anything else.

Bahahahahaha! AHAHAHAHA! That's hilarious.

Isabela; minding her business, growing flowers, doing her thing.

The Miracle; actually, you know what, screw you. specifically. just cuz.

Or at least that's how she'll see it. Imagine for a moment , that you're Isabela. You're doing your best at your role, being the golden child, setting the example. Always pretty, always graceful, always perfect. Never a hair out of place. And lately, your annoying little sister is even more aggravating then usual. Probably because the town is in trouble.

The crops that feed the town are failing. Tía Pepa is out all day, doing her best but it's not just the weather, it's the soil, and the water from the river and a bunch of other things Isabela doesn't understand. People are talking about going on rations, there's not enough to feed the town much less sell to the outside. If the crops fail, the village fails, and if the village fails, people will turn on the family. At least that's what Abuela says.

The family must be strong, and unshakable, now more than ever you must present well. You must help in anyway you can, be the example, be perfect. It feels useless. People are hungry and you can't help them, your gift only a distraction from the troubles. The family meals start to go thin, everyone's patience even thinner.

And then, a door appears. You think it must be for Antonio, but he's too young and his has been there since he was born, a faint outline growing in the wall. This one is bright and glowing and ready.

It's for her.

The family is tense and quiet, with whispered discussions and wary glances. You can only think of how much worse it will be when she fails again. Mirabel, shaking head to toe, touches the doorknob, and the bright glow forms into an image of her, with an apple cupped in her hands.

The room is enormous, rows and rows of berry patches and corn stalks and lettuce heads and barley. In the center of it all is an apple tree, large and heavy with fruit. There's a patch of plump, bright red strawberries next to you, you pluck one and bite into it. It's one of the best strawberries you've ever had. Wouldn't you be infuriated?

Their powers are similar but the divide is clear; Isabela makes flowers, Mirabel makes food.

No matter how hard Isabela tries she can not push her blossoms past their flowering, no plant she makes can bear fruit. And no matter how hard Mirabel tries, she can not restrain her sprouts and freeze their blooming, her plants must produce.

Isabela is beautiful and has perfect manners. Mirabel is charismatic and thoughtful.

Isabela is always preferred but Mirabel is always needed.

(something something about how Isabela can't make things of substance and is trapped in a box and how Mirabel can't just do something, it must also be of use or it doesn't count something something)

Mirabel's life turns on its head so fast it probably makes her dizzy. All of a sudden people are very happy to see her and quick to include her. She walks through the fields with Pepa and together with the farmers they restore the crops. From that other Madrigal to town hero in like a week.

She can make a wide variety of high-quality and expensive fruits and vegetables, livening up the dinner table and stimulating the economy. She'd probably try to make those edited grapes. Her golden earrings would be apples but you know Mirabel would wear all kinds of food earrings

Of course, Mirabel would want to do more, and would strive to become the apple (pun intended) of Alma's eye. She makes her own spices and gifts them to people in homemade jars, as well as jams and jellies. This gift would probably bring her closer to Julieta as well and she'd be all over the kitchen, learning to cook and bake, she's quite known for her fruit pies and always has some new recipe or exotic fruit for the family to try.

I think, despite apple being her symbol, Mirabel really likes orange blossoms and is a bit sad she can't grow them. She wishes she could see butterflies and other pollinators around her, so she grows them from scratch in the corner of her room. If she uses her powers at all they lose their petals and sprout oranges, and she's not dumb enough to ask Isabela, their relationship as complicated as it is.