Harana Preview | Jungkook
harana (n.): the act of wooing someone by serenading them
→ summary:
Unwilling to settle down with you after five years of dating, Jeon Jungkook decides to break up to chase after his dreams. In the aftermath, you leave your hometown, desperate to forget your past and relearn what it means to be on your own. Two years later while on your way to work, you pass by a familiar voice singing songs about a girl he had left behind.
{or alternatively: Jungkook still sings the love songs that he wrote for you. He still means them, too.}
→ genre: busker!au, exes to lovers, fluff, angst
→ warnings: jimin is insane and kinda crude (he has some issues going on), jungkook is a pathetic wet bunny but he's trying his best, so much yearning, ambiguous ending??? but my god there is hope!! the humanity of it all!!
→ words: anticipated 10-15K
→ a/n: what da hell who is she... HEY SO its been a while since ive written anything longer than 2k words and i really wanted to get back into writing, if only for practice... plus this is part of my heart full of hugot series that i teased literally eons ago and i want to finish it before the year ends... pray for my sanity ( ; ω ; )
part of the “heart full of hugot” series
As you struggle to pull yourself together, a familiarly loud voice rings outside the edge of your consciousness. “Hey, Y/N! Fancy seeing you here…” Jimin greets you, his usual jovial demeanor halting midway when he sees your panicked expression. He clears his throat, perplexed. “Umm… Are you alright there, girl? You’re looking a little pale.”
You do not even have the mental capacity to wonder why Park Jimin was miraculously early to his shift, nor why he seems genuinely worried for you. Rather, all you can do is wave him off and use what little time you have before the restaurant opens to steel yourself for hours of melodious torture.
“I’m fine, Park. You should get to work,” you grit out, wiping your sweaty palms on your uniform. Normally, Jimin would have teased you about the obvious wrinkles on your skirt.
“You’re not the boss of me,” Jimin huffs, always the contrarian. He thinks better of it, however, and softens his tone. “Are you feeling sick or something? You look like you just saw a ghost.”
You freeze, perhaps giving yourself away a little. “I’m fine,” you repeat.
“You know, if you refuse to elaborate, I’m going to have to retract your shower privileges,” Jimin taunts with a smirk.
You feel a migraine growing by your temple, making you wince. God, why must men be the source of all your problems?
“I’m just… a little annoyed by the busker outside the restaurant,” you eventually admit, trying to be vague. Unfortunately for you, Jimin hates beating around the bush and would never take your crap if he knows something is up.
Unable to withstand the weight of his unimpressed stare, you continue, “He was someone I used to know, that’s all.” You aren’t going to be any more specific than that, though you imagine Jimin gets the picture. You zip your lips, hoping to whoever is causing you pain that Jimin would somehow let the matter drop and leave you to your misery.
You brace yourself for his onslaught of questioning to come, and… it doesn’t happen. Instead, when you glance at Jimin, he is mysteriously stone faced. You wait for him to speak for what feels like a few minutes, but he doesn’t show any signs of wanting to tease or ridicule you. He simply watches you with a pensive expression. You can barely stop yourself from staring back at him, slack-jawed at his silence.
Of course, you aren’t just going to question your luck, or what little you have at least. So, you stay silent back and purse your lips uncomfortably.
Finally, Jimin seems to snap out of his strange reverie. He fixes you with a bizarrely sympathetic grin, patting you affectionately on the back. “I see… Well, if you ever need a drink tonight, head over to the bar for a little sip. I got you covered,” is all he says in response before sashaying away.
That was so fucking weird. You want to chase after him, perhaps beat the truth out of him. Jimin is nothing but a scheming dick, and you aren’t about to let him roam free with such sensitive information about yourself. Just as you’re about to stomp his ass (perhaps to relieve some of the building tension from your weary soul), your manager pops his head from his office door.
“Y/N! Make sure you’re logged into the booking system. There’s going to be a party of 20 coming in about an hour,” he reminds you, shooting you an apologetic look. You nod back with a sigh, swiping the booking tablet from the hostess desk and scrolling through the logs. Sure enough, it is going to be a busy night despite being a Monday evening. Perhaps a little busier than usual, in fact.
Whatever. You will use whatever distraction you can get, and perhaps the approaching noise from the restaurant patrons will be enough to drown out the sound of his voice.
You aren’t religious by any means, but you pray to whatever higher power exists that Jeon Jungkook doesn’t somehow decide to enter the restaurant. Stay outside, you plead. Outside the restaurant and your life, if possible.
Throughout the evening, you do your best to push aside the memories that threaten to resurface. You greet customers with a smile, lead them to their tables, and ensure their dining experience is pleasant despite the anxiety poisoning your insides. It's a routine you've perfected over time, a shield against the chaos of your emotions.
As the night wears on, you can feel Jimin's eyes on you from across the restaurant. You sneak glances back at him, and you blanch at his pitying gaze. If the restaurant had been slightly less crowded, you would have flipped him off.
He’s probably enjoying my suffering, you think darkly. Unwilling to give him the satisfaction, you straighten up and do your best to appear more unaffected. Just as you do so, you can hear Jungkook perfectly hitting a soulful high note.
“I’m so sorry for thinking I was strong,” you whisper to the universe. “Forgive me for my insolence.” You clench your fist in anguish, ignoring the confused looks from the customers in front of you.
By the time your shift comes to a close, you are completely and utterly drained. You feel like a snail that has been continuously salted over the past eight hours, and you cannot help but cheer in relief when the clock finally strikes two in the morning. You have to wait for the last few diners to make their leave, but otherwise you are ready to let your bed swallow you whole.
You stand by your hostess desk, leaning your head against it with a defeated sigh. Jungkook’s voice had died down only a few minutes ago, and you hope that by this point he has mercifully left the premises. You want to take a peek to make sure, but just as you’re about to make your way to the door, you feel a hand on your shoulder stop you in your tracks.
“‘Sup, bitch.” Jimin still has that weird, pitying gaze pointed at you, though his words don’t match it. “Are you okay to go home alone tonight? I can bring your dumb ass home if you want.”
You shove his hand away, ready to bite his head off when you think better of it. If Jimin drives you home, then that lowers the chances of seeing Jungkook down to pretty much zero.
“You know what? Thanks,” you grouse. Jimin smiles at you winningly, and the image of it brings a shiver down your spine. You hit him, creeped out. “Hey. Stop that, will you? You’re being really weird?”
Jimin scoffs, crossing his arms. “Me? Weird? At least I don’t look like a damn firework ready to explode just because my cringelord ex-boyfriend is singing sappy love songs outside—”
“Shut the fuck up,” you seethe, stomping on his foot. He yelps in pain and slaps your shoulder in retaliation.
“Ouch! Watch your ogre feet! My shoes are worth twice your monthly rent I’ll have you know,” he bristles. He breathes deeply, likely finding his inner calm (which you doubt exists). “But because I’m so nice, I’ll ignore your earlier transgression and blame it on your underdeveloped amygdala.”
You don’t know what’s more surprising: the fact that Jimin knew what an amygdala was or that he was forgiving you in the first place. “Whatever. Let’s finish closing up and then head out. I’m exhausted.”
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Gege's payoff followed by setup problem, and why Shibuya Arc is still their finest writing.
Gege's writing structure has become so reliant on catching the readers by surprise that they just won't tell anything to the reader. Going into Gojo vs sukuna and the fight fest it's been since, readers have no clue of if there was any strategic/tactical planning happening (outside of Yuuji training with Kusakabe which is sloowwly coming back to the limelight).
The current buildup by adding emphasis to Sukuna and Yuuji and their dynamic, Yuuji's rage and loneliness and loss, only to bring in a Gojo-Yuuta vs Sukuna part 2 electric boogaloo. Which imo is another fight that has no interesting overarching commentary/themes outside of being the promised shounen strong vs strong fight, in a power system already criticised by both sides for being flawed.
It feels like Gege uses shock value and people eating absolutely anything up if it's about their fav, to bypass any meaningful setup.
The reason why Shibuya had the effect of absolute gutwrenching loss and defeat, is because it was setup so deliciously done. We'd seen the villains literally experiment their ideas with the veils on our heroes with the sister-school event, we've seen them talk about their plan with a lot of details, and how eventually they tweaked it to work better with their new knowledge.
We've seen that the mastermind might be someone from Gojo's past since they talk about how they cant be seen by Gojo, then you have jjk0 which shows the rift and the death of that someone (intrugue! Theyre still alive?? They're still on the bad side with that ending??) , following which you have Hidden Inventory where you see the bond and what caused the rift.
And ONLY THEN do you have everything fall into place when Kenjaku appears and Gojo is tricked because you were tricked alongside Gojo even tho as the reader almost everything was right in plain sight with just the lack of some context. Even the inconsistencies between Suguru's and now revealed Kenjaku's behaviour makes sense.
Althought the setup happened rather non-linearly, all of it was still always before the payoff. And boy, does it pay off.
And when things didn't go according to the villains' well thought out plans, it was still just such a seen yet unforeseen turn of events. We didn't know Yuuji would be fed so many of Sukuna's fingers that Sukuna would take over, but Sukuna taking over was an underlying threat that has been constant throughout the story and it just so happened to take place then).
Everything since the culling games has felt like things just happening one after the other. Short term goals that our protagonists had to complete since no one knew what was even happening. An entire year's worth of chapters of not seeing our protagonists and following new people who didn't/haven't yet done anything to truly warrant that much undivided paneltime. Anyone remember the US gov subplot? Did i dream that?
The last genuinely set up but still pretty shocking event was Sukuna using their binding vow and taking over Yuuji's body only to then take over Megumi's. We knew he wanted Megumi's power and the binding vow was another underlying threat since Yuuji's first death that was waiting to happen. Abrupt? Yes. But it was something hinted happening.
By no means am I saying that the reader should be told everything, that's not how writing works, but have enough at least fall into place when things are revealed instead of showing the puzzle completed then picking out puzzle pieces to show it individually and putting them back. A couple of panels where a character says something vague where you as the reader don't even know if it's something to take into account is NOT good set up.
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There is a universe in which i was caught up properly on CR whenever what the fuck went down and Imogen verbally and definitively declared that- after everything leading up to this and the back and forth and indecision- that she'd be willing to take down her mom if need be. and i would have been deeply insufferable and writing 20+ separate meta posts and liveblog yelling posts and shitposts. This is not that universe so instead we will put this post here where i can have wildly uninformed (aka 20 eps behind) Emotions about it until someday i actually catch up.
(I know. i accidentally wrote potentially wildly off base/deeply out of date meta again. what can i say. i like shaking the concept of An Imogen (even if it is Outdated Imogen) in a jar. sorry.)
Because i was watching long enough, I think, to see Imogen in the throes of the hope for something better, to understand that Imogen was viewing her mom was a figure and an idea and an answer, that would make things easier. Her mom was- gone, so early. And so her mom, in her mind, was not a person she was an idea, and there was so much hinged on that! Dogged determination and anger at her father and a deep seated dislike of the powers in her hands and head even as they gave her a guilty rush. There were promises there that maybe no one else had made, but Imogen believed. Things built up. Expectations made. Lore crafted, even unconsciously, around someone who was, yes, important to Imogen, but more importantly: Missing. Gone. A blank slate to be filled in. A promise of an answer guide to open questions.
And then she meets her mom, and Liliana Temult goes from a figure to a person- with all the bells and whistles and rough edges. She meets her mom and her mom turns her away. Tells her to run. Tells her she should go. Tells her to leave.
And Imogen doesn't. In the same way she kept visiting libraries, keps asking, kept pushing for answers when it was just about her magic and her headaches and the voices. Imogen always, always wants to know. She keeps digging, she keeps trying, she reaches out, over and over and keeps trying to touch this figure in mist until she's real under her hands, and. Evidence piles up- of deeds gone wrong, blood on her hands, a figure standing next to Otohan (her friends bodies scattered, lifeless, around Otohan). She keeps reaching out, keeps trying, and is rebuffed, over and over. Things get worse and the skies get redder and magic goes dead and she's still- unsure, because what if there's a better reason, what if there's a better way, there has to be a reason, why. There has to be, right- maybe if- maybe. Maybe-
Its just like- a person as an idea. As a symbol. As a promise. One you build yourself up around and towards. One you talk about, not talk to.
And then the fog clears, and they are a human.
(And she's your mom, and she's not what you imagined. She's done you wrong. She's done your loved ones wrong. She's hurt you. She's hurt others. She's going to keep hurting you. She is going to keep hurting everyone. She is too far gone to reason with. She is not listening to you. She is flawed. She is. dangerous. She looks so much like you. You look just like her. You are so similar. You have always known you were similar. You always hoped. You.
Are not her. You are not hers. She is not yours. She is not who you thought she was. She was always someone else. So are you.)
Imogen walks through the bases pretending to be her mother. Liliana is a known face- a powerful one, a figure people fear. A well known silhouette. Imogen slips into the shadows of it, sometimes, when it serves her, but we know- she knows- its all an act. All a lie.
Liliana, after all, is alive, and well, making choices that she believes in and fighting for things with a dogged determination maybe only matched by her daughter.
Imogen knows this. I think. There's a part of her that maybe wishes that wasn't the case.
"There is no loyalty with this blood." And after all- only living people bleed.
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