#at least i'm writing my stories....
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annbourbon · 1 year ago
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Okay but... why do I keep forgetting that I can have a relationship that doesn't feel like it's suffocating me? lol
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Like... I love having friends. Friends that are partners in crime would be awesome considering how much I love to laugh. IDK maybe I keep forgetting it because people keep pushing my boundaries a bit too much for my liking...
Like, I'm at this point in my life where I don't really know if I want to have a guy or not... and... lol did I just said that as if they're a pretty item or smth? e.e yeah maybe it's better for me to stay single forever... or idk... I just want to be happy and have fun with my friends. Watching Barbie felt so good because of this.
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It helped me dealing with some of the trauma the last year and part of this one was to me. And I saw myself for the first time in idk how long? at the mirror, no make up, and I truly found myself pretty. Like, no better, no worse. Just, worth it. I didn't feel like that since I was dying my hair blonde and trying really hard to fit into stereotypical labels. I've been doing that my whole life.
I immediately went into social media ofc and, to my surprise I found that it really helped me dealing with the jealousy and the idea that some people were better or worse than me. It lasted about three hours tho (I kind of kept track) until I started to feel a bit weird and down because of several comments that were not even directed towards me. And anxiety started to creep in.
And what does this has to do with a boyfriend? Well... I have never dated anyone lol but I have always wanted to. It's just that sometimes it truly feels like this is my face
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whenever guys are online and talking to me, because no one ever approaches to me irl lol so my only interaction with males it's that they're usually just, trying to send me pics. Or convince me of sending pics. And admittedly I have felt that pressure. Also, I still remember running away from my neighbor because he kept being such a creep and tried to pull me inside his van once.
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Maybe that's why my good mood usually dies in those situations... like, no matter what I decide to do. I don't feel safe. And most of the time I don't feel like I ve a choice in the matter. Like, it's better to say yes because otherwise I'll end up....... I don't want to think about it but... anyways:
Sometimes I feel like all I want to do is having a boyfriend to dance with, prank each other, and stupidly too, because I know a lot of people would laugh about it, making videos on YouTube and TikTok... like, just for fun?And definitely watch movies. And reading books together. At this point I would definitely call myself ace because that's what makes me feel interested in other people. Sharing ideas, hobbies...
Still I'm not sure I am fully ace... I definitely need to give a real relationship a try before calling myself out. I think. Or maybe not, Barbie also made me realize that I've been seeing men as some box to tick off.
Because as much as I complain about them, I've been doing the same thing but reversed. impressive uh? How much a movie can make someone think through everything...
They're definitely not pets or items. Or a box for me to say I've been there, done that. So even if I'm not ace, one thing is sure: I'm not ready yet. I haven't found anything or anyone that makes me feel like jumping into it for the sake of doing it and not because "society is saying it so"
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I'm just confused about the whole thing, but that's okay I guess. I'm not going to rush onto something just because society says so... at least I'm trying really hard to resist going back into the box. For now I'll be sticking to Pride and Prejudice, chocolate candies and having fun with my besties. But thank you~! ♡
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Fun fact: Margot Robbie is kind of confirming the whole Barbie being aroace! ^^
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“Having a boyfriend or girlfriend, who is also your best friend is the greatest thing in the world.”
— lieinlove
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loufuckers · 5 months ago
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oh, wait, i've had another thought, hear me out:
AU where tommy never left the 118 and buck never joined the LAFD but maddie still joined dispatch and met chimney during a call, and started hanging out with him like back in S2.
fast forward to maddie bringing buck to a 118 family barbecue and buck instantly clicking with everyone and making friends left and right. he's drinking beers and talking with eddie and tommy when he notices maddie and chim doing their little flirting but not flirting dance and tommy's like "they're always doing that. howie will not stop talking about her but he won't ask her out" and buck starts sharing stories about them dancing around each other and their buffridays and karaoke duets and because they're both hopeless romantics living vicariously through madney they come up with a plan to get them together
cue tommy and buck coming up with ways to set up chim and maddie on date like activities with them as wingmen. they go to the movies and dinner, have an entire day at the santa monica pier, hangout during trivia night at tommy's favourite bar, buck books all four of them a tour and farm-to-table lunch at a vineyard and winery, tommy even flies them all out to vegas for a weekend. and obviously through it all tommy and buck start to know each other more and more and start liking hanging out with each other
they keep coming up with these romantic ideas to finally get chimney and maddie to realise they've been dating this whole time and don't realise (or pretend they don't) that it's looking more and more like double dates and that they're the ones using madney as wingmen because they're too nervous to actually admit they're doing it more for them than for maddie and chim at this point
until one day maddie and chimney go on an actual date of their own without meddling little brothers and best friends and start dating for real and now buck and tommy realise that oh, actually they started catching feelings for each other and don't know what they're supposed to do now that they don't have an excuse to go on elaborate double dates and now it's maddie and chim's turn to get them to accept they had been dating the whole time and they have feelings for each other
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the-modern-typewriter · 4 months ago
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https://www.tumblr.com/the-modern-typewriter/659807198763991040/helloo-i-love-your-writing-i-have-a-request?source=share this is one of the best snippets I've ever read on tumblr I am so in awe of your writing! I hope we get to see more of bone chilling scary villains from you because you write them so well!!
They wouldn't have known the villain was there, in the gloom, if not for their eyes. They shone like a cat's in the dark.
The protagonist swallowed. They took a step back, but the door had already shut behind them. No way out. They resisted the urge to turn around and bang on the thick, heavy metal. To scream. Beg. To say they were sorry, that they'd changed their mind, they'd do anything, anything else.
Just let me out, please.
But that would require looking away from those eyes. From the villain. And that seemed a stupid, dangerous thing to do.
"My my," the villain murmured. "I thought people had given up on surviving me."
The protagonist curled their hands into fists. "Just stay back."
The villain laughed.
The protagonist felt naked; entirely too aware of the fact that they couldn't see anything in the black, but the villain could see everything. They watched the eyes move as the villain shifted. Stood up. They were probably standing up, weren't they? The protagonist heard the gentle clink of chains. They flattened their spine against the door.
"I mean it!" The protagonist's voice came out too high, too thin. "Stay back, I'm warning you."
"Or what?"
"Or I'll - you'll regret it."
"Oh?"
The deal was a simple one. If they could survive one night, just one night, in the villain's cell with them than they could have their entire sentence revoked. A few people had apparently managed it, over the decades, but none of them would ever say how. None of them ever looked right about it.
"How will I regret it?" the villain asked softly. "What will you do to me?"
"I have a knife."
Everyone was allowed to bring one thing down with them. Just the one.
"That's so sweet," the villain said. "No one's ever thought of that before. You're so clever."
The protagonist tasted bile.
The villain moved forward in the dark. The protagonist couldn't hear their steps, just the clink of the chains, the crunch of something.
"If you kill me, you'll just have to be alone down here!" the protagonist tried. "You could at least have company for the night."
"But I thought you had a knife?" the villain asked, with yet more laughter in their voice. "Don't you want to use it?"
They didn't stop.
The protagonist was strongly beginning to suspect that no one who survived bought a knife. Maybe they brought other offerings; things to satisfy the ravenous hunger of the monster across the room. They held the knife out anyway, because it was all they had.
God. Why did they bring a knife? Why were they so stupid?
The villain paused in front of them. At least, the protagonist could feel some pressure of something against the tip of the knife. They could have stabbed forward, sliced perhaps. They couldn't quite move. It didn't seem possible for it to be that easy. It was surely a trap of some sort.
"I want to go home," the protagonist said. "I have a family. They need me. I can't - I have to get home. Please."
"Oh, well. In that case."
"Really?"
The villain laughed again. Something cold plucked the knife away. The protagonist heard it clatter somewhere in the dark. They flinched. They braced for the end. For the pathetic five minutes they had managed to survive.
"Tell me a story," the villain cooed. "And if it makes me feel free, for even a second, then freedom can be your prize."
"And if it doesn't...?"
The next morning, the door opened and the lights flooded on.
The villain sat chained to the wall on the other end of the cell. Their eyes were closed, placid. The floor was littered with bones picked clean, the walls an art gallery of blood, except for the spotless semi-circle around the villain's resting place. The knife sat on the floor in front of them.
The hero's jaw clenched.
The villain shrugged.
The lights flickered back off.
The hero stepped back.
The vault door locked.
The cycle repeated.
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thebramblewood · 7 months ago
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Exciting news: I now have a story page and a characters page! They're pretty basic at the moment, but I'm hoping to think of some fun stuff to add later. For now, you might find a few new nuggets of insight in the character bios! I just wanted a cute little hub for readers new and old to find everything they need in one place. Let me know if you think anything (or anyone) major is missing or if you notice any errors. Here are all the character portraits. Aren't they cute? And thanks to @buglaur for the incredibly easy to modify template!
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of-time-and-space-itself · 10 days ago
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YIPPIE! We Unlocked The Snatcher DLC, LET'S GO!
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The best way that I can describe this man in this AU is like.....mostly deadpan, with an occasional snarky quip, he kinda just rolls with the flow at this point. He's very much past his prime, and is now just very calmly sitting in the passenger seat while Hat kid rams her scooter into the nearest cement wall.
He is the only real sane voice of reason in the entire kingdom, Which is why Hat always bothers him with all her problems.
Something I can mention w/o having to be vague is the fact that, - yes, in this universe dad snatcher is a thing. It NEVER comes up in the main story, mostly because I decided I wanted it to be a side thing entirely(backstory for the two kingdoms). Hat kid isn't actually aware of this until post-plot, which is when their relationship really starts to blossom.
In the meantime, he's just her super secret lawyer that nobody really knows about.
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eastbluecrewed · 3 months ago
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huge fan of the barrel scene (witness me getting sappy beneath the cut)
i had a small but meaningful personal achievement coincide with reaching the barrel scene on my rewatch, and it got me thinking abt the impact one piece has had on me since i started it eight months ago. i love these guys a lot and they've done an absolute number on my psyche so of course i'm gonna tie them into the good things in my life!! sue me!!!!
when i first watched this scene i didn't realize the deep impact this story and these characters were going to have on me and how i view life, but damn they sure did!!! and so i thought it'd be fitting to do a simple little redraw as tribute to that and to myself.
hell yeah one piece time
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wimbledonstrawberry · 4 months ago
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Holger unfollowing Carlos for like 5 minutes and then following him back is the most Holger thing to do
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carionto · 10 months ago
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The duality of Man, or triality? quadrality?
Alien to Human about New Human: Correct me if I'm wrong, but they appear abnormally large for your species?
H: Yea, he's a biggun alright, even without the EV suit I'd say... 7'3'', 310 pounds, bet he power lifts.
A: Umm... not to be rude, but, uhh... he seems, well... how should I put this...
H: Intimidating? Terrifying? Evil? Yea, if this station didn't have high screening standards I'd be totally pissing myself if he started walking towards me. The mohawk and eye tat totally make me believe he could snap me in two with a single glare.
A: I feel ashamed that my instincts are telling me to flee. I wish nature were easier to change.
H (shouting at NH): Hey buddy! Could you come over here for a minute please? You look awesome by the way!
A (whispering nervously): what are you doing?!?
H: Gotta overcome those fears somehow, I believe the best way is a direct confrontation.
NH approaches, somewhat slowly, looking around at all the other aliens in the station that are chatting, waiting around, or doing some work. He finally approaches A and H, and in a very deep and husky voice says: Um, hi, hello. T-thanks for the compliment, I, uh, was a little worried I would stand out too much here.
H: Oh you totally do, my friend over here is practically about to pass out from how much like a gothic viking of death metal you look.
NH: Oh no, I'm so sorry, I-I just grew up in Sweden-Delta and both my parents were huge into classic local music, so I just, uh... it's complicated. I'm sorry, I didn't mean to scare anyone.
H: Hey, relax pal, we're all good people here. Anyway, what you here to do? I'm planning on starting a bakery, still testing out what kind of flour most species here can actually stomach. My friend here is on the team working on Moon theft preventative measures.
NH: Oh, that's cool. I'm here as an exchange student with the department of applied astrophysics. If all goes well, I can finish my Bachelors degree remotely and stay here as an intern with the head researcher.
H: Oooh, that's cool. (so cool yea that you're apparently half my age but oh well guess I'm a big fat time waster like my father before me and oh god change the subject before I get depressed in front of strangers) That's a real big bag you got there, carrying some super secret science things, eh?
NH: Oh, that... uhh... guess it can't hurt to tell, security vetted it already anyway.
NH proceeds to unzip the bag and hold up a large white piece of clothing with light blue rings and accents, alongside a strange white cap with what looked like small fins, and a curious little backpack.
NH: It's uhh... um... my... Ika... musume... cosplay.... (oh gods I can't believe I said it out loud again)
After a moment of awkward silence, NH slowly puts on the backpack and presses a button on it's strap, and suddenly numerous light blue colored tentacle-like appendages sprout out from the backpack and move in line with NH's movements.
NH: I, uh..., got my engineering friend to make them articulate and interface with my contacts. I can make them do all sorts of things, like make various shapes and animals with them, though works best as a shadow theater.
H:...
NH:...
A now frozen out of confusion than fear:...
H: That's so
NH: (oh I know it's so lame, but I love that show)-
H: COOL! I don't know what a ika musume is, but those things look amazing. You said articulate? How precise can they be? I'd love to have something like that instead of my useless assistant. Poor lad can't make a piece of toast if his life depended on it...
NH: Y-you like it?
H: I LOVE those things. My daughter does cosplay too sometimes, but she makes her Dreadnought suits herself from scraps. One time the military came to our house and installed a limiter on the gauss cannon she found in a crash site, said it would otherwise start to generate small doses of radiation if used too frequently. But she replaced it with a handmade rail gun before the next convention. Do you go to those? Did you see a 7 meter tall hulking metal monstrosity with a bunch of candles all over? That was her.
NH: Oh, I think I've seen video of that, but no, not in person, I go to smaller events. I don't really like big crowds.
H: Oh yea, I get ya, you do seem a bit on the shy side now that we've been talking for a bit. Hey, no worries, like I said, we're all good people here.
NH: T-thanks, but I think I should be going now, the teacher is calling me over.
H: Oh yea, go ahead, didn't mean to take up so much of your time. Have a fun stay and I'm sure you'll ace that paper or theory? Or whatever astrophysicists do, you seem like a solid kid.
NH: Oh, uh, thanks. Good luck with your bakery. And you with stopping those weird people from stealing more moons. Bye.
H: Bye bye, come visit, don't be a stranger now, I'm set up just a short bit from the main lift on floor 14.
NH: R-right, I'll, uh, be sure to stop by soon.
A is finally able to process what they just heard and says: What was all that just now?
H: What? Just a friendly chat with what is apparently basically a kid. Man, this kid's got so much going on, while I'm almost 50 and I have an oven. Life, man, it can go in so many ways. Anyway, let's go grab a drink, I'm parched.
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moonshine-nightlight · 1 year ago
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Nothing's Wrong with Dale: Part Thirty-Three
It’s been a week, but you’re fairly certain your fiancé accidentally got himself replaced by an eldritch being from the Depths. Deciding  that he’s certainly not worse than your original fiancé, you endeavor to keep the engagement and his new non-human state to yourself.
However, this might prove harder than you originally thought.
Fantasy, arranged marriage, malemonsterxfemalereader, M/F
AO3: Nothing's Wrong with Dale Chapter 33
[Part One][Part Two] [Part Three] [Part Four] [Part Five] [Part Six] [Part Seven] [Part Seven.5][Part Eight] [Part Nine] [Part Ten]  [Part Eleven] [Part Twelve]  [Part Thirteen] [Part Fourteen] [Part Fifteen] [Part Sixteen] [Part Seventeen] [Part Eighteen] [Part Nineteen] [Part Twenty] [Part Twenty-One] [Part Twenty-Two][Part Twenty-Three] [Part Twenty-Four][Part Twenty-Five][Part Twenty-Six][Part Twenty-Seven] [Part Twenty-Eight][Part Twenty-Nine] [Part Thirty] [Part Thirty-One] [Part Thirty-Two] Part Thirty-Three [Part Thirty-Four] [Part Thirty-Five]
Violins played a lively tune as your and your new husband danced for the first time as a married couple.
Your focus had been intense for the first round of dancing as you were by yourselves in front of the entire wedding luncheon, but luckily by the second other couples were invited to join. Marigold and her husband were the first to come onto the floor, with plenty of others on their heels. You finally felt as if you had the chance to stop watching yourself so closely and perhaps truly look at Dale.
He looked splendid in his navy suit, the gold trimming that would look heavy-handed on others merely looked elegant with how easily he wore it. Despite the dancing—you felt your carefully styled curls, the ones framing your face, starting to lose their sleek definition and could see the evidence of movement whenever they flew in your vision—Dale’s hair was perfect, not a strand out of place. Was it silly to hope the cause was something inhuman so that you could feel better about your own inability to maintain such perfect composure?
His black hair was neatly contained by its low tie, a golden ribbon that complimented his suit. His breath was controlled too—deep but not panting as yours was. His hands weren’t sweaty where they held onto you, at your waist and your own hand as the dance instructed. It was leaving you feel rather self-conscious about your appearance.
If he was nervous about the crowd as you were, he’d not shown it. Although perhaps you’d been distracting yourself with anxiety over the crowd so none could build at the way his eyes hadn’t left you, his gaze more intense and focused than usual. You couldn’t afford the liability getting lost in his blue eyes would incur, at least you couldn’t when you were alone with him on the dance floor.
The first couple fast paced dances gave way to slower waltzes and you found your focus drawing tighter and tighter onto Dale and Dale alone. His confident steps, his large hands on you, his strength supporting you. His unwavering gaze—the affection and warm regard you still didn’t quite expect to see on Dale’s face, let alone directed at yourself. 
The dance slowed further with no more twists or jumps, no more parting only to come back together for brief seconds. You were pressed against him, your skirts no match for Dale’s competent steps and hold. He wasn’t as warm as he should be, but even that was welcome and spoke to how wonderfully unwavering he felt at the moment. As if nothing could stand against him and win—and you at his side.
He pulled you closer still and you could feel the soft velvet of his jacket brush your cheek before you remember your audience,  only enough not to give in to that final indulgence of resting your head on his shoulder, no matter how tempting it seemed.
“Are you enjoying yourself, sana?” Dale murmured, inclining his head closer to be heard over the music.
“Yes,” you replied, not seeing any reason to keep the easy answer to yourself. “I am.” You allowed him to steer the primary dramatic turn this dance has, spinning out and back to be caught in his arms in a move that heightened the intimacy of being held so close by contrasting it with the seconds you were apart. “Are you?”
“Yes,” he answered immediately, re-securing his grip on you. “I’m glad we don’t have to worry so much about managing other dance partners today. I’d prefer to only dance with you.”
“There are more talented dancers out there,” you couldn’t help but point out. You were always worried he had to slow himself down to keep up with you, who got winded so much faster than he did. “Even in here. Why—”
Dale shook his head. “But they aren’t you. You suit me best and I’m enjoying having you all to myself.”
Heat rose in your cheeks as you resisted the urge to hide your face against his chest. It was hard not to follow that line of thinking, let alone rebuff it or tease him back. Not on when he’s your husband. Not when you get him all to yourself tonight. His dancing skills easily morph into what other talents he might have, physically and in how he complements and anticipates you. 
You heard your name on his lips, questioning, but teasing. Trying to draw your eyes back to his instead of at his shoulder.
The next murmur of your name is accompanied by a jolt that’s out of place with the dance. Slowly, you realize that Dale isn’t in front of you, but to your side and that you’re sitting down. Sitting down in a carriage.
You blearily blink your eyes open, adjusting easily to the low afternoon light. You are comfortable and warm and so almost immediately close your eyes once more. The cushions of the carriage are plush and Dale is a solid comfort at your side, supporting your head so your neck isn’t even sore—the usual consequence that befell you if you sleep sitting upright. Instead you’re so relaxed you don’t want to move from your spot.
“We’re only a quarter of an hour from our destination,” Dale says, his voice low and quiet. “I thought you might want to be awoken before we arrived.”
“Thank you,” you reply, your hand coming up to your mouth to cover a yawn because he is correct. You’ve no desire to be jolted awake and out of the carriage in a hurry. 
While you get your bearings, you see Dale pop the last bit of a pasty into his mouth. Your own mouth floods with saliva, not only because you realize you’re hungry. You get distracted from the thought of sustenance by the sight of Dale licking his fingers clean. You wonder if the privacy the two of you are currently enjoying is why the red of his tongue seems more vibrant and its length seems longer than you remember.
Dale must notice your preoccupation because he gives you a sheepish smile, hiding his teeth and tongue behind soft lips to say, “Help yourself to what remains. I’m afraid that I ate the majority of the offerings.” He reaches forward, careful, you realize, not to jostle his right arm which you’re still clutching to your chest as he picks up the basket. He offers it to you. “I left you the mushroom pasty.”
You reluctantly let go of his hand to accept the offered pasty. You smile at his thoughtfulness: meat would have been far more likely to upset your stomach, especially in a pasty. “Thank you.” You keep your other arm still entwined with his, holding it to your side. It’s nice that it's been warmed from how you’ve been holding it. 
Dale makes no effort to reclaim his arm from your possession. Instead he fills the silence with easy conversation as he had been when you must have drifted off. He tells you about the part of the journey you slept through—where there was trouble, which road he noticed should be next on your list for improvements, and how often they stopped to water the horses. 
From all this, you gather you’ve made pretty good time. The sun’s only just beginning to set. Dale doesn’t press you to wake up faster or try to get you to contribute more to the conversation. It makes you think of what a morning might be like with Dale, him talking about your plans for the day while you can wake up at your own pace. 
Of course you don’t even know if you’ll be sharing chambers or have separate ones—you’d not had the nerve to ask and no one else brought it up. It varied quite a lot among couples to your understanding—noble ones that is. 
Sometimes it came down to space if it was possible—certain city houses with their limited space chose to prioritize rooms for entertaining or children over separate master and mistress chambers. Other times it was about practical comfort. Some sleep in the same bed but also maintain separate chambers for dressing and other personal matters.
Callalily swears if she had to sleep in the same room as her husband every night she’d murder him due to the snoring alone. But Asher and his wife never sleep apart. Marigold says it depends on what else is going on, their moods—how hot it is. 
You just added this to the list of matters you’ve never had the privacy to discuss with Dale. At least this would be decided to some degree tonight since you would be going to sleep somewhere. Although your nap had refreshed you. And tomorrow, and ideally the rest of the week, you’d be able to sequester yourself away with Dale and talk through everything else while you settle into your new marriage. After everything that happened, you aren’t going to let any more time go by without doing so. It’s tonight that’s still in question.
You take the time while listening and thinking to check your hair and clothes, getting them back in order from being rumbled by your nap. Even these little worries are starting to feel less daunting and more exciting, as you remember your dances, as you sit pressed against Dale in comfort, as you now know you and he are on the same page.
The carriage jolts to a stop, propelling you out of your thoughts and into the present. Dale reluctantly pulls out of your grip and you fight the urge not to let him. To hold on tight instead. No matter how ridiculous it would make leaving the carriage. You are a newly wed couple, surely some amount of foolishness is expected.
Still, it’s clear Dale’s intent on playing up his role as lord and husband, alighting from the carriage to offer his hand to help you down while a footman holds the doors open. Carefully you get to your feet, legs stiff after having been seated for such a long journey.
A small number of servants are lined up awaiting your arrival, including those you know and the ones who must be local to this lodge. You still feel rather sleepy and tired from all the socializing. It’s as if your mouth and mind know no more is officially required of them and so they’ve given up. You let Dale take the lead and had reclaim your hold on his arm as soon as you are able to. 
He looks startled but indulgent, which you are more than willing to accept.
You listen and do greet the housekeeper, but otherwise you allow yourself to be taken for the tour without much input or effort. It’s a lovely house, secluded and far smaller than a typical estate, obviously meant for only a few main guests or to be a wayhouse on longer journeys. It’s older, but well maintained. The traditional style is why the servants are housed separately. 
You feel as though the first floor tour goes by fast, but you start to feel some alertness, some anticipation, start to edge out the sleepy contentment that’d been lapping at your veins, when you go upstairs. It has well furnished studies, including a detailed map of the grounds the housekeeper goes over with you, in case you wish to ride or hunt. She doesn’t spend too long on it though, a twinkle in her eyes that makes you more self-conscious of your newly married status even more than some of the jokes made at the wedding luncheon.
The fact that she goes next to the bedrooms does not help you regain hold of your composure. She opens a door down the hall and allows you and Dale to enter first. “Here is the mistress’s room,” the housekeeper informs you. “Given the size of the house, the traditional dressing and sleeping rooms are combined.”
“They’re very nice,” you say for lack of anything better coming to mind. Your heart sank when she opened the door. You’d been hoping for a combined suite as it would take care of some of the awkwardness. Although perhaps it is only you who feels that way. Dale certainly is showing nothing of the sort. He’s only spoken with the housekeeper during the entire tour, though he’s glanced at you at times. 
Now he just nods, allowing you to take the lead as she shows you the various accommodations and where certain trunks of yours had been placed. Dale’s focus is entirely on you and you can nearly feel his scrutiny like a tangible thing. It’s enough to let you know not to meet his eyes or you’ll become ensnared by his gaze, as you always do when he gets like this. 
As it is, you manage to make all the appropriate affirmative noises and agreements, answering the housekeeper’s minimal questions. Before you know it she’s shown you the entire room. Just as you’re wondering what will happen next—will you stay here or follow her and Dale to his chambers—when she puts a hand on a door you realize she’s not opened.
“Your shared sitting room is through here,” she explains, opening said door and leading the way through to a very nice, spacious sitting room. You listen with one ear to her talk of the furnishings and history but your focus is on the door opposite the one you came through.
The housekeep doesn’t spend too much time here before she’s saying. “… and finally, the master’s chamber.”
She gave a similar tour of his rooms while you try not to overthink your grip on his arm nor stare at the bed, with its fresh and luxurious looking bed linens. The sheets are white but the covers are blue. You don’t know why you’re fixated on such inconsequential details. Maybe they’re just the most innocent aspects of the bed you can distract yourself with.
The housekeeper is briefer with her explanation for this room as it’s a mirror of the mistress’ chambers. Soon enough she guides you both back to the sitting room to wrap up. “Would you like anything, my lord, my lady? Vitals to keep up your health, preparing the beds, your body servants?”
You look up at Dale, who, as he sometimes does, seems taller than he had even back in the carriage. Since you just had some food in the carriage, you are satisfied. He’s the one with the big appetite.
He smiles down at you before looking back at the housekeeper. “We ate before arrival and on our journey. Tomorrow morning will be sufficient.”
“Yes, my lord.”
“It has been such a long day,” Dale continues. “I believe we’ll retire for the evening. Tell Mr. Murray I will send for him in the morning, if need be.”
“Please do send Miss Adir to me,” you ask, knowing your dress is harder to get out of than Dale’s attire. Perhaps on a more ordinary day you’d be able to manage on your own, but for tonight with such a fancy gown, you need the help. If you were sharing a room, perhaps you might have asked Dale, but as it stands now, you haven’t the courage to ask–especially not in front of the housekeeper.
“Yes, my lady.” The housekeeper leaves to fetch your maid while you and Dale stay behind in the sitting room.
“It’s a charming house,” you say, feeling the need to fill the silence in a manner you haven’t since you’ve woken up.
“Indeed. How are you feeling?” Dale asks, a little more nervous and a little more sincere now that you’re alone together. “Still tired from the journey?”
You shake your head. “No, I feel rather rejuvenated from my nap.” You shift where you stand as you resist the urge to fuss with your dress—it had dug in in certain places while you slept and is far past beginning to feel uncomfortable. The lace in particular at your neck is becoming itchy.
“But you wish to change,” Dale guesses.
“Yes.”
“Of course, I agree,” Dale says and shifts his shoulders in his jacket. “Would you like to join me in my room when you’ve refreshed?”
“Yes,” you reply, eyes on the door where Miss Adir is entering. “I shall rejoin you shortly.”
Dale nods, his expression polite, but his eyes stormy. Not that you can ever truly tell what his eyes are telling you–all the signs to read are off for him. You’ll need time to study him better. Which you now have because he’s your husband. You’ve no notion of his experience, but perhaps he’s nervous about everything as well. Or maybe there are additional considerations for tonight given his nature you can’t even fathom. 
You turn and head for your rooms, not enjoying how performative everything is starting to feel, especially with another person present.
Miss Adir quietly chatters about her trip. She points out where certain of your items were put away and what is still packed while she helps you out of your overgown and skirts.
You make affirmative noises and give quiet answers to her questions about your own trip. Soon enough, you’re left in your shift alone. “Thank you, Miss Adir. That will be all for tonight.”
“Of course.” Miss Adir looks as if she would like to say something further but instead she just curtsies. “Good night, my lady.”
You finger the wine colored silk ribbon that is woven into the lace trim on your chemise while you listen for the door to shut, occupying yourself with brushing your hands along the skirt to ensure it falls correctly. Even after you’re alone, you waste more time, fussing with your hair and clothes until you can delay no longer.
Once it’s making you more tense to stay here, delaying, you leave your chambers, cross the sitting room, and walk through Dale’s open door.
You shut it quietly behind you, eyes searching for Dale. You frown at the sight of him, only his jacket removed and his waistcoat unbuttoned, sitting on the corner of his bed. He looks still remarkably dressed, as you might find him in his private study. Not how you’d expect to see him in his bed chambers on the night of your wedding. “Dale?”
Dale looks up and stares at you like he’s never seen you before despite the fact that he also looks as if he’s waiting for you. He blinks and gets to his feet. Your eyes dart to the lamp on the wall—it's not really dark enough to need one, but the shadows guttered with his movement in a manner that betrayed his nerves. When your eyes go back to his, he looks chagrined and the shadows still. “Apologies.”
You’re not sure what to say since you feel so throw off your own expectations. He’s acting as if there are still more secrets to spill and it’s got your nerves twanging. “It’s fine. Is everything alright?” Dale doesn’t look nervous as a person might on their wedding night. He looks nervous like a man on trial would.
“Yes, of course,” he replies. “Would you like to take a seat?”
“I…sure.” You hesitantly walk over to where he’s gesturing and seat yourself on the corner of the bed. “Yes.”
He paces in front of you and just as you’re about to ask again about what might have happened since you left him less than half an hour ago, he says, “So… I suppose you want to talk.”
He puts a lot of emphasis on “talk” that you don’t completely understand. You blink and repeat slowly, “Talk?”
“Yes, since you know I haven’t always been Dale and that I am a demon,” Dale elaborates. You still feel some surprise at him finally speaking plainly after so long of talking around the subject even after this morning. “I expect you have a lot of questions.”
“Oh!” You’d expected to ask such things tomorrow, not tonight. Not on your wedding night. It's obvious now that Dale’s given no thought to traditional wedding night activities. He’s obviously as focused on reassuring you as he had been back in his study. And you want to know more. You want to know everything, of course you do. You’d only thought…but no. He’s right. “I mean, I do.” Best to resolve all this now so he can start to trust in your acceptance. Best to get it all out in the open, in your new privacy, before something else got in the way. “Yes.”
“Well, we finally have some privacy,” Dale says, echoing your own thoughts so closely you almost smile, “and I don’t want you to be nervous or unsure about me.”
“I am sure of you,” you feel the need to say. You stand up because while you’d had other ideas for tonight, reassuring your husband you trust him certainly seems more important. “However, honest conversation is never bad and is overdue. I’ll brew some tea.”
Still, it’s harder than you think to swallow your disappointment. You take advantage of the distraction and familiarity preparing tea provides–the way it allows you to look away from and ensure your face isn’t giving away your chagrin. 
Of course Dale would value a conversation about his nature and his experiences and clarifying with you over something so, so human. He’d said something about a mate, but who knew what that truly meant to him. You had no real idea if demons even had sex. He must know what humans did on their wedding nights, but it's clearly not on his mind now. 
He pauses every now and then in his circuit of the room to hover a bit over you and the tea table, before backing off in a manner that makes it clear he’s not sure of his welcome still. 
But what about that kiss? You mind wonders with some frustration. Was that just something he thought humans did? Did he think it was expected and complied, but hadn’t truly want to? Or maybe he simply didn’t care about this sort of physical affection? You begin to feel rather shallow and base in your preoccupation.
As you finally pour the tea into a cup for each of you, you tell yourself that you can only manage one thing at a time. For now, your focus has to be on understanding Dale and what he wants. You can figure the rest out later. He’s your husband now. You’ve got plenty of time.
You sit back down on the bed, cup clutched in your hand, while Dale takes his gratefully. To your mounting disappointment, he sits at the vanity instead of next to you.
“So,” he says, after a sip of tea, “where would you like to begin?”
[Part Thirty-Four]
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You ever think about how in spite of knowing their exact locations, the game never gives any indication that templar Carver has reported his mage sibling, Merril (a blood mage) or Anders (an abomination) to his superiors?
I do think about that a lot, even though I tend to ignore the Templar Carver route because I know Warden Carver to be true in my heart and soul... but I totally get the appeal of Templar Carver within DA2's narrative, y'know?
It's so fascinating, really. I've never played a run with Templar Carver, I just can't bring myself to do it, so I know I'm missing out on smaller details of it. From what I do know, this drives me crazy in the best way possible.
Deciding whether to bring him or not to the Deep Roads is such an important choice, not only because it affects his fate, but how it affects his relationship to Hawke. He tells you that he wants to go, he makes it very clear that it's important to him that he goes, too... and Hawke can just leave him behind and it hurts him. I don't think that registers enough with some people just because of how Carver is, like it doesn't matter what Hawke's motivations are [staying behind for his safety, not wanting to bring him, thinking someone should stay with Leandra, etc] it still hurts him because it tells him that Hawke doesn't need him, and Carver wants to be needed.
And yes, there are other contributing factors to why he joins the templars, but it doesn't matter what your relationship is to him, it doesn't change the fact that he doesn't turn Hawke or his companions in.
Sure, the meta reason is it's a video game and you're playing the main character. You're never in any actual danger of being captured by templars, and you're not going to lose your companions to them that easy.
But if we look at it through the narrative and Carver's character, that's when it gets interesting. You can max out his rivalry and be an utter asshole to him [there's a point where you can call him a brat and mock him for being stuck in your shadow, like Hawke can be real cruel about it] but it doesn't matter, you're still his sibling. He even makes a remark about how you might not know what that means [referring to leaving him behind] but he does. He refuses to kill Hawke in the end when Meredith makes the order, too.
Which can I just point out that Hawke has the option to let Bethany die in the end if she's with the circle and they side with the templars? Just saying, Carver NEVER does that no matter what, but Hawke has the option to betray Bethany like that and it's fucked and interesting and it makes me want to eat my chair-
As for Merrill and Anders, I think he knows that if he turns either of them in, then the chances of Hawke being brought in as well skyrocket. They're all friends, they're in the same group... bring one in, and you'll probably get the other two.
I also think Carver just genuinely likes Merrill. Yes, I'm a Carver/Merrill shipper, so I have a bias, but even if you remove anything romantic from their dynamic I believe that's true. Of all the companions, Merrill is the only one who doesn't make fun of him, or find him annoying, in party banters. He never snaps back at her, like he's never defensive with her, he's just a little awkward and nice.
Like, HE'S SO NICE TO HER! He tries to find common ground with her! She asks him about "swording" and he's taken aback by her saying he's good at it, but you KNOW that if someone like Anders asked him the same question, he's be all, "shut up, you're stupid, stop talking to me >:["
Think back to that banter Carver can have with Aveline post-act 1 where they're talking about how the guard wasn't the right place for him [hard disagree with you there, Aveline] and Carver says he was a bit of a tit, wasn't he.... and every companion will agree except Merrill. She doesn't say anything, whereas other companions like Anders will be like "ugh maker YES" and if you have a purple Hawke, they'll go on to other ways Carver was a tit like?? I think Carver and Merrill got along and he doesn't want to turn her in because she was nice to him! And she's a blood mage! He knows what will happen to her if the templars get ahold of her! He doesn't want to see her made tranquil or killed!
At that point, he's witnessed what bad blood mages can do, assuming you've brought him along for those quests, but even so. He knows Merrill isn't like that and he likes her, so of course he's not going to turn her in despite that being his literal duty.
Then there's Anders who Carver doesn't like. If you're in a romance with him, Carver will tell him that's why he doesn't turn him in but c'mon Carver, you know that's not the only reason. My theory is Carver may not like Anders and he knows the man's got a spirit of justice inside of him... but Anders also runs a free clinic. If he's ever taken in by templars, then so many people [including a LOT of Fereldan refugees] will be without free health care and will suffer for it. I think in Carver's eyes, Anders might be irritating but he doesn't more good than harm. Carver knows first hand how shitty refugees and poorer people are treated in Kirkwall. Anders' clinic is the one place they can go for help and actually get it, and he's not going to be the one to take that away because the templars say "magic bad."
So yeah, I'm not as informed about the Templar Carver route, but I do think about how if I did do that route, he wouldn't betray Hawke or their companions no matter what and what that says about him.
#asks#dragon age 2#da2#carver hawke#da2 merrill#da2 anders#listen i love carver hawke okay he and bethany are my favorite companions in da2#i could talk endlessly about the twins and their roles in story and how unfair it is that only one of them can make it to kirkwall#meaning we hardly get to see them interact with each other before one dies and UGH#like i get it their stories rely heavily on them being the only mage or non-mage in the sibling trio so both of them living#would've meant writing two different origins stories for them with different attitudes affected by having another siblings that like them#but also i think if hawke's a rogue then leandra should've died and we could've worked it out okay#ANYWAY... templar carver amirite? i know i should go that route just to say i have and to see it for myself but hhhnnnggggg...#it physically pains me to think of not bringing him to the deep roads though it's so important to him and my hawke works so hard#to repair his relationship with his brother okay i max out carver's friendship every time and it's so worth it#you don't understand okay friendship carver is the best he's so goddamn sweet i can't handle it#it's actually so interesting how bethany and carver start out versus how they end because bethany starts out as the super sweet one#whereas carver's surly and bitter... but past act 1? it's like they flip?? at least on the warden paths like bethany is BRUTAL#she's so fucking bitter and rude and I love it?? like her relationship with hawke is in the trenches whereas carver's is vastly improved#again no matter your approval with him when you reunite in act 2 he will ALWAYS tell hawke that 'i'm sure you did your best'#referring to leandra's death but bethany's response will change depending on your approval with her#and if i remember right the rivalry response is OOF#carver and bethany turn me into a little giggling gremlin i love them so much
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royalarchivist · 11 months ago
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Oscurucho: Welcome back, brother. Cucurucho: What. Oscurucho: Not even a "Good morning"? How cold.
Here's Cucurucho and Oscurucho's long lore conversation from yesterday! The entire conversation lasted about 8 minutes, but most of that time was just silence between each exchange, so I edited out the long pauses and got it down to ~3 minutes. I also fixed the audio levels and added subtitles since I personally find it difficult to understand Oscurucho sometimes :'D
I hope folks find this helpful!
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[ Subtitle Transcript ↓ ]
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Oscurucho: Welcome back, brother.
Cucurucho: What.
Oscurucho: Not even a "Good morning"? How cold.
[They enter Cucurucho's office]
Oscurucho: I wanted to see if you're still as rigid in your beliefs as ever. You see, I've been thinking about our... Let's call it "philosophical divergence." You stand for order, for predictability. But where's the fun in that? You see, brother, while you build, I ponder the beauty in tearing down. It's not just destruction - it's rebirth. A chance to remake things in a more... thrilling image.
[...]
Oscurucho: You once had a backbone for our cause. Now, I see a softness in you, a sentimental weakness for those Eggs. Mere experiments, and yet - they've softened you.
Cucurucho: Your vision obstructs the path to perfection. You fail to understand the potential of the Eggs.
Oscurucho: Potential? They're but catalysts for change - for revolution. Without them, stagnation reigns.
[...]
Oscurucho: You chase perfection, I embrace the beauty of flaws. Your world is one of order, mine thrives in chaos. You wish for everything to run smoothly, I dream of watching it all burn to the ground. We may share a name, but our souls are worlds apart. All your efforts, all for what? Mere acknowledgment from a Duck who told you to do it? Imagine the possibilities - rather, show me where it is, and I'll do the rest.
[...]
Oscurucho: Speaking of possibilities, I couldn't help but notice how easily others can access the island. It seems your security measures aren't as impenetrable as you think.
Cucurucho: No. My island's vulnerabilities are of your own making. Do not mistake restraint for ignorance.
Oscurucho: Pity. But then again, I never really needed your approval. Just consider: Cucurucho - in your quest for order, have you not sown the seeds of your own undoing? Do you genuinely trust all your Federation minions?
Cucurucho: ...
Oscurucho: Perhaps it's time you question not just my intentions, but those who you believe stand with you.
Cucurucho: That is none of your business, I shall say. Now, leave me alone and try to disturb someone else.
#Cucurucho#Oscurucho#QSMP#December 21 2023#Edited#Subtitles#For those who like knowing the gritty details and specifics about the things I did for this video -#I adjusted Cucurucho's volume because they were very quiet compared to Oscurucho#I fixed the sound direction (for lack of a better word) of Oscurucho's voice b/c he was speaking through my right headphone 90% of the time#so now it's more of a ''centered'' audio rather than a right ear or left ear thing#I added subtitles (obviously)#I fixed the camera a bit so it's more focused on Cucurucho / Oscurucho#and I adjusted the translator box so that even with the crop; they're all still included#usually they get cut out when I edit things because I'm just focused on the characters; but then one day I was like#''Why am I cropping out this thing that specifically helps people understand the story better?''#So moving forward I'll see if I can do what I did here and add translation boxes as their own ''layer'' overlaying the clip itself#for big lore videos anyways or for clips with long conversations at least#I jokingly said to myself ''I bet I'll wind up shaving 5 minutes off this'' and I was right lol#I enjoy the official QSMP streams but one major critique I have is that the pacing was a bit slow in one or two streams#which is understandable considering many admins have to write in books (which takes time) and translate things (which takes even more time)#And that's valid! But in the last stream (the one with Elena) for example; many scenes dragged on far too long#and it wasn't because people were taking extra long to write books or translate things. It was purely a matter of pacing#idk I'm a professional writer and editor so I'm extra nitpicky about things like that. I think it's something that's pretty easy to fix tho#This is just my critique in terms of the story pacing - like I said; the time it takes them to write / translate stuff is understandable#this is more of a comment on the overall pacing#anyways rant over#Today's stream had much better pacing! Still a bit slow (again; I cut 5 minutes from this conversation)#but that's due to the communication medium (TTS) so that's understandable. That's valid. I'm not fussed about it; that felt natural#Take all the time you need kings it's hard to translate things on the fly. I get it.#Portfolio
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wonder-worker · 7 months ago
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I've been thinking about the tragedy of Elizabeth Woodville living to see the end of her family name.
I don't mean her family with her husband, which lived on through her daughter and grandson. I mean her own.
Her sisters died, one by one, many of them after 1485. When Elizabeth died, only Katherine was left, and she would die before the turn of the century as well.
All her brothers died, too. Lewis died in childhood. John was executed. Anthony was murdered. Lionel died suddenly in the peak of Richard's reign, unable to see his niece become queen. Edward perished at war. Richard died in grieving peace. For all the violence and judgement the family endured, it was "an accident of biology" that ended their line: none of the brothers left heirs, and the Woodville name was extinguished. We know the family was aware of this. We know they mourned it, too:
“Buy a bell to be a tenor at Grafton to the bells now there, for a remembrance of the last of my blood.”
Elizabeth lived through the deposition and death of her young sons, and lived to see the end of her own family name. It must have been such a haunting loss, on both sides.
#(the quote is by Richard Woodville in his deathbed will; he was the last of the Woodville brothers to die)#elizabeth woodville#woodvilles#my post#to be clear I am not arguing that the death of an English gentry family name is some kind of giant tragedy (it absolutely the fuck is not)#I'm trying to put it into perspective with regards to what Elizabeth may have felt because we know her family DID feel this way#writing this kinda reminded me of how I am just not fond at all about the way Elizabeth's experiences in 1483-85 are written about#and the way lots so many of the unprecedentedly horrifying aspects are overlooked or treated so casually:#the seizure and murder of two MINOR sons and the illegal execution of another;#her sheer vulnerability in every way compared to all her queenly predecessors; how she was harassed by 'dire threats' for months;#how she had 5 very young daughters with her to look after at the time (Bridget and Katherine were literally 3 and 4 years old);#how unprecedented Richard's treatment of her was: EW was the first queen of england to be officially declared an adulteress;#and the first and ONLY queen to be officially accused of witchcraft#(Joan of Navarre was accused of her treason; she was never explicitly accused of witchcraft on an official level like EW was)#the first crowned queen of england to have her marriage annulled; and the first queen to have her children officially bastardized#what former queens endured through rumors* were turned into horrifying realities for her.#(I'm not trying to downplay the nightmare of that but this was fundamentally on a different level altogether)#nor did Elizabeth get a trial or appeal to the church. like I cannot emphasize this enough: this was not normal for queens#and not normal for depositions. ultimately what Richard did *was* unprecedented#and of course let's not forget that Elizabeth had literally just been unexpectedly widowed like 20 days before everything happened#I really don't feel like any of this is emphasized as much as it should be?#apart from the horrifying death of her sons - but most modern books never call it murder they just write that they 'disappeared'#and emphasize that ACTUALLY we don't know what happened to them (this includes Arlene Okerlund)#rather than allowing her to have that grief (at the very least)#more time is spent dealing with accusations that she was a heartless bitch or inconsistent intriguer for making a deal with Richard instead#it also feels like a waste because there's a lot that can be analyzed about queenship and R3's usurpation if this is ever explored properly#anyway - it's kinda sad that even after Henry won and her daughter became queen EW didn't really get a break#her family kept dying one by one and the Woodville name was extinguished. and she lived to see it#it's kinda heartbreaking - it was such a dramatic rise and such a slow haunting fall#makes for a great story tho
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bookshelf-in-progress · 1 month ago
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Gosh, do I love discovery writing. The freedom. The sense of play. The way you have to hold the material lightly and follow where it leads, never being afraid to scrap things that don't work or to rewrite to emphasize things that do. You have the fun of discovering the story you're writing rather than the frustration of being unable to capture the ideas in your head. This way might wind up taking ages, but it makes the writing process such a joy.
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dollsome-does-tumblr · 7 months ago
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the horrible thing about if ted lasso eventually comes back for a surprise fourth season is that i'm going to bounce right back to believing that tedbecca is the endgame plan despite the show creators literally saying multiple times that tedbecca was never the endgame plan 🤣🤣🤣😭😭😭
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turning-monday-blue · 6 months ago
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Sweets (1/?)
The snugness was barely tolerable. She had overestimated herself. She looked surreptitiously over her shoulder and ducked around a corner. The only thing following her were her bad decisions, but she felt chased all the same.
Okay. Calm down. Breathe (but not too deep). Evaluate the situation. What are your options? Can you loosen anything?
She looked down at herself. Past her swollen breasts, past a fluffy roll of upper belly, she examined her waistline. Nope. The button was the only thing keeping the zipper together, and vice versa. For the millionth time, she lamented her morning. What a bright idea, interviewing for a job with a snack company. She was very well aware of how sweets affected her.
Could she find somewhere discrete to wait out her... little metabolic mishap? She looked around for a discrete nook to accommodate her fresh bulk.
The little atrium she had found had a series of plush benches around the walls. She sighed and headed for the one in the corner. She sucked in as best she could and sat down. Some horny little corner of her mind made note of how it felt as her tight belly shifted against her puffy thighs.
Sitting like this, only barely upright lest bending too far compromise her jeans, she couldn't ignore how her waistband was trying to cut her in half. She thought back to how she had done this to herself. The lovely HR manager had very explicitly pointed out the basket of the company's sugary offerings there in the middle of interview table. The woman had been insistent that she try at least one of each, gushing like any good salesperson about their rich flavors and subtle textures, occasionally even peeling one out of its wrapper and handing it to her.
How could she have done anything but eat what was offered to her? And by a beautiful woman, no less. She knew how her body reacted to food like this, but she had been desperate to make a good impression, to look good and eager and employable. A good girl. She ignored that last thought, and the accompanying shiver through her frazzled tummy.
She closed her eyes and tried to steady herself. Breathe in through the nose and out through the mouth (but not too deeply). All she had to do was calm down, and give her body a chance to do the same. Then she could find a back door to sneak out of, go home and hope that somehow that she hadn't blown the interview.
She opened her eyes again and caught sight of herself in a mirror across the room. Holy crap, she was huge. She had been her normal, narrow self, and her outfit had fit very very normally, when she had arrived. But now? Now it looked positively painted onto her. Her breasts were trying to spill out of her tastefully exposed bra and over the lapel of her blouse. She was more balloon than woman at this point. She ignored another tingle.
As she watched herself in the mirror, she noticed something change. Slowly but surely, the last wrinkle in her blouse smoothed out. Uh oh. That meant... she was still filling out. Panic. She tingled again.
No. No. Calm. Breathe (but not too deep). She closed her eyes again, and could feel her plump body quietly grow. Crap.
Panic. Calm. Breathe (but not too deep). Calm.
Maybe if she didn't look, it would go away. That had never worked before, sure, but there's a first time for everything, right?
As she rationalized to herself, she noticed the sound of heels clacking towards her hiding spot. Panic!
Maybe their owner would pass and not notice her?
No such luck.
The woman who had interviewed her rounded the corner.
"There you are!"
She struggled to stand. So tight.
"You left your purse upstairs. I get it, though. Interviews can be pretty stressful, huh?"
Like nothing had changed. Did this woman not notice that she was currently three times the size she was when she had shown up? Could this woman not hear every seam in her clothes creaking in harmony? Could the woman not see how wide and deep and round she was becoming?
"It's such a beautiful handbag, I almost wanted to keep it for myself!" The woman laughed. "Oh well."
She took the bag from the woman. "O-oh! Thank you!" Leapt out of her.
"Listen," said the woman, "technically I have to review a few other candidates, but I think you're a shoo-in for the position." The woman moved closer. "No one else has shown so much... enthusiasm." Closer still. She basked in the smell of the woman's musky perfume.
"Oh... that's great!" she managed to squeak out.
"In fact," the woman continued, "if you'd like to come back upstairs, we can have you fill out the onboarding paperwork now, so you don't have to come back just to fill out some forms if... when we give you the job." So close now.
"Um! Okay!" What.
The woman placed a gentle hand on the side of her massive, tight, growing belly. "Listen, between you and me, that passion you showed today will take you far with us. Do you feel like the offer is fair? We can negotiate further if you need." The woman's eyes were so sincere.
What was going on here? She could barely think.
The woman placed her other hand on top of her belly, well hidden by her burgeoning breasts. "I do hope you'll say yes."
"Um..."
There was a pop. Her button pinged away across the room from her overburdened jeans. It made a little thwack sound as it hit the far wall. Her zipper flew down, zizzing audibly. Her belly erupted through the breach. Her blouse retreated upwards. The tingling became a roar. All the while, the woman, as though no tectonic shifts were happening right there and then, continued to implore with borderline puppydog eyes.
The world held its breath with her. How had this woman not reacted to any of that?! What? Was the woman still waiting for an answer?
"...okay?" She tried. She wasn't sure if her brain was still working. "Sure?" Best to stick to small sentences.
"Yay!" cheered the woman, "I really think you'll love it here!" The woman launched in for a quick hug around her exposed belly. The woman's arms didn't go even halfway around her. And still the woman didn't seem to notice that anything was wrong.
"Well! If you'll follow me back to the elevators, we can at least get the formalities out of the way."
The woman took her by the hand and pulled, still gentle. She followed, mutely. Even the horniest, shamiest corners of her mind were silent, waiting with bated breath.
As they reached the elevators, the woman pushed the up button and stood to the side. "Please," said the woman, "after you!"
On autopilot now, she stepped into the elevator and... wedged into the door. Stuck. What. Panic? Calm? The elevator dinged again as if to say "I'm waiting!"
The cold of the elevator doors brought her back to reality. She put a hand on either side of herself and tried to pull herself in. As though this were somehow normal, the woman chirped "Oh, here, let me help!"
She felt a gentle pair of hands press into her oceanic bottom. Her horny brain thrilled again. She clamped down on those thoughts. No time to be a pervert.
Between the two of them, they muscled her into the elevator. She turned to face the doors in time to watch the woman press into her in order to let the doors close. Normally equipped for eight full-sized human adults, due to her immensity, it very barely fit two.
"We need floor thirty," said the woman into her barely contained cleavage. She tried to reach for the panel of buttons, but by now there was simply too much of her in the way.
"I've got it," said the woman, reaching behind her without looking.
They rode the thirty floors quietly. She could feel herself still widening, pressing towards the walls of the elevator car. Her embarrassment had burnt out, leaving only a kind of stunned peace in her mind. She tried to will her body away from the woman, but where else could it really go?
By the time they reached their destination, the woman was firmly pressed against the doors, still showing no indication of the extra-ordinariness of the situation.
As the doors opened, the woman stepped back, grabbed her hands, and pulled as she tried to wiggle through the door. Eventually she floomped through, and they set off toward the HR suite.
Full-on waddling now, she felt an inner tension release. She had stopped growing. Relief. If nothing else, at least things had stopped getting worse. Sure, she was almost round enough to roll. Tingle. Sure, her clothing had been reduced to barely covering her... rude areas. Tingle. Sure, a beautiful woman was acting as though this was all perfectly normal. Tingle tingle tingle. But hey, at least it finally wasn't getting worse.
The woman pushed open the double doors to the HR suite and welcomed her in with another glittering smile. They seemed to be the only ones there. The woman led her, patiently, to the front desk area. The woman ducked behind the desk, looking for something.
"Hmm, it looks like I'll need to go print off more some more copies of the forms. Shouldn't take more than a minute or two." Finally she'd have a moment to collect herself.
Then the woman produced a basket, laden with various goodies, from underneath the desk. "Here! Help yourself, sorry to make you wait." Uh.
"Oh, here, allow me," said the woman, picking out a chocolate confection, peeling it, and pressing it into her mouth. "I'll be right back!"
She chewed and swallowed the treat.
Uh oh.
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tathrin · 1 month ago
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I was thinking about the weirdness of LaCE and the whole sex=soul-marriage thing again (as you do) and a thought struck me:
what if the way it works in cases of assault (or is believed to work by the elves; in this case it doesn't matter if it's actually what happens of just what they think) is that you don't end up with a full-on bond, no, but you do get bits of connection, like hooks stuck in your soul from the other person(s)?
And—if we run with the worst interpretation of the Celebrían situation—what if that's what motivates Elladan and Elrohir to be so determined to hunt down every single orc in Middle-earth?
If Celebrían left because she couldn't bear the feeling or thought or those orc-hooks in her soul (or the ptsd flashbacks and trauma that made it easy to assume the stories were true, and that's what was happening to cause her misery) and hoped that crossing the Sundering Sea would cut them off, or at least blunt them and let the scars heal...
Well, the twins know that you can't really sail back, of course they do. They know!
But Glorfindel did. And a whole host of elves came once, during the War of Wrath. So it's not that nobody has, ever. (They can look up and see their grandfather sailing in the sky every night, out of the Undying Lands. Maybe somebody could hitch a ride...?)
If they can make Middle-earth safe for her again...well, maybe she won't come home. But at least then she could, if a chance ever came to leave and cross the Sea again. She could.
And even if she doesn't, at least when they Sail*, they can tell her that they slew her nightmares, finally.
And maybe that will be enough.
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