#astrology correspondences

[lunarianscripts]

Astrology: Religion vs. Spirituality

Religion (Sagittarius) = Prayer, Divination, Meditation (to connect to higher beings), & Veneration; Outer world & external guidance.

Spirituality (Pisces) = Energy work, Meditation (to connect to higher self), & Intuition; Inner world & internal guidance. ⠀ Want to learn more about Astrology? Click here! Want to book a session with me? Click here!

[helgahaze]

Astrology of Tarot Practice

Tarot, astrology, magic, spiritual, meditative, energy practices, and even some areas of psychology basically operate on the fuel of outer planets: Uranus, Neptune, and Pluto.

In the birth chart of a person deeply interested in such activities, these planets are highly likely:

Related to the 1st house,

Are strong, dominant planets,

Have aspects with the Moon, Sun, Mercury, Venus, or Mars.

Uranus, Neptune, and Pluto provide a specific background in worldview and personal vibe, which inevitably reflects on the style of practice, regardless of whether tarot is a simple interest, hobby, or professional activity.

Below, see how it works for each of the outer planets.

Pluto

A brilliant analyst and researcher. Digs deep. Feels relations and connections. Understands how to manage them. Naturally senses vulnerabilities, flaws, and bugs. Works quietly and secluded, then produces results all at once. Ignites from the excavation of everything shadowy, repressed, unconscious, dark, and magical.

Pluto is like a cat who proudly lays out a dead mouse right in front of you. Mercilessly and frankly, in plain sight.

The closest character in tarot court cards: Queen of Wands.

Ideal tarot activity: digging out the causes of problems, picking through trauma, magic, shadow work, tarot as a tool for transformation.

Uranus

A detached genius engineer. Needs to make calculations and then produce the result. In its own unique style, with a focus on the future. Builds multidimensional information models and masterfully navigates them. Goes from the general to the specific.

Has intuitive intelligence. Processes information with lightning speed. Finds connections and parallels that carry the essence. An excellent forecaster and strategist.

The closest character in tarot court cards: King/Knight of Swords.

Ideal tarot activity: planning and forecasting, developing paths to goals, cause-and-effect relations, tarot as a tool to clear the mind and untangle.

Neptune

Works as a translator. Relies on intuition. Feels the world as a whole living, breathing organism. Sees and understands reality through metaphors, images, and symbols better than directly. Loves to solve mysteries and riddles.

Creates an atmosphere of magic, a soft, enveloping, polyphonic vibe of meanings, in contrast with the dead mice of Pluto and the mathematical structure of Uranus.

The closest character in tarot court cards: Queen of Cups.

Ideal tarot activity: self-help, self-discovery, spirituality, search for inspiration, meditation, intuition development.

These examples were written with a focus on tarot reading, but you can easily project these key style patterns of each planet onto other spiritual or magical practices.

[dionysianivy]

𝐎𝐜𝐭𝐨𝐛𝐞𝐫 𝐌𝐚𝐠𝐢𝐜 𝐂𝐨𝐫𝐫𝐞𝐬𝐩𝐨𝐧𝐝𝐞𝐧𝐜𝐞𝐬 🍂🎃

⠂⠄⠄⠂��⠁⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠄⠄⠂⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁

October is a time of deep spiritual connection, transformation, and preparation for the darker months ahead. For witches, this month holds powerful energy as the veil between worlds becomes thinner, allowing for a deeper connection with spirits and their energies. During this time, we prepare for the colder season, readying ourselves for winter. The vibrations throughout the month are strong, making it the perfect time to practice our magic and align ourselves with the stillness of the approaching winter season. 

⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠄⠄⠂⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁

Celebrations: 

Samhain/Halloween

(Samhain, meaning "summer's end," marks the end of the light half of the Celtic year and the beginning of the dark half. It's a time when the boundary between worlds grows thin. According to legend, on this day, the Dagda, the father god, and the Morrigan, the "phantom queen," unite to ensure fertility for the land, people, and animals in the coming year. The Morrigan, often described as a goddess of war, begins the ritual as an old woman but is restored to youth and beauty through their union.)

Planet:

Moon 

Flowers: 

Angelica, Marigold, Heather, Chrysantemum, Dahlia

Herbs/Plants: 

Sage, rosemary, witch hazel, catnip, garlic, allspice, bittersweet, patchouli, bay leaves, pumpkins 

Tarot Cards: 

The Death, The Devil 

Fruits:

Apple, pomegranate, grapes, pears, cranberries 

Deities: 

Nephthys, Hecate, Hel, Banba, Durga, Kali, Hades, Loki, Odin, Badb, Arawn, Belenus, the Dagda, Demeter, Persephone, Cernunnos, Morrigan 

Colors: 

Dark green, black, orange, deep red, purple, brown 

Runes: 

Wunjo, Hagalaz 

Crystals: 

Obsidian, onyx, carnelian, amethyst, opal, citrine 

Animals: 

Raven, crow, bat, spider, stag, scorpion, owl, cat 

Trees: 

Beech, willow 

Symbols: 

Acorns, pumpkins, raven, skull, broomstick 

Magical powers: 

Garden magic, communicating with spirits, connecting with other realms (otherworld), scrying, death (letting go of the old and welcoming the new), connecting with ancestors, shadow work, fertility, transformation, balance, inner peace. 

ACTIVITIES TO DO:

🎃Celebrate Samhain and Halloween

🎃Connect with your ancestors or the spirits of your loved ones

🎃Bake autumn recipes

🎃Use cinnamon essential oil in your practice

🎃Practice pumpkin magick

🎃Light candles and relax

🎃Do daily tarot readings

🎃Honor your ancestors or loved ones who have passed away by creating a special altar or offering them gifts

🎃Read about the history of witches

🎃Collect pine cones or acorns

🎃Decorate your home to welcome the spooky vibe

🎃Try rune divination

🎃Connect with the elements of Water and Fire

🎃Watch Halloween movies

🎃Include October elements in your practice (such as apple magic, manifesting with bay leaves, or using pumpkin seeds in spells)

🎃Experiment with new magical skills. You could try a new spell or explore different types of magic, like faerie or draconic magic

(Even though I wasn’t a huge fan of autumn before, this time of year—especially October—is when I feel the busiest, most inspired, and most connected to my craft. I’m especially excited to communicate with dragons! :D)

⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠄⠄⠂⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁

tip jar🎭

[high-priestess-house]

𝖀𝖓𝖉𝖊𝖗𝖘𝖙𝖆𝖓𝖉𝖎𝖓𝖌 & 𝖀𝖘𝖎𝖓𝖌 𝕸𝖆𝖌𝖎𝖈𝖆𝖑 𝕮𝖔𝖗𝖗𝖊𝖘𝖕𝖔𝖓𝖉𝖊𝖓𝖈𝖊𝖘

Witchcraft magical correspondences refer to the associations made between various objects, substances, times, and events with specific magical effects or purposes. These correspondences have deep historical roots and derive from a blend of multiple sources, including ancient alchemy, early science, cultural symbolism, religious beliefs, and intentionality.

Ancient Alchemy

Alchemy, the precursor to modern chemistry, played a significant role in shaping magical correspondences. Alchemists sought to understand the mysteries of matter and the transformation of substances, often imbuing their experiments with spiritual and mystical significance. For example, the seven classical planets (Sun, Moon, Mercury, Venus, Mars, Jupiter, and Saturn) were associated with specific metals (gold, silver, mercury, copper, iron, tin, and lead, respectively). These associations were believed to reflect the planets’ influences on earthly matters and human affairs. Alchemical texts also explored the relationships between colors, elements, and spiritual principles, influencing the development of magical correspondences in witchcraft.

Ancient alchemy holds a significant place in the history of science, philosophy, and mystical traditions, influencing various fields and practices, including witchcraft. The importance of ancient alchemy can be understood through its contributions to the development of modern science, its philosophical and spiritual dimensions, and its enduring influence on magical and esoteric traditions.

The Great Work (Magnum Opus): Central to alchemy is the concept of the Great Work, which symbolizes the alchemist’s quest for spiritual and material transformation. This process involves the purification and perfection of substances, often mirroring the alchemist’s inner spiritual journey toward enlightenment and self-realization.

Symbolism and Allegory: Alchemical texts are rich in symbolism and allegory, using metaphors to convey complex philosophical and spiritual concepts. Symbols such as the philosopher’s stone, the ouroboros (a serpent eating its own tail), and the four elements (earth, air, fire, water) encapsulate profound ideas about the nature of reality, transformation, and the interconnectedness of all things.

Hermetic Tradition: Alchemy is closely associated with Hermeticism, a philosophical and spiritual tradition based on the writings attributed to Hermes Trismegistus. Hermetic principles, such as “As above, so below” and the unity of opposites, permeate alchemical thought and emphasize the correspondence between the macrocosm (the universe) and the microcosm (the individual).

Magical Correspondences: Alchemical principles and symbols have been integrated into various magical and esoteric traditions. The associations between planets, metals, and elements in alchemy have become foundational correspondences in many forms of magic and witchcraft.

Transmutation and Transformation: The alchemical goal of transmutation, particularly the transformation of base metals into gold, has a symbolic counterpart in magical practices. This idea of transformation is applied to personal growth, healing, and the manifestation of desires through magical means.

Ritual and Practice: Alchemical rituals, with their focus on purification, transformation, and the attainment of higher states of being, have influenced the structure and content of magical rituals. The use of specific substances, tools, and processes in alchemy has parallels in magical workings, emphasizing the transformation of both the practitioner and the environment.

Alchemy in the Renaissance: During the Renaissance, alchemy experienced a revival as scholars and practitioners sought to integrate ancient wisdom with emerging scientific knowledge. Figures like Paracelsus and John Dee contributed to the development of alchemical thought, blending it with medicine, astrology, and early chemistry.

Psychological Alchemy: In the 20th century, Carl Jung, a prominent psychologist, explored alchemy as a metaphor for psychological processes. Jung’s interpretation of alchemical symbolism as representing the individuation process—the integration of the conscious and unconscious mind—brought new insights into the relevance of alchemy for personal development and psychotherapy.

Contemporary Practice: Today, alchemy continues to inspire both scientific inquiry and spiritual exploration. Modern alchemists, both literal and symbolic, seek to uncover the hidden principles of transformation in nature and the self. The enduring appeal of alchemy lies in its holistic approach, integrating material, psychological, and spiritual dimensions of existence.

Early Science and Natural Philosophy

Early scientific observations and natural philosophy also contributed to the development of magical correspondences. Ancient and medieval scholars often categorized the natural world into elements (earth, air, fire, and water) and humors (blood, phlegm, yellow bile, and black bile), each with specific qualities and effects. These classifications were used to explain natural phenomena and human health, and they found their way into magical practices. For instance, herbs and stones were categorized based on their perceived elemental qualities, and their uses in magic were aligned with these characteristics.

Cultural Symbolism and Mythology

Cultural symbolism and mythology provided another rich source of correspondences. Different cultures imbued animals, plants, colors, and objects with symbolic meanings based on their myths, legends, and folklore. For instance, the oak tree was sacred to many ancient European cultures and associated with strength and protection, while the owl, often seen as a symbol of wisdom in Greek mythology, became associated with knowledge and divination in magical practices. These symbolic associations were passed down through generations and integrated into the magical correspondences of witchcraft.

Religious Beliefs and Practices

Religious beliefs and practices also shaped magical correspondences. Many magical traditions borrowed from the rituals and symbols of dominant religious practices in their regions. In Western Europe, for instance, Christian symbols and saints were often syncretized with older pagan deities and symbols. The use of incense, candles, and specific prayers or chants in magic often mirrors religious rituals, emphasizing the importance of intentionality and spiritual alignment in magical workings.

Intentionality and Personal Experience

The role of intention and personal experience cannot be overlooked in the development of magical correspondences. Practitioners of witchcraft often develop their own associations based on personal experiences, intuition, and the results of their magical workings. This process of individual experimentation and reflection allows for a dynamic and evolving system of correspondences that can vary between different traditions and practitioners. The intention behind the use of a correspondence is believed to be a critical factor in its effectiveness, highlighting the importance of the practitioner’s focus and purpose.

Synthesis and Evolution

Over time, these diverse influences have synthesized into the rich tapestry of magical correspondences used in witchcraft today. Texts such as the “Key of Solomon,” “The Picatrix,” and various grimoires have codified many of these correspondences, while modern practitioners continue to adapt and expand them based on contemporary understanding and practice. The integration of psychological insights, ecological awareness, and cross-cultural exchanges in the modern era further enriches the system of correspondences, making it a living and evolving aspect of witchcraft.

No single person or group decided these correspondences; rather, they evolved organically through the accumulated wisdom and practices of different cultures. Here are some key influences and sources:

Ancient Civilizations

Egyptians: Ancient Egyptian priests and magicians developed extensive knowledge of correspondences. They believed that everything in nature was interconnected and that specific plants, stones, and symbols held particular powers. Their practices were recorded in texts like the Ebers Papyrus and various temple inscriptions.

Greeks and Romans: The Greeks and Romans contributed significantly to the development of correspondences, particularly through the work of philosophers and physicians like Hippocrates, Theophrastus, and Pliny the Elder. Their writings on herbalism, astrology, and natural philosophy helped establish connections between natural elements and their supposed properties.

Celts: The Druids of the Celtic world had a deep understanding of nature and used various plants, trees, and natural phenomena in their spiritual and magical practices. Their knowledge was passed down orally and later recorded by Christian monks.

Medieval and Renaissance Europe

Medieval Herbalists and Alchemists: During the Middle Ages, herbalists and alchemists in Europe studied ancient texts and conducted their own experiments. They documented the properties of plants, minerals, and metals in texts like the “Materia Medica” and various grimoires. Alchemical traditions, which sought to transform base materials into higher forms, also contributed to the understanding of correspondences.

Astrology: Medieval and Renaissance astrologers played a significant role in establishing correspondences, particularly through the association of planets with specific days of the week, metals, and plants. The writings of figures like Ptolemy and later Renaissance magicians like Cornelius Agrippa and Paracelsus were influential in this regard.

Eastern Traditions

Chinese Medicine and Taoism: Traditional Chinese medicine and Taoist practices developed a system of correspondences based on the Five Elements (Wood, Fire, Earth, Metal, Water). These elements were connected to various aspects of life, including organs, emotions, seasons, and directions. The “Huangdi Neijing,” an ancient Chinese medical text, is a key source of this knowledge.

Indian Ayurveda and Hinduism: Ayurvedic medicine and Hindu spiritual practices established correspondences between herbs, gems, times of day, and deities. Texts like the “Atharva Veda” and various Ayurvedic treatises documented these associations.

Modern Influences

Grimoires and Occult Literature: From the Renaissance onward, numerous grimoires (books of magic) compiled and expanded upon earlier correspondences. Notable examples include the “Key of Solomon,” “The Lesser Key of Solomon,” and “The Picatrix.” These texts were influential in shaping modern Western magical practices.

The Golden Dawn and Modern Witchcraft: In the late 19th and early 20th centuries, the Hermetic Order of the Golden Dawn and similar occult organizations synthesized various magical traditions, creating detailed systems of correspondences. Influential figures like Aleister Crowley and Dion Fortune contributed to this synthesis. In the mid-20th century, Gerald Gardner and others who founded modern Wicca drew upon these traditions, further popularizing and systematizing magical correspondences.

Conclusion

Magical correspondences are the result of centuries of observation, experimentation, and synthesis by various cultures and traditions. They were not decided by any single individual or group but evolved over time through the collective wisdom of countless practitioners. Today, they continue to be an essential part of many magical and spiritual practices, providing a framework for understanding and working with the interconnectedness of the natural and spiritual worlds.

[cuties-in-codices]

luna, riding a cancer

in a medical-astrological manuscript ("iatromathematisches hausbuch"), bavaria, ca. 1474

source: Munich, UB, 2º Cod. ms. 578, fol. 6r

[moonastrogirl]

As above so below - Astrology note

As above so below means everything on the outside is a reflection and a mirror of everything on the inside. So your reality, our reality is a reflection of the reality within you, within us.

The state of your well-being, our well-being will impact the world around you, around us.

Especially when it comes to relationships and how we view certain signs or placements. It’s because it’s directly linked to how our house system is.

Do you dislike a certain sign for no reason ? Or has an animosity toward them for no reason ? Are you cautious around them ? Then maybe this sign is in your 12th house or 8th house or the sign is your mars sign. Are the signs in these houses bad ? Not especially.

It’s all about self concept. How you view your signs within you will be how you will interact with the signs outside of you so in the world.

Every sign has weaknesses and strengths. We have all flaws and qualities. We are all imperfect and perfect at the same time.

What is the solution to live in harmony with yourself and others ? Love yourself unconditionally with flaws and all. Self love is the answer and self acceptance.

Accept the way your subconscious mind works do not go against it and you will appreciate your 12th house sign. Accept your own power plus your sexual power and you will appreciate your 8th house sign. Accept your strength and determination and how you get things done and you will appreciate your mars sign. And so on.

[esoteric-chaos]

Witchcraft Discord Server

Hi, I'm Juniper or you can call me June or Juni. I am a Maven on staff (researcher and writer) in this lovely Discord community. We offer many things from knowledge in our library, workshops, newsletters, astrology updates, daily check ins and even witchcraft services. You can find mine within. Come along I'll tell you more about it.

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We wanted a place for witches of all skill levels to have access to good and reliable information. We also have submissions for those who have information of their own to contribute. We're always adding new info so If there is something that we don't have added yet and you'd like more information on, let us know and we will do our best to get that information out. We also have a study corner for those who want to listen to music or talk while they study and sift through all of our channels in our sister-servers!

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[thevirginwitch]

The Origin & Evolution of Correspondences in Witchcraft

This post was shared a week early over on my Patreon! Working a day-job and running a blog full-time is a ton of work, so any support is insanely appreciated! Patrons will receive early access to content, exclusive content such as research notes and book recommendations, free tarot readings, access to a private Discord channel within my server, discounted products from my Etsy store, free digital files, voting power on my content, and MUCH more! Check it out here for as little as $2/month.

If you’ve been a witch for a while, you’ve probably asked yourself: where do correspondences come from? Who decided that lavender was good for calming, or that obsidian was good for absorbing negative energy? Where does the concept of correspondences come from in the first place? To answer these questions, we must first look at something called “correlative thinking”: Marcel Granet (1884-1940), a French sociologist, coined the term “correlative thinking”, which can be defined as “thinking of an item of one class by correlating it with an item of another class”, typically organizing and relating “natural, political/social, and cosmological data in highly ordered arrays or systems of correspondence.” Sound familiar?

Correlative thinking takes many forms throughout religion, philosophy, and humanity – even showing up as early as Mesopotamia, where they believed events on earth ran parallel to events in heaven: “each city-state had its own patron god and every change in the balance of power between the city-states was seen as the direct reflection of a change in the relationship of the gods.” (Cavendish, pg. 12) In ancient Greece and among Hellenic philosophers, they came up with the “macrocosm/microcosm” analogy, which describes the relationship between the smaller, human being (the microcosm) with the much bigger, seemingly infinite cosmos (the macrocosm).

This correlative thinking is prevalent in many magical texts throughout the years – including The Emerald Tablet (late 8th-early 9th century), The Picatrix (a 9th century Arabic grimoire), The Key of Solomon (1312), and the Three Books of Occult Philosophy (1533). After the publication of The Three Books of Occult Philosophy and the boom of new-age spiritualism in the 1970s, there have been a massive number of publications related to witchcraft, correspondences, ritual magic, and more. For the purpose of this post, however, we’ll be focusing on these foundational texts to better understand the evolution and origin of correspondences.

The Emerald Tablet, dated around the late 8th-early 9th century, is one of the most highly influential texts within the philosophical and occult realm. An English translation of a line of text within The Emerald Tablet provides one of the most popular terms among new agers and modern pagans: “That which is above is like to that which is below, and that which is below is like to that which is above”. A shortened version of this phrase, “as above, so below”, can be found in Helena Blavatsky’s work, Isis Unveiled (1877), where it became massively popularized among the modern pagan community. This phrase, along with terms related to correlative thinking, tie back to many cultures – including China, India, and more.

The Picatrix, 9th-century Arabic grimoire on astrological magic, is yet another influential piece of text. This text contained astrological magic, magical potions and spells, and different Hermetic, Neoplatonic, and Aristotelianism philosophical passages – and it also included the explanations of links between planets and intangible objects such as colors and perfumes/fragrances.

After a few series of translations in the 12th and 13th centuries, the information within the Picatrix (and other sources) were recorded and arranged by Henry Cornelius Agrippa (1486-1535) in his work, Three Books of Occult Philosophy in 1509 (not being published until 1533). From there, Dr. John Dee (1527-1604) expanded on Agrippa’s work in the 1580s and 1590s.

Shortly after, in 1620, the Magical Calendar was published, which compressed much of the previous material. This calendar, amazingly recorded on one page, “contains tables of correspondences arranged by number, from one to twelve. The material is based largely on the extensive tables in Agrippa, book II, but goes beyond this, especially in its inclusion of sigils.” (Skinner, pg. 14)

Moving onto another incredibly influential text, The Signature of All Things, published by Jakob Bohme in 1764, covers a similar concept to correlative thinking known as ‘the doctrine of signatures’: God created everything on Earth with a “signature”, or sign, that tells you what that object’s purpose is. The idea is that any plant, herb, or object on earth should resemble what it’s purpose is – for example, walnuts (which look like brains) are used for brain health, and tomatoes (which are red, plump, and contain ventricles like the human heart) are used for heart health. Obviously, this concept was adopted in the context of medicinal use – by looking up an object’s signature within this book, a physician could theoretically find treatments for specific illnesses. While the contents of this book (and similar texts) have been debunked as pseudoscience, the influence of the doctrine of signatures is prevalent in witchcraft correspondences today.

In 1888, the Hermetic Order of the Golden Dawn was founded, and during that time S L MacGregor Mathers (1954-1918) and Dr. Wynn Wescott (1845-1925) prepared knowledge lectures for the Order, which eventually led to the generation of a Book of Correspondences (unpublished). According to Adam McLean in his edition of The Magical Calendar, this book circulated among members of the inner order of the Hermetic Order of the Golden Dawn, and was later published by Aleister Crowley as his own work, Liber 777 (1909). Meanwhile, in 1908, The Kybalion (an anonymously written text, though often attributed to William W. Atkinson [1862-1932]) was published, including topics like “The Principle of Correspondence” and “The Planes of Correspondence”.

From here on, we have an uproar in magical texts, thanks to the new-age/spiritualism movement of the 70s and 80s – popular authors like Gerald Gardner, Scott Cunningham, Ray Buckland, and many others published works on the subject of magic, often including their own correspondences, typically influenced or inspired by the works of Crowley, Mathers, and Atkinson. Of course, the contents of these modern texts are what is most recognizable to practitioners today – we usually find tables of information, relating astrological signs, herbs, planets, feelings, colors, and more to their “meanings”: protection, anti-stress, happiness, love, etc.

As it stands, correspondences are a by-product of the ‘correlative thinking’ concept we covered earlier – this correlative thinking shows up in Mesopotamia, and evolved throughout magical texts and grimoires, eventually becoming these “tables of magical correspondences” that we are familiar with seeing in modern witchcraft and pagan books and resources.

As I round off this post, I want to share a quote from Richard Cavendish in his book, The Black Arts: “Man is a tiny replica of the universe. If two things are naturally associated together in the human mind, which is an image of the ‘mind’ of the universe, this is evidence of a real connection between the two things in the universe. Many of the important magical analogies and connections are not natural to most people’s minds today, but have been handed down by tradition from the remote past. This enhances their value for occultists, who believe that humanity was a great deal wiser in these matters in the remote past than it is now.” As practitioners, particularly modern practitioners, I feel we put too much emphasis on older concepts and traditions. While there’s nothing necessarily wrong with sticking to traditions and building off of older magical systems, I think it’s just as important that we work on our own magical systems – what does the color red mean to you? What about the planet Jupiter? Find out what works for you – you may find that it makes you feel more connected to your craft and your practice, and your workings could become more powerful, too.

Sources/Further Reading:

Dictionary of Gnosis & Western Esotericism by Wouter Hanegraaff

Three Books of Occult Philosophy by Heinrich Cornelius Agrippa

The Signature of All Things by Jakob Bohme

The Black Arts by Richard Cavendish

A History of Magic, Witchcraft and the Occult by DK

The Complete Magician’s Tables by Stephen Skinner

Neurobiology, Layered Texts, and Correlative Cosmologies: A Cross-Cultural Framework for Premodern History by Farmer et al

https://youtu.be/p0z3MuuB9uc

https://youtu.be/gYSGSjU84vE

https://www.youtube.com/watch?v=gx1av438mLY

https://www.patheos.com/blogs/matauryn/2018/06/03/magickal-correspondences/

https://howardchoy.wordpress.com/tag/correlative-thinking/

https://www.researchgate.net/figure/An-abstract-diagram-meant-to-illustrate-the-perfectly-correlative-structure-of-the_fig4_237249544

https://swedenborg.com/emanuel-swedenborg/explore/correspondences/

[jinxstrology]

💫Mythical Astrology💫

A collection of gods and goddesses associated with each sign~ Before you say something, yes! I AM aware that some of these deities are the same entity with different names. I wanted to include all names so readers could recognize the ones they knew :) Talk to me niiiiiiiiiiiiiiiice

Aries

Amun (Egyptian), Anat (Mesopotamian/Ugaritic/Egyptian), Ares (Greek), Badb (Irish), Belenus (Celtic), Cybele (Anatolian), Durga (Hindu), Hecate (Greek), Hestia (Greek), Indra (Hindu), Ishtar (Mesopotamian), Khnum (Egyptian), Macha (Irish), Marduk (Babylonian), Mars (Roman), Minerva (Roman), The Morrigan (Irish Celtic), Nergal (Mesopotamian), Ra (Egyptian), Sekhmet (Egyptian), Tiamat (Babylonian)

Taurus

Aphrodite (Greek), Asherah (Semitic), Astarte (Middle Eastern), Ba'al (Canaanite), Bacchus (Greco-Roman), Bast (Egyptian), Cernunnos (Celtic), Dionysus (Greek), Flora (Roman), Frigg (Norse), Gaia (Greek), Hathor (Egyptian), Horus (Egyptian), Indra (Hindu), Ishtar (Mesopotamian), Isis (Egyptian), Jupiter (Roman), Krishna (Hindu), Lakshmi (Hindu), Maia (Greek), Marduk (Babylonian), Mithra (Iranian), Osiris (Egyptian), Poseidon (Greek), Ptah (Egyptian), Venus (Roman), Zeus (Greek)

Gemini

Apollo (Greek), Artemis (Greek), Dumuzid (Sumerian), Enki (Sumerian), Hermes (Greek), Inanna (Mesopotamian), Janus (Roman), Krishna (Hindu), Mercury (Roman), Odin (Norse), Seshat (Egyptian), Thoth (Egyptian)

Cancer

Artemis (Greek), Ceres (Roman), Demeter (Greek), Diana (Roman), Isis (Egyptian), Juno (Roman), Kuan Yin (Chinese/Buddhist), Luna (Roman), Mercury (Roman)

Leo

Amun (Egyptian), Anat (Mesopotamian/Ugaritic/Egyptian), Bast (Egyptian), Cybele (Anatolian), Devi (Hindu), Diana (Roman), Durga (Hindu), Freyja (Norse), Hathor (Egyptian), Helios (Greek), Hera (Greek), Inanna (Mesopotamian), Ishtar (Mesopotamian), Juno (Roman), Mithra (Iranian), Nanna (Mesopotamian), Nergal (Mesopotamian), Ra (Egyptian), Sekhmet (Egyptian), Vishnu (Hindu)

Virgo

Anat (Mesopotamian/Ugaritic/Egyptian), Artemis (Greek), Demeter (Greek), Diana (Roman), Hestia (Greek), Inanna (Mesopotamian), Iris (Greek), Ishtar (Mesopotamian), Isis (Egyptian), Kore (Greek), Nanna (Mesopotamian), Odin (Norse), Persephone (Greek), Vesta (Roman)

Libra

Aphrodite (Greek), Athena (Greek), Cernunnos (Celtic), Frigg (Norse), Hephaestus (Greek), Isis (Egyptian), Justitia (Roman), Ma'at (Egyptian), Minerva (Roman), Mithra (Iranian), Nemesis (Greek), Njord (Norse), Shiva (Hindu), Thoth (Egyptian), Venus (Roman), Vishnu (Hindu)

Scorpio

Anubis (Egyptian), Ereshkigal (Mesopotamian), Hecate (Greek), Hel (Norse), Isis (Egyptian), Mars (Roman), Njord (Norse), Osiris (Egyptian), Persephone (Greek), Pluto (Roman), Set (Egyptian)

Sagittarius

Anat (Mesopotamian/Ugaritic/Egyptian), Artemis (Greek), Athena (Greek), Diana (Roman), Epona (Gallo-Roman), Hades (Greek), Isis (Egyptian), Jupiter (Roman), Mars (Roman), Nergal (Mesopotamian), Rhiannon (Welsh), Thor (Norse)

Capricorn

Agni (Hindu), Aphrodite (Greek), Ba'al (Canaanite), Dionysus (Greek), Ea (Babylonian), Enki (Sumerian), Faunus (Roman), Freyja (Norse), Freyr (Norse), Gaia (Greek), Hecate (Greek), Juno (Roman), Loki (Norse), Pan (Greek), Perun (Slavic), Saturn (Roman), Thor (Norse)

Aquarius

Astarte (Middle Eastern), Ea (Babylonian), Ishtar (Mesopotamian), Isis (Egyptian), Juno (Roman), Nut (Egyptian)

Pisces

Aegir (Norse), Aphrodite (Greek), Cupid (Roman), Diana (Roman), Ea (Babylonian), Enki (Sumerian), Eros (Greek), Neptune (Roman), Poseidon (Greek), Sedna (Inuit), Venus (Roman), Vishnu (Hindu)

[delightingintragedy]

Mars Correspondences

From Christian Astrology by William Lilly

(It is mostly word for word. I tried to format it to fit into a nice correspondence list, but the information itself is untouched.)

Zodiac: Aries is his Day-house, Scorpio is his Night-house. Exhaulted in Capricorn, Depressed in Cancer, Detriment in Libra and Taurus.

Nature: Masculine, Nocturnal Planet, in nature hot and dry, choleric and fiery, the lesser Infortune, author of Quarrels, Strifes, and Contentions.

Profession: Princes Ruling by Tyranny and Oppression, or Tyrants, Usurpers, new Conquerors. Generals in Armies, Colonels, Captains, or any Soldiers having command in Armies, all manner of Soldiers, Physicians, Apothecaries, Surgeons, Alchemists, Gunners, Butchers, Marshals, Sergeants, Bailiffs, Hangmen, Thieves, Smiths, Bakers, Armourers, Watchmakers, Botchers, Tailors, Cutlers of Swords and Knives, Barbers, Dyers, Cooks, Carpenters, Gamesters, Bear-wards, Tanners, Curriers.

Diseases: The Gall, the left Ear, tertian Fevers, pestilent burning Fevers, Migraines in the Head, Carbuncles, the Plague and all Plague-sores, Burnings, Ringworm, Blisters, Frenzies, mad sudden distempers in the Head, Yellow-jaundice, Bloodyflux, Fistulas, all Wounds and Diseases in men's Genitals, the Stone both in Reins and Bladder, Scars or small Pox in the Face, all hurts by Iron, the Shingles, and such other Diseases as arise by abundance of too much Choler, Anger or Passion.

Colour: Red colour, or Yellow, fiery and shining like Saffron.

Savour: Those which are bitter, sharp and burn the Tongue.

Herbs: The Herbs which we attribute to Mars are such as come near to redness, whose leaves are pointed and sharp, whose taste is caustic and burning, love to grow on dry places, are corrosive, and penetrating the Flesh and Bone with a most subtle heat: They are as follows: The Nettle, all manner of Thistles, Restharrow or Cammock, Devils-milk or Petty spurge, the white and red Brambles, the white called vulgarly by the Herbalists Ramme, Lingwort, Onions, Scammony, Garlic, Mustard-seed, Pepper, Ginger, Leeks, Dittander, Horehound, Hemlock, red Sanders, Tamarinds, all Herbs attracting or drawing choler by Sympathy, Radish, Castoreum, Aresmart, Assarum, Carduus Benedictus, Cantharides.

Trees: All Trees which are prickly, as a Thorn, Chestnut.

Beasts: Panther, Tiger, Mastiff, Vulture, Fox; of living creatures, those that are Warlike, Ravenous and Bold, the Castor, Horse, Mule, Ostrich, the Goat, the Wolf, the Leopard, the wild Ass, the Gnats, Flies, Lapwing, Cockatrice, the Griffin, Bear.

Fishes, etc: The Pike, the Shark, the Barbel, the Fork-fish, all stinking Worms, Scorpions.

Birds, etc: The Hawk, the Vulture, the Kite or Glead, (all ravenous Fowl), the Raven, Cormorant, the Owl, (some say the Eagle), the Crow, the Pye.

Places: Smith's Shops, Furnaces, Slaughterhouses, places where Bricks or Charcoal are burned or have been burned, Chimneys, Forges.

Minerals: Iron, Antimony, Arsenic, Brimstone, Ochre.

Stones: Adamant, Loadstone, Bloodstone, Jasper, the many coloured Amethyst, the Touchstone, red Lead or Vermilion.

Weather: Red Clouds, Thunder, Lightning, Fiery impressions, and pestilent Airs, which usually appear after a long time of dryness and fair Weather, by improper and unwholesome Mists.

Winds: Western Winds

Angel: Samael

Planetary Alliances: His Friends are only Venus; Enemies all the other planets.

Week Day: Tuesday

Correspondence posts for the other planets: [Sun] [Moon] [Mercury] [Venus] [Jupiter] [Saturn]

[softspiderling]

K I’m the astrology anon here (can I even call myself that when I know nothing about astrology bruh 😭).

To the anon asking how everyone knows their birth charts, I think birth time is not a must tho it will help with the details. We know the city they’re from (Essex and Surrey) and their birthdays and that should be enough (I guess?)

Idk but if you go to tiktok you will find acc talking about their ideal types, and you can google to read more too (I guess? 😭)

Okay Elle, tell me now lol what other anons have told you about their birth charts!!!!!

dubbing u as astrology anon

not essex and surrey😭😭

they mostly talked about harry, i think!

here’s what they said:

Harry has a Capricorn sun and Scorpio moon so he was destined to be a whore like he has been shadowboxing with nature vs nurture and losing

and

Capricorn men think they are Wolf of wall st like finance frat boy bros. Scorpio men are the horniest, most sexually depraved men on earth. They will love bomb you and make you feel so special, give you the best sex of your life and then ghost you because they are afraid of commitment

and they still haven’t told me what my signs mean😐

[socialdragonflytarot27]

Because you deserve it you gorgeous being✨🌈

[helgahaze]

Planetary Guide for Tarot Decks

Each tarot deck blends traditions, themes, colors, has its unique illustration style. This combination creates a distinct deck vibe that can be described through planetary symbolism.

Sun

“Childish” bright pictures. Simple metaphors. Oracles with a unique interpretation system. Focused on positive meanings.

Moon

Cozy, calm or, conversely, ambiguous, vague images and metaphors. Feminine archetypes, Mother Earth, decks with cats. Oracles without a system. Supposed for intuitive reading.

Mercury

Modern, bright, colourful decks. Quick and easy to understand. Simple forms, universal metaphors. Oracles with words and phrases.

Venus

Harmonious illustrations. Delicate graphics. Decks based on art. Feminine themes. Oracles of graceful moths and dried flowers.

Mars

Aggressive colours and messaging. Simple graphics. Masculine archetypes. Brings forward themes of brutality, expansion, struggle. Straight-forward metaphors and images.

Jupiter

Ethnic decks. Other cultures, religious topics. Bright, colourful, memorable illustrations.

Saturn

Decks with a clear system and structure. Dark aesthetic, linework. Monochrome. Illustrations associated with darkness, death, control, severity.

Uranus

Acid colours, lots of graphics and symbols. Eclectic, rhythmic, repeating elements, surreal. Progressive decks. Reassessing current topics through tarot.

Neptune

Abstract, fairytale, magical illustrations. Decks with animals and nature, plants, spirits, mythological motifs. Deep, intricate symbolism and metaphors.

Pluto

Vampire decks. Dragons, dark aesthetics, gothic, demons. Decks filled with magical symbolism. Focused on unknown depths, fears, repressed aspects, shadow.

Nothing exists in a pure, sterile form isolated from its context. Below, you can see how these astrological correspondences apply to real tarot decks.

Of course, this correlations is subjective. These are my personal interpretations, and yours may differ. There is absolutely no gatekeeping here.

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[high-priestess-house]

𝕸𝖔𝖓𝖉𝖆𝖞

Happy Monday!

This day of the week is dedicated to the moon, in which it gets its name. This is a great day to work with moon energy, especially if it is a full moon.

Divination and prophetic dreaming are best performed today. It is also a good time to work magic focusing on mothers, nurturing, fertility, woman issues, and growth.

Color: Silver, white, light blue

Planet: Moon

Deities: Thoth, Selene, Diana, Artemis, Luna

Crystals: Pearl, opal, moonstone

Herbs: Wintergreen, catnip, comfrey, sage, chamomile, mint

Associations: Illusion, glamour, sleep, dreams, fertility, insight, peace, beauty, women's mysteries

[seafoamreadings]

Hi! I really enjoy your blog, and thought I'd throw a question your way that is both astrology and tarot related. I've seen some info online that associates specific tarot cards with a given sign. I think usually these are meant to be read as sun signs, but do you think there's a more accurate way to go about it? What cards do you associate with each sign? Or if you'd rather talk in more specifics, what tarot cards would you associate with Pisces sun, Scorpio moon, Leo rising? Thanks!

ooh fun question, thank you for including tarot!! i like to remind everyone periodically that's where i have my real roots :) i have been doing astrology for a little over 8 years but i have been doing tarot for much, much longer, and my whole entire family is a tarot family - my mom has been doing this since she was quite young so it predates my existence in my genes. i am the only one who does astrology though lol.

those associations are actually what got me into astrology in the first place. i was a tarot-only girl for a long time and scoffed at such frivolous pursuits as astrology ;) (now look at me, lol)

they are usually meant to be the sign itself, not any particular planet in a sign and not any querent's sign. most, not all but certainly most, of these correspondences come from golden dawn and similar ceremonial esoteric traditions, with some deviations from that system like crowley's (although such deviations are still very similar).

so the chariot for example has the correspondence cancer. for at least the RWS deck and arthur waite's plans for it, that was just cancer, not the sun in cancer, not anything in cancer. just that sign, cancer, and its energies.

now, crowley's thoth deck is layered and layered and layered with extra symbolism. the chariot is still cancer. but you have things a little more specific in the minor arcana, like off the top of my head the four of wands in the thoth deck is called completion, and it is associated specifically with venus in aries.

so it's going to depend on what deck you are using, and whether you are comfortable applying eg the crowleyan themes to other decks. nothing stops you from doing that and it can be useful, but it's not necessarily the intended use, and purists might frown on it. i am not a purist.

a lot of modern artists who make their own decks don't necessarily include any such associations. you could choose to read them utterly without the astrology, or you could project one of these systems onto the deck.

personally when i read cards i don't delve into those astrological correspondences UNLESS something pings in my intuition that reminds me to do so. then it turns out to be relevant. but those are strictly intuitive choices i make on a reading by reading, card by card basis. AND in my head/intuition it changes somewhat. i may draw like, a king of cups, and be like oh, some water sign man. could be any of the water signs. at other times i may have the thoth deck in mind or be holding the actual thoth deck, in which case crowley's intended meaning was specifically the degrees in the last decan of aquarius and the first two decans of pisces, and lady frida harris drew a crab on the card, so i might think more specifically of cancer.

there is a story i think from rachel pollack? about drawing the chariot and a diagnosis, medically, of cancer - a weird association with that card but a valid one. (rachel pollack was a very cool lady btw, if you aren't familiar with her, look into her life and work!)

it's all so situational!

just for fun though, with no particular deck in mind and going strictly based on vibes for the big three you mentioned (some folks may disagree with my picks here) i would say page of cups for pisces sun, the high priestess for scorpio moon, three of wands for leo rising. (but there's not really any tradition applied here. just vibes and my brain.)

thanks again for the very cool question, love this :)

[vampfairywitch]

A simple modern witches guide to working with Lucifer.

This Simple Witch’s Guide to Working with Lucifer is the perfect companion for modern witches who want to tap into the powerful energies of Lucifer. Designed to be easy to follow, this guide breaks down the essential correspondences, including colors, scents, gemstones, astrology, and the best days for working with Lucifer. Whether you're just starting your magical journey or looking for a straightforward reference, this guide will help you deepen your connection to Luciferian energy and enhance your spellwork.

By understanding the correspondences linked to Lucifer, you’ll gain a greater sense of focus and alignment in your rituals. Working with Lucifer can bring clarity, personal empowerment, and a deeper spiritual awareness into your life. Embracing his energy allows you to break free from limiting beliefs, embrace your true potential, and manifest your desires with confidence. This guide serves as a practical tool for connecting with Lucifer’s wisdom and creating positive change in your life. Luciferian magic, witch guide to Lucifer, simple magic guide, colors for Lucifer, Lucifer correspondences, scents for rituals, gemstones for magic, astrology and Lucifer, spellwork with Lucifer, beginner witchcraft, modern witchcraft guide, personal empowerment, spiritual awakening, Lucifer rituals, easy witchcraft guide, modern Luciferians, Lucifer spell guide, Luciferian practices, witch spellbook