#as someone who has been in fandoms that have like three whole people in them

[three--rings]

One thing I haven't seen a lot of talk about in the fandom so far is about the financials of this season.

It took us two whole months to get a confirmation of renewal from Max, and I talked at the time that I think there was probably a lot of heated negotiations going on at the time with contracts and that's why it took as long as it did.

I think we see a huge number of indications of the compromises that were made in order for S2 to be made. One obvious one that has been talked about is being making in in NZ instead of LA, to save $.

But there's also the eight episodes instead of ten. And then the cast aspect. One downside of moving overseas was having to fly out and house the cast, not just pay day wages.

We knew immediately about Guz Khan not coming back, losing Ivan as a character. At the time I was sad but I thought it had the air of a pretty harshly practical call. If you went through the main recurring cast and said okay which character will affect the fewest things, has the least character interactions of anyone? It would be Ivan. (With the only competition being The Swede IMO, but he's Stede's crew and therefore a little more central.)

And then this season started and we got first The Swede sidelined and taken out of major scenes. And then I noticed that different members of the crew were simply absent for long stretches, like Wee John isn't around for ep 5 at all. And then Buttons takes flight.

Lucius and Pete aren't at the party for most of it. Fang isn't in the torture scene. Roach and Fang aren't in the bar. Etc. SCHEDULING IS HAPPENING.

The new characters are almost entirely played by NZ local actors, which is great, but also...cheaper.

In other words there are big signs that they did everything possible to give us a giant cast of almost everyone we love from S1, and cool new characters, in the most economical way possible.

And I'm grateful for it. I'm grateful we got S2, and it looks great, and it's well written, I'm having a blast, and we get to spend more time with this awesome cast.

But I also kinda think it needs to be said that the cost-cutting shows. That it shouldn't have been only 8 episodes, the pacing is off. That we miss every time someone from the ensemble isn't on screen.

That despite what they've put on screen looking very good, there's far less costuming budget, there's less elaborate sets, and it's a little disappointing. And it's clear it's not a lack of will or talent or vision but blatantly lack of money.

Look, streaming networks want brilliant shows that people love (that will get them to subscribe) but they very don't want to pay anyone to make them. That's like, the whole moment we're having right now.

Max puts out promos about how great it is to not have unions messing shit up in NZ. Well I have friends who are union costumers in LA and guess what union costumers did amazing last season. This season, well, I guess Stede got three whole shirts, so that's cool.

So I dunno. It's just stuff I think about. I'm not trying to be negative about the show in any way. I'm extremely happy with this season; I love it more than well, possibly any show I've ever been in fandom for.

But I see you, Max. You're cheap. You weren't that cheap when you were called HBO.

[mrpenguinpants]

Sakura, did they...set off your romance sensor?

—  "Oh, listen, this boy here…whenever he senses anything romantic…he goes beet red in the face!!" - Tasuku Tsubakino (Ch.66)

— Hayato Suo, Hajime Umemiya, Jo Togame

[Masterlist]

Wow, my windbreaker brain rot has shot me into a whole new timeline where I can sit down and write. Not gonna lie, not my favorite but it is what it is. I've beat my first fic for a fandom nerves.

Hajime Umemiya

When Umemiya had called a rooftop meeting, Sakura had been through them enough to know what to expect. Umemiya would either show up late or be completely off-topic until someone, mostly Hiragi, stepped in to direct the meeting to its actual purpose. Most of the time, the distractions would be on his plants or his giddy plans of having another barbeque with everyone. It used to be annoying, Sakura once believed the reason why Umemiya was so unserious was because he didn't care. But he knows better now than to take that carefree smile on the surface level. Deep down, Umemiya is a great leader who knows when it's time to get serious.

But this...

Sakura's cheeks are already turning pink.

This is a bit too much for him. He hasn't leveled up enough for this.

"The Three Sisters is a method of gardening that involves planting corn, beans, and squash together. The corn provides support for the beans and squash, the beans add nitrogen to the soil, and the squash's sprawling vines create shade and discourage pests too. It's really quite fascinating, don't you think so Ume?" you ask, lightly petting the leaves of his most recent tomato plant sprout. Your eyes downcasted as you thumb away bits of dirt that happened to be blown by the wind onto the greenery. Perhaps it's because you're one of the few people who entertain Umemiya's rapid obsession with his garden, even going out of your way to tell him facts to better his plot and compliment him on his efforts. Heck, Sakura has seen Umemiya crying because Nirei has told him that his saplings look bigger each time. While Sakura does not doubt that those feelings and expressions were genuine, the look Umemiya is giving you, a look you're not even seeing, feels different. Umemiya himself is different.

"Yeah..." Umemiya responds in a soft tone, his voice almost a whisper. Their usually talkative leader who won't shut up for half a second, who talks over people, is currently so distracted that it's kind of embarrassing watching him. He's been staring at you, eyes zeroing in on your fingers as they brush against the leaves, almost entranced by the sight. Sakura would give anything to leave right now, this second-hand embarrassment is too much. Luckily, Umemiya finally seems to register that you and he aren't alone despite the fact he was the one who called the meeting in the first place. His head perks up confused, hands on top of his knees, as he's greeted with varying expressions from his grade captains. Hiragi in particular looks like he's having both a stomach ache and the urge to slap the back of Umemiya's head. The urge is only partially restrained when you also look up, sending them all a little wave. Hiragi isn't going to slug Umemiya if you're there to see it, it's the pride of a man to not get beaten up in front of his crush.

"Oh shoot, you're all here already? Why didn't you say anything?" Umemiya whines, standing up while dusting his pants free of any lingering dirt. He extends a hand to you, not before rubbing his palm furiously on the back of his shirt, to help you up, "I'll see you later?"

"Mm, sure. Good luck with your new sprouts. Remember to remove the bottom leaves once the plants are over 3 feet tall. I'll be upset if they develop fungus issues," you pat Umemiya's cheek gently, ignoring the way that Umemiya completely melts openly at the gesture. You turn to nod at the rest of them, offering another wave goodbye, as you pass them to exit the rooftop. The resounding sound of the door closing finally sets them back on track.

"We did," Hiragi speaks up as soon the vibrations in the air fizzle out with an exasperated expression, referring back to Umemiya's first question, "You were too busy staring. We've been here for almost ten minutes, you idiot."

"Sorry, sorry, my bad," Umemiya laughs easily, his hand rubbing the back of his neck. Although he's been clearly called out, Umemiya doesn't seem the slightest bit ruffled. Sure, he looks a little bashful but Sakura doubts that he'll tone it back much to the embarrassment of any onlooker. Maybe one day, he'll be able to look that happy with his own feelings on display.

A sudden clap has Sakura jolting back to reality, Umemiya's loud voice returning back to something familiar, "Now then, come sit! I prepared some snacks for us all to share."

Everyone else seems used to Umemiya's behavior and they easily follow him, completely disregarding your and Umemiya's interactions as if they never happened. Sakura doesn't really get it but if everyone else is unbothered, it'd be seriously uncool if he said anything. He lets out a sigh, whatever. It's none of his business anyway.

"Sakura, why are you blushing?" Nirei, the bastard, pipes up behind him. Suo, the even worst bastard, laughs behind his hand like he's some rich Victorian lady.

"Huh, no I- I'm not." Sakura's cheeks went from pink to red, now that he's been caught. He looks away, avoiding eye contact, "S-Shut the hell up!"

Hayato Suo

"Mr. Customer, if you're dissatisfied with our menu, you're more than welcome to leave."

Sakura blinks, head jerking up as he crosses the threshold of Café Pothos. Initially, he assumed those words were directed at him even though it wouldn't make sense. He quite likes the menu despite only ordering the same thing each time. But no, when Sakura looks up it's to a rather unexpected sight. Suo sits at the bar counter, back ram-rod straight and his hands folded in his lap, with that ever-pleasant smile on his lips. Across from him stands a worker Sakura has never seen before. He always assumed that Kotoha was the only employee, but today seems to be full of surprises. A green apron with white ties, sleeves rolled up to the elbow, and hands fisted against the hips.

"The bakery across the street would love to hear your complaints, Mr. Customer."

---

There is something about the new worker and Suo that keeps Sakura glancing back at them after he's sat himself in a secluded corner. Perhaps it's because it's a new face he has yet to meet at a place he frequents so often. It's normal to be curious right? Or maybe it's Suo being here alone. He's never seen the man "out in the wild" before. They aren't even looking at him, Suo hadn't even looked up when he first opened the door although Sakura is sure that Suo is aware of him. He's creepy like that. The new worker, however, whips an annoyed glance at Suo before letting out an irritated huff, arms crossing over the green apron, and glaring down at Suo’s smiling face. A face that would remain ever-pleasant in any given situation.

Regardless...

"Is this your version of service? It must be hard on the customer," Suo chuckles, a slight tilt of his head that bounces his tassel earring. Suo's laugh, however, causes Sakura to feel a hint of surprise. It's not a laugh he expects the man to give, yet at the same time, it suits him.

"That's because you're a terrible customer and a pain in the ass." The worker sneers, leaning in so the two of them are face to face.

Suo seems to be difficult for anyone to handle.

"It's busy today," Kotoha says, appearing out of thin air and scaring Sakura half to death. A plate of steaming omurice slides in front of him because he really does only order one thing here. It's not a great conversation starter, but it's nice of her to break the odd tension that has settled over the cafe. Kotoha is also looking to the side, watching the scene of her co-worker and Suo bickering and arguing. Passive aggressive comments are being flown out, scathing remarks padded with polite voices, so much so that the two of you don't seem to register anyone else around. Completely wrapped up in your world of irritation versus amusement.

"What…are they even arguing about?" Sakura chances to ask, his eyes still glued to the curve of Suo's smile, red eye focused solely on you. His hand idly reaches for his spoon, scooping up a bit of rice and egg, yet it hovers in the air ideally. Suo has his head tilted and is leaning somewhat in the worker's space. His eyes don't stray, watching each shift in facial expression carefully to gauge whether his words are having their intended effect. He looks like he's having way too much fun.

"Oh, that." Kotoha giggles, placing her palm on the table. She too looks like she's having way too much fun, "They always go back and forth like that. It's like a game of cat and mouse with those two. They're both stubborn as hell so it's a constant power struggle between them. Although, I wonder what they're arguing about this time. They always bicker at each other when we change shifts."

Kotoha shakes her head, a fond smile on her face. She glances briefly at Sakura before her eyes drift back to the other two. She raises her hand, finally cutting the bubble between you and Suo.

"Hey, I'm back from break. Thanks for covering for me," she calls, waving her hand in the air. The frown that was permanently on your face melts away when you break eye contact with Suo, returning to a more neutral blank look. You only nod to Kotoha, flashing up a thumbs-up, and you move to head back to the kitchen. But not before sticking your tongue out at Suo over your shoulder as you disappear through the doorway. Sakura blinked surprised, he had somewhat expected a different reaction than something so...tame. His eyes drift to Suo and he can feel his cheeks heat up.

He doesn't think he's seen Suo look happier.

Jo Togame

"See, you peel off the seal on the cap. Remove the ring from the little plastic piece you use to push the marble. Then, with your thumb, press down, and poof, the marble drops and you can enjoy!" you grin as you move slowly for Sakura to see your hands with each instruction. The fizz of carbonation and the clink of the marble hitting the glass amplified louder in the abandoned auditorium. A few other shishitoren members are loitering, but only you and Sakura are sitting up on the edge of the stage. After the embarrassment of not knowing how to open the ramune Togame had given him, he sought you out to explain it to him. Sakura didn't think he could stomach it if he went back to Togame again for help. He follows your movement, his fingers removing the thin seal. Popping the ring off the marble pusher, and with his thumb, pushes on the marble. His thumb slips a few times, but you're patient as you coax him to try again. With his third attempt, he feels the marble give, the rewarding sound of bubbles popping.

"Thanks..." Sakura mumbles, a faint blush on his cheeks as you cheer your ramune's together as you take a swig.

"No problem," you say nonchalantly, leaning your weight back on your arms. With the bottle held in your hand, you watch Sakura, who is intently staring at the drink on his own. The silence between you isn't exactly uncomfortable, but you can sense the slight embarrassment oozing off him. "Soooo... how's it taste?"

He gives a soft hum before taking a small sip, the fizzy liquid leaving a tingling sensation on his tongue. It's not as sweet as he thought it’d be. It's rather subtle for a soda. He takes a longer sip this time, the fizz tickling his nose and bubbles popping against his lip. Looking at you sidelong, he can see you already staring at him excitedly. You weren't kidding when you said you were a big fan of this.

"It's sweet, I guess," his voice soft as he shrugs. A few strands of his white hair fell in front of his face. His eyes glance up at you as you stare at him intently, waiting for him to continue. He awkwardly bites the inside of his cheek. It still feels weird having people who actually want to hear his opinion, even if it's as small as a drink. "A bit strange… The flavor is nice, but the fizz is new."

He takes another sip, careful with the angle he tilts the bottle lest the marble block the opening. He doesn't really understand the appeal of the marble. It's a nuisance. The fizz was the best part of the soda, but the clinking made it impossible to drink it quietly. Besides, he holds the ramune bottle out, how the hell do you even get it out? Does he need to throw it against a wall to break the bottle? He doesn't want to get broken glass everywhere since someone could accidentally step on it.

"Is the marble irritating you?" you ask, laughing quietly under your breath to not set Sakura off into another tomato-faced explosion.

"No!" he answers with a quick hiss, cheeks flushing. He can feel you stare at him as a smirk dances across your lips. He can already envision the teasing you’re concocting to make him react. He gives another soft huff, refusing to look at you, as he fidgets with the bottle. He doesn't want to ask you to help again. He already feels like a helpless idiot. Instead of commenting, you swing yourself upwards, planting your hand on your knee. The other hand, wrapped around the bottle, moves to your lips as you down the rest of your drink. The fizz of bubbles pops in the air while Sakura looks at you bewildered. Weren't you supposed to drink carbonated drinks slowly or you'll stomach hurt? Did you become immune or something from drinking so many?

"Come on, let's go. I still haven't finished my ramune 101 class," you wipe your mouth with the back of your hand, winking over your shoulder which sends Sakura into another pink mess, as you slide off the stage.

"W- What do you mean we’re not done?" he stammers quickly, flustered as he scrambles up to follow you. He feels a bit dizzy from going from a sitting position to standing too quickly. He grips the bottle in his hand and takes a few quick steps to catch up to you as you stride to the doors leading outside the auditorium. You laugh again when he rushes to catch up. His quick reaction time betrays his small stature. It's kinda cute.

"It means I'm gonna teach you how to get the damn marble out, genius" you tease, shoving his shoulder as you reach the doors. Opening them, the two of you were met with the cool outside air. It's refreshing after being indoors for so long and the auditorium has gotten you both hot and stuffy. Hence the initial ramune drinks. You quickly take his hand, ignoring the screams, as you drag Sakura to the side of the building. "Togame! Are you sleeping still?"

"Huh?" a tired voice answers groggily from the other side of the wall. Togame is sitting on the ground next to the wall with his back against the auditorium. He has his legs stretched out, his head leaning back on the wall, rubbing his eyes to clear the ever-constant droop in his eyes. He looks as if he is napping before being rudely interrupted, "I was..."

"Oops. Hehe, sorry," you chuckle, hands raised up in a mock surrender although you don't particularly look apologetic. To be fair, Togame doesn't look upset either. Only gives you and Sakura a sleepy smile and nods as he raises his arm high to stretch. His green eyes drifted to the bottles of ramune in your hands with a curious tilt of the chin. In response, you beam at him, rattling the marble inside the glass bottle before handing it to him. "Please, if you could."

Togame snorts as he takes the bottle. There's a hint of playfulness in his tired eyes as he shakes the bottle a few times, letting the marble inside thump against the glass. It's funny watching the marble rattle around. It reminds him of a little toy marble maze he had as a child. He flicks his gaze to look at Sakura, who stands off to the side stiffly. The poor kid looks ready to bolt at any second when given an opening. His own half-finished bottle lays limply in his hand, the marble reflecting off the sun's light.

"You know you just have to twist the cap in the opposite direction right?" he says, wrapping his fingers around the blue lid and twisting the cap off. Turning the bottle over, he catches the marble from the opening into the palm of his hand. He extends his hand, sliding the marble into your waiting ones. "I know you're strong enough to do that."

"Yeah, but my hands get cramps and it's impossible to move it!"

"I don't think that's how that works...But if it really is too hard, you can keep coming to me."

Sakura stands by, feeling out of place as you go back and forth with Togame. Yet, he doesn't feel like an intruder this time, merely an observer. He looks down at his own bottle, hands moving to twist the cap off while making sure he doesn't spill the drink.

It's easy. It pops right off with barely any effort. Sakura has quite literally seen you throw a man double your size over your shoulder.

The marble reflects his face messily, but there's a shine of red glinting off the surface.

[vexwerewolf]

I’m suddenly getting swathes of Lancer hate across my feed… Has something happened in the fandom? “Union is ______ how could they paint them as even remotely good. They allow _____, and I hate the devs they are ______. The whole thing is just 40k with communist veneer”.

Like am I taking crazy pills…? I thought that all of the problems were literally like right there on the tin “we are a utopia in progress! We will obtain it by any means possible even if it means being everything we say we are not/fighting against. As the player you decide what is right. How much will you ignore for someone else’s idea of utopia?” Like doesn’t it mean all the tools to actually change are there and that is the HOPE aspect of all of this?

(Sorry if this in incoherent grammar is a weak point and I pulled something in my back simply standing up. Now I am sad and crook backed in spasmodic pain)

This isn't an argument I feel super enthusiastic about stepping into, because it gets the most annoying sort of people in your mentions eager to maliciously misrepresent what you say.

However, yeah, there are some pretty terrible readings of Union floating around. I'd invoke "media literacy" because think that a lot of this comes from people not really holistically engaging with the fictional future history of Lancer, but also from a sort of dogmatic purism that requires future societies to be flawless, else they're irredeemable.

It is important to note that ThirdComm is the direct descendant of two highly imperfect societies. FirstComm was formed as a response to the Three Great Traumas of discovering the Massif Vaults (and thus that they were the inheritors of a fallen world), the wars over the Massif Vaults, and the discovery of the lost colonies, all of which collectively showed humanity how close it had come to total extinction.

FirstComm decided that it had a responsibility to ensure that humanity never risked extinction again. It manifested this by trying to colonize every habitable planet it could find, pumping out ship after ship to seed the cosmos with as much human life as it possibly could. This led to problems when it encountered civilizations like the Karrakin Federation and the Aun, who had been carrying humanity's torch just fine by themselves, thank you very much.

SecComm was an Anthrochauvinist fascist state. The book defines it thusly:

We can see a lot of Anthrochauvinist historical romanticism in the mech naming schemes of Harrison Armory, SSC and IPS-N - the fact that Harrison Armory names its mechs after great military leaders of pre-Fall Earth history, IPS-N does the same with naval figures, and SSC uses the names of Earth animals. Even the GMS Everest is named for a mountain on Earth. It's very Cradle-centric.

Anthrochauvinism was, to be clear, largely just an excuse for colonialism and hegemony. Atrocities could easily be justified under by stating that whoever they're being committed against were a threat to the Continuance of Humanity - a term that SecComm got to define.

It's also at this point that we have to zoom in from broad sociopolitical points to address one very specific piece of history: the New Prosperity Agreement. This was signed to prevent the outbreak of a Second Union-Karrakin War, and mandated that the Karrakin Houses would maintain privileged levels of autonomy within Union, and that they would be granted colonial rights to the entire Dawnline Shore. This agreement, struck in 3007u, basically defines much of the current political situation today.

ThirdComm was a final and inevitable reaction to the atrocities, abuses and excesses of SecComm. The unspeakable horrors of Hercynia were the spark, but I need to stress how little Hercynia actually mattered in the larger Revolution - at the start of NRfaW, it's explicitly stated that almost nobody in the galaxy even knows where it is, let alone what happened there. The Revolution was a generalized response to SecComm's tyranny, with no single rallying cry.

The Revolution might also have failed entirely, but for a critical error by Harrison Armory: pissing off the Karrakin Trade Baronies. After getting kicked off Cradle, the Anthrochauvinist Party organised a fleet at Ras Shamra to try and retake Cradle. Simultaneously, however, they were attempting to secure protectorate agreements to steal worlds in the Dawnline Shore out from under the KTB. Putting these two together and making five, the KTB assumed that the fleet was pointed at Karrakis, and started the First Interest War.

The First Interest War initially favoured the KTB. They smashed the fleet above Ras Shamra and simultaneously conquered the moon of Creighton in the Dawnline Shore. However, they underestimated just how ruthless Harrison I was - he "retook" Creighton by relativistic bombardment, and then conquered four of the 12 worlds of the Dawnline Shore with mechanised chassis, a technology the KTB had not adopted and had no counter for.

To prevent further loss of life, Union was eventually forced to broker a peace agreement that saw Harrison I handing himself over to Union justice in return for Harrison Armory's continued sovereignty, and the KTB joining Union as a full member state.

So, with that historical context out of the way, let me get to the second part of this absurd essay I'm writing.

Third Committee Union isn't a civilization that arose from whole cloth. It's shaped by five thousand years of Union history, six thousand years of post-Fall history, and six thousand years of pre-Fall history before that. It is, ultimately, an extremely well-thought-out and well-worldbuilt fictional polity, in that all of its imperfections come from traceable root causes in its history.

Why does ThirdComm permit the abuses of the KTB? Because to stop them, it would likely have to go to war, and such a war would butcher billions. Worse, to do so, it would probably have to ally with Harrison Armory and make horrific concessions.

Why does ThirdComm permit the expansionism and cryptochauvinism of the Armory? Because to stop them, it would likely have to go to war, and such a war would butcher billions. Worse, to do so, it would probably have to ally with the KTB and make horrific concessions.

Nobody in CentComm likes that Harrison Armory are empire-building expansionists. Nobody in CentComm likes that the KTB has a hereditary nobility and enforces blockades against planets that rebel against it. The problem is that ThirdComm is, in historical terms, still relatively new. They've been around five hundred years, and compared to the 1600 years that SecComm was around and the 2800 years FirstComm existed for, that's not very much.

ThirdComm is attempting to decouple itself from the Cradle-first politics of its predecessor, and to amend the many, many atrocities committed in the name of Humanity. It is not easy to do any of these things. SecComm was defined almost entirely by the fact that if it didn't like what you were doing, it would send in the military as a first response. Every time ThirdComm chooses to do the same, its legitimacy erodes, because the mission of ThirdComm is to prove that diverse, vibrant and compassionate human civilization can exist without devolving into war and bloodshed. ThirdComm always tries diplomacy as a first response because if it doesn't, millions of people could die.

[porcelana-r0ta]

JOYRIDE

Fandoms: Batman, Danny Phantom

Relationship: Dan Phantom/Jason Todd

Word Count: 3,823

Ao3 Link: Available only to registered users

Summary:

Dan doesn't want to join his Habitudes group for their dumb community service project, which is why he lets two idiot goons kidnap him off the streets. When said goons turn out to work for The Joker, Dan decides to do something about him, maniac to maniac.

Or: The Joker tries to live stream a ransom, but ends up live streaming his own execution.

xxXxx

When Dan Nightingale is grabbed off the streets of Gotham, he makes a half-hearted struggle, just so he can seem human. The kiddie hero business and the indiscriminate genocidal tendencies no longer call to him like they used to, and while he’s still an impatient person who is intolerant of disruptive bullshit, he needs a little excitement in his life. 

Plus, he wants an excuse to get out of his Habitudes community service project. His pretentious trust fund baby groupmates chose to volunteer at some fucking coffee shop instead of something normal, like a hospital or an animal shelter. (Dan didn’t even know a coffee shop was an option, but anything goes for wealthy elites who want to roleplay as an impoverished barista, apparently.) Well, Jay Peters wasn’t so bad, and he was just as irritated as Dan was about the others’ choice. Plus, the chill that settles into Dan’s unused lungs when the other student is around shows that he’s at least Death-touched like him, even if they’ve never acknowledged that to each other. 

So, yeah. He lets himself be kidnapped by two goons, even if he could easily break free and make their insides their outsides. It could be interesting! Enrichment in his pandimensional parole! Everyone’s got to have fun sometimes! It’s like a little joyride, as a treat! But he isn’t the one committing the crime! How quaint!

Dan is a very polite captive. He lets himself be pulled into a creeper van with minimal resistance. He lets the goons zip tie his hands. He lets them put a black bag over his head, even though it smells of weed. He doesn’t count the number of turns they take, nor does he try to talk them into letting him go. In fact, he doesn’t say anything. When they eventually park, he allows the men to pull him out of the creeper van and into some building—likely a warehouse, judging by the echo of their footsteps on the floor. And finally, he lets the goons cut off the zip ties around his wrists and then tie them to the metal arms of a chair. 

He’s a great captive. And he’s so going to be excused from that stupid Habitudes community service project!

He’s content to sit and wait. The Bats of Gotham City usually have a good response time for villain bullshit, and if they don’t, then it’s not like any Fear gas or sex pollen will affect him. Dan’s not really human anymore, even if he is capable of looking so. 

Dan does not have to wait long. The footsteps increase and then stop altogether, and then a cackle fills the air. “Camera man ready? Mics? Charges?” The voice is familiar, yet grating. Where has he heard it before? In his past future, maybe?

“Yes, sir,” comes the reply from several different people. 

A pleased cackle, “Then let’s get started!”

“We are live in three… two…” 

At the silent one, the cackle echoes through the room once again. “Hello, ladies and gentlemen of Gotham City and beyond! I’m your favorite Joker, LIVE! With one of your favorite Wayne children!” 

Dan, who has been relatively chill this whole time, tenses. The Joker. That’s why he recognizes that cackle and voice. He had killed the clown before in his original timeline. Ugh, clowns. He fucking hates clowns. Hates their stupid pale makeup and their stupid dumb wigs and their exaggerated eyes and he fucking hates how they make him feel like he’s not in control. 

And what was that about a Wayne? 

Dan doesn’t think killing someone like The Joker in his original timeline should be held against him. Honestly, the guy is a megalomaniacal terrorist who abuses the guise of mental illness to get away with crimes against humanity. Dan had at least owned up to his own sanity, and never tried to hide from the law or anything like that. He just kind of… killed the law. 

….ACAB? 

A hand suddenly grips at the bag on his head, grabbing hair with fabric. “That’s right, folks! Here’s Gotham’s beloved Dick Grayson!” The bag is yanked off his head, revealing Dan in all his scowling glory. And Dan is a lot of things, but an exact Dick Grayson copy he is not, so while the goons may have mistaken him as Grayson, The Joker does not. 

He pauses, studying Dan’s face. Dan raises a mocking eyebrow, then looks around the warehouse. 

It’s empty and dimly lit, but it’s not a problem for his superior vision. The metal walls are an ugly beige and the floor is a gray cement, its color only broken by mysterious brown stains, and now the discarded black bag. Dan is up against a wall, surrounded by filming equipment. The camera in question is just a fucking iPhone 12 attached to a ring light. There’s one goon behind the camera, moderating the live stream. There is another goon holding a boom mic above Dan and The Joker, and there are four others behind the camera. All of the goons who are not handling equipment are holding toy musket guns. It is probably safe to assume that there are similarly armed goons guarding the doors that Dan cannot see from his position tied to a chair. Likely two goons per exit. In a warehouse of this size, there have to be at least six more goons that Dan isn’t seeing. 

The Joker grits his teeth. “Who brought the Grayson kid here.” It’s not a question so much as it is a demand. 

“We did, boss,” two goons pipe up proudly from behind the camera. 

“Why don’t you two come up on camera so I can congratulate you for good work?” The Joker grins beseechingly. 

One of the two goons, the blond, shuffles nervously at this, whereas the other puffs out his chest. So only one has any brain cells. 

The prideful one grabs his comrade by the arm and drags him up to the camera with Dan and The Joker. They stand in front of Dan, blocking him from the camera’s view.

“I always reward good work, you see,” he says to his henchmen. “Now, you think this is good work?” 

“Yes, sir,” says Pride, while Blond frowns. 

“Take a good look at his face.” The villain gestures angrily to Dan’s unimpressed face. “What do you see?” 

“Dick Grayson, sir,” 

Blond shuffles, “He looks like he isn’t scared.” 

“No! Wrong! This isn’t Dick Grayson! This– This is some—” The Joker takes another glance at Dan, noting the black Gotham U hoodie that hides his muscles. “This is some fucking college twink!”

“Twink?” Dan mutters to himself, disgruntled. Sure, the hoodie is baggy and he’s seated instead of standing, but do those two things add up to him looking like a twink? 

The color has drained out of even Pride’s face at The Joker’s words. “Sir, please—”

But The Joker is already pulling out a comically large toy gun that probably has real bullets, and Dan sighs. It would probably be bad for his parole if he let a bunch of humans die in front of him. 

He phases out of the ropes binding him, safe from view with the two idiots in front of him. Then, he kicks The Joker down to the floor, sending the toy gun scattering across the cement floor of the warehouse. He stands and knocks Pride and Blond’s heads together, knocking them out as The Joker screeches with rage. 

The goons behind the camera aim their guns, but Dan is already moving behind the camera. He snags the guns out of their hands, snapping them in half with strength he doesn’t even have to think about. He moves so fast that at first they don’t even realize what’s happened. By the time they connect their missing firearms to the broken bits of metal on the floor, Dan has already clobbered them over the head, knocking them unconscious. 

He takes out the cameraman, too, and the goon holding the boom mic. Then, in mere seconds, he takes out all the goons at each exit, and he’s back at the filming station by the time The Joker has staggered to his feet. His original estimate had been off by two—there were eight other goons in total. 

Dan checks the iPhone—still live streaming. On TikTok, of all the goddamn apps. The comments are going wild on what’s going on: where’s the college student, how did he kick The Joker like that, do you guys think that those two goons have brain damage now, what was that metal scraping sound, where is The Joker? 

“Hey, brat!” snarls The Joker, clutching at his ribs. “That was not part of the script.”

Dan hates clowns, and he especially hates The Joker. Sure, Dan wiped out nearly all of humanity. Who doesn’t have a bad decade of villainous activity? But he did it quickly, and he didn’t do it under the guise of insanity. He owned up to it. And if Dan’s being honest, he’s… disgusted by it all now, even if it hurts himself to admit. 

If Dan isn’t human, then neither is The Joker. 

Still off camera, Dan moves so fast he basically teleports in front of The Joker. The other man stumbles back, but Dan reaches out and grabs him by the throat. He chokes and claws at Dan, but Dan isn’t human anymore, and so his nails catch on nothing but the cloth of his hoodie. He doesn’t even feel it.

He drags The Joker to the chair in front of the still live camera and shoves him into it. While he recovers from being choked, gasping and shuddering and so fucking human , Dan forces his hands behind him and uses the ropes he’d phased out of to tie The Joker up. When he ties the last knot, Dan stands tall, staring into the camera. 

“Hello, friends and family,” he greets the audience. He gives a small smile, and he makes sure that he is perfectly, utterly human with normal blue eyes and normal black hair and normal human skin. “As you can see, things have turned around for The Joker here. Now, I’m sure his original intent was to ransom out the Wayne kid, and it would be a shame to see that hard work and planning go to waste on a mistake, wouldn’t it? So why don’t we hold a… reverse ransom? Only, I don’t need funds. I’ll accept donations. My venmo is vladsucks03. My cashapp is dannight07.”

Dan’s smile grows into a wide grin. “Feel free to donate if you like. But even not a single person donates, The Joker dies today.” 

The Joker spits out a gasping laugh, “Ha! You think you can kill me? I gotta admit, that’s a good joke. But Batman—”

“Batman what?” Dan asks, stepping off camera to grab the black bag on the floor. He shoves it halfway into his pocket. He walks to The Joker’s toy gun, the only one he hadn’t broken, and he picks it up. 

“Batman is already on his way here,” The Joker says. “He always is by this point.”

“And Batman will save you?” Dan snorts. He moves to check the live stream, comments coming in so fast that the only reason he can read them is because he’s not human anymore. 

Is this for real

fuck yeah kill that guy

💥🔫🙏🙏🙏🙏🙏

extremely common gotham uni W

im donating 50$ rn

Can we vote on how joker dies

Lol does he fr think that batman would help him

❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️

Does anyone else find this incredibly attractive or is it just me 😳

guys my joker/batman fic update is gonna slap after this

Joker’s cooked

bro is about to have ao3 level donations

Hey what’s his cashapp again

Omg i think that guy is in my bio class

I’ll donate when hes acc dead

doin god's work 🥹👍

If bro doesnt do it he’s cooked

This guy is gonna have infinite rizz if he pulls this off

The Joker scoffs, “Of course he will. He’s done it before.”

Dan yanks his gaze from the comments to The Joker’s face, “What?”

The Joker nods his head up arrogantly. “Batsy can’t live without me. He saved me after fickle-ickle Nightwing killed me.” 

“Huh.” Dan blinks consideringly, switching his gaze back to the comments. They’re all freaking out about this new information. He steps back into the camera frame, pulling the hammer back on the toy gun. “Then I’ll just have to make sure it sticks.” 

He points the gun at The Joker’s face and fires. As expected, rainbow confetti is the only thing that flies out, dusting over The Joker in celebration of what is to come. 

The Joker laughs. 

“Cute,” says Dan. He walks around The Joker to stand behind him, directly in front of the camera. He removes the black bag from his pocket and puts it over The Joker’s face. 

He shoves the muzzle of the gun into the back of The Joker’s skull. Pulling back the hammer, he asks, “Any last words?” 

He pulls the trigger before The Joker can say anything. It’s funny. As expected, the second gunshot is a real bullet. The Joker’s head and body jerks forward. Blood splatters on Dan’s face, but it’s mostly on the floor and the unconscious Blond and Pride and on The Joker himself. 

For a moment, Dan can only stare. The Joker’s body is crumbled in on itself, held up only by the bindings on his arms to a chair nailed to the ground. 

He feels big. He feels good. 

He feels… dirty.

He clears his throat. He drops the gun. He lifts up the soaking black bag up just enough to check for a pulse. After thirty seconds of nothing, he says, “Well, that’s the end of The Joker.” 

He looks up, staring into the camera lens, and he chuckles. “I missed my community service project because of this bozo. You guys think my professor will accept this as community service?”

You guys think this will affect my ghost parole? he doesn’t ask. 

He bends down to check the pockets of Blond. He finds his phone and uses Blond’s thumbprint to bypass the password. His stomach curdles at the home screen—a picture of Blond and a little girl with his eyes and his nose. His eyes burn and he calls 911, trying not to blink.

“911 dispatch. What is your emergency?”

“Yeah, uh, I killed The Joker. But he kidnapped me first, so. Turnabout.” 

“You— sorry, you what?”

“I killed The Joker. He’s dead. I checked his pulse and everything.”

“O-oh.” The woman on dispatch sounds strangled. There are muffled sounds, frantic, that the receiver only barely picks up. Dan wonders what she’s doing, Asking for verification? Trying to triangulate his location? Celebrating the fucking good news? “Do you know where you are, sir?”

“Some warehouse, I guess. Probably at the docks. Do you want me to check?”

“No, sir, please stay where you are if there are no immediate threats.”

“Got it.” He clicks his tongue. 

“Can you tell me your name, sir? Are you injured somewhere?”

“I’m Dan. Uh, Dan Nightingale. I guess he thought I was the Grayson kid. Um. Dick Grayson, I mean. And no, I’m fine. His henchmen are injured and unconscious, though.” 

“Right. Okay. Hi, Dan. I’m Claire. First responders and patrol units are on their way to your location now.”

“Well, that’s good, I guess.” He almost wants to ask if she thinks that he’ll end up in Arkham for this, but he’s pretty sure that there’s no jury on Earth that would convict him. Well, maybe not. He did ask for donations for murdering The Joker, after all. That might put a damper on his defense. 

“Dan?” asks Claire. 

“Yeah?”

“Is– is he really dead?”

Dan looks at the body and kicks a limp leg, avoiding looking at the gory black bag. Nothing. “Yep. As a doornail.” And he knows death intimately. 

She breathes a shaky, staticky sigh into the receiver. “Thank you, Dan.”  

He blinks, “Can you get fired for saying that?”

She laughs, “Honey, everyone not on break right now is listening to this. My boss just broke a bottle of tequila out from his desk.” 

He barks out his own laugh. “Oh?”

“You’re about to be very popular, Dan.”

“Well, I—” 

And seventeen minutes late to the party, the windows at the top of the warehouse shatter open. In cascades of broken glass and grappling cables, the Bats drop down to the floor. 

“Away from the body,” commands Batman as soon as his feet hit the ground. His little birdies, Nightwing, Red Hood, Red Robin, and the newest Robin fall in line with him. Robin makes quick work of rounding up the unconscious goons and binding them. 

Dan obligingly puts the hand that isn’t holding the phone up in the air, but before moving away from the camera’s view, he says, “Just a reminder guys, my venmo is vladsucks03 and my cashapp is dannight07. Please remember that I might need a lawyer soon.”

“Okay, funny guy,” Nightwing says, entering into frame and pulling Dan away by the shoulder while Red Robin shuts down the live stream.

“It was self-defense and defense of another. A whole population, if you will,” Dan says. 

Red Hood snickers, “Only crime here was the kidnapping.” 

“Dan, are you okay?”

“Bats are here, Claire,” Dan tells her. He watches Batman lift the black bag off The Joker’s face, revealing the viscera and gray matter beneath. He’s not smiling anymore. Dan hasn’t seen that kind of gore in years. He’s the cause of it once more and he doesn’t regret that. It feels invigorating. It feels devastating. “I guess I’ll hang up now. If The Joker is mysteriously alive after this, it’s because Batman couldn’t handle not being the hero.” 

“Dan—” He hangs up as Batman’s shoulders go minutely tense at his words. The man stands fully, turning his head slightly to narrow his cowled eyes at Dan. 

“Problem, sir?” 

“You killed The Joker.” 

“I saved myself and his two idiots.” He shrugs. 

“You had him restrained.” 

He rests an offended hand against his chest. “I was frightened that he would escape, sir, just as he escapes from the very place you put him every eight to ten months.” The Bat doesn’t want to be judge, jury, and executioner. Fine. Whatever, he gets it. Dan hadn’t wanted to be that, neither as hero nor villain. He’d wanted to save, he wanted to be saved, and then he wanted everyone to feel like he did. But he’s not so prideful now to know that he wouldn’t have stopped then, not unless someone handled the job permanently. 

The Joker needed permanence. 

The Bat can play fucking judge all he wants. But he’d be just as villainous if he tried enforcing his own moral code on other people.

“You asked for donations,” Red Robin says dryly. “You were basically putting a hit out on him.”

“My art in life textbook is $300. How much do you think a lawyer is going to cost?”

“Hn.” 

“Stop giving the man a hard time for doing a public service, Batman.” Red Hood shoulder checked Nightwing away and held out a gloved hand for Dan to shake. He takes the other’s hand and firmly shakes it. The contact, while not to skin, gives Dan goosebumps and chills his lungs. 

Jay?

“Let’s hope my Habitudes professor agrees with you.”

“She will. Everyone with three brain cells to rub together will.” The man cuts a glare at Batman. 

Dan didn't say what pronouns his professor uses. 

The rumble in Red Hood’s voice is enticing. He looks at the other man, really looks, and notices his broad shoulders, how tall he is (though Dan towers over him even  disguised as a human), and his muscled arms. Arms that Dan’s pretty sure are normally hidden beneath a Gotham U hoodie, just like his own. 

He smirks as sirens sound in the distance. “Let’s hope the cops agree with you.”

“They will,” Hood says. It sounds like a promise for something entirely different. 

“Gag me,” Red Robin mutters.

Robin says, “For once I agree with you.”

Without looking away from Dan, Red Hood flips the two off, and yeah, maybe redemption can be more promising than he initially thought. 

xxXxx

A week later, Dan finally goes back to his regular schedule. His ghost parole is intact—he’d even been thanked by some Gothamite ghosts, and Danny begrudgingly told him that there were ghosts who said they’d riot if Dan was given any punishment. As for the mortal side of things, Vlad Masters had graciously sent his team of attorneys to Dan’s aid. While Dan still hates him, he has no issue about using a free team of lawyers to defend him. He’s guaranteed to walk.

Jazz had called him. It made his core unsettled and stony. She wasn’t disappointed, and he doesn’t know how that makes him feel. He doesn’t regret it—The Joker would never change. But what does that say about him and his progress? 

Jazz in general makes him uneasy now. She used to be his big sister, and now she’s younger than him, and he tried to kill her, and— she’s different from his Jazz, is all. But if she’d always known like she said, then his Jazz did, too, right? Could she still be his Jazz, a Jazz who got to grow up? Still be his sister? It would be stupid to hope so, right?

He feels bitter.

She said she’s considering Gotham University as her college of choice as she nears high school graduation. Apparently, their psych department is amazing. 

So maybe hope isn’t so bad. 

Dan sits down at his 10:00 am Habitudes class. Everyone already in the room stares at him. Before they can offer any congrats or thanks or swarm him, Jay sits down next to him. 

Dan looks at Jay’s mostly black hair and his tuft of white at his front bangs. He’s wearing his usual Gotham U hoodie, a hoodie that likely hides muscled arms. A chill builds in his lungs like it did when speaking with Red Hood, like it has every other time he’s talked with Jay Peters. 

…Hm. A hoodie that definitely hides muscled arms. 

“Hey,” says Jay with a grin. “Crazy week, I hear?”

“You’re a Gothamite. I’m sure you’re aware of exactly how crazy it’s been.” 

“You should tell me about it sometime.”

“Sure. After class? We can grab an early lunch. Make it a date, maybe.”

Jay smiles, cute and small. His eyes flash green—a baby Death-touched soul, still can’t control his spooky abilities, how adorable—and he says, “That sounds perfect.”

[dduane]

Hi! I'd love to hear ur take on the whole Spirk Canon discussion going on right now as someone who's written licensed Trek books. Like besides the whole "did Unification 765874 make spirk canon" thing, is it even fair to talk about spirk being canon or not? What would it take for spirk to "be canon"? It strikes me as a very fandom-y (positive) way to interact with media, which is funny since k/s invented fandom culture. But at the same time ur Supernatural comparison was right on the money and paramount has been VERY weird about addressing their relationship in nutrek. What are ur thoughts??

First of all: Despite the excitement of any given moment, people need to be careful about mistaking anything I reblog without further-amplifying comment, on any subject, as necessarily implying agreement or approval. Lots of times I reblog things just to direct attention to them (and sometimes because I think they're funny).

"ur Supernatural comparison" was not mine. It was somebody else's. I reblogged it to direct attention to it. (And maybe I thought it was funny.)

...Also, wut iz dis "nutrek" u speak of? When you've been working in this universe for long enough, with the necessary perspective to look up and down the length of it without idiosyncratically-added heat... then all Trek is Trek. The spectrum along which its varying species all coexist is ever more complexly and interestingly braided than it once was, sure. But that's all. I've got enough on my plate at the moment not to have time to waste trying to force different aspects of Trek into cage fights with each other.

And: "Paramount"? Who is that, exactly? At the pointy end, all corporations are made up of people. Which ones are we talking about? Which production entities? Which creative teams? Which execs, working under whose supervising auspices, and when? Working with whose (character/worldview/policy) decisions, and for how long?

None of this stuff is simple to work out, and it's not helpful to try to come at it as if it's necessarily going to be easy to tease out who's doing what to whom. Briefly: it's normal for it to look weird. But don’t mistake a Big Corporate Monolith for something actually monolithic.

Also, for the moment, ffs, let's all just step away from the business of defining what K/S and/or Spirk actually involves. Enough ink and electrons have been spilled over this whole spectrum of character relationship since the 1960s, and frankly, life's too short. Definitely too short to be trying to resolve it all in terms of something that dropped...when? About this time last night, or the night before? :) Jeeeez, people. Take a breath or three and let things settle.

So I don't think anybody needs to be hearing my deep cogitations about the new short film right now... because there aren't any. No question, Unification's beautiful to look at—and I've told Dave Blass he did nice work, about which i don't think there can be any possible doubt. (Not to mention the high-end technical aspects dealt with so seamlessly in such a small tight package, which have left my jaw on the floor.) The Giacchino score's also quite lovely, but that also is more or less a given.

As for everything else: I decline to spew opinion all over the joint until I've had a chance to assimilate what I've seen, and actually acquire a useful opinion from somewhere or other. Meanwhile, y'all just keep doing what you're all doing, and I'll go make some more tea. :)

[flamingpudding]

Fictober23 Prompt: 4 - "Do you even know what this means?"

Fandom: DPxDC

Rating: G

Warnings: -

Tim stared at his family with pure exhaustion before letting out a sigh while covering his face with his hands because of the worried looks they were sending him after his long rant.

It had all started with a stupid school project. It was just supposed to be a stupidly simple school project. Did he think of the whole thing as the greatest nonsense project his school has ever come up with? Yes. Did he still do it? Yes. He needed the extra credits, because of some stupid meetings he had missed other projects which was the entire reason he took part in this one.

Maybe he should have tried buying his grade out of it like all the other snobbish rich kids but then he would feel guilty and the moment Alfred found out, he would have to life with the disappointed™ look. Something he really didn't want to deal with. So instead he took part in this stupid ancestry project his school had organized.

But when he had allowed the school to send in his DNA he certainly did not expect the result he got back. Because when he opened the email, he noted that it was addressed to someone named Danny Fenton not Tim Drake, he didn't even read the rest really. That should have been his first warning.

His second warning was when he had hacked into the that DNA testing facility to actually get his results back and then found a note on his data file about a near 100% DNA match to one Danny Fenton which caused them to assumed that Tim was Danny and just had sent in his DNA a second time after, he peaked through his finger onto the screen, 5 years. That should have been his second warning.

But no, Tim had actively ignored all the warnings and decided to dig into who this Danny Fenton was. Because there were so many possibilities of how they could match but only so little to explain the time difference between them sending in the DNA samples. For dear good Tim hoped to all things that there wasn't someone else to have attempted to clone him before Ra, no worse even, he hoped HE wasn't the clone in this situation.

Really he didn't want to add existential crisis to all the problems and cases he already had to deal with.

So what does one do best when they learn there was someone with nearly the same DNA you have? He looked that someone up. So that was what Tim did next. He had spent nights looking up anything he could find, summarizing all the information he found, branching off when he found other concerning stuff and then stewed in some frustration of the incompetence of some people when discovering other facts.

In the end Tim compiled all the data he had found into a 30 slides long power point. That he had presented to his family and was awaiting their reaction. Bruce had grunted earlier and the demon brat had huffed out something in between slight 25 and 26 earlier. Jason had muttered something right at the beginning and Dick had stayed quiet the entire time, so did Cass. Steph hadn't said a thing either and Duke looked just puzzled.

"Do you even know what that means?" Demon brat finally broke the silence, causing Tim's eye to twitch before aggressively pointing to his last slide still on the presenter.

"Yes, I do know what this means. I have listed all possibilities right here if you haven't noticed. And i explained possibility three, four and six on slide-"

"Replacement. I don't think that's what the brat means." Jason cut in and Tim glared at him.

"Timmy, when was the last time you slept?" Dick carefully asked and Tim directed his glare at him.

"I believe Master Timothy hasn't slept for about 72 hours now." Alfred added in with that disapproving stare of him and time looked away stubbornly. How was the amount of sleep he got relevant right now? There was a possibility of him being a clone or someone having cloned maybe even years before he started to follow B around as a kid with a camera.

Bruce let out a sigh and Steph appeared to try to hide a chuckle leaning on Cass shoulder. "He must be lacking sleep if he doesn't see the most obvious possibility considering the time line he presented on slide 18."

"Oh so, I am not the only one thinking he is missing another obvious possibility?" Duke asked and once more Tims eye twitched. Getting fed up with his family, Tim huffed and crossed his arms, glaring at them all.

"And what is it that I am obviously missing?"

"The screenshot of the mail you put in slide 3 stated that it's not a 100% match but 89%. In addition it stated in the last line a suspected possibility of a familiar relation. I am disappointed, Drake. That you would miss something this obvious."

"What?" Tim whirled around going to the slide to reread the mail.

"Considering that I am pretty sure, we don't have any sort of cloning case here Tim." Dick started his voice now slightly laced with Humor and Tim narrowed his eyes at his older brother over his shoulder. "You just discovered that you had a twin, that we probably still go to rescue."

Tim's mouth opened and closed like a fish out of water. He did not know what to say and before he could even catch up with what his brothers had said Alfred was already behind him pushing him towards the elevator.

"It is time for you to get some sleep Master Timothy. I am sure Master Bruce and the others will be perfectly able to handle the rest of the situation with the information you compiled. You can join them after you have rested."

[sl-walker]

about the post you created on other archives… could you explain more? how are these websites created? are they linked to ao3? why is decentralised fandom good? genuinely curious! thank you :)

1.) I can try, but it's 2AM where I am, so I can't promise length or coherence!

2.) For my two, I fired up a server running Ubuntu 22.04, installed a WHOLE MOUNTAIN of pre-requsites, configured all those running services (otw-a runs on a LOT of those), installed otw-archive, fired up the archive via Walter's guide in some part. For Ad Astra, this was weeks of work, including one 50 hour week. By the time I deployed CFAA a year later, I had it most of the way there in like-- three days, and hired melo to finish her off and change the CSS. All three of us have offered to help support others who want to try, too!

3.) They're only linked to AO3 in the sense they run on the same software. SqWA is Walter's, superlove is melo's, CFAA and Ad Astra are mine. (Though we've all become friends through this, and we do talk to OTW -- hi James! -- so there's no animosity.)

4.) Before Web2.0 really dug in and before social media, you had a lot of fan communities. Some bigger, some smaller, but all of them were microcosms of fandom. Ad Astra, my Trekfic community, has been here for 15 years; one single fandom, this group of people, some of us have known each other this whole time. The support and the friendship and the collaboration's amazing. Now-- imagine the whole internet filled with these little pools of light. I remember it; I was a member of several myself. But beyond reviving that community spirit, there's also the basic fact that AO3 is down right now, Fanfiction.net's a nightmare (says someone who was one of her columnists once!), and having all of fandom concentrated into just two sites risks losing some very large part of it if a catastrophe happens. Multiple archives are a good thing for everyone, even AO3.

[rainbowsuitcase]

The Winter Soldier - Rewatched

I decided to rewatch CA:TWS after about five years and I have some thoughts.

1. There’s "moon landing" written on Steve's list of things to catch up on. This movie is happening two years after the first Avengers and Google says Steve woke up a year before that. What the hell has he been doing for three years that he hasn’t had the time to catch up on moon landing? Moon landing!

2. Again, Steve's been living in this century for three years and yet, when Sam asks him what makes him happy, he doesn’t have an answer. He doesn’t know how to not be a soldier. He doesn’t know how to be anything but.

3. Regarding Civil War, people say it's ironic that Steve is the one against the accords because he’s always the one following orders (and similar crap) but that’s literally not true? In CA:TFA, Captain America as a hero is literally born from Steve going against orders to save Bucky. In this movie, he disagrees with project Insight from the beginning and later, he’s the one to decide to take SHIELD down with it, because the organization cannot be trusted anymore. Steve Rogers was never "a good boy following orders." He was always a man who did what he thought was right.

4. Also, this movie is practically a PSA that you can’t trust these authorities, but people still expected Steve to just sign away his free will as a hero to one, just a movie later? bfr

5. I am convinced that if he went shield first, Steve could easily run through a wall. At least in America, walls are made of paper there.

6. If I remember correctly, the Winter Soldier is the only enemy of Captain America that uses the shield against him in such capacity, and that’s just a really nice touch.

7. On that note, the Winter Soldier on his own is such a cool character that I would definitely want to see more of if there wasn’t, you know, tortured and brainwashed Bucky under there.

8. If one of them was a woman they'd end up together. I know the fandom says it a lot but I completely forget how painfully true that is. We spend a third of the movie, at least, with Natasha trying to find Steve a girlfriend and wondering why he doesn’t have one, and that’s a plotline that doesn’t get resolved in the movie. Steve says he doesn’t date because it’s "kinda hard to find someone with shared life experience," in the very same movie where he finds out that his lifelong best friend, possibly the only person on earth with "shared life experience," is still alive. If Bucky was a woman, this would be called foreshadowing.

9. And to end on a positive note, Sebastian's face acting is literally perfect. He had like five lines in the whole movie and yet he brought Bucky to life so well. He gave the character a soul.

This scene is literal acting gold and Sebastian deserved an Oscar for these five seconds alone.

[olderthannetfic]

So, you mentioned low standards of research in podcasts. I don't listen to podcasts or watch a lot of videos about fandom analysis, but I have seen error corrections happening in the wild for what I have listened to, so I can only imagine how annoying it is when you know your shit.

Do you have any resources that come to mind as things everyone who likes fandom should be comfortable with, or specific essays on uniquely important fandoms (such as Sherlock Holmes or Star Trek) that everyone should read? Obviously the OTW resources are up there; what else?

Aside from resources, do you think there are any skills that are especially vital for getting to the bottom of fandom trends? Interview skills are probably pretty high up there.

Any pitfalls you see a lot of young fans falling into?

(I do a lot of fandom history research. It is the thing that gives me joy in fandom; other people like shipping or AUs, I like my little mini-anthropology sandbox and watching how ideas spread. I'm not necessarily good at it, but it's fun!)

--

Well... it's the usual things.

For example, a lot of fans claim to love fandom stats, but the ones that get passed around come from like three people. The people doing those stats, including me, don't usually have a statistics background, which doesn't automatically make them bad, but it really seems like people are just trusting anything with a pie chart.

We've recently seen people discover that those year-end AO3 ship stats have a seriously weird methodology. They don't show the thing their fans are actually trying to find out. People were pissed. But most of the time, they don't even bother asking what the methodology is or trying to do anything themselves.

There's far too much sitting back and waiting for some BNF to spoon feed one publicly-available information.

--

The big failings aren't usually the math itself but, of course, not knowing what question to ask, so it pertains to history research, not just stats.

You'll see a lot of stuff on shipping that looks at AO3 because AO3 shipping numbers are easy to pull... But AO3 shipping numbers don't just happen to be easy to pull: that is both an effect and a cause that is directly related to AO3's content. Someone interested in meta shouldn't be asking "What do AO3's numbers show?" as their first question. They should be asking "Why is this metadata available or not available and what does that mean on a sociological level?"

--

Thing two is the eternal I Have Apparently Never Heard of Anime problem. A fuckton of people theorizing about fandom trends seem to know fucking nothing about whole massive sectors of fandom or treat them as afterthoughts. This is okay if you're writing a history of Media Fandom. It is criminally stupid if you're trying to talk about what makes a piece of media have fic when another doesn't, what kinds of websites make fandoms take off, etc. Those kinds of broad questions need a broad understanding of what's out there.

It's not anime-specific, and I'm not asking for a high degree of knowledge.

I have routinely had people tell me that best friend ships and mystery/crime as a genre aren't popular, and that's why AO3 has this or that pattern... Meanwhile, buddy cops are the bedrock of oldschool slash fandom and make up basically all of the longest-running Western m/m fandoms that aren't Star Trek. CSI slop tends to have legions of future canon het shippers, and they make plenty of fanworks. It's just that some of this is more visible on FFN or older places, not AO3.

I'm always seeing things like someone speculating about how this and that anime fandom thing or bit of mid-00s FFN community drama led to this other thing on AO3, not realizing that AO3 came out of LJ Western fandom slash culture. To them, FFN is so central that it must be the main reference point, not the bajillion and one archives AO3 founders ran or Usenet or mailing lists or LJ.

I once saw someone asking on twitter about where a prominent Ranma fic might have been posted in the mid-90s. People claiming "My professor is an authority!" came out of the woodwork in droves to blither about K/S zines and then LJ. Not only was this entirely wrong, but the right answer was blindingly obvious if you knew enough to interpret the google results. I can only assume that the person tweeting had never heard of Usenet and didn't recognize the acronym for the big anime fanfic group that literally everything like this was first posted to.

I'm talking people insisting that fandom only goes for white characters when it's very obvious that fandom goes for majority leads who are not othered. All the bawwing in the world about "People assume anime characters are white" won't get rid of The Untamed or Kpop thirsters or whatever.

I'm talking sweeping pronouncements about gender and fanfic writers where the person hasn't even heard of FIMFiction or SpaceBattles or Dark Lord Potter cheesefests.

I've been in fandom for a long time, but I wasn't in all these parts, and I wasn't around for 80s zines. You don't need deep knowledge until you pick a research topic. But it's shocking how little shallow, broad knowledge a lot of people have when they're writing their Theory Of All Of Fandom History.

--

People are stupid as shit about survivorship bias, and fandom history is no exception. They're also dumb in the opposite direction, assuming that the thing they like now has always existed in this exact form.

For example, someone got mad at Fanlore for supposedly not documenting the history of f/f zines. Others have searched and searched for the zines of their old show they got into last year and are bewildered to not find any. The reality is that Fanlore editors are attempting to document every Media Fandom zine and have combed through old adzines looking for any mention of anything. Because of the methods of distribution—because it was expensive—small fandoms often had no zines at all.

Femslash fandom doesn't seem to have gotten enough critical mass to do much until Xena. The internet has really democratized things, but even the early internet was still somewhat in that old mindset where only certain popular things have a fandom. I think Yuletide itself, which started in 2003, really helped spread the idea of rare-but-existing fandoms being a thing. FFN and perhaps some other multifandom archives like Media Miner played a huge role.

Nowadays, we think of fic as just how you respond to media, any media, even if there are only two fics for that one car commercial, but that isn't how people saw things in every era—or at least it's not how fandom infrastructure worked. A lot of the time, the big hosting spots were single-fandom archives, often with restrictive content rules. Finding somewhere to post a m/m/f OT3 fic used to be hard. Never mind early zines when photocopiers didn't even exist yet and you had to sell out your print run of 500 to make a go of it.

All good research starts with a lot of preliminary investigation to figure out what you're even trying to look for.

Actually bothering to look for fans talking about their own history or casually chatting with your interview subjects before the formal interview will put a person miles ahead of many of the cringeworthy fandom ~papers~ I've seen.

The biggest mistake people make is going "Okay, these numbers aren't perfect, but some numbers are better than no numbers".

Bullshit.

As soon as there's a pie chart of the false numbers, everyone's brain turns off and they never look at the chart subtitle, never mind the research notes.

Bad numbers are often worse than no numbers.

Look at the logic behind the methodology first. Look at the social context. Basic understanding of human nature and familiarizing oneself with the shape and hangout locations of a community will get you most of the way there before you sit down for a specific interview or try to collect any specific numbers.

--

None of this is a fandom thing. Research is research. It's just that most people think "research" means watching a tiktok that the algorithm likes and were never taught how to evaluate a source for reliability.

Evaluating sources is a skill. I had explicit lessons on it in school. Lots of people don't, and that sucks.

Honestly, watching the more thoughtful debunking content on non-fandom topics, like Miniminuteman's stuff on pseudo-archaeology or Dan Olson's... everything, is a good window into critical thinking, and that's most of what's missing from bad fandom history.

--

But more than any of that, more is more. Not the crap stats, but the narrower, more personal accounts, the interviews. The more fans who investigate their little corner that isn't the same old AO3 site-wide "Why is there so much m/m?" ship stats or the same canned "Everything comes from K/S" history, the better.

What I object to is not amateur efforts but efforts that pull from the same small pool of data or that just reblog a tiny handful of supposed authorities.

--

If people are going to read just one thing... hmm... go try to look up a history of rec.arts.anime.creative, not because I think it's the most important fandom history out there but because it's at the nexus of things a lot of current fandom history work miss.

[violetasteracademic]

I saw someone say they don't like Elriel simply because Azriel and Elain don't do it for them as a couple. They just aren't into the emo boy/flower girl dynamic. And truth be told? That's the most respectable anti take I've ever heard. Because there is no right or wrong, there's no points to argue. It's just like, hey, I see it, and I don't like it. Which is kind of how I feel about G*wynriel and E*lucien as well. So it's genuinely just a really fair and uncomplicated take.

I simply *don't like* forced proximity with the person that has already been assigned to you and eventually falling in love with them, then realizing it's for the best anyways because it will solve a bunch of conflicts as much as I *like* fuck fate and fuck politics and fuck the Gods, you are the person I want and I will burn the whole world down to be with you. If it goes against every rule, if it puts us in the front line of every danger, and tears at the very fabric of society, it still will be you for me and I'll do whatever it takes.

And that's just vibes, there's really not much more to say!

I *don't like* I was completely obsessed with two different women, but after being rejected by both of them I finally realized, thank goodness! I've had a mate this whole time! And I saved her from being r*ped by a bunch more men than just one years ago and then trained with her every day and now that I'm finally free of being in love with other women, I finally have noticed what is right in front of me as much as I *like* your mate is sleeping upstairs and if he catches us he will have every right to demand I fight to the death over you but I literally can't stop wanting you and needing you and questioning fate because I don't understand how we aren't meant to be together.

I know for a fact I won't like a G*wynriel or E*lucien book *as much* as Elriel because I have read those sorts of similar vibes or comparable plot points before, and it's just like, meh. Not for me. My least favorite trope is the guy who suddenly realizes his best gal pal is the one he should have been into all along after only going for beautiful women he thought were way out of his league. That's not romantic to me at all. But I respect that it is to others. I think it's perfectly okay to simply vibe with different things.

Do I think the books are quite clearly headed towards Elriel? Absolutely. But I think even if they weren't, I'd be crack shipping them anyways because I absolutely love what they have to offer plot, story, tone, aesthetic, style, and romance wise. They are the full package for me. Feysand was a full package for me. Nessian isn't my usual style or favorite trope or vibe, but I still enjoyed the hell out of it.

I think Sarah has given the sisters really distinct personalities and completely individual storylines. I personally still love every book. I adored ACOSF. Buuuuut I don't really need it rewritten a second time in a different font, which is what I think G*wynriel would be. Minus all of the "it's been you since the moment I laid eyes on you" swoon worthiness that I loved for Nesta and Cassian and introducing the "I can't believe I didn't notice my own mate standing right next to me and being harmed and put in mortal danger repeatedly for three years because I was in love with other women" element.

But ACOSF is polarizing. I've seen people say it is either objectively the best book Sarah has ever written, or objectively the worst.

Elain is a unique sister, with a personality and powers that could not be more different from Feyre and Nesta. Everything about her book is not going to match what we have seen in the series so far. And I think that's a GOOD thing. ACOSF was a tone shift, and I think Elain's book will be a tone shift. But I think her book is probably going to be polarizing as well. And it will likely be my favorite.

Although the fandom has gotten a bit aggressive, I think it's really cool that people found their favorite in Nesta and ACOSF in a way that is really kind of deep and specific. I think Elain and Elriel will be that for me. That's what books are supposed to do. Humanity is not one size fits all. It makes perfect sense that people locked into Nessian (or just Nesta) in a way they didn't with Feyre/Feysand. And although there's a crop of anti ic people out there now, Feysand will always be a crowd pleaser. So I'm just hoping the girlies who get it will have their chance to connect that deeply with Elriel too!

I love each Archeron sister, and I for one love how different they are. I appreciate their stories for different reasons. But I am ACHING for Elain and Azriel to lean into their vibes and continue on their journey of questioning the system and deconstructing religion and battling the obstacles in their way. That will always be more interesting and way sexier and peak romance to me and will undoubtedly take spot number 1 in my heart.

[beingsuneone]

Memories & Delusions

PART ONE | PART TWO | PART THREE

SYNOPSIS: Jason Todd is dead, you have to remember that; even if the newest villain in town is both incredibly sexy and reminds you of the boy you used to love.

FANDOM: DC

PAIRING(S): Jason Todd x Fem!Reader

RATING: PG

CHARACTERS MENTIONED: Bruce, Alfred, Dick, Tim

GENRE/AU: fluff, different timeline AU (not mentioned in detail but the timeline is different than canon), canon divergence, reader is kind of like Stephanie so NOT Bruce’s kids but she does live in the manor.

WORD COUNT: 3.9k

WARNINGS: Swearing, mentions of blood and injuries.

A/N: I could fs do a part two to this ;)

DEDICATIONS: Myself for having this idea for more than two years and finally getting it out in writing in some way

CREDITS: N/A

“Jesus Christ! Who the fuck is this guy, Batman?” You exclaim, panting hard through your mask; whoever this Red Hood guy is… he really knows your team's weaknesses. It’s disconcerting.

Weirdly enough, he’s left you mostly alone.

Bruce shrugs from across the room. “That’s what we’re trying to figure out.”

It’s a blur of movement as Red Hood tries to attack mostly Bruce, only attacking Dick or you if you get in the way.

He’s said almost nothing since this fight started.

After a few minutes, Bruce sends a signal and jumps out of the half destroyed building; Dick follows and jumps out shortly after.

Leaving just you and Gothams latest criminal.

You’re about to turn to jump again, when suddenly your wrist is caught in Red Hood’s hand.

The familiarity of it makes you gasp and freeze.

He stares down at you, intimidating and silent through his red helmet.

Returning his stare, with as much fiery energy as you can muster, you try to pull your wrist away; His grip is like iron and you can’t.

“Don’t get in my way, Y/n.” He says, making your heart drop with the use of your civilian name. “I won’t choose between you and my goal.”

Your back is rigid and you’re breathing has stopped… if he knows your name, that means he probably knows everyone else’s too.

Fuck.

He finally lets go, brushing past your stiff body.

You’re too shocked to follow him.

….

“He knew my name, Bruce!” You say, feeling panicked. “Do you know what that means?”

Bruce nods curtly. “It means you aren’t suiting up until we’ve taken him down.” You try to protest but Bruce holds a hand up to cut you off. “It’s not up for discussion.”

You fidget with the small red pendant hanging around your neck, something you do whenever you’re feeling too many emotions.

It reminds you of Jason, the first boy you’ve ever been in love with and also the last; Jason was also Bruce’s second adopted son.

Jason Todd died five years ago.

But when he was alive… There was something special about him. He was always so eager to help Bruce by being robin.

That was back before you had your own suit; really, you’d only gotten a superhero identity so you could hunt down the joker and get revenge for Jason, but Bruce had managed to convince you not to do that in the last five years.

Probably for the best, even if seventeen is too young for someone to die; even if having a strong bond ripped away from you before it could become anything still hurt so badly.

You follow Bruce down into the batcave. “What do we know about Red Hood? Do we have any idea how he originated? It seems like he just popped out of nowhere.”

Bruce contemplates his answer as he unlocks the bat computer. “All we know is that he would have had to fly under our radar for months in order to take over the whole underground drug ring.”

You over hover his shoulder, trying to see what’s on the screen below him. “I don’t understand how we wouldn’t hear anything about him? With that many people who work for him, you’d think one of them would mention something.”

He hums in response. “They must be terrified of him.”

Alfred inserts himself into the conversation and ushers you back into the main part of the manor. “Alright, Miss. Y/n, You’re officially off duty indefinitely.” He pauses. “Like Master Bruce said, it is safer if you disconnect yourself from your hero identity.”

You frown. “If he knows my real name, he probably knows where I live.”

“He also told you, quote ‘don’t get in my way’ end quote.” Alfred tuts. “He clearly has no intention of hurting you as a civilian.”

You huff and head up to your bedroom, feeling like you really need to be out there but not really knowing why.

You suppose you don’t know what to do with your time anymore, now that you’ve been superhero-ing for so long.

When was the last time you read a book? Or watched a movie, just because you wanted to? It’s been too long…

Your bookshelves mostly carry decorative encyclopedias and other books that would bore you to sleep, so you leave your room and head just down the hallway.

The door creaks as you push open and clicks when you push it shut; then, you’re left in the silence of Jason Todd’s bedroom. Unchanged and untouched from the last moment he was in here.

It’s a little messy but nothing out of the ordinary for a teenage boy; the bed was never made, and his clothes were ever put in his drawers despite them being washed.

There’s books pulled out and just scattered in places, schoolbooks, comic books, novels… finally you spot what you wanted to find.

It’s a very old and very worn copy of Jane Austen’s Pride and Prejudice, something the two of you used to read together when you’d sneak onto the roof of the manor at nighttime.

You’d watch the stars and one of you would read the book out loud, until eventually you both would pass out and give Bruce a heart attack the next morning.

Maybe it was time to revisit that tradition, even if you were only reading to yourself.

Bruce and Alfred are in the Cave so you find your way into the roof and lay back. The shingles are definitely more uncomfortable without Jason to lay on, but it’s still a nice feeling nonetheless.

Just the act of laying under the stars with that book in your hands, makes you feel a kind of warmth that you haven’t felt in years.

You close your eyes and take a long, deep breath of night air; It’s fresh and ever so slightly damp, but in a way that makes you feel nice. The cold nips at your body in all the right ways.

Unfortunately, all bliss is momentary, and someone clearing their throat makes you jump a couple centimeters upwards.

You’re met with the bright red helmet of Red Hood.

“Pride and Prejudice, huh?” He says casually, though you're pretty sure he has a voice changer on, which makes his voice sound more irritated than it probably is.

You back up a few inches. “Bru-” Red Hood slaps a hand over your mouth before you can finish yelling for help.

You squirm in his grip, but he just maneuvers you so that your back is to his chest and you can barely move which makes your body lock up again— you can’t help the feeling of familiarity that settles in your stomach, or the way your body reacts to his.

Worst of all, he smells just like… no, it must just be where you are.

Jason Todd is dead.

And yet.

“Relax, Y/n, I’m not here to hurt you.” Something about him makes you listen and you relax your body. He kind of half-scoffs in response. “Are you done?”

You nod as best you can. He releases you.

“Who— why are you here?” You say, trying to ignore the fact that everything about this masked man reminds you of Jason.

Your chest rises and falls irregularly as he stares at you.

His head snaps away randomly. “Why should I tell you that?”

“Don’t answer my question with a question.”

“Don’t ask questions you don’t want the answer to.”

There’s a look of defiance shared between the two of you, or, at least, on your end. You can’t actually see his face so you’re really just assuming.

You spin away and blow out a labored breath. “God, I must be going insane…” Even the way he talks with you sounds like Jason.

“You’re so short, you look like a bunny who lost its carrot.” He says with a laugh.

“I do not!” You exclaim angrily, your mouth dropping open. “Okay, that’s it, I’m calling Bruce.” Your hand slips into your pocket to pull out your phone, and just as it's out of your pocket, Red Hood grabs your wrist; he traps it in one spot and yanks the phone from your hand.

He gently sets it on the ground. “Tell that fucker whatever you want, but wait until I’m gone.” The tone in his voice sends a chill down your spine. He seems so angry…

With that, he leaves, taken the same way that you took off the roof.

You stand there until you hear the roar of his motorbike, and then you finally retreat from the roof with the book clutched tightly to your chest.

…..

“I’m going with you, Bruce. You can’t stop me.” You say, already moving to try to grab your suit.

“No, you’re not.” He says sternly, blocking your path. “You need to stay out of this fight.”

You raise your eyebrows in challenge. “I’m going whether you let me wear that suit or not.” Bruce apparently doesn’t like this because he frowns even harder than before. You continue, “You can’t go alone. Dick is out of town and Tim is at school. Let me come.”

“You forget I did this by myself for quite a while before I adopted Dick.” He says firmly, leaving no room for argument.

Bruce doesn’t need your help, you know that; helping him isn’t your real goal.

Ever since the rooftop incident with Red Hood you’d gone into some sort of obsessive spiral over his similarities to Jason.

You feel like you need to talk to him again, touch him again… just to see why he’s so familiar; you feel insane.

The deepest parts of your brain scream at you that it’s not just similarities, that he really is Jason but… he can’t be; you watched them bury Jason’s body.

“There’s something else going on with you.” Bruce says, basically sizing you up.

You stiffen, which unfortunately gives away your next lie. “There’s nothing going on with me.” No excuse comes to mind so you don’t say anything more.

Bruce pauses for a beat.

“This has nothing to do with Red Hood.”

“Okay? Why would that matter?” You say dismissively, but also way too fast. “I don’t think keeping me locked up at home helps anyone.”

He sighs and finally caves. “Fine, you can come.”

…..

You aren’t sure how this situation devolved so quickly, but your communications got cut off a while ago and you haven’t been able to find Bruce or navigate very well through the rubble.

You’re bleeding heavily from a few different cuts and you’re pretty sure you sprained your ankle.

The faint cackle of the Joker makes you dive under a fallen piece of concrete, because if he comes this way he’ll surely kill you.

But the laugh recedes so you crawl out and sit against it instead.

You’re just about to start sobbing from the pain when you hear footsteps again; you go silent and try to move but you don't allow that.

You see a flash of red, and then Red Hood turns a corner into your line of sight.

“Christ’s sake, Y/n.” He mumbles. “What happened?” He approaches and drops down so he’s sitting on his feet, he stares for a moment, and you assume he’s assessing your injuries.

“You can’t call me that— here.” You hiss when he presses a finger against your ankle.

He stands up and takes both your hands, completely ignoring what you said. “Up. But don’t stand on your bad ankle.”

You grip his hands and stand up, holding your bad ankle in the air; Red Hood scoops you up bridal style not a moment later.

You squeal. “What are you doing?”

He stops walking and turns the face of his helmet directly toward you. “I’m taking you back to my base so I can help you get fixed up.” He interrupts you before you can speak, answering the question you were going to ask. “Batman isn’t here anymore, he went to follow after the Joker.”

It’s a rough walk to his bike, and it lasts for about ten minutes; ten awkward minutes of you being carried by Red Hood.

Red Hood who’s supposed to be a criminal and your enemy. Red Hood who brings you more comfort than he should just because of who he reminds you of.

He settles you onto the bike, pulling out an extra helmet before he speeds off.

…..

“Jesus, you sprained your ankle really badly.” He curses, performing whatever medical procedures as you hiss and whine at the pain.

He’s already stitched and/or dressed any of the open wounds you had and he saved the worst for last.

“Okay,” he says absent-mindedly. “I can’t do this properly with this thing.”

He reaches for his helmet but you stop him. “You’re taking your helmet off?”

He hesitates, then nods slowly. “I have to. If you don’t want to see, then shut your eyes until I’m done.”

You nod and squeeze your eyes shut.

He sighs softly and gets back to working on your ankle.

…..

“I swear to god, Bruce, it’s him. Red Hood is Jason.” You say, purposfully making your voice flat and void of emotion. “He has to be.”

Bruce just stares.

And stares.

Sympathetically, softly. But he stares.

“Jason has been dead for a long time, Y/n, and you know that.”

“No— I know, but he can’t be— that has to be him.” You back up into one of the chairs in the batcave, trying to calm your racing heart; you still try to keep a calm outward facade.

“What makes you think he’s Jason?” Bruce asks.

You weakly gesture at nothing with your hand. “Just look at him. He’s— everything about him is the same.”

Tim snorts from the computer. “The running drug rings and murders?”

“Not appropriate, Tim.” Dick says flatly and Tim’s face falls quickly.

You don’t blame him, you probably would have made a joke like that too.

Shaking your head, you stare at the floor past Bruce. “They sound the same, they talk the same way, they look similar— hell, they even smell the same.”

Bruce’s brows furrow. “How do you know what he smells like?”

“Uh…” you stall. “You know, close combat.”

Apparently, he drops it even though he clearly doesn’t believe you, because he asks another question. “We’ve never seen Red Hood unmasked, how do you know they look similar?”

You shrug. “They just do. There’s just something about him. I haven’t been able to shake the feeling for a while.”

It’s silent again for several long moments.

Then Bruce shakes his head absentmindedly.

“Jason is dead, Y/n. No matter how much we miss him, he can’t come back.”

But he’s wrong, he has to be.

Because no one is that similar to someone. You’re sure of it.

……

Your cheeks are wet and your eyes are starting to become raw from you rubbing at them.

Sobbing pathetically on the rooftop of the manor because you had to be reminded about a death that happened a long time ago is not the highlight of your day.

It’s stupid, going from sure of yourself, to telling yourself you’re so stupid for ever thinking it could be true in the first place.

There’s footsteps beside you, but you don’t look up. You don’t care enough to see who it is.

You fidget with the necklace around your neck as you sniffle into your knees.

Something clicks and then hisses as if air pressure is being released before you hear a tiny thud, and then someone pulls you into them.

You know who it is now.

“What’s wrong?” He asks quietly. You know you could look up and confirm your suspicions at any moment but you just can’t bring yourself to do it.

It’s not true, after all, because it can’t be. It’s not possible.

You shrug against him. “I’m reopening old wounds for no reason.” You pause. “Why do you trust me?”

He’s silent, contemplative for a while. “You’re you.”

You laugh dryly. “That doesn’t explain anything.”

“You haven’t even bothered to look have you?” His hand strokes lines in your hair. “You could. I don’t think I’d mind.”

“I don’t want to know.” You say, wrapping your arms around his waist. “I’m not ready for that.”

He nods, you can feel the movement through his body, even though it’s subtle.

You sit, wrapped up in his arms for a long while before he clears his throat softly and asks, “what old wounds have you been reopening?”

Your eyes well again, but you choke back the tears. “An old… friend, I guess. He died.” You start to pull back but you don’t look at his face.

Instead, you bury your face in your hands again. He lets you pull back. “I’m sorry for your loss.”

You shrug. “It was a long time ago, he just meant a lot to me— and it’s really hard because you remind me so much of him.”

He makes a sort of strangled sound and then clears his throat again but more rough this time. “Why do you say that?”

His voice sounds even more similar without the helmet and voice changer. This man is going to be the death of you. Maybe literally. “I don’t… I don’t know. It’s just everything.” You shake your head and laugh sardonically. “It’s driving me insane.”

“How did he die?” His voice is darker than before, and there’s a sort of undertone you can’t place.

“Brutally.” You stop, take a deep breath, and offer only a bit more context. “The Joker.”

He hums. “The Joker‘s alive and ruling this dumb city.” He pauses. “How do you think your friend would feel about that?”

“Probably about the same as I do. Sick.” You run a hand through your hair, purposefully trying to avoid seeing his face. “That’s why I became a hero, you know. I wanted to kill the joker because he killed Ja- um, my friend.”

“Why didn’t you?”

“People stopped me before I did something I couldn’t come back from.” You say, wrapping your arms around your legs. “I hope the joker suffers a terrible death, but I don’t think it should be by my hands. He wins if I spend the rest of my existence regretting it.”

Red Hood picks up his helmet and clicks it back on. “Right.” He stands and stares down at you. “I have to leave now.”

You shudder at his sudden coldness, and stand abruptly. “Okay, I— um, goodbye…?” You want to smack yourself at how unsure you sound. “Did I say something wrong?”

He shakes his head. “I just don’t know why you would ever regret ridding the world of someone like The Joker, that’s all.”

Stiffly, you nod and wipe your hands on your pants.

“Sorry about your friend.” He finishes, before leaving you alone on the roof again. “Too bad I didn’t know him.”

Basically, crushing any hopes you might’ve had that he was Jason.

……

This is an atrociously stupid idea, you know; driving directly into the den of Gotham's biggest drug lord is the smartest thing to do.

But Gotham's biggest drug lord is Red Hood, and you’re fairly sure he won’t hurt you. Mostly.

His lackeys though, don’t seem so forgiving.

“Who the hell are you?” The man who barks the question at you, is raggedy looking and has the worst, most distasteful tattoos you’ve seen in your life.

“I’m here to see Red Hood.” You amend quickly, “I’m a friend of his.”

“Yeah, right.” The other guard says, a bulky looking woman who is also insanely beautiful… unsettlingly so. “A fragile little thing like you, friends with our boss… please.”

You scoff. “Trust me, I’m not fragile.” Stopping, you contemplate whether it’s a good idea to start something, considering your ankle is still healing. “Just call him.”

She rolls her eyes. “Fine, whatever.”

An old phone hangs on the wall and she picks up the receiver and quickly dials a number. “Hey, I have a woman here who says she’s the bosses friend— her name? I have no clue— Oi, what’s your name?” The woman barks at you.

“Y/n.”

“Her name’s Y/n.” She’s silent for a minute while we all wait, then she hangs up the phone aggressively and yanks your arm into her grip. “Lucky. Let’s go.”

The corridors are a bit confusing to navigate, but you’re mostly just following the woman, who seems very familiar with them.

After ten minutes you reach a door, it matches almost every other door, but it has ‘boss’ written crudely on it in spray paint.

“You’re on your own from here.” She says gruffly before stomping away.

You take a moment to collect yourself before you knock, and the door swings open before you can even finish knocking.

“Why are you here?” Red Hood sounds breathless behind his mask, as if something winded him. “How did you remember how to get here?”

“I’m… actually not sure.” You chuckle quietly to yourself as Red Hood pulls you inside.

He sits down at a desk after pulling a chair out for you to sit in. “Again, why are you here?”

Your heart seizes for a moment as if the reason why you’re here hit you all over again. “I want you to show me who you are.”

“Are you sure?” Red Hood questions slowly, his body locking up. “You’re not going to like it.”

You nod curtly. “Yes, I need to know.”

He takes a deep breath and stands up, coming right up close to you. Far enough that you could see his face clearly but close enough to have your knees buckling.

He reaches up and presses a button you can’t see. The helmet hisses and opens, he pulls it off.

And your jaw drops.

Standing there, in grown up glory, black hair, green eyes that used to kill you, is Jason Fucking Todd.

“You’re— You’re not— dead.” You stammer, almost reaching out to touch him before you yank your hand back.

You’re so irrationally angry and also relieved and devastated all at the same time.

Jason sets the helmet down. You can’t decide whether to hug him and never let go or slap him for waiting so long to tell you. “That’s a… complicated story.” He pauses. “I promise I’ll tell you that story but I just— can’t get into that right now.”

You nod slowly. “Okay… that means I can get fucking pissed now.”

You’ve clearly confused him when you wrap your hands around his waist and squeeze tightly while also cursing him out. “I can’t believe you waited this long to show me.”

You can see the smart-ass comment on the tip of his tongue but he bites it back. “I knew you’d find out eventually.” His eyes caress your body and there’s a look of longing lingering in his eyes; he seems to be contemplating something. “Fuck it, I’ve been waiting too long to do this.”

You barely have time to react as Jason lowers his face down to yours and kisses you; As soon as you realize what he’s doing, you kiss back.

His hands go to rest on your hips, as you slowly get pushed back into his desk behind you. When you hit the ledge of if, Jason lifts you onto its surface, and pulls back.

“I’ve wanted to do that since we were kids.” He says quietly.

You gently touch your lips, almost in disbelief. “I’ve been wanting you to do that since we were kids.”

All content belongs to @beingsuneone , do not repost, copy or post on other platforms without my permission.

[scatteredpiecesofme]

Favourite background character - or, justice for Alexander!

Since I was a bit disappointed by how Alexander's character was treated in S3, I decided to celebrate him as my favourite background character for the YRFavesFest2024. He deserves some love!!

"... anyone here who has been bullied, hit, beaten up?"

I'll start with this scene from 03.02, which I think is filmed and edited very cleverly.

At first the focus is on Vincent who's giving his little speech, while Alex is in the background and a bit blurred, but we can still detect him making big side eyes at Vincent. And how could he not? He, of all people, knows very well that bullying is a real thing at Hillerska.

At this point, before Vincent even finishes his sentence, the camera cuts on Alex - who now is on focus and at the centre of the frame - right on the words 'hit, beaten up':

I'm not reading this as a suggestion that Alex has ever been physically beaten up, but his posture and his eyes towards the floor perfectly convey the image of someone who feels beaten, if only emotionally.

And then Henry chimes in:

Henry is naively incredulous, but his comment must sound dismissive to Alex, who raises his eloquent eyes up again: sure as hell, he does not think that the story is overblown at all. No matter if the tradition of the porn/homophobic initiations was stopped and present day students don't go through it anymore, Alex understands that it's something totally believable.

It's just a quick sequence and Alex is clearly not meant to be the main focus of this scene as a whole, but his presence in the background and Xiao excellent ability to speak without words add further layers to the scene itself and make it even more meaningful.

Yay, some happiness!

Thank god, even though the creators didn't give Alex any line in S3, they at least let him have some happy moments. It's a joy to see him so cheerful and carefree during the camping trip! Look at him!

The trio

My last point, which is also my favourite among the glimpses we get of Alex in S3, is about the trio Alex-Henry-Walter. Throughout the season, in fact, Alexander, is often spotted in close proximity to either Henry or Walter or both:

In particular, I absolutely adore this shot:

The lighting and the colours are gorgeous, but most of all I love the glance Henry and Alex exchange while they're trying hard not to burst into laughters (it's the moment when August is gulping down a big glass of wine). I like that despite being on duty, once again at the service of the third years, Alex Henry and Walter seem to have fun, relaxed and giggly.

The icing on the cake, for me, is of course the white party! Alexander looks fabulous with that sparkly purple eyeshadow (or whatever it is) and the trio is all ready to enjoy the craziest night.

Alas, the show doesn't let us know anything about the nature of their relationship. Or maybe it's a good thing, as it allows the audience the most freedom of interpretation. Is it camaraderie among fellow students? Is it authentic and sincere friendship? Something more?? What do we think? As in the fandom there's already an established little group of passionate Walty shippers (looking at you, friend, hehe), I wonder if anyone ships them as a throuple? Queerplatonic, maybe? Come on rarepair enjoyers, don't be shy!

Personally, I read them as just friends (both Walty and Walty+Alex), and I like to imagine the three of them cherishing this friendship formed during their school years, cultivating it into their adult life and living many future adventures as a trio, but any headcanon is valid and welcome. No matter what configuration, shape or form it might take, I just hope for Alexander to find someone who makes him feel respected and loved. We all deserve that, in fiction and in real life.

I'm closing this post with this beautiful, intense and emotional close-up from episode six:

Big thanks to @youngroyals-events for planning and hosting this event!

[volcanocraft]

hiii how did you like the wild life finale?

This seems to be a really contentious subject for the fandom and that's wonderful! I always enjoy when opinion is extremely diverse on a topic, i genuinely believe it contributes to a safer and more creative environment.

I think a lot of people forget that critique is ultimately derived from hope and love, it takes real time, dedication, and focus to understand and verbalize what they mean. Both parties want to see their series doing well. It would sincerely suck if everyone was so indifferent to the ending that one opinion homogenized the consensus of the fandom. It would be even worse if no one was allowed to voice their concerns or favourite moments in fear of betraying an established community narrative or attacking the ingenuity of the games.

Negativity comes from the same place optimism does. I have seen opinions I both agree with and heavily disagree with fundamentally, and I am ultimately very grateful to see both!

Thanks for asking my opinion. I don't think I would've written anything about it if you hadn't asked. Here you are!

The Good

Grian, Jimmy, and the ever present Cain Instinct

"It was always going to be this way, Jim." <- Said by someone who has a very normal relationship with a man hes known and attempted to nurture for around a decade.

I have to remind you that this is the second time Grian deliberately intended to end Jimmy’s life series, the first time is when they were Southlanders and he "snapped" at him for not taking his warning seriously.

I literally can't say anything that Grian hasn't said himself. If you watch his finale episode, he's constantly staring at Jimmy and thinking about how he could kill him right here and now. He switches to his sword, fidgets, stays silent while Jimmy and his group prattle on. Literally licking his lips and thinking about what to do. Ultimately, he chooses to strike without any chance of retaliation in the one place Jimmy feels safe in. And then when Jimmy is dead, Grian assumes he's watching him and says to his literal ghost "I love you"

Zombie Mechanic

I think this was a genius way of reintroducing the members who died early on. I don't think the series would've been the same without their revival. It was a super fun mechanic and their reduced health and commodified status balanced it out for me. You watched them lower your friend's casket into the ground but the next day he's back and he hugs you and you do not see any warmth in his eyes.

The Powerful Homo-eroticism of GemJoel [Canonized Edition]

The influx of gemjoel art was one of the best things in the entire world for me. Can you fucking believe i predicted it too. Now people refer to Joel as Gem's wife. This is everything I could have ever wanted. I've done three lines in celebration. Their dynamic was amazing too and i love that my inbox got flooded with anons as soon as any one of them said something incriminating. it's too bad they didn't battle it out for winner at the end with blood and tongue...

Good-FUCKING-Bye Canary Curse

I started getting really annoyed with how this specific fanon interpretation of Jimmy began to bleed into every single analysis of the series, creating relationships between characters and themes that were not there. I would argue that Jimmy himself barely believes in this supernatural phenomenon. I'm a hater and I only like it when I can fetishize watcher lore in a biblical sense.

The Bad

Leading Cause of Death... Snails

"You either loved the snail mechanic or you didn't" I say as someone who neither loved or hated it. But I think the fact that the snails ended so many peoples finales and contributed to so many deaths is a very valid criticism. I will say that Lizzie's snail and Skizzlemans whole episode kind of make it worth it, because it was just so fucking funny

I Wouldn't Have Attended Trivia Night

This is ultimately the point where I dropped off engagement wise. I think the trivia should have been minecraft-mechanic related and not about traffic life. "How many crafting recipes use wool?" Some of the questions were niche which makes sense because they were about specific moments. It doesn't matter if we think that lilac and poppies were important, no CC is going to, and the pool gets even smaller when you eliminate everyone who wasn't involved in that moment.

Conclusion

Personally, not my favourite. I think it lacks a lot of nuance the other series really cultivated with their simple mechanics which relied a lot on the ingenuity of the player themselves rather than situational opportunity. You could probably tell I lost interest because not even gemjoel could save me when I stopped posting about it. I got a lot of casual enjoyment out of it but that's it. I also eventually started feeling sore that the deaths were very coincidental. If you want a taste comparison, my least favourite life series is Secret Life and my favourite is Limited Life.

Some of the complaints I've heard is that there was not enough time for players to create alliances, flesh out cross-faction dynamics, or hold meaningful conversations. I disagree. There was a lot of motive for the players to collaborate and figure out the gimmicks together. They would even frequently congregate on the field at the bottom of the mountain. I think the wildcards helped make every conversation count and they could've talked at length if they wanted to (the G's did pretty often; as did Cleo and Bigb during the eating episode). There were a lot of chances to immediately take one another out but they decided instead to wait. Alliances were established and kept: the bamboozlers were ride or die for eachother, the spanners were tragi-comedy incarnate, and if cooperation's not your thing, you had team BET barely holding it together. People frequently encountered one another. I thought it was good.

Despite how I personally feel about it, I actually think its one of the best life series "objectively" in terms of content and watchability. There was genuine anticipation in seeing what happens each week. Each perspective was very personal because at that point it was about reactions and adaptability. If this was my first introduction to the life series, I'd be really pleased. But it does set up a kind of false impression of what the general theme of the series is. I guess you can think of this season as like... the beach episode [extended edition]. I did not get the impression the players were tired of the mechanics. The advent calendar format kind of does lend itself to a forced and rushed wrap-up finale.

[grison-in-space]

You know, I've been reading things written by people on the internet for my whole life, or at least my whole life after I was about ten. I'm thirty three now. That means there are people whose words I read on the internet twenty years ago who are presumably still around and occupying the internet—sometimes using names I can recognize from back then, too. (hat tip to my fellow "changing usernames is unnatural actually" brethren; I've only changed one myself twice in the whole world since I was about fourteen or fifteen.)

Sometimes I think about a person I see around occasionally on the internet. That person wrote a story about a character in a rather silly fandom we shared, and I read it as a child just beginning to conceptualize being someone whose opinions might matter. And I remember reading that story at some point, because at that age I had a hyperfixation on that character in that fandom at that time and I read pretty much everything in the genre. I never really got to talk to anyone but the inside of my head about it. My friends didn't read fanfiction, and my parents viewed my reading fanfiction as some kind of depraved, shameful secret. Anyway, I read that story and I remember having some kind of deep realization about how adult humans work while I was reading it.

I learned something about the world from that story. (It was one of those insights that are now so molten alongside my core that it's difficult for me to disentangle them from myself, like "people outside you have their own perspective on your behaviors, but that doesn't mean they have to be right.") And I remember that they know it, because they taught it to me, without meaning to. One of the anonymous impacts on readers that writers never see unless they're extraordinarily lucky.

And I smile, because it's lovely to see them again, and they showed me a skill I still use today. We don't have a relationship of any kind—it would be very difficult to recognize me, I think—but they did me a favor a long time ago. And I remember. Now I get to be reminded that this person still exists, and is still a pretty cool human to be around today, at least for the specific circumstance of internet neighbor. Well, and our modern level of concern about once beloved elders from the distant past going terrifyingly cult-addled and bigoted on short notice.

That has not happened in the slightest. They're just still a pretty nice fandom person who is a bit older than me, who is recognizably the same person they have always been, but more intensely and thoughtfully—like a distilled brandy, not a sour vinegar left out on a countertop too long.

Weirdly, that's a thing I find comforting: this tiny, one way, invisible affection. Every so often I feel this intense affection for a person I've never spoken to or about, because I see them and I love them intensely for a moment and then we both go about our days.

Think about how many interactions you have with people as you go about your day. Wouldn't it be nice to imagine that other people feel like that about you?

I think I'm going to imagine that there's one person that read something I said and thinks that about me. I don't need to ever actually know if it's true: I can just imagine someone who happened to be at a formative moment when they learned something against the background of my words. We'll never know each other as our screennames are lost along the years and we move in and out of touch with parts of ourselves, but we still have that little fond impact on one another, those fingerprints in one another's clay.

It's a nicer world to imagine than the one where no one is paying attention to me, or the only people paying attention to me are mean. And there's really no way to ever know for sure, so why not inhabit the pleasant end of the imaginatory pool if you can?

[moongothic]

Rereading Dressrosa for the first time in quite a few years, after having become a Crocodad Truther specifically, was a really interesting experience, mainly due to the relationship between Kyros and Rebecca and Luffy's very strong feelings about those two in particular

Starting with the latter point; watching Luffy get really passionate about making sure Rebecca reunited with her father, instead of the two never seeing each other again as Kyros had planned, was just really facinating to me.

Now there ARE layers to this; Luffy saw first hand how much Rebecca and Kyros love each. Even if he didn't know or understand all the details, he knew these two were family forced to live apart due to Doflamingo's rule and that, even though Rebecca didn't know Mr Soldier was her father all those years, he still looked after her and did all he could to protect her. Luffy understands how much they matter to each other. Luffy also gets that Kyros was trying to make a sacrifice out of self-loathing; Kyros saw himself as a bloodstained monster who did not deserve to be by his daughter's side, thus his insistence on them going their separate ways. But not only is that "sacrifice out of loathing" not a thing One Piece rewards within the narrative*, but Luffy emotionally understands what Kyros was trying to do was stupid as hell. *(See; Robin trying to save the crew in the CP9 Saga, Sanji trying to offer his head to Kuma to spare everyone else (because he saw himself as the "least worthy", compared to Zoro who believed he was the only one who could actually tank Kuma and survive), Sanji again during Whole Cake Island, etc)

Adding to that, in what I feel also harkens back to Alabasta (vaguely important since Dressrosa in many ways is a reflection of Alabasta); Vivi made her decision to stay in her home because that's what she wanted deep in her heart, because she loved her country. Just the same way, dethroning Doflamingo, getting revenge for her mother and reuniting with her extended family were all fine achievements. But all Rebecca wanted deep in her heart was to stay with Mr Soldier (regardless if he was her father or not). That's what mattered the most to her.

How could Luffy even think about leaving without making sure Rebecca was able decide on her own if she wanted to stay with her father, instead of him making that decision for her, not because it was truly "for the best", but out of Kyros' own guilt and self-loathing.

All of that to say; Luffy becoming so emotionally involved in Rebecca and Kyros' father-daughter relationship is perfectly normal and on-brand for him, it's not strange at all.

...At the same time. I could not help but to wonder if those two's relationship could somehow reflect Luffy's relationship with his estranged parent(s), and more importantly, kind of debunk the fandom idea of Luffy as someone who 100% does not care if people are related or not and has ZERO interest in Dragon etc

Like I have discussed this before but I've been meta posting for so long on here I'll repeat myself just a lil; I feel like it's less "Luffy doesn't care Dragon is his father" and more "Luffy doesn't know HOW to feel about Dragon". We don't know what Garp told Luffy about his parent(s), presumably and based on the conversation post-Enies Lobby it just seems like Garp never mentioned ANYTHING to Luffy? Like he didn't even tell Luffy a white lie about why his parents weren't there for him? We simply do not know. But what we do know is these three things: 1. Luffy hates being alone, even more than "being hurt". Being alone is his worst fear 2. Although Garp was responsible for raising Luffy, he wasn't always there, meaning other townspeople and Shanks' crew alike were equally "responsible" for looking after Luffy. 3. Meaning Luffy was essentially an orphan. Fans will joke about Luffy's surprise at him having a father being because he's stupid, an asexy and doesn't know where babies come from, and while I may not be fully able to debunk that conceptually. Like. It's just as possible that because Luffy was raised like an orphan, he might have assumed that either his parents were dead or had abandoned him because they didn't want him. And I'm going to argue that if that's what Luffy always assumed was what happened, yeah, it'd contribute to his fear of being alone. It'd explain why he'd be surprised to find out he actually does have a father out there somewhere. And yeah, Luffy might not know how to feel about Dragon if that's the case. Should he hate Dragon because he wasn't ever there for him (from Luffy's POV)? Why wasn't Dragon there for him? Did he really not want Luffy, or did he have some reason for leaving Luffy? What is he like anyways, is he nice or cool or a dickbag?? Should Luffy even care about any of that stuff??? All of that to say; I don't think Luffy is completely disinterested in Dragon, I think he doesn't know how to feel or think about Dragon, and it's not relevant to Luffy right now anyways because Dragon's like, out there somewhere while Luffy is on his journey. Where as, if Luffy were to meet Dragon, get to know what he's like, why he wasn't there for Luffy and most importantly, how he feels about his only son (does he care about Luffy and his wellbeing? Is he a Kyros or a Kaidou?)- yeah, I think then Luffy COULD learn to be interested in Dragon and care about him Not out of obligation (because of their blood) but out of Luffy's own will, out of Luffy's acknowledgement of Dragon's love for him

And yeah, then we get to add the ever-delightful layer of Crocodad Trutherism to this mess.

You know how my personal theory goes; that Crocodile's been trying to find a way to overthrow and nuke the WG (potentially with an Ancient Weapon) to make sure his long lost child would be able to live freely and do whatever the hell he wanted without having to fear the WG would ever target him because he has Evil Revolutionary Leader Blood coursing through his veins. That's what makes the most sense to me as Crocodile's ultimate motivation. To protect his child, no matter the cost, even if he had to become the devil himself.

And hey, what was the story between Kyros and Rebecca again? Kyros trying to overthrow a corrupt government (a fallen Tenryuubito to boot) to protect his child so she could live freely without having a target on her back?

I don't need to explain how One Piece does have repeating themes and motifs, surely. (Also there's something to be said about fathers in One Piece who would go to hell and back for their daughters, Kuma being another example, but that's a whole different essay. But Oda's Girl-Dad Agenda is showing)

But yeah, what's even more interesting here is how Kyros believed he didn't deserve to have a reunion with Rebecca. He commited a murder decades ago, and although everyone else seems to have forgiven him for that crime, Kyros himself still thinks of himself as a horrible murderer with bloodstained hands. Not helped by how Kyros thought him teaching Rebecca self-defence skills was a failure on his part as a father (instead of him doing all he could in the horrible situation they were stuck in; teaching Rebecca how to defend herself was absolutely justified, and Kyros shouldn't have blamed himself for anything there).

Kyros didn't think he deserved to be with his daughter because he wasn't a good father, because was a monster. And Kyros could not believe anything other than that until Rebecca essentially forgave him, by explicitly telling him she wanted them to stay side-by-side. That she wanted him, and no one fucking else, as her father.

And I once again repeat myself just a little as I ask; how would Luffy feel if he found out Crocodile was his father? How would Luffy feel if he found out the reason Crocodile was going to destroy Vivi's country was because he was trying to protect his son from the WG? And that son was Luffy himself? How would Luffy feel that the asshole who stabbed him through the gut, mummified him and poisoned him was his very own family? Who also saved Luffy's life the second he learned of their blood connection? How would Luffy feel in that situation, if he found out Crocodile cares about Luffy, and wants him to be okay? And how does Crocodile feel? After stabbing Luffy through the gut, mummifying him and poisoning the brat, does Crocodile feel like he has any right to call himself Luffy's parent, let alone father? He knows Luffy rightfully hates him for all the horrible things he has done, how could Luffy ever accept him?

The past is in the past and it can't be changed. But you always have the choise, the free will, to change yourself and become a better person. You can choose to do better things, to help others and be kinder. You can have a second chance.

Robin was given a second chance. Hacchi was given one too. Kyros was given that chance to become better. So why not Crocodile?

[mymarifae]

every time someone says "an should have been vbs's leader" or "saki should have been leo/need's leader" i want to . slam my head through concrete. oh you missed the point so bad

1. the "leader" thing is kind of really fucking insignificant outside of where each group's story begins and promo materials. it doesn't mean one character is the "main character" of the group. project sekai doesn't HAVE a main character in the first place it's not that kind of story. each individual character is equally important to not only their group's story but the over-arching story of the whole game

2. leo/need's story begins with ichika because she is ultimately the one that brings them all back together. not saki. it is ichika's determination and frankly stubbornness that gets through to shiho and honami. like, saki was literally ready to give up on reconnecting with honami! (out of love and respect for her choices but like) if she was the focus leo/need would have been honami-less!! but ichika refuses to let it go. much like she refused to let go of their friendships throughout all of middle school.

when the story begins, we see ichika burnt out and hopeless. but that's only after years of trying and trying and trying and trying again to reconnect with shiho and later honami. this fandom does not understand ichika's character well . she's not meek and she doesn't back down easily she's not some like... fumbling "girlflop" she's incredibly driven and strong-willed. she lost some of that due to depression and isolation but as of leo/need's most recent arc ender she has pretty much regained her fiery spirit. she's leo/need's lead singer and MC for a reason

3. vivid bad squad's story opens with kohane because she's the only one who hasn't grown up/partially grown up on vivid street. if an or akito had been the "leader" we would have lost the magic of getting to know vivid street and its people and unique culture. it's all average every day life for them, but kohane is experiencing it all for the first time. it's only through her eyes that the audience can understand just how very special vivid street is

4. one more thing: you could say that the "leaders" represent the themes of each group and the general direction of their story arcs. vivid bad squad, among several other things, is all about improvement and growth and overcoming challenges and creating something new and finding a place to call home within a community. who better to represent that but the socially anxious newbie who never felt like she belongs anywhere and would never do anything with her life?

leo/need is about love and the ability to endure all hardships and preserve that love . it's about having a heart big enough to hope for the impossible and the willpower to make it reality. ichika, in all her hard-headed stubborn painfully persistent glory, is perfect for that.

similarly, mafuyu isn't nightcord's leader because nightcord is ultimately about healing. hope. finding a way to make life worth living again. these aren't paths he would have chosen on his own. he gave up on himself a long time ago. as did ena and mizuki, in their own ways. the best person to represent hope is the one who refuses to give up on anyone and stubbornly believes she can save them all

wonderlands x showtime is about moving forward to a brighter future and not letting the past keep you shackled in place. it's also about having lofty dreams and the selfishness to pursue those dreams. both of these things are why emu Isn't wxs's leader; she lacks that selfishness (i'm not using this word in a negative sense btw; i think being selfish can be a good thing. and sometimes being selfless is a bad one) tsukasa (and rui) has, and she often clings to the past.

and as far as more more jump and all their own themes of hope and never giving up go, of course their leader has to be minori. she brought three disillusioned, jaded ex-idols hope and reignited their passion! she's the walking embodiment of hope itself