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#as if everything that defines her is her trauma
rogueshadow1124 · 1 day
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CHASING THE QUIET MOMENTS
[Jason Todd x reader]
Summary: where Y/N and Jason stay content with the moment of peace they have. Reference to the song 'chasing cars' by snow patrol.
Word count: 1740
Warnimg: none.
The night was still, the kind of stillness that wrapped the Gotham skyline in a shroud of peace rarely afforded to the restless city. Moonlight filtered through the tall windows of an old apartment building, casting silver shadows that danced across the floor of a dimly lit room. In this serene atmosphere sat Y/N Y/L/N, her legs curled up beneath her on the couch, bathed in the glow of her laptop screen. The gentle hum of the city outside was a far cry from the chaos it so often descended into. Here, in this moment, it felt like time had slowed down, as though she had found a sliver of tranquility in a place that hardly ever knew it.
Yet the silence felt incomplete.
Her eyes drifted toward the balcony door, slightly ajar to allow the cool night air to sweep in. It brought with it a familiar smell, the scent of rain threatening in the distance, a reminder of just how fleeting peace could be in Gotham. But tonight wasn’t about the weather, or the chaos lurking beyond her apartment. Tonight, her mind was on him—Jason Todd.
Jason was not someone easily forgotten. The first time they had met, Y/N had been struck by how much of a contradiction he was. There was something magnetic about him, something that pulled her in despite her initial resistance. His smirk was reckless, his voice a mix of sarcasm and grit, but behind that rough exterior, Y/N had glimpsed a vulnerability that he kept buried beneath layers of trauma. Jason was a storm—unpredictable, dangerous, but also mesmerizing.
They had never been the type for grand gestures, nor had they needed to be. Their connection was built in the quiet moments between the chaos, in the fleeting instances where neither of them had to fight against the world. Jason, despite his vigilante persona as the Red Hood, always found time to seek her out, to collapse into her apartment in the dead of night when Gotham became too heavy for him to bear alone.
And tonight, Y/N knew he was coming.
The faint sound of a grappling hook catching on the railing outside reached her ears, and her heart skipped. A soft thud followed as Jason landed on her balcony, barely making a sound, the shadow of his figure looming just beyond the sliding glass door. She didn’t have to look to know it was him. There was a certain calm that filled her when Jason was near, even when he brought the weight of his world with him.
The door slid open a moment later, and there he stood, clad in his usual black jacket, the hood pulled down as his helmet dangled loosely in his grip. His dark hair was a mess from the night’s work, and there was an exhaustion in his eyes that she knew too well. He always came to her when he had nowhere else to go, when his war with Gotham’s criminals had left him raw and vulnerable.
“Hey,” Jason’s voice broke the quiet, low and rough around the edges, as if even speaking cost him energy tonight.
“Hey,” Y/N replied softly, a small smile tugging at her lips. She set her laptop aside, uncurling from her spot on the couch as she stood to meet him.
Jason kicked the door shut behind him with the heel of his boot before he made his way over to her, each step heavy, deliberate. Without a word, Y/N stepped closer, her arms instinctively wrapping around his waist as his arms draped around her shoulders. For a moment, they stood in silence, holding each other. Jason exhaled slowly, as though simply being in her presence allowed him to let go of the tension he carried like armor.
The silence between them was comfortable, filled with the unspoken understanding that no words were necessary to convey what they felt. It was moments like these—quiet, intimate, and real—that made everything else fade away. With Jason, Y/N had learned that not every connection needed to be defined or labeled, that sometimes just being there for someone, offering them a place where they could let their guard down, was enough.
“Rough night?” she asked quietly, her cheek resting against his chest.
Jason let out a humorless chuckle, one that didn’t quite reach his eyes. “When is it not?”
Y/N pulled back slightly to look up at him, her eyes scanning his face, searching for signs of whatever weight he was carrying this time. His jaw was clenched, tension radiating from him in waves, but his eyes—their usual sharpness dulled by exhaustion—softened as he looked at her. He never said much about what haunted him. She knew the broad strokes of his life, of the brutality he had suffered and the way it had shaped him into the man he was now. But the details? Those he kept locked away.
“Come on,” Y/N said, taking his hand and leading him over to the couch. “You look like you could use a break.”
Jason didn’t protest, letting her guide him without a word. He sat down heavily, the weight of his night pulling at his shoulders as he slouched against the cushions. Y/N followed, sitting close beside him, her hand still entwined with his. For a while, they sat like that, the only sound in the room the steady rhythm of their breathing.
If I lay here… If I just lay here… Would you lie with me and just forget the world?
The lyrics played softly in her mind, echoing the sentiment they often found themselves in. Jason was the kind of person who chased after everything—revenge, redemption, justice—but never seemed to catch the peace he so desperately needed. And yet, here with her, in these moments, it was like they were both finally able to just stop running. To stop fighting.
“I could stay like this,” Jason murmured, breaking the silence. His voice was barely a whisper, like he wasn’t sure he wanted her to hear.
Y/N’s heart ached at the words. She knew what he meant. There was a part of him that was always looking for an escape, always looking for a reason to believe that maybe, just maybe, he didn’t have to be the man he’d become. That he didn’t have to live in the shadow of the Bat, or under the weight of his resurrection. But life wasn’t that simple, and both of them knew it.
“I know,” she said quietly, squeezing his hand. “I could too.”
Jason turned his head to look at her, his blue eyes filled with something that was neither love nor longing, but something in between. It was the look of a man who didn’t know how to express the depth of his feelings, who didn’t know how to ask for what he needed. Y/N had seen that look so many times, and every time, it broke her heart just a little more.
Without saying a word, she reached up, brushing a strand of hair from his forehead, her fingers lingering against his skin. Jason closed his eyes at the touch, leaning into it as though it was the only thing anchoring him to this world.
“You don’t always have to fight,” she whispered, her voice gentle, like a soft breeze on a summer night. “You don’t have to be strong all the time, Jason.”
His eyes opened, searching hers for a moment, as though he was trying to find the strength to believe her. But Jason had been fighting for so long that he didn’t know how to stop. He didn’t know how to let go.
“I don’t know how to do that,” he admitted, his voice raw, vulnerable in a way that he rarely allowed himself to be.
Y/N shifted closer, resting her head on his shoulder. “You don’t have to figure it out alone.”
For a moment, Jason didn’t say anything. He simply sat there, staring at the far wall as though the answer to all his problems was hidden in the peeling paint. But there was no answer, no easy fix for the life he led. All he had was the here and now, and the woman sitting beside him, offering him a lifeline he didn’t think he deserved.
But maybe, just maybe, he could let himself have this one thing.
Jason leaned his head against hers, closing his eyes again. “If I stay…if I stop…” His words trailed off, the unspoken fear lingering in the air between them.
Y/N knew what he was trying to say. He was afraid that if he stopped, if he allowed himself to let go, the pain, the anger, the guilt—it would all catch up to him, and he wouldn’t know how to handle it. But what Jason didn’t realize was that he didn’t have to face it alone. He had her.
“If you stop, I’ll still be here,” she said softly. “We’ll figure it out together.”
Her words were simple, but they carried a weight that made Jason’s chest tighten. He wasn’t used to having someone who cared for him like this, who saw beyond the mask he wore and loved him anyway. It scared him, how much he needed her, how much he relied on these quiet moments to keep him sane.
But tonight, under the soft glow of the moonlight, with the city sleeping below them, Jason decided to let himself believe her. Just for tonight, he would let himself stop chasing the ghosts of his past and allow himself to simply be.
So they lay there, side by side, in the stillness of the room. The world outside continued to spin, but for Jason and Y/N, time had slowed down, allowing them this brief moment of peace. They didn’t need to talk about the future or what came next. All they needed was this—the quiet, the comfort, and the promise that neither of them had to face the darkness alone.
And for once, Jason didn’t feel the need to chase anything. Not the stars, not revenge, and not his demons. For once, he was content to just be here, with her, forgetting the world.
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greensaplinggrace · 1 year
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hate it when people say alina didn’t choose anything in the series as if she wasn’t out here making choices based directly on her own wants and as if she wasn’t out here wanting so many things and as if she wasn’t out here pushing towards a destination she was determined to reach.
she’s forced into many situations but she finds her way out of them, she acts with her own intentions, and she isn’t some wallflower poor helpless victim you can claim is blameless in her own actions. throughout the books, she suffers from writing choices that constantly have her reacting to things instead of taking the initiative. but that doesn’t mean she never does, and that doesn’t mean that when she does, her actions aren’t her own. stop erasing her character to make her more of a helpless victim. 
this is the girl who used the cut on the skiff and abandoned people to die. this is the girl who brought a chapel down on the darkling’s head. this is the girl who looked the apparat in the face and turned the tables of power on him in an instant. why is everyone in this fandom obsessed with making the female characters one dimensional victims whose only character trait is that they’ve been hurt?! it’s obscene.
one of the only things she didn’t choose was having her powers stripped from her in the end. but the people who are ready to strip her of all agency throughout the narrative are suddenly ready to claim this was her intentional sacrifice all along when it textually wasn’t just because it serves their ‘pure victim’ image of her in their minds. please.
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mariautistic · 1 year
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something that's been on my mind as of late is the way people see some characteristics (specifically a negative one) of themselves that originate from traumatic events in childhood as somehow interfering with their "true self", and wantning to get rid of it through methods of self help/therapy/etc., but that the attitude itself can easily be a manifiestation of self hatred. like how traumatized does one need to be for their self centeredness to be pathologic instead of simply an aspect of themselves. how wrong are you allowed to be as a person and who draws the line. why can other people be shy or rude or loud or selfish and still be normal while all these aspects are seen as pathological only thanks to a more clear point of origin. when does it become a sport of dehumanization against yourself
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the-knife-consumer · 1 year
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"Yona was just added bc Nintendo wants people to stop shipping sidlink!" Literally what the hell are you talking about
#yes nintendo is homophobic. no they do not give a singular shit about what their fanbase does??? what are you talking abouuuutttt#they literally dont care what people do as long as they get money??? like what#listen im upset abt yona having so many unanswered questions. mainly she came from another zora's domain#meaning she came from outside of hyrule. so that leads to a lot of questions.#but howww do you come to the conclusion that she was just added as a 'no homo' indicator#dont even get me started on the people genuinely unironically calling this queerbaiting. what are you onnnnnnn#'and oh but sidon said he used to see her as a sister! so its gross and wrong!' sidon literally thought out loud to links face abt how#had things been different and link had gotten married to mipha he would be his BROTHER IN LAW. SAID THAT OUT LOUD TO HIS FACE. so shh#imo. yona was added for one 'ohh wow exciting new character look at this' and two. as a way for sidon's trauma to be acknowledged#bc it was veeery briefely shown in botw. for like. a singular second if you snuck up on him at mipha's statue#but yona's defining scene in totk was her forcing sidon to confront that he wasn't being himself because of that trauma. and that#he needed to let go of the fear around it. if only temporary. because his people needed him.#so tbh?? sheis very important to the plot. she new mipha. admired her. knows why sidon still struggles with this and#how difficult and frightening everything becomes when he views the world through the lens of 'what if i lose someone again'#like. they added yona for his struggles to be spelled out to the audience even further#so to just boil her down to 'ewww woman gets in the way of my gaybies 😡😡😡'. hello. did you play the game.#do you even know who these characters are. quick gimme ten facts about sidons character that you didnt make up for shipping purposes.pronto
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I'm never gonna lose again.
Not a fight.
Not a friend.
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moomoomooing · 7 months
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hehe
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shhhhimwatchingthis · 5 months
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Dead Boy Detectives has everything:
Co Dependent queer platonic tough to define Best Freinds who would and have gone to hell for each other. they have an office with a cupboard full of board games, and a long history of Noodle Incident cases of '04, and also a bunch of maneuvers with code names. They are also ghosts who solve mysteries for other ghosts.
One is a sassy well read diva in a stupid little bowtie. he keeps meticulous notes, and went to hell on a technicality. he has no rizz and has a sexual awakening at the hands (paws?) of a supernatural Cat King
the other is a cheerful happy bruiser, the brawn with a pocket demension only he can navigate in his backpack, a magic cricket bat, and wells of anger deep down
they team up with a cool psychic (whos also a pretty tree) dealing with her asshole abusive boyfriend who was literally a demon while also trying to restore her memories (she also has a hilarious hate off off with the nerdy one)
then they add a sweet shut in who isn't very brave but is very inquisitive and has excellent reading comprehension and is actually the most brave
and their landlady is a hot goth Sapphic butcher who is done with their shit (but not really)
and the main antagonist is a cunt serving witch with an iron cane chewing up the scenery, just camp queen obsessed with Beauty and Revenge as she should be
she turns her crow familiar into an astrology loving twink to honeypot the nerdy one but the crow catches feelings whoops
the cat king who deserves his own mention again. he's here to seduce a stuffy British detective/tease, cause problems on purpose, reluctantly help solve those problems and mostly slut it up.
a bureaucrat learns to VERY reluctantly embrace the beautiful power of friendship after being swallowed by a fish
its set in a gorgeous seaside town with a light house! and a malt shop!
because this is all A Scooby Doo homage!
It's an episodic Case Of The Episode format! with strong serialized elements!
and as if that wasn't enough there's even Death of The Endless.
what more could any person possibly want in a show.
oh and there's a lot of really interesting themes around internalized homophpbia, abusive relationships and trauma and toxic anger and learning to love and trust and help other people again in spite of and because of the bad parts.
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delta-lethonomia · 5 months
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There's a reddit thread on the BG3 sub where the user u/InklingRain posted a spreadsheet they made with all the companion approvals. Super useful in general both for playing the game and for fic, so I thought I'd post it on tumblr and play around a little!
There's a top row with the average approval by companion, but I didn't find that very useful, so I changed it to the count of approvals (i.e. count of approvals & disapproval total, how often a companion had a reaction to something). We all know Astarion gives a lot of disapprovals here and there, but they're only -1 at a time, so no big deal, right?
No. Minsc has the least at only 45 reactions, Halsin at 95, Minthara at 145, and of the main companions, Gale is pretty average at 198, Lae'zel at 224, and Shadowheart, rather opinionated at 258...
but that's nothing compared to Astarion's 406. That's almost 150 more than the next person!!! That's more than Minthara and Shadowheart combined! Babygirl really woke up one day and decided to get in a snit over everything that happens 😂
(Longer post about count of positive and negative opinions, sum of approvals and disapprovals, and some major outliers below. Picture with values at the very end.)
But that's a bit disingenuous. If we look at the ratio of positive to negative opinions (not taking value into account), Astarion's pretty average at 30% (negative count over sum count, so let's call that negativity). This is similar to Gale (31%), Karlach (30%), and Lae'zel (32%). In theory, getting Astarion's approval or disapproval is just as easy as any of theirs, with a 20% bias towards positive approvals. Later companions are weighted heavily towards the lower end of the spectrum, with Jaheira at 13% negativity and Minsc at 9%. As you only get them very late, it's pretty clear that the game gives you a lot of opportunities to get their approvals and thus open up more of their quests and dialogue.
However. We have an outlier. Wyll Ravenguard, clocking in at an indecent 38% negativity! Which really just goes to show, while Astarion is the most opinionated, Wyll has the most disapprovals, making him the judgiest companion of all 🤣
However, this really wouldn't be a good post if we didn't look at the value of approvals. Karlach, for instance, has the strongest disapproval value of -100 (given if you sleep with her and then call it a mistake). Ouch. This is clearly at outlier and doesn't say much about Karlach's changeability of opinion in general. If we look at the sum of positive and negative opinions, this is a very heavy swing, making up 100 points of her total 191 disapproval points possible to her 281 approvals total. Another outlier is Minsc, who currently possesses a 43% disapproval percentage (a heavy -50 disapproval given if you sacrifice him to Sarevok. Jaheira, by contrast, apparently doesn't give a damn, or her value might simply not be included in the dateset.)
Removing outliers is really a matter of opinion here, so I'll only remove the most extreme swings, such as the above mentioned disapprovals.
The otherwise strongest swings are Astarion (-15 for telling him it was a mistake preventing him from drinking Araj's blood, or saying you only wanted to sleep with him, not deal with his trauma) and Wyll (+20 for siding with Karlach during his confrontation with her, which really shows he didn't really want to kill her and is very grateful you stopped him). Halsin gives +40 for reuniting Oliver with Thaniel, which...lifting the shadow curse is sort of his life's mission, and a bit of a unique case, so while it makes sense, I think it's such a unique event that can't be topped by anything else and will remove it. Jaheira give +20 for extending the Emperor's protection to Minsc, and, for funsies, Minthara's heaviest disapproval is -5 for donating to Lolth at the Stormshore Tabernacle. (lol)
I only chose to remove the aforementioned Karlach, Minsc, and Halsin values, as they're all very large swings and rather character-defining or personal to the individuals mentioned, so I don't think it says much about them in a more general day-to-day sense.
Now, using the sums of our negative and positive values, Gale is our most Negative Nancy, clocking in at 37%, which goes to show that while he's pretty average for the amount of things he cares about, when he disapproves, it's a strong one. Next up is Astarion at 35%, and Wyll at 34%. Lowest are Jaheira and Minsc at 7% and 4% respectively, which makes an intuitive sort of sense: Jaheira is old and just over being upset by the players poor choices, and Minsc is an insanely positive person overall. The next most positive companion is Halsin at 13%, which also matches with his vibe pretty well, followed by Minthara at 17%, Karlach at 24%, Lae'zel at 26%, and Shadowheart at 28%.
Tl;dr: Astarion has many, many opinions, but Wyll is the most judgemental (most disapprovals compared to approvals possible). However, when it comes to the strength of those disapprovals, Gale reigns supreme, followed by Astarion.
If don't break Karlach's heart, help Halsin achieve his life's ambition, or sacrifice Minsc, then they're pretty positive overall. Later companions are heavily weighted to approve of your actions, and Minthara is comparatively judgemental, but overall far more easy to gain approval than disapproval from.
If you take the average of all these values and include the later companions to look at as a personality "baseline" of how judgy and how strong those disapprovals may be, then...the Act 1 companions are all dramatic af, which really should come to no ones' surprise, while Karlach is the most willing to give the benefit of the doubt imo.
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yeyinde · 1 month
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third hour of the night
Baby Trap + Gaz x Fem!Reader | 24k
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The latest brush with death opens a wound, a chasm on the underside of his ribs that hungers for something he can't discern. He eats and it’s still empty. Gorges himself tirelessly but the maw still growls for more.
(He thinks it might be a sense of homesickness. And his home has always been you.)
OR: Icarus tries a different approach to capture Apollo once and for all.
18+ | SMUT: dubcon. baby trapping, contraceptive tampering. emotional manipulation. brief violence, near death experiences. obsessive/possessive Gaz. jealousy. unsafe sex. breeding. implied stalking. trauma and the consequences of almost dying several times. reckless behaviour.
MASTERLIST | A03
The thing about dying is that it tends to put everything into perspective. 
Things like the fleeting, ephemeral blink of life itself. The fragility of human existence. How vulnerable this glasslike body of his really could be. 
In a matter of seconds, he would have been erased. A soot stain on the pavement where the metal frame of a small charter plane impacted the ground, bursting into flames almost instantly. Incinerating him. Melted skin, charred bone. Suffused with plastic and steel. Entombed in a crumpled husk of iron and pipedreams. 
The real cruelty, he finds, is how empty this brush with death leaves him. Gaping. A chasm. He sticks his fingers into the hole and feels nothing—
Nothing but hunger.
It happens in a blink. 
Eyes open, and he feels like Icarus. Wings of metal, feathers, and beeswax. He soars above the treeline in a seamless incline, gaining altitude over the ochreous dunes in the distance. The great pyramids that once took dominion in his field of vision were soon to be specks in his periphery. 
There's something about flying that makes him feel both endlessly invincible and damnably fragile at the same time. 
Man's hubris—
Eyes half-mast, squinting against the smoulders of the sun, he feels the heat on his skin as they grow nearer to its coruscating flames. The window is hot. He places his palm against it. Feels the tremble of the machine as it works against gravity to free itself from those stifling confines. 
Kyle’s eyes slip closed—
—and he's suddenly reminded of why hubris is defined as a defiance of the gods. 
(Nemesis rakes her nails down the metal flesh of the bird, unyielding its wiry skeleton underneath; where are your wings?—
—man, willful creatures with their desire to be within the stars; cosmogyral. and oh, she laughs—)
Like Icarus, the plane meets the sun in a hard, hateful kiss, sputtering out in a series of agonising whimpers. The cockpit screams. Howls, shrieks, warning them all of an impending doom—
(—apollo, apollo, apollo—)
And then he's falling. Weightless. Wingless. 
(too low, terrain, terrain; pull up, pull up—)
“Fuck!” The curse is garbled in his headset, nearly swallowed by the agonal hiccups of the plane nose-diving to the ground. “I don't know—I don't—” (—pull up, terrain, terrain; pull up, pull—); “we're stalling, we lost the engines, we're—”
In his periphery, he can still see the blurry blots of the pyramids smeared under the plunging freefall to the ground that Pharaohs have kissed with the soles of their feet. They flicker in and out of his line of sight, a taunting reminder that his kin don't belong in the skies. That they build from the ground up. 
Amid the chaos, Price shouts something—a warbled hiss, words stuck in the back of his throat, limping out of his pale lips in a wheeze; gravity wraps a mocking hand around his neck, giving a tight squeeze. Kyle can see the whites of his knuckles against the armrest, skin prickling with goosebumps as they're dragged back to the dirt. 
by the sweat of your face you shall eat bread, till you return to the ground, for out of it you were taken; for you are dust, and to dust you shall return
He folds suddenly, torso flopping down over his thighs, hands screwing themselves angrily against the nape of his neck. Protective embrace. Through the angular cut of Price’s bent arm, a blue eye gleams in the flickering dark—electricity cut; the only light source inside the cabin a devastating flash of sun each time the plane rolls—and the anger there, he knows, is pasted evenly across his face. 
Fuckin’ helicopters. We'll take a bird instead. 
Hubris, he thinks, just as Price barks out, get down, Sergeant!
Survival training ensures his movements are fluid. Unconscious. He tightens his body into a ball, hiding all his fleshly organs from spilling out across the aisleway. Scarred palms cupped over his head, his stem. 
Couched into the claustrophobic space between his knees and the hard plastic of the seat in front of him, he finds he can't breathe like this. That training hadn't prepared him for the way gravity feels when it's trying to crush something into dust—but he heaves through the hypoxia, blinking furiously against the phosphenes spooling like ink blots over his eyes. 
There's a whistle in his ear, a swooping nausea in the pit of his stomach. He tastes blood in his throat. Feels the fluttering winds of his trapped heart beating against his larynx with every swallow. 
His thoughts are tangled. Knotted. The edges fray, unravel. It slips through his fingers, translucid. Weaving through the gossamer fogging through his mind. A thick, impenetrable cloud of mutinous emotions. All frothing over the other, intangible. They're drowning each other in a desperate bid to stay afloat, and Kyle can't bring himself to reach for one over the other, opting instead to save none at all. 
There's a roar. Brontide. It echoes in his head as the pyramids once again fill the entirety of his vision. Close to the earth. Close to death—
Kyle doesn't pray. Doesn't beg for forgiveness, for salvation. 
His mum might. He thinks he ought to, but where he should find repentance, sorrow, fear, he instead feels anger. Uncovers it like a forgotten relic. A childhood toy. Holds it like a knife to his throat. 
It's vicious, this fury. This rage. Consumes him from the inside out, blisters through his veins. Chokes him—
In between the apoplectic bitterness, memories flicker by. Broken, fractured remnants of a youth wasted in his grim, spiteful anger. Ironic, now, since he tastes fury, bellicostic and wrathful, in the back of his throat, bubbling up, florentis. 
Bathed in the endless red fury of his mindseye, he thinks of his mum. Standing up in church, her fingers knotted tight against a rosary as she murmured along with the passages, his father sat beside her. His brothers, and sisters. The life he led up to this point, and then—
—you. 
Life in stages. Snippets. Him, you. It rushes by in a maelstrom of want, need, and anger. 
It's short. The distance between knowing you and now charted in a paltry decade; an infinitesimal amount of time that leaves him feeling bitter, and regretful. He barely had you, and now—
Reincarnated as Icarus. Cobbled together from clay and feathers, subsumed with the ghost of a wilful man. Haunted by fate. Tortured with the endless agony of a looping, meandering death to kiss the sun and fall from grace, wingless. Scorched. 
His life is a mere echo. Smoke from a snuffed flame. 
And you— You. You, you, you:
Kyle finds you when he's running after a man through the tangled, indifferent streets of London. 
Weaving, bobbing around the crowd gathered around—clusters of tourists standing still on the sidewalk, forcing the herd to mould around them; idle passersby meandering through the throng of a Saturday afternoon rush—the man he's chasing uses them all as an obstacle. A place to hide. 
It nearly works, too. And if anyone else had been pursuing him, Kyle knows he'd have been long gone already. Seamlessly swallowed up by the rabble. 
But Kyle's different. 
For the entirety of his career, Kyle has been told he's more instinct than man. Reactive. The sort of person that was undoubtedly reincarnated from a wolf, one who used to prowl the boreal forests for musk ox and caribou. 
When people run, he just—
Chases. 
It's innate. in his blood. Instinctual. 
And everyone knows better than to run from a predator. To trigger their prey (hunt, kill, consume) response. 
So, when the man slips from his partner’s grasp and flees down the crowded streets of London, Kyle doesn't think. Not for a second. He locks his eyes on the man's back and follows. 
He cuts a jagged path down the crowded streets, using the meandering passersby to his advantage. Thrown down to the pavement as obstacles in his pursuers' way, ones meant to trip Kyle up. To gain ground, put distance between them. 
It's a futile effort in the end. He loses momentum and speed with each person he shoves, and Kyle soon closes in on him, less than an arm's length away. So close Kyle can taste the pungent burn of his cologne in the back of his throat, fingers reaching, nails grazing over the polyester fabric of his jacket, and—
You're there. Suddenly. All at once. 
Thrown, roughly, into his chest. The only thing keeping you from breaking your nose on his kevlar being your fists touching his sternum before the rest of you followed. 
Eyes wide, wild with fear, shock, you gaped up at him, blinking fast. Your pretty mouth opening, closing. The broken words swallowed down, crushed under the weight of your confusion, your fear. 
With your chin tilted up, he could see the curve of your vulnerable neck, eyes drawn to the shadows under your jaw where your heart pulsed against your skin. Vein throbbing in tandem with your heartbeat. 
Reflectively, his hands jerked up. Arms locking around you, palms bracing you—one falling to the small of your back, the other cupped protectively against the nape of your neck. It brings you closer to him, pushes the endless softness of your body into his hard, unyielding armour. 
And—
Well. 
It's not often—if at all—that he loses sight of a mission. Let's himself become distracted, pulled away. And even now, he's not. Not really. He can still see man in his periphery, nothing more than a bobbing head of blond hair, and he knows that his partners are waiting for him by the entrance of an alley. Crested above the crown of your head, he sees one of them—Marcus, he thinks—jump out, tackling the man to the ground. Domhnall follows suit, gun cocked, and aimed at the struggling man's head, finger never having left the trigger once since he set off in pursuit. 
Kyle never had to give chase, anyway. But the man ran first, and—
A bad idea, really. 
The men he works with now often joke that he's more instinct than man. Chasing after moving targets like a wolf trying to run aground an elk. Under the perceived stupidity of the action lingers a honed strategy. One passed down for aeons. 
Chase, keep pace, until something gives. Something breaks. 
And it's never him. 
Until now. 
You just fit. Like you were made to be in his arms. 
Kyle knows, muted and distant; the thought all tangled up in the back of his head, that he should let go of you now. Gently nudge you on your way. Out of sight, out of mind. Go back to where the man is being wrangled into cuffs amid an agitated crowd murmuring to themselves, all trying to peek over the shoulders of the other officers, ones now congealing into an imperfect circle after spilling out of the blacked-out Tahoe parked near the curb. They'll need help to keep the crowd from fringing on their arrest. Kyle knows this. Knows, too, that he ought to join. 
But he doesn't. 
Can't. 
In the gloom of a midday drizzle, you burn. 
Bright. Ferocious. The coruscating gleam of your gaze is enough to render him to cinders at your feet. Burnt sage, sweetgrass. Bushels of charred barley. Ceremonial in this poignant unmaking; this chiseling down of his being into ash at your altar. He's swept up in it. The thick smog that congeals around you in a dense plumage of smouldering earth. Hallowed lands. 
It razes him. 
You: apollo—this devastating creature of pure light. 
He wants to bask in it. Burn his flesh on your ethereal glow. Leans in to feel the white-hot lick of flames dancing, cosmogyral, across his flesh. 
(Godlike, but you fit in his arms with an ease that belies your otherworldly splendour, that defies the partitioning between man and god—)
“Hi,” he says instead, the word chipped down to the marrow. Bare. Fractured. “You okay—?”
It's here, in this pardoning breath, where he finds the extent of your facile mortality. Beneath his hands, you're supple. Soft. Through the knitted cashmere of your sweater, he can feel the heat of your skin bleeding into his palms. His fingers clench, and he meets pillowed bone. 
You're fragile. Vulnerable. 
(a man threw you into him with an ease that prickles along his nape; chase hunt consume:
protect. shield. provide—)
Instinct, he thinks. More urge than man. Primal. Animalistic. 
Kyle can't remember the last time he felt like this way about anyone. This heavy, poignant drive to burrow his face into your neck, to breathe in the loamy scent of you, and bite down, claim. 
His teeth ache. He flexes his jaw to stem to throb under his canines. Wet, pulsing—like an infection (a heartbeat). 
As saliva floods his mouth, yours opens shallowly in a huff. 
“I'm fine,” you're saying. Dazed, windswept. “I'm—”
He clings to you harder. Knows that his grip is undoubtedly popping blood vessels under your skin like bubbles, but he needs this. Needs time. Needs you. 
A minute longer. Just a minute more—
If it hurts, you don't make any show of it. Impassive in your shock, you gaze at him. Flay him alive under the burning charcoal of your heavy stare. 
He thinks—
this is it. my apollo. 
—but someone is calling his name. Fingers pry apart his hold on you, shoving him back into the iron embrace of his peers. 
“I’ll take over, sir,” he hears through the clamour of noise. “I’ll take them to the paramedics to get checked over. You can let go now—”
“C’mon, Garrick, let go—”
The commotion heightens. Through the hands, the shoulders, the push and tug, your eyes never waver from its perch along his thundering jaw. The anxious, angry pulse of his ire blooming viciously in his veins. 
(how dare they—? how dare they touch you—)
Your mouth opens again. Soundless, but he hears it like a gunshot. 
“Go.” And then: “I'll be fine.” 
It breaks. His partner wrenches him back, stumbling under the sudden momentum as Kyle lets his fingers ease up, releasing you. You're dragged away, swallowed soon by the crowd, but like a hunting dog, he doesn't look away. Can scent you even when you're gone; a thick, earthy scent collars around your neck, and leads him back to you. 
He moves to follow it—
A hand lashes out, slams against his sternum. “Kyle! Come on, man, we got a fuckin’ criminal to detain—”
He blinks, wrenched from this reverie, this stupor. “Fuck,” he spits, tasting ash between his teeth. “Fuck—!”
“You never think,” is what his higher-ups often tell him after he sprints, full throttle, at a target within seconds of them making off. “Your performance is incredible, Garrick, but you just never think before you act—”
This isn't true. Kyle thinks a lot. All the time, really. Kyle's mind has the propensity to spin itself into exhaustion; to never cease. A constant loop. Endless spirals. 
He thinks about everything. Nothing. All of it shaded in both abstract ideas and concrete plans. 
Because the thing is: 
Kyle sees the world—or rather, situations—as a chessboard. Pieces, pawns, meant to be moved in a preordained sequence. 
But telling people who believe that the definition of subordination is waiting for the green light to trickle down from several floors above despite those men only having fragments of a puzzle is a lost cause. A battle he's never, ever won before. 
So, he relents. “Yes, sir.” 
Relents so much that his palms carry jagged crescent moons across his life and heart lines. Swallows down the fury, the rage, even though it blisters through his veins. A permanent, simmering agony burning him up from the inside out. 
Flashes a grim salute to hide the hissing vitriol as it claws up his throat, tearing tissue as it climbs, until all he tastes is blood flooding his mouth. 
“Good,” they simper. “Keep that up, and maybe one day, you'll be where I'm sitting.” 
His ambitions are worn on his skin. He feels something hot, sticky, congeal between his fingers, and knows that he'll soon be wearing a pastiche of ananke’s brode on his flesh. 
Ambition, he finds, feels like choking himself until his vision goes blurry around the edges. Until hypoxia bleeds in, dripping down his periphery in tarry black splatters. 
It feels like swallowing his tongue. Burying himself alive on his—
draw the line wherever you need to, Sergeant. 
—righteous fury. 
His palms itch,
like an infection. untreated. left to rot. gangrenous. septic. his blood is polluted. he feels the fever run, red-hot, through his veins, charring bone. 
marrow burns to ash. he finds a peculiar comfort in the fire. 
moth to a flame. maybe it's only natural, then, that he goes to find you.
The scent trail fades, erased under the stale tang of a restless crowd; admixing into the nauseating smells of London after dark. 
But where it began, he finds a flickering ember. Discovers your chevelure, and winds it around his aching palm until it hides his brode under starlight. 
Everything is murky grey, but he finds you in pure white. The cashmere sweater is a beacon, luring him in, and he hides his intentions under the guise of militaristic concern. Altruism. Crossing t’s and dotting i’s. Tells the paramedics hanging loosely around you that he has a few questions for you. Purely professional. 
They don't question him. Eagerly offer up your name, your date of birth, your address, your status. He doesn't even have to pull rank to get it. When he bites into the thought, it tastes of bittermelon. 
How easy could it have been for anyone to discover, then. To pick pieces of you between their fingers, plucking ripe cherry tomatoes off the stem. 
Kyle bites back a snarl, and offers then a wide, gleaming smile instead. Baring teeth. Says, “thanks, mate,” and weaves around them before they can see his fists shaking by his side. 
He finds you standing by the curb, curled fingers tucked tight against your temple as you survey the throng of lingering onlookers with an impassive, flat stare. Limned in hazy red and blue, you look almost like a picture. A painting. Something archaic. Special. He wants to hide you away from the prying eyes of the reporters congregating down the street, all rallying for the biggest headline on a new story. 
At the same time, though, he wants to stay aside. To watch. To let the rest of the world see you behind a thick sheet of plexiglass. Visible to their voyeuristic gazes but untouchable to all,
(bar him)
His heart thunders when you turn. Chin tipping, tucking against your pearled collar to peek over your shoulder. Even in the matte grey gloom of London, you burn. He blinks. Blinks again. 
You're turning now, brows drawing together as you struggle to piece together why he's lurking behind you like a shadow, but—
You brighten at the sight of him. Recognition chewing through megrim. Still curled into a loose fist, you lift your hand and give him a small, perfunctory wave. You must expect him to stop here, a modest, safe distance away. 
Your brows knot once more when he doesn't. When he steps, boldly, outside of the lines of societal propriety, and into your orbit. You wear this flummoxed uncertainty like a mask. Kyle finds it more endearing than he ought to. Finds, too, that he wants nothing more than to see you bare. 
“Hi,” he greets again, just shy of an arm's length away. Even with proximity, it feels too far. “You alright?” 
Breathless, you murmur: “yes,” and then, hurriedly, like you've just remembered yourself. “Thank you. For, um, catching me, I guess?” 
Catching you. The wording needles under his skin, an ugly, vicious itch he can't scratch. But he supposes that's what it looked like from the outside in. Stopping a fall. Protecting a civilian. 
You were pushed, shoved into him, and he caught you. Held you aloft as his partner took Kyle's place in the pursuit. 
So, he takes it. Smiles again, softer this time. All that rugged, boyish charm that his friends used to tease him over. 
Deadly that is, mate. Dunno how any bird can resist a smarmy fuckin’ grin like that. 
Model, ain't he? Pretty boy. Maybe you should change careers, eh? Bet Givenchy is frothing at the mouth for a looker like you. 
And it works. Of course, it does.
Hook, line—
“Had me worried there that he might have hurt your pretty face. Was proper ticked off, so I thought I'd come and check on you—”
At pretty, you duck your head shyly in response, lips warbling around a nervous smile. Eyes bright, gleaming, under the hazy smear of red and blue light. 
He makes a show of checking his phone, brows tightening at the time played in neon white. 
“Gettin’ late. You live close by? I, uh, I'd feel terrible sending you home by yourself at this hour,” there's an immediate protest on your lips. He nips it with his teeth. Gives a bashful grin. “And, ah, I like talking to you. Wouldn't mind continuing the conversation if you're interested?” 
You're burning. Grinning under a plume of demurred appeasement. Sweetened by his bold words, and the wide, boyish smile he wears. 
And—
—sinker. 
Dazedly, you offer him your hand, stammering as his thumb brushes delicately over your knuckles. Lips wet, glossy. He wants to lean down, lick across them, and taste you on his tongue. But Kyle refrains. Rocks back on his heel, reluctantly dragging himself away.
It's endearing, endlessly sweet when you unconsciously follow. Leaning forward, eyes wide and full of wonder. 
In the next beat, you give him your number. 
He takes that, too, and holds it. 
At the foot of your door, you thank him once again for catching you. The joke rolls off your loose tongue in a playful quip that he snatches up from the air, holds in the palm of his hand. 
“Anytime,” he says, softened under the pale moonlight. 
caught. catching you. 
he sees it much differently. 
to Kyle, you were a gift thrust into his unexpected hands. a pretty little box for him to unwrap, unravel. 
(his, and his alone—)
As he hits the ground, he thinks of you. 
As flames fold over his body, ripping through broken metal, he hears something crack. Hears it shatter. 
And he still thinks of you.
Kyle crawls from the burning wreckage with the bloodied, broken tips of his jagged nails digging into the scorched pavement. Emerges a phoenix. Rising from the smouldering husk of a plane mangled on the pavement with fawnlike legs and an ache in his jaw. 
Intact, he finds, but there's an echo in his head. The sound of breaking glass. Bones snapping like twigs. Something shatters. Something breaks. 
He holds his hand to his chest and knows, then, that it's not so much a fracturing of bone or tissue, but a cage. A prison. Something housing the things he'd rather not think about.
It's fine. It'll be fine. 
He crawls through the smoke to get to Price and doesn't think about the oil spill he left behind on the pavement.
Price says, “that was close,” in a tone so unbothered, so unconcerned, that Kyle has to take a moment to reacclimate himself to his trauma after being knocked so far off-kilter. Jerking back into flight or fight after that blase dismissal when the smouldering ash begins to clog the air, spewing noxious poison from the chemicals, the metals, now completely aflame.
He might think Price is numb to this, to falling from the sky like every parable of Icarus he's ever heard (if the ambitious god had metal blades instead of feathers for wings), but adrenaline makes his senses keener. Sharper. 
As the idea of his captain being an unrepentant sociopath (the jury, though, is still very much out on that one) starts to congeal from its incorporeal shadows, he catches the shake of his hands as he pats his beast pocket down for the stash of cigars he keeps on his person. 
Trembling, white-knuckled. Each pat feels much too heavy than it ought to be. Too forceful. 
He gets it, suddenly. Thinks he might understand Price in a way he didn't before. 
So, he says, “yeah.” And when it comes out far shakier than he intended, he clears the soot, the iron tang of adrenaline from the back of his throat, and adds: “a bit too close, mate.” 
In the end, they take him away on a gurney to a medical ward in a nearby city. 
Kyle isn't hurt—barring the contusions, the bone-deep bruises, the cuts, the lacerations—but they pay little attention to his protests when they poke him, prodding at his insides to find a phantom crack in the tender network of his body. 
Physically, he's fine. Nothing amiss at all. Everything is in good, working order—if a little scraped around the edges. 
They decide to keep him overnight for observation, though. The doctor's worrying about head trauma, concussions. Price, too, is forced to stay—not so much kicking and screaming, but certainly with a lot of complaining that echoes down the hall (bloody fuckin’ muppets—can’t you see I'm fine?)—and he takes a marginal amount of comfort in knowing that he's not the only one on mandatory best-rest. 
It all could be worse. 
He thinks, then, of Soap. Of the gaping wound in his head—blood spilling everywhere. Ghost leaning over him, sounding less like a human with each harrowing Johnny! that was ripped from his throat. 
The endless trawl of uncertainty as they carried him away, his hand falling from the gurney. Hanging there, pale and limp. Jostled with the movements of the medical team as they tried, desperately, to stabilise him. 
And then—
The aftermath, he supposes. 
Soap sitting up in a hospital bed, head wrapped up in stark white bandages. He smiled, laughed. Said he had too much to do to leave them now, but there was something wrong. Something—
Missing, almost. 
Gone. 
They don't speak about it, but he knows Price and Ghost feel it all the same. Must, of course, because Price is firm, unyielding, when he tells Soap to piss off somewhere for a while. Takes each excuse to the chin, stalwart in the face of Soap's pleading negotiations. 
It could be like that. Medical leave. Mandatory. Something was absent in Johnny's eyes. A hollow vacancy where hazel once burned bright in the gloom. 
Kyle places his bandaged hand on his chest, feels every brag of his heart through aching skin, and knows, somehow, that it's not the same. Not quite, but—
He thinks he might be missing something, too. He's just not sure what it is, and that—
That scares him. 
Because if he didn't feel the jagged glass digging into his flesh, he might not have known something broke free. Escaped. Fell, perhaps, to its death when the helicopter started to whine like an injured animal, barely able to limp through the sky. 
Standard procedure would dictate that he calls someone. Schedule a session with a licensed therapist the moment he gets back home, and let them determine if he's field-ready. 
But he doesn't. He thinks about Soap, and the anger in his eyes when Price told him that he was on leave, dismissing him with a simple flick of his wrist. 
“How long, cap’n?” He ground out between clenched teeth. “How long are ye sendin’ me away fer?”
And Price just levelled him with a flat look. “As long as it takes, Sergeant.” 
That was that. That was—
He's not what compels him to call you, but he does. Drags out his phone from his pocket, unlocks the (cracked, of course) screen with a shaking finger, and pulls you from his contact list. His nickname for you isn't anything special—can’t be, really, in this line of work—and it's boiled down to something so inconsequential, so mundane, that he feels a little bit untethered seeing it now. If he really did die, if he was seriously injured—
How would they know to call you when your name in his phone is simply: doves. A lingering remnant of your second meeting. 
Doves. A pretty pair perched on the curb when you met again after texting for a week, pecking idly at the scraps left behind. You surprised him, then, when you materialised out of the air, murmuring to yourself about the sorry state of them. 
Too pretty for crumbs, you lamented and reached into your pocket for a rolled-up bag of sunflower seeds. You barely paid him much mind at all, too busy scattering seeds for the birds, and watching as they scurried toward it.
It was the ease with which you moved through the world—seamless, untethered—that drew him in. The peaceful serenity that leaked from your pores, clouding around you, seemed to scour the anger that hung tight to his shoulders, hitching itself across his nape. Weighing him down. You picked the anchor up, letting him breathe for a moment through lungs that didn't feel as if they were being crushed under unfathomable pressure. All his rage accumulating right by his heart now cupped in the palms of your hands. 
You turned back to him, then, a defiant tilt to your chin as if begging him to say something about feeding pigeons on the street. Readying yourself for a fight despite the loose set to your shoulders, the flat, open palms dusted with powder from the seeds. 
Gone was the sheepish woman who tripped into his arms. In her demurring place stood a thunderclap. A lioness. 
He knew, without any sense of uncertainty, that he wanted to know more about you. Everything, if you'd let him. 
(And you had. Without any sense of hesitation or uncertainty, you—)
He stares down at your name for a moment, thoughts in tatters much too thin for him to pick out. But he feels. Too much, not enough. Arguably the worst in its abundance, in its raw, fractured ache somewhere deep in his chest. 
It's a want. A need. Desperation drapes itself over his shoulders in a way he's never felt before; all soot-stained, and foul. Rank. It smells like an infection: gangrenous and putrid, rotting tissue leaking puss. Skin sloughing off in blackened, festering clumps. The stench of it sits in his nose, clogged in the back of his throat. He can almost taste it. 
Despite its nauseating miasma, the horrid tang pooling between his teeth, there's an odd sort of comfort in it. A familiarity he can't place. 
He wonders if Soap felt this way after he woke up in the hospital with a hole gouged in his head from a bullet. Left wondering what piece of himself was torn out along with a bloodied, mangled mess of tissue, bone, brain, and grey matter that once filled the space. A vacuum the width of a thumb. A permanent pockmark on his forehead.
The thought shakes him, and drags his tender leg up to his chest, rests his forearms on his knee, ignoring the tremble in his hands, and he calls you. 
His face appears on the screen, stuffed into a box. He stares at it as the call connects, taking stock of the way he looks. 
In the gloam of an Egyptian sunset—swaths of ochre coruscating across dunes of gold; glinting off the desert sand as if the sun was trying to inch closer to this haven, the place it called home—the cuts on his face are limned, turning the colour of ripened pomegranates; crushed cherries. Highlighted under the mournful torpor of the sun, he looks worse for wear. Bruises under his eyes, framing them heavy kohl. Splotches of yellow—the same shade as a fresh bushel of wheat—halo around the worst of them, painting a striking picture of injury on the high arches of his cheekbones. 
He should angle the phone away. Sit back into the deep blue shadows and let the absence of light hide the worst of it all from your eyes. It's what he normally does. What he should do. 
But there's a hollowness on the underside of his ribs. A gaping maw that hungers for something he can't discern; rapacious. Unknowable. It wants. Yearns. 
(He thinks it might be a sense of homesickness. 
And his home has always been you.)
So, he calls. Waits for it to connect. And somewhere in the back of his head, he knows something isn't quite right.
But he doesn't fight it. 
Can't, really, even if he wanted to because your face appears on his screen, filled out in a perfect box. The smile is already there, blooming daffodils against dark indigo. The greeting on the tip of your tongue has a flash of pink and gleaming white splitting the tomato red of your lips apart, happiness draping itself heavily over you. 
But it falls, instantly, when he moves. Winces. You catch it, then, the unmistakable ugliness splattered across his face. Bruises framed in hazy, blood orange. Cuts illustrated by the last vestiges of a stubborn sun refusing to yield. 
Kyle dips his chin. The stitches on his forehead pull against the inflamed skin. It's the worst of it, he knows. It catches in the fading embers of an ethereal twilight, and the hitch in your breath echoes in the room. 
“What—?” The words are ashy whisper in your throat, falling over him. A rainfall of soot. 
The frown on your face is a dagger. It twists, turns. Scraps muscle from bone. Leaves a gaping hole between the milky bracket of his ribs. 
“Oh, Kyle—”
There are a multitude of things he ought to say. I'm fine, first and foremost. And it's the truth. He is. The cuts, the scraps, the bruises, all hurt less than the ache in his head, the throb in his muscles. The fallout from the adrenaline rush following the crash hurts more than anything else. 
He should calm your worry. Laugh about it in that paper-thin way he's wont to—like it doesn't bother him, doesn't hurt despite both of you knowing he'll be up all night long for the next several weeks, running along his own desire path carved between the living room and kitchen. Not thinking at all, and—
And thinking too much. 
The juxtaposition, a blatant oxymoron, will curdle in his chest, growing moss, leaking spores. He's good at pulling them out before they mushroom inside of him, burrowing deep and leaving gaping pockets behind. Scrapes them from flesh. Douses them with gasoline. Purification with fire. 
With your touch. You'll wake the next morning and find him dozing on the couch. Will rain kisses across his face, gentle and soft, before wandering away to make something for him to eat. Later, you'll drag him to the tub. Wash his body as he leans against your chest, the hollow spaces inside of him slowly filling with warm, lavender-scented water. 
He'll come back in pieces. Inchmeal. And then hold you as close as he can in bed as though he's trying to fuse your skin together. Crawl inside of you and stay in the brackets of your ribs. 
It's all—
Routine, maybe. Carved out from years of this. This slow crawl to the inevitable end, hand-in-hand. 
And yet. 
(and yet: he can't.)
Can't bring himself to reassure you when his heart is racing in his chest. A naughty child sneaking cookies off the counter when his mum isn't looking. 
“Almost died,” he offers, fractured and raw. “I—uh, shit. Sorry. I don't know. Just—needed to see you, is all.”
And it's the truth.
You feel it. You must. The urgency, the desperation. This time is not like the others. 
“No, no, Kyle. Don't—don’t apologise. Don't ever apologise, I—fuck. I'm glad you're okay, I'm—”
Pearlescent tears puddle in your lashes. You've never cried before. Not in front of him. Never. Preferring instead to bite your knuckles, to press your face into the pillow. Unwilling to let yourself ask for more than what you think you deserve.
(And it's never enough. Not to him. 
your plate is empty, you're starving. but you refuse to eat.)
And when they spill down your cheeks, he leans back with a huff. Satisfaction is whitehot in his veins and he doesn't know why. Doesn't understand how the sight of you crying over him like this almost makes him want to preen. To purr. 
Blames it on the fall. On the taste of burning metal still clogging the back of his throat. 
“I'll be fine,” is offered, scratched out of his throat with jagged nails. Birthed into the world on a whisper-soft scream. “You don't have to worry about me.” 
Your face falls. “Of course I’m going to worry about you.” 
“I promise I'm—” he chokes a bit. Tries to cover it up with a cough. The frown on your face grows, eclipsing all the prior happiness that once glowed when you first answered the phone. “I'm good. Just need some rest.”
“Yeah, that might be a good idea.”
The tension is thick. He feels it thrum against his jugular; this living, breathing thing. This heady, undeniable agitation. 
Your worry manifests itself in the deep canyon between your brows, heavy and all-encompassing despite your attempts to hide it from him. The weight makes your lip tremble, and Kyle wants to devour your sorrow, your grief, from the source. Taste your sadness. Feel it on his tongue. 
He leans against the knotted fingers pressed tight to his windpipe until phosphenes prickle across his vision. Midnight black against burning blood orange. 
Breathlessly, he quips: “and maybe to stay away from helicopters, too.” 
The laugh you let out sounds like it's underwater. Garbled, choking for air. It's drenched in hysteria, in misery. 
He wants to crush it between his teeth, but settles, instead, hanging his head low, shoulders shaking. From the angle, he knows you'd never be able to tell if he was laughing or crying. 
(It helps, he supposes, that he doesn't know, either—
Is just slowly being consumed by this vacuum of want, one that keeps tugging at his insides, flaying pieces of himself off and dropping it into the maw. 
He wonders, then, what'll happen after he eats himself whole. Will he disappear or will the masticated scraps of himself reassemble into a Frankensteinian lump of who he once was—)
You stay like that for a moment. Both of you pretend you're not falling into pieces for all the wrong reasons.
As he's saying goodbye, you add, nonchalant, unconcerned: 
“Oh, David's calling me. I was supposed to help him pick out an outfit for a wedding.”
“David?” His tone is flat. His fingers tighten around the phone. “Who's that?”
“My friend from work. You met him, I think. He was at that party we went to. In Kent.” 
“Huh. No, I, uh, don't remember.” 
“Oh. Well, I won't be long. And I'll have my phone on me, so if you need to talk, just call, okay?” 
You're unbothered. He can understand why. Neither of you have ever really had much reason for jealousy—Kyle trusts you. Implicitly. Both of you have friends of the opposite sex, and there's never been any sense of distrust in that friendship. 
But—
David. Something about it burns through his chest, twisting and ugly. And the awful thing is, he trusts you, he does. 
You have everything except a ring, and—
Well. 
Synergy is a knife sliding across bone. Understanding skirting on the edges of his periphery, within his grasp. Obtainable. He reaches for it, clawing with eager fingers—
It breaks against his knuckles in blooming anguish, dissolving into the same gaping unknown, unknowables, that sets his teeth on edge. 
In retaliation, he sinks his fist into the wall, and tries to remember the last time he felt so out of control—
Your conversations take on a strange tone. Jovial, blase, but the topics are endlessly lour. 
Things like perhaps the lease ought to just be in your name. And maybe he should update his emergency contact—just in case. 
Just in case. 
It hangs over you like a stormcloud. Just in case. He can see it in the tremble of your lip, your fingers, ones you desperately try to hide behind sips from your chamomile tea. Faux indifference to the garishness of it all. To the fact that this is a real, pragmatic conversation that's happening, that ought to happen. Because you never know. 
But you avoid these conversations by telling him about your day. And soon, your time is divided between pretending as if seeing him hurt like this doesn't make you cry yourself to sleep at night, feigning strength despite the darkening lines under your fatigued eyes in an effort to not become a simpering burden to him when this is just another hazard of his occupation, his chosen career; and helping David search for a suit. 
And then a tie. And then shoes. The perfect wedding gift—
Kyle, too, pretends. Acts indifferent. Unbothered. As if it it doesn't irritate him. It shouldn't. He knows it shouldn't. He trusts you. Gives you free reign to every part of himself you'd ever asked to see.
Your palms are the perfect plinth to his aching head. His shoulders broad enough to carry your burdens sat right along with his own. He knows you. Jokes, sometimes, that he could pick out your soul with his eyes closed. And you volley back that no matter where life leads you, you'd always find your way to him. 
“Every lifetime,” is whispered between kisses, folded in the brackets of his ribs. “All of them. It's always you—”
So why—
Why does he feel sick to his stomach when you talk about David, as if he'd gorged himself on too much of his rage? 
(why, why, why—)
This chasm inside of him grows. Gets bigger. Hungrier. 
Where he could normally shove inside a box, ignore it and pretend it doesn't exist, he instead finds fractured glass, fragmented and broken to a jagged point. He cuts his finger on a shard, and watches, hollow, as the blood puddles up, dripping down to his split knuckles. 
He gets it, then. 
The want, the greed, the hunger will consume him from the inside out. 
But what, exactly, it wants is still a mystery. 
(But he knows himself. Knows what he shoved into that awful, putrid chasm, and is sure that whatever it is, it can't be good—)
Egypt is a distant memory soon after. An aged polaroid of sunlight spilling over sand, watery and thick; an ocean of ochre, of burnt umber. He thinks, fondly, of the locals and their chatter as it fills the sun-dried streets, with the heat, an oppressive blanket of warmth, tucking against him. 
Winter nights are static with the buzz of life. Of distant echoes of temple prayers in harmonic songs; haggling patrons and hissing vendors just outside his window. 
Kyle thinks he'll miss this place for it could have been, not what it is. 
Because what it is ends up being a cockpit in distress. Wind shrieking in his ear. The crunch of metal slamming with all its might against the cobbled pavement. The hiss of gas. 
He didn't know fire could roar like a lion until then. Until it blooms, white-hot and wild, mere inches from his face. The snarling, drooling maws of a starving pride. 
Clawing from ash, soot. Metal raining down around him, liquified under the intense blaze of the fuselage on fire. His leg twisted up in the seatbelt. Unable to get free. To get out. 
Smoke in the air. In his eyes, his nose, filling his lungs. 
He'll die, he thought. Is dying. His fingers scrape over concrete, flesh gnashing against grainy sand. Unable to get a grip on the slick blood that puddles out, staining the pavement and his hands. 
He doesn't think of you, but he feels you there on the edge of his periphery. Lingering like a phantom, reaching for him. Get out, get out, get out—
In the bloom of gunmetal smoke that plumes around him like a sweltering cloud of heat and ash, a hand appears. Covered in grit, in grime. Blood. 
“—out! We've gotta get out, Kyle. Grab my—”
Pawing in the dark, nebulous cloud, he finds Price's rough hand and latches on, hauling himself to safety. But what emerges from the soot, the smoke, is a version of himself that feels raw, fractured. 
He's agitated. Leg bouncing, restless. 
Price notices it on the plane ride home, eyes slanting over to stare, pointedly, at the continuous bob of his knee. Up, down, up, down. Kyle should hide it. Bite the inside of his cheek until it bleeds instead, but he doesn't. 
It won't be enough to stem this urge to run, to flee. 
“Almost home,” Price huffs, shifting in his seat. He, too, seems to feel that same prickling sense of unease. Kyle lets it wash over him. Not quite a comfort, but something. “Get some rest, Sergeant.”
At that, he scoffs. “Feels like I've been doing nothing but resting, cap.”
“Mm, you're young. Take advantage of it while you can.” 
As Kyle rolls his eyes at that, Price makes an aborted move, hand jerking to his breast pocket as the plane rocks over a patch of clouds, turbulence shaking the frame. Searching for his cigars. Then angrily throws his hand down, fingers tight around the armrest, white-knuckled, when he remembers he can't smoke here. 
“Might be a good time to quit,” he quips, chin jutting toward his hand, fingertips turning pink with the grip he has on the plastic. 
Price follows his gaze, staring at his hand for a beat. And then he snorts, and pries his fingers loose. 
“Nah, ‘m too old for that nonsense—” Kyle’s brows buoy, but he swallows down the harsh retort on his tongue (aren't you only thirty-eight, mate?), letting Price continue, uninterrupted. “‘sides, will probably need it once we land.”
“Yeah? Why's that?”
He grunts, and settles into the seat. The look he fixes Kyle with feels like having a cold, metal blade pressed to his jugular. 
“Gonna have to make a report, Sergeant. Falling from a bird twice now? And what's this? Third time for you? They'll want a review. Full. Will probably make us talk to a doctor or somethin’.” He cocks his head to the side, presses his pink knuckles to his temple. “Make sure we're all right up here.” 
Kyle flinches. Tries to hide it with a cough when Price’s eyes tighten. 
He's not sure he wants to do any of that. Have someone crack his head open and rummage around looking for defects to toss in his face later on as an excuse to kick him out. Medical discharge. Honourable, they'll say. An early retirement. 
“And—” he swallows down the bitterness on his tongue. “And if we just didn't—”
“Can't do that, Sergeant.”
He struck for a moment. Anger quivers in his veins, rearing up like a viper ready to strike. He has to wonder if it was Ghost or Soap, would Price—
“Believe me,” he continues, eyes fixed on the open cockpit. Intense. “If it was just us, if it was one of our own, I'd have said piss on it. As long as none of you were seriously injured, why bother wasting time? But we have to be held accountable now.” 
If it was one of our own—
“Right,” he rasps, hollow. Anger scorches his insides. “Okay.” 
“Believe me, Sergeant. I want nothing more than to go home, and drink this whole bloody mess away, but—”
“I get it, cap.” 
And he does. He's just not sure he can really talk about it in a way that won't show the world the gaping hole in his chest, the hairline fractures that crisscross along him, all screaming the same thing—
Terrain, terrain, pull up. Pull up. Terrain, terrain—
“Gotta let it go, Kyle.” 
All he sees is fog. Fire crackling from within. 
“And if I can't, captain?”
“Then it's been a pleasure working with you.” Kyle swallows again, blinking furiously against the dense cloud of smoke in front of him. “I know the commander at Scotland Yard. Could put in a good word for you. Might be for the best.” 
Anger is a poison, he finds, but fear—
Fear is quicker. A knife to his heart. Left bleeding on the pavement before he knew what hit him. 
“Or…” Price drawls. “Hide it away. Nothing bad happened, did it? You're still alive.” 
Another hand appears from the midst of the fog. 
He reaches for it. 
“How?” 
“Lots of ways. Best one I find is to just give in to whatever it is you're feeling. Let it consume you. Then just bury it.”
“Right,” he whispers, paper-thin. But he gets it now. “Thanks, cap.”
“Anytime, Kyle.” 
He does as Price asks. Buries it deep inside of himself, and greets you when you come to pick him up at the airport with a wide grin, and a tight hug. Pulling you flush into his body, breathing in the scent of you until it stains his lungs. Sickeningly sweet. 
“I missed you,” you whisper into his neck, words humid against his skin. “So, so fucking much Kyle—”
“Yeah,” he rumbles, caught on the feeling your chest makes when it heaves against his. Little, breathless hiccups of relief, worry. Elation. Fear. It tastes good in the back of his throat when he steals another lungful of your scent. “I missed you, too. Fuck, dovie. Don't know how much I fuckin’ missed you.”
He clings just a little bit tighter to you, holds on a few moments longer than he normally would. Leeches the comfort your presence brings like he's starved for it. Kyle breathes in the scent of you—lemongrass and fennel; sweet and earthy—and feels that gaping wound inside of him close, just a little bit, when you fold him into a tight embrace, letting the vice of your grip speak the words he knows you'll never utter. 
Things like, please, don't ever do this to me again; and, don't go, Kyle. Please don't—
There's a multitude of things he wants to say to you. An endless bastion of sorrow and happiness and grief and elation all coalescing into this heavy anchor that hangs off his rib, pulling him down, down, down—
But he can't speak through the pulsing want in his throat. The urge to bite, to sink his teeth into you and never let go. 
So, he doesn't.
He holds you back instead, presses your soft cheek to where it aches the most, and buries his nose into your crown. 
Tries to satiate himself on the potency of your scent, the way it fills his lungs to bursting, and pretends the gnawing feeling in the pit of his chest is a purr and not a growl. 
The ravenous roar of a starving beast, hungering for something Kyle can't name. 
(He wonders if Soap felt this vacuum inside of himself, too.)
The comedown of the mission is spent with you tendering his wounds, and pressing trembling fingers to his pulse just to remind yourself that he's alive, that he's here with you. Present as warm flesh instead of a cold box full of ashes. 
In these soft, aching moments, he's forced to contend with the fact that he almost died. Again—
—(the word echoing in the recess of his mind, over and over; an accumulation of all those incredible near-misses)—
Almost left you alone in this world with nothing but broken, fragmented memories that would eventually fade. Fingerprints on a rusted handrail. Tangled in a gossamer of time, nearly forgotten as you grew older. Changed. He'd be the ex-boyfriend lost tragically. The one who died too soon. 
Someone else, he knows, would take his place when the grief took shape, becoming a corporeal feeling you could tuck away inside your pocket instead of a molten shadow burning you up from the inside out. Ever present. 
And that's the thought he gets stuck on. The one that cuts through him the most. 
You—his girl—belonging to someone else. Going on dates, kissing each other, laughing together. Falling in love. 
It's selfish to want you to stay single for the rest of your life should anything happen to him. Impractical, too. But it needles under his skin. An itch he can't scratch. A want he can't satiate. 
It won't even matter much when he's gone. He knows this. But it bothers him relentlessly. Souring his mood for days. Making him retreat, inward, to dismantle this unfathomable feeling taking root inside his chest. This bitterness, this anger. 
The thing about dying is that it tends to put things into perspective. 
Most common of all, he's told, is the fragility of the human existence, of life itself. Such a shallow thing, in retrospect. Barely a droplet in the unfathomable vastitude of time, and yet—
Something he never really thought about until it was unceremoniously thrown in his face. 
It's this, the sudden realisation that he's not as invincible as he's often tricked into thinking, that seems to shake the foundations of his life in ways that would be unthinkable to the him that lived weeks before his brush with death. But that man, that version of him, is swallowed whole by the unrelenting fear that pulses through him each time it passes through his mind. 
A fear of one thing:
Permanence. 
Or, rather, the lack thereof.
Memories will be all you have left of him, and, well—
That simply won't do. 
But the problem is this:
He doesn't know how to fix it. Doesn't know, really, how to stem this nauseating desire, this urge to own, possess, consume that roils through his chest each time he catches a glimpse of you unawares, tending to some mundane task. 
The idea of you floating through life without him is not a poison, but a fear. A whitehot agony that trickles down his spine. They're all thoughts that gut him, that make him agitated. Restless. He paces again, roaming from the foyer to the living room, feeling too much like a trapped animal. A snarling tiger in a zoo. He needs an out. An escape—
So he runs. 
And sometimes, you join him in the mornings before you have to go to work, setting out for a jog around the block in tandem. There's a quiet ambience to these outings, a comfort that makes him sigh—relieved, in parts, that the ache in his jaw, an unfamiliar urge to bite, abates in your presence. Your proximity is the balm to a hurt he didn't know he had. 
Most times, though, he's alone. Left with his thoughts and the taste of iron in his throat as he paces the streets of Birmingham with a lour twist to his lips and a tightness in his shoulders he tries to shake out by running his body to the ground. Replacing the ache in his stomach with one in his thighs, his hamstrings. His lungs. Breathes in the humid air of a midsummer morning until they feel like they might burst. 
It works. Marginally. Helps in the same way he's sure chamomile tea before bed does for an insomniac. But it's something. Something to suckle on until the quiver in his guts, the gnawing chasm in his belly, abates. Surrendering—albeit, mutinously—as the heavy taste of iron floods the back of his throat, and lactic acid leaves him groaning in the morning when he swings his sore, overworked muscles over the ledge of the bed. 
Kyle's in perfect health. Peak physical condition. The burn in his thighs, the tremble in his knees, is a sign of pushing himself too hard. Of edging to the very brink. 
But he can't stop. 
Not when his body hums like a livewire. Vitriol coursing through his veins, seeping into his tissue. Infecting him from within until he's irascible. Always on the edge. Always tense. Agitated. 
Everything feels like it's plunged underwater. As if he's staring down into the pool of an emerald lake, watching from above on dry land as the world goes on. 
(A place, now, where he doesn't belong.)
He knows all too well that this is just a duct tape solution to a bigger, more devastating problem, but opening the floodgates without a sluice will drown him under the crushing weight of what rushes out. 
It just makes sense, then, to bury it. 
The problem is: 
The tinderbox where these awful thoughts, this anger, went to moulder has been crushed, broken to pieces when he fell back to earth. 
He has nowhere to put them anymore. 
So he keeps them between his teeth, but being so close to you makes him want to bite—
(Bad dog. 
Let it go, drop it. Let it—)
Something has to give.
He calls Price. 
Hovers in the doorway between the kitchen and the hallway leading to the living room, and tries to pretend that this isn't a cry for help. 
Price picks up after the third ring, gruff and irritable. His surly tone balmed by the heavy inhale of his cigar. 
He calls Price. 
Hovers in the doorway between the kitchen and the hallway leading to the living room, and tries to pretend that this isn't a cry for help. 
Price picks up after the third ring, gruff and irritable. His surly tone was balmed by the heavy inhale of his cigar. 
“Better be important, Garrick. It's the weekend.”
“Crime doesn't work nine to five, captain. Thought you knew that better than anyone. Must be getting soft.”
“Soft,” he repeats with a derisive snort. In the background, he hears peals of laughter, the distant echo of, only thing soft about you is your midsection, honey. A grunt. A thwap. A squeal. 
This must be his wife, Kyle realises. The one he never speaks about directly, but can't stop bringing up in his own way. Home, he calls her. I’m going home. I'll be home for the weekend, don't bother me. Home is missing me, I reckon. Better pack it in, then, boys. 
They learned this only a few short weeks into knowing Price. Home, to him, is a person. Her. His wife. The echo, the silhouette; the one who lives in the brim of his hat, the end of his cigar. The scabs on his knuckles. 
The one he left at the door when had to beat a man, a father, for information. Picked up with bruised, shaking hands as soon as he was finished. Kept tight in his breast pocket. 
This little glimpse into his captain's life, heard through the tinny phone, makes Kyle swallow down his jealousy. The nausea. It's all so—
Sweet. Domestic. 
“Get outta here, this is a business call—” comes the brusque rasp, pulled away from the phone, and Kyle heaves out a breath. The voice comes back, gruffer than before. All tenderness shelved back in that box labelled only for her. “This better not be a business call, Garrick.”
“Been thinking about what you said,” he murmurs, and lets his head fall against the wood frame with a thud that rattles through his teeth. “About—lines, you know. And where to draw them.”
“Ah,” Price grouses, huffing. “So this is a work call, then.”
“Dunno, honestly, cap. Just—I don't know. I don't—”
“You bothered me on a Sunday, Garrick. Better know quickly—”
“How do you do it? Going out each time when you—with your—”
“Mm,” he steamrolls over Kyle's floundering question, humming deep in his chest. “I was wondering when this might come up.”
“Were you? Was that before or after the second helicopter crash?”
“Before, smartass—”
“Right. And? Any sage wisdom to impart on me, sir?”
He sucks in a breath. “What's botherin’ you, Gaz?”
Kyle blinks, caught off guard by the suddenness of the question. In retrospect, he supposes he should have expected it. Price is nothing if not brusque. 
“My girl,” he murmurs, quiet. Soft. As if it was meant to be a secret. “I just. I don't want to leave—leave her alone,” he thinks of David and has to fight back the dizzying anger that burns through his veins. “I know what this job entails, and I can do it, but—”
“So don't.” 
“Don't what? Don't die? That's a little unhelpful considering what we do, cap—”
“No. Don't leave her alone, Gaz. That's really all you can do.”
The thing is, he's sure Price means something sentimental, something metaphorical, like memories. Pictures, videos. Time spent together. 
But Kyle has never been much for abstracts in the past. Prefers, instead, the concretes. The tangible. The corporeal. Things he can touch. Feel. 
“My wife is expectin’. Has me running around the goddamn city for banh mi so unless there's anything else to add, sergeant—”
Expecting. He knew, of course. Despite Price saying very little at all about his wife, the silence has always been loud. Black and white ultrasound photos, phone calls. Dates scribbled down on the Staples calendar he has spread out on his desk in the office. He misses almost all of them—too busy running drills with new recruits, or on the field (or yelling—you did what, you fuckin’ Muppet?!—at Soap through the phone following his recovery leave somewhere that's need to know, according to Ghost)—but every time, Kyle catches him sneaking away, phone trapped in the crook of his shoulder and ear, muttering low, gravelly, into the receiver. 
Yeah, how'd it go? Everything good? Good. That's—
The silence, Kyle finds, is telling. 
His own, too, because this revelation seems to have knocked the air from his lungs. He can't—
Can't speak. Not yet. Not now. 
Expecting. It's—
A thought. Not particularly something he'd ever really considered much himself. He comes from a large, overbearing family. Functions, dinners. Holidays. All spent crammed into his grandma’s house in Pelham. The unequivocal centrefold. The matriarch of the family. 
Caught in the indivisible lines of oldest (between just his parents) and middle child (when including his two half-brothers on his father's side, and a half-sister on his mother's), he's no stranger to a big family. Something he's always wanted for himself, too. A little inkling in the back of his head that rears, purring in contentment whenever they all get together for Sunday dinners at Grandma's house and he's full of good food, lazing on the couch as his family bickers amongst each other over a game of monopoly (his older brother is always the banker, and always, always, cheats with his two younger sisters—twins, go figure). 
And his older sister, too, is expecting. Had poked your stomach three weeks ago, teasing, and when can we expect one from Gazzy?
He didn't think about it much—snapped at her for using his military callsign, kissed your temple as you sputtered at her cackling laughter, and then ducked into the kitchen to help his dad cut into the pie the twins, Lolly and Lucy, had made. 
(Made, though, as in popping into Tesco and making the decision to buy it.)
And now—
“No, uh…” He swallows. Swallows again. He tastes blood in the back of his throat. Realises, when his hands start to shake and his heart slams into the brackets of his ribs, that it's adrenaline. Excitement. 
“Sure,” he rasps out, words slick, tacky with his blood. “I'll, uh, give her just that, cap. And—enjoy your sandwiches.” 
“Oh,” he breathes out suddenly, sharp. Deep. “I will. Goodnight, Kyle.”
“Yeah, yeah. ‘Night, sir.”
He says, with all the casualness he can muster, “remember Price? John Price? Yeah, his, uh, his wife is expecting.” 
“Oh,” it rings like a gunshot. Your chopstick clangs against the tin of spicy mapo tofu. “That's—wow. A baby, huh? A whole—”
You swallow. Kids are not something either of you gave much thought to. Couldn't with his odd hours, gaping absences, and your school schedule. Nothing ever fit together back then; jagged edges of a puzzle. Lock and key forced to fit. 
But now. 
Now—
He folds a smile into the crease of his napkin. “Yeah. Price as a dad, huh? Reckon he'd be good at it.”
It makes you snort. “You think so?” 
“He's, uh, complicated. But—a good man.” Somewhat. Maybe. “Kids, though.” He lets the wistfulness in his tone carry the burden for him, content to simply exist in this moment with you. Let it saturate the air, perfumed in his longing. 
You breathe it in. This heavy, noxious miasma. 
“Must be great,” he adds, reaching for another piece of siumai. “Bein’ a dad an’ all. Lucky man.” 
Over a steaming plate of mapo tofu, he watches as your expression falls inward. Contemplative. 
You know him enough to understand that he's talking about it because it means something to him. That there's a hidden want tucked neatly inside the words he says, whispered echoes of the ones he doesn't. Won't. 
And he knows you well enough to know that you'll be ruminating on this tenfold. Replaying the conversation in your head like an old rerun. Over and over again. Needling away at the cadence, the words, until you find something worth digging into further.
(The conclusion, of course, has been laid out from the beginning. 
He just wishes he had the wherewithal to see it much earlier through the smoke.)
He licks his finger, and hums around the meaty oil smeared over his tongue. 
All pawns on a chessboard. In the gap, he inches his bishop forward. 
Slow. Steady. 
But you cut him off with your knight. 
“Kids are a big commitment,” you're mumbling in between bites of bittermelon drizzled with honey. “And considering the nature of your job—” the slipup forfeits your pawn. You pretend not to notice. “h–his. Uh, his job. I just—”
There's a piece of pale green rind between your teeth. It slips down your tooth when you speak, dropping down to your lip like a flake of fallen snow. 
You swallow. Lick your lips. The slide of your tongue drags away the fruit. Like it wasn't even there to begin with. 
When you speak, it's softer. Barely a whisper. He wishes you'd yell instead. Scream. It doesn't tremble past a few, gentle decibels. 
“—is that really for the best?”
(is it feasible for us?)
Kyle sucks in a breath between his teeth. He knows he has to tread carefully here. The ground beneath his feet was as fragile as eggshells. One misstep—
“Does it matter?” He volleys, paper-thin. “If it's something we—” he comes to a stop, a sudden halt. 
Manufacturing a Freudian slip is easier said than done but somehow he does it with ease. Bashful, then. Sheepish. Like he accidentally flashed you his hand. Revealed his secrets. He ducks his head—the vision of embarrassment, now—but it's multifaceted. The move serves to leave the impression of fractured vulnerability. Bares his soul, and all his broken, naked wants with it. But it also gives you a horrific glimpse at the ugly, marbled bruise still popcorned along his cheekbones, his jaw. The tear in his ear, scarred over into a black valley bracketed by red canyons. 
Raw, splintered, he adds: “if it's something they want, why does the rest matter?”
The silence that follows is long. Oppressive. It comes about with a swiftness he doesn't anticipate, and spends a considerable amount of time debating whether or not leaving it is the right choice. It's unlike him to be so uncertain. So hesitant. 
But this, he reasons, is different than getting a pretty girls number under dubious circumstances, or finessing your landlord into not renewing your lease. This is bigger than the games he played in the past. More is at stake here. 
So, he holds. 
Watches, quietly, as you fold under the pressure. “It's just—it's a big commitment, right?” 
He latches onto your uncertainty with his teeth. 
“If you're serious about it—like they are about each other—then what's the problem? I think they'll be fine,” he shrugs, blase. Indifferent. Winces when it pricks against the scab on his collarbone. “‘sides, it ain't like Price is gettin’ any younger. Man's been itchin’ for a family of his own for a long time. Might be the best time, too, considering the man's luck with—uh—”
He coughs into the top of his curled fist when you flinch at his callous implication. 
“—just… he's reckless, is all. Might mellow him out. Keep his head on straight if he knows what he has to come home to, and what he'd be leaving behind if he didn't.” Another shrug. “Could be a good thing for him in the long run.”
You take flight as soon as it steals away his piece. Fleeting. Retreating. 
You should know better than that. 
Kyle always chases the things that run—
It leads him to a pub downtown. 
David—fucking David—sits on the stool beside you, sipping on a flat draft, and laughing at something you're saying. 
It's innocuous, really. Nothing untoward. No immediate reason for his hackles to raise, hair standing on end like he's under threat. 
But he feels it in his bones. Gnarled fingers grazed over his flesh. A warning. Sirens wail in the back of his head, and his stomach drops like he's back in the airplane, the helicopter, all over again. Plummeting to earth. G-force flattening him against whining metal—
He's too close, is the problem. 
Curled over you like he's trying to keep you a secret from the rest of the world. Something Kyle knows well—intimately—because he does it, too. Tucks you into his side, barely letting anyone get a glimpse of you. To see you. They can imagine, sure. And sometimes he likes to pull back a little just to let a peak of you be seen only to swallow you back up under his bulk. A taunt, a tease. Waggishly waving his finger at the naughty person who dared look at his sun, his Apollo, without permission. 
To see it like this, from the outside looking in—a mere spectator when he's been teaching his hand up toward you for what feels like his entire life—is infuriating. It's voyeuristic, he finds, catching a glimpse of you from the triangular window of the man's arm—elbow on the table, cheek perched on his knuckles. All Kyle can do is squint into this little opening, catching the aftertaste of your smile. 
And the problem is, he's entirely too aware of every overprotective boyfriend clichè that exists. Knows, very well, when it stops being cute and becomes an issue. Borderline abusive. Gross. Restraining order worthy. 
You're allowed to smile at men who aren't him. To drink with them in fancy restaurants wearing a dress that he picked out. It's fine. He doesn't care. You do it often, honestly. There's something about you that draws people in. Like looking up at the warm sun after a long, dark winter. It's unavoidable. Expected, even. 
But—
Fucking David seems to be the exception to his patience. To his goodwill. 
Maybe it's the way he pushes your glass toward you, muttering drink up under his breath. Or the way he leans in when you move back. Following you despite the obvious signs not to. Pursuing you—
Even though he knows, very well, that you have a boyfriend. 
It's the arrogance, he thinks. 
(Or one predator sniffing out the stench of another; lions prowling around the same lioness—)
He doesn't realise he's sneering until you catch his gaze from between David's arm. Feels it then, when he has to let his muscles lax into a smile. Easy, effortless. Just like the one you give him in turn. 
Soft, tender around the edges. Melting into happiness within seconds. A rare treat you give no one but him—
A fact that makes David jerk in his seat slightly. Maybe elated by this new look, the simmering heat in your eyes is warm enough to make someone sweat.
Whatever happiness he feels is dashed, though, when he realises your eyes are focused over his shoulder, away from him. Quietly, David turns in his seat, craning his neck over his shoulder to catch a glimpse of what caught your attention so much, and—
It's real sweet, he finds, the way the haughty look on David's face falls, breaking on impact, the moment he locks eyes with Kyle. Shifting into shock, into unease. Flinching almost instinctively, driven to run out of fear. 
Like he knows. 
And Kyle grins. Gives that boyish smile you tell him, repeatedly, that you fell in love with—soft edges, dimples; lips stretched wide over his fangled canines—and watches the satisfaction drip down David's brow as you extricate yourself from his shadow, and are pulled, magnetic, to Kyle’s side. 
Where you belong. 
But more than that, where you choose to be. 
The weather outside is notably warmer this time of year than it should be, and it sticks, syrupy and warm, to his skin as he sips from his third bottle of San Miguel and picks at the leftovers of your shrimp scampi. 
Across from him, David nurses on a ginger and rye, and murmurs to you about something—a show, he thinks—that he isn't privy to. 
It's been like this for the last two hours they've sat out on the patio. Not quite an exclusion, not really. You do your best to keep him within this little cosm David is trying so hard to build, interrupting him quietly when he goes on long-winded tangents about something that Kyle isn't aware of, and filling in the blanks. 
(it's a reality TV show. we watched something similar, you remember? just like First Dates—)
But he's an outlier here. Gone too much to invest in a show with you like David is, a new addition to your usual friend group. It's never been something he's cared about before. Why stop you from enjoying a show when he's carted away to Mexico or Chicago on another mission, the end date undetermined. Until it's fuckin’ finished, Price used to gripe when he asked. Until we end it. 
It can't be helped. But his hands tighten around the bottle, warmed under his palm. Condescension bleeding in rivulets down the neck, drenching his skin. He's angry. Suddenly, viciously. Filled with a sense of irritation that drums up from deep within his chest as David plucks little inside jokes out of nothing, making you laugh, and laugh, and then turn to whisper in his ear about what they mean. 
It isn't your fault. It's a catalyst to dating a man halfway out the door on most days, but it itches. Prickles under his skin. Selfishly wanting you all to himself, to fawn over him, and laugh at these little jokes he makes, leaving David on the fringes instead. 
Childish. Or—
He'd think so if David didn't shift his gaze toward him each time it happened, lips quirking in a small, satisfied grin. Cats, he thinks. Little yellow canaries. Tries to pull some sense of normalcy from the frothing geysers that roil in his belly, anger sloshing over the basin, drenching everything in a molten ire. Anger. Blisteringly hot. 
It scalds him. Scorches his insides as David laughs, again, at a movie Kyle was too busy in Macedonia to see. 
When you explain that to David, he cuts a sudden grin at him. “Gone a lot, aren't you?” 
And a tension thickens in the air. Drapes around his shoulders, his brow. 
“Work, yeah,” it comes out as two, rough grunts. A warning. Stay back. 
But David curls his fingers over the rusting wrought iron, peering inside. “Work, hmm? Heard you were military—” his eyes flicker to you briefly, like this is something that might get you in trouble for divulging to a stranger, but they're back on Kyle before he can say anything about it. Something like, don't fucking look at her—
“David,” is what you say, low and soft, and tinged with exasperation like this is an old conversation that keeps popping up, an uninvited guest you can't seem to shake. 
The warning is ignored again. Coming from him, he almost understands. Could respect his contumaciousness, even, but you? It makes his hackles raise. A flare of anger pooling in the grizzle, the filament, that holds his knuckles together. 
He keeps himself composed. Somehow. Tempers down that urge to bite, to break things, even as David leans back, shrugging. 
“Military,” he says again, but this time his lip curls. “Can't imagine you're very well-liked anymore. Considering the state of the world and all.”
His fingers tighten against the bottle. “Yeah,” he bites, grins. Knows it's feral. Ugly. Lip curling over a single canine. “Can't really say I'm in it too much for how well-liked I am.” 
“Oh no? Not in it for the glory. The prestige. What do Americans like to say? Thank you for your service—”
“—David!” Your voice comes out sharp. A reprimand. Brows knotting tight together. “That's not—”
“What I do won't end up on the news,” he interjects, and brings his other hand down over your thigh. The sight makes David sniff, glancing away. Anger writ on his brow. Jealousy mouldering in his eyes. Kyle tries not to laugh. “And if it does, it's usually after the bad guy is in the ground, and you find out about it sitting at a desk, twiddling your thumbs all day.” 
The table falls silent. 
He brings the beer to his lips, taking a generous gulp. Something dark curls in his guts even as David's satisfied smile dwindles. 
He sends you home first, watching David move towards the washroom from the corner of his eye. 
“You'll be back tonight?” 
“Mmhm. Just gonna go for a quick run. Gotta stop and pick up some razors, too.” His hand comes up, fingers scratching at the stubble growing along his jaw. “Gettin’ a shadow.” 
“A run, huh?” You don't believe him, but he knows you. Knows you won't fight him too much on it—especially when you think David already left. “And I dunno. A beard might look good on you.”
“Might,” he scoffs before leaning down, pressing a quick kiss to your cupid's bow. “Might not, too.” 
“Think you'd look good in anything. Moustache. Beard. Bald. I'm not picky.”
“No, ‘course no,” he teases and holds the door open as you climb inside. “My unpicky girl.” 
“That's not a word.” 
“Sure it is. Word of the week for Oxford, wasn't it?” 
Your words are swallowed up when the taxi driver asks if you're ready to go. You give him a nod, and Kyle a smile. He watches, lingering by the curb until you're out of sight. 
And then his smile drops. His hands curl into fists. He cranes his head over his shoulder, eyes riveted to the washroom door. 
There's a choice here, he thinks. Get the shaving cream, the razor. Be the man you think he is. The one who runs after a heaping serving of tiramisu and the leftovers of your shrimp you couldn't finish. Maybe watch that show on Netflix that David was so keen on one-upping him on. Your head in his lap. Soft smiles, taunts. Continue this playful banter you started through until his face is buried in your cunt—victor’s choice, naturally; and you always win—and you end the night whimpering his name, not David's. 
That, in itself, is a victory. A win. 
But—
He grabs the ball cap from the rack near the door. It's cream-coloured. Team merchandise for ManU. A little red devil stands in the middle holding a pitchfork. Black, western lettering says WE'RE NEVER GONNA STOP. He snorts at it. Macabre. Fitting. And slips it over his head, letting it hang low on his brow. 
And then he follows after David. 
David stands with his back to the door, hands curled around the porcelain sink as he stares in the mirror, chin titled under the harsh flood of the dull, fluorescent light. 
His eyes flicker up when the door opens, widening slightly when Kyle emerges, liquid, in the reflection. But through the surprise, there's a touch of smug recognition that sets Kyle's teeth on edge when it drills into him. A sense of arrogance that makes his fingers itch. Trigger ready. 
“Oh, don't worry, mate,” he's saying, a smile curling up the corner of his mouth like smoke. “We've just gotten—” he pretends to think, gaze darting up to the bulbs hanging over his head, smarmy and oil-slick. He must think himself leonine. Victorious.
Kyle wants to wear his bloodied teeth around his neck. 
“Close,” he offers, and anger coils inside his guts like tar. “You know, since you've been away, and all. Nothin’ to worry about, though. We're just friends, mate. Promise.”
At that word, his smile turns sharp. Mocking. 
“Oh, yeah,” he hears himself saying, words fine powder on his tongue. “Close, huh?” 
“Well, she's been a bit lonely, you know. Big change, moving to a new city, an’ all alone. Needed, ah, some company.”
It burns. Blisters. The way this man speaks about you rips through him, bubbling away at his self-control like acid. Alone. As if he doesn't know. Lonely. Like he wasn't minutely aware of how much your dynamic has shifted since college, since he was some beat cop patrolling the streets with too much rage in his veins and no outlet for it, to now—when he's calling you from a medical ward (confidential, no you can't come see him) to let you know he was in (yet another) helicopter crash. Had another brush with death that pitches his mortality in the forefront of his mind like an omen. An obstacle. One that cracked open this sense of want, of urgency, hunger from the abyssal depths of his soul. 
But this—
It reminds him of when he'd get into fights in high school. Needling the kids he knew would take him up on his offer, who would meet him in sketchy alleys near council housing where the police were less likely to patrol and the neighbours more willing to ignore it. When he'd mock them, twisting his words, his anger, into a brutal knife until they took a swing at him. 
His hand curls into a fist. Muscle memory. It quivers through his joints—this insatiable urge to tear into something he knows will bleed. Will make him bleed. He needs it like a confessional. Therapeutic. 
Because the thing is:
Kyle likes the fights. Like the way his knuckles burn, and his muscles ache. The bruises. The scraps. The contusions. The pain feels good. Cathartic. Rapturous.
And really—
He needs to get this awful, terrible demon out of him before the saliva that floods its maw at the sight of you, held back only by sheer willpower and reruns of golden girls on the couch you found by the side of the road, spills over between jagged teeth. Before the leash snaps. 
David looks terrified. Scared. He turns around quickly, unwilling to let Kyle have at his vulnerable spine a moment longer. His skin catches on the porcelain rim of the sink as he swings around, the rubbery squeal loud in the sudden hush that falls between them. David winces. Pulls his hand off. 
“Look, man—”
Kyle takes a step forward. Another. It's not fun when they shrink, when they shake, trembling as he nears. He likes the idiots who linger outside of crowded pubs on Friday night harassing patrons. They are drunken slobs calling out to the women they see. They fight back when Kyle corners them. Fists swinging, legs jerking out in a poorly timed kick. Slurred words full of vitriol. 
At first, anyway. 
And then the whine of their polyester tracksuits rubbing across ashlar cut through the alley, and the haze of alcohol saturated their senses. It's around then when they realise just how badly they fucked up. 
But David is different.
Posh—even though the notion of the word itself rankles down his back, trickling like slick, hot oil. Pooling in the brackets of his spine. 
“You did this,” he says, watching the paper shell of the man crumble. “Shouldn't have fucked with my girl.” 
“I didn't mean anything—”
“You did.” He pushes his knuckles into his palm, listening to the satisfying crack of his joints. “But that's what you do, isn't it? Messin’ with things that don't belong to you.” 
“She—”
“C’mon,” he grunts, keyed up. Aching for something to hit. “Gonna throw a proper punch at me or am I just gonna have to kick your head in?” 
“Maybe she wanted it.” It prickles over his name. “Wants me. Begged me for it. Gonna hit me even though your girl is the one messing with me?”
The sour vindication on his face sets Kyle's teeth on edge. No way in hell. He knows this is what David's type does—losing in brawn, but trying to skew the game by getting in his head, making him lose his composure. Getting under his skin. Because that, in itself, is a victory, isn't it?
Bruises will heal, but this, these accusations, the idea that you want David in some way, went after him to slake something Kyle couldn't is gutting. 
And he gets it. Understands why David is saying this, but it doesn't make it any easier to stomach. To listen to. 
David sees his fist shake. Pales slightly. “What?” He asks, all false bravado. Broken confidence. Kyle can sniff the blood in the water. The fear in the air. “You gonna hit me, or somethin’, mate?”
And Kyle—
Kyle jerks his head to the side, letting the knot in his neck pop. The sound, ominous and poignant, fills the bathroom, eclipsing the static buzz of the dying bulbs over their heads. 
“Nah, mate,” his tone flatlines. “I’m gonna let you swing first. And then I’m gonna bash your face in. S’only proper, yeah?”
He staggers backwards from the crumpled heap of the man—still breathing, he notes with a huff, files it away for later; one less mess Price will have to clean up—and works his jaw. It aches. He tastes blood. Spits a glob of foamy pink onto the floor by his feet. No missing teeth, but his lip is split. 
Ah, well. 
Kyle feels fine. Drunk, though. Sluggish. Keyed up. Dazed off that post-adrenaline high of sinking his mangled fists into someone; into flesh, sinew, and bones. But—
Intact. Whole. 
He likes the sting in his knuckles. The tackiness of blood congealing around his fingers, staining his skin. 
Outside of the tangible, physical sensation—
Kyle isn't sure what he feels. 
A part of him was hopeful that this would abate the anger in his veins, and stave off some of the agony of an unrelenting, insatiable hunger. But all he feels is numb. Indifferent. 
Hitting David doesn't bring him the catharsis he desperately seeks even though it should. If anything, it's made him more anxious. Restless. 
He leaves. Needs to—to walk, to run, to escape the crime scene before they find an unconscious civilian in the washroom stall. Flexes his fists, his jaw, as he goes, pacing through the bar, the crowd of people he cares so little for. The cloying scent of alcohol, perfume, stale sweat, cigarettes is a thick, putrid miasma in his nose. He heaves through it, and cuts one of Ananke’s young to ground himself until he hits the door with the brunt of his weight, nearly tripping over himself to get out. 
The air outside is humid this time of year. Damp with the rain that's been drizzling down since mid-morning. He breathes in the balminess of it. Wishes, for a moment, that he was somewhere else. Anywhere else. Just not here. Not with that man's blood on his hands. Not with his words hissing ugliness and vitriol in Kyle's head—
He trusts you, is the thing. Knows, without any uncertainty or doubt, that you'd never cheat on him. But—
The thought is there. Not of your infidelity, your betrayal, but of you. You with another man. Someone who is not him. A stranger. 
Lonely. Kyle wants to scoff. Wants to scream. He wishes he killed him. Sunk his teeth into his jugular, gorged himself on his blood. Lonely. 
As if he didn't fucking know that already. 
There's smoke in his lungs. Ash in his throat. 
He digs into his pocket, wraps his aching, stiff fingers around his phone, and tugs it out. The blood on his hands leaves sticky smears across his screen. The touchpad barely registers the tremulous prompts he keys in. 
Still. Still. 
Kyle manages. Finds the contact he's looking for and hits CALL. 
He's not even sure if the number is in service, and doesn't put too much hope on it. It really doesn't matter if it connects or not. He's just—
He needs something. Someone. 
A clear path. A straight head. 
“—this is Johnny. Leave a message aft’r th’ tone, ‘nd ‘ah’ll—”
“Johnny. Fuck, man. I—shit—” Johnny's supposed to be dead. Laswell made them all swear on it. Wear a spiffy suit to his funeral, and dance the choreographed routine in front of everyone of a team in grief. “I don't know why I'm callin’. Just—my girl, my—” doves. apollo. “I don't know. Kinda feels like lately my heads all a mess. I'm hangin’ thread here, and I just—”
need to be told what he's doing is wrong. terrible. 
“—could use a friend, I suppose. Ah, shit. I don't know why I bothered—”
He hangs up. Drops his head. 
He feels fragile. Like something is going to break. 
Feet balancing on a spindle, the vertiginous drop below an instantaneous death, and Kyle—
He catches the moonrise on his way home. Thinks he can see Jupiter lingering in a flickering white light behind it. 
In his pocket, his phone buzzes once. Thrice. 
can' call right now. shite reception. in some park in canada. nahanni, ye ever heard of it? found a little doe injured in the wood. am takin’ good care’a it. plannin on bringin her home soon. once price sends a plane to pick me up. will introduce her to ya. pretty thing. 
anyway. got yer message. see, if it were me. if that were mah doe. id never leave em alone. ahd make em stay. 
think ye know what ta do, Gaz. 
see ye soon.
—Kyle steps off the spindle. 
You usher him in with a wounded noise in the back of your throat when you catch sight of the bruise under his chin, equal parts worried and questioning. He makes a show of shrugging, indifferent, when you take off his jacket, hanging it on the rack for him, and follows you inside when you move back. 
“It doesn't look like nothing,” you whisper, so sweet he feels the sugary grain of your words rubbing against his teeth. 
“It's just—” he's not sure where it comes from. In for a penny, he supposes, and lets the words flood between you, twisting and sour. “Your…friend, he, uh, caught me when I was about to leave, and—”
The worry splashed across your brow is wiped clean, replaced with disbelief, with shock, and then—
“Oh, that prick!” Anger. The tang of it is electric against his skin. 
“Who the hell does he think he is?” Your indignation is blistering. He basks in it. 
“It's fine,” he murmurs, soft and low. Quietly reassuring. “I'm fine. You don't have to worry about me.”
“Well, I do, anyway.” You volley back, words tight in your throat. 
You're so pretty like this. Illuminated softly in the cool, hazy glow of the television. It's a picture he wants to fold up, put it in his breast pocket for safekeeping, where it will stay warmed by the steady thud of his still-beating heart. 
Want pulses thickly in his sternum. The urge, the need, is there, simmering quietly in his periphery. Slowly taking up more and more space as it grows, too big for him to hold back. 
And so, he says, “I thought about this, you know. When I—” he stops, adds a small huff. A shallow shake of his head. “Nevermind.” 
If this were a movie, it would be a tender, heartbreaking beat. A moment filled with tension and a palpable, heady fear. 
You might say to him, please don't ever do that again, or even, please don't go; but he knows you just as much as he knows himself, and so it doesn't surprise him much at all when instead you swallow all of it down, letting it slowly metastasise inside of you, offering a small smile in response instead. 
A quiet, “yeah,” following along behind the brunt of your shielded misery. Buried for his benefit, because as much as these near misses might keep you up at night, you'll never tell him not to go. 
He adds, “been thinking a lot about what I'd miss out on, too, but—”
Kyle doesn't finish. Doesn't think he needs to. Not when he sees the gears turning in the back of your pretty, tear-filled eyes. 
Against the armrest of the couch you'd bought at an old antique store, his hand closes into a fist. 
Close, he thinks. But not close enough. 
It'd be easier to just flush your pills down the toilet. Poke holes in the condoms you keep in the drawer—just in case. Sabotage you through sugar pills; perfect replicas of the ones you clumsily take each morning, only ever half aware of what you were doing as you lean sleepily against the sink and listen to some podcast you've recently gotten into. 
So easy that he buys them without a second thought from some sketchy guy in the back alley of a Tesco Express. Pockets the package, and brings it home to you. Slips them inside the half-empty bottle where they fall to the bottom with a sharp clank. Clank, clank, clank—
The orange-tinted bottle sits on the countertop. Innocuous. Mocking. Everything he wants—you, you, you: forever, permanently—right there in front of him. Within reach. The smooth plastic surface is still warm to the touch from his aching hand—Ananke’s mangled brode on his palm has been itching furiously lately; he thinks he has an infection running jagged down his lifeline, the sink pickled and oozing pale yellow—and he holds it tight. Tighter still. Until the tumid scab on his hand cracks, pops open. Leaks blood and foul rot onto the container. Smears it soft pink with infection. 
Kyle knows right from wrong. 
His mum is a pillar of the community. A stalwart wall of firm, unyielding faith: the kind that brokers no arguments—do unto others as you would like done unto yourself, Kyle—and offers no retribution. Forgiveness stacks as high as karma. As goodness. As fairness. She wakes up every Sunday morning and goes to church. Spends all afternoon cooking meals for the homeless, the sick, and drags his father along with her as she drops them off at shelters, each with a handwritten passage about love and humility. 
He's not particularly religious, but she's never held it against him. Never forces belief when there is none. Content to let him grow into the man he wants to be. 
Though—while he shirked her belief, he stole away with her vicious sense of morality. Of justice. Right and wrong. 
Simply put: he knows better. Was raised better. 
And yet—
Somewhere down the line, his idea of good and bad evolved. Shifted. Cracked. He feels the remnants of it thrum in his veins; this foreign thing—this abrasive entity. It surges. Spumes; seeps in his bones. His marrow. Rewrites his foundation, his sense of self, until it's marbled with streaks of murk. Gangrenous. 
Good and bad. 
(the and an entire island of its own.)
He wonders if it started with Price—draw the line wherever you see fit—or if it was waiting, a hibernating beast, for someone like him to come along. A pantomime of a paradigm. Mockery of justice. Absolution in shades of self-interest. 
Either way, it doesn't matter much. Not anymore. Not when the cage, the iron shackles, housing that monstrous thing split open on the pavement outside of Giza, freeing this starving, angry animal. 
And really—
—he’d rather it quenched itself on you than anyone else.
Kyle places the bottle neatly back in the drawer. Slides it shut. It looks the same way it did when he arrived—pristine, innocuous, untouched. No one would know that he tampered with the seal, spilt the pills into the porcelain basin of the sink, ran hot water over them until they dissolved into sugary-white clumps, and washed them down the drain. Gone. Dissipated into a barely noticeable residue he scoops up with the tip of his index finger, bringing the specks closer to his face. It gleams in hazy sunlight dancing through the open curtain. 
Kyle brings it to his mouth. Licks it off. 
It tastes sweet. 
Ananke screams in agony when he grips a fistful of your hair, pushing your head down the length of his hardened cock, all the way down, down—
You sputter around the thick of him, eyes watering. Dripping rivers down to your hollowed cheeks. It pools there. A deep basin. A lagoon. He wants to drink it up—salt water cures everything, after all. 
The noises you make—quiet gags, wet chokes—have liquid pleasure trickling down his spine. An endless cacophony fills the bedroom. A soundscape he could get lost in forever—
“Yeah,” he rasps when your fingers dig moons into his thighs. “Such a good girl for me, aren't you?” 
The whimper that tumbles out vibrates through his cock, and he grunts with it, a deep groan that you answer by squeezing your thighs together, lashes fluttering. You like the noises he makes. The moans, the guttural grunts. The choked snarls. 
His good girl. 
“Takin’ me so well,” he's slurring his words, hips pushing with more insistence now. Desperate to spill down your throat. To watch you swallow him. “You always do, though. Don't you? Take whatever I give you, yeah? Gonna take it all now? All of it, yeah, pretty girl?”
He rambling. Words spilling out, breaking against his teeth. Ananke howls when he twists your hair, tugging you closer, closer, until the tip of your nose touches the thick bed of wry curls at the base, swallowed whole. You're crying now—choking. He grunts. It's liquid. Whitehot.
Your mouth is molten around him. He chases it, cock head nudging the back of your throat, bruising it. Ruining it. He wants to paint you in his cum; drench you in it. Mark, mar, your skin until all of the nobodies, the David’s, can smell him on you. Know, without any uncertainty, that you belong to Kyle—
His hips stutter—
“oh, fuck, oh fuck, fuck—”
—and he knows he's being too rough with you. Too demanding. Forceful. Taking his pleasure from your pliant flesh, cleaving pounds of you into his palm for him to keep. Scar tissue in the shape of his name—
His other hand drops, wraps around your throat, and—
Fuck. 
He can feel his cock through your skin. The bulge unmistakable through your neck, fattened with the thickness of him. 
This—and the hazy sight of you, angelic with your drenched face covered in spittle, pre-cum, and briny tears; eyes blown wide and preyish, full of desperate submission; and clumsy, needy way you hump against your fingers stuffed between your slick thighs, quivering under the unrepentant way he breaks you apart, takes you—pushes him over the edge. 
Equilibrium comes on a snarling grunt, wrenched out from the depths of his throat. So rasping, so gritty, guttural, that it hurts. Scrapes against his flesh until it's raw. Bruised. 
He feels the flex of your muscles as you swallow. The rasp of your tongue soothing the heavy pulse of the thick vein on the underside of his cock, greedy for every drop he has to give. 
It's perfect, he thinks. You're perfect. 
(and his. his, his his—)
He leaves later that evening. “Mission,” he offers, a wan grin pulling at the corners of his mouth. “Be back soon. Don't wait up.”
Worry chisels a ravine through your brow. “Is that—” you swallow. He hears the click in your throat. Tastes the anxiety rolling off of you; a sweet deluge. “I mean, you just got back. Are you—are you even cleared yet?”
“Ah, well. About that,” he scratches the back of his neck. Ananke shivers. “I have to do some recon. Nothing serious, but with—with, you know—”
Contrition tights his jaw. He sometimes forgets that officially Johnny MacTavish is dead. 
“Oh,” you try to murmur, but it comes out like a whimper. “Okay, well—”
You won't tell him not to go. It's not in you to weaponise your worry against his ambitions, his dreams. 
(It doesn't stop him from using this kindness against you.)
He times it well. 
Gone for thirty days in a wet, balmy jungle, snacking on nothing but bamboo shoots and moss. Ghost comes with him, shoulders set in a terse line—as usual—but there's a strange ease to his gait, a sudden liquidity to his hardened obsidian that catches Kyle's attention immediately. 
“Alright?” He asks, picking his teeth with a needle from a bush. “Seem in a good mood, Lieutenant. Not very typical for you, is it.” 
He lifts one massive shoulder in a lazy shrug. “S’nice weather.” 
It's humid. Hot. Steam billows up from the boiling first floor and congeals into a thick, dense cloud of heat. Kyle would hardly consider that to be nice weather. 
“Oh, yeah. The, uh, one hundred percent humidity is really good for the skin.”
Ghost, for his part, just shrugs again. Rumbles something about misbehaving pets, and obedience training, and seems content to let the conversation lapse into a comfortable silence. Kyle follows suit. 
It stays like that for most of the mission—save for the odd quips from Ghost, his humour a peculiar ester that sours, perchlorates, in the back of his throat. Team building, Price would probably say if he was here instead of back in Liverpool, looking at empty lots with his missus. 
(wants to build a fuckin' house so we have somethin’ to pass down to the kids—
He sounded angry about it, but Kyle found floor plans laid out across his desk, markings scratched into the margins as he argued with himself—and his wife—about sizing and layouts; the quips between thick, bolded letters (all uppercase) and boxy cursive filling him with a sense of envy so visceral, it made his stomach churn—)
It's almost boring compared to some of the things they'd done. Incident-free—something he knows Laswell and Price will enjoy; less paperwork. Or—
Almost, anyway. 
Kyle gets shot in the shoulder the last week of the mission—a surface wound, of course; but it leaves a mangled mess of scabs and torn, jagged tissue on his flesh. 
Ghost sees it. Eyes liquid black through the thick foliage, cutting a searing line to where Kyle sits, arm wrapped in gauze, casual despite the burning agony in his shoulder. 
“Coulda dodged,” he muses, head tilting to the side in what Kyle can describe as dogish. 
Kyle swallows. “Could’ve,” he agrees, and offers nothing else. 
“Looks like I’m not the only one training a new dog.” Ghost hums to himself, quietly amused by the puckered skin on Kyle's shoulder. “‘bout time you got a scar to match the big boys, Garrick.” 
“Big boys.” He snorts. “And where's Price’s?”
The man's eyes are liquid in the nightfall. Vantablack. He wonders what sort of dog a man like him has at home. What kind would stick around. 
Or if it's even a choice. 
“‘ave you seen his back? Old dog wrangled himself a little tiger.” 
An unknown number texts him later that evening. When he opens it, it's just a blurry picture of a figure bundled up in a tweed quilt, nothing but their shoulders and head visible, as they stare out the window. The room is lit in burnt umber. He catches the corner of what must be a wood stove—the only light source, perhaps. It baths them in a heavy swath of tenebrous on the opposite side of the stove. The other is highlighted in an ethereal, aged orange. 
When his eyes slowly adjust to the hazy sfumato, he makes out the distinct shape of a woman. Fingers tangled in the throw. Spilled oil, midnight gloam, against dark blue. What a picture they make. 
But why was it sent to him—?
His answer comes a moment later. 
think it's time ta come home. know anything about gettin’ a little doe thru customs? 
might know a thing or two about that, yeah. probs best to talk with Price. 
shite. he'll ‘ave mah ‘ead fer this one. 
In the quiet cabin of his airplane, Kyle places his phone on the empty seat, and grins. 
Your fingers thread through his, palm kissing Ananke with a gentleness that belies the fire in your eyes. The burning fever as you draw him in, drag him closer. 
There's an urgency in the way you reach for him. Touch him. Starved, almost. And he supposes it's only natural when the last time you've been intimate was a month ago—when he spread you out over the sheets and kept his face buried between your thighs for hours; uttering soft hymns, orisons, at the very apex of your altar—and so sparingly between. Too afraid to hurt him. Your worry is now a weapon used against you.
(“you crashed in an airplane, Kyle! there's no way nothing is wrong with you after that. something had to have broken, right?”
right. right. just the fragile walls holding himself together—)
His wince presses the blade taut to your neck. “Sorry, dovie. Hurts a bit—”
Digs it in. Draws blood. 
Your eyes drop to his shoulder, wide and wild. Feverish with your worry, your desperation. The wound is bandaged up in gauze—thick enough that it leaves a distinct shape under his shirt. Pokes out from beneath his collar. 
There's worry, of course. A bone-weary sort of sorrow that thickens around your eyes, pinches tight on the curve of your jaw. 
He wonders if you'll pull away again. Cushion the wound between you like a wall, and keep your distance until the unfounded belief that he's somehow too delicate to touch. 
“Sorry,” you murmur, and it's blistering. “I just—Kyle, I—”
You don't pull away. 
“I know, yeah? It's fine. I'm okay. Back in one piece this time.”
This time sours in the air. Putrid. Rotten. Your lip wobbles. Lashes puddle with pearling tears. 
He thinks you might cry. 
(hopes that you do.)
“I know,” is whispered, gritty and raw. “And how long until—until you have to leave again?”
Kyle huffs. “In the morning. ‘m’sorry, dovie,” he leans down, rests his forehead in the crook of your neck. “I tried to wiggle out of it, but we're short a man.”
“Is this even ethical? I mean—” your shoulders shake. He bites back a grin. Your worry so thick, so sweet, in his ear. “You just got shot, and they're sending you back out?”
“Technically, it's just recon—”
“This was just recon, too, and look what happened—”
“Love.” He silences your protests with a soft bark. The way you immediately quieten at his tone liquifies in the base of his spine. “I gotta. I have to go. This is what I signed up for, you know?”
“I know. I just—” your hand lifts to his head, gentle. Fingers stroking over the shaved hair on the nape of his neck. “I can't lose you. And lately, it's like everytime you leave, you get hurt. I can't help thinking, is this the last time I'll ever see him again? whenever you walk out the door. I hate it. I know that's your job, I know that. But, fuck, Kyle—”
“I know, love. I know.” He kisses the warm skin at the base of your neck. You shiver against him, nails biting slightly into his nape. “There's so much I still want to do. So much in life I want, especially with you, but—”
You don't let him finish. Your arms wrap around him, holding him gingerly to your quivering body. 
The way you cling to him feels like a victory in itself. 
Check—
There's an animalistic desperation in the way you drag him into the bedroom, eyes sparking in the dark. Smouldering embers. Clothes strewn somewhere in the hallway, forgotten. 
He worries his jaw to fight back a grin when you knock the condoms from his hand when he fishes them out of the drawer. 
“‘s’fine,” you slur, mouthing along his neck. Suckling intently at his skin. “‘m’on the pill. I'm—”
God. You're so sweet, aren't you? 
He buries his grin in your neck, biting down on soft skin until his canines catch. Split flesh. Blood wells, trapped under enamel. He tastes the iron as it pools up, thin and watery, and so distinctly you it makes him dizzy. Rust. Ore. A moan is dredged up from the back of his throat as he laves his tongue over the indents, the puncture wounds, he left behind. 
You shiver at the sounds he makes, small whimpers tumble past your lips—breathless; shallow and quick, matching tempo with your heartbeat. Tinged with the sting of his bite, the way he sucks around them, irritated flesh; sinks the tip of his tongue into each little split until he can't taste blood anymore. Just salt. Skin. You. 
This thing that lives inside of him is hungry. Starved. It growls low in his belly, a tightening heat that blooms with the blood he swallows down. Feeding it. Just a taste. A tease. Barely enough to sate the burn he feels flickering just behind his larynx, soldering through tissue, and tendon. Blackening bone. 
You say his name, low and sweet. Peppered out between soft lips. 
It's—
A lot. Not enough. 
Kyle pulls back, rocking on the balls of his feet just to reorient himself, and then leans down, catching your mouth in a frantic kiss that makes you shiver against him, gasping into it. His tongue delves in, and chases the sweetness of his name still lingering between your teeth. 
His hands glue to your skin, featherlight, as he slides his palm over your body. Feeling you. The heat. The goosebumps that break out at his touch. His other hand slips up your spine, curling over your nape. 
He doesn't say much else. With the taste of you tucked between his teeth, he finds he doesn't need much else. Just this. Just you. 
But you're tugging on him, pulling. Whining into the kiss. Peeling away with a gasp when he pushes you down onto the bed by your hips. 
You go down quietly in the dark, eyes wide in the pale blue moonlight; fixed on him as he follows after you—hunt, chase, consume—until he's balanced above you with his palms pressed into the mattress. Beneath him like this, you're a vision. A dream. His heart breaks free, soars. He feels the flutter of wings battering into the cradle of his ribs as he looks down at you.
He almost calls you Apollo. Sinks his teeth into his bottom lip instead. Can't trust himself like this. Not right now. 
So, he tries to grin, but it feels worn. Threadbare. “Fuck, you have no idea what you do to me.” 
“I have a pretty good idea,” you whisper, gaze dropping down to his hips where his cock juts out, hard. Weeping. Feebly tries to curve up to his stomach but the weight forces it down. 
Your legs spread, parting for him instantly. Hands reach, grabbing at his skin, pulling him closer. He goes with a groan, biting his lip when his cock brushes the soft skin of your slick, sticky inner thigh. Soaked, he finds. 
“All this for me?” He rumbles, fingers slipping on your skin when he drags his hand down, pushing your legs open further. Wide enough for him to fit. “Gonna give a guy a complex.”
“As if you need another one,” you volley, but it's breathless. Caught on the tail end of a whimper when his hips slot into yours, cock heavy and hard on your soft skin. 
“Sayin’ it's too big for you, then?” he teases on the jagged edge of a wide, sharp grin. 
The need that blooms in your eyes, the slight part of your kiss-bitten lips, pupils melting over the edges, a total eclipse, makes him want to sink inside of you. Carve a spot just for him over and over again. Make you take him, break apart on the thick split of his cock inside of you. And he only just manages to reign the urge to pry your folds apart, nudge his head into you. Barely holding himself together, fighting for every ounce of restraint he has because as he knows you'll let him—let him slide inside, fuck you into the mattress until you're sobbing—he can't. 
Too big, he thinks. Reaffirms. And it comes out as almost a pout. 
“Don't worry,” he huffs, bending down to nip along your jaw, fingers sliding over the slick, sticky skin of your inner thighs. “I’ll take care of you, yeah? Get you good and ready for my cock.” 
(and more, of course; a lifetime—
but the bite of Ananke’s young keeps him spilling these secrets onto the sheets.)
Kyle likes to think he has a keen sense of smell, and as he buries his face between your thighs, nose pressed tight against your clit, he imagines he can scent the chemical changes in your body. The natural musk of you, more potent now than ever, without the artificial blocks in the way. 
Taste, too—
He presses a kiss against your slit before letting his mouth part on a deep inhale, tongue rolling out, pressing between your folds. Parting them. The first touch makes your hips jerk, breath catching in your throat. 
You taste good. Earthy. 
It's been too long since he tasted your cunt. Feasted. He slips the flat arch of his tongue over you again in broad, heavy strokes from rim to the soft crease between your clit and mound. Drinking you in as the soft moans, the hiccupping gasps, cudgel his resolve. 
You babble his name as he presses your thighs flat to the mattress, head buried between them with a single-minded goal of making you fall to pieces with his tongue on you, lapping at your pussy. Tasting for himself the natural tang of you, his machinations seen through to the end. 
And you—obvious to it all—whine, eager for more of his touch, as he presses his nose into the soft skin of your navel, and breathes in again. 
He pulls you down on top of him after making you clench around him—tight, tied like a vice—three times with his mouth, tongue, his fingers kneading that soft spot just inside your cunt until your legs quivered around him. Until you gushed with your release, cumming on a choked scream. 
It made you all pliant and soft, putty in his hands that he can tug as much as he wants, however he wants. Shaping you over the tapered spread of his waist, cock nesting between your hot, sticky folds. Your hands on his chest, breath shallow. Please is whispered out of your bruised lips, sweet and lachrymal. He shivers and licks his lips. 
You have no idea what you're begging for. No idea what he plans on doing to you. And he thinks, maybe, he ought to feel some sense of shame for making you take what he gives you like this, making you ride him as he fucks you full. Traps you. 
There's a fire burning inside of him. Molten. He reaches down, grabbing his cock. You blink at him, tears clinging to your lashes, before you slowly, clumsily, lift yourself up for him with a soft, heated breath. Like you want it. These awful thoughts sutured between you like a fine, silk thread. He nearly unravels at the seams just thinking about it. 
Even playing pretend in his mind threatens to shatter his resolve,
—a golden fantasy filming over his gaze, dusted in starlight; the ethereal glow of ananke coruscating off of Jupiter's elves: you begging for him, pleading with him to sink as deep inside of you as he can get until no dog will be able to differentiate between your scent and his
break it into pieces. 
“Want it, don't you?” It comes out sun-scorched. Blistered. Raw. 
You whimper when the fat head of his cock catches on your sopping rim, stretching you open for him. He can't decide what he wants to look at more—the sight of himself disappearing into you, or the look on his face when he does—and his gaze swings wildly, a pendulum oscillating between both, greedy for all of it. Sears it into memory. Burns it behind his eyelids. 
Kyle reaches up, hands sliding across your body. Feeling the quiver in your flesh, your lungs pressing against your ribs, pushing it out. He wants to touch everything. All of you. Settles, instead, for sliding his palm up to your shaking breast, letting it fall into the cup of his hand. Pinching your hardened nipple between his middle and ring finger. Just. A tease. Barely any pressure. Rolling it between his second knuckles until you're arching into him, desperate for more. More friction, more pressure. 
He teases around your flesh until goosebumps prickle over the sensitive skin, bearing his teeth in a crooked grin when you whine, clumsily pawing at his chest and pushing your breasts into his hand. 
“Want somethin'?” 
Your response is a sharp huff. A half bitten whisper of his name. 
“No?” He taunts, shifting his hips under you. Feeling the way your cunt pulses, fluttering over his thick length. “Fine. Guess I'll—”
He goes to pull his hand away from your breast, lips curling into a taunting smirk, but a whine tumbles out. Your hips rock, pressing flat along his cock. The pressure, the pleasure, knocks the air from his lungs, and for a moment, he thinks they popped. Burst. He struggles to fill them when you shift above him, drenching his lower belly, groin, and inner thighs with the wetness that drips, molten, over him. It's good. Too good—
“Kyle,” you whisper, clit pressing taut to the weeping head of his cock. Trapped between your cunt and his stomach, the blunt pressure rockets through him, bringing him close to the edge. Dangerously close. “C’mon—”
He snorts derisively—the impromptu amalgamation of a choked laugh drenched in disbelief and sutured together with the delirium of pleasure rippling through his stomach scrapes over the soft tissue of his throat. Abrasive. Rough. 
The air that comes out of his nose, hacked up from the tatter of his lungs, hurts when he spits it out. 
“Fuck,” he rasps, rolling his hips into you. Desperate. Eager. It's airy. Loose. He clenches his jaw, grunts a rasping, ugly fuck from between the tight seam of his teeth. “Gonna make me cum, dove.”
It spurns you on. You babble above him—no, Kyle, no, don't cum, don't—but do nothing to stop the quick cants of your hips, fingers knotted into the matted hair on his chest. It's paper thin, barely a whisper when you breathe heavily through your nose and whimper, I want you to cum inside me—
And it's—
It's a thought. A dream. Nothing new to your voracious sex life, really; but the sweet-sour taste still lingers in the back of his teeth. The heady scent of you in his nose. 
A single pill placed in each slot—Monday, Tuesday, Wednesday—
His eyes roll. Hips stutter. 
There's a fever in his veins. An urgency. He groans his assent, hands falling to the expanse of your hips, holding tight as he stops the slow rolls you keep trying to make. He needs to be inside of you. Says as much when you pout at the loss of friction, watching understanding dawn over you. An eagerness that seems to keep pace with his own following quickly behind. 
“Yeah,” you say, and the word is obscene. Breathed out on a moan that makes his cock twitch. Then, yeah, yeah, Kyle, please—
He pulls you up, up, groaning when you slide your hand down his chest, pawing at his cock until it's gripped in your palm. The touch burning through him. Skin on skin. Fingers barely meeting around the thick of it. 
“Come on,” he rasps, swallowing down the words he can't say yet. Things like take me, all of me, every last drop—
He helps you lift higher. Keeps you steady as you line him up, the head pushing against your slick rim, catching when you sink down, thighs flexing. 
It's a slow drop as you adjust to the burn of taking him. Down, down—gasps, mewls, whines leaving your lips with each inch, devastating little ah, ah’s that spin around his head until he's dizzy. 
His name is a plea when you can't take anymore, when the thickness of him becomes too much. Eyes misting with unshed tears, bottom lip trapped between your teeth. The look you give him is so pitiful, he nearly whines—
“You can do it, baby.” 
It's a shuddered gasp, thin and reedy. He wants you to cry, to weep. To rain your fists down across his chest when the burn of him splitting you open becomes too much, nearly choking on how viciously you spit out his name. 
“C’mon,” he slurs, lifting his hips in shallow, lazy cants. Feeding you another half an inch. Another—
“Kyle, Kyle—” you gasp, and he knows. Should take pity on you for the sting, the burden of taking him so deeply, pretty pussy stretched tight around him. 
Should—
“Barely much left, dove—” he means to grunt, but it comes out on a growl. His knuckles ache. “You can do it for me, can't you? Take all of me. Been so long, dovie. Been so fuckin’ long—”
It's between missed this pretty pussy on my cock and need you, baby, need you so bad that you break. Trembling above him as another inch is forced into you. Keening when his hands tighten around your waist, fingers biting into your flesh, and he pulls, pulls, at the same time he thrusts up, cunt giving way, opening up for him so perfectly—
“That's it, dovie—”
The folds of your pussy swell around the fat base of his cock, pressed tight to the skin of his groin, and Kyle can't stop the rough moan that spills out, hips jerking at the raw sensation of having you wrapped around him. Silken walls. A slick, feverish heat. You pulse, flesh fluttering over the length of him, and it's somehow both euphoric and uttering damning—the pleasure so intense, it churns his stomach. Makes him nauseous with how badly he wants to stay inside of you like this forever until it's sacrosanct. 
You feel liquid around him. All heat and pulsing, flexing muscle. He ruts into it. Cants his hips up, up, little nudges that push the air from your lungs in short, choking gasps. 
He lets you take what you need from him first, hands steady on your hip. Palm moulding over your breast, pinching your nipple between his fingers. Leaning up to lave his tongue over the hardened peak you squirm on his lap, bouncing shallowly on his cock. Giving you everything, all of him, as you slowly bring yourself closer to the edge. Face pinched in bliss, eyes squeezing shut, rolling slightly as you work yourself over his cock, hips twitching. Flexing. Your pretty mouth drops open when you lean forward, hands bracing over the swell of his chest, finding the perfect angle for his cock to hit. 
His name is a whimper, a plea. A litany of sounds that blister through his chest. A white-hot knife buried in his groin because fucking you is always a sweet sort of agony, he finds; pleasure and pain effortlessly balancing on a razor blade. He breathes around the ache, feeling the threads of his control pull taut over the blade, snapping one by one—
It's a mindless drive for more of that electric pleasure, that blissful pain, when he plants the soles of his feet on the soft sheets, and bucks. His cock bludgeons through wet, hot heat, feeling the silken flutter of you clenching tight around him, and he can't stop the groan from jittering out between clenched teeth. 
He knows he won't last. Can feel it well up in his groin, hovering on the edge of a precipice. It's headier, more potent, than anything he'd ever felt. The elation, the urgency—it fills him up from the inside out, twisting in his veins, blotting along his hindbrain. Needing to cum, to fill you up—
Your nails dig into the smattering of hair on his chest, clinging to him as he squares his feet on the mattress, pistoning into you. Making you howl for him—deep, breathless moans rolling off your tongue, bitten out between his name, said like grace as it drips down your chin. 
There's nothing better than this, he thinks, arching his neck on the pillow, head thrown back as he thrusts up, meeting you in the middle. Working in tandem. Pleasure is hewn together, tethered until you can't hold yourself up anymore. Until the stretch him filling you up, sitting thick, fat, inside your abused, aching cunt is too much for you to take. 
The way you look above him—chin bowed, mouth open as a litany of moans spill out; brow furrowed, eyes listing shut in bliss—knocks the air from his lungs in a painful, agonising punch. You look ethereal, superlunary, as you babble above him, spine bowed in a pretty bow. Taking everything he has to give you—
His palms ache. Itch. Ananke grows restless as his thrusts become sloppy. Desperate. 
“Come for me,” he barks. Demands. Pleas. 
His hand squeezes tight before letting go, dropping down to your belly, over your mound. You’re slick, wet. His thumb softens over your clit, gentle strokes to bring you to the same summit he stands on, ready to jump. Hips jerking, thrusting into you from below. Fucking into you with steady, deep cants of his hips. Making you take him, all of him. 
Your cunt flutters around him, clenching tight. Pulsing little throbs that mirror the heavy brag of his heart slamming into his chest. Made for him, he thinks, eyes widening in feverish delirium as he tries to commit the way you look arched above him to memory. Burning it behind his eyelids. 
The pleasure on your face, the desperation, make him break. 
He lets go of your hips, slides his hand up your spine, feeling your warm, damp skin under his rough palm as he drags it to your nape. His fingers curl over the back of your neck, a gentle squeeze; a comforting weight—just enough to make melt in his arms, relax, before he pulls you down until you're chest to chest. He snakes his arm out from between your bellies, throwing it over your waist to anchor you down as he bucks up into you. Taking. Taking. 
The sounds made when he fucks into your like this, the squelch of your pussy, the slap of his balls on your ass, have his eyes rolling back into his head. Unbridled pleasure bloomed over his spine, spooling in his groin. 
He's right there. Right there—
“Oh, fuck, baby—” he gasps out, choking. “I'm gonna cum, I'm gonna—”
He feels his name purr from within your chest before you push back, squirming on his chest as you fuck yourself back onto his cock. Taking him deeper inside of you until he nudges your cervix and makes you whine—
He grasps to find that same thread of control he keeps wound tight around his wrist, an anchor line for him to cling to, but when he paws at the dark, he finds nothing there. Nothing but thick, syrupy pleasure. Bliss. He feels your slick run down the length of his cock, pooling in the tangled hair dusting over his sack. Drenching the sheets. 
His hand slides down your back, fingers stretching, reaching, grabbing a fistful of your asscheek in his hand. Squeezing it tight as he pulls you down over him again and again. It forces him deeper, until he's certain that there's no place inside of you that he hasn't touched. 
And it's this thought that unravels the knot. Becomes his undoing. His violent end. But it's you bending down, sweat-slick cheek pressing to his chest, murmuring:
Please. Please—
And then:
“Come on,” you moan, the words shuttered out of your chest with the force of his thrusts, head shaking. Rattling. “Cum inside me, Kyle—” 
It’s catching sunlight in the palm of his hands, feeling the skin burn, and blister. Apollo in his hands. 
“Fuck, gonna cum, love—” he grinds out on a moan, grinding his hips into you in choppy, desperate thrusts until the force it punches through his stomach, leaves him winded. 
You drop down on his lap, taking the full, thick length of his cock inside of you as he cums, vision blurring around the edges as he struggles to keep his eyes open, glued to the sight of you taking it all. Every drop—
Through the haze, he commits every blurred movement to memory: your quivering belly; your heaving breast, nipples pebbled and swollen from his mouth. The spread of your thighs over his hips, the way the coarse, thick hair on his groin flattens against your mound. Slick, wet from you. Milky, now, with the steady trickle of his cum leaking out even though he keeps you nice and plugged up. It makes him jerk beneath you, breath coming out in a heavy gust. 
his apollo—
His hands flatten along your collar bones, curling upward to shape around your neck. He feels each desperate breath, each swallow, against his searing palms. 
He wraps his hands around your neck, and it would be so easy to imagine a collar. 
And you lean into it. Your head drops back, eyes slipping closed as you bare more of your throat to him. He folds the tips of his fingers over each other, linking them on the nape of your neck, shivering when the sweet, peach-soft peal of his name slips past your lips—
Yeah, he thinks, fingers tightening on your skin once before he lets go. Drops them down to your belly. Curves over your waist. Holding tight. Tighter.
But not a collar wouldn't look nearly as pretty, wouldn't it? 
It's five in the morning when the text comes in. 
Sitting between an update from Price (this doctor's a fuckin' muppet—), one from Ghost (how's the shoulder), and something from his mother—a TikTok video he thumbs loosely at, sending a chain of laughing face emojis in response—is a foreign number. According to a quick Google search, the area code—867—is from Canada. The Northwest Territories, Yukon, and Nunavut, specifically. 
He opens it, glancing at the string of numbers on his phone, brows furrowing as he tries to make sense of it—
And then it clicks. 
Coordinates. Google says they're in Scotland. Remote. Knoydart. 
The grin splits across his lips, pulls tight at his cheeks. 
Welcome home, he writes. Any trouble with that doe of yours? Customs must've had a fit. 
A second later, a message appears. Adjustin nicely to the highlands. Nik did all the heavy liftin. Y’should come visit. See fer yerself. 
The bed shifts when you move, pulling yourself closer to him in the quiet dark of mid-dawn. Drawn to him even in the deep of sleep. He thinks of moths, flames, and curls his arm over your shoulders, pulling you closer. Presses a kiss to your crown, breathes you in. 
With the phone held in one hand, he swipes his thumb across the screen, typing out a quick reply. Taps SEND. Watches the notification flick from delivered to read before he drops it onto his lap, and lets his head fall back, the grin still tugging on his lips. 
Icarus couldn't get to Apollo with flimsy wings of borrowed feathers, and beeswax. The distance between Earth and the sun is too great to fly to. An uncrossable chasm. 
So, he brought Apollo to Earth instead. 
Just might. 
In the quiet bloom of a mid-morning dawn, you find him on the patio, gazing out at the streets below. Brows furrowed in a soft contemplation. It's not something you're used to seeing on his face—this sombre, solemn grey shading his features in a way that makes you feel almost as far away from him as Jupiter.
“What's wrong?” 
Kyle tilts his chin up toward you, mouth flattening as he shakes his head. Shrugs. 
“Nothin’.”
“Mmhm,” you tease, fingers threading over the hair behind his ears. His skin is warm. Sunkissed. You press your nails to his scalp, dragging them through the thick coils of his hair until you meet the soft dip at his temple. He leans into your touch, forehead resting on the soft bump of your belly. 
When he doesn't speak after a moment, you huff. Soft, coy. “Fine. Keep your secrets.” 
His nose rubs over the soft cashmere of your sweater. “Been thinkin’ is all.”
“About what?” 
He hums, breath warm on your skin. “Want to come to Scotland with me? Get away for the weekend?” 
“You think your mum and sisters are letting me go anywhere right now? Pretty sure I heard them plotting about wrapping me up in a mattress so I can't hurt myself or the baby—”
A snort bubbles up. “Mum likes you. Loves you. She's just overprotective. M’sure I can convince her.”
“You think so?” 
Kyle is quiet for a moment. A beat. Just long enough to mull over the probability of stealing you away from under his family's nose. Unlikely, of course. When the twins have your weekend booked up already—a movie marathon with nothing but pizza, snacks, and John Hughes. 
And NO Gazzy allowed!!!
“Nah, suppose not,” he huffs, placing his hands on your thighs. “If they're being too much, you can tell them to piss off—”
“They're fine,” you shrug. Overprotective, but—
It seems to run in the family. 
“I really don't mind.” 
He gives in with a shallow nod. “You gonna be okay if I go?”
“I think I'll manage on my own. It's—”
“Yeah.” 
Need to know, you remember the big, scary one saying when you met Kyle at the tarmac. His voice low over the whir of the engines in the distance, but robust. Brassy. The inflection is standoffish. Cold. But you saw how he turned back around when Kyle led you away, eerie gaze drilling into his injured shoulder for a moment before calling out to him that Bravo Seven-One was inbound. 
The difference between Kyle and the company he keeps always seems to jar you slightly. He's so normal in comparison. So human. Grounded in reality in a way that makes everyone else around him feel preternatural. 
“I’ll be fine,” you say at length, hand falling to the soft, barely noticeable bump he rests his head on. A happy accident. You wonder if it overwhelms him a little. Babies. Kids. None of it ever felt feasible before all of this. “Go have fun in the mountains.” 
It pulls another snort of him, and he turns his head, peppers a soft kiss to your navel, eyes flicking upward to stare at you. Dancing with mirth. A mordant sort of humour you can't begin to understand. 
Need to know, maybe. 
“Fun, huh?” It's muffled by your skin. “Think I'm bein’ led to my untimely death, actually.” 
“That so?” You hum, a smile curving over your lips. “At least make it look like an accident, yeah? We won't get the insurance payout otherwise.”
“No shit? Murder in the highlands isn't covered? What the hell am I paying nearly three hundred pounds for, then?” 
“Peace of mind.”
It makes him snort before he buries his face in your belly, scratching his nose on your cashmere in a small nuzzle. 
“Ain't much of a peace of mind, is it?”
“Better now,” you offer, fanning your fingers over the arch of his ear, soothing the tiny pout you can feel forming against your skin. 
“Yeah, well—”
His words taper off, lost to a kiss placed just above your belly button. It might be an apology. Sorry for almost dying—
Again. 
And as much as you hate that he has to, that he peppers kisses in place of it'll never happen again, or don't worry, I'm here now, you know what this is. You've known it from the beginning. Accepted it as is because with you or without you, Kyle was going to do what he does regardless. Begging him not to, to reconsider, is not a line of selfishness you're willing to cross—
Or, weren't, rather. 
Until this. Until now. 
This soft, barely noticeable curve seemed to overwrite the desire to let him fly as high as he wanted. To rearrange the stars until he fit amongst them; more dust than man. Selfish, maybe. Definitely. 
But the condition was less of an ultimatum and more of a plea. I don't want to be a single mum, Kyle. Perspective, you suppose, does that to people. Changes them. Shapes them into something different. 
You think maybe he felt the same way when he bowed his head over the table, staring down at the pregnancy test you laid down for him, and nodded. 
(“Yeah, yes. Uh, I'll—yeah. I'll—” he swallowed around the brine in his throat. Salt congealed over his airways until his voice was a rough scrape between his teeth, desiccated. “I'll talk to Price. No more helicopters—”)
There was more, of course. A hashing of everything. All of it spilt out over the table. He gave up as much as he could without sacrificing that insatiable desire to soar as high as he can, untethered to the earth. And you promised to anchor him down when need be. When he tries to fly too close to the sun.
A compromise. 
And—
“Bring some flowers for me,” you murmur at length, fingers grazing the shell of his ear. 
—an apology. 
He keeps his head bowed. “Supposed to be need to know.” 
“Call it a hunch, then.”
A snort. His shoulders shake. “Sure. Price’ll love that one. Intuition will sound good on the report.”
“Oh, no. Big, scary military men afraid of a little paperwork.”
“Oi—” His fingers dig into your sides. A playful pinch. You choke out a shallow laugh, raking your nails over his scalp in retaliation, but it just makes him shiver. Groan. 
Keep doin’ that and I'll give our neighbours a show—
“How long will you be gone for?”
His lips tug downward. “Just the weekend.”
“Don't have too much fun without me.” 
He slides his face over your belly until he's balanced on the tip of his chin. That sombre look is back again. Pensive. Quiet. He'll tell you the truth when he's ready, you're sure, and you brush your fingers over the divot in his brow, smoothing the wrinkle out. 
“We'll be fine.” You say, and he nods because he knows. You're safe here. But still—
He presses a kiss to your belly, staring up at you through the golden curve of his ashes. Sombre expression melting into something languid. Lax. Catlike, you think, huffing when his hands curl around the backs of your thighs, pads of fingers dipping into soft skin. 
Kyle catches it. Grins. Heat soaks into your flesh where his palms rest, nestled just below the curve of your ass. His intentions are clear, obvious, and you go willingly when he pulls you into his lap, thighs thrown over his. 
Your throne, he’d once joked in the early days of dating, when you were still discovering pieces of yourselves in each other’s naked flesh. A truism now because whenever he can manage it, Kyle seems to prefer you sitting on his lap, head tucked under his chin. Within reach. 
Always. 
His personal stress ball, perhaps. A weighted blanket. As you nuzzle close, his shoulders dip. The tension in his muscles bleeding out by the weight of you on him, the brush of your skin. You press in, leaching comfort from his sun-warmed flesh. Fingers trailing down the angled slope of his face until his jaw is held in the plinth of your palms. 
The ghost of a pout still lingers in the jut of his lower lip. You sweep your thumb over it, nail curving along the valley of his cupid’s bow to map the path you know better than your own sloping plains. A kiss to the ridge of his jaw chases away the saturnine shadows still falling across lush beds of gold; sun dusted colluvium. 
You taste salt on your tongue when you pepper a kiss just above the arched curve of his cheekbone, his lashes fluttering down, tickling your mouth when he blinks. 
It doesn’t get rid of all the Ttenebrae tucked tight inside the canyons of burnt umber, coruscating amber, but flecks of aurate gleam through the shade of eventide. A glimmering gem in a sea of moon white. 
The flickering embers of his unease melts with his huff. His thumb strokes along the curve of your ass, settling over your waist. Holding you close. You catch the way his eyes drop briefly down to your belly. The bloom of heat in his eyes. Liquid gold. Darkening as he stares, marbled with possessiveness. With the unfettered threads of satisfaction streaking through. 
The eyes of a big cat as he licks the blood from his jowls, his kill still cooling on his paws. 
“Better be.” 
“Overprotective already and they’re not even here yet,” you tease when he lifts his gaze. Honeyed with want; syrupy with desire. 
“Not just for them,” Kyle rasps, his hand sliding up your spine, cupping your nape in his palm. Dragging you closer to breathe his need over your lips. “You're both mine.”
“Kyle—”
“Say it.” 
“We’re yours,” you whisper, catching the stutter in his pulse when your hands slide down his jaw, cupping his neck. “Just yours—”
The rest of your words are devoured by his scorching mouth, eaten right from between your teeth. Kyle’s kisses have always edged into consumption, you think. Like he trying to eat you whole—nothing saved for later. No scrap spared. Wasted. 
It’s dizzying. Edges into too much, too intense. You can’t keep up with him no matter how hard you try. He’s always several paces ahead, drawing your tongue into his mouth. Letting the sharp edge of his canines graze your flesh, scraping the soft tissue. All you can do is cling to him. Hold on as he glues his mouth to yours and eats—
When he pulls away, giving you a moment to catch your breath, you think you hear him growl, never lettin’ either of you go—
But he drags you back into him a second later, mouth slipping over yours with an untempered hunger. The purr he lets out trembling over your tongue, shaking the thought right out of your head. 
Never, you’d say if he let you. If he gave you a moment to think. Peeled his tongue from between the seam of your teeth long enough to let you gasp the words out. 
He doesn’t. He won’t. 
He drags wet, sticky lips across your cheek, over your jaw, down your throat, before sinking his canines into the throb of your pulse beating under your skin instead. Steals the thoughts from your head as you gasp his name out, followed quickly by please and Kyle, more—
Kyle lifts his hand from your spine, fingers stretching out. Reaching. The sun glows between the spread of his fingers; scintillating like fine, golden mist over his fingers. Beautiful, he thinks when your breath hitches in a shallow gasp; held tight his arm, and—
(with it cradled in middle of his hand, he closes his fingers around the sun until it's swallowed up in his palm.)
—all his. 
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lesbianrobin · 3 months
Text
ok so here is my pitch for my dream buddie catalyst:
eddie and maddie are trapped in some sort of likely-fatal time sensitive situation together (drowning related probably because it's Them) (have they overused it yes is it still thematically appropriate YES) where one person could potentially sacrifice themselves for the other to survive. i want eddie and maddie using their combined experience and ingenuity to survive together and discussing who should be prioritized which means they talk about parenthood and how they both feel they've failed their children by "running," how their lives have been so defined by trauma and they don't want to scar their children any further by leaving them again. of course they're doing everything they can to get out together, but as the situation deteriorates throughout the episode(s) (c'mon something like this could be at LEAST a two-parter) they can't help returning periodically to the world's most morbid debate.
i want buck and chim on the outside both going out of their goddamn minds. they know that eddie and maddie are stuck (wherever), know that they're probably alive, but aren't sure in what condition and if they'll stay that way. rescue operations begin as everybody walks on eggshells around buck and tries to comfort chim, who wants absolutely none of it. time is running out.
eddie says that he couldn't possibly let maddie sacrifice herself for him and look buck and chim in the eye afterwards. maddie says that she couldn't do that either. she says that at least jee-yun would still have her father, and eddie says that christopher would still have buck. maddie says that of course none of them would just abandon christopher if something were to happen to him but—
and eddie cuts her off and says it's in my will. if i die, christopher will have buck. buck will have christopher.
they just look at each other for a weighted moment. maddie makes a decision. she says ...i meant it, you know. that i couldn't let you die down here (wherever here is i don't KNOW okay i'm not here to think up convoluted emergencies i'm here for drama) and look my baby brother in the eye knowing that i could have changed it. eddie says i know, okay, but it's different, you're his sister, and maddie says, yeah, but you're his... and she pauses. and eddie says what? best friend? partner? that doesn't—
and maddie says you're his. eddie, you're his.
and eddie... i want to see something slot into place. i want to watch him understand as maddie spills everything she's been suspecting since the day that buck came out to her and maybe since before she and eddie even met. maddie says you know, when i first came to california, you were all he talked about? you're still all he talks about. you and christopher. you're his. i couldn't... eddie, you're out of your mind if you really don't think that losing you would break him just as much as losing me. he would forgive us both, because he's buck, but i couldn't... i'm no saint, eddie, i want to survive. i don't want my daughter to grow up without me. but i can't do that to him. i don't know if he'd survive it. even if he did, the guilt would eat me alive.
meanwhile. buck is barely holding on to his sanity as rescue efforts are underway and time is running out. chimney is keeping it together as best he can but there isn't much that he and buck can do. he can't let himself fall apart because buck is already a stiff breeze away from clawing his own skin off and somebody has to keep their cool. something goes wrong—suddenly, their short amount of time has gotten shorter, and they may only have enough of a window to get one out before it's too late for the other. buck, who has been ranting and arguing and screaming this whole time... is silent. he is silent, and he stares straight ahead at nothing in particular, and we know that no matter which way the scales tip, his soul will be destroyed all the same.
eddie regards maddie for a moment. grief, heartbreak, anger, all flicker over him, but what settles is determination. he says that neither of them are going to leave again. that they'll survive together, or not at all, or leave it to the universe to decide.
of course they make it out. by the skin of their teeth, they make it out, working together, clawing their way back to life and love and possibility. maddie makes it out first, and eddie sees buck as she falls into chim's waiting arms. he watches as buck sees his sister, and reaches out to take her hand with trembling fingers and white knuckles, but there is no relief, no happiness in his red-rimmed eyes. just a deep, unspeakable grief, until his eyes slide past maddie and meet eddie's.
finally: relief. and then he is in buck's arms, a perfect parallel to chim and maddie, and we see eddie's face over buck's shoulder, and we know. he is in love, and buck is in love, and eddie knows, and he sinks into his partner's embrace with joy and acceptance.
after that, who knows? maybe a grand confession. a moment of quiet understanding. a passionate post-rescue kiss. a chaste, tender kiss in some kitchen or other. maybe eddie panics later, or maybe he's found peace for once. maybe buck has realized something and he makes the first move. maybe it happens immediately. maybe it takes a while, takes discussions about how it'll affect work and christopher and whether it's worth risking all that they have for all that they want.
and maybe they'll ask whether it's even a risk at all.
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anakirui · 5 months
Text
hot take ??
the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.
it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)
anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.
they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.
for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.
for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.
their insecurities are incredibly similar.
in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.
in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.
just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.
now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.
for mafuyu and tsukasa it's pretty straightforward.
mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.
tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.
and even then, there's some overlap.
tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.
mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.
and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.
Tumblr media Tumblr media
mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.
tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.
Tumblr media
mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.
tsukasa has not yet cut his.
#project sekai#colorful stage#prsk#tsukasa tenma#mafuyu asahina#mafukasa#theres also obvious ones im sure you all know. like how theyre the sole sekai creators#or their designs paralleling eachother (color schemes of their eyes and hair)#or how theyre both connected to the moon and bunnies#and how theyre connected by a piano with a moon design thats only shown up in mafuyus 2nd mixed and tsukasas 2nd mixed... where they had#their first mixed events together#or how they both easily overwork theirselves#or how theyre almost always projecting onto other people as if their experiences are the norm#ex: tsukasa with rui in wonder halloween and mafuyu with niigo in main story#I CAN GO ON ABOUT THIS FOR HOURS AS YOU CAN SEE .#EDIT: HERES SOME MORE THAT I DIDNT REMEMBER AT 12 AM LAST NIGHT#theyre both connected to apples! points at tsukasa in fixer 2dmv and points at mafuyu2#literally all of their vocaloids parallel eachother.#wxs and n25 miku have a childlike sense of curiosity#wxs and n25 rin are based off someone that isnt them for the most part (saki and ena)#wxs and n25 len are both anxious and pessimistic (in island panic... wxs len has a conflicting pov from meiko and wants wxs to just stay in#the sekai instead of being stuck out on an island... which is kinda escapist as hell)#wxs and n25 meiluka have conflicts that are very similar. n25 meiluka represents mafuyus inner conflict between isolating herself and#helping everyone because she didnt know what would be better#and wxs meiluka is the conflict between tsukasas ambition and his fatigue#which is why wxs meiko always acts like wxs luka is a burden whenever she falls asleep— tsukasa himself wont rest#not when he thinks it will burden other people#and wxs and n25 kaito are both driving forces in tsukasa and mafuyu accepting their true feelings#(although tsukasa is kinda not where mafuyu is yet i think you get what i mean)#EDIT: 5/22/24 I CANT ADD ANYMORE TAGS FUCK
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xan-izme · 2 months
Text
Dubble Life 12 (ATSV x Reader x Batfam)
A/n: Just a chapter full of fluff for now(Or is it 🤡)
Part 11
You stared at the therapist with a blank expression. Irritation was clear in your eyes. Your defining silence and small glare did not affect the therapist.
"I was told by your father, that this isn't your first session with a therapist." The therapist, Mrs. Dean spoke with a firm yet soft tone. She very beautiful. Maybe in her early to mid 30's. Her hair up in a neat bun, but some curls managed to poke out in a graceful way.
". . . yeah." You gave a short response.
"Well, you already know the drill. So, I'll dive right in. You originally lived in New York. How are you adjusting to Gotham." Mrs. Dean crossed one leg over the other while waiting for your response.
"It's okay." Your eyes seemed to be more interested in looking around the office.
Mrs. Dean nods and intertwined her fingers while letting her hands lay on her lap. "And school? I've heard your practically a genius."
"I guess." You spot a hand drawn picture on Mrs. Deans desk along with a little teddy bear. There was a small corner that looked like it was for kids. It had dolls. Other types of toys. A small table for kids.
Mrs. Dean noticed you looking at her little kid corner. "I work with a lot of kids that your age and younger. It helps the younger kids feel more comfortable."
You nod and let out a small thoughtful hum and focused your eyes back on Mrs. Dean.
Mrs. Dean gives you a small smile. "Back to you."
Bruce had put you into therapy. Which you were not happy about of course. You didn't need therapy. It made you feel weak, and it's not like you can tell your therapist everything. Most of your trauma was due to your life as Spiderwoman.
You got back from your session. Walking into the manor your hit with the smell of fresh baked sweets. You get curious and walked into the kitchen where you see Alfred baking and Damian doing his homework on the counter.
"Hmm. Smells good." You spoke as you walked into the kitchen.
"Sister!" Damian spoke up. His tone with slight excitement. You walked over and ruffled Damians head. "Hey cupcake." You mumbled with a small soft smile. Damian turned his head up to you as you wrapped your arm around the youngers shoulder.
"Ah, Ms. Y/n. How was your therapy session?" Alfred spoke as he pulled out the first batch of cookies from the oven.
"Oh, it was great. Had a wonderful time." Your tone was clear with sarcasm.
"Seriously?" Damian piped up, seemingly not taking your sarcasm into note. You chuckled as you smiled down at Damian. "Your funny cupcake." You ruffled his head once more and smuggled him with a hug and kisses.
"Ugh- stop!" Damian struggled to push you away. You were surprisingly strong. (He wasn't actually even trying)
Alfred watched the sweet scene in front of him with s fond smile upon his face.
Jason walked in. Looking like he just woke up with messy hair while wearing boxers.
"Where's my kisses?" Jason spoke up while staring at you and Damian. You and Damian frown at the sight of Jason.
"I can punch you." You gave the older man a "sweet" smile as you held Damian close to you.
Jason flipped you off while Alfred had his backed turned. Which you and Damian returned by flipping him off together.
You and Damian were watching a drama show while eating popcorn. It was fairly silent. Damian had his head on your shoulder while you had your head on his.
". . .Sister." Damian spoke up in a quite tone while you two kept your eyes on the tv. You let out a small hum of acknowledgement.
"Do you hate it here?"
Damians question made you pause. You lean your head away from his to look at him. Your brows furrowed. "Why would you think that cupcake?''
Damian stared up at you, his expression a little sad but mainly conflicted. Wondering if he should tell you what was on his mind. Worried if he does say what was on his mind, whatever you respond with might confirm with what he asked. "Well. . . I overheard the argument you and father had."
You let out a sigh while turning your head away, clenching your jaw. "Right. That."
Damian frowns and held his head down. You turn your head back to stare down at Damian with small frown. ". . . Hey. Look at me."
Damian slowly looks up at you. Expecting some sort of deep frown or a sad look on your face. But he's greeted with your usual soft smile.
"What I said to Bruce was. . . wrong. I didn't mean it. But most importantly. I don't want you thinking I hate being here. I got you here with me, what's to hate?" You pinched his nose and hugged him. Damian hugs back while letting out a small sigh of relief.
While hugging Damian, you glanced down and see a bruise underneath back of his shirt. You frown and lean away from the hug to tug on the shirt and get a better look at the bruise.
"What is this?" Your tone turned protective. Damian was quick to pull away.
"Nothing! . . . I bumped into a bookshelf pretty hard in the library yesterday."
"Oh. . . Okay." You still had a small doubtful look on your face. A still a little worried.
A week goes by and your back in Ms. Deans office.
"So, do you have any friends?" Mrs. Deans asked with a small smile.
You were seated across from Mrs. Dean. "Yeah."
Mrs. Dean nods. "You don't talk much about them."
"They don't live here in Gotham. But we keep in contact." You were referring to your friends in the Society. It was a lie about keeping in contact part. Of course, you knew you were the problem for that.
"I see. Have you tried to make friends here in Gotham? In school or outside of school?"
You shook your head with a small bitter smile. "A lot of people already know I'm Bruce's daughter. Hard to make friends who, actually want to be friends. You know?"
Mrs. Dean nods in understanding before asking another question. "I'm sure there are a lot of pros to being Bruce Wayne's daughter."
You let out a chuckle. "Yeah. I got a little brother. A dad. Money. I was broke as hell."
Mrs. Dean chuckled at the last part.
"Anything I want I could ask for. I can get it. . . But sometimes I want go to the past."
Mrs. Dean's brow raised at your words. "Now why is that."
You paused for a moment. You had a faraway look on your face as you spoke. "Everything before. . ." You sighed as your mind wondered back to her.
"Never mind." You mumbled as you shifted uncomfortably in your seat. Mrs. Dean seems to already know what you were about to say. But she doesn't press you about it. Not yet at least.
"You mentioned your brother?" Mrs. Dean thankfully changed the subject. She watches your uneasy expression turn into a fond smile. "Damian. Yeah. He's a tough one. He acts so tough and mature, but in truth he's just a little baby. We weren't close at first. . . he actually hated me."
You chuckled to yourself as you thought back to your first encounter with Damian.
"What changed?" Mrs. Dean tilted her head.
You seem to think deeply about her question. ". . . I guess I kind of saw myself in him."
Mrs. Dean became more interested by your words.
"I used to do that too when I was younger. I acted like an adult. Thought if I did that people on the streets would take me more seriously. No one would mess with me if I acted tough." You had that faraway look on your face again. Thinking back to the past.
"I never really got to act like a kid. Felt like that was the only way to be taken seriously by others. To be trusted to do things on your own. I saw that In Damian. But that's not how a kid should act or worry about." You held your head high and gave Mrs. Dean a confident look.
"I don't want him to worry about stuff a 12 your old shouldn't even worry about. I know I probably can't give him what he already has. But I got my love. And that should be enough. . . right?"
Mrs. Dean smiled. "Yes. I'm sure your love is enough."
"Ugh, why the hell is this level so hard." You grumbled as you set down the controller. Getting frustrated over a game and a certain level you couldn't pass.
Tim chucked as he watched you stress over it. Jason right behind him reading a book. "How long have you been stuck on this level?"
"A week." You mumbled as you turn to look at Tim. Catching Jason make an amused face at your frustration.
"Shut up Jason." You glared at the older.
"Wha- I didn't even say anything!" Jason looked offended.
"Your stupid face did." You huffed in annoyance. Tim laughed and hopped over the couch and sat next to you. "Can I help?"
Your eyes lit up with hope. "Oh my gosh really?" Tim gave you a smile and nods. "Yes! please help."
Since Tim already played this game and finished it. He showed you multiple ways to beat this level. You had fun with Tim. You and Jason would argue here and there. But overall, it was fun.
As it got dark. Tim and Jason suddenly got an Alert on their phones. "Sorry Y/n. Me and Jason have to go. But I'll play with you next week."
You were a little sad. And confused at the sudden rush, but you understood. "Oh, okay. Bye."
Jason ruffled your head as he followed behind Tim. "Hey!"
Jason quickly ran out the room as you threw a pillow towards him.
"Do you ever feel left out?" Mrs. Dean asked as she watched you play with a small ball you picked out from the kids corner.
"Left out? No not really." You tossed the ball up in the air and caught it.
"How about I sum out the question. Do you feel left out in your family? With the Waynes I mean."
You hum as you thought about it. "Sometimes, I guess. Everyone treats me good. But I kind of feel like, an outsider sometimes."
"Do you think it's because of the way you were raised that you assume that. Suddenly living one life then now to this." Mrs. Dean watched as you let her words sink in.
"Yeah. I guess so. They knew each other longer and stuff. So that's probably why I feel that way. . . but. It kind of feels like something more."
Mrs. Dean's Brow raised "Why do you think that?"
You shrugged as you fumbled with the small ball in your hands. "It's like they all have this, thing. Like a bond with each other that I probably won't understand. . ." You seemed to think about it before shrugging "Maybe because they are all guys? I heard fathers have deeper connections with their sons."
Mrs. Dean hums and leans back into her chair. "Well, that can be some cases. Do you think Mr. Wayne doesn't pay much attention to you than your brothers?"
You shook your head. "No, he gives me attention. He's. . . a good man. He wouldn't neglect any of his kids. He's also a busy guy. So, if he's not around much I don't hold it against him."
Mrs. Dean nods. "You seem to be a very open-minded person."
It was late in the night when you had awoken from a nightmare. You tried to go back to sleep. But your mind betrayed you. Keeping you up and refusing you sleep for what felt like hours.
So, you wondered downstairs. In hopes of getting something that could make you fall asleep. You slowly enter the kitchen that was engulfed in darkness. Before you could reach for the light switch. The light was turned on by another.
"Ms. Y/n."
It was Alfred.
"Hey Alfred. Sorry I just came for something to drink." You mumbled as you approached the fridge.
"A nightmare?" Alfreds question caused you to pause. "How did you-"
"I know the look of a child who has come out from a bad dream Ms. Y/n." Alfred shooed you to sit at the counter as he made you a warm drink.
You just sat in silence as Alfred spoke.
"Do you usually get nightmares?" Alfred still has his back turned to you as he made your drink. ". . . Sometimes. Nothing too bad. Just need to lay off the horror films I guess." You let out a small chuckle.
"I see. Your father had a lot of nightmares as well when he was around master Dameon's age." Alfred slides the cup to you. You take the warm cup into your cold hands. The warmth sending a sort of satiation through you.
"Bruce?" You took a sip from the warm drink as you eyed the Butler. Alfred nods as he turns to clean up. "Especially after Master Bruce's parents passed."
Your expression dropped slightly. Both parents at such a young age.
"Must have been hard." You mumbled as you thought to yourself.
Alfred glanced to your slight glum expression.
"Yes. Same for Master Dick, and Master Tim. Along with Master Jason. All boys lost their parents at young ages. Master Damians mother left him with Bruce after the death of his grandfather. It took him awhile to move on after that."
You stayed silent as Alfred spoke.
". . . Why are you telling me this." You were lean back against your chair as you stared up at Alfred with slight confusion.
Alfred turned back around and handed you a treat.
"Everyone here has lost someone. Your brothers and Master Bruce will understand your pain. You don't need to hide it."
And with that the butler walked off back to where he had come from. Leaving you to let his words sink in.
"You have trust issues."
You couldn't help but let out a chuckle at Mrs. Dean's words. "Whoa, I just got here. And I'm very trusting. I'm here talking to you. I tell you my feelings and thoughts."
"Yes. But you don't tell me the full truth. Which I don't expect you to. But having trust issues doesn't mean you don't trust someone when it comes to talking about your feelings and thoughts. Trusting someone with yourself is different with trusting yourself with another. You, Y/n don't trust yourself."
"What are you going on about." You lean back into the chair as you gave Mrs. Dean a look of confusion.
"You don't trust that you would do the right thing. You don't trust yourself when it comes to situations that involve you being needed. You make yourself look bad, but not too bad to the point where others don't trust you." Mrs. Dean flips a page from her clip bored.
"You always talked about others in a good honest light. I ask a question about you, and you would either answer in short answers or divert the conversation about another."
"Come on now. It's not like that." You chuckled a little with a lazy smile. Mrs. Dean narrows at how nonchalant you're acting. You're acting. You're a good actor. And she sees it.
And you know she knows.
You are acting smug about it. But why. Why are you playing around like this-
Mrs. Dean catches you glancing to the teddy bear on her desk with a knowing look.
You smirked as you see realization creep upon Mrs. Dean.
There was a nanny-cam in that toy bear. You spotted it on day one. Yet you didn't say anything. You spoke about your thoughts and feelings to her. Most of it was true as well. You were yourself in the sessions you had with her.
You did all that while knowing of the nanny-cam.
"How did you. . ." Mrs. Dean spoke in a low tone. Almost like a whisper as she stared at you with wide eyes.
You simply smiled. "Like you said. I'm practically a genius."
---___---___---___---___---___---___---___---___---___---___---___---
@huening-ly, @mariadvorak @superherosdystopiafreak @chelluv, @houseissofine, @esposadomd, @greyeyedmockingbird, @1-800-daisy, @c0c0-puffsxxx @arthurswife @h0rr0r-10ver-69 @josiepapen @natashanice165 @amber-content @mahbeanz @azurewisteria @seraph101 @skepvids @lara20aral @iwasveronica @jackrabbitem @nickey-diano @idonthaveanameforthisacc @sekidekiboombeki @masters-blog
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httpswritings · 4 months
Text
if you were my little girl: the series part 2
alexia putellas x child!reader; this story contains mentions of traumatic experiences as drug addiction, child abuse and similar topics. don't read it if you find those topics triggering.
Silent Guardian
The days blurred into a kaleidoscope of drills, sprints, and the comforting thud of the ball against your foot. But there was a new element to your routine – Alexia. True to her word, she started attending your training sessions, a silent guardian on the sidelines. Your heart would skip a beat every time you saw her, a jolt of encouragement coursing through you with each approving nod.
The facade held. Your parents, wary of an audience, behaved with a semblance of normalcy in public, so Alexia's suspicion of you being in danger faded.
Every goal you scored, every perfectly weighted pass, was a victory not just on the scoreboard, but over the darkness that lurked within your home. Alexia's cheers, a joyful eruption amidst the roar of the crowd, were a balm to your little but damaged self.
Alexia couldn't help but watch you closely. The way you reacted to the world, how certain things seemed to touch you more deeply than others, it tugged at her heart. It wasn't a weakness she saw, but a tenderness that made her want to stand between you and anything that might cause you pain.
Silence Breaks the Bond
The months blurred into a kaleidoscope of drills, sprints, and the comforting thud of the ball against your foot. But on the sidelines of your victories, a different reality waited. Your parents, physically present, were emotionally absent. Empty lunchboxes on the counter remained a daily reminder of their disinterest, a stark contrast to the cheers echoing from the training grounds.
They didn't care about your school life neither did they help you with your homework.
To be fair, they seemed like normal stressed parents worried about work and paying bills.
They were ghosts, navigating their own anxieties, leaving you to navigate yours alone.
You started doing bad at school.
Failed exams, no homework done, complains from teachers, etc.
At the tender age of seven, the world of learning seemed to have lost its allure, replaced by a growing sense of disillusionment.
The once-sparkling curiosity that had defined you was now dimmed, replaced by a veil of melancholy. The vibrant colors of your childhood were fading, replaced by a somber gray that mirrored the turmoil within you, grappling with a burden that seemed too heavy for your young shoulders to bear.
Alexia became a source of unexpected pressure. She'd noticed your withdrawal and failing grades, her playful questions morphing into a worried insistence you tell her what was wrong. You longed to confide in her, but the trauma remained a locked vault within you. Your silence, fueled by fear and confusion, was misinterpreted by Alexia as defiance. The frustration simmered in her eyes, a stark contrast to the warmth you once knew. The unspoken words hung heavy between you, a heartbreaking consequence of your unspoken pain.
Alexia's words hit you harder than any punishment your parents could dish out. Her disappointment, a word laced with hurt, echoed in the empty space where your secret pain resided. The fear you'd been holding back morphed into a suffocating dread. "Letting her down" felt like a betrayal, a confirmation that your silence had pushed away the one person you trusted. The weight of guilt settled on your shoulders. Maybe Alexia was right. Maybe you were just being a brat, making everything worse. But the truth, the darkness you couldn't speak of, felt like an insurmountable wall, isolating you further.
A Sanctuary Built for Two
The midday sun beat down mercilessly on the training field, mirroring the intensity of the practice session. Drills were brutal, pushing you to your physical and mental limits. But amidst the exhaustion, a memory, a dark tendril from the buried trauma, surfaced unexpectedly. Tears welled up in your eyes, blurring the image of the coach barking orders, his voice a distant echo.
The memory was vivid – your mother's hand, rough and unforgiving, twisting into your hair. You tasted salt, tears mixing with the remnants of uneaten food. Your whimpers, a desperate plea, were lost in the chaos of the moment. It was a recurring scene, one you'd desperately tried to compartmentalize, to bury deep within the recesses of your mind.
You stumbled, legs weak, vision obscured by a veil of tears. A hand, strong and steady, caught you before you could hit the ground. It was Alexia, her concern etched on her face.
"Hey, what's wrong?" she asked, her voice laced with urgency. But you couldn't speak. The words wouldn't come, trapped behind a lump in your throat that constricted your breathing.
Alexia didn't need words to understand. Her arm wrapped around your shoulders, a silent haven in the midst of the chaos. She gently held your body on her arms and took you to the coolness of the locker room, a sanctuary away from the prying eyes on the field.
The locker room was a stark contrast to the sun-drenched field. Here, shadows clung to the corners, and the air hung heavy with the lingering scent of sweat and disinfectant. Alexia ushered you onto a bench, its worn leather cool against your burning skin.
For what felt like an eternity, you were unable to speak. Sobs wracked your small frame, your only sound a desperate struggle for air. But Alexia didn't push, didn't force you to talk. Instead, she sat beside you, a silent anchor in the storm.
"Breathe, little one, breathe," she murmured, her voice a soothing balm. "I'm here. I'm here." Her words, a gentle mantra, slowly coaxed you back from the precipice. Slowly, your sobs subsided, replaced by ragged gasps for breath.
Tears continued to stream down your face, but they were different now, cleansed of the initial terror.
Alexia didn't insult you for crying. Alexia didn't hit you.
Alexia was different.
Building a Safe Haven
Alexia, staring at your failing grades and withdrawn demeanor, felt a pang of something deeper than disappointment. It was a dawning realization – a fear that maybe everyone, including her, had been failing you. Here you were, at the tender age of seven, already burdened by a weight no child should carry.
The love she held for you, a love stronger than she ever anticipated, twisted with a fierce protectiveness. She saw the spark in your eyes dimming, replaced by a dull ache of something unspoken. Maybe, she thought, the answer wasn't pushing you harder, but stepping back. Allowing you the space to simply be a child, to rediscover the joy of scraped knees and silly jokes, just like she had done when she was younger.
It was a humbling thought, an admission that her initial approach, fueled by worry, had missed the mark entirely. Perhaps, the greatest act of love wouldn't be pushing you towards some perceived potential, but creating a safe haven where you could just be you.
The smell of betrayal
The final whistle blew, signaling the end of another grueling practice. Relief battled with exhaustion as you slumped against the fence. Alexia appeared with her her usual bright smile, joined by Mapi and Ingrid.
She reached out for her almost daily hug, the one you always cherished. But this time, the familiar warmth was tainted by a sickeningly sweet, fermented odor. It hit you like a physical blow. You pulled back abruptly, your nose scrunched in disgust.
"You smell weird," you blurted out, the words laced with a coldness you didn't recognize in yourself.
Alexia faltered, her smile collapsing. "Oh," she chuckled nervously, "it's just... well, the season's over, and I, uh, had a celebratory sip of beer with the team."
Mapi said something to you but you weren't able to hear it.
It wasn't the beer itself. You didn't know the taste, even if you had witnessed countless nights where your parents drowned their sorrows in amber liquid. But the smell – that was the monster. It was the reeking ghost of countless nights spent huddled in fear, the acrid air clinging to furniture and clothes, a constant reminder of a childhood that was being stolen by addiction.
The love you held for Alexia battled with the rising tide of anger and despair. "Well, you can go so you can keep celebrating," you muttered, your voice flat.
"No! But I...I wanted to introduce you to Mapi and Ingrid! They couldn't wait anymore to meet you!" Her voice trailed off, lost in the chasm that had suddenly opened between you.
You stared at her, the playful glint in your eyes replaced by a steely glint of hurt. Your usual tenderness, the very quality that drew you to Alexia, had vanished, replaced by a wall you didn't even know you could build. The damage was done. The smell of beer had become a cruel reminder that you couldn't escape that substance, because you'll find it in every adult.
The silence stretched on, heavy and awkward. You poked a hole in the dirt with your shoe, the playful glint in your eyes replaced by a frown. Alexia's happy face seemed to wilt under your scrutiny. You didn't want to hurt her feelings, but the yucky beer smell clung to her like a bad memory.
"Maybe," you mumbled, kicking another clump of dirt, "grown-ups aren't supposed to smell like yucky beer. Maybe they're supposed to smell like, like..." you scrunched your nose, searching for the right words, "...like cookies!"
Alexia's cheeks flushed red. You weren't sure if it was from the beer or because you'd caught her in something you considered bad. It made you feel even grumpier. Cookies! That's how grown-ups should smell, not like something that makes your tummy feel poorly, thinking how you always witnessed your parents throwing up.
Suddenly, a lightbulb went off in your head. You puffed out your chest, trying to look as grown-up as possible. "Maybe," you declared, sticking your chin out, "I don't need hugs anymore. Maybe I don't need anyone who smells like yucky beer!"
A big, fat tear rolled down your cheek. You hated crying, but the words just tumbled out before you could stop them. Alexia knelt down slowly, her eyes filled with a sadness that made you feel a tiny bit bad. Alexia realized something must had to happened to you to be so disgusted by beer.
"Hey," she said softly, wiping away your tear with her thumb. "It's okay to be mad. But remember," she held out a finger with a sparkly ring on it, "I'll always be here for you, even if I mess up. Pinky promise?"
You hesitated, wiping your nose on your sleeve. Maybe she wasn't so bad after all. But all you wanted right now was to go inside, hug your stuffed bear, and pretend the bad smells and confusing grown-up things didn't exist.
Taking a deep breath, you looked up at Alexia. "Maybe," you whispered, barely audible, "maybe you could smell like cookies tomorrow?"
Alexia's smile was small, but it reached her eyes. It wasn't the usual bright smile, but it had a spark of understanding. "Cookies sounds delicious," she said, ruffling your hair gently.
The Most Important Match Of All
The car door slammed shut, the harsh sound echoing in the otherwise quiet street. Alexia watched the taillights of your parents' car disappear around the corner, a knot of unease tightening in her stomach. You had left, a small figure dwarfed by the backseat, your face a mask of conflicting emotions.
She turned to Mapi and Ingrid, their faces etched with concern mirroring her own. "I wasn't expecting her to be so upset," Alexia confessed, her voice a low murmur.
Mapi, ever the pragmatist, offered a tentative smile. "Maybe she's just shy, Ale. Kids can be like that sometimes, especially around new people."
But Alexia shook her head, a flicker of doubt clouding Mapi's optimistic facade. “No, this feels different. She was so excited about the idea of meeting you. Then, the second she noticed the smell of alcohol...“ Her voice trailed off, the memory of your sudden withdrawal a fresh wound.
A pang of guilt shot through Alexia. She had been so focused on nurturing your talent on the field, on pushing you towards your potential, on making you her heir to La Reina title, that she might have missed something crucial. Had she been too blindsided by her own ambition, neglecting to see the emotional landscape of your life?
Ingrid, the quiet observer of the group, stepped forward. Her eyes, usually so calm, held a steely glint. "There's something more going on, Alexia. I can feel it in my gut. Her parents seem...well, normal from the outside. Polite, hardworking. But that doesn't mean things are sunshine and rainbows behind closed doors."
Shame washed over her. She had prided herself on being your mentor, your confidante, yet she had failed to see the silent cries for help. The realization was a bitter pill to swallow. Here she was, a celebrated athlete, yet she had fumbled the most important match of all.
"Maybe you're right," Alexia admitted, the words hollow in her mouth. The past few months flickered past her inner eye – your dwindling appetite, the exhaustion clinging to you like a shadow, the plummeting grades that you brushed off as a temporary dip. Signs she had chosen to ignore, attributing them solely to the pressure of training.
Taking a deep breath, Alexia pushed the self-pity aside. You were home with your parents, and that was where you had to be for now. But a fierce determination ignited within her. Things were about to change. She would find a way to bridge the gap, to create a safe space where the mask could finally fall away. The road ahead wouldn't be easy, but for the first time, Alexia wasn't just looking at you as a prodigy with boundless potential. She saw you for who you truly were – a vulnerable child in need of support, a child she wouldn't fail again
The price of cookies
The warmth of freshly baked cookies, a pact between Alexia and you, still lingered in the air whenever she was around. Yet, a subtle transformation had taken root. The once jovial mentor had morphed into a vigilant sentinel. Her gaze, once playful, now held an undercurrent of suspicion, scanning your surroundings like a hawk. Every interaction, every word exchanged with someone new, was dissected with a silent intensity.
The incident from the other day had shattered the illusion of a seemingly perfect world. The realization that normalcy, like a facade, could conceal a hidden darkness gnawed at Alexia. It felt like a betrayal, not just of her trust, but of the haven she'd meticulously built for you – a world where football was a source of joy, not a potential escape route. Memories of scraped knees and goofy jokes now felt like faded photographs tucked away in a forgotten album. In their place, Alexia had constructed an invisible shield around you, a desperate attempt to ward off the world's harsh realities.
What words can't describe
Alexia gnawed on her lip, her stomach a tightly wound knot. Building trust with your parents felt like navigating a minefield. It was essential, she knew, but the thought of putting on a facade left a bitter taste in her mouth. Yet, when your parents invited her over for dinner, a forced smile flickered on her lips as she accepted.
Stepping into your apartment, a wave of conflicting emotions washed over her. It was normal. Two bedrooms, a comfortable living room bathed in warm light, and even a small balcony overlooking a quiet street. Relief battled with the nagging suspicion that had taken root in her mind. Everything was clean and tidy, a picture of domestic normalcy that clashed with the unease she couldn't quite shake.
The sight of you, however, brought a genuine smile to her face. Your eyes held a spark of joy that had been missing for weeks, and a wave of protectiveness washed over her. She followed you to your room, the air thick with the sweet scent of childhood. This was your sanctuary, your safe space. Pink and white walls were adorned with a mishmash of treasures: a menagerie of stuffed animals, a rainbow of storybooks, and a collection of dolls in various states of wear and tear.
One doll, however, stood out. A Nancy doll, the limited edition modeled after the Spanish National Team, held a prominent place on your shelf. Alexia felt a tug at her heartstrings.
"That's you," you said shyly, your cheeks dusted with a rosy blush.
Alexia's heart melted.
She didn't know how she got to the point where she felt an overwhelming love for you.
Glancing at the opposite wall, her gaze softened even more. There, proudly displayed on a corkboard, were your artistic creations. Football pitches in vibrant greens and blues, colorful caricatures of your friends, a self-portrait with a gap-toothed grin, and a collection of drawings that featured a prominent figure – Alexia herself, rendered in all her glory (or at least, your interpretation of it).
"That's also you," you said, pointing at a drawing of her mid-dribble, a determined expression etched on her face.
A warm chuckle escaped Alexia's lips. "I'm starting to feel like a permanent resident here!" she joked, the sweetness of your gesture a balm to her worry.
"I could make you a real one," you offered, tilting your head with a hopeful smile. "A drawing, I mean."
The offer felt like a lifeline tossed in a stormy sea. "I'd love that.”
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heartsofminds · 3 months
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i'm calling just to hear you scream - part i
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"She’s tried to be positive. She’s tried to be kind. She’s trying to be the peacekeeper, but all of that falls out the window when her brother is bitching out everything that fucking blinks and breathes and Richie has slung a sledgehammer into the wrong wall that needed to be knocked down." or Natalie gets fed the fuck up and hires a hospitality attorney before everything else turns to shit. 
a/n: i couldn't help myself at all and had to bite by trying my hand at writing for carmy! what can i say? i love men with trauma that need to be cuddled like newborns! please enjoy the beginning of enemies to lovers to enemies back to lovers fic with a workaholic chef and an overly empathetic attorney. angst is my brand! i hope you enjoy!
Being the peacekeeper of your family is never something anyone ever sets out to be. 
One day you’re normal and live blissfully with the rose-colored lenses of naivety tinting life shades of bashful blush and magnetic magenta. The next day you’re diffusing a spitfire scarlett dispute between your anxiety-ridden mother and impulsively crude older brother while simultaneously taming the balloon of battered blue tears your baby brother sheds who observes from the corner; scared yet somehow unaware of the emotions sucking the oxygen out of everyone. 
At first, it feels good. It feels nice to be appreciated and turned to in moments of darkness. Helpfulness defines your livelihood and gives you the nameplate of the gold star child who can never do any wrong and always finds a solution. But then you realize that is what you ever really are, and you’re both hated for your inability to let things sour and for always having an answer despite uncertainty plaguing every course of action. 
Being the peacekeeper of your family is both a Medal of Honor, worn with pride and graciousness, yet a bullet wound wielded by shame and agony. The tenderness and hurt push on it until you can hardly stand it; half expecting pus to be seeping out in pale yellow heaps because the pain feels so real. 
There are no exit wounds. There are no breaks. There is no humanity or personal identity or room for self-discovery. 
A peacemaker is all you will be and all you will ever accomplish, and you’ll never say it out loud but it’s fucking exhausting. 
Being the peacemaker is something Natalie Berzatto never fucking asked for, yet here she is, playing project manager to her haywire (and sometimes freakishly obsessive) baby brother’s blind-eyed throw of a dart that manifested itself in asking Uncle Jimmy for an eight hundred thousand dollar loan with the promise to have it completely paid back within eight months. 
She’s not one to rain on a parade, but it’s hard to keep marching when your entire life has been putting out the fires of overly ambitious business ventures during unmedicated fits of mania. She had seen it with their dad, with their mom, and with Mikey. Carmen is the last needle needed to complete the fucked up haystack that engulfs their family. 
She’s tried to be positive. She’s tried to be kind. She’s trying to be the peacekeeper, but all of that falls out the window when her brother is bitching out everything that fucking blinks and breathes and Richie has slung a sledgehammer into the wrong wall that needed to be knocked down. 
Natalie has never thought of looking into Botox until now; when her face is set in a permanent scowl and her resting heart rate nears triple digits. Pete had been telling her for the past three weeks that she was doing amazing; that this was an impossible task to complete stress-free, and that the stress was “good” because it meant that she cared. 
Sometimes she doesn’t realize that not everyone has a mom who drives the fucking car through the den during Christmas Eve dinner nor does everyone have a mom who moves all the furniture to the backyard before having to leave for their oldest brother’s high school graduation. Not everyone has an older brother who blows his head off and doesn’t leave a note and not everyone has a younger brother who would lose his head if it wasn’t attached to his body and had his mouth that was spewing hurtful insults by the dozen.
Stress does not mean that you care. Stress means that your eyes are staring at the fucking Sun trying to see where the other shoe is getting ready to drop because there’s always another disappointment and always another phone call to make to the pharmacy for more SSRIs. 
Needless to say, Richie calling Neil “lard ass” on an antagonizing loop after he had pointed out the wrong wall was being destroyed was the last straw. Well, that and the fact she found a new patch of white hairs colonizing on her hairline the other morning. Constant shouted insults, gray hairs popping up overnight, and the colossal secret of a new infant making its arrival into the chaos in October weigh heavy on her. And she absolutely cannot afford to lose her cool and become the kind of bitchy and mean she knows that she’s capable of. 
Your phone number sits inside the LED-lit text thread of a friend she had known in high school. Becca was the older sister of Claire Cantor whom her little brother may have or may have not had a pathetic crush on years ago when he was in high school. 
She feels kind of grimy doing what she is; offering up information about Carmy to Becca to give to Claire who apparently thought her baby brother was the bee's knees (which, if she saw the way he was acting right now, Natalie knows she would run the other way). She doesn’t even think Carmen has the capability to think of anything outside of the restaurant and the menu and how royally fucked they all are. 
She can feel the dull ache of guilt in her chest that comes with knowing how unlikely anything is to come from this, and how wrong she is for pretending like her telling Becca where he grocery shops or if he has a girlfriend or if he was currently looking for someone to date would somehow tether Claire to a world where her and Carmen are a “thing” (because apparently “boyfriend and girlfriend” is too permanent of a word for Chicagoan twenty-somethings to use). 
But she’s doing it for the sake of everyone else! It can’t possibly be as gross and low-lived as she feels it is. 
Becca Cantor is insufferable and can only be taken in small doses, but she’s also a big wig junior partner at one of the most lucrative law firms in Chicago. Natalie hates blowing smoke up people’s asses who don’t deserve it (and in Becca’s case certainly don’t need it), but she desperately needs help and knows that she needs to figure something out before she fucks herself in such a deep hole that she couldn’t attempt to unfuck herself if she tried. 
Your official title is “junior associate” and you had been working at Becca’s firm following your graduation from Northwestern’s Pritzker School of Law a couple of years prior. Becca had said you were amazing; freakishly smart, funny, and hardworking. She also mentioned that you were the best kind of junior associate; the ones that know when to shut the fuck up and when to get the fuck out of the way. The addition added before the text conversation ended was how you were looking to get your foot into the hospitality legal field, and how you were willing to do anything concerning that for free fucking ninety-nine if it meant you would have some experience. 
Natalie sits with her lower lip worried between her teeth and her hands one tick shy of shaking. Her heart beats erratically despite lounging on her couch with the lights off and a re-run of That 70’s Show playing softly in the background. She makes a mental note to bring up the high resting heart rate at her next OB appointment. 
It’s because she’s pregnant. Yes. It has to be because she’s pregnant. 
She shouldn’t be nervous. It would be absolutely ridiculous to be nervous. She’s not nervous. 
She already ran the idea past Sydney and she agreed that they absolutely needed a lawyer in their back pocket. With all of the tax records fucked beyond belief, new workers being hired who actually knew their worth and wouldn’t tolerate not having an actual employement contract, and the lack of permits under their belt currently, a lawyer wouldn’t hurt if getting one turned out to not be as helpful as anticipated. Besides, Becca had said you were doing it for them pro bono which in turn meant free fucking nintey-nine. 
But Natalie had lied to Carmen about how much some fluted cocktail glasses cost to ensure that they purchased the cheaper ones so that she could run the numbers and figure out a way to put you on the payroll. Pro bono or not, you’re doing them a huge favor and part of her can’t put the peacekeeping to rest. 
Her fingers type and untype a novel of characters. She can’t seem to relax her mind enough to articulate what exactly she wants to say. She has one shot to not scare you off and not lose her mind in a fit of fiery rage and not have everything turn to shit and it be her fault. She has to be perfect. 
Fuck. She is nervous. 
Hi! This is Natalie Berzatto. I’m one of Becca Cantor’s friends and she referred me to you. I’m working on opening a restaurant and would like for you to swing by and discuss some things about it if you’re open to that! Please let me know. I’m looking forward to hearing back from you soon! 
Nat’s finger hits the blue “send” arrow in the rounded box of her phone screen the same time she pushes a gag to the back of her throat. She used to work at a marketing firm for Christ’s sake. Cold contacting people isn’t anything new and she’s usually not one to shy away from reaching out to anyone in her personal life first. But she can’t help the fact that she’s never been able to swallow the artificial bubble gummy niceness of reaching out to a complete stranger for the first time. She feels stupid and knows that she sounds even stupider but tries not to think about it. 
Besides, keeping everything together is never easy and she knows that she would be selfish for letting her discomfort prevent her from doing what she knows is best. 
Her breath is stuck in her chest as she eyes the open text thread to an unsaved number; her blue text message staring at her menacingly and breeding contempt as the seconds pass. She gasps loudly whenever she sees the gray bubbles pop up beneath it. Pete pokes his head into the living room with a tea towel in his hand and one of the ceramic plates they had eaten dinner on in the other. His eyes wear concern but he knows better than to confront his wife. Natalie was anything but sugary sweet when she was stressed and the influx of hormones as of late have not been helping. 
You see the message as soon as Natalie sends it. The unknown “312” number finds its way into your notifications and your eyes read over the words in a frenzy. You know that you’re intelligent. You graduated from law school for fuck’s sake, but for some reason you absolutely cannot comprehend the text you’re reading. 
Firstly, you were sure Becca hated your fucking guts. She was a junior partner that everyone hated being assigned to because she pushed all her work onto the associates and nothing ever seemed to be good enough for her. Part of the reason you had to take work home tonight was because she sent you an email with enough passive-aggressive undertone to know that these edits needed to be done now; never mind the fact that the time she took to type out the seven and a half page report about the original report probably took up so much time that she could’ve done the task herself. But yet you replied kindly and have been working through your brain fog and finger cramps since arriving home at six in the evening five hours ago. 
Secondly, hospitality litigation was absolutely above your pay grade. You had taken one elective course on it during your 2L year and did a two-week internship before the start of 3L simply because one of your friends wanted to go on vacation and needed to find someone to cover for them. You know jack shit about hospitality law and you don’t even know why Becca Cantor, of all fucking people, would be so willing to recommend you when she couldn’t care less if you lived or died. 
But of course, you can’t say no. You can never say no, and if this Natalie person was desperate enough to reach out to you via text at 11 PM on a Wednesday, she definitely needed help and needed it now. Besides, you would tell her that you do not need to be paid and if whatever she needs proves to be way too advanced for you, you can always help her find an attorney that knows what they’re doing.
Right? 
It definitely doesn’t mean that you’ll pull an all-nighter and research every aspect of hospitality law in Illinois that you can get your hands on. . .Or look up every department dealing with food and management regulations in the state. . .Or try and look at precedent cases. Your firm gave you unlimited access to West Law. Might as well use it for something slightly more interesting than trusts, estates, and contracts. 
You’re unusually pensive for something you know you would love to do. The ongoing battle as of late has been the dispute between seeking joy and wading in practicality; happiness or falsified peace? 
You rub your eyes with a roughness that would make your optometrist cringe. You know that staring at your computer screen five hours after your contracted work hours ended was the culprit for your dry eyes, but the hours you need are not going to bill themselves. Getting up to get your eyedrops will have to wait.
Replying to Natalie cannot. 
Your fingers type and untype; the feeling of texting back an unknown number foreign and unnerving. 
Thanks so much for reaching out and thinking of me! I would love to. What dates and times work for you, and where would it be best for us to meet? 
The text stares at you on your phone screen. Why do you sound so. . . corporate? Boring? Infantile.
She could probably tell you don’t know what the fuck you’re talking about at all. The feeling of defeat rises in your throat but you ignore it and hit send instead. You’re trying to be better about that; letting your fear of uncertainty keep you from taking action. You’ve come to realize that the hard part isn’t doing the thing. It’s actually sitting in the aftermath of the “thing” and waiting for the rest of the world to catch up. 
You bite your lip so hard it begins to bleed and throbs with each pulse of watery blood that fills your mouth. The gentle suck you give it to stop the bleeding makes it partially numb. 
Fuck you, Becca. Fuck you, Becca. Fuck you, Becca. 
Natalie chirps when your text illuminates her screen. She gasps and sits up; startling Pete who had settled next to her after finishing the dishes. Her eyes curl up in the same way her lips do. 
Fucking finally. 
The world no longer feels like it’ll fall apart.
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youremyheaven · 6 months
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Jupiter Dominant Women & Daddy Issues
TW: mentions of rape, abuse, suicide etc
Over the years of my studies, I have noticed that its Jupiter dominant women who tend to have daddy issues more than any other planetary dominance. Solar women (Uttarashada, Uttaraphalguni & Krittika) tend to benefit from positive male influence in their early life, so they have healthy Yang qualities (they're driven, self-motivated, critical thinking) whereas women who haven't had a healthy male influence in their early lives, either develop a heightened but fragile femininity (understood in a very traditional way, this means being passive and excessively reliant on others to get by, I know this is misogynistic but i am talking strictly about a traditional notion of femininity) or they cultivate inner masculinity.
Jupiter is a masculine planet and across the naks of Punarvasu, Vishaka and Purvabhadrapada, women tend to have a very unguarded, open, almost masculine presence. I mean this in terms of what they talk about or how self-assured they seem, traditionally women were expected to be more withdrawn or to talk little. I don't mean to say Jupiterian women are brash or aggressive, they're very poised, and elegant and put across their point eloquently. They're 9/10 times very well-spoken. When one lacks the security of a male figure early in life, one tends to cultivate inner masculinity because it's understood that you cannot rely on any man.
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Caroline Polachek, Punarvasu Moon, has spoken about her difficult relationship with her father on numerous occasions. Here's a link to a post where she talks about it. Her lack of a father figure in her own words caused her to be "self-sufficient". Notice how in the post, she speaks about making amends with him later in life and even ended the post with "love you dad". This is the kind of generosity that you don't see from most other nakshatra types. To forgive someone who was never there for you/abused you/hurt you/caused you immense pain, requires a great deal of strength and maturity and not everybody has it. Punarvasu's innate nature is to absorb everything into its orbit and always be the bigger person. Due to the vast, abundant nature of Jupiter, they are ABLE to, accept these people for all their contradictions and see them as flawed, which makes it easier to forgive them. Most people let their traumas define their identity (im not saying traumas don't shape you, only about the kind of perception most people have about their own traumas) and spend their whole lives blaming others for who they've become or what they've done to them. To live a peaceful life, one has to take the high road, look beyond everything and see it as a part of life. It sounds very callous when I say it like that but that's what I mean. Not everyone is capable of being the bigger person or taking the high road.
Jupiter is the guru or teacher and how would one describe an ideal teacher? Someone who forgives the mistakes of their students as having risen out of immaturity and forgives them for not knowing better or being better. A teacher is forced to operate on a higher moral plane than others simply because chaos would descend if the teacher came down to the level of others. They are figures of wisdom, knowledge and higher learning, therefore their behaviour has to reflect the same. Jupiter natives are harshly punished for behaving in ways that are not fit for a "guru" because subconsciously society/those around them subject them to a different standard. Others can do the same exact thing and not suffer any consequences but when a Jupiter native behaves that way, they're ostracized. People kind of expect them to have it all together or be better. Any lapse on their part is judged harshly.
One of the biggest mysteries is how Jupiter natives emerge from often brutally abusive and neglectful childhoods into relatively well-adjusted adults. In the case of famous parent-child situations, there is public proof of their wrongdoing but in numerous other instances many do not believe Jupiter natives to have suffered the way they have or to the extent they have simply because on the outside they seem to have it all/seem so put together. This is yet another manifestation of Jupiter's duality and this not being believed/seen for who they are/how they've lived can be a source of pain/grief for some of these natives whilst others like to pretend it never happened and present a very positive view of their life. They don't hold grudges and often simply overlook the horrible nature of their loved ones, especially their parents and try to make amends with them.
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Drew Barrymore, Punarvasu Moon, comes from a very famous family of actors but her father John Barrymore was a violent alcoholic and a drug addict who abandoned her & her mother when she was a child. She did not have any relationship with him and seldom spoke to him until he was diagnosed with cancer. She took care of him and even paid his medical bills until he passed away in 2004. Here's an IG post where she talks about her dad. It's so touching to see the compassion with which Punarvasu natives talk about people who've hurt them so much (in her memoir, Drew recalls how one time her father picked her up as a three-year-old and threw her against the wall). Truly, I don't see this level of kindness in any other nakshatra if I'm being honest. This is a photograph of her with Steven Spielberg who directed her in E.T when she was 7 years old, he's kind of a godfather figure to her and she apparently asked him to be her dad when she was a kid 🥺🥺
I also think Jupiter natives have a complicated relationship with their mothers as well, sometimes they're extremely close but other times, I think Jupiter natives feel the need to be their mother's saviour because they know how much she's gone through in her life. This manifests itself in a very complicated relationship. There is love but there is also a lot of bitterness.
Drew Barrymore has a very complicated relationship with her mother, who used to date the men Drew dated, pushed her into acting and exploited her as a child and admitted her to a psych ward when she was 12 among other things. Drew still takes care of her financially and has mentioned that her mother has even tried to steal money from her.
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Charlotte Gainsbourg, Punarvasu Moon is the daughter of Serge Gainsbourg and Jane Birkin. Her parents separated when she was a child and she lived with her father. In 1984, she did a duet with her father and starred in the music video for a song called Lemon Incest which describes an incestuous relationship between father & daughter. She was 12 years old at the time.
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The music video is creepy, to say the least and features both of them half-naked in bed together. In 1986 when she was 14, she starred with her father in a movie called Charlotte For Ever which is about an alcoholic man whose only link to life is his daughter (Serge was an alcoholic). She has spoken about how difficult the filming experience was for her as he would push her to her extremes.
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Here's a very uncomfortable clip of him kissing her on the mouth when she wins a Cesar. She is 16 years old.
Jane Birkin commented on the song saying "It never came as a shock or a surprise or even a worry [to her], knowing Serge's great love for Charlotte". Many believe that Birkin enabled Serge's abuse of their daughter since she left him due to his alcoholism and violence but left Charlotte in his care. She has also stated that her mother would always dress her up as a little boy when she was a child and that this complicated her relationship with her femininity.
Charlotte has only ever said good things about both her parents and denied any abuse.
She's also starred in multiple films directed by Lars Von Trier where she plays gruesome sexually depraved characters and Lars is well known for being difficult to work with. She has said that she sought fatherly approval from him ._. and again has only said good things about him.
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Kali Uchis, Punarvasu Sun, Vishaka Moon & Rising has spoken about being abused as a child and that she no longer maintains contact with her family. She was kicked out of the house when she was 17 and slept in her car and worked at a supermarket for years to support herself.
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Halsey, Punarvasu Moon. She grew up poor and has spoken about her difficult childhood, both she & her mother suffer from bipolar disorder and in her song Whispers she sings “Why do you need love so badly?/ Bet it's bеcause of her daddy." In the Armchair Expert podcast, she said that she has both "mommy and daddy issues".
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Mariah Carey, Punarvasu Moon, has published a very revealing memoir about her life where she chronicles the abuse she experienced from her family. She had a moderately good relationship with her dad but was estranged from him as an adult. Her mother however continually exploited her for money.
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Miley Cyrus, Vishaka Moon has a complicated relationship with both her parents. Currently, she's not on speaking terms with her father after he married a woman around Miley's age.
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Beyonce, Vishaka Moon has been performing since she was a child and was in a girl group Destiny's Child which was managed by her father. She dropped him as her manager in 2011 and in the same year, his divorce from her mother was also finalized. He had apparently fathered a love child with another woman in 2009 and this was the reason for their divorce. Some speculate that they are now estranged but in typical Jupiter fashion, she has never bad-mouthed him in public. Jupiter natives do not air their dirty laundry in public ever. Their grace and dignity even in the face of extreme humiliation/shame/pressure is commendable.
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Jennie, Vishaka Moon is very close to her mother but she's never mentioned her father in the 8 years since her debut. In the Blackpink documentary, she said that growing up it was just her and her mom. In this interview she spoke about living with her mother and how she never got a chance to spend much time at home as she was sent to boarding school at 8 years old. She remarks that she and her mom are like sisters but she's never said anything about her relationship with her dad, ever. I am not going to assume that they have a bad relationship but I thought it would be interesting to mention.
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Demi Moore, Vishaka Sun
Moore was born to a 19-year-old mother and her biological father left before she was born. The actress' mom remarried a man who worsened her problems with alcohol, which led to violence and instability. The family moved many times throughout Moore's childhood and when she was 17, her stepfather committed suicide. In the early '80s, she embarked on her acting career and helped her mother stay in rehab throughout the years. In 1997, her mother was diagnosed with brain cancer and she reunited with her in the final months before her death.
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Lily Collins, Purvabhadrapada Sun
Lily had a strained relationship with her dad growing up“Because my dad was often gone, I never wanted to do anything that would make him stay away even longer,” she wrote. “I became extra careful about what I said and how I said it, afraid he'd think I was angry or didn't love him"
She penned an open letter that said: "I forgive you for not being the dad I expected. But it's not too late”.
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Alia Bhatt, Purvabhadrapada Sun has said that growing up she saw very little of her filmmaker father Mahesh Bhatt who is known in the media for being a very problematic figure. He once posed for a magazine cover in the 90s with his daughter Pooja Bhatt where they're kissing on the lips (Pooja is Alia's half-sister) and said that he would have married her if she weren't his daughter 🤮🤮Mahesh is known for being a very temperamental man (you'll be hard pressed to find a video of him not screaming) and it's quite well known that he and Alia's mother had a pretty rocky marriage that her mother could not leave as she was financially dependent on him. Her sister, Shaheen Bhatt has talked about struggling with depression and suicidal tendencies since she was a child.
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Rekha, Purvabhadrapada Moon is the illegitimate child of actors Gemini Ganesan and Pushpavalli. Her father was already married to another woman when she was born. He refused to accept the paternity of Rekha and her sister Radha and she grew up in the same city that her father and his "legitimate" family lived in and attended the same school as her half-siblings where she occasionally saw glimpses of him dropping his other kids to school. She has stated that growing up she was called a "bastard" and that the only male figure in her life was "God". She made her debut as an actress when she was 13 against her wishes because her family had fallen on bad times and she had to work to support her 6 siblings and ill mother.
This interview of hers offers a glimpse into her early life. Regardless of what she's been through, Rekha has always been stoic and conducted herself with immense grace and dignity even when she received an award from her father who was never a part of her life. She said this in response:
“Why should I grieve for him when he’s so much part of me? Why should I grieve when I’m so grateful for his genes, his teachings, his rich life and his sheer existence? Grieve for what??!! I’m happy I didn’t have to share unpleasant moments with him. He existed for me in my imagination. And that’s so much more beautiful than reality. Everything I love is unqualified by worldly time constraints. I’m just a small link in the larger scheme of things. I’m not the first one to go through death, nor am I the first one to receive an award. I’m enjoying everything that comes my way…good bad or ugly. I try to make good use of what life’s experiences offer. I think I’ve done a good job of my life, whatever others may think.” 
The Jupiterean ability to always look at the bright side and forgive people who don't deserve your forgiveness is heart-breaking but enlightening at the same time.
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Rita Hayworth, Purvabhadrapada Moon confided in her husband Orson Welles that she was sexually abused by her father as a child and had been repeatedly raped by him.
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Elexus Jionde aka Intelexual Media, Punarvasu Moon has mentioned that she's estranged from her father.
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Arnold Schwarzenegger, Punarvasu Rising & stellium has spoken about being emotionally and physically abused by his parents especially his father who would beat him up. They also abused him because they thought he was gay due to his preoccupation with the male physique (he wanted to be a bodybuilder and would later become Mr World).
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Keanu Reeves, Punarvasu Moon has been estranged from his father for the majority of his life. Charles Reeves abandoned the family when Keanu was 3 yrs old.
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Kaia Gerber, Purvabhadrapada Moon has like most other Jupiter natives kept a low profile and seldom spoken about her personal life and has only ever said nice things about her parents. Her father Rande Gerber has been accused of sexual harassment by multiple women and there have been blind items about Cindy putting Kaia on a calorie deficit diet since she was a child to prepare her for a modelling career (this is awfully common among celebrities so I don't even think this is a stretch). When Kaia was 7 years old, her parents were threatened with a picture of her, barely clothed being gagged and bound. It was said that the picture was taken by a female babysitter during a game of cops and robbers because she wanted to prank the Gerbers by pretending to kidnap Kaia (sincerely, wtf) but there have been conspiracy theories that perhaps Kaia was abused by her parents and this picture was leaked from their collection. Anyway the matter has been settled and it feels wrong for me to speculate too much but I thought I'd mention it anyway.
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Asia Argento, Purvabhadrapa Moon, is the daughter of filmmaker Dario Argento and has said that she never saw her father as a child and had no kind of relationship with him until she started acting in his movies when she was 16. She said "I never acted out of ambition; I acted to gain my father's attention. It took a long time for him to notice me. … And he only became my father when he was my director."
Her characters in his movies were undressed, raped and generally psychologically traumatised on screen. She once said:
"But I always had this feeling of never being a part of anything, not even of my family. My parents forgot about me. I did everything I could to get their attention."
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Chyler Leigh, Vishaka Moon. Her parents divorced when she was 12, following which she was estranged from her father for many years. Her mother moved her to LA when she was a teenager so that she could pursue an acting career. At 15 years old she starred in a movie called Kickboxing Academy as her biological brother's love interest (he was 19). She is said to have been manipulated into doing so by her mother. She has said in a recent interview that she's been estranged from her mother for over 20 years and that like her mother, she too suffers from bipolar disorder. She said, "Because I was put in a position to support my mother, I didn't get the opportunity to speak about my own feelings when I was in my teens." She moved out of her mother's house to live with her then-boyfriend and now husband Nathan West.
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Han So Hee, Vishaka Sun was in the news when her mother using her name to borrow bank loans and her debt became public news. Its very rare to hear about the private life of a celebrity in Korea but Sohee came forward to clear things and said her parents divorced when she was 5 following which she was raised by her maternal grandmother with whom she lived until she was in highschool. She's estranged from both her parents and only realized that her mother had been in debt after she turned 18. She found out that her mother had been borrowing money under her name illegally ever since she was a minor. She paid off this debt and apologized to everybody concerned.
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IU, Purvabhadrapada Moon grew up in poverty. Her family fell into debt and she was raised by her grandmother who could barely take care of her and her brother. She saw little of her parents growing up. Its unclear how close they are now.
I realize just how many of them are nepo babies lol but I'm kinda glad because it means so much of their life is on public record. Its really unfortunate to see that so many of these natives had absent fathers or fathers who were present in their lives and very abusive.
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burst-of-iridescent · 5 months
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i've written before about how fire lady katara isn't an inherently disempowering or racist trope, as have many others, but lately i've been thinking about how arguments against fire lady katara often tend to utilise a surface-level interpretation of colonial trauma.
[edit: this post will use the term "colonial trauma" because those who argue against fire lady katara usually use the same wording or are referring to that concept. but it's important to note that according to show canon, the fire nation did not colonize the southern water tribe and zuko and katara did not have a colonizer/colonized relationship.]
antis who present this argument usually posit that marrying zuko would be a form of re-traumatization for katara, while marrying aang would "protect" her. katara is supposedly more shielded from confronting the impact of colonization in the southern water tribe or on air temple island than she would be with zuko in the fire nation, which contextualizes colonial trauma purely through the lens of physical interaction with the colonial power (ie. living in the fire nation or looking after the people of the fire nation). whether intended or not, this argument inadvertently limits colonial trauma to the geographical boundaries of the colonizing country and implies that it can be reduced or averted solely by minimizing contact with said country.
even leaving aside that we have seen katara in the fire nation (and enjoying herself there), the implication here is that active engagement with a colonial power as a member of colonized peoples is an inherent form of re-traumatization... which i take issue with for multiple reasons.
firstly, katara lives in a world that has been permanently shaped and changed by imperialism, and that's going to affect her no matter where she goes. sequestering herself in the south pole her whole life and never seeing a glimpse of fire nation red again won't allow katara to escape the legacy of colonization or the trauma it has caused her, because its influence is rooted in everything from her family to her tribe to her own bending. believe me, i understand the appeal of a world where women of colour can avoid reckoning with the impact of colonization by simply never setting foot in the colonizing country again, and why people might be uncomfortable with zutara individually as a result - but i can't accept it as a valid argument against the ship, because that's just not how colonial trauma works.
secondly, the idea that this "protects" katara reeks of paternalism because katara is not a character who chooses her path simply based on how safe or comfortable it is. if that was the case, she would never have left the southern water tribe at all! she could've remained there her whole life and likely been safe, since the fire nation had no real interest in the south pole any longer. katara is fundamentally defined by how relentlessly revolutionary she is - over and over, she chooses to do what is right, what is hard, what is unexpected, even at cost to herself. she challenges injustice and discrimination and bigotry; she fights for the downtrodden and speaks for those who can't speak for themselves; she will never ever turn her back on the people who need her. does that truly sound like someone who needs to be hid away and protected from her own supposed re-traumatization?
thirdly - and i fully accept that there are those who might disagree with this - katara actively choosing to engage with her colonial trauma can be empowering just as it can be traumatizing. don't get me wrong: as a woc and a minority in my own country, i understand how tiring it is to do this. i understand the exhaustion of confronting what was done to you and your people, of facing down bigotry over and over. i understand the desire to run away from it all, and why it can be wish fulfilment for others to let katara do so. i really, really do.
but there is also wish fulfilment in letting katara fight, as a brown girl with power and resources that few brown girls in the real world hold. there is a power fantasy in seeing katara head into the belly of the beast and emerging triumphant. there is empowerment to be found in seeing katara struggle with racism and ignorance and mindless hate to enact change - and succeed. i love reading and writing about katara unpacking her trauma regarding the fire nation, about growing to love the place she once hated, about reconciling both her homes and healing from the wounds of her childhood.
and ultimately, i think that's what katara would want for herself. after throwing herself head first into the fight against the fire nation, after facing down her greatest trauma instead of letting it consume her, after helping and protecting the people of the fire nation, after refusing to let the fire nation take anything else from her - i firmly believe that the last thing katara would do is allow herself to be ruled by the fire nation instead of being the one ruling it.
personally, i find that a more hopeful and victorious narrative than one where she remains safe and sheltered away from the fire nation, but forever haunted and dictated by her trauma. would that be realistic? perhaps. but the entire point of foiling katara with characters like jet and hama is to show that she's not doomed to be mired in the pain of her past. that where their stories could only end in tragedy, hers can - and does - end in hope for something better, as she always believed it could.
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