#artgym

[fad1d]

megan thee stallion (2024)

[cobaltyuki-blog]

お茶美のアートジムの無料体験

[saix2]

(2020) Some 2 values, 3 values, 5 values exercises, and colors study from ArtGym with Zac Retz in Tengen Space Studios.

[gracehoag]

I’m super excited to announce that I am one of three recipients of the Create Award residency at @artgymdenver this year!! I will be working in their lovely community arts space for six months with a culminating exhibition early next year. Stay tuned for more (hopefully larger) artwork and show updates!! Thank you so much to Art Gym for this opportunity :) thank you also to @alexwalterart for taking this picture 💕 . . . #artgymdenver #createaward #artgym #artgallery #artist #workingartist #emergingartist #artistresidency #painter #painting #selfie #plants #csutrialgarden #mixedmediaart #contemporaryartist #denverartist #coloradoartist #colorado_creative #studio #studioart #studioartist #contemporaryart #contemporarypainting #acryliconcanvas #acrylicpainting #acrylicpaint #goldenpaints #fiberart #fiberartist #coloradoartresidency (at Art Gym Denver) https://www.instagram.com/p/CGc_kwpDjJ3/?igshid=j29lssze0f4a

[chara-sokutu]

My lil brother really loves Superman. So I guess some of this is for him. I don't really know what I was doing here besides going with the flow... Have an awesome day. #superhero #blackandwhite #batman #artistsoninstagram #art #sketch #drawing #dc #comics #comic #dccomics #artgym https://www.instagram.com/p/ButjfhJjdd2/?utm_source=ig_tumblr_share&igshid=1l0tmlhqom19k

[perpicturescom]

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A post shared by José Per Karlén (@mylifeasanillustrator)

Monday and its time to shine but first lets do a pencil pectoralis major warm up. Theres no room for lazy lines today! #warmup #excercise #design #workout #stretch #artgym #lazylines #fun #artistoninstagram #pencilart https://www.instagram.com/p/B4bs5XvJ-2d/?igshid=u41y5s2ew2xj

[jefimmoura-blog]

Sobre o treinamento de hoje a palavras. Adorei. Nunca e tarde para o conhecimento. #gym #artgym #ginasticaartistisca #ginasticaartistica a (em EEFFTO - UFMG) https://www.instagram.com/p/BoDSD4Ph6H2/?utm_source=ig_tumblr_share&igshid=13yss2bdn9r3z

[thetealappeal]

Picked up this sweet canvas at last night's art swap and couldn't wait to get home and play! Practice a little everyday. . . . . . #artgym #artstudio #arts #create #practice #wip #artsy #artsandcrafts #artistsoninstagram #artist #oil #oilpainting #latergram #nofilter #artwork #color #colorsplash #colors #artfinder #instaart #artistic #paintmixing #painter (at South Philadelphia)

[thehappywahm]

I always say, I'll never be successful as a food blogger. I see food, I eat. I simply forget to take photos. It happens all the time. So when finally you see me posting a photo of food, that means I had a second (this one was actually third) helping. I've been living in Batangas for years, and today is the first time I had a taste of putong puti. The challenge now is where to buy it. Help! Oh, and I just learned how to make the perfect kapeng barako. Slow pouring at 200°C, that's the key to acid-free coffee. #artgym #kapengbarako #putongputi

[fad1d]

Selene

[neot]

leg-day #artgym (v místě Kunstmuseum Liechtenstein)

[cobaltyuki-blog]

1 モチーフ

2 午前

3 午後

4 家で修正

[newbeltane]

Tweeted

Hey artgym thanks for the follow!

— Steven Dale (@celtxian) June 29, 2018

[theatredirectors]

Megan Weaver

Hometown?

Newberg, OR Where are you now? 

Austin, TX as of November 2016! Before that, New York. What's your current project?

I recently premiered Ghost Card, a site-responsive movement piece in which a gang of hungry ghosts feed on crowdsourced true stories through an interactive card game. We premiered it at Hudson River Park in Manhattan and then adapted it to Socrates Sculpture Park in Queens.  Now I'm getting ready to perform a new adaptation of it at the Elisabet Ney Museum as part of the Mi Casa Es Su Teatro festival in Austin next month. Why and how did you get into theatre?

I grew up in a small Quaker town in Oregon, and the idea of aspiring to be a professional artist just wasn't part of the culture there. But I always loved acting and performance.  I was an introverted, imaginative kid, and performance became a way to share my heart with the world. I did puppet shows in my living room, wrote comedy sketches for my friends to act out at recess, and auditioned for every play I could find.  But it wasn't until college that I finally accepted theater as my heart's passion.  We had a tiny program at my school, but I lucked out with an amazing mentor who encouraged me to seek outside training.  That led me to apply to the National Theater Institute at the O'Neill Center in Connecticut. NTI was a huge turning point in my life.  I did nothing but make theater for three months straight, and I'd never been happier.  I found my voice as a writer there, and directed my first devised project - a terrifying, thrilling, hilarious mess of a piece that got me hooked on alternative collaborative modes of creating work.  I also connected with a family of amazing collaborators outside my hometown bubble, who helped me envision for the first time how I might truly build a life in the arts. I moved to New York after graduation, and several NTI friends and I co-founded our company, FullStop Collective.  We've made dozens of new shows together, and just celebrated our ninth and final year this past October. What is your directing dream project? 

I have several original pieces tumbling about in my brain that I'd love to bring to life, including a deconstruction of Anna Christie with fountains and aerialists and Simone de Beauvoir, and a miniseries riff on Twelfth Night set in a Christian conversion-therapy program in the 1970s. I'd also love to direct an opera someday. What kind of theatre excites you? 

I'm excited by cross-disciplinary theater that challenges the fundamental assumptions of the form.  I love work that's playful and irreverent towards its own theatricality, that asks enormous questions, that creates productive social discomfort around current issues, that treats its audience as a loving collaborator and offers it more than one way to engage with the work. What do you want to change about theatre today? 

I wish I could change the economic chokehold that grips theater artists and companies in the United States, and the fierce individualism and insider-outsider mentality it propagates. I think our dominant financial models for theatermaking are keeping us from pursuing true diversity and innovation.  From indie artist to top companies, we're artistically siloed, often echoing each others' work in isolation, consumed with managing the chronic financial insecurity of the nonprofit arts model or the freelance artist hustle while trying to produce, produce, produce.  Change costs time, money and emotional energy, and we don't have any to spare - by design.  I hope we can figure out new economic models that will allow us to define our success by our generous participation in each others' visions, our willingness to innovate the administrative and business structures under which we produce, and our ability to break down our bubbles and work with people beyond our known collaborative circles. What is your opinion on getting a directing MFA? 

Getting my MFA was a great decision for me, but it's not for everyone. I was lucky to be accepted to a program that aligned with my values and aesthetic and helped me grow profoundly as a director and educator.  The tradeoff was that it was in a location that did not yield the professional connections that a New York or LA-based program might have. Every program has pros and cons and there are no silver bullets, so I think the key is to articulate your goals for grad school very clearly, and only go if you get accepted to a program that answers your goals in a clear way.  Also, grad school is expensive, so make sure you're OK with debt. Even tuition free programs don't always cover living expenses and fees. Who are your theatrical heroes? 

Michael Rohd, Ellen Stewart and Anne Bogart.  Any advice for directors just starting out? 

It's not artistic advice, but it's foundational to your long-term artistic capacity: find the right day job.  Identify what you are good at outside of directing, and how you can develop those talents into hard skills that are scalable toward the money and flexibility you will need in order to be an effective director.  I think we all hope our day jobs are temporary, but I personally know very few directors who aren't working in arts administration, teaching, and/or outside fields to support their directing practice. The day job becomes a creative problem to solve, and it will define the conditions under which you pursue your artistic goals.  It can be your biggest obstacle or your greatest support.  Get training if you have to.   Plugs!

I'm teaching a devising workshop with Culture Bolt's ArtGym on February 7 in Austin!  It's for artists of all disciplines to "cross-train" in a different art form and get a taste of collaborative theatermaking.  Also, come see Ghost Card in the Mi Casa Es Su Teatro festival on February 11 at 11AM!

Check out my website for more information! www.meganweaver.com.  

[tokiomaru-blog]

ARTGYM COMPANY - GALA 08 - FINAL - Got Talent Portugal Série 02

New Post has been published on https://everybodyhastalents.com/artgym-company-gala-08-final-got-talent-portugal-serie-02/

ARTGYM COMPANY - GALA 08 - FINAL - Got Talent Portugal Série 02

Got Talent Portugal – Canal Oficial no YouTube . Assistir a mais vídeos do Got Talent Portugal 2016 source Portugal’s Got Talent

[itsnickyblue]

Tweeted

Hey artgym(@artgym_), thank you for following me

— Nicky Blue (@itsnickyblue) June 8, 2018