#art tutorials on youtube

[smellsliketeenspirit18]

Followed an Art with Flo tutorial on YouTube, surprisingly happy with how it turned out.

[slushy-sash]

a short/mini digital painting tutorial by yours truly 🫡

a lot of people really like how i painted kaveh in that short hkvh comic so i thought i'd share a quick painting tutorial! I hope this can be helpful to yall ^_^

[damian-lil-babybat]

'Dead Poets Society' gang

Headcanon that these four drop poetry and literature quotes on their conversations unprompted.

Jason 'English-major-I-only-visit-the-manor-for-the-library' Todd-Wayne

Damian 'I-master-liberal-arts-unlike-you-plebs-PHD-holder' al Ghul-Wayne

Cassandra 'I-learn-English-thru-Shakespeare-as-god-intended' Cain-Wayne

Duke 'only-title-holder-of-vigilante-poet-and-will-cuss-you-just-as-poetically' Thomas-(future) Wayne

[parisoonic]

How the hell do you manage to superimpose the hilariously exagerated proportions of the tf2 mercs into a cohesive 2d style? I always struggle SO much with like, the way the mercs' models have huge hands, the way they have relatively low-poly definition on things like arms, shoulders, and legs... and Especially the way like, the models are kinda janky when you pose them for art purposes- when using movement tools, things like armpits and seams between body parts get all deformed... Which makes the study of form and silhouette rather difficult.

I assume that a lot of your ability to translate the concept of the mercs from their original mediums into your own works of art comes to you quite naturally- through experience you have with drawing and art style stuff, as well as through intuition. I was simply wondering if I could poke at your mind and get some insight into your process, any thoughts you have about the proportions and silhouettes of the mercs, any quirks you've found while drawing the mercs, or simply what you enjoy drawing about them. Like, don't be afraid to infodump about something just because you think people wouldn't find it interesting- I am here, I am sitting, and I am listening- if you so choose to speak.

I am utterly fascinated and enraptured by the more behind-the-scenes aspect of art. The mundane things that come second nature to great artists yet seem so revolutionary to less experienced artists.

I love your work, I look forward to seeing more of it, and I hope you have a nice day :]

Sorry for the late reply! I've been a little…stuck on how to answer this but that's mainly because to me, drawing is composed of SO many different little skills - you have form, anatomy, shape language, silhouette, appeal, rhythm, acting and posing…not to mention everything AFTER your raw draughtmanship like line style, rendering and colour theory. Trying to distill a multiude of small skills into some pithy advice is overwhelming to my brain. So I'll take the invitation to ramble instead :))

I don't think I have any new or revolutionary insight into the tf2 guys specifically - more I'm using them as work horses to excercise general silhouette/posing/shape-language and further my skills when it comes to drawing characters!

I do agree though the proportions are rather silly when you stop and think about them realistically…they can be kinda tricky if you follow their 'actual' proportions. what looks great individually was maybe never meant to be directly compared (ie: Heavy's hand size against Spy's lol). It would've been funny if the TV show exsisted and we had more content to review…would the animators have had rules like Spy and Heavy can never shake hands? Would they cheated the proportions for shots? Or would they have said WHATVER it's gonna look weird and embraced it? (Like Kingpin in Spiderverse lol)

Paul Lasaine for 'Into the Spiderverse' This is AWESOME. But it's also one of the silliest designs I've ever seen comitted to screen. The varied scales of the characters work because of the unifying treatment (lighting, rendering, consistant hand anatomy, consistant clothing fold treatment etc) and because they are sort of proportional within themselves. A common mantra is that hands should be about as large as a characters face....which they all are here!

Human brains are very flexible and forgiving though. It's totally fine for you to put a character with huge hands and head next to a teeny tiny character! Vanellope and Ralph from Wreck-It Ralph look grand next to each other! And in that film you even have varying levels of stylisation sitting against each other (unified by the look dev treatment of the shaders and lighting). I think as long as the chracter is proportional within themselves it sort of works out. IE: a general rule is that a hand should be as large as the face so…you can have some large arse hands as long as their placed on a body with a big arse head. Unifying characters with the same treatment (ie: lineart brush, colouring style will also help them look cohesive next to each other :) )

I don't actually reference the 3D models/animations very much at all and instead draw their proportions based on my tastes for stylisation following their general vibes/silhouette profiles. I don't stick THAT close to their in-game looks and there are artists who do that are so so so much better than me (Creedei and Flapjack come to mind). I'm not amazing at body-type differentation and TBH they're all wearing chunky clothes all the time so I usually draw the guys as one-of-three body shapes: Heavy is the uniquely wide guy; Sniper/Scout/Spy are all tall and slim and Demo/Soldier/Medic/Engie have a little more of the generic 'hero' bodytype with varying tallness and broadness of the shoulders

Something like this! You can vary all these individual elements in terms of size, thickness, taper amount etc to create different characters. If you ARE going to reference the 3d works though you'll need to apply some anatomy knowledge to overcome the weird shoulders, armpits and knees which desperately need blendshapes to correct the 3D volumes and approach it a little more like an animation supervisor. There's a reason why you see in making-ofs and art-ofs character designers, character leads or animation supes doing drawovers of the models. These are character models that have had great effort put into their 'base' silhouette but it still needs to be reinforced in every frame for maximum appeal.

Shiyoon Kim for 'Raya' This sort of thing will occur at multiple stages during the animation process. Shiyoon Kim's notes are post final model but pre-animation. Most likely for internal rig tests, exploring what blend shapes and alt shapes are needed for the rigs etc. If your production has time, this will continue all the way to final anim. IF! But it's interesting to see how he emphasises the shapes and enhances the character acting of the 3d model.

As for 'mundane things' - I wouldn't say they're second nature! (If that makes you feel better!) I have to actively really persue certain advice and try to figure out how to best apply it. This can sometimes involve redrawing and redrawing an element of the drawing until I've grasped the nettle of whatever I'm after or…..until I get frustrated and either delete the drawing or just call it done lol

Here, I'm looking for a really specific flow of the head that sells both the acting and a subtle head tilt. I'm also trying to apply the general mantra regarding faces that converging lines (set by the eyebrows and mouth) are more appealing than parallel. It's tough! I also tend to use a drawing I've already done as a template/reference on the page too. Oh! This page is an amazing example of why I'm not an animator or storyboarder…consistancy? Who is she? 💅

Converging lines (that form tapered shapes) are always more appealing than parallel. Using this logic you can loft the facial features across converging lines to create dynamic appealing espressions. Combining this with anatomy, perspective and rotation is the tough part though. I'm still learning o7

The things I probably think about MOST are always flats vs curves, simple vs complex and general line of action/flow...and then eliminting tangents. Each of these can be a dedicated visual-essay on their own - hence my stumbling as to answer your question. Anyhow, not sure if it's ever come up on this blog but I looove dinosaurs :)) so i'm using a wee piece to demostrate these ideas! (but also to demostrate these concepts apply to everything from humans characters to animals, props and background design)

Okay, I'm getting self-aware that this is getting really long :') I have a wee tutorial tag for my blog if anyone wants to comb through my garbled art-thoughts. Learning, studying, repetition and practice will always be the greatest teachers! I'm glad you like my art- thank you so much for the lovely comments - I feel like such a noob still and not qualified to give people advice but we're in it together learning! High-five! 🙌

[shih-coulda-had-it]

sheathe your claws, my friend, there are greater battles ahead

[molegato]

Just released a little rigging tutorial specifically for lowpoly characters!

[randomapplekey]

How I draw chibi (in general)

This is just an excuse to draw Peri

Ps. I have no idea what I'm doing most of the time

[tutorialdrawix]

RESOURCES FOR ANIMATION

Book Disney Animation: The Illusion of Life by Frank Thomas & Ollie Johnston

Book The Animator's Survival Kit by Richard Williams

Book Drawing Lessons from the Great Masters by Robert Beverly Hale

Book Character Animation Crash Course! by Eric Goldberg

TUTORIAL VIDEOS:

[boredth]

Dude I'm obsessed with how you draw expressions 🤩🤩🤩 do you have any tips regarding them? 👉🏼👈🏼

What I think about when drawing expressions:

1. Facial features - You can often show a more intense / expressive look by exaggerating certain features. Observe from photos when drawing them. (Not just humans, you can even use animals!)

2. Angles & poses - Beyond facial expressions, show how the character would angle their head. Body language also plays a role in adding emotions.

3. Lighting - Different lighting angles convey different moods. You could also experiment with how harsh the lighting is. I'll be using anger as an example, but these should apply to drawing any emotion :)

Finished piece:

[alinadraws02]

Small gouache paintings 🌻

[velidewrites]

That one Calvin Klein ad but make it Lucien Vanserra

I got some new rendering brushes today and I’m really enjoying trying them out! Figuring out my art style is such a journey but I kind of like where this is going so far ☀️

[necromancelena]

Looking up art tutorials on Youtube is the worst because for every video that has a nice descriptive title like "tips for doing x thing" or "drawing x tutorial" there's a dozen other videos titled shit like "you SUCK at drawing x thing!" and the thumbnail with have "This one mistake is RUINING your LIFE" in big red text and there will be an arrow pointing at some art labelling it "fuckhead idiot drawing made by some dipshit" and then you click on the actual video and it spends two minutes going "boy i sure did struggle to draw before i knew this one tip. drawing was soooo hard. My life would have been sooo much easier if i knew this thing" and then when it gets to the actual tip it's always just some variation on like. "heh. you gotta practice lots 🥴".

[geisthaul]

Hellllooooo!!! I'm thinking about making a tutorial video on how I draw. I know i'm not the best I'm just bored lowkey

(some pieces here are older than others)

(aaand also MAYBE a voice reveal)

[tofupixel]

really good video on animation AA / subpixel animation (can u tell im studying animation again rn)

[saintlethanavir]

Need help figuring out how to use references in your art process? Look no further! I've got a video for you ✨

[naughtynoodle056]

You'll never fucking believe what I finally figured out how to do in Clip Studio Paint y'all (feat. my main man Leo)