#aren't easy to find

[magnificentmuses]

Shower thought but man

I should use Molly Hayes and Klara Prast more.

[andsewingishalfthebattle]

Novice sewing pattern: Cut out shapes. Line up the little triangles on the edges. Stitch edges together. We've also included step-by-step assembly instructions with illustrations.

Novice knitting pattern: yOU MUSt uNDerstANd thE SECret cOdE CO67 (73, 87, 93) BO44 (63, 76, 90) 28 (32, 34) slip first pw repeat 7x K to end *kl (pl) 42 * until 13" (13, 13, 15) join new at 30 pl for 17 rows ssk 27 k2tog mattress lengthwise BO and sacrifice a goat to the knitting gods. WHAT DO YOU MEAN YOU WANT "INSTRUCTIONS," I JUST GAVE THEM TO YOU

[necrotic-nephilim]

@profandomhopper i was going to reblog the original post this comment was left on but i felt it divorced itself from the original topic so much, you get your own post for giving me delightful permission to ramble about this. buckle in people this is long.

so, DC is a big fandom that expanses a lot of different types of content, and like anything, is subject to crossovers. the obvious ones like Marvel are for the reason of being a similar and equally popular superhero world, so it's easy to transpose the worlds onto each other and overlap the characters. both of these worlds deal with multiverses and endless, endless heroes. it makes sense and there's no real stretch to think Batman and Spider-Man could co-exist. i mean, there have been canon crossover comics. and even some more random crossovers like White Collar have pretty easy to trace origins, being an actor in WC was a popular Dick fancast back in the day so there was some bleeding over that led to a well-loved niche crossover space.

but Danny Phantom and Miraculous Ladybug are where it gets interesting. because at a surface, MLB sort of makes sense. it's a superhero world, you're following a teen girl superhero and sure the mechanics are pretty contained, but the crossover should make sense. but when you compare it to the crossover numbers of other superhero media like say My Hero Academia, Ladybug takes the *crown* with such a bizarre popularity. and of course, DP feels like it makes even less sense. sure, you *could* lump it into at the very least, superhero-adjacent media, but it's not a true hero world like MLB or DC is.

but, the thing to always understand about DC, *especially* the Batfamily (which is where the crossover content propagates the most) is this: a *very* good chunk of fans don't interact with the comics. i would venture to say even most Batfamily fans don't read the comics and actively talk about it. we've all read a very fandom big Batfam fanfic where the author's note mentions the writer has never touched a comic in their life. typically, these fans are either cobbling together their understanding from fandom content, or by frankensteining unrelated DC adaptations to understand each character. you take Bruce from Batman: TAS, you take Dick from the animated Young Justice, you take Jason from Batman: Under The Red Hood animated movie, you take Damian from the DCAMU Batman vs Robin, and you read some fandom metas to fill in the rest and well, you've got some sort of an understanding of these characters. read enough incorrect quotes, some genfic, a couple of character metas, and boom, you understand the Batfamily fandom enough to start creating your own content. and of course now. now you have Wayne Family Adventures so it's even *easier*. a pretty easy to pick up webtoon that's filling in all the gaps for you. but i've been in this fandom long enough to remember before we had WFA and even then, this was still a common, if not the most popular way, to ween yourself into the DC fandom space. you cherry-picked the canon you liked and then plunged into the depths of fanon.

i'm not here to make in depth commentary on if i think this is a good or bad thing. trust me i have that commentary in my head, but that would need it's own post. i'm very split on it and my feelings are complicated. my feelings on WFA are even *more* complicated. because oftentimes, the attitude expressed by these fans who are frankensteining this version of the Batfamily/DC world they have in their head is they don't *want* to read the comics. the comics don't contain the content they're after. and to an extent, i understand that. if you're looking for light-hearted vibes of the Batfamily all getting along and having the occasional hurt/comfort moments but in the end, they hug and make up, you're right. largely, you won't find that in canon. of course there are so many comics to recommend for Batfamily interactions, but you have to get specific. you'll find them interacting in small groups, Tim and Dick bonding here, Duke and Cass bonding there, but largely, the comics don't care to balance the ridiculously large cast they've given themselves. but fandom does. it's easy to toss them all in a blender and ignore the parts you don't like. the default argument to ignoring the comics or writing something OOC is always "well the comics are OOC and inconsistent too" which, while a flawed argument that massively misunderstand how comics work as a medium, isn't an entirely incorrect one. you could serve on a silver platter to these fans, an easy and accessible way to get into comics and they wouldn't be interested. it's not what they're here for. fandom is always character-driven above all else. it's driven by character relationships and dynamics. if someone wants to consume content where Tim idolized and stalked Jason as 'his Robin' and now is trying to help him rehabilitate and they're super complicated but have this long epic forgiveness arc, why *would* they read the comics? because they're sure as shit not going to find that dynamic in the comics. it's laughably OOC and not canon at all, but that doesn't matter. what matters is the sandbox. most Batfamily fans care *far* more about the sandbox canon gives them than the actual canon itself. feel how you feel about that, this really isn't being negative toward that attitude, but it is a common attitude.

so, you have Batfamily fans playing in the sandbox and building their own narrative. common fandom headcanons are so common, you could practically write a guide on how the fanon Batfamily works with how consistent people are about it. or you could just read WFA, which is practically the new manifesto of it. even now, with this sudden spike in people talking about canon accuracy and "actually this happening in the comics", they don't actually care about the comics, just what they can cherry-pick for fodder. (even if they rob it of so much context they're just as OOC as they were before. see specifically: the recent phenomena with Tim Drake going from the woobified weakest member of the Batfam who everyone needs to save constantly and he's the smart boy but he's also the one with a sad tragic neglectful past who gets overlooked being the way Batfamily fandom played with Tim for years. but recently, people seem to be pushing this idea of a ridiculously badass Tim, Tim who *totally* has a kill count because of his actions in RR (2009) if you take them completely out of context, Tim who bested Ra's and is even more badass than Jason and he's the 17 yr old CEO of Wayne Industries being cool and flawless it becoming the new fandom zeitgeist. neither of these versions of Tim are canon, and the second fundamentally misunderstands his arc in RR (2009) but the shift has undeniably happened and it's been fascinating to watch. the same thing happened with people suddenly deciding Jason isn't the "angry violent Robin", he was a sunshine sweet boy who was perfect as Robin. neither of these are true, but the second feels more transgressive and new to fandom from cherry-picked panels.) the point is largely, Batfamily fans would rather build their own canon than play with the actual canon.

and then, you have Danny Phantom. i'm not into DP and have no interest to get into it, but what i know about it via fandom osmosis is this: DP fans sort of also don't give a fuck about canon. once again, the canon of DP is a sandbox, not a rulebook. the concepts and the characters are the draw, not the plot itself. i've seen DP posts explaining characters who are essentially OCs, but have become so dominant in the fandom via fandom osmosis. there are concepts and ideas about how Danny's powers work and potential concepts with his ghost nature that either aren't in canon or only happened once in canon and fans decided to expand on that and doesn't care about it's own in-universe logic. i've seen a lot of DP fans also express they haven't seen the show and they don't have plans to see the show. because the show is just some children's cartoon with some inconsistencies and a simple plot, as you'd expect from CN. the show isn't the point. no one cares about it's plot, they care about it's characters. they care about pushing the concept of half ghost boy to a logical extreme and seeing what you can get out of that. can you make it weird and fucked up. how much can you highlight on his trauma and body horror. what identity crisis can you give him and how can you build his interactions with other characters in his world around that and also make those characters fun and unique on their own. sure, the skeleton of canon is there, but the meat lies all in the fanon.

Miraculous Ladybug also exists in this similar vein. the characters, the concepts, those hold intrigue. and not even mentioning the fact the original concept for this show was supposed to be aimed to an older audience, so you can see the bones of something a bit more mature and nuanced under this typical, villain of the week magical girl transformation show. the show itself is a bit shallow and that's not a *bad* thing, it's just the medium it exists within being aimed towards children. but the concepts of a teen girl who's basically a sort of chosen one, a boy who doesn't know his father is the big bad of the show, and their weird identity porn love... square thing. those dynamics are *so* complicated and such a fun sandbox to play in with character-driven fandom.

so, at the core, you have three fandoms that care more about the culturally accepted fanon than the canon, with a good chunk of people often not even consuming the original canon content. and well, DC is an *easy* world to transpose just about anything onto. a boy who's half ghost and fighting supernatural threats? that makes sense, DC has ghost heroes like Deadman already. a girl who has this magical item that gives her animal themed superpowers? i mean that's practically the same thing as Vixen's Totem so that one makes sense too. they fit in pretty easy, no needing to change the world to accommodate them. and of course, if you're a fan of *one* fandom where you don't care for the canon content and only like the fandom sandbox, chances are, you'll get drawn in pretty easily to another fandom with similar mechanics. if you can teach yourself the DP fandom rules/concepts, you can teach yourself the Batfamily fandom rules/concepts. and well, since there's so much crossover in fandom members, why not write the fanfiction? crossover fics will always exist, but with such a shared member base, you have a really big boom.

it's why the characters you see DP interact with in DC are *always* characters who are far more driven by fanon than canon. Danny and John Constantine is a *massive* concept. for people who don't read Hellblazer comics. my poor partner, @divine-dominion has lamented to me pretty often about finding DP content in the Hellblazer tag that is essentially turning Constantine into an OC. because whatever version of Constantine is being written about isn't one bit comics accurate, and really, isn't trying to be. and the same thing happens with Shazam. you watch Young Justice and understand him well enough, you get drawn in by the character concept that you just run with it. people put their favorite blorbos in the same place because hey, wouldn't ghost boy be pretty cool in a city like *Gotham*. how would Batman even react to him. and then, the shipping. because ages for the Batfamily can be easily hand-waved and moved around based on where you plop Danny into the timeline, you have your pick of the litter with him, and same with Ladybug. of course there are the most popular ships but largely, the world is your oyster.

i don't think this is the worst thing in the world for either fandom. it's not hard to filter out the crossover tags and scroll past content i don't like. and sure, i see the appeal of making your blorbos from two different places meet. i've got my drafts *full* of DC/MHA crossover ideas because well, i like them both and think that would be cool. i think my only gripe with it is when DP or MLB crossover content seeps it's way into the wrong tags. using the above example, if you're writing about Danny and Constantine but there's zero content of the actual Hellblazer comics, i don't think you need the Hellblazer tag, just the Constantine character tag. tbh i wish this extended onto Ao3 and people utilized fandom tags better. if you're writing Batfamily fanfiction that is very clearly and obviously WFA driven in characterization and concepts, i would far prefer those fics be tagged with the WFA fandom tag rather than the Batman (comics) fandom tag. because well, you're not writing about the Batman comics. and there's nothing wrong with that, but it helps if you don't confuse yourself for content striving to interact with canon more. (this especially extends to Young Justice, by the way. if you're writing for the Young Justice tv show please, please stop using the Young Justice (comics) fandom tag. i'm at my wit's end- /lh)

the whole thing is fascinating. i've got zero interest in entering DP or MLB as fandoms because that's not my speed, but witnessing it as an outsider is my favorite pastime. i see a *lot* of posts going around the DC x DP space that are helping explain to people who's who, what's what, and understanding the canon/fanon of both of these properties so others can better enter the space. which is not something you'd need in a fandom driven only by it's canon content, but it is sweet watching others try to help newbies enter the space. it's a very inviting fandom space, i think, whether you lament it's existence or not. they're just sitting in their corner with their blorbos, and i gotta respect that. the posts explaining the Batfamily to DP fans are always fun for me to read, even if i disagree with some of the characterizations in them because it helps shine a light on what the fans of this crossover regard as "important" enough about each fandom to be worth including those sorts of primers. very fascinating stuff.

[sukugo]

Do you think gojo makes those freaky ass feral expressions while getting dicked down?

YES YES YESSSSSSSSSSS RAAAAAAAAAHHHH THIS IS SOMETHIGN IM PASSIONATE ABOUT OKAY!!!!!!! YES HE DOES

like, pleasure looks such a specific way on satoru. we can see it in the tojigo fight, the hanami/jogo fight and the sukugo fight. they're the only moments where we truly get to see raw pleasure on him and it's that. eyes popping out and manic grin and laughter bubbling in his torso and body charged, and mannerisms especially crude.

there's something so animalistic about it, his "human" mask slipping from him and showing him in all his monstrous glory, unfiltered and raw and like the freak of nature he truly is

and it's exactly the same thing when it comes to sex. it's all pleasure after all.

[vegaseatsass]

Reading/thinking about Sol some more, and I do think there's a need from some viewers for him to be either the pure selfless "healthy romance" choice OR purely selfish and unworthy of Joe, and imo he's neither, and that's what makes him interesting and human.

He hurt Joe by assuming the worst of him (in like, a very specifically, viscerally hurtful-to-queers way) and running away; he expects to be able to pick up where they left off as soon as he comes back, and really struggles to calibrate to the fact that Joe neither held a grudge against him nor pined for him this whole time. He just... moved on.

A lot of the ways Sol tries to support Joe or intervene in his toxic relationship with Ming are blatantly compromised by how much Sol wants Joe to choose him instead, but he's also right about Ming. I find him compelling because he goes harder than anyone before Ing in consistently, materially trying to be there for Joe, but there's always that level of selfish motivation to Sol's actions where he doesn't just want to protect Joe from violence or danger, he wants to redirect Joe's feelings from Ming back to himself. (And sometimes he fails to protect Joe not because Joe won't let him intervene but because he's too busy fighting Ming to pay attention to the guy they both just knocked to the ground!!)

If Sol really let go of the idea that Joe could ever want him again, would he still be as ride-or-die for Joe? Is the sincerity Joe showed him something he's repaying in kind, or is there always something he still wants from Joe lingering in the background? Is it possible to sincerely support someone you haven't stopped hoping will one day choose you? And when Joe refuses to let Sol help him, is it because he can't let himself burden a junior, or because he is intuiting and avoiding those strings that come attached to Sol's help, or both?

To me all of those questions are a lot more interesting than like "does Sol deserve Joe" or anything along those lines.

[sysig]

Growing closer than expected (Patreon)

[mixelation]

i've definitely had moments where i've gone "how have i been alive this many years and not known XYZ" so i do try to be sympathetic of other people but also sometimes i read things about people who sound like they have been wondering something really basic for years and if ONLY their education wasn't repeatedly failing them and denying them this information, and i'm like. did you know, instead of waiting in a classroom to be told this readily available piece of information, you could have just googled it

[aq2003]

I've had a vague urge to get more into Shakespeare for years; what are the top 3-5 plays you'd recommend that AREN'T Hamlet or Much Ado? And what version of each is your favorite?

(sorry for omitting two god tier ones but I've already seen David Tennant in each of those and I surmise that you're insane about both so I'm looking for some new plays)

gonna be some basic bitch answers but here:

macbeth - the tragedy of macbeth (2021) movie adaptation starring denzel washington. this movie is fucking stunning and the way they did the witches was SO good. also i have the throne of blood (kurosawa's adaptation) also on my watchlist since i've heard REALLY good things about it

richard ii - 2013 rsc production w/ david tennant (link). he gives me catastrophic gender envy, i need to become more masculine to become more feminine etc. ben whishaw in the hollow crown series (link) is great too

romeo and juliet - romeo + juliet (1996) movie adaptation directed by baz luhrmann. this is like, the most well known romeo and juliet and you might've watched it already but i'm listing this anyway because there will never be a better mercutio and the way they did the setting is SO fucking funny and inspired

twelfth night - so far only saw this one Outside On The Grass Where They Performed This At My College but i liked it a lot... reccing the 2012 globe production with mark rylance (part 1 / part 2) (his hamlet was one of dt's favorites as an aspiring actor) (i'm putting my faith in letterboxd and david's taste for this one)

coriolanus - 2014 donmar production w/ tom hiddleston (on archive.org). this is directed by josie rourke, who also directed dt/ct's 2011 much ado! the staging and the effects are fucking awesomeeee (also peter de jersey and elliot levey are in this, i love them)

also shoutout to the ones i want to watch:

the 2016 production of a midsummer night's dream w/ ncuti gatwa (i have found nowhere to pirate it and i might just crack and pay the 10 dollars to watch it)

the 2015 production of the love's labour's lost w/ edward bennett (he played laertes in hamlet (2009) and he's REALLY underrated, i love his benedick SO FUCKING MUCH even if that production overall was a little dull)

either hollow crown's or greg doran's henry iv (it's two whole plays i need so much time to watch that. and ideally i want to watch both lol)

kurosawa's ran (1985), an adaptation of king lear set in 1500s japan

vishal bhardwaj's omkara (2006), an adaptation of othello set in india

[iridescentoracle]

so like, what if harrow hadn’t lied to mercy about her age?

like. i’ve assumed (and seen other people assuming) mercy was asking bc she thought harrow might be gideon (i.e. the result of dios apate major), but alecto told harrow to lie about her age, and she did, and mercy left, disgusted by the idea of a baby lyctor but believing harrow really was just harrow

…but (aside from the fact that gideon is older than harrow and so the timing shouldn’t quite work out, bc i can imagine mercy having potential explanations for that) what was mercy asking for? was it just curiosity/a hope of getting answers? or did she have an actual plan (or at least the beginning of one) for the moments when she wondered if dios apate major hadn't quite completely failed yet after all? in either case, why would alecto want mercy convinced it wasn't true?

or, on the other hand, something i honestly hadn't thought about until i started writing this post and had to stop and check myself: is that even why mercy asked? was that what she thought, or did she have some completely different reason to want to know harrow's age, with a correspondingly completely different reason alecto thought harrow needed to lie?

[ferronickel]

Thinking bout the time someone yelled at me because they didn't understand butches.

[sirenium]

'If you're doom scrolling this tag-' shut up. Get out of the tag that you, yourself detest, block it, and move on. You're helping nobody with these corny ass posts; if anything you're exposing yourself to the very thing you hate. You're triggering yourself. And if you doom scroll, get out of the tag and block it. It's that simple.

[agentperezbian]

"I'm not misogynist for ignoring female characters it's just that every female character that has ever existed was written badly" I'm going to need you to consume a piece of media that wasn't aired on the CW before you speak to me again

[zhongluong]

PSA for this cold/flu season!

If you are on any psych meds, double check the interactions with cough syrups and cold meds! Specifically dextromethorphan can interact with some to cause Serotonin Syndrome, which can be very deadly if not caught quickly.

There are a handful without it, but they are not nearly as common. And those that are without often have diphenhydramine, which can also interact to a lesser degree.

So pay attention to ingredients, look up possible interactions,and stay healthy!

[cookinguptales]

that moment when, in your heart of hearts, you know that 95-100% of your readership simply is not pronouncing your protagonist's name correctly

and you also know, in your heart of hearts, that it is entirely your own fault for naming him that. lmao

[bonefall]

Thinking about that one post about the 5000 year old teenager girl found buried with her collection of 180 sheep ankle bones but specifically the addition of how ankle bones were used as dice back then and she was a gamer.. what I'm getting at is: would clan cats make bone dice and Are They Gaming

First let me teach you a little bit about Knucklebones: The Game.

You probably know one of its variants better as Jacks, that game you play with a rubber ball and little metal spikes. There's a version of Knucklebones in nearly every culture, where the basic idea is to throw an object up in the air, pick up as many of the smaller objects as possible, and then catch the larger object before it hits the ground.

In cultures with a lot of access to livestock, usually the hand and ankle bones of sheep would be used. Places that don't have them might use rocks, seeds, shells, whatever. It was Ancient Greece that had such an extreme take on the game that it eventually evolved into dice-throwing-- a totally chance-based game where you would just throw the biggest foot bone of a sheep (the astralagus; equivalent to the talus in a human) and see how they landed.

So the girl they uncovered in Kazakhstan with the 180 sheep bones wasn't really buried "with dice," make sense? It's more like being buried with jacks. Central Asia is actually jam-packed with knucklebones-types games. Mongolian Shagai is recognized by UNESCO.

And it makes a TON of sense, because those regions are grasslands absolutely ideal for raising sheep.

SO. CLAN CATS.

There's two major considerations here;

ONE: The access to, and size of, sheep bones.

Clan cats don't kill sheep. TRIBE cats actually have access to sheep and kill one or two a year! I would actually like to give them a bunch of special uses for various parts of the sheep. I think the eagle-killing thing in canon is actually pretty ridiculous for several reasons

BUT THAT SAID, an astralagus is the size of a cat's paw.

[ID: A human holding an astralagus in the tips of its fingers.]

You'd need to play a different sort of game with this. It's more like a square softball to a cat than a little rubber ball.

Boar also have bones like this, though. A muntjac probably produces bones that are sized properly for a cat. Hares and rabbits are probably the BEST bet here though, which, somehow feels right. I'm not sure why, but WindClan seems like the gamerclan Clan that would think up these sorts of cute games.

Something about it fits their whole savvy culture, tunneling, emphasis on trade and invention pre-Heatherstar. ShadowClan and WindClan share a cultural value of innovation, but ShadowClan seems more... chemical and competitive.

Hard to explain it. ShadowClan invents flax retting and WindClan invents the drop spindle. There's overlap but it has a bit of a different flavor between them.

TWO: Range of motion

I've made BB!Cats have the same range of motion as the cats in canon, which is higher than a real cat. They're able to WEAVE, you can't do that without a basic pincher grasp. They're also able to mix herbs, wrap things up in leaves, and apply bandages.

I haven't actually given my reworked cats much more ability than they already had, I just codified rules based on what we already see.

But that said, they DO have less range of motion in their hands than humans. They have little thumbs and a better ability to grab, but can't twist their paws completely upwards. There's no way they can toss an object straight up, then catch it again.

So any games they do play would need to accommodate that. So far I've got Scratchstone, Teeterstrike, and an unnamed rhyme game. The bone game would need to look more like a game of marbles than jacks. Or, maybe more modified to accommodate swipes and strikes, somehow? Or a two-person game of catch?

Gotta think about it.

[sukugo]

Do you think gojo jerked off in yuuta's body (possibly had him watch)

this is not even a question. YES he did (both things)