#apocalypse novel au

[matchanon]

apocalypse novel au

AKA you transmigrate into a doomed world and resolve to hug the protagonist phainon’s golden thigh

after arriving to this doomed fantasy world that your online friend had pushed unto you, you instantly proceed to have the absolute worst 6 days of your fucking life. after all it’s a doomed fantasy world. you nearly die from both monsters and humans and if it weren’t for novel protagonist phainon, you would’ve become an extra ingredient in a cannibalistic ritual for god.

you used to regard novels as piece of fiction that exaggerate for shock value and entertainment, but less than three days into the apocalypse and you accept that sometimes they don’t kid around.

oh, and you are sure that is the protagonist. snow white hair, his blue doe eyes, a golden birthmark peeking briefly from his dirty collar. there’s a ragged feel to him that almost scares you — especially when he caved in the fish heads’ cranium with his bare fists — but then he smiles in relief and weariness.

you two are surrounded by corpses and there’s no mistake that the protagonist phainon is also shaken, but he still asks if you’re okay as he drapes his cloak over your nude body. you nearly burst out sobbing, which in turn makes the protagonist drop his darkly-steeled knife to check over your injuries in panic. gosh, he really is so nice. you had almost been killed by bug people, humans, wolves, idiots, monsters, fish and a cat dozens of times. there is no one in this world that cares whether you die or not. you are an alien in this world. phainon’s sincere concern is like a soothing balm and makes you cry like a child.

this world is the worst. why couldn’t you have been reading a fluffy childcare novel instead or something? you could almost turn green from regret.

looking up at the protagonist as he wipes away your tears and murmurs soothingly, he then half-supports you as you two hurry your way out of the cave. he might just feel sorry for you but you will take it, because right then and there, you resolve to butter up to and hug phainon’s thigh for the rest of your miserable little life.

(haha. you didn’t even read half of the fucking first book, and even less said about the following volumes. fuck, you are so dead.)

so as any self-conscious person that is acutely aware of your own physical feebleness and squishiness. you do your best in order to cling like a burr to your golden thigh. shame and pride are absolutely nothing in the face of a novel that does its best to punish a genuinely kind, nice, doe-eyed protagonist through series of shitty scenarios. you guide him to his cheats earlier than the novel. you convince him to throw away some of the scummier npcs. you steer him away from some of the routes he could’ve gone without in the novel. you even comfort him and learn to make this world’s food and shove it down his throat if necessary.

you also keep an eye on any mental breakdowns he could have, so far none, but he sometimes looks so depressed that you worry he will have a meltdown. who knows. perhaps your efforts really pay off, the protagonist does seem happier. and you’re glad, because although you genuinely see him as your golden thigh, you also start to genuinely like him. it’s hard not to. phainon is really as great as he was in a book— kind, but ruthless when need be. smart. silly. charming. optimistic. strong. cute but also handsome. confident. charismatic. it would be almost demoralizing to stand next to him if he wasn’t so goddamn cute when he gave you that boyish smile or insisted on being with you. the seamstress aglaea was not wrong to call him perfect in the novel.

so perhaps the protagonist can act sometimes a little too clingy, he talks too much, and is more into physical contact than you think a normal person ought to. but that’s fine. after all, you can understand being attached to one of his oldest and (if you say so yourself) most hardworking companions. and he had these few quirks that are maaaaybe a tad out of boundaries between friends, but who wants to be normal friends!? you didn’t work your pretty little head off to be just a normal friend. you staying by the protagonist’s side and having him become protective over you is the best plot armor ever. for him to trust and like you and (like classic protagonist behavior) do everything to protect his dear comrade is the one thing you have been striving for.

then one day, the morning after you have consoled and somehow proceeded to roll the sheets with the protagonist, you come to the earth-shattering realization:

holy shit, you think, the protagonist LIKES me

the romantic kind of like. the “i would do the nasty with you and then clean you when you pass up and stay afterwards” kind of like. the kind you’d only see in romance josei manhwa. holy shit.

phainon is already awake and watching you. he looks like a kicked puppy as he inches closer, his arms tentatively hugging you and getting bolder when you don’t reject him at all. he soothingly - timidly - palms and kneads the soreness in your lower back and waist. it honestly feels amazing, as if he had been born with the skills or done this dozens of times, but you still maintain your stern expression.

this is the protagonist of the fantasy apocalypse novel 《flame reaver》 and he likes you

the protagonist mumbles your name, peers at you with those pretty soulful eyes of his, his face so pure and beautiful and pitiful, a contrast to the hungering, madness-stricken expression that seized him the night before. he is so cute. and he likes you.

holy shit, you think again, i have won the freaking jackpot.

[alms4oblivion]

What if Ava came back, and humanity lost? What if they all ruined everything, and then had to live in the world they destroyed? What if everything old was new again, and you could see them through fresh eyes? What if there was still hope?

In The Eyes Of A Child - Chapter 1 - Alms4Oblivion - Warrior Nun (TV) [Archive of Our Own]

[sisterdivinium]

Now is the time to place your bets on whether or not this hyper self-indulgent doctor superion Vampire the Masquerade AU fic will or won't get to 100 handwritten pages...

[fairybrews]

team leader (thru tears) team leader!!!

[quirkle2]

who wants zombie au writing. don't answer that ur getting it anyway (1.6k words)

His shoes knock against the old flooring of the house, wood creaking under rubber soles that slide over the woodgrain. He drags them a bit, lifts his limbs up no more than he strictly has to, and they lead him to the nearest sittable surface.

The couch is old and dusty and has likely gone untouched for months, much like everything else nowadays, so he watches the thin cloud of dust billow off the cushions largely with disinterest. He collapses into the fabric heavily, feels the whole thing scoot back an inch and hit the wall behind him. The sound echoes, carried by lifeless rooms, while he unceremoniously drops his backpack to the floor by his feet.

The breath he lets out is slow and methodical and born of pent up muscles, aimed at the ceiling where he rests his neck against the back of the couch and relaxes every limb one by one. It’s a process he forces himself through, if only to rid the constant ache beneath his skin.

Slow, sweeping footsteps meander around the room in front of him, and Ritsu angles his gaze down from his craned back position to look at his brother. He wanders, like he so often does—seemingly aimless, but there’s something procedural about it that he’s convinced he just hasn’t figured out yet.

Shigeo’s empty eyes crawl along the hearth of the fireplace, explosions of ash sprayed out across the red brick. His head tilts up to trace his attention around the angular lines of the television, hung on the wall and screen grey with dust. He flits back and forth between the roundness of the bricked mantle and the sharp edges of the screen, like he’s taking notes.

Shigeo paws the television. Four lines of muck are cleared. The zombie blinks, paws at it again with dusty, curious fingers. Ritsu watches him make a mess of the television screen in silence, blinking tiredly.

He almost closes his eyes, but he fights against the urge and moves his fingers down his lap to reach for his bag. His middle hooks around the loop at the top and he lugs it up and into his lap, where he unzips it and peers into the shadowy contents.

Ritsu fishes out the water bottles. He finds the one with the messy R scribbled along the cap in sharpie and takes a big swig of it. It’s warm going down, constantly insulated in a bag of old, sweaty clothes. He feels like he can taste the odor in it, but it clears the grain in his throat from stomping all over dirt roads today, so he’s still grateful.

He holds out the one labeled S to Shigeo. “Thirsty?”

Shigeo looks at him from where he’s crouched down to the floor now, inspecting the soot along the hearth. Unfortunately, he sees handprints in the black already, and when his brother reaches a hand out to take it, his palm is covered in soot.

He lets him have his fun and settles his own bottle back in the mess of tangled clothes and rolls of bandages. Ritsu rakes his fingers through their stock with no real purpose—he knows exactly what’s in here, and none of it is useful.

They’d been searching all day; Ritsu doesn’t really know how far they’d walked, but it had to be a lot of miles. In and out of stores, up and down empty houses, weaving between warehouses—they didn’t really stop for a break. Not when Ritsu can hear Shigeo’s stomach from here and he himself has shaking hands. They can’t afford a break.

Nothing, though. Not a single goddamn thing worth taking. A settlement must have come through here long ago and swept the highway. They’re in the countryside, where houses are spaced out acres from each other and there’s entire cow pastures between properties. And yet every house they’d seen and entered provided nothing.

Ritsu stares into the negative space in his bag where there should be supplies. His stomach cramps and if he smells another whiff of that godawful sweaty, bloody sweatshirt he still carries, he’s going to throw up bile.

He leans away from the open pouch, eyes wandering to his brother who draws… something into the soot of the hearth. His water bottle sits on the floor, abandoned and still unscrewed. Ritsu leans forward with great effort and a grunt, leaning over his bag to grab at the top of it.

It takes him two tries to get Shigeo’s attention, and one more for an answer on where the cap is. It’s then placed in his palm, covered in soot and also saliva. Ritsu swallows down the nausea that rolls up his throat and wipes it off with his frankly already disgusting sleeve, and screws it back on.

He leans back again, succumbing to the urge to let his eyes rest, and he listens to the very subtle swipe of his brother’s hands across brick. There’s birds outside, chirping, and even though it’s still very much a common occurrence, Ritsu cannot help but feel nostalgic about it.

If he ignores the awful hum of silence, and the distinct lack of an electric thrum throughout the walls, and the fact that this is a stranger’s couch and not his, he can almost imagine normalcy. He can almost say this feels like those quiet moments after school, when he settles on the couch and scrolls through his phone in a house that only holds him and his brother because their parents simply aren’t home yet.

He can almost hear the creak of wood from Shigeo walking around his room upstairs. He can almost tap his fingers on the couch cushions to the pattern of his brother making his way down the steps. He can almost hear the fridge opening, and the sound of milk being poured into glass.

Almost. But Ritsu listens to sharp silence instead, and he tries not to think too hard.

He drifts for a while, feels himself truly sink into the couch and let the cushions claim him, and he thinks about nothings because if he doesn’t, then he’ll lose it. He carefully sifts through the nothingness of his mind, through the passing thoughts that have no bearing, and he focuses on that, on the lack of substance. His head is too full of things that have too much substance.

He misses boredom. He tells himself he misses boredom—the complete insubstantiality of it—because if he lets himself think of what he really misses, it’ll drive him insane.

The cushions move, and Ritsu peels his eyes open and lets himself get pulled from liminal mindspace. The cotton in his head recedes, and he blinks, and then he’s swiveling his head to look at his brother who sits in the cushion right next to him.

His hands and the cuffs of his hoodie are smothered in black. Shigeo sits hunched, gaze still wandering even when there’s not much decoration in this house to look at. He studies the off-white walls, the chips in the paint, the holes drilled in where there maybe used to be photos hung.

Ritsu gazes at him quietly, chest instinctively rising and falling to match his brother’s rhythm. He watches the expansion there, under his hoodie, in the subtlety of the folds and the way they warp over the movement. It’s slightly quicker than what he’s used to, but Ritsu knows his brother’s heart rate is much slower. He’s felt it before. He’s listened to it before, with his ear against a chest.

Ritsu’s attention moves to his eyes, and the heavy bags underneath them, and the paleness of his pupils and the ghostlight of him underneath that. He stares into them, looks for stray, familiar thoughts that might enter his head. Looks for old memories that might shine through in the form of recognition when he sees furniture layouts, and candy wrappers, and ads for soda.

Ritsu looks for it all the time, that glint of familiarity. And he finds it, sometimes. And really, he thinks that’s keeping him going more than food ever will.

Shigeo turns his head, and looks at him. Sometimes, when his brother looks at him, there’s not much there. No substance, no anything. And Ritsu finds it a bit evil that he craves silence in his own head, and yet noise in Shigeo’s, and often times it is the other way around.

His brother looks at him now, though, with that comforting recognition. That growth of the pupils, that softening of the hard edges of his face where unknown stressors have gotten to him. Ritsu wonders what zombies get stressed out. He figures it’s the same deal with humans, considering they’re largely alike.

Ritsu wonders if Shigeo knows he’s sick. He wishes he could ask him. He wishes for a lot of things. Silence in his own head is one of them.

Ritsu swivels his head away and stares at the ceiling, if only to force the thoughts to pause. He studies the popcorn ridges above them, traces the peaks with his gaze. It calms him, gives him something to focus on. He looks for patterns in the shadows they make.

Shigeo shifts next to him. And then he shimmies down, settles into the cushions, and plops his head right down on Ritsu’s shoulder.

Static roars in his mind and his heart stammers. Ritsu swallows the lump in his throat but that just makes it bigger, so he clamps his mouth shut and breathes carefully through his nose.

The tears cut through the grime on his face. He plops his own head down against his brother’s, and lives in the noise.

[rowanfedorov-2709]

If I may, why do you call zombies nosis or however it's spelled? Is it just like a different word for zombie or...??

yes, where I grew up they told stories of the end times.

Nowis was told to be all of the worlds evil incarnate, they said that they'd eat away till there was nothing left, that those who worshiped him would survive to rebuild..

but that was all a lie and nowis is just a word. my father was a shitty "cult leader" and nothing more.. i mean ill agree it is a strange coincidence he was right, but that's all it is. a coincidence. nothing more..

[blade-that-was-broken]

So in this apocalypse au, how does barb/ thrash plan work since last I checked the whole plot revolves around the six strings. However all of the tribes and most of the sub-genres believe the pop trolls are all but extinct? Also since the rock trolls don’t know about the pop and putt trolls, I take it that poppy never got barb invite to invasion. So maybe in this scenario, cooper and poppy found out about the strings and tribes through other means and cooper wanting to know about others like him decide to leave their home and somewhere along the way they meet branch and his group. Although another scenario could be branch group while trying to find help/ stop barb ended up accidentally finding the lost tribe.

Also would branch grandma be alive cause I can imagine her being so happy to see her grandsons then with the exception of brach grab them by the ears and say where have you’ve been!

Oh boy, so I actually have a lot planned out but not much written in terms of story wise. I'm not sure how much people want to know explained vs. what is in the story itself so I am going to put this under a break so that anyone who does not want spoilers or know what is happening - does not have to know.

So be warned! SPOILERS AHEAD

DO NOT READ IF YOU DON'T WANT TO SPOILERS

Once again! Spoilers!!

Last Chance !!!!!

I'm warning you!!

Thrash starts his Invasion LONG before Barb ever gets the idea. She's probably a child, maybe even a baby, when he starts. Although this concept started as just canon divergence, it has turned a bit more into an actual alternate universe, with slightly different rules on how things work, including, to some extent, the strings. Or just expanding on it.

The invasion does revolve around the strings. Thrash is under the belief that Pop Trolls are his biggest adversary and therefore, waits to go after them until he has gotten through the others. He does not know that Pop trolls numbers have dwindled due to the years of Bergens feeding on them. So he attacks the other tribes and takes their strings, using numbers and force to rule them. He takes out leaders or makes them scatter.

This is more of an actual invasion and war than in canon, which was more of kidnapping. The first tribe goes down due to surprise, while another scatters. There is a small alliance to fight back but after a while, the last string (aside from Pop's) has been taken.

In this au, the strings have some power individually as well as together. I'm not sure what individual abilities they have yet (will be open to thoughts cause this is something I should expand on) but when Thrash has five of the six strings, he can zombify his victims. It is just not as steady and intense as if he had all six.

So when Thrash gets the five of the six strings, he turns to find Pop and attacks them when they are fleeing the Troll Tree. It is a MAD HOUSE.

In the end, Thrash doesn't really get a hold of any pop trolls due to the Bergens, mostly, and the Troll Tree literally ends up exploding. So according to the world, it appeared that Thrash had killed all of them. Thrash knows he didn't do this, but he lets the world think he did because it makes them fear him more.

In reality, the pop trolls flee like they did in canon. The Putt Putt trolls do exist, although not in the same way that they do in canon, as Viva is not leading them. Peppy does escape with much of the other trolls, and none of them quite understand the whole Rock attack thing. However, this added layer of attack did make them far more careful and paranoid so although they are very happy and doing the best with what they have, it's not quite like it was in canon.

And as for Rosiepuff... uhm... at this point, lets just say Branch does not escape that trauma in this au. It might be worse actually /winces/

This au, at least so far, doesn't really have much in the way of the actual pop trolls and Poppy-centric. It is mostly about the other troll tribes and Viva. And the Bros of course. The Pop trolls have escaped the war and dystopian-rule ish for now so as of currently, the story does not really focus on them.

I'm not sure how much people want to know. Granted, I don't know when I will write this - or if I'll be able to finish it - but I do have a ton of ideas/plans and could explain so much. This au is more dystopian/apocalyptic and war-torn than canon ever even could have alluded to.

[solelial]

i’m thinking i’m going to start posting little teaser things for BIAE here as i progress so here’s one now LMAO

he’s so pretty i wont him

Art Masterlist

[littleguy-pi]

Sometimes I’m writing a fic and it’s not working and so I’m like oh it would work so much better if it was a whole ass graphic novel I should just do that. Girl are you crazy. Girl are you actually insane. The carpal tunnel girl

[will-continue-livinglikeimtrying]

Chapters: 1/? Fandom: Nimona (2023), Nimona (Webcomic) Rating: Mature Warnings: Graphic Depictions Of Violence Relationships: Ballister Blackheart | Ballister Boldheart & Ambrosius Goldenloin & Nimona, Ballister Blackheart | Ballister Boldheart & Nimona, Ambrosius Goldenloin & Nimona, Ballister Blackheart | Ballister Boldheart/Ambrosius Goldenloin, Ballister Blackheart | Ballister Boldheart & Meredith Blitzmeyer, Meredith Blitzmeyer & Original Character(s) Characters: Ambrosius Goldenloin, Ballister Blackheart | Ballister Boldheart, Nimona (Nimona), Meredith Blitzmeyer, Original Characters, Original Genderfluid Character(s), Todd Sureblade, The Director (Nimona), Diego the Squire (Nimona) Additional Tags: Zombie Apocalypse, Alternate Universe - Zombie Apocalypse, Post-Zombie Apocalypse, Zombies, but like you're gonna see a few of 'em here and there, live people are scarier than zombies, Family, Team as Family, Family Dynamics, Family Feels, Crows as Found Family (Six of Crows), Survival, Survival Training, Post-Apocalypse, Apocalypse, Pre-Apocalypse Flashbacks, Loss, Blood Loss, Loss of Limbs, Mild Gore, nothing too graphic of course, I'll try at least, Gender-Neutral Pronouns, Genderfluid Character, Canon Non-Binary Character, Trans Character, Trans Male Character, Trans Ambrosius Goldenloin, Corruption, like in the safehouse facility, trust me guys things get tense in the safehouse, Time Skips, Post-Time Skip, Pre-Time Skip Backflashes, Mid-Time Skip Backflashes, Father and Child Bonding, Adopted Sibling Relationship, Protectiveness, Protective Ambrosius Goldenloin, Protective Ballister Blackheart | Ballister Boldheart, Protective Nimona (Nimona), Protective Original Character(s), protective meredith blitzmeyer Summary:

Ballister gasped for breath as he slammed his shoulder against the wall while rounding the corner. He had been running, faster than he ever has before, and as he deliriously made it up the stairs of the apartment building while holding his right shoulder, ignoring the calls for him to stop behind him as he finally made it to the 6th floor.

“Ambrosius! Nimona!” He yelled as he ran down the halls, running toward where his family’s apartment was.

He paused when he looked down the corridor, horror grasping him as he saw every single one of the doors open, and... and there were people... all over the place...

What was left of them, at least. The whole of the walls and floors looked like something...

Something straight out of a horror scene...

But this was exactly what this was, wasn’t it?

That’s what this felt like.

[foxmulderautism]

i keep stressing about overwriting this damn apocalypse novel and it’s like girl what is the problem if you do this is literally your silly apocalypse novel

[matchanon]

the apocalypse novel au is so good!! thinking abt poor phainon pov… he’s trying so hard to flirt and reader’s just like thank u my dearest comrade in arms. guy’s losing his mind </3 u give him a snack u made just for him (since ur fucked if he’s not at peak performance) and he’s like we’re soooooo back and then u go help someone else clean their wound (phainon may be strong but it never hurts to have more people) and he’s immediately like it’s so over

also sorry if this sent multiple times tumblr mobile is truly barely functional these days

THATS SO FUNNY ANON

apocalypse novel au phainon would be so hopelessly down bad. its almost sad.

.

on a side note, i’m glad some people found the apocalypse novel au funny. i have a like for transmigration novels, comedic romances, yandere, and i read CN novels in my free time. I can’t wait for the CN web-novel sites to get saturated with Amphoreus romance novels (there are quite a few for Xianzhou and Penacony 😚).

[s-4pphics]

drenched in white. (e.w.)

SYNOPSIS: after all your time alone, you’re finally not, but you’re definitely not prepared for your new life. [jackson AU]

WORD COUNT: 7.1K

WARNINGS: readers mute and taller than ellie, death, murder, blood, mentions of alcohol/starvation/hypothermia, a bit of gore, near death experience, trauma and sadness, brief girls kissing, some fluff because kids :)

A/N: tbh idk where this came from but i missed ellie so yeah prob wont write anymore of this but yeah 

—

Apocalypses are fucking stupid.

Humans are born into nothing, forced to run all their lives from blood-lustful beasts that can rewire their entire brain chemistry into one that sadistically matches theirs, and if that doesn’t happen, you die anyway with nothing but the clothes on your back and a horse with no rider. That’s fucking stupid. 

You weren’t alive when the world was thriving… presumably so — whatever the old world considered thriving. Those history books you stole in adolescence would argue otherwise, but there were some happy moments. On occasion. Maybe? Whatever. But you weren’t there, and you can only imagine how you would’ve turned out if you were. Would you be married? Have children? Own property? Businesses? Whatever other luxury the old world prioritized although it all seemed exhausting? 

Would you be an addict, a trainwreck, someone who had it all then nothing in the blink of an eye? That seems to be reoccurring in some of those biographies you found about people called celebrities. They have everything then die too young or way too old and eventually fade into a nobody, just like everyone else. History is so heartbreaking. Such cruel fate. 

You’ve been by yourself for a long time. Some would still consider you young, but you feel like a zombie that’s risen from the grave most of the time. You steal and live selfishly and waste your life reading because you can. You’re lucky enough to no longer have anyone you care about. Your recklessness doesn’t hinder anyone but yourself, so you read read read. Sometimes, you hunt for books more than you do for food. You’re not a fighter — it surprises you every day how you haven’t died yet — but a decent amount of people would consider you book smart. This one group you crossed paths with some years ago called you a genius because you’re self-taught in practically everything: reading and writing, starting fires, planting food, sewing, mapping plains. Whenever you’re harmed, you can heal yourself kinda. When you were 14, you stepped on a rusty nail and, instead of living the short remainder of your life as an amputee, you heroed through a disgusting infection that left you ill for 2 weeks, then sewed your own wound up. You couldn’t walk for days. 

That same group also called you mute. 

You don’t think you are, but rightfully so. There’s no one for you to talk to, so you don’t talk, simple as that. Everyone you knew died when you were a kid, maybe 7 or 8 — spending the majority of your life alone and in hiding doesn’t make for much conversation. Plus, the fucks that rule the Earth are nosy as hell. Being as quiet as possible is needed. 

Reading passes time. It’s the last phase of winter, but it’ll be Spring in no time, thanks to the bag you drag through snow: stuffed with one jacket, a rusted chef’s knife, and 46 different novels and counting. 

Your body’s gonna shut down on you. It’s so fucking cold and you’re barely layered but you haven’t finished The Cable Companies, One Hundred and One Best Songs. The pages filled with piano notes are almost enough to make you hear the songs… Or maybe the lack of nutrients is making you hallucinate. Guess you’ll find out when you finish. Just 22 more pages. 

No food, no water, no warmth, no antique piano. You’re fucked any direction you turn. 

There was a small cave somewhere around here. You used to sleep in it during the summer; the dark was always cooler. Maybe it’s buried underneath heaps of snow. You hope not. Fuck. 

The closer you get to the cavern, the grosser the air becomes. Death carries a certain mugginess. Why’d they have to die next to your one retreat? 

You drag and drag on like your legs weigh a ton all the way to the cave and… Great. 

Death and no entrance. Red coats the snow and it reminds you of the twisted tale of Snow White. The decaying carcass of a deer should alarm you, but you only sigh in defeat. Where the fuck are you supposed to read without disturbance? 

You only make it two more steps before you collapse face-first into ice. Your lungs wheeze in pain and you’re trying to get yourself up but you can’t. When you blink, you see colors. 

Is this death? Or karma? A squirrel runs past you just to rub it in. Furry little bitch. 

It’s only when your brain whispers for you to give up that you fully submerge into the snow. Small cries of pain are the only proof of your survival. 

Fuck everything. Fuck people, fuck people that turned into monsters, fuck all the stupid trivial shit that the other world loved so deeply. Call it jealousy. Everything’s for nothing nowadays. 

Your final thought before the world goes dark. 

—

Why is there annoying beeping in heaven? 

Maybe you’re naive in believing you made it there. Maybe this is hell. You thought it’d be more fucked up than this. The beeping is irritating though. Besides that, it’s peaceful. 

Is this an in between world? Half dead, half not. You remember being into paranormal shit in horror stories years ago. Ghostly entities and whatnot. Maybe you’re… that. There’s whispers in the background. Bleary and distant but you kinda hear them. Maybe someone’s conjuring you up. Why you of all people? 

“— ne… de…” 

Need? Your ears are failing. Why is everything suddenly hurting? Pain in your eyes and behind them and all the way down. It’s hurting everywhere. 

“—Jus… there… Not sure.” 

It’s hurts so bad everywhere make it stop make it stop —

BEEP BEEP BEEP BEEP BEEP BEEP

White overtakes your vision. Too bright and too cold and you can’t stop heaving but you want to because it fucking hurts everywhere

“Hey! Hey! Calm—” 

The voices are clearer and so is the beeping and so is the pain. Gentle hands land on your shoulders and you thrash when faces, needles and medical equipment clear in your vision. There’s something sharp in your arm. Where the fuck when the fuck how —

“You needa calm down—“

You try to tell this blonde freak to go fuck herself but your voice is shot, coughing and spit flying everywhere. 

“The fuck is her probl—“

“Be quiet—“

A crackling scream ripples through you, tears streaming down your face because suddenly more hands are holding you down. Malicious intent or not it makes you fucking sick. The beeping only gets faster. 

“MY — my name’s Maria! Listen to me! My name’s Maria! Some of mine went out on patrol a few days ago and found you almost buried. We’re tryna help you!” 

You continue to sob but they’re a little less guttural. Her voice is nice. Very motherly. 

“You were halfway dead out there,” She huffs like it’s funny and you wanna throw a chair, “What’s your name? Gotta name?” 

All the hands are off you except Maria’s. Maybe because you’re not trying to kick her face in anymore. You’re trying to tell her you don’t fucking remember but nothing comes out. Just more coughing. 

“Take your time. Deep breaths, shhh, you’re alright.” 

You finally meet her eyes and they’re pretty. Pale blue like spring water. The beeping starts to slow bit by bit. It took you all this time to realize that’s your heart. You glimpse at the monitor and… those squiggly lines mean fuck all to you. Why couldn’t you just die?

Your eyes travel, albeit less frantically, but on high guard. Skeptical as ever. You couldn’t even defend yourself against these incredibly polite barbarians if you wanted to. Your bag’s gone. Everything that’s yours is gone. The beeps increase all over again. Maria must sense your anxiety. 

“Hey, hey, we have everything. We just had to make sure you were… alright to come in. No bites or nothing, ‘k?” 

… Fair. Whatever. Gimme my shit. 

“We were snoopin’,” Your vision follows the new voice. A man this time, average sized and bearded, “Ya like t’read?” 

You squint and nod. 

“‘S a good habit.” 

… Awkward. It’s quiet now. 

“How ya feelin’? Any pain?” Maria pries gently. You shrug. Not as bad as it was 2 minutes ago. You eye everyone in here, study as much of them as you can. Face, hands, guns latched around their thighs and shoved in their belts. They’re all threats while simultaneously being unthreatening. For now, at least. 

“Y’all can get on. I got it from here.” She waves the remaining people off and they leave with tense smiles. The door clicks behind them. The beeping is the slowest it’s been since you woke up. 

“Bout that name…” 

You only stare at her. 

“Don't remember?”

You scratch at your neck, and she sighs, “Not much of a talker, huh?” 

You mime writing in a notepad, and Maria quirks with interest. She searches the room before digging through a drawer on the farthest dresser. She returns with a small book and marker. 

The aches in your fingers don’t halt your scribbling. You turn the book towards her. 

ARE YOU GOING TO KILL ME? 

The corner of her mouth lifts, “No point in fixin’ ya up if that was the case. No offense, but you’re not threatening.” 

You snort. 

“You been by yourself for a while?” 

You ponder before scribbling. 

I WATCHED MY FAMILY DIE. PRETTY FUCKED UP CHILDHOOD. I’M ALWAYS ALONE. 

She stares sympathetically and shakes her head in apologies. All you can do is shrug. You’d be more surprised if a kid grew up in this world without experiencing mass destruction. Trauma practically raised you. 

“There’s not many people that can do what you do, y’know? You gotta gift.” She jerks her chin at the booklet. “Somebody taught’cha?” 

You point to yourself. 

“Don’t let that head get big now.” She smirks and you smile sorta. 

“We got kids…” Maria blindly points towards the door. 

“A lot of ‘em, and we’ve been tryna get them to read more but… I don’t know, some of these old bastards think it’s pointless and that discourages them.”

Oh. 

“I don’t know what you got goin’ on out there, but… If you choose to go back out there, I won’t fault you, but if you don’t…” 

Uh oh. 

“How do you feel ‘bout teaching toddlers their ABCs?” 

… Shit. 

You scowl. 

“I know it’s not the best… position to be in but, I don’t know, I just want something they can look forward to everyday. A new story, some new conversations… anything to get their little brains crankin’.” 

“They’re so sweet and I feel like they’d gain so much from someone who cares just as much as they do.” 

You don’t write anything. Her pupils shroud with dejection. 

“Think about it?” She’s quick to turn away, but not without one last look over her shoulder, “Rest up.” 

And the door closes. Your eyes shut in no time, and a comforting darkness overtakes you once more. 

—

Leave with nothing but your annotated novels or stay where you’re well fed and warm but surrounded by snotty nosed orphans. Something to think about. 

You’ve been in Jackson — you learned the town is called — for less than 48 hours, most of which you were recovering from a severe case of hypothermia. You don’t remember the last time you had a meal that hot. Maria had to reassure you that no one would take your plate. 

You still haven’t given Maria a clear answer for her teaching proposal, but she doesn’t bug you about it. She is very eager to show you the daycare though. She’s subtle. You respect it. 

Your books are still couped up in the infirmary because, frankly, you hate dragging them everywhere. Maria offered for you to keep them in the library, but you refused. They’re not up for grabs; You nearly died for every single one of those pages and you’ll be damned if someone touches them under your nose. They’re yours. It’s all you got right now. 

You might even leave with a horse if Maria still likes you after telling her no to teaching. Tomorrow morning will wrap up your little dead-then-alive journey. Couldn’t hurt to ask. 

It’s your first time back outside since your near-death experience. The sun is barely peeking from behind the clouds and your face is so cold it’s almost retraumatizing, but it’s pretty out. Maria was nice enough to give you new boots that weren’t hanging on by their laces. 

Jackson bustles like a real, non-apocalyptic town. Lights shine and pick-ups honk and people are fucking smiling? Maybe this is heaven. 

Those walls… They’re still high and barricaded. Scouts babysit those gates like clockwork. To think you were on the other side of their scrutiny just a day ago. The twinkling sound of joy confuses the fuck outta you. Laughter. Not only that, but from children. Not starving, nearly dead children, but well-fed, genuinely happy kids. Why does your stomach twist with jealousy? They deserve peace, of course, but so did you. So does every child. 

Your eyes search for them — curiosity overtakes your limbs and you step with determination, guided by your ears. The twinkles grow in volume — there must be at least 10 kids playing in the snow. 

“HEY! GET OFF, YOU FU—“

“Language!”

“HOW’S THIS FOR LANGU—“

“BOYS! ENOUGH! I’M SICK OF YOUR SHI—!”

“LANGUAGE, MS. DINA!”

“I CAN SAY THAT! YOU CAN’T!”

What a sight this is. Happy kids. Your heart swells. Slightly; you’re glad Maria isn’t here to catch your fondness. 

“Alright, vermins, get up, I’ll miss the party.” 

“5 more minutes, pleeease!”

“I’m not freezing for you. C’mon!” 

The kids seem to love Ms. Dina. They dangle off every single one of her limbs, begging her to throw at least 10 more snowballs. Maybe your ice-cold heart isn’t as frosty as you thought. The sight is disgustingly endearing. 

“Ms. Dina… Who’s that?” 

And the laughter stops. A bunch of eyes attached to tiny bodies all gawk at you, some with intrigue, others with fear as they cower behind their teacher… babysitter? Whoever she is. 

“Not sure, dove. You all have 10 minutes!” 

“20!”

“10 or freeze to death! Go!”

Excited screams filter through the wind when said vermins squabble in snow like puppies, pushing and shoving and chucking icy bullets at each other. You never had to worry about being the oddball out, but you sure do look like one now. 

“Hey. Maria told us about a scrounger.” 

Creases bunch in your forehead, and Dina raises her hands defensively, “Joking, relax. So, are you staying, or…?” You shrug unknowing, and Dina chuckles. 

“I think you should. If I had the option to stay here 24/7, I’d take it in a heartbeat. We could use an extra hand with the kids. Maria said you read?” 

You nod. “Cool. We have a decent amount of readers — more than most, but, uh… yeah. Our kids need help.”

Your lip twitches alongside your pondering. So many questions rest on your tongue but none can leave. Dina’s eyes are consoling. It shouldn’t spark irritation in your stomach but it does. 

“Do you sign?” 

You stare in confusion, and she elaborates, “Like… Sign language?” Her hands make a bunch of gestures you don’t understand and your head shakes. 

“Darn. No worries. If you’re ever interested in learning, just holler. We got some people that are hard of hearing so we all kinda use it occasionally. But, umm… yeah. I’m Dina.” She extends a polite hand but you don’t accept it. Your head jerks in greeting, and she smiles. 

She drops it back to her side, “What should we call you?” 

You don’t know. You don’t care. You’re not staying long. Your shoulders rise and fall nonchalantly. 

“Should I have them pick?” 

Before you can oppose, she’s hollering for— 

“DYLAN! COME HERE!”

A rascal with a beanie and bright red boots sprints towards the two of you. His cheeks are so plush and scarred. Dina fixes the color of his sweater, “Dylan, what’s a good name for a teacher?” 

“Ms. Dina, obviously—“

“Another name.” 

Chipmunk Boy ponders for a moment before snickering, “Mr. Octopus.” 

“Fucking hell—“

“Language, Ms. Dina! SWEAR JAR—“

“We don’t even do that here!”

“Okay, okay… just call them Dove or something! Don’t think we don’t notice you calling us that when you forget our names!” 

Dina’s eyes widen, “That’s not true! What the… freak!” 

Red-Boot-Ranger smirks when Dina catches herself before getting pelted at the back of the head with a snowball. 

“Little BITCH—“

Dina shouts, “HEY!—“

“MS. DINA, FRANKIE CURSED!”

“NO, I DIDN’T—“

Arguments break out between all 13 children, loud and boisterous and your head pounds. Too much for one day. 

“STOP— sorry, I gotta handle this, but it was nice meeting you! BOYS—“ 

Dina throws you one last wave before rushing off to scold Dylan and his… bully? You think that’s what they were called in some books you read. A kid messing with another kid or something like that. 

You take this last bit of alone time before you depart to explore. 

Despite your eagerness to disappear, Jackson is nice. You don’t know what Christmas entails, but it’s often described as festive: a day for togetherness and family and whatever the hell else ‘can’t be bought’ yet everyone buys. Jackson is visually festive. Celebratory scenery. What exactly they’re celebrating goes over your head. There’s nothing to be joyous over. Death traps Jackson at every corner. 

Loud music pulls you from your thoughtful stroll. One look through a very large window is enough to scare you shitless. A seemingly cozy space is filled to the brim with strangers who dance and drink and laugh their heads off; Their familiarity with one another makes you physically ill. The scene is like a bullet to the chest. Reminds you of what was once home.

Your nausea doesn’t overtake your curiosity, though. 

The moment you step into the bar, warmth suffocates you, heat sizzling through your legs as your face defrosts. The entire bar screams out lyrics to a song you never heard while cups get refilled with burning liquid and it’s overwhelming. There’s so much movement. Too much. 

Blonde hair swings out the corner of your eye and you’re instantly relieved. You hustle to where Maria chats with partygoers from across the bar. She’s shocked to see you. 

“Hey! You’re up’n moving!” 

You wave awkwardly. Gawk back at the people that gawk at you before Maria hands you a glass. 

“You drink?” You deny with a raised hand, and she smiles. 

“Probably not the best time to ask,” She hollers over the jukebox, “I’m hoping this is your initiation?” Her eyes are hopeful, and your throat dries a bit. Why are you hesitating to answer?

Maria’s nice enough… probably the nicest stranger you’ve ever met in your entire life, and it seems more comfortable in Jackson than anywhere you’ve been. It doesn’t seem so bad… but you don’t like children. You barely liked yourself at age 10; short and clumsy and vulnerable. Children are too exposed and trusting, even in this life. They get people killed because they’re not careful. It shocks you that a fortress like Jackson carries so many. 

A pen and paper get slid on wood and placed in front of you. You eye Maria, and she nods encouragingly. You waste no time. 

I DON’T THINK I’LL BE A GOOD TEACHER. DINA HAS MORE PATIENCE IN HER PINKY THAN I DO IN MY ENTIRE BODY. I’M SORRY. 

You meekly hold the note up for Maria, and you know she’s disappointed. You patiently wait for her to tell you to get your shit so she can kick you out herself. 

It never comes. 

“I hope that girl didn’t scare you,” In reference to Dina, and you deny, “I had a feeling you’d say no. It’s alright. Kids are… a lot.” 

You set the paper down in relief that she’s not angry. About that horse… 

“Doesn’t hurt to ask… You still wanna leave?” 

That stuns you. Oftentimes, large groups aren’t so welcoming to… scroungers, or whatever Dina made you out to be. The less mouths to feed, the better. If a newbie holds no purpose, they’re left out to die on their own. It’s happened to you countless times. Why does she care about a stranger so much?

Maria chuckles at your stunned expression, “It’s, um… it’s hard out there. We’ve all seen it, and we’re lucky to have found somewhere… stable. It doesn’t come often.” 

“The choice is still yours, stayin’ or goin’, but if you’re scared I’ll kick you out… don’t be. We got nothin’ but space.” 

Your mind races yet not one cohesive response comes through. Maria laughs at your slack jaw. “Here. Sleep on it tonight, and let me know in the mornin’. It’s a party! Let loose a little. Go mingle.“

You scribble on the last bit of remaining space. 

I’M NOT A PEOPLE PERSON. 

Maria huffs, “Neither’s my niece. She’s like a niece to me, that one, over there.” She points at the end of the bar to a woman, girl — looks around your age, babysitting a drink: tatted, hair pulled back, and sulking. She talks with a guy with a mullet that’s too movie-star ready. “You two’d get along, I think. Her name’s Ellie. Jesse’s the one next to her, he’s a sweetheart. Very helpful. If Dina was here, they’d be the Three Musketeers. She still with the kids?”

You nod, but your eyes are locked onto Ellie’s tattoo. You’ve never seen one in person. In romance books, people with tattoos are always trouble: good in bed with murderous tendencies. Maybe it’s wrong to assume, but Ellie doesn’t seem like that. No one that pouty would kill a fly. You wonder if her friend has tattoos. He’d fit the stereotype more.

“Wanna meet ‘em?” 

Fire bursts underneath your cheeks. You vehemently shake your head at Maria, and mischief glints in her eyes. 

“HEY, ELLIE, JES—“

You gawk at Maria, tugging at her wrist for her to stop, but she laughs, “Hey, you two!”

Your face falls into your palm. “Need somethin’, Maria?” A deep voice blares. Jesse, apparently. Fucking great.  

“No, hun. Just introducing a new friend,” Maria whispers loud enough for you to hear before tending to other patrons, “Convince her to stay?�� 

Your eyes roll and your heart pulses. 

“… Hey.” 

You wave weakly. Annoyed, and Jesse laughs. “Yeah, she’s a lot sometimes. I’m Jesse.” You send him a thumbs up. 

“… Gotta name yourself?”

You shrug with agitation. If someone else asks you that, you’ll scream. 

“… Hm. Okay, then. I’m gonna get another drink. Want one?” You decline as politely as your attitude allows. 

“You, El?” 

“M’good.” 

“Alright,” He hums too uppity, “Enjoy the quiet.” He goofs before following Maria to the other end of the bar. Silence ensues between you and Ellie, and it’s fucking awkward. It wouldn’t be if you were by yourself. You pick at the piece of paper in front of you. 

Ellie adjusts her stance, attention on the dance that dominates the floor, her tatted arm propping her up against the bar. You can see the fine lines out the corner of your eye: leaves of a fern resting underneath a moth. A Polyphemus. Compulsive. A symbol of death, you once read somewhere. Regardless, it’s beautifully done. 

“Want a picture?” 

You stiffen and your gaze drops to the paper. Your eyelids squeeze shut in embarrassment. 

Ellie releases a hefty breath before sighing, “You read?” She asks, and you shrug. 

“You don’t talk?” You do nothing. 

She already sounds annoyed by you. You hope she notices you’re in the same boat. “It’s better if you don’t.” She mumbles to herself. You throw a glare in her direction, but she pays you no mind. She’s focused elsewhere, eyes much more delicate. You discreetly follow her line of vision. 

… Dina. Hilarious. Is she a god here? Good with children and the annoying and aloof? Everyone here claps and hoots at her being dipped by her partner like they’ve never seen dancing before. When did she even get here? Where are the kids? Maybe they’re all snowballed out and went to bed—

… What. What the fuck? You don’t care, what the hell. 

You turn back to Ellie when Dina waves at her, wide-eyed and princess-y, before waltzing towards Jesse to throw her arms around his neck, which he eagerly returns around her waist. Ellie’s expression goes from lovestruck to tense in an instant, jaw clenched and eyes burning through the floor. You try to hide a snicker. 

Ellie’s jealous. Adorable. 

“The fuck are you smiling for?” She grumbles at you, but her cheeks burn under the yellow light. Your laughter finally bubbles over. 

“Nothing’s funny. Shut the fuck—“

“Well, what’d I tell you! Two wallflowers hittin’ it off! Look at that smile!” 

Maria graciously interrupts Ellie’s angered mantra. Your hand hides your grin before a light hand brushes your back. You flinch away on instinct. No one notices except Ellie. 

Dina greets you first and you almost holler with joy, “Hey, Dove! Sorry I didn’t come over earlier! Had to get this circus goin’ since no one else did,” She casually takes Ellie’s glass and downs its contents with no problem, “Thank you.” 

“Such a dick.” Ellie says slowly, and Dina smiles. “You love me.” 

You pinch your smile away. 

“Dove?” Maria inquiries. 

Dina shrugs, “Better than Doe. Makes her sound like a corpse. Dove’s cute.”

“Cute for a bitch,” Ellie slips under her breath, and Dina slaps her arm in scolding. Tames her until she quiets like an actual bitch. This shit is hilarious. 

“I like that. Dove.” Maria approves. “It’s… fitting. Joel found her buried in white, so.” 

“Okay, Mrs. Poet—“

Maria’s married? Huh. 

She hushes Dina playfully. The dark-haired girl interlaces Ellie’s fingers with hers before yanking her off the bar and onto the dance floor. The music slows as if cued just for them. Dina pulls Ellie into her, and Ellie’s hands rest on her waist. 

Dina leads, surprisingly. 

Ellie’s expression doesn’t scream delight. She’s nerve wracked and her eyes flit over every body that surrounds her with anxiety. Even yours. 

Dina’s a good distraction. She's quite seductive when she brushes loose hair behind Ellie’s ear, caresses her cheek, touches her with tenderness that you’ve only seen described on paper. Only in your imagination was it real. 

Kisses her.

Oh. 

You turn away. Your skin’s hot. Maria’s distracted. Thank God. You’ve had enough mingling for tonight. You leave the bar without a trace, the pen and paper left on the stand the only evidence of your appearance. 

“Hey! HEY! Ms. Dina’s friend!”

“They’re not friends, she just got here—“

“Shut up! Ms. Dina always said respect your olders—“

“Elders, dumbfuck. And she doesn’t look old—“

Ah, the potty-mouthed bully. Although, he doesn’t seem so threatening in the darkness. Children are the bane of your existence. You’re nowhere near the infirmary. Why are they out in the cold by themselves? 

“Hey, Ms. Dina’s friend, how was the party! Ms. M said we aren’t allowed to go in because people are… drunk, whatever that means!” 

The same voice from earlier. Red-boot-Ranger. Dylan. 

“It means they’re alcoholics—“ A girl this time. Shorter than Dylan but just as expressive. 

“I thought alcohol made people happy?“

“Could be, but my aunt drank herself to death so I guess it’s different for everyone!” 

Goddamn. 

“What’s your name, miss! … Ma’am?” Dylan corrects shyly. 

“Ma'am means grandma—“

“Ruth, shut the hell up, Jesus!” 

“NO, YOU SHUT UP—“

Dylan waits expectantly while the other two kids attempt to rip each other’s heads off. You flap your hands like wings. 

“… Fly? Your name’s fly?” 

You shake your head and point upward. 

“OH! Sky!—“

You wave your hands in denial and flap your arms while squawking. 

“… Bird? Bald Eagle? Um…” 

You yank at your hair in exasperation before pointing down at untouched, white snow beneath your feet. 

“Snow? Snow bird? Uhh… Swan… Lake?”

Decent guess. This fucking sucks. 

“I don’t know what your name is, miss, I’m sorry.” Fucking Christ, the poor thing looks so upset. You’re suddenly the worst human being on the planet. “Are you mad at me?” Dylan asks, voice laced with insecurity, and something cracks in your chest. What the fuck. Your hands wave in denial apprehensively, and he exhales a held breath before smiling. 

“I like you! Why don’t you talk?” 

You sigh before scribbling on your palm like you did with Maria, and all three kids excitedly demand writing utensils from each other. 

“I DON’T HAVE A MARKER!” Frankie hisses when Ruth slaps him on the shoulder. 

“DO YOU ALWAYS HAVE TO BE SUCH AN ASS? FREAKO!”

“Freako! ARE YOU FIVE—“

“What are you kiddos still doin’ up?” 

“MR. JOEL!”

Ruth and Dylan practically jump onto this old man and he groans mockingly. Joel. Hm. 

“You’re all supposed to be sleep. Did Dina not tuck you in?”

“She did, but we snuck out. We’re bored! Please throw snowballs at us!” Frankie whines. 

Joel calmingly caters to the children and their hyperactivity; his voice is very soothing. Gentle enough for the kids to accept that he’s not chucking snowballs at them this late at night. 

Joel addresses you. “Maria decided to keep you ‘round?” 

It was him. His eyes are calm and welcoming, but there’s a hollowness behind them. It’s hardly noticeable, but he’s bothered by something. He masks it well enough for the kids. He must be a dad. Maybe one of them is his. You just shrug, and he chuckles; crackles like fire. Breaks a bit. His eyes grow sadder the longer he stares at you. Is this man about to cry? 

“I’ll, uh… I’ll walk ‘em back,” He nods at Dylan who’s already half asleep on his shoulder, and you nod. He gives you one last look before turning. You clutch onto his hand before he can go any further. He seems shocked by the gesture, but you squeeze it with all your might. You hope every clench reads as a thank you thank you thank you. 

He swallows before nodding down at you, returning your gentle squeezes. The last breath he takes before leading the kids home is unsteady. Who broke that poor man’s heart? 

You watch his back all the way down the trail until the door to the bar slams shut. It’s Ellie all bundled up and seemingly about to strangle somebody. You can see Dina and Jesse scrambling to follow her through the window, but Ellie’s determined to get the fuck outta range. 

You don’t know why, but you whistle loud enough to get her attention. Her cheeks are blazing and her eyes are pained and angry. 

“The fuck do you want?” Her breath frosts with each spit she throws. You’re not really sure, so you throw her a thumbs up. Two just in case she read it as good work instead of are you good? 

She scoffs a laugh that sounds like a sob, “Fuck off.” And she’s off again. The opposite direction from Joel. 

Alright. Fuck her too. 

—

The past 5 days have been a blur. 

The morning after the party, your brain wracked to put every single interaction together but came up short. So much happened that you can barely grasp it. You died, came back, met at least 100 people, experienced acute peer pressure, and got cussed out by some short, tattooed psychopath with an equivalent amount of people skills as you. 

You’ve met teachers, medical professionals, rambunctious kids with a hunger similar to rhinos, a potential dad with an insane amount of patience, but all you can think about is Ellie and her fucking tattoo. 

You think that same moth appeared in your dream last night, flapping around and pissing you off. 

Maria’s been in a good mood, at least. Maybe because you’re staying in Jackson until further notice. You’re glad she didn't make a big deal about it: the inquiry was short and over breakfast the morning after the party. You slid her note that read CAN I STAY?, she said yes, and now you have a two story home all to yourself, floor stacked to the ceiling with your books and some she lent you. 

The first thing you did after she left was scream bloody murder for no reason other than relief. After years of instability, you finally have something consistent. You don’t know how to react to that besides weeping. 

There’s only one downside. Ellie’s your neighbor. Life will always humble you. 

She’s the first person you see every morning and the last every night and you hate it. The only time you experience true peace is when she’s out on patrol. To think you assumed Ellie wasn’t violent. She returned one morning on her horse covered knee-high in blood as she wiped her switchblade on her dirtied jeans. Even Jesse seemed intimidated. 

Meanwhile, you’ve been everywhere: tending the garden, handing beers out to men twice your age, fixing lights. Joel even asked for assistance on a car repair even though you’ve never seen one in your life. You both finished, though. Drives good as new. 

You think Dylan’s grown attached. He’s very clingy and you hate it but he also has the chubbiest cheeks you’ve ever seen so you have no choice but to forgive him for his sins. Whenever he jumps on your back while you’re squatted in front of the garden, you just deal with it. He rambles enough for the both of you. 

Now you’re serving dinner with a homophobe. Yippee. 

Seth sucks gorilla balls. When Maria first introduced you both, he thought you were deaf and asked if you had to be put with him. When you glared at him, he went red in the face. You understand why Ellie hates him. Apparently he called her and Dina dykes at the party and she and Joel almost strangled him. The canteen’s already filled with people, but the patrol group hasn’t returned. They usually make it back before sunset, but it’s dark now. Seth’s set on closing the kitchen down, but you decline everytime. They’re probably starving wherever they are. 

It’s not until an hour, then 2 passes when you wrap all 12 of their individual plates. 

You’re scared shitless, but it’s time for Dylan’s bedtime story. 

—

You always have to remind Dylan to keep his volume down during story time so he doesn’t wake the other kids. 

“Why would anyone give up anything magical for a cow? Okay, sure, you’re betting that they actually are magic, but why on Earth? I’d never give away my magic! Am I wrong, Ms. Dove?” 

You smile and deny. 

“SEE! Exactly! Anyway,” He refocuses on the page. “You numbskull! I can’t eat! You ruined my appetite!” 

Dylan’s a great reader, but he loses his place very often. You showed him the follow-your-finger trick and it’s helped, but the poor thing always has to comment on everything. At least he’s entertained. 

You don’t realize you dozed off on the floor until you’re frantically awoken by a teary-eyed Dylan. The big and small babies cry while they barricade the door with blankets and dressers. Your heart sinks. 

“Ms. Dove…” Dylan whispers. 

Screams echo from outside and the windows have orange hues. Something’s burning. 

“Someone bad is outside.” 

The patrol group is back. 

—

You don't meet Clickers often. 

They come and go and kill as they please and you don’t bother them, simply take your plans in the opposite direction as stealthy as possible. Even with your avoidance, they somehow always find their way back to you. Back to everyone. 

You hear everything from the daycare; hollering, gunshots, Clickers wailing, but you can’t fucking see. Protocol for a daycare lockdown is fairly simple: turn off the lights and take all the brats up to the nursery. It’s the most child-safe section of the building while simultaneously having a locked drawer filled with glocks. Great. 

Now you’re locked up with whimpering toddlers with a weapon you barely know how to use. If Joel hadn’t done that runthrough with you yesterday, you’d be fucked and so would the kids. You rock Dylan who sits on your lap while hushing the toddlers. You’re doing whatever you can to keep them quiet, but they’re babies who cry a lot. You hum to them, braid their hair, roll scratched-up dice but nothings fucking working. You never thought you’d regret staying in Jackson this early on. 

The younger ones start wailing when pounding on wood echoes from downstairs. Dylan holds you closer. 

Protocol is simple. 

Don’t open the door. Maria told you that. Keep it locked and don’t open it. 

The thuds get louder and so do the children and panic bombards you. It’s starting to feel too familiar. Those bangs are so fucking loud. Toddlers to 13 year olds are looking to you for guidance while you’re crumbling. How do you make them stop crying why won’t they stop fucking crying— 

Someone’s trying to beat the door down. Dylan’s practically choking you with his little arms as he sobs quietly into your neck. You don’t realize you’re crying until a small hand wipes your face and tiny bodies snuggle closer to you. 

Are you going to die surrounded by children all over again? One time wasn’t enough, God? The best moment of your life turns to the worst in a matter of seconds. You’ll have to run away like you did the first time. You should’ve never slid the note asking for more time with the kids under Maria’s door, fuck fuck fuck—

3 deafening pops bang from outside, and then there’s silence. It sounds like wood is breaking and there’s footsteps rushing upstairs and the babies are screaming so loud. When the nursery door lock gets shot off, Dylan screams right in your ear. 

“EVERYBODY OUT, LET’S GO!” 

“Mr. Tommy!” Relief washes over your kids before they start hustling. 

“OUT, OUT, LET’S GO!” 

All the kids scramble to grab their coats and socks and boots before rushing out of the nursery. Your hands won’t stop shaking. You barely get onto your feet before Tommy shoves you against the wall with fire for pupils. 

“You never fuckin’ wait to die when there’s kids around, you understand me!” 

You’re nodding but you can’t hear because you’re still sobbing. “Whatever bullshit you learned outside is over with now. It don’t matter what happens, always give them a chance to live even if it means you’re done!”

Tommy doesn’t waste another second on you. He leaves with a tense back and a rifle and you allow yourself to break. You heave and sob because that’s all you could do when you were a child and your brothers and sister were all killed in front of you. 

—

You vacate the daycare hours later. The doors need fixing. 

Your head and eyes hurt terribly but nothing compares to the emptiness in your chest. Maria told you that the kids would be separated into different houses until the daycare is safe for them again. Even she stares at you with disapproval despite her indifferent tone.

You feel like a ghost on the walk back home. Your hands are clenched in fists and your breathings slow. Why didn’t you stay downstairs and check the windows to make sure there were no intruders? Why weren’t you holding the gun in preparation for battle? Why’d you allow the kids to believe you couldn’t protect them? 

Because you couldn’t. In that moment, you were a child all over again, just as lost and confused and scared as they were. It was all too familiar. 

Jackson’s asleep, minus the painful groaning coming from behind Ellie’s home. 

You’re immediately in defense. So many patrol members had to go to the infirmary after their arrival. Maria never mentioned anything about Ellie. 

Your concern carries your feet until you round the corner, and her gun’s already drawn and pointed at you. That barely shakes you; it’s what surrounds her thats confusing.

She’s leant back against the foundation of her home surrounded by towels, a large bottle of clear liquid, and her profusely bleeding, non-tattooed arm that wraps around her stomach. 

When you take a cautious step toward her, her gun clicks. Her eyes are vicious and untrustworthy, and you know she’d kill you in a second. She watches every move you make down to the ragged rise and fall of your chest. You’re unsure how long you stand there before she winces in pain. It’s slight but you catch it. You slowly point to the open wound on her forearm. 

“What.” She rasps. You mime wrapping a bandage on yourself. Her snicker is pained. 

“Get the fuck outta here. You done enough for tonight.” 

You swallow thickly, unmoving. 

“Fuck off before I blow your brains out.” 

You take 2 more steps. 

“GET THE FU—“

When your knees hit the snow in front of her, she’s stunned silent. You’re already reaching for the bandage and bottle of disinfectant. You can’t see her injury that well, but she might need stitches if it’s still that bloody. When you reach for her injured arm, she pushes you into the snow. You groan in frustration before getting up and trying again. 

Ellie swallows a pained noise and maneuvers her injury away the closer you get. You’re trying to help her! Why’s she being so difficult! You crack open the disinfectant and your nose instantly burns. You gasp before moving the bottle away from your face. 

“Just go the fuck home, goddamnit—“

That’s not disinfectant. It’s acid. 

Ellie’s gun is still on you, but she’s not as steady. There’s a tremor in her weapon and her bottom lip is pinched between her teeth. Any movement she makes seems to hurt her. 

You move closer, and Ellie wheezes like an injured gazelle. It’s not until you see the small indentation when you realize her bleeding isn’t from a knife or a gun. 

Those are teeth marks. 

Ellie got bit. Your heart thrashes and your legs beg you to run. 

You know, and she knows you know. It’s a misunderstanding, it has to be. A human or a dog or a bear bit her, not a Clicker, not one of them. 

She smirks but it’s sinister. 

“If you tell anyone, I’ll tear out your windpipe and feed it to one of those fuckers.” Her head jerks towards the gate, and as if on command, the lot of them squeal into the night like hyenas. 

[letmetellyouaboutmyfeels]

Writing Pinned Post - Please Read

Hewwo. :3

I am currently on hiatus from fanfiction.

I am not quitting fanfiction forever! But my writing the last five or so years has been 90% fanfic while I worked on getting the rest of my life together, and my attempt to write both fanfic and original novels at the same time led to a really bad burnout. So I'm going to take this period to focus on getting my original novels off the ground. I deeply appreciate everyone's support, understanding, and patience!

Currently I am working on my Horsemen Quartet which I described once on a poll as:

An unholy (heh) mashup of horror, science fiction, and fantasy, this quartet follows four women in the middle of the zombie apocalypse who die and are mysteriously brought back to life. As they try to learn what happened to them, they discover they are not quite human anymore, and that they are being forced to play roles in a much larger game between Heaven and Hell. Featuring a 5th dimensional genderless being crammed into the body of an ant, the world's bitchiest trans man, the cutest war criminal you ever did meet, a woman who insists it's not mental illness if the voices in her head are correct, a woman determined to replace God, and the guy whose superpower is caring about other people. Basically what if I took Supernatural and The Walking Dead and chopped them up for parts. If you liked my Buddie Zombie AU, my Dark Codependent Buddie AU, or my angstier fics, this one's for you.

While I have, will, and do blab about my original novels on here I also have my author tumblr under my pen name @lincolnchristie if you just want more info and to see all my novel-related posts at once. The pinned post on there also has bullet-point updates on my novels.

I also have a Patreon (remember to sign up on desktop, not mobile!) if you would like to support me and get things like:

bonus stories

character playlists

chapter-by-chapter postings of the novels I'm currently writing.

I've been incredibly lucky to have such a large and devoted fic readership, and I hope that some of you will take the chance on my original novels as well! Thank you all!

[enilehtnorevol]

Hello! First of all, I want to thank you for your art. It really makes me admire it. A long time ago, I saw your drawings on TGCF on Twitter and I was delighted with it. I want to ask if you are interested in this novel now? and do you have any sketches on it?

hi! yeah i still like it, it's one of my favourite books just not something im focused on at the moment

and not only do i have tons of sketches but there's also same finished stuff ive never posted. this one was for a fq discord server art fight i believe, zombie apocalypse au or something

[thehybridsystem]

PLEASE CHECK OUT MY OC BLOG!!! ASK HIM THINGS OR ARGUE WITH HIM PLEAAAASEEE!!!

Got the charger but other than that the mission fucking sucked.

so around 2nd street I split off to "check the perimeter", I check the residential neighborhoods. luckily there were no Nowis (aka "zombies") but when i connected back with them at Claremont st i realized we were searching a fucking church.

these fucking dipshits kept treating it like something sacred, even after all this shit. they were all just fucking sheep listening to manipulative fucks now they're clinging to whatever pathetic "God" they believe in.

why would "God" let people go crazy cannibalistic? why would "God" put me in this shitty fucking base?

"God" doesn't exist and she never has. it's just a fairy tale your dad tells you to make you behave.

i fucking hate it.

besides what's the point in going to a "church"? when they explained what it was to me it's so fucking stupid. if I did believe I would know a building isn't sacred, it's the land that is. nowhere here is sacred.

this guy understands ^