#anyways I love both versions of both characters

[quasarzt]

ugggghh I love ur roleswap AU so much 😊!

thank you so much anon!! it’s been on my mind constantly. i’ve just been so busy with work that i haven’t had much time to actually draw lol.

anyway sketches and rambles :) using this ask as an excuse to drop this:

Roleswap meeting Canon. Imagine a friend you had for years, for a good chunk of your entire childhood, one you had a nasty falling out with that still hurts to think about to this day. And then suddenly, you meet a version of this person who’s essentially a version of someone if things were different, if they didn’t have the falling out and you had both still worked together. Imagine a version of a friend where they’re happier, they’re not using animals in their tech in a way that hurts animals. It’s basically seeing a what could’ve been type of thing. And it hurts.

I want to write a fanfic so bad about this, you have no idea. Just about roleswap in general, but also having the time trampoline malfunction and bring these two universes together. It would be PERFECT for character studies. AGHH.

[positivelybeastly]

From the Ashes Infinity Comics #16: Pygmalion, Part 2

Let's go. I'm eager to talk about this one, because it was good.

Ahhhh, I do love it when comic books are on the nose - and I genuinely mean that. Subtext may be for cowards, as Garth Marenghi once loudly stated, but I also feel like it's just. Too subtle, for most people. You really do just end up with a load of people who don't get the message because it wasn't loud enough, who are there because the franchise is cool and not because they internalise the messages of it, and that's how you end up with racist X-Men or Star Trek fans.

By all means, get into the franchise just because it's cool! But let's engage with the themes and the narrative and the meaning, too, yeah? Trust me, it makes it better.

Anyway, the Uncanny! The adjective applied to the X-Men most commonly since their debut in 1963, the concept of the uncanny has its roots in German philosophy, and specifically the work of Friedrich Wilhelm Joseph Schelling in 1837, but Beast and his mimic here correctly identify that it was popularised by Sigmund Freud's theories about psychotherapy and the human psyche, especially his 1919 essay literally titled "The Uncanny."

That being said, my first exposure to this word and its deeper meaning was in relation to Gothic fiction, and the use of supernatural figures like the vampire, in my English Literature class, where the following definition was perhaps a bit more apt: a. : seeming to have a supernatural character or origin : eerie, mysterious. b. : being beyond what is normal or expected : suggesting superhuman or supernatural powers. an uncanny sense of direction.

As a literary trope, the examination of the uncanny, liminality, and the creation of transgressive works exploring the human fascination with the taboo and what falls outside the bounds of 'normal', that which is considered both attractive and terrifying, is a very old human past time.

The X-Men, as mutants, were always meant to have this quality, though how much a writer wishes to touch on it will always vary. Compare and contrast Hickman's use of the uncanny to make Krakoa seem alien, disturbing, and strange, versus how very mundane a lot of especially late 00s X-Men was, with Utopia's focus on very War on Terror politics, and you can see just how different a vibe you get when you have a writer genuinely interested in exploring what makes mutants actually uncanny. Morrison vs. Whedon is another very good example of this dichotomy, imo. Morrison's X-Men are uncanny, and Whedon's are not. Both are good, but they have a very different feel as a result.

Anyway, enough waffling on about literary analysis!

Taking Ben Percy and Jed MacKay's lead, this version of Beast is very much more in line with his 90s or 00s self than the Defenders version he's meant to be closer to - 1985 Beast did not talk like this. That being said, Beast's use of affectation, facade, and code-switching to fit in means that it isn't really a breaking of canon, it just indicates that Hank feels that his goofball persona would be very ill-fitting for this stage of his life, and given the stresses he's under, I can't say he's necessarily wrong.

Browerian mimicry, otherwise known as automimicry, is a form of animal mimicry in which an animal will commonly imitate itself in such a way that it confuses and deflects attacks, i.e. a fish manifesting eye spots away from its actual eyes so as to misdirect a predator. But, as Hank points out, the form of mimicry on display here is somewhat more complex and involved . . .

And now we come to the first hint about what the actual conflict is going to be here - just how much of this mimic's thought processes are its own, and how much are Hank's? After all, while Hank has, historically born up under immense pressure, stress, and racial hatred before, that hasn't always been the case.

In Uncanny X-Men #8, he was one of the first mutants to experience racial hatred and a near lynching for the use of his powers in an altruistic manner, an experience which led him to nearly leave the X-Men. While he grew out of this misanthropy, it's interesting to see this trait potentially return in light of his inner conflict over his inner goodness and morality - it makes sense that Hank would question if he's only a good person when he's treated well, given his lack of faith in his intrinsic goodness and growing belief that he cannot be trusted.

So, we have to ask if this sentiment is the mimic, Hank, or both, especially given how sharp Beast is in this issue, and in MacKay's X-Men #4. Even an older, allegedly more morally degraded Beast, was more polite to similarly ignorant masses in Rosenberg's Uncanny X-Men, and yet, in this issue, Hank refers to them very unflatteringly, to say nothing of his somewhat brusque manner during his fight with the Upstarts . . .

"We're." "We."

Interesting.

I think this issue might well have given Psylocke more dialogue than all of Jed MacKay's X-Men run thus far. That being said, I'm not massively worried about her prominence and treatment, given that what she's gotten has been eminently capable, and she does have a solo series coming out soon, so it's not as though she's being particularly hard done by, I think.

Blankslate. I actually rather like that. It has a very pleasing simplicity to it, and it's both apt and unique, which is hard, given the number of existing shapeshifters that the Marvel Universe plays host to.

I do like that the instant Psylocke saw that Scott was considering field deployment of a vulnerable young moment, she locked that shit down, ASAP. We aren't having a repeat of Utopia's X-Force here, Scoot. Again, pulling at the relative lack of play Kwannon's gotten in MacKay's X-Men thus far, it's nice to see her so assertive and able to speak up against what she perceives as Scott's utilitarian tendencies.

Also, Hank continues to be incapable of sitting on a chair properly.

I really have to question what the fuck Scott thought was going to happen. Were you even listening to what Hank and Kwannon were saying, Scooter?

Hank really isn't used to having an outer monologue. It throws him, to hear the nasty things he thinks about himself spoken aloud, finished, and not left unanswered and unquestioned in his own mind.

It's also very interesting to see this fear explicitly acknowledged in even this version of Hank, given that this worry about rejection, and the ensuing bluster and humiliation, led to his violent reaction to the garbage intervention in Uncanny X-Men #600. He decided to leave rather than be made to leave, deciding that the X-Men had already elected to make him leave the team (not an unreasonable conclusion, given how determinedly shitty they treated him up until that point, and after it), and in so doing, made his worries manifest.

I've also talked before about the significance of moments where Hank doesn't talk. As a persistent prattler, it's worth noting his silences.

A Markov chain is, essentially, a statistical model of real-world processes, that often describes a sequence of possible events in which the probability of each event depends only on the state attained in the previous event, i.e. the prediction of a specific outcome after a number of specific events. Hence, a probability chain.

Here, Hank appears to have inputted data relating to his own life experiences, and the data available to him about the life experiences of his previous self, as well as, likely, his alternate reality counterparts, in an effort to discern his likelihood of turning out the same way.

While this version of Hank has substantially reduced life experiences compared to his older self, he still appears to be well versed in statistical modelling and probability mathematics. If he is behind his Prime self, it's likely only going to be for so long, given that this level of mathematics and modelling was well beyond his 1985 self, who was notoriously rusty at even his own chosen field of biophysics and genetic manipulation in New Defenders, having neglected his scientific studies in favour of, well, fun.

Prions are misfolded proteins that induce a similar misfolded state in normal variants of the same protein, leading to cellular death. Your most likely common experience of the word may be related to prion neurodegenerative diseases affecting humans and animals, such as Creutzfeldt–Jakob's disease, kuru, and mad cow disease.

While this is very impressive science, I think it skirts around the fact that Hank is essentially working on a gun that can kill him and reset him back to a more 'pleasing' version of the same person if someone he deems worthy of entrusting the gun to decides he needs resetting. This is horrific and exactly the kind of self-hating science that Hank would only ever conscience being used on him and only him, because he's like that.

This is the kind of thing that Simon Williams or Abigail Brand would beat his ass for doing, and then destroy, because no, Hank, do NOT keep the 'mind wipe me when you don't like me' serum around, it's horrible that you think so unkindly of yourself, you idiot!

I like Hank's weird little science lamp. The man can't just have a simple lava lamp like the rest of us, can he?

Oy vey.

To be continued . . . in another post, because I ran out of images right at the end, again.

[doverstar]

actually I love Tentoo and he is the Doctor and it was the only ending for Rose that worked and it is a huge gift to be able to have the man she loves grow old with her, they were always heading for that, y'all be quiet. I 100% understand the angst but it's okay, they're okay, good ending-

[firefly464]

Two souls. Both given a second chance. Both waiting for a third.

Some bonus versions under the cut :D

also shoutout to @fishcop for listening to me ramble about this idea and then showing up with a beautiful drawing like. an hour later :D

[louisianna]

I could write an entire essay (and perhaps one day I will) on how 'Furiosa' is Gothic fiction, a Gothic romance in particular, but I just need to talk about one key aspect of the relationship between Furiosa and Jack for a minute. A lot of discussion surrounding them has been about the nature of their relationship. Most people seem to love the ambiguity, myself included, and I think looking at it through a Gothic romance lens can help us understand why it works so well.

Most Gothic romances feature a heroine who is trapped inside a literal and/or figurative domestic space by a domineering man, typically a father or husband. Poor Furiosa gets both. Dementus imprisons her in the role of daughter. Immortan Joe imprisons her in the role of wife. These are restrictive domestic roles which have been forced upon her and which she cannot freely walk away from. Gothic romance is at its best when it is exposing and critiquing the cruelty of a patriarchal society and the unfair limitations it places upon women.

Furiosa evades attention by disguising herself as a boy. When Jack realises she is actually a woman, and that she is determined to leave the Wasteland, he immediately offers to help her get to wherever she needs to go. No questions asked. And what does Jack expect in return? Absolutely nothing. The trope of a good man, with experience, skill, and social standing, selflessly assisting the heroine, is quite common in Gothic romance.

Jack's words to Furiosa are never paternalistic. They speak to one another as equals. Dementus wanted to shape Furiosa in his own image, but Jack only wants to pass on what he knows. He doesn't want her to stay his protégé or sidekick. He wants her to be able to take care of herself. Until she asks him to come with her, he has every intention of letting her go her own way, leaving him behind.

Jack never comments on Furiosa's appearance. They dress as equals. Immortan Joe put Furiosa in delicate fabrics and planned to use her body for his own selfish desires, but Jack only ever touches Furiosa for her own sake. He doesn't want to possess her. He wants to protect her. He cleans and stitches up her wounds. He will place a comforting hand on her shoulder, only for as long as it takes for her to relax beneath his touch.

It's important to remember that this is a thematic tale being told to us by a History Man, a framing device which is extremely befitting of the Gothic genre. Within this legend, Jack and Furiosa's disregard for clearly defined domestic roles draws a stark contrast to the priorities of Dementus and Immortan Joe. It serves to highlight that their dynamic is free from patriarchal dominance. Whether their relationship is sexual or platonic, romantic or familial, is irrelevent. What matters is that their relationship is based upon genuine concern, deep respect, and unwavering trust. This is the lesson of their story, and it is a lesson for all to the hear. Jack does not merely represent a good father or a good husband or a good mentor. He represents it all. His character is fluid and multi-dimensional. His relationship with Furiosa is ever-shifting and all-encompassing. This allows him to be a role model to all men. But I digress from talking about Gothic fiction!

True domestic happiness for the Gothic romance heroine is only possible once she finds a companion who treats her as a peer; a social equal who gives her the freedom to choose and define the role she wishes to have in his life. It also requires finding or creating a refuge in which the heroine is safe from male power and violence. Furiosa found a more than worthy partner in Jack. Unfortunately, they didn't succeed in reaching freedom together.

Perhaps, in a less Gothic setting than the Wasteland, putting a name to what they were wouldn't have mattered so much. As it was, "my Jack" and "my Fury" was enough.

[opera-ghost]

it's honestly amazing how love never dies, in its most recent iteration with the US tour, did so much to improve upon the original london production

the sets look beautiful, the music still goes hard, the lyrics were reworked, and they had an extremely talented cast with great chemistry

and despite it all, it still managed to be one of the worst things i've ever seen. absolutely nothing can save that dumpster fire, and i think that's beautiful

[sparring-spirals]

Went through my kith and kin tag after that last post and once again lying on my floor thinking about. vex snarling at vax about his judgement being swayed by a pretty face-

(another person vax is brave enough to love, even if its dangerous. looking for the good and the kindness and the humanity among the darkness, trying to bring it forward, let vex experience it, even when it can leave him bleeding)-

and vax snarling at vex about her judgement being swayed by her desperation to be accepted-

(another time vex sees a way to secure safety and security and approval, which is safety and security, in a different form. for her, her and vax and trinket and everything she loves, safe in one place, where they can belong, they can stay)-

and. oogh.

Holding these twins in my hands. squishing them like playdough. one of them fights desperately to find the kindness and good and light even when its a fools errand. leaves himself open and hurt for a little bit of light. if it keeps vex safe, happier. one of them counting and calculating and running and cruel because the world demands it. keeps the counter going and going and does the hard things if it keeps vax whole, and okay. one close range and one long.

they'll hurt each other if it keeps the other whole. they'll gladly get hurt if it keeps the other safe. the world is harsh, and they are surviving. what the fuck. theyre such a fucked up pair. they love each other so much.

[forcedhesitation]

why should it just be steve who has all the torturous purgatory realm fun?

[hayaku14]

hello why is kaishin more popular than shinkai or what i mean is why bottom shinichi is like the most widely believed one? lol not really in the fandom just vaguely familiar with the anime from childhood it's just my mutuals likes this ship. i'd thought shinichi being the top would be more popular given his personality.

anon sorry for the late answer!!

imma be real honest with you, anon, i've loved the kidco dynamic since i was conan-sized but i only realized kaishin should be making out around 2021 so i don't know if i'm the best person to answer this question LOL BUT, i'll give you an answer!

tbh, i think for fandom shipping in general, the main character more often than not is the chosen bottom and whoever else is the other party is topping them. in japanese media especially, the ship names are mostly born from putting the kanji of their names together wherein the order of which indicates the seme and uke. since this happens early on, we kinda get stuck with that as the popular ship name whether you prefer the other way later on.

perhaps kaishin is more popular but not entirely by a lot compared to other ships where it's completely skewed to one side. i see a lot of shinkai too. ofc there are people who prefer one way over the other exclusively and that's completely fine!

personally, i think confining them into seme and uke or top and bottom does a great disservice to the kaishin dynamic because to me we should be looking at their sub-dom dynamic more and why they're actually peak switch sub and dom!!!!

that's fucking right kaishin is actually peak switch and i will die on this fucking hill!!!!!!!!!!

when you say shinichi would be the "obvious top," i'd like to assume in your heart you actually meant "the obvious dom" (LOL) but i think that could also apply to kaito.

i think the appeal of kaishin is the push and pull between them. the give and take. they're always trying to one-up each other. sometimes one pushes and the other gives way, sometimes it's the other way around.

i will be honest, perhaps switch pairings might just be my preference but I have never encountered a pairing that felt this completely equal in the switch department more than kaishin. like for other ships i'd sometimes be like, "yeah they switch but A is 70% more dom than B." But for kaishin I'm like, "oKAY THEY'RE 50/50 THEY'RE EQUALS THEY'RE PERFECT HALVES RAAAAAHHHH"

now how does this answer your question? well, i have no proof and im going off of vibes and like i said im no veteran in this ship fandom but, i think a lot of people do enjoy the other way around as you think it would've been. it's just that...it's something that can just be filed under the kaishin tag too. because it's basically the same sometimes. the only different thing is who's topping and bottoming. like sometimes i'm scrolling through twitter and i'd see art that's giving shinkai but it's tagged as kaishin and vice versa lol.

also personally i prefer calling them kaishin because i love the letter k and i associate the name shinkai more with makoto shinkai so every time i see people refer to kaishin as shinkai, my mind just conjures up an image of kaito, shinichi, and makoto shinkai together and i know that's fucking hilariously weird but it sometimes happens!!!! LMAO so even if i'm thinking about shinkai stuff, i still prefer using the name kaishin lol.

(but having the kaishin/shinkai distinction is definitely still useful especially for people who want to filter through one way or the other so fuck yeah to the ship name shinkai you're here to stay!!!)

anyway in conclusion, top shinichi is popular too dw lol, or maybe i should say bottom kaito is popular too lol i see yalls

also sorry that this answer is not only late but also a whole essay that doesn't even straightforwardly answer your question lol my bad anon

[sysig]

What your fave says about you: Sona/Undertale edition (Patreon)

[smilesrobotlover]

Okay I'll bite. What happened in this guy's childhood to make him go to the extensive body-destroying lengths to bring his mom back??

-Sky Floor

His father left and his mother was wonderful to Edward and his brother, they loved her very much. But in the 2003 version, she died, possibly from being heartbroken over Edward’s father leaving. She was sick for days and finally passed away. In the brotherhood version it was definitely an illness that passed around Risembool (where Edward lived) and his mother caught it and she died. He and his brother missed her and Edward wanted nothing more than to bring his mother back. He thought he would use alchemy to do it, but human transmutation is very illegal because of how dangerous it is. Alchemy is dependent on equivalent exchange, and it’s practically impossible to bring someone back to life. So Ed lost his leg, and Alphonse lost his entire body. Ed couldn’t lose his little brother so he connected Al’s soul to a suit of armor, losing his arm in the process.

Oh but don’t worry! His life gets so much worse :)

[lottieurl]

can all walter haters unite

[bestial4ngel]

No thoughts… only edizzy la cage aux folles au

[amiharana]

Okay, so I've read a couple of Revalink soulmate AU fics but I can never get through them because honestly I've never really liked the concept. And honestly, I feel like there's a decent chance Link would feel the same.

I mean, you've got a guy who didn't really get to choose almost anything about his life - he's a knight because his father was, he's Zelda's guard because he was selected by the King, he's the chosen hero because he's destined for it - and then he doesn't even get to choose who he falls in love with? And in most soulmate AUs probably has a literal physical mark on his body constantly reminding him of that fact? That's not romantic, that's existentially horrifying!

This idea might already be a thing but I've never really read fanfic before about a month ago when I got the Revalink brainrot so I don't know, but here's an idea I call the anti-soulmate AU.

Basically Revali doesn't have whatever soulmate-identifying mark exists in this story, and Link does, which is part of why Revali resents Link while Link is in some ways envious of Revali for the opposite reason. Somehow they end up actually talking to each other and grow close, and eventually Link basically decides "fuck it, I don't care that there's some destined perfect partner for me, I'm choosing to be with this guy." And even though they provably aren't soulmates and their relationship maybe isn't perfect, they still love each other and are happy together.

There can be some angst about Revali feeling insecure since there is someone out there who objectively would be a better partner for Link even though Link doesn't actually want to be with them, and about how this is basically depriving Link's soulmate of their perfect partner. Who that person is doesn't really matter, but making it Mipha would add even more to her whole "tragic one-sided pining" thing. Or it could just be some random person, like I said it's kinda unimportant.

Anyway the Calamity happens, and since Link kinda-sorta-dies whatever soulmate mark he has goes too and he's finally totally free from it. I have no idea if that's a thing that happens in these AUs, like I said I don't really read them much, but it kinda makes sense and fits this story so whatever. Maybe have Revali be revived after Ganon's defeated so there can be a happy ending.

Revalink as a concept is always just a little bit contrived. You have to mess with the timeline of the backstory if you want them to be a thing pre-calamity, you need to change how the Champion ghosts work to have them be a thing mid-game, or you need to have all the champions come back from the dead in order to have them be a thing post-canon, and you almost always need to mess with their personalities to have it be even slightly plausible. It's always kinda messy and doesn't totally make sense, and in this story that would basically be true in-universe and that's exactly why Link wants to be with him. He's pretty much the exact opposite of a perfect, destined partner who fits together with Link flawlessly.

Sorry for basically writing the entire synopsis of a fic that doesn't exist and probably isn't even that good of an idea, but as I mentioned I have the Revalink brainrot and I have no friends who I can send ideas like this to and I need to tell them to somebody.

so first of all, NEVER apologize to me for writing a whole fic synopsis in my askbox. my friend, are you familiar with my blog? all i do is write the longest fic rambles in the world here instead of writing full-fledged fic to upload to ao3 ☝️😭 so please do not even worry!!! i like ur fic idea a lot and it's good!!! and if you'd like, we can be friends and u can do what crow cryiling (affectionate) does and spam my inbox or messages w your ideas whenever you want 🤍 i luv to hear about revalink always

i honestly really love soulmate aus because i'm a hopeless romantic 😭🤍 SORRY but i do agree that to write a really good soulmate au for revalink, you can't just put any soulmate au template on them. like revali himself will actively break the fourth wall to fight against it because it just doesn't fit their dynamic; their whole relationship is built off of defying fate, re:your second-to-last paragraph. canon botw doesn't outline a clear path for revalink to ever be together in the way it might for zelda, mipha, or sidon even, so we'll always have to bend or break the rules of their universe for even a glimpse of future where they can be happy together 🥹 but it's the best part of their dynamic: they weren't supposed to be together, but goddamn it do they look good together.

i remember reading a fic where link and revali did have soulmate-identifying marks (i forgot what it was called but link's soul mark was revali's entire monologue in the revali's flap memory, and link hated him for it LMAO), but the idea that link would despise seeing the mark is so 🥺💔 i'm imagining maybe link was so excited to have one as a child, but after pulling the master sword and becoming a knight of hyrule, he now sees how he's doomed his soulmate to being tied to him and how he's responsible for their future or whatever. link has gotta develop some sort of altruistic complex about how he has to serve the people even at the cost of himself, i can't articulate it well right now, but i hope you get what i mean??? but that influences his resentment at the existence of the soulmark — not that he resents the person who is his actual soulmate, just the fact that he has one because he views himself as a burden on his soulmate as a result of his current position in life.

revali being born without a soul mark makes me so sad 😭 mixing this with my hc about him being orphaned, but revali getting bullied for not only not having parents but also not having a soulmate 💔💔 some of these rito kids are dickheads talking about "the goddesses wouldn't grant you even one person who would love you, haha!" and it definitely influences his workaholic tendencies training to become to most powerful warrior ever. he copes by saying he thinks soulmates are ridiculous and that there was no way there was another person in the world who could be perfect for you, that you should be given the ability to choose who you wanted to be with (but deep down, revali wants to know who the goddess would have chosen for him, if he did have a soulmate ㅠㅠ)

what do you think the conversation between link and revali would be like when they decide they want to be together, soulmates or not? what about the moment they fall for each other? who falls first? would it be mutual pining and trying to resist at first, because revali knows link has a soulmate who he deserves more than revali and link holding back because he knows what revali feels about the whole soulmate thing? or do they fall in love without holding back anyway, with link not caring for his soulmate at all like you mentioned? making mipha link's soulmate........ so tragic i feel bad for her fr if link resented her for being his soulmate kJDFKJD 😭 i lowkey wanna write these scenes tho idk HAHAHAH

the soul mark disappearing after link "dies" and is put in the shrine of resurrection is a really interesting idea though! like what's the mechanics behind that? i feel you'd have to go back and decide how the soulmate system works; is it a mysterious magic that no one can figure out? is it decided by some god of fate or love, hyrule's counterpart to aphrodite/eros? how did the magic decide that because link was "dead", he can't have a soulmate anymore/disconnected him from his soulmate? or what if link's soulmate died during the calamity before he was put in the shrine and soulmate-logic was like 'if your soulmate is dead, the mark disappears' so link's mark fades mid-battle and he doesn't realize it? and furthermore, link waking up in the shrine a century later and looks at his hand or some shit where the mark used to be and either (1) feeling a strange sense of melancholy at the empty spot on his skin or (2) looking at it but feeling nothing at all, and continuing with getting out of the shrine.

you could also explore how soulmate dynamics change throughout the hundred years he's gone. i'm sure plenty of people died during the calamity and lost their soulmates, so how does that alter the whole societal norms and culture surrounding soulmates? are people still born with soulmates after the calamity? do you think it becomes a taboo, that it's dangerous to meet your soulmate because what if you lose them? or do they see it as a mark of fortune, that love still prevails even in this near godless world after an era of tragedy? and then how does link interact with the world following his awakening, to find out that people have soulmates and look back at the empty, unmarred part of his skin and wonder, did he have one too? who were they? did he love them, and did they love him too?

AND ANOTHER THING, if mipha was his soulmate back then, does she still have her soul mark on her ghost?????? what if she did because well. it's her spirit and not her actual body, so when link meets her again post-waterblight, she's saddened by not only link's lack of memory of her but also the fact he's lost his soul mark. and also remembering that link would still probably resent her if he had his memory.

furthermore, there's two scenarios that instantly come to mind when i think about post-calamity revalink here. (1) revali seeing link post-windblight but link doesn't remember and revali having a similar reaction/feeling to mipha, but is having an internal conflict about whether or not he should be happy that link no longer has a soulmate he's bound to or sad that because of that, he'll never have another chance with link again because he's dead </3 or (2) champions are revived but link still doesn't remember his time with revali pre-calamity so revali is trying to give link an out and let him go to be given the chance to love someone else in his new life, but for whatever reason link is still drawn to him, moving to rito village and practically living in revali's shadow. it's another slow-burn of them falling in love all over again and maybe link gets his memories back?

if you ever plan on writing this, my friend....... feel free to send it to me because i'd Love to read it. like fr. there's so much potential for this one

[lovers-instead]

Sapphic YA Book Rec: Good Moon Rising by Nancy Garden

1996 follow-up to Annie on My Mind, this time featuring 2 girls who compete for the lead role in their high school theater department.

Links to download:

Internet Archive (to borrow)

Anna's Archive

Singlelogin.re

LibGen

[my-thoughts-and-junk]

No actually it would be funny and also thematically appropriate if fionna and simon started dating. This is so fucking funny to me